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"fringed" poems
Your colors diffuse in hushed streaks across synapses, as empty spaces also become orchids and butterfly petals reach for a scent their counterparts in rain. A fringed April is actually an orchid.
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Apr 12, 2013
Apr 12, 2013 at 3:26 PM UTC
Wild Orchids
beyond Montana’s yellow lines there is a field ~a field of painted soles      and laces rubber tread ~a field of ****** curls      and fallen headlights where kaleidoscope lenses look onto twisted frames          like origami halos where teddy bears hug stop signs like pickets      fringed in anger           runaway childhoods sleep cautionary tales    beyond Montana’s blushing acne there are red cup melodies      blasting from blacked out tints           weaving blues notes through Rock & Rap distant cries are drowned by Bass      or maybe Bud (light) a haze of teenage eyes they might as well be ghost riders whip game copped from GTA these pubescents are a Vice to their City blooming sidewalk sloths like flowerbeds beyond Montana is a country of bar stools    where bar tenders play therapists         and therapists play coroners precedents are shots of whiskey - taken to the head and reflected in flooded eyes beyond Montana is a country of MADD mothers and SADD students beyond Montana is a country of unexpecting pedestrians beyond Montana is a field ~a field of wing-clipped snow angels That field is Mariah's home now and she challenges you to change    yourself         your friends              your country she challenges you to STOP DRUNK DRIVING
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Jan 6, 2013
Jan 6, 2013 at 2:22 PM UTC
Mariah's Challenge
Forests of coral adorn the rocky ocean floor, Sheltered here in this sky-blue lagoon. See the golden sand, shining through the still waters, Fringed by plumes of palm. The warming sun is smiling, Flanked by fluffy white clouds. Gulls are calling Over the whispering sea. A tropical paradise Punctuated only By impromptu showers. Those colourful corals Swarmed with teeming fish Of every hue. This is the place To be. Paul Butters
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Jul 13, 2015
Jul 13, 2015 at 5:49 AM UTC
Coral Cove
On the East Coast of England there’s a small resort Called Cleethorpes, where I happen to reside. And out towards the Pleasure Park A short way from the shore There is The Boating Lake. I love to go there on a still, sundowning evening When the parking is free. To walk those walkways around the lake, Dreaming I’m on Starfleet Academy Campus. Walkways flanked by lawned hillocks and shrubs. The lake is fringed by red-flowered reeds And punctuated by ducks and geese. Families and couples roam about As I sit in meditation Watching and listening To the central fountain play. Such a tranquil scene, Far from the madding crowd. Go over the bridge and cross the mini-railway line: Before you reach the saltmarsh and the sea You’ll find a stretch of shrubbery and trees A haven for the birds And for me, As I walk my favourite path. The lake is thus a prelude To some splendid growth As nature does its thing. Serene and tranquil everything A spiritual feeling As I meditate Beneath multi-layered clouds Under endless sky. Paul Butters
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Aug 27, 2016
Aug 27, 2016 at 6:21 AM UTC
Cleethorpes Boating Lake
By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—out of TIME. Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the dews that drip all over; Mountains toppling evermore Into seas without a shore; Seas that restlessly aspire, Surging, unto skies of fire; Lakes that endlessly outspread Their lone waters—lone and dead, Their still waters—still and chilly With the snows of the lolling lily. By the lakes that thus outspread Their lone waters, lone and dead,— Their sad waters, sad and chilly With the snows of the lolling lily,— By the mountains—near the river Murmuring lowly, murmuring ever,— By the gray woods,—by the swamp Where the toad and the newt encamp,— By the dismal tarns and pools Where dwell the Ghouls,— By each spot the most unholy— In each nook most melancholy,— There the traveller meets aghast Sheeted Memories of the past— Shrouded forms that start and sigh As they pass the wanderer by— White-robed forms of friends long given, In agony, to the Earth—and Heaven. For the heart whose woes are legion ’Tis a peaceful, soothing region— For the spirit that walks in shadow ’Tis—oh, ’tis an Eldorado! But the traveller, travelling through it, May not—dare not openly view it; Never its mysteries are exposed To the weak human eye unclosed; So wills its King, who hath forbid The uplifting of the fringed lid; And thus the sad Soul that here passes Beholds it but through darkened glasses. By a route obscure and lonely, Haunted by ill angels only. Where an Eidolon, named NIGHT, On a black throne reigns upright, I have wandered home but newly From this ultimate dim Thule.
