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jackson-freeman
jackson-freeman
M/American A Michigan man who sometimes writes.
What goes up, must come down. What goes in, must come out. What comes without, we keep away. It finds a way, though, anyway. Wounds, opened like a birthday present. Junes, scabbed knees with no parents present. Rooms, of doctors neither calm nor pleasant. Blooms, in roses from my adolescence. Blood pours forth from the gaping **** Disintegrating memories burning to ash. As gore pours out, disease seeps in. Facilitated by shifts to freezing seasons. Labs, where scientists attempt to sew. Cabs, of doubt I pay to take me home. ***** not redder than me when boiled whole. Scabs, as much a fix as I'll ever know.
0
May 12, 2022
May 12, 2022 at 6:12 PM UTC
Scab
I expected a chariot, was trained to hold reins, feed horses, and know when to whip them. Hours I spent shuffling across sheer faces to teach me the balance necessary. I took notes from oaks on how to keep my feet firmly planted, legs bending, never breaking. I suffered the hurricane to learn to not blink with wind in my face. I humored Time, to learn from its spinning wheel so that I might know my own. I turned to the trust of beasts thinking they might one day guide me. I glared at charioteers, My coliseum competition. I sat, eyes closed, by the ocean To acquaint me with a roar I would expect from an audience. I stripped myself bare So that I may learn the choices of judges. I was prepared for a chariot. But what arrived was a ratty coup of unknown make; a wheezing, rusted contraption with wobbling wheels, a cracked, insect-stained windscreen, valves of leaky ichor, a missing cigarette lighter, a lockless glove box, a tailpipe that belched black omen, windows that rolled by hand and got stuck, seats of the kind of leather your skin sticks to in the summer and froze in winter, and an AM/FM radio filled with static. No spare tire. I was livid. This vehicle was to carry me to my onward days, to the paradise of my imagination? I was to collude with my romantics in the passenger seat of this rolling mausoleum? To commute to my place of wage and not have my vessel reflect my value? To pass my days of leisure knowing a bunker of my perturbation watched from the driveway? I tried to hew a chariot of my own, but first the wood of the trees of my garden proved too weak. Then my crooked wheels seemed to want to separate away from each other. And the only beasts to pull it were dogs, made fat from the gristle of my meals that I threw them in my days of anticipation. I conceded to the coup. Misery so often my chauffeur, I plotted and plodded along with the wheels I was given, Diverting my eyes from Apollos in the sky, Pulled by glistening pegasi. A friend, also couped up, Told me to make the most of it. So I’ve been trying. I tried to take its namelessness as something to which I might give a name. As it wheezed I heard it breathing, liable to collapse, but Alive nonetheless. The warped wheels wove their own way, and I imagined the invisible burden of unseen beasts with greater senses of direction than mine. I saw the insects in front of me as company. As the pipes oozed, I conjured hopes that they were like a gallbladder, concentrating bile then removing it. I sensed that the missing lighter meant I shouldn’t be smoking. The glove box lacked a latch for ease of access, and I read from the messages scrawled in smoke in my rear-view mirror. The effort made to breathe through the manual windows made me appreciate the breaths I took. The broken sound system taught me to make my own music. And the lack of a spare tire taught me to drive very, very carefully; There would be no second chances. The coup is a symptom of my broken hopes for my future’s reality. But, unlike the chariot, it is real, and its state of breaking can Hopefully be fixed. I can sit when I wish to be seated. I can bring others with me wherever. The direction is dictated by me and not the whims of beasts. The AC stutters, but it’s there. There’s a trunk where I can put my memories. And, also unlike the chariot, I can go very, very fast if I want to.
