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"gesturing" poems
Waiting for the summer heat to eclipse the somber thread of one day, an old man is gifted a brand new pair of sneakers. Father, Son, Holy Ghost? The pinnacle of the "y" axis has paralyzed the saltiness of the old man's overcoat. "Grand dad?" A young boy turns the corner and peeks in while the old man leans over in his chair to reach his feet and lace his sneaks. "You were breathing loudly and I was just making sure you're okay." The boy continued, "cool sneakers grandpa." This reminded the boy of a new student in his class who moved here from Scotland, or Ireland - he couldn't remember which. Guess what the new kid in my class calls his sneakers?" The grandfather looks up and leans back, "he doesn't call them sneakers?" "Nope" the boy replies. "I would imagine he must call them shoes, or something like that." "Not even close. He calls them 'runners'. He came into class one day with a pair of red sneakers and Miss Kerrington had him stand up in front of class to talk about them. She said that people in England probably call them runners as a nickname for running shoes." The old man stood up with a groan and said, "That makes sense. It seems a bit odd, but I like it. As a matter of fact, I am gonna start using that to refer to all sneakers. What do you say we go for a walk around the block so I can break these puppies in? We'll stop for some rootbeer on the way home." The two of them set out on their walk and the old man felt invigorated. As they continued, a light rain began and the old man said, "lets get to the store, this rain'll do damage to my new suedes." When they finally made it to the store, the old man rushed in the door pushing his grandson out of the way. Upon his entrance his eyes met with the shopkeeper's. The shopkeeper's eyes shifted to the young boy coming in behind the man. At this moment the grandfather realized that he pushed his grandson aside in his haste to get inside the store and out of the rain. The shopkeeper turned his attention back to the grandfather who shrugged his shoulders before gesturing to his feet with a smile and said, "I'm breaking in a new pair of runners. They're not gonna dry off as easily as he does."
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Jul 26, 2013
Jul 26, 2013 at 1:59 PM UTC
Static Viking: New Land Conquered
Waiting for the summer heat to eclipse the somber thread of one day, an old man is gifted a brand new pair of sneakers. Father, Son, Holy Ghost? The pinnacle of the "y" axis has paralyzed the saltiness of the old man's overcoat. "Grand dad?" A young boy turns the corner and peeks in while the old man leans over in his chair to reach his feet and lace his sneaks. "You were breathing loudly and I was just making sure you're okay." The boy continued, "cool sneakers grandpa." This reminded the boy of a new student in his class who moved here from Scotland, or Ireland - he couldn't remember which. Guess what the new kid in my class calls his sneakers?" The grandfather looks up and leans back, "he doesn't call them sneakers?" "Nope" the boy replies. "I would imagine he must call them shoes, or something like that." "Not even close. He calls them 'runners'. He came into class one day with a pair of red sneakers and Miss Kerrington had him stand up in front of class to talk about them. She said that people in England probably call them runners as a nickname for running shoes." The old man stood up with a groan and said, "That makes sense. It seems a bit odd, but I like it. As a matter of fact, I am gonna start using that to refer to all sneakers. What do you say we go for a walk around the block so I can break these puppies in? We'll stop for some rootbeer on the way home." The two of them set out on their walk and the old man felt invigorated. As they continued, a light rain began and the old man said, "lets get to the store, this rain'll do damage to my new suedes." When they finally made it to the store, the old man rushed in the door pushing his grandson out of the way. Upon his entrance his eyes met with the shopkeeper's. The shopkeeper's eyes shifted to the young boy coming in behind the man. At this moment the grandfather realized that he pushed his grandson aside in his haste to get inside the store and out of the rain. The shopkeeper turned his attention back to the grandfather who shrugged his shoulders before gesturing to his feet with a smile and said, "I'm breaking in a new pair of runners. They're not gonna dry off as easily as he does."
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11
On Fridays, I cannot have you. Though the faraway look combs through the glances, the heads lowering and longing On Fridays, I cannot have you. The icicle street of perturbing yellow parallel lines and molasses traffic that seems to rake the people across pavement into curvatures of avoidance keep me running. On Fridays, I cannot have you. I repeat it, a gesturing phrase, recurring, as I watch the transcendent glow, a denouement to a one-sentence story. On Fridays, I cannot have you. Could have: (What will save the moment in untickable preservation?) On Fridays, I cannot have you.