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4.9k
Dreamland
By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—out of TIME. Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the dews that drip all over; Mountains toppling evermore Into seas without a shore; Seas that restlessly aspire, Surging, unto skies of fire; Lakes that endlessly outspread Their lone waters—lone and dead, Their still waters—still and chilly With the snows of the lolling lily. By the lakes that thus outspread Their lone waters, lone and dead,— Their sad waters, sad and chilly With the snows of the lolling lily,— By the mountains—near the river Murmuring lowly, murmuring ever,— By the gray woods,—by the swamp Where the toad and the newt encamp,— By the dismal tarns and pools Where dwell the Ghouls,— By each spot the most unholy— In each nook most melancholy,— There the traveller meets aghast Sheeted Memories of the past— Shrouded forms that start and sigh As they pass the wanderer by— White-robed forms of friends long given, In agony, to the Earth—and Heaven. For the heart whose woes are legion ’Tis a peaceful, soothing region— For the spirit that walks in shadow ’Tis—oh, ’tis an Eldorado! But the traveller, travelling through it, May not—dare not openly view it; Never its mysteries are exposed To the weak human eye unclosed; So wills its King, who hath forbid The uplifting of the fringed lid; And thus the sad Soul that here passes Beholds it but through darkened glasses. By a route obscure and lonely, Haunted by ill angels only. Where an Eidolon, named NIGHT, On a black throne reigns upright, I have wandered home but newly From this ultimate dim Thule.
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56
At midnight, in the month of June, I stand beneath the mystic moon. An ****** vapor, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night! The wanton airs, from the tree-top, Laughingly through the lattice-drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid ’Neath which thy slumb’ring soul lies hid, That, o’er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o’er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all-solemn silentness! The lady sleeps! Oh, may her sleep Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie For ever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep; Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged panels fluttering back, Triumphant, o’er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood many an idle stone— Some tomb from out whose sounding door She ne’er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
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4.3k
The Sleeper
At midnight, in the month of June, I stand beneath the mystic moon. An ****** vapor, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night! The wanton airs, from the tree-top, Laughingly through the lattice-drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid ’Neath which thy slumb’ring soul lies hid, That, o’er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o’er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all-solemn silentness! The lady sleeps! Oh, may her sleep Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie For ever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep; Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged panels fluttering back, Triumphant, o’er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood many an idle stone— Some tomb from out whose sounding door She ne’er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
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61
The deep sighs of fall send chills across the daisies. My compass is sick and there’s a sense of urgency in my eyelashes, feeling around for the blisters on my skin searching for a bed to sleep. Facets of sleep encourage the rain to fall, cold weather raising capillaries under my skin. I wrote the history of the Holocene era on daisies, microscope lenses tickling my eyelashes; dim lighting makes me home sick. My mind is sick, I dream of oceans in my sleep, medicine labels printed on my eyelashes pill bottles coloured like fall. Tattoos of purple fringed daisies cover my shoulders like skin. Teeth full of apple skin; asking God how not to be sick, wondering if a sacrifice of daisies will get my blood to sleep. My hair is like the leaves during fall; I hope I get to keep my eyelashes. There’s snow in my eyelashes, landscapes of frost form on skin the cold air begins to fall, I decide to call in sick preferring to hide in a hot sleep until my breaths sprout purple daisies. How to grow Gerber daisies, without losing my eyelashes? My fingernails are full of sleep, hot tea grasps at my paper skin. The panacea for the sick is a perfect concentration of wool sweaters and fall. You eat daisies in the fever of fall. Through my eyelashes I am morally sick, but yesterday I finally let sleep settle into my skin.
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Feb 16, 2014
Feb 16, 2014 at 11:45 PM UTC
Sestina 1 - Surgical winds
Friday- the most promising day of all. The beginning of the weekend, but the one day that will spark appall. Down on Mainstreet all the girls In their fringed dresses, pouting their foxy lips and their hair waving in short messes. The hags frown as the winged ladies pass by- displaying their carriages a little sly. Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet. Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans. 'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr. 'Who are you?' he stirred, 'Oh, I'm Miss Doe' and he lept into the stool with a swift flow. And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies. So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck: 'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore. 'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile. That was the final chord to the "lick". He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy. 'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed. 'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?' And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly. As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
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Jun 24, 2017
Jun 24, 2017 at 6:32 AM UTC
Flapper Jane (Doe)
Friday- the most promising day of all. The beginning of the weekend, but the one day that will spark appall. Down on Mainstreet all the girls In their fringed dresses, pouting their foxy lips and their hair waving in short messes. The hags frown as the winged ladies pass by- displaying their carriages a little sly. Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet. Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans. 'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr. 'Who are you?' he stirred, 'Oh, I'm Miss Doe' and he lept into the stool with a swift flow. And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies. So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck: 'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore. 'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile. That was the final chord to the "lick". He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy. 'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed. 'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?' And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly. As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
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20
Thrums the bee waggle-dance in a haunt of Indian horsepaths, Or the shaking leaf one second past the strike of galloping rain / Parsimonious lightning, thrifty in its jagged stalks Against this night of heavy-hearted oaks / Then the hay-fringed bale of sleep, rolled into a valley of slowed breathing, Through parting cloud-diabolique, poison-peers the wet toadback of Autumn, Glowing moon-gristle in the bosky wolf’s beard with its wireframe of teeth.
