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"generals" poems
You are going to ask: and where are the lilacs? and the poppy-petalled metaphysics? and the rain repeatedly spattering its words and drilling them full of apertures and birds? I'll tell you all the news. I lived in a suburb, a suburb of Madrid, with bells, and clocks, and trees. From there you could look out over Castille's dry face: a leather ocean. My house was called the house of flowers, because in every cranny geraniums burst: it was a good-looking house with its dogs and children. Remember, Raul? Eh, Rafel? Federico, do you remember from under the ground my balconies on which the light of June drowned flowers in your mouth? Brother, my brother! Everything loud with big voices, the salt of merchandises, pile-ups of palpitating bread, the stalls of my suburb of Arguelles with its statue like a drained inkwell in a swirl of hake: oil flowed into spoons, a deep baying of feet and hands swelled in the streets, metres, litres, the sharp measure of life, stacked-up fish, the texture of roofs with a cold sun in which the weather vane falters, the fine, frenzied ivory of potatoes, wave on wave of tomatoes rolling down the sea. And one morning all that was burning, one morning the bonfires leapt out of the earth devouring human beings -- and from then on fire, gunpowder from then on, and from then on blood. Bandits with planes and Moors, bandits with finger-rings and duchesses, bandits with black friars spattering blessings came through the sky to **** children and the blood of children ran through the streets without fuss, like children's blood. Jackals that the jackals would despise, stones that the dry thistle would bite on and spit out, vipers that the vipers would abominate! Face to face with you I have seen the blood of Spain tower like a tide to drown you in one wave of pride and knives! Treacherous generals: see my dead house, look at broken Spain : from every house burning metal flows instead of flowers, from every socket of Spain Spain emerges and from every dead child a rifle with eyes, and from every crime bullets are born which will one day find the bull's eye of your hearts. And you'll ask: why doesn't his poetry speak of dreams and leaves and the great volcanoes of his native land? Come and see the blood in the streets. Come and see The blood in the streets. Come and see the blood In the streets!
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23.3k
I'm Explaining a Few Things
You are going to ask: and where are the lilacs? and the poppy-petalled metaphysics? and the rain repeatedly spattering its words and drilling them full of apertures and birds? I'll tell you all the news. I lived in a suburb, a suburb of Madrid, with bells, and clocks, and trees. From there you could look out over Castille's dry face: a leather ocean. My house was called the house of flowers, because in every cranny geraniums burst: it was a good-looking house with its dogs and children. Remember, Raul? Eh, Rafel? Federico, do you remember from under the ground my balconies on which the light of June drowned flowers in your mouth? Brother, my brother! Everything loud with big voices, the salt of merchandises, pile-ups of palpitating bread, the stalls of my suburb of Arguelles with its statue like a drained inkwell in a swirl of hake: oil flowed into spoons, a deep baying of feet and hands swelled in the streets, metres, litres, the sharp measure of life, stacked-up fish, the texture of roofs with a cold sun in which the weather vane falters, the fine, frenzied ivory of potatoes, wave on wave of tomatoes rolling down the sea. And one morning all that was burning, one morning the bonfires leapt out of the earth devouring human beings -- and from then on fire, gunpowder from then on, and from then on blood. Bandits with planes and Moors, bandits with finger-rings and duchesses, bandits with black friars spattering blessings came through the sky to **** children and the blood of children ran through the streets without fuss, like children's blood. Jackals that the jackals would despise, stones that the dry thistle would bite on and spit out, vipers that the vipers would abominate! Face to face with you I have seen the blood of Spain tower like a tide to drown you in one wave of pride and knives! Treacherous generals: see my dead house, look at broken Spain : from every house burning metal flows instead of flowers, from every socket of Spain Spain emerges and from every dead child a rifle with eyes, and from every crime bullets are born which will one day find the bull's eye of your hearts. And you'll ask: why doesn't his poetry speak of dreams and leaves and the great volcanoes of his native land? Come and see the blood in the streets. Come and see The blood in the streets. Come and see the blood In the streets!
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78
Nobody marching toward us Their guns making us die. No tanks are come clanking No bombers in the sky. But our Congress and generals When oil or bases seem needed; We appear armed and threatening Peace and love talk not heeded. No country has attacked us With troops and lethal artillery. But our leaders expect us to Go open up their arteries And **** their women and children And laugh while they all die And we are expected to do this And never think to ask why. It’s almost like big companies Were sad when WW2 ended So they started attacking countries We really should have befriended. We let Russia have free reign To **** and ****** and steal Almost as if their aggression Wasn’t really true or even real. We looked around and made them, Those evil old warlike excuses, That some country threatened freedom And we pretended they weren’t ruses. We attacked Korea and Vietnam We were just supposed to observe That they were yellow people there And think they got what they deserved. We didn’t stop there, as Reagan took A duly elected leader and put him in jail. If any country did that to our country The conservatives would howl and rail. Then the Bushes tried their best to take Iraq to steal their oil and punish them And created an era of stronger hatred And anti-American outrage and mayhem. No foreign country has attacked America; So, the point bears repeating once again. We need to stop acting like bullies here And start acting like decent statesmen And women who have the bigger picture; The growth of peace in our battered world So, other countries will not take their guns And shoot our flag when it’s unfurled.