0
Oct 21, 2020
Oct 21, 2020 at 11:42 PM UTC
Vehicle
I expected a chariot, was trained to hold reins, feed horses, and know when to whip them. Hours I spent shuffling across sheer faces to teach me the balance necessary. I took notes from oaks on how to keep my feet firmly planted, legs bending, never breaking. I suffered the hurricane to learn to not blink with wind in my face. I humored Time, to learn from its spinning wheel so that I might know my own. I turned to the trust of beasts thinking they might one day guide me. I glared at charioteers, My coliseum competition. I sat, eyes closed, by the ocean To acquaint me with a roar I would expect from an audience. I stripped myself bare So that I may learn the choices of judges. I was prepared for a chariot. But what arrived was a ratty coup of unknown make; a wheezing, rusted contraption with wobbling wheels, a cracked, insect-stained windscreen, valves of leaky ichor, a missing cigarette lighter, a lockless glove box, a tailpipe that belched black omen, windows that rolled by hand and got stuck, seats of the kind of leather your skin sticks to in the summer and froze in winter, and an AM/FM radio filled with static. No spare tire. I was livid. This vehicle was to carry me to my onward days, to the paradise of my imagination? I was to collude with my romantics in the passenger seat of this rolling mausoleum? To commute to my place of wage and not have my vessel reflect my value? To pass my days of leisure knowing a bunker of my perturbation watched from the driveway? I tried to hew a chariot of my own, but first the wood of the trees of my garden proved too weak. Then my crooked wheels seemed to want to separate away from each other. And the only beasts to pull it were dogs, made fat from the gristle of my meals that I threw them in my days of anticipation. I conceded to the coup. Misery so often my chauffeur, I plotted and plodded along with the wheels I was given, Diverting my eyes from Apollos in the sky, Pulled by glistening pegasi. A friend, also couped up, Told me to make the most of it. So I’ve been trying. I tried to take its namelessness as something to which I might give a name. As it wheezed I heard it breathing, liable to collapse, but Alive nonetheless. The warped wheels wove their own way, and I imagined the invisible burden of unseen beasts with greater senses of direction than mine. I saw the insects in front of me as company. As the pipes oozed, I conjured hopes that they were like a gallbladder, concentrating bile then removing it. I sensed that the missing lighter meant I shouldn’t be smoking. The glove box lacked a latch for ease of access, and I read from the messages scrawled in smoke in my rear-view mirror. The effort made to breathe through the manual windows made me appreciate the breaths I took. The broken sound system taught me to make my own music. And the lack of a spare tire taught me to drive very, very carefully; There would be no second chances. The coup is a symptom of my broken hopes for my future’s reality. But, unlike the chariot, it is real, and its state of breaking can Hopefully be fixed. I can sit when I wish to be seated. I can bring others with me wherever. The direction is dictated by me and not the whims of beasts. The AC stutters, but it’s there. There’s a trunk where I can put my memories. And, also unlike the chariot, I can go very, very fast if I want to.
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91
Deon doesn’t let me go out much. I hear friendly laughter beyond my door, but when I twist the **** he presses ice to my chest and tugs the cords on my guts down, down, into my toes and they get too heavy to move forward. Somehow retreating is simple. Deon soured my music. I sang once, poorly but proud, but now, even when I just mutter, he wrinkles and screws his face in contempt, disgust, and I interrupt myself, get shepherd’s crooked off the stage of my mind. I hear my shortcomings in the melodies of others as well. “This is something I would sing,” I’d think. “This would displease Deon.” I pluck those notes out of the air, mash them into a black polka dot *** and swallow it, and I feel it sitting in my esophagus, unmoving, undigesting. Deon doctors my photographs, imposes his face onto them. My memories have his scowl watermarked behind every frame. In the most radiant dusk he hides in the sun, and when it dips below the horizon, he lodges on the moon. When my youth’s mistakes surface in my reflection, he is the one below the tide, pushing my guilt and shame upward to breach and drowning forgiveness and redemption in the depths beneath. He is everything I fear in the darkness. He is the darkness. In place of monsters and grabbing claws and plotting intruders -that which I feared in younger days- he is the haranguing of my heart beating mad, and the disappointment of those I love. My worth in everything, in myself, are a light, he assures, because he knows the dark is all I see. He is the sound of an indifferent ocean when I dream; a yawning, watery chasm hungry for me, no dignity to even chew and savor my flavor, sure to be salty from brine and tears, tender from bruises from the beating of my own fists, slightly sweet from a stubborn refusal to succumb to bitterness, and bitter from that failure. His body sometimes becomes mine in the poses I assume. I am become Deon when my knees press to my chest, when I am prostrate staring in my bed, the uncertain scratching of my temple, when I freeze seated at my computer typing words like these. I am free from Deon at 4 AM, when he sleeps, when my concerned subconscious escapes the watch of my conscious warden And desperately scribbles a memento reminder that I am, and am not him. Alas, the sirens blare and I am apprehended once more. Living with Deon is hard. His trials do not ultimately make me stronger. They are cardiovascular atrophy removed from physical form and given more destructive shape. His knife is the one in my hand. But the decision to use his knife as a knife, or a carver’s tool, or a paintbrush, or a pen, is mine, no matter how firmly he grips my wrist. The worst thing about him is that he doesn’t want me living with him either.
