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"genitals" poems
I was thinking of a son. The womb is not a clock nor a bell tolling, but in the eleventh month of its life I feel the November of the body as well as of the calendar. In two days it will be my birthday and as always the earth is done with its harvest. This time I hunt for death, the night I lean toward, the night I want. Well then-- It was in the womb all along. I was thinking of a son ... You! The never acquired, the never seeded or unfastened, you of the genitals I feared, the stalk and the puppy's breath. Will I give you my eyes or his? Will you be the David or the Susan? (Those two names I picked and listened for.) Can you be the man your fathers are-- the leg muscles from Michelangelo, hands from Yugoslavia somewhere the peasant, Slavic and determined, somewhere the survivor bulging with life-- and could it still be possible, all this with Susan's eyes? All this without you-- two days gone in blood. I myself will die without baptism, a third daughter they didn't bother. My death will come on my name day. What's wrong with the name day? It's only an angel of the sun. Woman, weaving a web over your own, a thin and tangled poison. Scorpio, bad spider-- die! My death from the wrists, two name tags, blood worn like a corsage to bloom one on the left and one on the right-- It's a warm room, the place of the blood. Leave the door open on its hinges! Two days for your death and two days until mine. Love! That red disease-- year after year, David, you would make me wild! David! Susan! David! David! full and disheveled, hissing into the night, never growing old, waiting always for you on the porch ... year after year, my carrot, my cabbage, I would have possessed you before all women, calling your name, calling you mine.
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27.1k
************ at Forty
I was thinking of a son. The womb is not a clock nor a bell tolling, but in the eleventh month of its life I feel the November of the body as well as of the calendar. In two days it will be my birthday and as always the earth is done with its harvest. This time I hunt for death, the night I lean toward, the night I want. Well then-- It was in the womb all along. I was thinking of a son ... You! The never acquired, the never seeded or unfastened, you of the genitals I feared, the stalk and the puppy's breath. Will I give you my eyes or his? Will you be the David or the Susan? (Those two names I picked and listened for.) Can you be the man your fathers are-- the leg muscles from Michelangelo, hands from Yugoslavia somewhere the peasant, Slavic and determined, somewhere the survivor bulging with life-- and could it still be possible, all this with Susan's eyes? All this without you-- two days gone in blood. I myself will die without baptism, a third daughter they didn't bother. My death will come on my name day. What's wrong with the name day? It's only an angel of the sun. Woman, weaving a web over your own, a thin and tangled poison. Scorpio, bad spider-- die! My death from the wrists, two name tags, blood worn like a corsage to bloom one on the left and one on the right-- It's a warm room, the place of the blood. Leave the door open on its hinges! Two days for your death and two days until mine. Love! That red disease-- year after year, David, you would make me wild! David! Susan! David! David! full and disheveled, hissing into the night, never growing old, waiting always for you on the porch ... year after year, my carrot, my cabbage, I would have possessed you before all women, calling your name, calling you mine.
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62
Photography, Photo journalistic, Everyday, realistic. Commercial, architecture, landscape, artistic, Industrial, fashion, ethnographic, pornographic. Big Brother, fallace, stealer of souls, vouyer. News seller, instant gratifier, man pleaser, woman abuser. Barthes, Sontag, Cindy Sherman, Virginia Woolf, Warhol. Weegie, Francesca Woodman, Leibovitz, Adams, Arbus, Tina Modotti, Nan, Evans, Hoffer and even the Paparazzi. Cheap ***** digital manipulator, image poser, Center fold, coupons, Jackie O and Marilyn Monroe. Where did they go: Lifeless paper product, painter's picture mess, C-type, digital archival, Sepia, black and white, hard drive retrival. Image addict, Image taker, Image maker, image seller, image buyer. Newspaper, magazine, graphics and ads, TV, dreams, even the trash. Billboards, subways, phones and buses: Utopia: Surreal, crop, stretched and air brushes. Modern ideal. Surface manipulator. Brain conditioner. Consent manufacturer. Oh Photography, I got you in my eye. A few thousand dollars, A BFA, A critical scholar. Or maybe a nerd, Just boys with toys. Telephoto genitals, with motor drive action. Studio lights, umbrella traction. Oh Photography, You proprietor of obscene. Detailed, de-sensitized. Court ordered, jury analyzed. Click, image, copy, edit, paste, print or post. Myfacespace, twitter, flicker, An internet media overdose. Pry, spy, your friend's friend's acquaintances. Parties, picnics, reunions and shows. Visits, vacation, style, shoes and clothes. Pics, photos, images, jpegs and giffs. Snap shot, portrait, panoramic, Kodak kiss. Exacerbate: Divorce, break-ups, jealousy, envy, love and fears. Devour and captivate society for years. Slaves to Western and Capitalist desires, Destruction of Earth with psychological, monetary empires.