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Sep 26, 2018
Sep 26, 2018 at 4:56 PM UTC
THE BIG LIE OF WAR
Nobody marching toward us Their guns making us die. No tanks are come clanking No bombers in the sky. But our Congress and generals When oil or bases seem needed; We appear armed and threatening Peace and love talk not heeded. No country has attacked us With troops and lethal artillery. But our leaders expect us to Go open up their arteries And **** their women and children And laugh while they all die And we are expected to do this And never think to ask why. It’s almost like big companies Were sad when WW2 ended So they started attacking countries We really should have befriended. We let Russia have free reign To **** and ****** and steal Almost as if their aggression Wasn’t really true or even real. We looked around and made them, Those evil old warlike excuses, That some country threatened freedom And we pretended they weren’t ruses. We attacked Korea and Vietnam We were just supposed to observe That they were yellow people there And think they got what they deserved. We didn’t stop there, as Reagan took A duly elected leader and put him in jail. If any country did that to our country The conservatives would howl and rail. Then the Bushes tried their best to take Iraq to steal their oil and punish them And created an era of stronger hatred And anti-American outrage and mayhem. No foreign country has attacked America; So, the point bears repeating once again. We need to stop acting like bullies here And start acting like decent statesmen And women who have the bigger picture; The growth of peace in our battered world So, other countries will not take their guns And shoot our flag when it’s unfurled.
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48
Some love to watch the sea bushes appearing at dawn, To see night fall from the goose wings, and to hear The conversations the night sea has with the dawn. If we can't find Heaven, there are always bluejays. Now you know why I spent my twenties crying. Cries are required from those who wake disturbed at dawn. Adam was called in to name the Red-Winged Blackbirds, the Diamond Rattlers, and the Ring-Tailed Raccoons washing God in the streams at dawn. Centuries later, the Mesopotamian gods, All curls and ears, showed up; behind them the Generals With their blue-coated sons who will die at dawn. Those grasshopper-eating hermits were so good To stay all day in the cave; but it is also sweet To see the fenceposts gradually appear at dawn. People in love with the setting stars are right To adore the baby who smells of the stable, but we know That even the setting stars will disappear at dawn.
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9.5k
Dawn
Millennials at Work and War Scorn not the snowflake who stands watch for us Now thrown into the existential struggle Surrendering their youth and taking up life They muster in the fields and factories And in their elders’ undeclared, shadowy wars Uniformed in an unappreciated sense Of duty and dignity while scorned by those Who take their ease upon the couches of sloth And fling cheap mockery at millennials Who take up tools and work and love of life Sometimes to die in deserts still unmapped While generals dismiss their casualties as light Despised as snowflakes by keyboard commandos Who never got closer to any war Than a John Wayne ketchup-bloody movie. Some work long double shifts through university In a sawmill, shop, or fast foodery Only to be dismissed as slacker layabouts, But expected to trust those who condemn them For not being the greatest generation As defined by those who never served at all And while being criticized they will grab A quick cup of coffee for the night shift Staffing the hospitals and police patrols That keep their sneering critics alive and safe They drive the trucks, they man the ships, they work They drill for oil, these useless millennials While idlers lounge long in the coffee shops And YooToob computered jokes about them Millennials have no time for coloring books Or comfort animals or revolution For they are weary with study and work The best of them make no demands, but, sure A little respect, hard-earned, would be nice If only the scripted singer-songwriters Would pack up the tired old stereotypes And see millennials as they truly are But darkness falls – they must go back to work On the eleven-seven, the graveyard shift They do not burn draft cards or Medicare cards Instead through work they illuminate this world And build it up with continued sacrifice Scorn not the snowflake who stands watch for us
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Dec 13, 2016
Dec 13, 2016 at 4:39 PM UTC
Millennials at Work and War
Millennials at Work and War Scorn not the snowflake who stands watch for us Now thrown into the existential struggle Surrendering their youth and taking up life They muster in the fields and factories And in their elders’ undeclared, shadowy wars Uniformed in an unappreciated sense Of duty and dignity while scorned by those Who take their ease upon the couches of sloth And fling cheap mockery at millennials Who take up tools and work and love of life Sometimes to die in deserts still unmapped While generals dismiss their casualties as light Despised as snowflakes by keyboard commandos Who never got closer to any war Than a John Wayne ketchup-bloody movie. Some work long double shifts through university In a sawmill, shop, or fast foodery Only to be dismissed as slacker layabouts, But expected to trust those who condemn them For not being the greatest generation As defined by those who never served at all And while being criticized they will grab A quick cup of coffee for the night shift Staffing the hospitals and police patrols That keep their sneering critics alive and safe They drive the trucks, they man the ships, they work They drill for oil, these useless millennials While idlers lounge long in the coffee shops And YooToob computered jokes about them Millennials have no time for coloring books Or comfort animals or revolution For they are weary with study and work The best of them make no demands, but, sure A little respect, hard-earned, would be nice If only the scripted singer-songwriters Would pack up the tired old stereotypes And see millennials as they truly are But darkness falls – they must go back to work On the eleven-seven, the graveyard shift They do not burn draft cards or Medicare cards Instead through work they illuminate this world And build it up with continued sacrifice Scorn not the snowflake who stands watch for us
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44
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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7.8k
The Swarm
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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60
My Country Tis of Thee, Sweet land of liberty- Or so we sing. Land where my fathers died- But my forefathers died in a battle Trying to keep their slaves; My fathers killed your fathers For trying to run away; My fathers **** your fathers Cause it's late at  night, and He's reaching for his gun-no, wait, His ID? Land of the pilgrim's pride- But so often we leave out of history How if it weren't for a Native American, The pilgrims would've died. From every mountainside- Like Stone Mountain in Georgia, Where Rebel Generals are memorialized, Where the **** was revived- God, help me, I can't hear freedom's ring; I can only hear white-washed history. From every mountainside- But these days, the mountain is in my chest, And liberty's ring sounds a lot different, And a lot of folks don't like it. Let freedom ring- And I want to fight for freedom for all- #BlackLivesMatter- I want to help- HANDS UP, DON'T SHOOT! But- I Can't Breathe. Let freedom ring!- But peaceful protests turn into Bloodbaths as those who have sworn To serve and protect are sniped down. Let freedom ring!- I try to educate myself On the side of history not taught- I've always felt that Nat Turner was the bad guy, But these days I'm questioning it. I read "The Meaning of Fourth of July for the ***** by Frederick Douglass And I read "Bury Me in a Free Land" by Frances Ellen Watkins Harper and I read "Sympathy" by Paul Laurence Dunbar and I read "Letters from Birmingham Jail", "The Mountaintop Speech", and "I Have a Dream"   by Dr. King. When I was younger, I'd research Dr. King & his colleagues For fun. I'd  wonder, "If I lived in the Civil Rights era, What would I have done?" But when I turned seventeen, I realized, "I live in a Civil Rights era; What am I going to do?