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Oct 18, 2013
Oct 18, 2013 at 1:09 PM UTC
On Fridays, I Cannot Have You
Did you know that if you leave your car in your driveway, With the keys in the ignition, And someone sits down in the front seat like they own it, and drives away, You are the one who is liable for theft? They can drive that sucker to the coast. They can burn the upholstery with their cigarettes. They can bring their friends into the back seat, and fill the compartments with their refuse, and **** and they can leave it ruined in front of your house, or crushed into the median on the highway, or left in disconnected pieces under an overpass. It will be called, “unauthorized use of a vehicle.” It will be called a “misdemeanor.” But you left the car running. Weren't you kind of asking for it to happen? They said, This, (Gesturing to the skirt which fell to two inches above my kneecap), Is like that. If I walk outside of my house in jeans and a t-shirt, or a long dress with thin straps, Or with my chin tilted out, Or with long eyelashes, Or with full lips, Or with my hips swaying when I walk, It's like I left the car running. It's like I invited them to force their bodies into the front seat. In their minds, or with their hands, or with their lips to anyone who would listen to them. Little girls in leotards become like unlocked car doors; Where men can burn their cigarettes into their skin, Or stick their fingers in In plain view of their parents, And told to let it happen, Quietly. It isn't theft, It's “a medical examination.” What did they expect? It isn't a theft. She was just as guilty of negligence. It isn't really a felony. It's not THAT BAD. (Stop being so dramatic.) It's the unauthorized use of your body, for a time, or one night, or every time you close your eyes for the rest of your life, Sure- But you left the car running.
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May 22, 2018
May 22, 2018 at 1:25 PM UTC
Unlocked car doors
Did you know that if you leave your car in your driveway, With the keys in the ignition, And someone sits down in the front seat like they own it, and drives away, You are the one who is liable for theft? They can drive that sucker to the coast. They can burn the upholstery with their cigarettes. They can bring their friends into the back seat, and fill the compartments with their refuse, and **** and they can leave it ruined in front of your house, or crushed into the median on the highway, or left in disconnected pieces under an overpass. It will be called, “unauthorized use of a vehicle.” It will be called a “misdemeanor.” But you left the car running. Weren't you kind of asking for it to happen? They said, This, (Gesturing to the skirt which fell to two inches above my kneecap), Is like that. If I walk outside of my house in jeans and a t-shirt, or a long dress with thin straps, Or with my chin tilted out, Or with long eyelashes, Or with full lips, Or with my hips swaying when I walk, It's like I left the car running. It's like I invited them to force their bodies into the front seat. In their minds, or with their hands, or with their lips to anyone who would listen to them. Little girls in leotards become like unlocked car doors; Where men can burn their cigarettes into their skin, Or stick their fingers in In plain view of their parents, And told to let it happen, Quietly. It isn't theft, It's “a medical examination.” What did they expect? It isn't a theft. She was just as guilty of negligence. It isn't really a felony. It's not THAT BAD. (Stop being so dramatic.) It's the unauthorized use of your body, for a time, or one night, or every time you close your eyes for the rest of your life, Sure- But you left the car running.
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40
Once when I saw a ******* Gasping slowly his last days with the white plague, Looking from hollow eyes, calling for air, Desperately gesturing with wasted hands In the dark and dust of a house down in a slum, I said to myself I would rather have been a tall sunflower Living in a country garden Lifting a golden-brown face to the summer, Rain-washed and dew-misted, Mixed with the poppies and ranking hollyhocks, And wonderingly watching night after night The clear silent processionals of stars.
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3.4k
*******
sun girls: they’re all bright eyes and warm hands, they’ll kiss you on the cheek. beautiful freckles. glowing skin, sunflowers and paintbrushes gripped tightly in their hand. moon girls: dark clothes and a eyes-closed kind of grin, beat up sneakers and an arizona iced tea, hair that shines, they sparkle even in the dark. soft kisses that taste like spearmint. mercury girls: smooth talkers, could convince you to do anything. big eyes and round lips, hair tied up or tucked behind their ear. late night walks and quiet conversations. venus girls: lipgloss and breathless laughing, soft hands and tummy. kissing their girlfriend randomly. a voice like honey. hypnotizingly lovely. muffled music and strawberry lemonade. mars girls: quick winks and subtle smirks. would **** for you. a love deeper than the ocean, strong shoulders and collar bones. ****** knuckles healing over and tight hugs. neptune girls: dreamy girls, hazy around the edges. tilting their heads to the side and sleeping soundly. delicate hands and cherry chapstick. hot cups of tea served with knowing eyes. saturn girls: sharpened pencils tucked behind their ear. serious eyes with a hint of laughter. tapping their toes and paying attention. books piled high with the pages well loved. jupiter girls: moving their hips and applying lipstick. a smile that electrifies you and lips that entrance you. has a hundred admirers but loves the one girl she can’t have. red lights and excitement. pluto girls: confidence that carries through the air. tastes like energy drinks and lightning. crooked smile messy hair. continuous movement with no time to talk. gesturing hands and shuffling papers.