0
Oct 21, 2020
Oct 21, 2020 at 11:36 PM UTC
Living With Deon
Deon doesn’t let me go out much. I hear friendly laughter beyond my door, but when I twist the **** he presses ice to my chest and tugs the cords on my guts down, down, into my toes and they get too heavy to move forward. Somehow retreating is simple. Deon soured my music. I sang once, poorly but proud, but now, even when I just mutter, he wrinkles and screws his face in contempt, disgust, and I interrupt myself, get shepherd’s crooked off the stage of my mind. I hear my shortcomings in the melodies of others as well. “This is something I would sing,” I’d think. “This would displease Deon.” I pluck those notes out of the air, mash them into a black polka dot *** and swallow it, and I feel it sitting in my esophagus, unmoving, undigesting. Deon doctors my photographs, imposes his face onto them. My memories have his scowl watermarked behind every frame. In the most radiant dusk he hides in the sun, and when it dips below the horizon, he lodges on the moon. When my youth’s mistakes surface in my reflection, he is the one below the tide, pushing my guilt and shame upward to breach and drowning forgiveness and redemption in the depths beneath. He is everything I fear in the darkness. He is the darkness. In place of monsters and grabbing claws and plotting intruders -that which I feared in younger days- he is the haranguing of my heart beating mad, and the disappointment of those I love. My worth in everything, in myself, are a light, he assures, because he knows the dark is all I see. He is the sound of an indifferent ocean when I dream; a yawning, watery chasm hungry for me, no dignity to even chew and savor my flavor, sure to be salty from brine and tears, tender from bruises from the beating of my own fists, slightly sweet from a stubborn refusal to succumb to bitterness, and bitter from that failure. His body sometimes becomes mine in the poses I assume. I am become Deon when my knees press to my chest, when I am prostrate staring in my bed, the uncertain scratching of my temple, when I freeze seated at my computer typing words like these. I am free from Deon at 4 AM, when he sleeps, when my concerned subconscious escapes the watch of my conscious warden And desperately scribbles a memento reminder that I am, and am not him. Alas, the sirens blare and I am apprehended once more. Living with Deon is hard. His trials do not ultimately make me stronger. They are cardiovascular atrophy removed from physical form and given more destructive shape. His knife is the one in my hand. But the decision to use his knife as a knife, or a carver’s tool, or a paintbrush, or a pen, is mine, no matter how firmly he grips my wrist. The worst thing about him is that he doesn’t want me living with him either.
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78
You let me rub sawdust in your ears. You let me drip wax on your fingertips. You let me defenestrate your free time. You let me run my voice across your lips. You let me think I can. It is of my opinion that the basement here smells of expensive wood varnish and it reminds me of what you are supposed to be; an old thought. A grimy vexation. A copper colored conundrum, antiquated and nauseously green. I hate it when you waste time with me. You make me feel like we're worthless. Sitting alone in a stone darkness with both purple hazes hanging in the air like rhythmic skeletons strung up in a celebratory gallows. I'm happy when I'm with you, you two-penny ***** of wasted yourself. I love you. Now leave. Out of our lives. I would be happier if you were out of yourself. But you knew that. I know a cedar chest of a hundred years and you are knees-to-chest inside; not dead but breathing through the keyhole in a white evening gown with your skin growing tighter against your ribs. One day I will open the chest and your blood will flow and your eyes will open and your skin will hang more loose under healthy fat and muscle and life and you may throw your arms 'round my neck and I will cry as I love your touch as you smile with joy as I take my hand and put it to your chest. Push. Down. Hard. You will not escape to make me love you. The latch will close and you will be silent, breathing through the keyhole, and I will not mourn. I will try not to mourn. You are beautiful,Time. Why? You burn heart-shaped marks into the souls of lovers and whittle them away through yourself and that is horrendous yet you change not. Villain! A pox upon you for a clumsy lout! You must undress in simmering water for ramen or tea because you refuse to change until I look away. You make the voices of a hundred years past hiss and pop on gramophones because you didn't feel like sharing 2008's MP3s. Oh, you wretch, you curdle milk and Captain Crunch disapproves. You make car rides to Washington, DC unbearable. You masterfully draw out the suspense in waiting rooms, dangling gender verdicts of newborns over the heads of expectant fathers. You **** You ridiculously unfair goblin. You murderer. You toyer of lives. You are so beautiful. You make life short so it matters. This hate is a necessary hate but so is my love for you. You will **** me one day. For that, I loathe every second you give me in your pitiful pity. I wish I could rip apart every second and return them to the sender and have them ignite on your doorstep and burn your house down and have you cry "I was only doing my job" as your home smolders to ashes. But right after I would buy you a nice dinner and tell you that it's going to be okay because you made some months of my life matter and enjoyable and happy. I might even admit to arson to make you smile or grimace. Time, you toothless wolf. You spineless snake. You stringless marionette. I love you.