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Jul 11, 2016
Jul 11, 2016 at 5:28 PM UTC
My Country Tis of Thee (America, 2016 Edition)
My Country Tis of Thee, Sweet land of liberty- Or so we sing. Land where my fathers died- But my forefathers died in a battle Trying to keep their slaves; My fathers killed your fathers For trying to run away; My fathers **** your fathers Cause it's late at  night, and He's reaching for his gun-no, wait, His ID? Land of the pilgrim's pride- But so often we leave out of history How if it weren't for a Native American, The pilgrims would've died. From every mountainside- Like Stone Mountain in Georgia, Where Rebel Generals are memorialized, Where the **** was revived- God, help me, I can't hear freedom's ring; I can only hear white-washed history. From every mountainside- But these days, the mountain is in my chest, And liberty's ring sounds a lot different, And a lot of folks don't like it. Let freedom ring- And I want to fight for freedom for all- #BlackLivesMatter- I want to help- HANDS UP, DON'T SHOOT! But- I Can't Breathe. Let freedom ring!- But peaceful protests turn into Bloodbaths as those who have sworn To serve and protect are sniped down. Let freedom ring!- I try to educate myself On the side of history not taught- I've always felt that Nat Turner was the bad guy, But these days I'm questioning it. I read "The Meaning of Fourth of July for the ***** by Frederick Douglass And I read "Bury Me in a Free Land" by Frances Ellen Watkins Harper and I read "Sympathy" by Paul Laurence Dunbar and I read "Letters from Birmingham Jail", "The Mountaintop Speech", and "I Have a Dream"   by Dr. King. When I was younger, I'd research Dr. King & his colleagues For fun. I'd  wonder, "If I lived in the Civil Rights era, What would I have done?" But when I turned seventeen, I realized, "I live in a Civil Rights era; What am I going to do?
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62
In this, my last hour of rhyme, with stains uncontainèd by shaking hands Spreading like red soldiers running wartime untempered by generals shouting commands Then laughing like drunkards, drowning in wine that rich purple spills out from its barrels Then lying on bartops, eyes shine porcine and unheard soft voices hiss curses and carols. O, woe be on me if I speak out of time; out-tumbling come innards, spewed from a mouth Which whispered sad prayers in corners of grime: hints of spring-season on trips to the south; Watch them out-tumble, watch horri-divine like the death of the tragic, acted but true Yet laughing old minstrels declare it quite fine: and friends ensure royal-men breathe not from the blue. Hours fly past on wings of the Sun who turns misted eyes from child-fight below And lives lives of many, but cares not for none not least merchant servants, throttled in the snow. I fade and I fade: a blossom once watered and love of the stage is clogging my throat It changes my words: I fight it, I fought it and hot-wet floods up with drowning and choke. This minute, these words: I defy death. And cold, outward slipping: my slow final breath.