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Oct 12, 2017
Oct 12, 2017 at 9:16 AM UTC
some kinds of girls
sun girls: they’re all bright eyes and warm hands, they’ll kiss you on the cheek. beautiful freckles. glowing skin, sunflowers and paintbrushes gripped tightly in their hand. moon girls: dark clothes and a eyes-closed kind of grin, beat up sneakers and an arizona iced tea, hair that shines, they sparkle even in the dark. soft kisses that taste like spearmint. mercury girls: smooth talkers, could convince you to do anything. big eyes and round lips, hair tied up or tucked behind their ear. late night walks and quiet conversations. venus girls: lipgloss and breathless laughing, soft hands and tummy. kissing their girlfriend randomly. a voice like honey. hypnotizingly lovely. muffled music and strawberry lemonade. mars girls: quick winks and subtle smirks. would **** for you. a love deeper than the ocean, strong shoulders and collar bones. ****** knuckles healing over and tight hugs. neptune girls: dreamy girls, hazy around the edges. tilting their heads to the side and sleeping soundly. delicate hands and cherry chapstick. hot cups of tea served with knowing eyes. saturn girls: sharpened pencils tucked behind their ear. serious eyes with a hint of laughter. tapping their toes and paying attention. books piled high with the pages well loved. jupiter girls: moving their hips and applying lipstick. a smile that electrifies you and lips that entrance you. has a hundred admirers but loves the one girl she can’t have. red lights and excitement. pluto girls: confidence that carries through the air. tastes like energy drinks and lightning. crooked smile messy hair. continuous movement with no time to talk. gesturing hands and shuffling papers.
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18
Suddenly, the silence prevails and approaches me with a verdant orb in it's hands The cold wind is passing by gesturing my reverie Sometimes harshly like frozen needles piercing your naked body Sometimes softly like sun beams clasping your naked soul Around me blooms of every hue and for every mood Each one narrates it's own tale My shadow revolves around a cold emerald I am that colour now It escorts me to the carriage of the winter I was longing for
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Oct 13, 2018
Oct 13, 2018 at 11:09 AM UTC
Verdant Winter
(AP) another tragic report today of snow mermaids resurfacing a phenomena of drastic blizzard conditions young men lost in blinding blowing winds that sends a person forging foreword then back a step are sightings of real or imagined snow nymphs naked gorgeous young women giggling frolicking through 8’ snow drifts arching limbs grinding hips twiddling fingers toes swaying long hair spreading thighs exposing privates pinching ******* pursing lips gesturing to be seduced beckoning into freezing snow entrapment eventually freezing victims into lifeless blue corpses only additional forensic evidence left behind are definite female snow angel signature tracks in surrounding snowfall areas since onslaught of February 1st storm strike 18 male bodies missing 13 bodies recovered all found grasping clutching clinging desirously to unknown source 5 men still missing if you suspect the whereabouts of any of these individuals please contact 911 authorities warn men of a certain age wear appropriate winter gear scarves raised hats lowered eyes squinting look away without delay if you think you are witness to one or more of these deadly snow mermaids GPS immediately to Police postscript in the several thousand years since these occurrences have been recorded not a single snow mermaid has ever been caught
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Mar 3, 2011
Mar 3, 2011 at 1:22 PM UTC
snow mermaids
We are a people living in shells and moving Crablike; reticent, awkward, deeply suspicious; Watching the world from a corner of half-closed eyelids, Afraid lest someone show that he hates or loves us, Afraid lest someone weep in the railway train. We are coiled and clenched like a foetus clad in armour. We hold our hearts for fear they fly like eagles. We grasp our tongues for fear they cry like trumpets. We listen to our own footsteps. We look both ways Before we cross the silent empty road. We are a people easily made uneasy, Especially wary of praise, of passion, of scarlet Cloaks, of gesturing hands, of the smiling stranger In the alien hat who talks to all or the other In the unfamiliar coat who talks to none. We are afraid of too-cold thought or too-hot Blood, of the opening of long-shut shafts or cupboards, Of light in caves, of X-rays, probes, unclothing Of emotion, intolerable revelation Of lust in the light, of love in the palm of the hand. We are afraid of, one day on a sunny morning, Meeting ourselves or another without the usual Outer sheath, the comfortable conversation, And saying all, all, all we did not mean to, All, all, all we did not know we meant.