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Jan 11, 2010
Jan 11, 2010 at 7:05 AM UTC
On Photography
Photography, Photo journalistic, Everyday, realistic. Commercial, architecture, landscape, artistic, Industrial, fashion, ethnographic, pornographic. Big Brother, fallace, stealer of souls, vouyer. News seller, instant gratifier, man pleaser, woman abuser. Barthes, Sontag, Cindy Sherman, Virginia Woolf, Warhol. Weegie, Francesca Woodman, Leibovitz, Adams, Arbus, Tina Modotti, Nan, Evans, Hoffer and even the Paparazzi. Cheap ***** digital manipulator, image poser, Center fold, coupons, Jackie O and Marilyn Monroe. Where did they go: Lifeless paper product, painter's picture mess, C-type, digital archival, Sepia, black and white, hard drive retrival. Image addict, Image taker, Image maker, image seller, image buyer. Newspaper, magazine, graphics and ads, TV, dreams, even the trash. Billboards, subways, phones and buses: Utopia: Surreal, crop, stretched and air brushes. Modern ideal. Surface manipulator. Brain conditioner. Consent manufacturer. Oh Photography, I got you in my eye. A few thousand dollars, A BFA, A critical scholar. Or maybe a nerd, Just boys with toys. Telephoto genitals, with motor drive action. Studio lights, umbrella traction. Oh Photography, You proprietor of obscene. Detailed, de-sensitized. Court ordered, jury analyzed. Click, image, copy, edit, paste, print or post. Myfacespace, twitter, flicker, An internet media overdose. Pry, spy, your friend's friend's acquaintances. Parties, picnics, reunions and shows. Visits, vacation, style, shoes and clothes. Pics, photos, images, jpegs and giffs. Snap shot, portrait, panoramic, Kodak kiss. Exacerbate: Divorce, break-ups, jealousy, envy, love and fears. Devour and captivate society for years. Slaves to Western and Capitalist desires, Destruction of Earth with psychological, monetary empires.
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56
explain to me, put into words how can the bees defy the birds? when i was little, i was taught our genitals just can't be bought
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Oct 23, 2015
Oct 23, 2015 at 2:35 PM UTC
transgender?
The flame in my flesh burns tor like Above conventions of average humanity, Propelled to hatred of their opposite By the pristine charm in the streaks of culture, Their Florence comes from the glory of orthodoxities In the time long fibres of religious pockets, Islam, Christian, Hinduism and all that steadily And firmly in piety aver perfection of Godliness, Forgetting the flame of same *** with oral spice In the God made flesh of the dear lesbian daughter, Spell binding the equivalent in blossoms of the gay, Provoking hatred from the threatened heterosexists, But the oral *** of a lesbian is an apex of human pleasure Surpassing all on earth and in heaven, as no human barricade Of whatsoever caliber will cull lesbian’s feelings From the glorious power in the genitals on kiss of lips, As the tongue of the chic wag from side to other Touching fountains of ****** glory in cement of sameness Throwing threats of law and black order to dustbins And trash yards of anachronisms as the power of LGBT Engulfs the young world into in its protégé, Shamelessly tethered on the sensual tentacles Of maximum gusto in the ***** of oral *** with a dear ‘less’ In tune with all rhythms of the times Remaining strange to the conservatives, Ever seeking pleasure from where pain hails Living gloomy life on a brink of melancholia, Worry not lesbian daughter you are powerful, In one away or so, rise up and walk tall You have power in your oral *** Oral *** Oral *** Oral *** of a lesbian!