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Apr 25, 2014
Apr 25, 2014 at 5:14 AM UTC
Death of the Poet, Mercutio
**IMMEDIATELY PLEASE REMOVE ALL OF MY INFORMATION FROM YOUR DATA BASE FORTHWITH.  ALSO, ADVISE ANY AND ALL CONTRACTORS, SUB-CONTRACTORS, AGENTS, SUB-AGENTS, AFFILIATES, PARTNERS, COLLEAGUES, ASSOCIATES, CLIENTS, WEBMASTERS, WEB BASED LINKS, WINKS, TWINKS, COLONEL CLINCKS, BOSSES, CO-WORKERS, EMPLOYEES, VENDORS, SUPPLIERS, SALESMEN, ASCCOUNT REPS/EXCS, ACCOUNTANTS, BROKERS, CO-BROKERS, HACKERS, SLACKERS, WHACKERS, JERKS, PIMPS, HOES, HOBOS, BUMS, DERELICTS, DEGENERATES, DOPERS, DEALERS, TWEEKERS, GAMBLERS, RAMBLERS, SOLICITORS, SIDEKICKS, COHORTS, WINGMEN, WHEELMEN, LOOKOUTS, OUTLAWS, IN-LAWS, RELATIVES, FIANCES, GIRLFRIENDS, BOYFRIENDS, FAMILY, FRIENDS, ENEMIES, EVIL NEMISIS', CANVASSERS, INQUIRERS, QUEERS, QUEENS, COWBOYS, KINGS, **** DRAGS, HAGS, HETEROS, HOMOS, TONY ROMOS, FEMALE IMPERSONATORS, (PRE OR POST) MALE IMPERSONATORS, ***** ***** VAN ***** **** VAN **** LESBIANS, LIARS, BUYERS, CRYERS, CIGAR SMOKERS, CARPET MUNCHERS, RUG RATS, TODDLERS, TEENAGERS, YOUNGSTERS, SENIORS, SUCKERS, TRUCKERS, MOTHER shut yer mouth, LAW MAKERS, LAWYERS, ATTORNEYS, JUDGES, POLITICIANS, PECKERWOODS, LEADERS, FOLLOWERS, DISCIPLES, PROPHETS, EVANGELISTS, SAVIORS, SINNERS, SAINTS, SOOTHSAYERS, MEDICINE MEN, GYPSYS, TRAMPS, AND THIEVES, WITCHES, WARLOCKS, VAMPIRES, LYCANS, ZOMBIES, WAR MONGERS, PROTESTERS, SOLIDERS, GENERALS, GOVERNORS, PRESIDENTS, PATRIOTS, PACKERS, LIONS, BEARS, BROWNS, BLACKHAWKS, REDWINGS, RIGHT WING, LIBERALS, OR LAW BIDING CITIZENS, THEY ARE NOT TO CONTACT ME AND LOOSE MY NUMBER. BUT IF YOU SEE MY MOM, TELL HER TO CALL ME. ........................................................................BA-ZING....................................................................**
0
Dec 27, 2013
Dec 27, 2013 at 9:47 AM UTC
SPAMMER SMACKDOWN
**IMMEDIATELY PLEASE REMOVE ALL OF MY INFORMATION FROM YOUR DATA BASE FORTHWITH.  ALSO, ADVISE ANY AND ALL CONTRACTORS, SUB-CONTRACTORS, AGENTS, SUB-AGENTS, AFFILIATES, PARTNERS, COLLEAGUES, ASSOCIATES, CLIENTS, WEBMASTERS, WEB BASED LINKS, WINKS, TWINKS, COLONEL CLINCKS, BOSSES, CO-WORKERS, EMPLOYEES, VENDORS, SUPPLIERS, SALESMEN, ASCCOUNT REPS/EXCS, ACCOUNTANTS, BROKERS, CO-BROKERS, HACKERS, SLACKERS, WHACKERS, JERKS, PIMPS, HOES, HOBOS, BUMS, DERELICTS, DEGENERATES, DOPERS, DEALERS, TWEEKERS, GAMBLERS, RAMBLERS, SOLICITORS, SIDEKICKS, COHORTS, WINGMEN, WHEELMEN, LOOKOUTS, OUTLAWS, IN-LAWS, RELATIVES, FIANCES, GIRLFRIENDS, BOYFRIENDS, FAMILY, FRIENDS, ENEMIES, EVIL NEMISIS', CANVASSERS, INQUIRERS, QUEERS, QUEENS, COWBOYS, KINGS, **** DRAGS, HAGS, HETEROS, HOMOS, TONY ROMOS, FEMALE IMPERSONATORS, (PRE OR POST) MALE IMPERSONATORS, ***** ***** VAN ***** **** VAN **** LESBIANS, LIARS, BUYERS, CRYERS, CIGAR SMOKERS, CARPET MUNCHERS, RUG RATS, TODDLERS, TEENAGERS, YOUNGSTERS, SENIORS, SUCKERS, TRUCKERS, MOTHER shut yer mouth, LAW MAKERS, LAWYERS, ATTORNEYS, JUDGES, POLITICIANS, PECKERWOODS, LEADERS, FOLLOWERS, DISCIPLES, PROPHETS, EVANGELISTS, SAVIORS, SINNERS, SAINTS, SOOTHSAYERS, MEDICINE MEN, GYPSYS, TRAMPS, AND THIEVES, WITCHES, WARLOCKS, VAMPIRES, LYCANS, ZOMBIES, WAR MONGERS, PROTESTERS, SOLIDERS, GENERALS, GOVERNORS, PRESIDENTS, PATRIOTS, PACKERS, LIONS, BEARS, BROWNS, BLACKHAWKS, REDWINGS, RIGHT WING, LIBERALS, OR LAW BIDING CITIZENS, THEY ARE NOT TO CONTACT ME AND LOOSE MY NUMBER. BUT IF YOU SEE MY MOM, TELL HER TO CALL ME. ........................................................................BA-ZING....................................................................**
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4
While Zafar takes his crop to town Businessmen snort ****** Teens buy bundels to fill their veins With housewives Oxycontin reins The Generals demand their Percs Technocrats love Dilaudid's quirks While drones fly over Zafar's field Counting flowers for next year's yield r 9Jan14
0
Jan 9, 2014
Jan 9, 2014 at 7:51 AM UTC
The Poppy and the Drone
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
0
Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
Opera Mask Pendant Yuwen Chengdu
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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8
Morsi stands among his people as an expression of Egypt's democratic will democratically elected his feet are rooted in the constitutional right to rule Morsi has one foot on a pillar of secular democracy promising to uphold Egypt's journey to an egalitarian future this pillar advances the republican ideal that safeguards diversity and a people's liberty to express free will this pillar brought him to office and justifies his right to rule ironically it’s also a pillar that Morsi's guiding philosphy find impossible to suffer Morsi's other foot is firmly planted on a pillar of Sharia sympathies upholding the divine foundation of his rule over this earthly principality Muslim Brotherhood’s cardinal principles undermine the pillar of secular precepts that equally enfranchise all citizens Sharia Laws allows no standing to equal rights of women, religious minorities, LGBT civil liberties and advocates suppression of atheistic and progressive political groups this has riled the democratic sympathies of the Egyptian people Morsi's actions threaten to tip the pillar of secular democracy back into the Nile’s murky waters Morsi's stance is precarious and as his feet slip he realizes he is not the Colossus of Rhodes he believed himself to be discovering it impossible to bestride the pillars supporting incompatible structures the generals have declared a road map for stability that rescinds the constitution, dissolves the parliament and places the military as sole protectorate of the nation is the preservation of a democratic republic more important than the return to the rule of a military junta?   is it more wise to place principles before personalities? Morsi’s next steps are uncertain The pathway of the people’s democratic journey remains unclear the sound of the military’s marching boots grow louder Music Selection: Sweet Honey on the Rock Marching Off to Freedom Land Oakland 070313 jbm
0
Jul 3, 2013
Jul 3, 2013 at 11:08 AM UTC
Morsi's Feet