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2.2k
The British
Norwegian summer night. She opens her guest room window and Balcony door to Give the scent of warm pine and Sunstroked willow a free tour of her Apartment on a welcome breeze. I mute the TV, as she enters her bedroom   Leaving me shirtless in shorts on her Sofa, headphones nearly plugged into My laptop when she requests a tuck-in, Knowing that granting me the remains of Her Saturday night sixpack means She's going to bed alone. I kiss her forehead goodnight. She steals A bonus hug, wanting it to Last until morning though it's Futile. I bury my face in warm, soft Neck. She Releases hesitantly. Smiles. She has bed. I have Johnny Cash and Chet Baker, Alan Watts and Allen Ginsberg, Beer, time, and a window of solitude. "Silent" and "listen" are spelled with The same letters. My impairment is that I am a man. I love her. And the aloneness that A man can only obtain when Even the loneliness has left him. I can't feel my feet, unless she does what She has learned to do; Give me space. Space with the texture, Colour and pattern of the Blanket one tucks Around The legs of someone In a wheelchair, gesturing by it: *I love your Every single Circle.*
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Jun 27, 2015
Jun 27, 2015 at 7:18 PM UTC
Your Every Single Circle
Used to smoke a pack a day, now it’s just two cigarettes in the evening time, when the lady is in the shower and after the ****** has been smoked. I sit on the ledge of our patio, legs stretched out Exhaling long trails of smoke. observing the busy apartment complex. Mainly blacks & Mexicans with a dash of Apache Junction white trash. Two girls in their early twenties sit on a bench in the little courtyard talking loudly. gesturing wildly about some ***** neither can stand. Purple lightning flashes overhead, illuminating the courtyard. Then it begins to sprinkle And then it starts to rain. A woman walks down the stairs from her apartment. She’s barefoot and smiling, head tilted up towards the sky, taking in deep breaths of the good rain smell. I imagine she’s been waiting for this. Waiting on the rain. In her apartment. It’s really started coming down. She couldn’t light her cigarette, the rain was dropping from everywhere. Two children run and skip down the sidewalk with their mother running close behind. Her arms, both of them, full of mail, grocery bags, and a baby, yellin at her kids, “hurry, hurry, hurry up. C’mon, the mail is getting wet and I got Netflix here, ********* move your ***** A man in a motorized wheelchair Emerges from one of the halls across the courtyard. I watch his electric chair buzz by on the sidewalk. He was going for a full lap of the place it seemed. When he passed me, I saw droplets of rain breaking on his face and streaming down. Grinning ear to ear he winked one eye at me. made me smile. This is Arizona. Rain in the summer is a gift. Means a lot to us. All of us
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Dec 8, 2011
Dec 8, 2011 at 1:00 PM UTC
Two Smokes & The Summer Rain
Used to smoke a pack a day, now it’s just two cigarettes in the evening time, when the lady is in the shower and after the ****** has been smoked. I sit on the ledge of our patio, legs stretched out Exhaling long trails of smoke. observing the busy apartment complex. Mainly blacks & Mexicans with a dash of Apache Junction white trash. Two girls in their early twenties sit on a bench in the little courtyard talking loudly. gesturing wildly about some ***** neither can stand. Purple lightning flashes overhead, illuminating the courtyard. Then it begins to sprinkle And then it starts to rain. A woman walks down the stairs from her apartment. She’s barefoot and smiling, head tilted up towards the sky, taking in deep breaths of the good rain smell. I imagine she’s been waiting for this. Waiting on the rain. In her apartment. It’s really started coming down. She couldn’t light her cigarette, the rain was dropping from everywhere. Two children run and skip down the sidewalk with their mother running close behind. Her arms, both of them, full of mail, grocery bags, and a baby, yellin at her kids, “hurry, hurry, hurry up. C’mon, the mail is getting wet and I got Netflix here, ********* move your ***** A man in a motorized wheelchair Emerges from one of the halls across the courtyard. I watch his electric chair buzz by on the sidewalk. He was going for a full lap of the place it seemed. When he passed me, I saw droplets of rain breaking on his face and streaming down. Grinning ear to ear he winked one eye at me. made me smile. This is Arizona. Rain in the summer is a gift. Means a lot to us. All of us
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60
The man said nothing is real While making a sweeping gesture with his right hand It's a simulation he says, all of it, nothing is real I remember as a kid singing row row your boat Reminding me to be happy because life is a dream Again the man states while gesturing, nothing is real Strawberry Fields, nothing is real, nothing to get hung-up about The Hindu call it Maya, all an illusion, nothing is real Science gods working toward virtual reality Where we can't tell simulation from life, nothing is real
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Oct 26, 2021
Oct 26, 2021 at 10:55 PM UTC
Nothing Is Real
Shining lights on a Dalmatian shore Broken little mirrors on an aqua sea provides the backdrop for boys wrestling on a concrete diving board Girls soaking each other with a push button tap The thin old man in speedos intervenes One hand holding a roll up The other gesturing in Croatian The setting sun behind the city of Split Is a rusty heat haze for swallows to dart over Truffle oil fills the air from the cafe A couple use sign language to speak as the sea roars in Backs and shoulders covered in beautiful inked art with Angels, crosses and devils Pine trees provide shelter on the stony beach Families playing cards and laughing. The church bells signal it is time to go in We start up the hill and look back at the sky. A night to remember and a night to repeat.