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Jul 11, 2014
Jul 11, 2014 at 4:43 AM UTC
TOP LESBIAN'S ODE TO ORAL ***
The flame in my flesh burns tor like Above conventions of average humanity, Propelled to hatred of their opposite By the pristine charm in the streaks of culture, Their Florence comes from the glory of orthodoxities In the time long fibres of religious pockets, Islam, Christian, Hinduism and all that steadily And firmly in piety aver perfection of Godliness, Forgetting the flame of same *** with oral spice In the God made flesh of the dear lesbian daughter, Spell binding the equivalent in blossoms of the gay, Provoking hatred from the threatened heterosexists, But the oral *** of a lesbian is an apex of human pleasure Surpassing all on earth and in heaven, as no human barricade Of whatsoever caliber will cull lesbian’s feelings From the glorious power in the genitals on kiss of lips, As the tongue of the chic wag from side to other Touching fountains of ****** glory in cement of sameness Throwing threats of law and black order to dustbins And trash yards of anachronisms as the power of LGBT Engulfs the young world into in its protégé, Shamelessly tethered on the sensual tentacles Of maximum gusto in the ***** of oral *** with a dear ‘less’ In tune with all rhythms of the times Remaining strange to the conservatives, Ever seeking pleasure from where pain hails Living gloomy life on a brink of melancholia, Worry not lesbian daughter you are powerful, In one away or so, rise up and walk tall You have power in your oral *** Oral *** Oral *** Oral *** of a lesbian!
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31
oh darling it is you who cries too often and leaves nothing inside herself it is you who purges sweat and blood and ***** to the gods of self and society sweat and blood and ***** to void and nothingness grinning insanity of grief cries to know and chooses not to it is pain that you know and pain that won’t release you do not forget the heat of what fills your ******* your arms your genitals your sweat is burning your blood is burning ***** burning it is hell inside empty your hell to me my love empty your hot and heavy loaded words and baggage neverending flow of **** and **** neverendingneverending you are full of fire and the molten gods of self-sacrifice refuse to relinquish you to holy happiness empty your hell to me my love I will cool your brow with lips and hands and water I will wash you in my love I will know you with new love I will fill you with this serenity that you can empty into me cool the fires of fear and pain and loss and betrayal with new fires of passion that are exuberant acts of ecstasy we are human after all - only human and holy holy holy to each other this is what we are beings filled with fire molten images craved even worshipped created by gods to serve as successors we must stitch ourselves together and quench this hell with heaven a reclamation of scars and scar tissues we may build our own city entirely of gold
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Dec 30, 2012
Dec 30, 2012 at 9:24 PM UTC
Oh Darling
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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A Letter To My Aunt
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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67
let me equate my genitals to a predatory animal to illustrate my ****** prowess and mating standards in song: my vampire squid don't my vampire squid don't my vampire squid don't want none unless you got an anaconda *** my disdain for your personality and general mentality is also strong, simply because: i like *big ***** and i cannot lie you other sisters can't deny that when a boy walks in with a six pack and a hose thing in your face you get wet disembodying objectification, stereotypical representation, hedonistic utilitarianism, and *** ed with some rhyme: black boy sippin' white wine put my fist in him like a civil rights sign then he came like aaaaah! (1)
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Jun 11, 2015
Jun 11, 2015 at 5:26 PM UTC
lyrical sexism in a parallel universe
i like it ickity split mad to exceed the world in dark dreams ****** to evoke blood wet mouths insertions paradise of fluorescents in a dark aperture her pudenda a rolling hill gaudy wound like a smash mouth crying split torn tearing, pink estuary for gluttonies' joyride that can hardly be endured twisted tongue spice melts and glitters raw the sheets soaked through matted hair in saliva blood and eggs the screams of monsters rapture oh feral abandon every thing else a toil winged genitals hell toys for mama like heaven cant know his ***** like hanging bats Nagasaki goes off in her *** bodies; quake in silence the bedroom; a chaotic bathroom tulips shrill flutter gulp and swallow milks flame rosy welts laughing flushing orgasm's shoved urns all spilled libations touching and ******* crimson **** runnels in bathhouse foam down the drain to earthen bowels din where the dead push up daisies i am the worm in the fruit