Morsi stands among his people as an expression of Egypt's democratic will democratically elected his feet are rooted in the constitutional right to rule Morsi has one foot on a pillar of secular democracy promising to uphold Egypt's journey to an egalitarian future this pillar advances the republican ideal that safeguards diversity and a people's liberty to express free will this pillar brought him to office and justifies his right to rule ironically it’s also a pillar that Morsi's guiding philosphy find impossible to suffer Morsi's other foot is firmly planted on a pillar of Sharia sympathies upholding the divine foundation of his rule over this earthly principality Muslim Brotherhood’s cardinal principles undermine the pillar of secular precepts that equally enfranchise all citizens Sharia Laws allows no standing to equal rights of women, religious minorities, LGBT civil liberties and advocates suppression of atheistic and progressive political groups this has riled the democratic sympathies of the Egyptian people Morsi's actions threaten to tip the pillar of secular democracy back into the Nile’s murky waters Morsi's stance is precarious and as his feet slip he realizes he is not the Colossus of Rhodes he believed himself to be discovering it impossible to bestride the pillars supporting incompatible structures the generals have declared a road map for stability that rescinds the constitution, dissolves the parliament and places the military as sole protectorate of the nation is the preservation of a democratic republic more important than the return to the rule of a military junta?   is it more wise to place principles before personalities? Morsi’s next steps are uncertain The pathway of the people’s democratic journey remains unclear the sound of the military’s marching boots grow louder Music Selection: Sweet Honey on the Rock Marching Off to Freedom Land Oakland 070313 jbm
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83
When you don’t have to see When it’s just a tv screen Muted voices scream But you can’t hear a thing When you’re not on the ground To feel the fear or hear the sounds Then it’s easier to look away It gets easier to stand and say That waging war is okay But when it’s your blood Or the blood of those you love When the price you pay is personal Then the decisions are made more carefully Too bad politicians and rich men Don’t have to send their sons and daughters Off to war to face an almost certain slaughter Maybe if the generals and congressmen The admirals and the president Had to stand in the thick of it I might trust their judgment
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Mar 15, 2015
Mar 15, 2015 at 2:53 PM UTC
To Separated From The Consequences
Workingmen believed He busted trusts, And put his picture in their windows. "What he'd have done in France!" They said. Perhaps he would-- He could have died Perhaps, Though generals rarely die except in bed, As he did finally. And all the legends that he started in his life Live on and prosper, Unhampered now by his existence.
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4k
Roosevelt
To Ezra Pound These are the names of the companies that have made money from this war nineteenhundredsixtyeight Annodomini fourthousand eighty Hebraic These are the Corporations who have profited by merchan- dising skinburning phosphorous or shells fragmented to thousands of fleshpiercing needles and here listed money millions gained by each combine for manufacture and here are gains numbered, index'd swelling a decade, set in order, here named the Fathers in office in these industries, tele- phones directing finance, names of directors, makers of fates, and the names of the stockholders of these destined Aggregates, and here are the names of their ambassadors to the Capital, representatives to legislature, those who sit drinking in hotel lobbies to persuade, and separate listed, those who drop Amphetamine with military, gossip, argue, and persuade suggesting policy naming language proposing strategy, this done for fee as ambassadors to Pentagon, consul- tants to military, paid by their industry: and these are the names of the generals & captains mili- tary, who know thus work for war goods manufactur- ers; and above these, listed, the names of the banks, combines, investment trusts that control these industries: and these are the names of the newspapers owned by these banks and these are the names of the airstations owned by these combines; and these are the numbers of thousands of citizens em- ployed by these businesses named; and the beginning of this accounting is 1958 and the end 1968, that static be contained in orderly mind, coherent and definite, and the first form of this litany begun first day December 1967 furthers this poem of these States. December 1, 1967
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3.8k
War Profit Litany
To Ezra Pound These are the names of the companies that have made money from this war nineteenhundredsixtyeight Annodomini fourthousand eighty Hebraic These are the Corporations who have profited by merchan- dising skinburning phosphorous or shells fragmented to thousands of fleshpiercing needles and here listed money millions gained by each combine for manufacture and here are gains numbered, index'd swelling a decade, set in order, here named the Fathers in office in these industries, tele- phones directing finance, names of directors, makers of fates, and the names of the stockholders of these destined Aggregates, and here are the names of their ambassadors to the Capital, representatives to legislature, those who sit drinking in hotel lobbies to persuade, and separate listed, those who drop Amphetamine with military, gossip, argue, and persuade suggesting policy naming language proposing strategy, this done for fee as ambassadors to Pentagon, consul- tants to military, paid by their industry: and these are the names of the generals & captains mili- tary, who know thus work for war goods manufactur- ers; and above these, listed, the names of the banks, combines, investment trusts that control these industries: and these are the names of the newspapers owned by these banks and these are the names of the airstations owned by these combines; and these are the numbers of thousands of citizens em- ployed by these businesses named; and the beginning of this accounting is 1958 and the end 1968, that static be contained in orderly mind, coherent and definite, and the first form of this litany begun first day December 1967 furthers this poem of these States. December 1, 1967
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41
i can't believe i'm living out my life's 10 seconds of stupidity with an un-payable debit account security of future credit, loans, debt and moaning... **** me double twice blind with a joker in hand... of course i'm stupid, i got educated in a world that pays you back with menial labour, to look pretty... seriously, don't do the stupidest thing imaginable and get yourself a university degree, unless you're a woman, that's fine, you'll get to meet and voluntarily wet your ****** with the next president of Romania, but we need idiot mechanics, and believe me, i'd rather oil up car pistons like stroking giraffe necks of Myanmar women.... from **** generals cited through to Epicurus' citation... believe me, i wish i was smarter, most of posthumous fame is a regard of obstructive i.q., we were believed to not take offence at our exposure to systematisation which educated both thief and banker... none of the two differ... both excusable buffers... we trusted people... trust was our biggest idiotic remark... and now the earth in spin... for endless maxims: it's like that... and that's the way it is; no wonder i end up watching serial killer documentaries.