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Aug 9, 2022
Aug 9, 2022 at 4:28 PM UTC
Reflections on a Croatian shore
It's the old Blah Blah Blah it's gonna drive you mad It's the Blah Blah Blah every time you turn your head. The mouths are moving but you're not hearin a word their saying, like a dog listening to Russian it's all Blah Blah Blah Bingo Blah Blah Blah My partner's complaining My children are whining Your parents eyes are dialating The teacher is lecturing the bosses are gesturing the customer is complaining, irate the salesman with smiles is bombing your face. You're told you're not good enough fast enough right enough tough enough too slow too late you know what they're saying but all you are seeing is the old Blah Blah Blah I'm looking into every one's eyes they all seem surprised, I'm not really sure what it is they are all really doin', all I'm hearing and probably saying is the Blah Blah Blah
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Oct 25, 2014
Oct 25, 2014 at 12:18 PM UTC
It's the old blah blah blah
John is on the playing field with other boys, says Sheila, I am too shy to talk to him now; I watch him from a distance by the wire fence, my nerves on edge wanting him alone. Other girls pass me by on to the field; they giggle and laugh loudly on their way. I watch him as he sits and talks, take in his gesturing hands and laughter. I saw him that time in the playground when it rained and the sun shone and he said about a monkey's wedding. I think of him often in the day: from early dawn until bed at night. He is alone now, the other boys have gone, I hesitate to walk to where he sits; my nerves are taut and still I wait; he rises and walks away: too late.
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Jul 28, 2018
Jul 28, 2018 at 2:02 PM UTC
Sheila and John 1962
I stumbled upon a chapel last night Inside was a man with a mirrored face gesturing for me to enter He does not speak but continues to motion and reflect my demeanour  Hesitant to oblige, I survey the inner-workings of the religious structure No where in my sight lies the truth A building built on lies and stories Fables and myths  The man says " You feel lost little sheep, please flock to the power, for I am you, no longer shall you scour, you found yourself within these walls" I reply  " You are not me, you are a just a reflection, A manifestation caused by fears and I will make peace with what I am by searching inside of me  Not flocking like sheep to a fabled entity"
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Oct 15, 2015
Oct 15, 2015 at 2:01 PM UTC
Chapel.
By the maths block at recess lunch time Yiska waits for Benny sunshine's above her head Benny said to meet her here other kids are on the sports field some at ball games others sitting in groups talking some alone wandering then he comes running up sorry bit late had to see Mr H about the cross-country run later to day that's all right she says feeling relieved that he has come running her eyes over him sensing her heartbeat quicken where do you want to go? he asks what about there behind the maths block no one can see us there ok he says so they walk back by the fence by the maths block wall and there sit on a low wall and she kisses him and he kisses her too and he embraces her feels her waist her slimness she holds him close feeling along his spine feeling warm sensing her body glow they kiss and tongue and with eyes closed all seems alive and hot then someone bangs on a window of the maths block a teacher stands there shaking his head and gesturing them away with his hand so disappointedly they walk along by the fence and out of his sight and onto the sports field hand in hand she keeping the memory to hold and re-dream that night.
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May 5, 2015
May 5, 2015 at 2:55 AM UTC
RE-DREAM THAT NIGHT 1962
Clutch tightly those fading rays of summer, For if loosened they shall slip and they’ll fly. The sweet taste of Suns and their rises savor. But please, my dear, save for me the night. With impermanence ripe and a resplendent soul, And stars burning like lovers’ eyes lost in lust. For me it provides what its sister cannot; That which thrives in my eyes and spreads like dust. I feel the moon like I feel a dancing woman’s body, Hips pushing and pulling, breathing and twisting. Caught in a perfect storm of color and motion and sound, Her heart placed where I’ve found a hole in mine missing. You be the moon, my love, and pull my soul toward you. On a surface flawed only can I taste the void of space. The flaws are perfection, and your perfection is divine. From your face I can find no better, more perfect place. Swaying like the tides she commands, she beckons. With her curled glowing finger gesturing, I caress the halo. Breath thinning in the reaches of space, I’m glad for the distance From my earth’s gyrating masses with pores like sweating volcanoes. Save for me the night, in its delicious entirety. Only under her watchful eye can my heart escape and dance, And paint and sing and act like its bleeding ancestors before. I want you, my love, to give the night another chance.