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Dec 5, 2018
Dec 5, 2018 at 8:09 AM UTC
I Like It Ickity Split
Body Two bodies, in a bed, on a quilt in a field, in the backseat of an '88 Nissan Pathfinder. Two bodies, touching, squeezing, caressing, biting. Blood, pooling under the skin, rushing to the brain, rushing to the genitals, sticky/hot. ****** candy, the curve of lips around a lollipop, the drinking of whiskey from the bottle, the burning sensation of MDMA insufflation. Clothes strewn across your mother's kitchen, ice cubes traced down spines, ******* ******** Oral *** with ice cubes in the mouth. Frequent ************ and a sense of unwellbeing, if you'll allow me this one usage of an unword (I can't help myself)
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Jun 29, 2015
Jun 29, 2015 at 3:47 PM UTC
A Portrait of the Artist Desiring ****** Touch.
THE FLAMES EAT THE PSEUDO-GOTHIC HOUSE He was an Action Man minus a left arm and trousers. A dog had chewed his head almost off. But - he still had thought. She was a Lego Lady, Built of red and blue blocks. She was forever coming apart trying to keep body and soul together. She had only one eye and no mouth to speak off. Same dog who had a passion for the chewing of toys. But - she still had thought. They met one night when thrown together in the toy box. A giantess' voice had screamed "YOU TIDY UP THIS ROOM RIGHT NOW!" He loved the Lego Lady's yellow block hair. It was like a helmet...suited her face. And oh that one little eye and the way it would look at you! She saw at once that he had no genitals/ but then - neither had she. It was a purely platonic affair. They thought and thought at one another for hours. They got on like a house on fire but one night the house went on fire. They held on to each other both melting into a final embrace. Mother always told me "You shouldn't play with matches!"
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Jul 30, 2018
Jul 30, 2018 at 5:59 PM UTC
THE FLAMES EAT THE PSEUDO-GOTHIC HOUSE
F for the fistfights I was asked to sit out of, because I was born with a different set of genitals E for the equal rights I've been begging for, only to be let down time and over again M for all the military applications that weren't even reviewed, because I seemed unfit for not having a pair of nuts I for the inferno that you made me feel, fighting so hard to be a pilot that was obviously only ' a man's job ' N for the number of convictions the guy who ***** his girlfriend didn't have to face, because the way she dressed up showed that she "wanted"it I for all the immoral stares that I couldn't counter back for the fear of your lawyers defending you saying it was a friendly one, for the fear of you blaming the shorts and crop top that I picked out for that lovely Sunday S for all the standards that women themselves set for themselves, ***** standards; I'll do what I want and say what I want, I'll eat what and I want and dress the way that I feel like I need to, I'll wear bikinis that probably doesn't flatter my body and height but you know what? I don't give two flying f**ks M for the mortals that made it necessary for feminism to even exist
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Apr 18, 2015
Apr 18, 2015 at 11:07 AM UTC
Feminism
As I picture myself in the future Through years of HRT Small glimmers of excitement Reflect off the walls of my heart I rarely feel excitement these days So this instance is important I picture ****** hair and muscles A deepened voice ands flat chest The physical changes excite me It's the social ones that scare me I cannot imagine having male privilege I cannot imagine not feeling objectified I cannot imagine being read as a man I was raised in a position of oppression I am constantly stared at and made into Nothing more than the prospect of my genitals And yet, One day, It will no longer be that way I'll just look like a basic white boy And they'll have no idea Except that I will not stay silent I will not hide in the shadows I am transmasculine and nonbinary And I refuse to remain invisible
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Oct 30, 2018
Oct 30, 2018 at 2:16 PM UTC
Refusing to Pass (Trans-Formation Series #8)
Hydrocodone® Lipitor® Zithromax® Zocor® Zoloft® Prozac® Ambien® Fosamax® Coumadin® Klonopin® Neurontin® Naproxen® Simvastatin Albuterol Glucophage Metoprolol I am hurting on my knees Can't afford any of these!