0
May 3, 2016
May 3, 2016 at 6:17 PM UTC
Giraffes and Maynmar women
I was sent to work at the old Repat. It was forty years since the war, Those ancient diggers would sit and swear At the pain of the limbs they wore, The wounds would open as years went by, They’d come for another slice, That war was never over for them, And morphine was paradise. I saw one veteran struggle and curse As he ripped at the buckles and straps, The new prosthesis had rubbed him raw As his knee began to relapse. He tore the leg from his wounded stump Sat on his bed, and roared, Then swung the article over his head And flung it across the ward. The others had ducked as the leg took off And bounced off the opposite wall, ‘I’ll have to report you,’ the nurse exclaimed, ‘It’s a good leg, after all!’ ‘You wear it then,’ was the man’s response, ‘For it’s driving me insane, What would you know of Flanders Fields? You wouldn’t deal with the pain!’ My job was to settle and calm him down So I asked him about his leg, ‘When and where did you lose it, Dig?’ The veteran tossed his head. ‘You’ve heard of a place called Flanders Fields Where the bullets came in like hail? Well, I was there with the Anzac’s, son, At a place called Passchendaele.’ ‘Our Generals were trying to ****** us, I swear, on my mother’s head, They kept on sending us over the top Until half of the men were dead. The German gunners would enfilade As we struggled against the mud, I’ll never forget the battlefield, It was spattered with bones and blood. They’d send artillery shells across At the height of a soldier’s knee, We’d watch them come as they parted the grass, They were Grasscutters, you see! Well, I was running with bayonet fixed And praying for God’s good grace, When suddenly I was lying there, I’d tumbled, flat on my face.’ ‘It’s strange that I never felt a thing, When the Grasscutter got me, It took a while ‘til I saw my leg Was gone, from under the knee. But that was the end of the war for me, The end of the life I’d known, I spent some time back in Blighty, then I came on a ship, back home.’ I never chided those men in there Though they’d curse and swear, and roar, For every man was a hero where They'd trudged in mud through the war. That Repat. job was a fill-in job And I left, still young and hale, But I never forgot the Grasscutter Or the man from Passchendaele. David Lewis Paget
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Mar 13, 2014
Mar 13, 2014 at 5:39 AM UTC
Grasscutters
I was sent to work at the old Repat. It was forty years since the war, Those ancient diggers would sit and swear At the pain of the limbs they wore, The wounds would open as years went by, They’d come for another slice, That war was never over for them, And morphine was paradise. I saw one veteran struggle and curse As he ripped at the buckles and straps, The new prosthesis had rubbed him raw As his knee began to relapse. He tore the leg from his wounded stump Sat on his bed, and roared, Then swung the article over his head And flung it across the ward. The others had ducked as the leg took off And bounced off the opposite wall, ‘I’ll have to report you,’ the nurse exclaimed, ‘It’s a good leg, after all!’ ‘You wear it then,’ was the man’s response, ‘For it’s driving me insane, What would you know of Flanders Fields? You wouldn’t deal with the pain!’ My job was to settle and calm him down So I asked him about his leg, ‘When and where did you lose it, Dig?’ The veteran tossed his head. ‘You’ve heard of a place called Flanders Fields Where the bullets came in like hail? Well, I was there with the Anzac’s, son, At a place called Passchendaele.’ ‘Our Generals were trying to ****** us, I swear, on my mother’s head, They kept on sending us over the top Until half of the men were dead. The German gunners would enfilade As we struggled against the mud, I’ll never forget the battlefield, It was spattered with bones and blood. They’d send artillery shells across At the height of a soldier’s knee, We’d watch them come as they parted the grass, They were Grasscutters, you see! Well, I was running with bayonet fixed And praying for God’s good grace, When suddenly I was lying there, I’d tumbled, flat on my face.’ ‘It’s strange that I never felt a thing, When the Grasscutter got me, It took a while ‘til I saw my leg Was gone, from under the knee. But that was the end of the war for me, The end of the life I’d known, I spent some time back in Blighty, then I came on a ship, back home.’ I never chided those men in there Though they’d curse and swear, and roar, For every man was a hero where They'd trudged in mud through the war. That Repat. job was a fill-in job And I left, still young and hale, But I never forgot the Grasscutter Or the man from Passchendaele. David Lewis Paget
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65