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Oct 2, 2012
Oct 2, 2012 at 10:47 AM UTC
Save For Me The Night
From Dover to Zeebrugge across on the ferry Moira said nothing kept herself to herself except moaning at her brother until you reached the base camp outside the port and in the bar after seeing the caravans instead of tents she said did you see the state of those caravans? talk about dosshouses you studied her as she spoke her lips moving ten to the dozen her eyes blazing like a lit up Swan Vesta you saw her short frame shake with her anger I’ve told Billy to have a go but will he? no **** he won’t say boo to a ghost if it was tired to a chair and on she went her words spreading through the bar like spilt oil but all the time her eyes were on you her hands gesturing the thumb pointing back towards the caravans the barman a Belgium guy gazed at her bemused wiping glasses in the background someone put a coin in the jukebox and out played loud and clear Heartbreak Hotel and all you could think was I wonder how she kisses this wild eyed girl?
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Dec 9, 2012
Dec 9, 2012 at 4:26 AM UTC
MOIRA AND YOU AND THE CARAVANS.
inspired  by“Blame It on Kristofferson” written by Byron Hill and John Wilken, released 2010 (lyrics below) <•> A young teen listens to the folk/rock during the Sixties, five few years later, now all growed up and living, crazy, on Bleecker Street, the very same, where these songs were being sung live, by the artists, songwriters & friends on the streets’s bars ‘n cafes And Judy sings a ballad, mysterious, ‘bout a Marianne and all the tea in China, words written like it was a poem, and the infection was silent transferred, still ‘fected, even now, in days sooner to be reporting to heaven’s door, this blessed curse will be unrelenting coming along, we blame it on Leonard Cohen Knew the words, learned the secret chords, which was easy, a-direct line between us, knew where he got them holy tunes, and the words he stole stealthy from our prayerbook, went to Montreal, visited his home, it was no accident, just the hand of god, but don't blame the divine mystery being, nah~nope, half~century, later, this dope still blames it on, yeah that’s right, on Leonard Cohen And here we are, the two of us, probably smiling, gesticulating and gesturing, who in fact is truly responsible for our crazy gene, that pursues us, to create, to mate words with music of the deep soul, and here me be, I am, grateful grasping for each latter day to birth a new creation, going out smiley & feeling kindly and fulfilled, now more than ever, and zero doubts that the person at fault, fully blaming it all on my Canadian soul brother, Leonard Cohen
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Dec 22, 2024
Dec 22, 2024 at 9:36 AM UTC
Blame it on Leonard Cohen
inspired  by“Blame It on Kristofferson” written by Byron Hill and John Wilken, released 2010 (lyrics below) <•> A young teen listens to the folk/rock during the Sixties, five few years later, now all growed up and living, crazy, on Bleecker Street, the very same, where these songs were being sung live, by the artists, songwriters & friends on the streets’s bars ‘n cafes And Judy sings a ballad, mysterious, ‘bout a Marianne and all the tea in China, words written like it was a poem, and the infection was silent transferred, still ‘fected, even now, in days sooner to be reporting to heaven’s door, this blessed curse will be unrelenting coming along, we blame it on Leonard Cohen Knew the words, learned the secret chords, which was easy, a-direct line between us, knew where he got them holy tunes, and the words he stole stealthy from our prayerbook, went to Montreal, visited his home, it was no accident, just the hand of god, but don't blame the divine mystery being, nah~nope, half~century, later, this dope still blames it on, yeah that’s right, on Leonard Cohen And here we are, the two of us, probably smiling, gesticulating and gesturing, who in fact is truly responsible for our crazy gene, that pursues us, to create, to mate words with music of the deep soul, and here me be, I am, grateful grasping for each latter day to birth a new creation, going out smiley & feeling kindly and fulfilled, now more than ever, and zero doubts that the person at fault, fully blaming it all on my Canadian soul brother, Leonard Cohen
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43
Your soft gentle grip on my spine You rise, from the base Seducing your way up, tingling Into the neck and move into the depths of my mind You gently stir, waves upon a beach Thorns to the stem of the rose Pedals falling all around you You call to me, gesturing, you tell me to come to you Softly, slowly I let myself go Opening my soul to experience you To my knees I fall Perfect sacrifice, for again you have taken me.