0
Sep 28, 2013
Sep 28, 2013 at 11:47 PM UTC
A Stern Address To Time
You let me rub sawdust in your ears. You let me drip wax on your fingertips. You let me defenestrate your free time. You let me run my voice across your lips. You let me think I can. It is of my opinion that the basement here smells of expensive wood varnish and it reminds me of what you are supposed to be; an old thought. A grimy vexation. A copper colored conundrum, antiquated and nauseously green. I hate it when you waste time with me. You make me feel like we're worthless. Sitting alone in a stone darkness with both purple hazes hanging in the air like rhythmic skeletons strung up in a celebratory gallows. I'm happy when I'm with you, you two-penny ***** of wasted yourself. I love you. Now leave. Out of our lives. I would be happier if you were out of yourself. But you knew that. I know a cedar chest of a hundred years and you are knees-to-chest inside; not dead but breathing through the keyhole in a white evening gown with your skin growing tighter against your ribs. One day I will open the chest and your blood will flow and your eyes will open and your skin will hang more loose under healthy fat and muscle and life and you may throw your arms 'round my neck and I will cry as I love your touch as you smile with joy as I take my hand and put it to your chest. Push. Down. Hard. You will not escape to make me love you. The latch will close and you will be silent, breathing through the keyhole, and I will not mourn. I will try not to mourn. You are beautiful,Time. Why? You burn heart-shaped marks into the souls of lovers and whittle them away through yourself and that is horrendous yet you change not. Villain! A pox upon you for a clumsy lout! You must undress in simmering water for ramen or tea because you refuse to change until I look away. You make the voices of a hundred years past hiss and pop on gramophones because you didn't feel like sharing 2008's MP3s. Oh, you wretch, you curdle milk and Captain Crunch disapproves. You make car rides to Washington, DC unbearable. You masterfully draw out the suspense in waiting rooms, dangling gender verdicts of newborns over the heads of expectant fathers. You **** You ridiculously unfair goblin. You murderer. You toyer of lives. You are so beautiful. You make life short so it matters. This hate is a necessary hate but so is my love for you. You will **** me one day. For that, I loathe every second you give me in your pitiful pity. I wish I could rip apart every second and return them to the sender and have them ignite on your doorstep and burn your house down and have you cry "I was only doing my job" as your home smolders to ashes. But right after I would buy you a nice dinner and tell you that it's going to be okay because you made some months of my life matter and enjoyable and happy. I might even admit to arson to make you smile or grimace. Time, you toothless wolf. You spineless snake. You stringless marionette. I love you.
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93
Beauty is in the eye of the beholder and that of the hurricane. Tumult whispered white, both Aeolian and corporeal, strummed on strings of solemnity; the ugly undertaker of buried roses labeled as wary victims of feel-good graverobbers. All bled emotions are this. The Louvre's flashbulbed flecks; the notes woven within coke lines of symphony; fingerpainted twig-men crafted by bright-eyed smilers; this juxtaposed disgrace. All Beau Sancy in the roughest granite jewelry box with graffiti scribbled laughing like urban Sanskrit . "I am become death" dripped in blood through the keyhole so it now mimics a cherry popped in microwaves unlocking discomfort, yes, and crimsoning the cocoon of the diamond. Peep, Tom, at the glittering Godiva within and watch her grow in the sacrifice of poetry, for only in the presence of forsaking and death and anguish and discomfort and pain can she grow to break the eggshell walls. Tears cut canals in Time's beard because he consigned the memory of the shattered horrendousness to oblivion instead of honoring their homage and paying respect by dropping tulips and gunships into their graves at noon's meridian. Opal eyed reader, you do not understand. My eggshells conceal themselves within individual hells of purple prose, more of a lavender in my eyes. But beauty is in the eye of the beholder.