The loneliest librarian is in the heart of darkness I saw him, old, bearded on three sides book cases on the open side, a desk he faces outward into the darkness drawing notes at their best. Look away! in the distance an army and her generals gather Up ahead, a conqueror metal jangles, saddles horse Cries the pony boy: I miss my mother let me go back what does this all mean? Studying now, the librarian, notes in check, own pen scratching, no metals only and only his mind and an ink-filled well Spearhead, arrowhead formation a king and his khanate lean forward into the permafrost, snow lashing wind blows against but cannot stop fierce wild will and only the willows weep Cries the pony boy: Radically, may I be afraid of the dead, arms asunder so much love! so much love! what does this all mean? And far, far ahead of this army librarian sits, silently loving nothing, everything beside him he scribbles notes A love letter? tiresome if so upon closer inspection... At the center of the dark dark forest where a lonely man rides in his kayak lantern fixed upon a frame, making his boat top-heavy he bobs back and forth across his body of water he is haunted he is lonely he is a skeleton Now grand general crosses the Styx Ice clumps brushing gently against his ships cold enough to **** a horse, set blood aglow with blue, so cold it could not rot. To valley forge! to valley forge to forge a future. And pony boy cries: What does it mean? my father is gone, gone before this war, he once said, it must be, be, Did he mean... Finally, up ahead, the librarian draws untraceable lines, he knows the army is at his door lonely, shaking, only the conqueror made it and he is almost dead too. Scared, sacredly, he finally hands the librarian his match and sobs, softly, under breath "Time, time is, time without, time too starts anew."
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Dec 16, 2013
Dec 16, 2013 at 12:42 AM UTC
Between the Lines
The loneliest librarian is in the heart of darkness I saw him, old, bearded on three sides book cases on the open side, a desk he faces outward into the darkness drawing notes at their best. Look away! in the distance an army and her generals gather Up ahead, a conqueror metal jangles, saddles horse Cries the pony boy: I miss my mother let me go back what does this all mean? Studying now, the librarian, notes in check, own pen scratching, no metals only and only his mind and an ink-filled well Spearhead, arrowhead formation a king and his khanate lean forward into the permafrost, snow lashing wind blows against but cannot stop fierce wild will and only the willows weep Cries the pony boy: Radically, may I be afraid of the dead, arms asunder so much love! so much love! what does this all mean? And far, far ahead of this army librarian sits, silently loving nothing, everything beside him he scribbles notes A love letter? tiresome if so upon closer inspection... At the center of the dark dark forest where a lonely man rides in his kayak lantern fixed upon a frame, making his boat top-heavy he bobs back and forth across his body of water he is haunted he is lonely he is a skeleton Now grand general crosses the Styx Ice clumps brushing gently against his ships cold enough to **** a horse, set blood aglow with blue, so cold it could not rot. To valley forge! to valley forge to forge a future. And pony boy cries: What does it mean? my father is gone, gone before this war, he once said, it must be, be, Did he mean... Finally, up ahead, the librarian draws untraceable lines, he knows the army is at his door lonely, shaking, only the conqueror made it and he is almost dead too. Scared, sacredly, he finally hands the librarian his match and sobs, softly, under breath "Time, time is, time without, time too starts anew."
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65
The oaks are stricken by a serious illness They dry up after having let go Into the glow of a sump at sunset A whole throng of generals' heads
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2.6k
More Than Suspect
I was born in a cold land, The leaves bright orange like the sun And a dusting of icy dew on wilted grass; I was born in sanitary white and surgical blues, Incubated, saved, isolated; Mamá cried: In the motherland, mi Apá would’ve had to choose. I was born into exile. I was born to immigrants, Brown like the dirt Mis abuelos grow caña in, Like the leaves, glorious colors past; I was born foreign. I was born in Español, Accented with indigenous words, Bastardized like our foods and dance; I was born and placed At the care of a deer’s eye, Tied red around my wrist, A wooden cross, A brown ****** A blue-eyed Niño Dios. I lived in dust for 2 years. I ran free, in fields of milpa, In fields of caña, In zocalos with Colorful waving paper flags And statues of generals. I played with cousins, Sharing bolis and nieve, The hot clay burning our feet, Racing to cool down at the spring. And then I was brought back for school: Los gringos van a estudiar, They whispered, a bit mocking, about me, 4 years old, a girl, In a place where girls were good for marriage, University for the rich, snobby folks Of faraway cities. I came back to the cold land in spring. A small barrio of tall broken down buildings, Tiny apartments that became havens At the sound of guns at night. There was no more running around freely, No more campos, no more town squares. School was foreign, There was English to learn, A struggle to lose the accent, To make the thick words Comfortable in my tongue.