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Feb 14, 2015
Feb 14, 2015 at 8:08 PM UTC
Perfect Sacrifice
A body in full glory stands before him. Perpendicular in patent black shiny shoes, skirt hugging her truest form! Her eyes wide and sultry stare deep into his persona. Finding, vibrant body heat! A tigress on a hungry prowl. She strokes her lips meaningfully with her sandpaper tongue! She has patterns of her own. Talons painted scarlet, remnants of her last victim! She wants to seize and devour him..... To chew on his his bone is her lust! She desperately needs to eat.... Her tongue starts to trickle in jest.... Daring him to play! She entraps him in his world of fantasy, He is tempted....so tempted, He needs to be fed, has desires of his own...... No fight in him. He succumbs to her needs! She expresses her desires. Gesturing him to drop before her majestic form. Holds his head in her hands, stroking his hair gently. Sudden dire urges on. The gentleness has left, His hair was yanked. She pushes him hard onto the bed. Craving feed more as they grapple. He turned, trousers full of promise succumbing to her, at last! Copyrright, Lady Livvi 06/03/2013. He turned, trousers full of promise succumbing to her, at last! Copywrite, Lady Livvi 06/03/2013.
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Sep 16, 2013
Sep 16, 2013 at 3:05 PM UTC
The Seductress Tempts!
Path of invisibility Wretches a far out cry To torturing means A journey Tolerated by little insanity Secret scrolls unquestionable To an endless developement Coating many layers of implementation Sustain by giants To diminutive people to exodus Their captivity Gesturing In the fibers of humanity
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Oct 1, 2009
Oct 1, 2009 at 1:09 PM UTC
A mindless wonder
And Jane held the butterfly in the palms of her hands gently opening up a mere gap so that you could glimpse it it tickles she said and she laughed and that aspect of her thrilled you the way she held her head to one side her eyes in wonderment of the captured butterfly her soft hands as if she were caressing the head of a first born see? she said see its beautiful colouring and you glimpsed the bright colours it's a Peacock butterfly she said and she stood there on the narrow road to Diddling Church in the grey dress with yellow flowers and the muddy shoes and white socks her hands opening and you both watched as the butterfly fluttered off across the hedgerow out of sight one of God's treasures my father calls them she said still gazing where the butterfly had been a butterfly was a butterfly to you fresh from London unused to the country fare the clean air the wide expanse of space did you see many butterflies in London? she asked guess so you said can't say I paid them much mind you are funny she said all this beauty and it doesn't strike you?   you stared at her standing there her eyes wide open her hands gesturing as if to include all about her her dark hair neatly brushed her dark eyes focusing on you getting to me each time I'm with you and you explain things you said she smiled and o that really held you in a sway that smile that spread of lips come on she said let's go look at the gravestones in the church yard and so you followed her up the narrow road feeling the warm sun of the Saturday afternoon wanting to hold her hand feel her fingers in yours sense the smoothness feel her pulse of life and you entered through the wooden gate along the stones which made a path the tombstones high and low chiselled names and dates she stood by the church wall and stared at the beyond the hedge you stood next to her and touched her hand with yours your fingers touching warm soft and she looked at you and said you can kiss me if you like and stood there waiting and you unsure wanting to but shy not wanting to mess things or get it wrong but you kissed her cheek and then her lips holding her feeling her arms about you and you sensed her waist slim your fingers touching and lips to lips o God you mused confused moved apart she smiling you uncertain and she said my mother likes you says you're different from the local boys something that sets you apart you frowned and said am I? kiss good she said not greedy or too passionate or too sensuous but like holding that butterfly just now something tickled inside me she said you gazed into her dark eyes as a Peacock butterfly fluttered overhead.
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Oct 19, 2013
Oct 19, 2013 at 4:20 AM UTC
JANE AND THE BUTTERFLY KISS.
And Jane held the butterfly in the palms of her hands gently opening up a mere gap so that you could glimpse it it tickles she said and she laughed and that aspect of her thrilled you the way she held her head to one side her eyes in wonderment of the captured butterfly her soft hands as if she were caressing the head of a first born see? she said see its beautiful colouring and you glimpsed the bright colours it's a Peacock butterfly she said and she stood there on the narrow road to Diddling Church in the grey dress with yellow flowers and the muddy shoes and white socks her hands opening and you both watched as the butterfly fluttered off across the hedgerow out of sight one of God's treasures my father calls them she said still gazing where the butterfly had been a butterfly was a butterfly to you fresh from London unused to the country fare the clean air the wide expanse of space did you see many butterflies in London? she asked guess so you said can't say I paid them much mind you are funny she said all this beauty and it doesn't strike you?   you stared at her standing there her eyes wide open her hands gesturing as if to include all about her her dark hair neatly brushed her dark eyes focusing on you getting to me each time I'm with you and you explain things you said she smiled and o that really held you in a sway that smile that spread of lips come on she said let's go look at the gravestones in the church yard and so you followed her up the narrow road feeling the warm sun of the Saturday afternoon wanting to hold her hand feel her fingers in yours sense the smoothness feel her pulse of life and you entered through the wooden gate along the stones which made a path the tombstones high and low chiselled names and dates she stood by the church wall and stared at the beyond the hedge you stood next to her and touched her hand with yours your fingers touching warm soft and she looked at you and said you can kiss me if you like and stood there waiting and you unsure wanting to but shy not wanting to mess things or get it wrong but you kissed her cheek and then her lips holding her feeling her arms about you and you sensed her waist slim your fingers touching and lips to lips o God you mused confused moved apart she smiling you uncertain and she said my mother likes you says you're different from the local boys something that sets you apart you frowned and said am I? kiss good she said not greedy or too passionate or too sensuous but like holding that butterfly just now something tickled inside me she said you gazed into her dark eyes as a Peacock butterfly fluttered overhead.