0
Sep 28, 2013
Sep 28, 2013 at 11:47 PM UTC
Beauty
The stakes are higher than some of my worst friends on herbal fire because every time I toss a buck to Luck, that homeward bound **** who sits outside my door and whistles at golden ****** I lose even more of my soul from which I shovel the monetary coal that stokes my furnace and keeps me humble, earnest, and whole. I want to let the ***** man in so I can hear him confess his sin and let him attempt to begin a transformation into a muse that I can use to write my information. I wish I could write of ice cube light but all that comes to wish me good night are the kisses of blurred sight pecked by the fright born of hesitant insight. A kiss. A kiss. More so a bite. Beggar,I beg of you if you are true; Whisper to my hands the plans you can have them to do. Because I'm tired of being a liar who screams on soap mausoleums and puts exhibits in false museums of how his heart goes into his art but all he really adds is the **** part of the flesh stolen from the mouth of Descartes. Were that Luck were behind every inky tittle and line I wouldn't have to waste all this time trying to weave together this rhyme. I want to be my muse. For now, though, she'll have to do. V^V^V^V^V^V^V She knows better than I. She does, she does, she does. She knows better than I. And she, my muse, makes me want to die. She does, she does, she does. I give her my eye and never ever does she return my sky-blue eye. "You don't even want it!" I cry. I cry with my one eye. Screaming and tears. Screaming tears. Tears scream, you know. I like to put on little shows with my lil' screamers and charge love and harlequin femurs. Exchange for tickets. Exchange for a show. And I cry like a proper ringleader. There's no business like show business. There's no business I know. A quality show Would be my muse killing me slow. Maybe with her poetry. Maybe with her face. Maybe with a knife keeping sickly pace with the beating of the heart of a headcase. Or maybe with outer space like rumors of second base with black lace cast off with grace. I want the world out of my headspace. There's no room for her there. She knows she can fit. She does, she does, she does. But I keep forgetting. I do, I do, I do. I hope she kills me slowly before I do, I do, I do. I do.
0
Sep 28, 2013
Sep 28, 2013 at 11:45 PM UTC
Luck and the Muse
The stakes are higher than some of my worst friends on herbal fire because every time I toss a buck to Luck, that homeward bound **** who sits outside my door and whistles at golden ****** I lose even more of my soul from which I shovel the monetary coal that stokes my furnace and keeps me humble, earnest, and whole. I want to let the ***** man in so I can hear him confess his sin and let him attempt to begin a transformation into a muse that I can use to write my information. I wish I could write of ice cube light but all that comes to wish me good night are the kisses of blurred sight pecked by the fright born of hesitant insight. A kiss. A kiss. More so a bite. Beggar,I beg of you if you are true; Whisper to my hands the plans you can have them to do. Because I'm tired of being a liar who screams on soap mausoleums and puts exhibits in false museums of how his heart goes into his art but all he really adds is the **** part of the flesh stolen from the mouth of Descartes. Were that Luck were behind every inky tittle and line I wouldn't have to waste all this time trying to weave together this rhyme. I want to be my muse. For now, though, she'll have to do. V^V^V^V^V^V^V She knows better than I. She does, she does, she does. She knows better than I. And she, my muse, makes me want to die. She does, she does, she does. I give her my eye and never ever does she return my sky-blue eye. "You don't even want it!" I cry. I cry with my one eye. Screaming and tears. Screaming tears. Tears scream, you know. I like to put on little shows with my lil' screamers and charge love and harlequin femurs. Exchange for tickets. Exchange for a show. And I cry like a proper ringleader. There's no business like show business. There's no business I know. A quality show Would be my muse killing me slow. Maybe with her poetry. Maybe with her face. Maybe with a knife keeping sickly pace with the beating of the heart of a headcase. Or maybe with outer space like rumors of second base with black lace cast off with grace. I want the world out of my headspace. There's no room for her there. She knows she can fit. She does, she does, she does. But I keep forgetting. I do, I do, I do. I hope she kills me slowly before I do, I do, I do. I do.
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102
"Little lass with the pink parasol, standing by the sea where your face was forgotten and your dress dirtied, what can you tell me of the wind? Have you noticed its paws tugging at your parasol and how it dances 'round your tip-toes and freezes your eyelids with icicle pins? How it shields your drinking sight from sunlight by raising a blind of your hair? Or have you instead chosen to count the peaks on the waves? How each pinch in the watery fabric pistons up and down in the oceanic mattress with the nature sporadic of a mad stellar twinkling. What treasures belch age and air bubbles under the surface of a fingertip's breadth? Of such sweet gems and precious metal surely are the gifts of its deepest depths daring. It has been counting the times you've dipped your nose under, under fear of the fathom's fingers finding your face to be pretty, and withdrawing. You'll catch cold, lass. Standing by the sea so often; always. At the least you will go mad at the infinite sound of roaring laps against the shore and the gales born of sea and sky scrubbing memories of stillness from your mind. Little lass with the pink parasol, what do you hope to find standing here by thesea?" I asked her. She was silent. And I heard every word her own, though uttered tangibly by winds of local overcast atmospheres. In the wet soil 'neath my tarred heels did a coolness rise, finding my lungs dry and welcoming. The horizon joined grey and blue and she was eyeing the vanishing point. My eyes joined hers in trek and I found infinity. Nothing was visible along the skyline. Meaning anything was beyond it. Nothing was visible beneath the tide. Meaning anything was under it. The wind suggested transparency but a secretless wind is merely still air. She said nothing and I understood; the sea seems larger when you are close enough to be kissed by the waves because you forget that the whole world is behind you. I am right now standing by the sea. The little lass with the pink parasol. She is here, too.