0
Jan 8, 2013
Jan 8, 2013 at 1:22 AM UTC
autobiotry- incomplete
I was born in a cold land, The leaves bright orange like the sun And a dusting of icy dew on wilted grass; I was born in sanitary white and surgical blues, Incubated, saved, isolated; Mamá cried: In the motherland, mi Apá would’ve had to choose. I was born into exile. I was born to immigrants, Brown like the dirt Mis abuelos grow caña in, Like the leaves, glorious colors past; I was born foreign. I was born in Español, Accented with indigenous words, Bastardized like our foods and dance; I was born and placed At the care of a deer’s eye, Tied red around my wrist, A wooden cross, A brown ****** A blue-eyed Niño Dios. I lived in dust for 2 years. I ran free, in fields of milpa, In fields of caña, In zocalos with Colorful waving paper flags And statues of generals. I played with cousins, Sharing bolis and nieve, The hot clay burning our feet, Racing to cool down at the spring. And then I was brought back for school: Los gringos van a estudiar, They whispered, a bit mocking, about me, 4 years old, a girl, In a place where girls were good for marriage, University for the rich, snobby folks Of faraway cities. I came back to the cold land in spring. A small barrio of tall broken down buildings, Tiny apartments that became havens At the sound of guns at night. There was no more running around freely, No more campos, no more town squares. School was foreign, There was English to learn, A struggle to lose the accent, To make the thick words Comfortable in my tongue.
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51
Dusk’s last breath puff up the curtains in a flash of the post traumatic kind. A crocheted-cliché, peach-purple duvet drape the mountains in war paint; redwood generals’ shadows on attention, disorderly pine infantrymen struggle against the wind, some broken, most wounded, shattered limbs on display. The war hero sighs into the bowels of an instant noodles cup; dumplings shiver ((uncooked liver)) when he whistle-whispers untold stories of courage, guts served on blood-soaked battlegrounds; no-one listens, save spiders with hairy legs that hang on his every word.
0
Feb 15, 2011
Feb 15, 2011 at 9:47 PM UTC
Instant Noodles at Dusk
we cannot grasp the current situation our hands are not quite equal to the task and comrade lenin's at the finland station all sense has gone from leaders of the nation while generals have all dived into flask we cannot grasp the current situation but know that it's no cause for celebration as we have reached the bottom of the cask and comrade lenin's at the finland station we tried to impose rules of segregation but found that there were things we could not ask we cannot grasp the current situation the masses do not give us admiration while idle rulers on far beaches bask and comrade lenin's at the finland station we find there is no true accommodation they've seen the monster face behind the mask we cannot grasp the current situation and comrade lenin's at the finland station
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Mar 8, 2013
Mar 8, 2013 at 8:15 AM UTC
at the finland station
some say im cynical satanical that my minds mechanical diabolical spoken essence erotical detestable jaded imagery hypnotical unstoppable liable to solve the unsolvable while prodigal poets drown in their nautical modules im a criminal a cannibal storming the street like an animal shooting cannonballs through prison walls splattering the generals in bathroom stalls hostil leave you poppin pain pills in the hospital uncontrollable my temper is flammable mumbles illegible choking you with your pentacle leaving onlookers speckled the abominable mental protocols unstoppable the unfeasible constable shooting up the card table willing and able to call your fables and smash apart a label i raise babies in unstable cradles let you bleed out like cracked ladles engorged in unholy wars exploring the corruption of the core deplored uniformed for the clash of the double edge swords taking control of vocal chords a meet of the hordes of the horned misinformed adorned in sunlight trying to shine just 1 line at a time until my life signs decline almost time light and shadow combined Horus and set by hindsight blessed yet to contest to the rest of this mess by melancholy caressed as i arise unrest from the cess of the un confessed blessed
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Jul 9, 2012
Jul 9, 2012 at 6:14 AM UTC
1 line at a time
“Sometimes love is stronger than a man’s convictions.” – Isaac Bashevis Singer 1. There are wars, and rumors of wars— machineries, machinations of singular dark days, and clouds that hang like props above our city. We shut the windows, refuse to watch their play. Hungrily, we take refuge between each other’s legs. How comforting it is to love without armies, without tanks, without generals of reasoned love. --- 2. There are wars, and rumors of wars— machineries, machinations of singular dark days. From the narrow street, they see us wrestling with an angel— the tug of limbs, the tangle of hair. You whisper low, your seditious talk of love— as my callused hands get caught in your low moaning— while I hold you down to the bed, my captive. The occupation has begun— your occupied body, my country of ardent prayers. --- 2. There are wars— machineries, machinations of singular dark days. The soldiers are leaving for the front. Not us. We stay behind, to wage our war of tenderness. They leave this morning. Applaud their sad theater— the warships, the planes. Soon, letters will arrive without them. A few men will return— gaunt, less than before— with more silence, less dancing. And when they do, our war will have ended under a flag of white bed sheets. Only a little blood. Victorious, we’ll write love letters on each other’s bodies.
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Apr 25, 2025
Apr 25, 2025 at 3:20 PM UTC
Of Love and War
Crew cut kiss curl stood above the goose steeping generals with empty heads and olive green jackets dangling aluminium war medals for shooting ducks across the border flying over Seoul “Nfeuirok2fmdfiwe384194u3ujriwejm" crew-cut kiss curl yelled. “I told you 091874874814729” ( his swedish education was now showing!) The train pulled out of pyongyang with two thousand dead that fed the famine. Only the driver was alive clutching a loaf of bread. stacked with cardboard cutout missiles atop 1920s tanks and painted with bloodred honesty the entire nation goose stepped to crew cuts orders. He was as nutty as a fruitcake but nobody laughed when he loaded his only nuclear missile to bring down the last remaining duck heading to Siberia. Ha ha! Author Notes This is not a joke. Or is it? © Marshall Gass. All rights reserved, a month ago
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Jun 24, 2014
Jun 24, 2014 at 3:58 PM UTC
Megalomaniac