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Sep 10, 2018
Sep 10, 2018 at 6:03 PM UTC
Medical Genitals
the child's house domicile of estrangements his parents dressed him like a little girl against his will a pox of gender confusion glum aura he ascended by violence and lived through the logic of a mirage except for copulating with demons which of course was ruined by the good Christians they who always hate *** not wanting to be reminded they are animals too their heaven withheld their halo's sullied the vulnerability of desire their crime Eros a disgrace still beating their genitals until a wicked thunder the pro-creative an affirmation of paradox between the continuity of life and the dread of death ***** resurrections a second ******* **** flood without redemption Satan standing on their necks while God pulls them up by their hair rebels to reason bewitchers of wit deranged by the myth of dolls wood and plastic painted corpses staring and a blossom throated Goddess ham handed monkey fist jerking off in search of a bulls eye anyway eyes bleeding on bare legs; lifting a white cotton dress a bulwark of erections like canons blasting puce spats under his frilly skirt; a red rain haunted by dead girls dancing like homeless hip bones sway a bewildered phantasm in a doll house dream
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Jul 23, 2017
Jul 23, 2017 at 2:32 PM UTC
NECROMANCER
Nationality shipping ****** Strategy damage fragments ***** puke ***** fraction Biological ***** disobedience Fannie pictorial laundries ****** manhood caliphate Woodworks Biebers frites ****** vandal’s fakes Utmost openly grim ******* ************ Piled dish cell Discuss **** ****** Jihad imbeciles reincarnation Fear fears America Watching emptiness falling Dinner screaming nonsense Deadly velvet laughs Banality quack leprosy Games flood biting Tv nation ****** Swallowed road poets Animal replied stories Creature’s terminal idea Explodes gloom stare Selling young crack Game scratch ******* Confuse spill scream Genitals China responsibility
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Aug 6, 2015
Aug 6, 2015 at 7:45 PM UTC
*** Crime.
There is never nothing new Just rearrange things I don’t write poems I just remove the extra words that are in the way Hold on to the words like whispers and shadows and wings Recklessly insert adjectives Tie it all to your delusions of profundity Dig down deep for pain no matter how senseless Pick at your emotional scabs Bleed No one likes poetry Constantly remind people of that Tell them that you make it sound good to you and **** them (Even though their ovation means everything) Slip, dip and weave With ambiguous wet dreams Full lips and thick tongue Mouthing… Come to an understanding ***** is much better than clean Make it filthy Soil it Make it nostalgic People need to be reassured that you were really ******* up as a kid and that this poetry **** doesn’t just happen to people overnight Make it esoteric That way, when no one knows what the hell you are talking about, you will have a good word to explain why Say things that are so ill mannered that they are weighty I will give you an example “I’m not looking for a girl that is beautiful I'm looking for one just barely ugly enough to **** me” Incite large groups of people to ***** Get so personal that it gives people headaches Expose yourself until everyone is embarrassed for you Spew it all over the bar In a drunken stupor flaunt it lasciviously with your genitals Pour yourself into reckless collisions Drink from your soul until it rots your liver Write until you want to **** yourself then write about that Make it as bitter as a Wal-mart associate Make it so sweet she will swallow it all before looking up at you with eyes like tiny puddles To say, “that was beautiful” (even though it was disgusting) It should be raw It should make you itch It should be like rubbing up against it spreads it It should be like VD Make really long Like it’s your ***** No, Make it really, really long Like its my ***** Make it rhyme I mean don’t Don’t Don’t ever write another ******* poem because I assure you if I did not write it than it must **** and that is how poetry works Michael L Sutter
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Oct 16, 2011
Oct 16, 2011 at 12:31 PM UTC
How to Write a Poem