0
May 9, 2013
May 9, 2013 at 11:01 PM UTC
Little Lass With A Pink Parasol
"Little lass with the pink parasol, standing by the sea where your face was forgotten and your dress dirtied, what can you tell me of the wind? Have you noticed its paws tugging at your parasol and how it dances 'round your tip-toes and freezes your eyelids with icicle pins? How it shields your drinking sight from sunlight by raising a blind of your hair? Or have you instead chosen to count the peaks on the waves? How each pinch in the watery fabric pistons up and down in the oceanic mattress with the nature sporadic of a mad stellar twinkling. What treasures belch age and air bubbles under the surface of a fingertip's breadth? Of such sweet gems and precious metal surely are the gifts of its deepest depths daring. It has been counting the times you've dipped your nose under, under fear of the fathom's fingers finding your face to be pretty, and withdrawing. You'll catch cold, lass. Standing by the sea so often; always. At the least you will go mad at the infinite sound of roaring laps against the shore and the gales born of sea and sky scrubbing memories of stillness from your mind. Little lass with the pink parasol, what do you hope to find standing here by thesea?" I asked her. She was silent. And I heard every word her own, though uttered tangibly by winds of local overcast atmospheres. In the wet soil 'neath my tarred heels did a coolness rise, finding my lungs dry and welcoming. The horizon joined grey and blue and she was eyeing the vanishing point. My eyes joined hers in trek and I found infinity. Nothing was visible along the skyline. Meaning anything was beyond it. Nothing was visible beneath the tide. Meaning anything was under it. The wind suggested transparency but a secretless wind is merely still air. She said nothing and I understood; the sea seems larger when you are close enough to be kissed by the waves because you forget that the whole world is behind you. I am right now standing by the sea. The little lass with the pink parasol. She is here, too.
Continue reading...
66
Hath mighty gods placed ye among the stars? Those heavenly eyes that gaze down at us? Those stitchings of ethereal pale scars? Nay, I see the moon only, its beams combust. Wherefore art thou the one we don't deserve? Thou shouldst be soaring as an angel soars. Then I would espy, if I had the nerve. And you'd tear my mask, the one I once wore. Wouldst thou grace me with thine beauty, seraph? or wouldst thou blind me with effervescence? Wouldst thou judge me, in hand your black tariff? Or wouldst thou make mineself evanescent? For now, I dream within my dream, my love. And I glance upward, smiling at you above.
0
Nov 10, 2012
Nov 10, 2012 at 6:05 PM UTC
I (Shakespearean Sonnet)
When daylight left and sky turned black, we returned to our warm and cozy shack to find, Oh my! The light left on after several months of the two of us gone. The bulb burned bright a gentle glow, feeding the flowers that near the window did grow. Without a Sun the lilies would die, but the bulb gave light through the dark, cold night. I went for the switch but you grabbed at my arm and asked why on this light I would wish harm. Decided we to not extinguish the rays so as to give light to flowers on sunless days.
0
Oct 2, 2012
Oct 2, 2012 at 8:39 PM UTC
The Bulb Burned Bright
A Devil out of my old bones did grow. Out of its eyes darkly a light grows old. Set my flesh ablaze and shred my soul. Dead already, my heart cries for death toll. Chaos makes it crazy, demanding more decay. Stricken free of the chains in which it was portrayed. Black and blue are colors too, but the rainbow welcomes one. Black strikes its brother, demanding in its place no one. Praise the one who looks away and smirks. Whispers shouted into its ears by the darkness in shadows lurks. Burnt away, originating from the center, rests the original master and entropy mentor.
0
Oct 2, 2012
Oct 2, 2012 at 11:04 AM UTC
In The Details