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Monica watches as Benedict and Jim practise judo on the grass off the path to the farmhouse. She cheers Benedict on standing on the edge clapping her hands excitedly. Her other brother Pete leans against the fence bored, hands ****** in his jean’s pockets. How long are you going to be practising this judo **** the film starts in half an hour, he says. Benedict throws Jim to the floor in a  quick movement, Monica raises her hands to the air. Knew you could do it, knew you could, she says, patting Benedict on the back of his jacket. Jim dusts off his jeans with his hands, looks at Pete, then at Monica. Caught me off guard, he says, she put me off with her yelling and clapping. Can we go now? Pete says, moving off the fence, now you’ve done your judo stuff? Can I come? Monica asks looking at Benedict. No way, Jim says, don’t want no girl dragging us down. I am not any girl, I’m your sister, she says, staring at Benedict. He looks at Jim then at Monica. I don’t mind if she comes, he says. I do, Pete says. Monica pouts and folds her arms over her small ******* The farmhouse door opens and their mother comes out. I thought you were going to the cinema? she says. We are, Jim says, just going. They won’t take me, Monica says. Of course they don’t want you with them, her mother says. Anyway I have some chores I need help with. Monica pulls a face and glares at her brothers, but looks at Benedict pleadingly. Maybe next time, he says. Not with us she don’t, Pete says. With me though, maybe, Benedict says, giving her a wink. Come on in Monica, leave the boys be, the mother says. Monica follows her mother towards the farmhouse, gesturing her middle digit at her brothers while her mother’s back is turned. Benedict smiles, watches as she sways her small hips, blows him a kiss from her open palm. Jim shakes his head and follows Pete to the bikes by the shed, while Benedict, takes a kiss from his lips and throws it at Monica’s departing back. Her head turns and her hands open to catch the thrown kiss moving slightly forward so as not to miss.
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Jun 5, 2013
Jun 5, 2013 at 5:07 PM UTC
AFTER THE JUDO.
Monica watches as Benedict and Jim practise judo on the grass off the path to the farmhouse. She cheers Benedict on standing on the edge clapping her hands excitedly. Her other brother Pete leans against the fence bored, hands ****** in his jean’s pockets. How long are you going to be practising this judo **** the film starts in half an hour, he says. Benedict throws Jim to the floor in a  quick movement, Monica raises her hands to the air. Knew you could do it, knew you could, she says, patting Benedict on the back of his jacket. Jim dusts off his jeans with his hands, looks at Pete, then at Monica. Caught me off guard, he says, she put me off with her yelling and clapping. Can we go now? Pete says, moving off the fence, now you’ve done your judo stuff? Can I come? Monica asks looking at Benedict. No way, Jim says, don’t want no girl dragging us down. I am not any girl, I’m your sister, she says, staring at Benedict. He looks at Jim then at Monica. I don’t mind if she comes, he says. I do, Pete says. Monica pouts and folds her arms over her small ******* The farmhouse door opens and their mother comes out. I thought you were going to the cinema? she says. We are, Jim says, just going. They won’t take me, Monica says. Of course they don’t want you with them, her mother says. Anyway I have some chores I need help with. Monica pulls a face and glares at her brothers, but looks at Benedict pleadingly. Maybe next time, he says. Not with us she don’t, Pete says. With me though, maybe, Benedict says, giving her a wink. Come on in Monica, leave the boys be, the mother says. Monica follows her mother towards the farmhouse, gesturing her middle digit at her brothers while her mother’s back is turned. Benedict smiles, watches as she sways her small hips, blows him a kiss from her open palm. Jim shakes his head and follows Pete to the bikes by the shed, while Benedict, takes a kiss from his lips and throws it at Monica’s departing back. Her head turns and her hands open to catch the thrown kiss moving slightly forward so as not to miss.
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