There is never nothing new Just rearrange things I don’t write poems I just remove the extra words that are in the way Hold on to the words like whispers and shadows and wings Recklessly insert adjectives Tie it all to your delusions of profundity Dig down deep for pain no matter how senseless Pick at your emotional scabs Bleed No one likes poetry Constantly remind people of that Tell them that you make it sound good to you and **** them (Even though their ovation means everything) Slip, dip and weave With ambiguous wet dreams Full lips and thick tongue Mouthing… Come to an understanding ***** is much better than clean Make it filthy Soil it Make it nostalgic People need to be reassured that you were really ******* up as a kid and that this poetry **** doesn’t just happen to people overnight Make it esoteric That way, when no one knows what the hell you are talking about, you will have a good word to explain why Say things that are so ill mannered that they are weighty I will give you an example “I’m not looking for a girl that is beautiful I'm looking for one just barely ugly enough to **** me” Incite large groups of people to ***** Get so personal that it gives people headaches Expose yourself until everyone is embarrassed for you Spew it all over the bar In a drunken stupor flaunt it lasciviously with your genitals Pour yourself into reckless collisions Drink from your soul until it rots your liver Write until you want to **** yourself then write about that Make it as bitter as a Wal-mart associate Make it so sweet she will swallow it all before looking up at you with eyes like tiny puddles To say, “that was beautiful” (even though it was disgusting) It should be raw It should make you itch It should be like rubbing up against it spreads it It should be like VD Make really long Like it’s your ***** No, Make it really, really long Like its my ***** Make it rhyme I mean don’t Don’t Don’t ever write another ******* poem because I assure you if I did not write it than it must **** and that is how poetry works Michael L Sutter
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67
Creased eyes blink Slide down your cheeks Dip into the  Bow Of you voluptuous mouth  Drip lashes into  The gap In between your miss-sized teeth  Spit bubbles incase them Pillowing their decent down Your coiled throat Float down the river of your belly Trace the outline of your genitals Shooting automatic shivers through They lick the tips of you Delicious.
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Jul 1, 2012
Jul 1, 2012 at 10:13 PM UTC
Exploration.
X's and O's. I feel like its all a show. Even from the start, as you depart, kissing the essence of the globe. For all we know. X's and O's. Bring pleasure to your genitals. Be gentle hoes. I am making a mental picture of the old. Days when. X's and O's. Publicly got you hanged. Referring to the X as kissing and the O as hugging on the **** and why the mind insane? Because there's more to that strange then what meets the brain. Don't get corrupted look away. It is some strange day now can you say that, we will all meet this lustful fate. Contemplate to the date that I see my son or girl grow in ways, then hit the world publicly they make the appearance of grace and being. But then Xs and Os take wing. Their battles will rattle as I see myself on a mantle of crust. Made from earth. Lord Almighty made me from dirt. Did it hurt? Did it spew blood like at birth- And then the rebirth of the unberthed berthed reunion to the dirt . I am dead.
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Nov 1, 2015
Nov 1, 2015 at 6:38 PM UTC
Systems Locked Upon a Cloud of Elephants
EAST BOSTON, 1996 ON THE BUS Franz Wright It's one thing when you're twenty-one, and I was way past twenty-one. With unshaven face half concealed in the collar of some deceased porcine philanthropist's black cashmere rag of a coat, I knew that I looked like a suicide returning an overdue book to the library. Almost everyone else did as well, but I found no particular solace in this; at best, the fact awakened some diverting speculations on the comparative benefits of waiting in front of a ditch to be shot alone or in company of others, and then whether one would prefer these last hypothetical others to be friends, family, enemies, total or relative strangers. Would you hold hands? Or would you rather like a good **** sapiens monster employ them to cover your genitals? What percentage would lose bowel control? And given time restrictions - and assuming some still had the ability to move - would ostracism result? Anyway, I knew the rules on this bus. No eye contact: the eyes of the terrified terrify. Look like you know where you're going, possess ample change to get there, and don't move your lips when you talk to yourself: the destroyed and sick, the poor, the hungry and the disturbed estrange. The badly dressed estrange, even, and that is uncalled for. The degree of one's power to estrange will increase in direct proportion to the depth of need for others. Do not cry. This can only bring about, on the one hand, an instant condition of banishment from the sole available companionship, or on the other, a near fatal beating (one more disappointment). Just follow the simple instruction if you ever come here. It's easy to remember - any idiot can do it. Don't cry, the world has abandoned us.
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Feb 27, 2017
Feb 27, 2017 at 7:59 AM UTC
On the Bus (Franz Wright)
EAST BOSTON, 1996 ON THE BUS Franz Wright It's one thing when you're twenty-one, and I was way past twenty-one. With unshaven face half concealed in the collar of some deceased porcine philanthropist's black cashmere rag of a coat, I knew that I looked like a suicide returning an overdue book to the library. Almost everyone else did as well, but I found no particular solace in this; at best, the fact awakened some diverting speculations on the comparative benefits of waiting in front of a ditch to be shot alone or in company of others, and then whether one would prefer these last hypothetical others to be friends, family, enemies, total or relative strangers. Would you hold hands? Or would you rather like a good **** sapiens monster employ them to cover your genitals? What percentage would lose bowel control? And given time restrictions - and assuming some still had the ability to move - would ostracism result? Anyway, I knew the rules on this bus. No eye contact: the eyes of the terrified terrify. Look like you know where you're going, possess ample change to get there, and don't move your lips when you talk to yourself: the destroyed and sick, the poor, the hungry and the disturbed estrange. The badly dressed estrange, even, and that is uncalled for. The degree of one's power to estrange will increase in direct proportion to the depth of need for others. Do not cry. This can only bring about, on the one hand, an instant condition of banishment from the sole available companionship, or on the other, a near fatal beating (one more disappointment). Just follow the simple instruction if you ever come here. It's easy to remember - any idiot can do it. Don't cry, the world has abandoned us.
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Riding in the car with sweaty palms playing loud, fast songs Getting a bit jittery and maybe a tad bit anxious. Wondering when it will be that I can get High with you next to me. -On my way to you, -my drug dealer -who only deals the finest touches -and most esquisite caresses My vision is getting a bit blurry and my thoughts stray from the road to thoughts of your face and I get that message that I get to see you soon so I slow down and take that exit off the hiway turn around and tell you to head my way. You get in the car and the smiles begin the hand touching and knee grabbing and its a wonder that I can still drive in this altered state of mind. We speak some words about this and that nothing too funny yet we laugh until our sides hurt. Im in love with you my drug dealer, my ultimate healer my mind eraser. The chemicals start flowing and I wonder if im spoiling the moment with scientific physioligical thoughts validating this thing called love. The chemicals that start at the brain flow through the heart and down to the genitals then down through the legs and back up to the heads (yes, both of them) and I can’t get over how much we feel the same way and how even to this day things have not seemed to change Hoping I don’t ever build up too much of a tolerance to the chemicals you make me feel my wonderful man, with the drugs you deal and all the pain you ****
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Jun 26, 2010
Jun 26, 2010 at 3:26 PM UTC
Drug Dealing - pt. 2 In the Car
I-AM-NOT-A-DOG. Today, I cut loose from your leash of degrading comments. My ears have learned to ignore your whistles and the only thing I am going to fetch is my dignity. We all have cracks. People’s words creep into our most foreign parts And bother us like gnats in our food. However, At a young age my mom welded me by hand. Sealed off every corner so Your undignified vernacular wouldn’t disturb my peace. Your mother must’ve had deleterious effects on you. She told you that love can only be found through intertwining genitals. I have iron fists and your forcefulness will not supersede my strength to protect what I own. Let me tell you sir, Obeying men is an archaic practice And I wasn’t born yesterday. I endure life with fortitude even with the threat of your loaded fist 2 inches from my face. Your catcalls sting like the hearts of mother’s who have lost their daughter’s to the streets. I hold my mace like a loaded gun walking in the petrifying night. Apparently big butts lie, they give you the impression that you can squeeze, but back off the anatomy. Remember that all women embody beauty and grace, not for you, but for themselves.
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Aug 28, 2015
Aug 28, 2015 at 11:33 PM UTC
I Bite
*I unload your god in that laissez-faire way where the bandages mend and have no need to be placed, formidably, regret to admit the moonshine in my hair looking Gothic, but beautiful: sober the men’s breath as it falls, falls, falls not more mild than a snowstorm in its final lapse. Sat there to be dreamt. He put his hand to his beard, and I would have kissed if had I believed that he was not merely trying to haunt my body, the hair I kneaded into air. It flowers, and flowing these marzipan sands where God lays man next to his wife, she bears the peaches: juicy, ripened, but not to eat expecting us to swallow ourselves in turn, spin the bottle. I could not care less for the braces in his lips – or their fur, but gums beneath like peaches. **** it out until the pulps mirror, you have the skin of a four fruit, or an eighty, flames high as kites. But suffering for each flicker-knob and dating a girl who smokes cigarettes in bed, I know he could not support that, your god. Morning comes with a glare, now eating her hair the involvement of some odd raconteurs. I beat them and they beat my ******* for their heat – God is a cabin boy with genitals in his palms, said he would love the women as long as they are gone; if he does not see me, the flames, I cannot exist not more than falling falling falling hair.*
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Nov 6, 2012
Nov 6, 2012 at 11:07 AM UTC
a bald god
Electra-girl gyrates desperately. Daddy is away on business. The house practically empty, Desolate winds rattle windows, Stomach twists with craving. Electra-girl squeals, **** Mommy! Get her out of the picture.” Little Miss teacup wants everything just right, When daddy gets home. Electra-girl vomits hairball, shaves thighs belly armpits, Plucks neck chin nostrils, Applies lipstick moderately, Puckers (finger pushes hemorrhoid in). She denies everything. Imagines he is showering, She enters **** giggling big grin, Gaze scampering between his face and genitals, Her approaching young body edging nearer. He hesitates standing under waterspout, Waiting to see what she will do, Fearing his own desire, Knowing it is wrong so wrong. After what seems a long time, Mom steps in, Eyes firing rage and sanction. She asks her daughter, “You think you’ll win?” Electra-girl answers without hesitation, “Why wouldn’t I.” No question. Your **** stains on carpet, Your *** stains on everything, Your breath smells, Odor of rotting flowers. Smile for the camera. Electra-girl raises arms and taunts, “I win! I win! Who’s going to be my next daddy?” A deep heavy silence follows. She holds herself in mirrors of her past.
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May 7, 2013
May 7, 2013 at 7:32 AM UTC
Electra-Girl
She dragged a steak knife   across her forehead. I said,    What the **** is your-- Hey, we all have problems. She killed herself with the memory    of a system. Everyone was begging. Beg. Beg. Beg.    Make me a star!! I want to be    Kurt Cobain!! So, they dragged blades and did smack. Tweeted lyrics and took selfies with a poster of-- But she was never alive, right? There can't be a her if there's a me. But I suppose what it condensed is bound to   shoot out into itty     bitty stars. Good ******* Christ, redeem the men and women slaughtering genitals. Grinding against   the hole in society. Are you ******* serious?   Oh my god, I will die if he takes off    his skin!! What a hunk. It was all elaborate and people were saying   "droll". That's a thing. Everyone was ******* lame. Then, the men stripped. One, Jupiter. One, Titan. And what was stopped was a hurried whisper, traveling the confines of the classroom.   And the men clothed. And the instruments   unused. Sketches ceased before creation. Paint without purpose. What a Greek tragedy. Boo-fucking-hoo. What I could only imagine a slurry of too many words aiming at my brain. The mention of us all. You don't understand. **** you. She dragged a steak knife across her forehead. I said,    What the **** is your problem?
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Apr 9, 2015
Apr 9, 2015 at 11:46 PM UTC
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