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Sep 30, 2021
Sep 30, 2021 at 8:19 PM UTC
Autumn Comes Reaping
I dreamed that dead, and meditating, I lay upon a grave, or bed, (at least, some cold and close-built bower). In the cold heart, its final thought stood frozen, drawn immense and clear, stiff and idle as I was there; and we remained unchanged together for a year, a minute, an hour. Suddenly there was a motion, as startling, there, to every sense as an explosion. Then it dropped to insistent, cautious creeping in the region of the heart, prodding me from desperate sleep. I raised my head. A slight young **** had pushed up through the heart and its green head was nodding on the breast. (All this was in the dark.) It grew an inch like a blade of grass; next, one leaf shot out of its side a twisting, waving flag, and then two leaves moved like a semaphore. The stem grew thick. The nervous roots reached to each side; the graceful head changed its position mysteriously, since there was neither sun nor moon to catch its young attention. The rooted heart began to change (not beat) and then it split apart and from it broke a flood of water. Two rivers glanced off from the sides, one to the right, one to the left, two rushing, half-clear streams, (the ribs made of them two cascades) which assuredly, smooth as glass, went off through the fine black grains of earth. The **** was almost swept away; it struggled with its leaves, lifting them fringed with heavy drops. A few drops fell upon my face and in my eyes, so I could see (or, in that black place, thought I saw) that each drop contained a light, a small, illuminated scene; the weed-deflected stream was made itself of racing images. (As if a river should carry all the scenes that it had once reflected shut in its waters, and not floating on momentary surfaces.) The **** stood in the severed heart. "What are you doing there?" I asked. It lifted its head all dripping wet (with my own thoughts?) and answered then: "I grow," it said, "but to divide your heart again."
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3.8k
The ****
I dreamed that dead, and meditating, I lay upon a grave, or bed, (at least, some cold and close-built bower). In the cold heart, its final thought stood frozen, drawn immense and clear, stiff and idle as I was there; and we remained unchanged together for a year, a minute, an hour. Suddenly there was a motion, as startling, there, to every sense as an explosion. Then it dropped to insistent, cautious creeping in the region of the heart, prodding me from desperate sleep. I raised my head. A slight young **** had pushed up through the heart and its green head was nodding on the breast. (All this was in the dark.) It grew an inch like a blade of grass; next, one leaf shot out of its side a twisting, waving flag, and then two leaves moved like a semaphore. The stem grew thick. The nervous roots reached to each side; the graceful head changed its position mysteriously, since there was neither sun nor moon to catch its young attention. The rooted heart began to change (not beat) and then it split apart and from it broke a flood of water. Two rivers glanced off from the sides, one to the right, one to the left, two rushing, half-clear streams, (the ribs made of them two cascades) which assuredly, smooth as glass, went off through the fine black grains of earth. The **** was almost swept away; it struggled with its leaves, lifting them fringed with heavy drops. A few drops fell upon my face and in my eyes, so I could see (or, in that black place, thought I saw) that each drop contained a light, a small, illuminated scene; the weed-deflected stream was made itself of racing images. (As if a river should carry all the scenes that it had once reflected shut in its waters, and not floating on momentary surfaces.) The **** stood in the severed heart. "What are you doing there?" I asked. It lifted its head all dripping wet (with my own thoughts?) and answered then: "I grow," it said, "but to divide your heart again."
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56
On Lolham Brigs in wild and lonely mood I’ve seen the winter floods their gambols play Through each old arch that trembled while I stood Bent o’er its wall to watch the dashing spray As their old stations would be washed away Crash came the ice against the jambs and then A shudder jarred the arches—yet once more It breasted raving waves and stood agen To wait the shock as stubborn as before —White foam brown crested with the russet soil As washed from new plough lands would dart beneath Then round and round a thousand eddies boil On tother side—then pause as if for breath One minute—and engulphed—like life in death Whose wrecky stains dart on the floods away More swift than shadows in a stormy day Straws trail and turn and steady—all in vain The engulfing arches shoot them quickly through The feather dances flutters and again Darts through the deepest dangers still afloat Seeming as faireys whisked it from the view And danced it o’er the waves as pleasures boat Light hearted as a thought in May— Trays—uptorn bushes—fence demolished rails Loaded with weeds in sluggish motions stray Like water monsters lost each winds and trails Till near the arches—then as in affright It plunges—reels—and shudders out of sight Waves trough—rebound—and fury boil again Like plunging monsters rising underneath Who at the top curl up a shaggy main A moment catching at a surer breath Then plunging headlong down and down—and on Each following boil the shadow of the last And other monsters rise when those are gone Crest their fringed waves—plunge onward and are past —The chill air comes around me ocean blea From bank to bank the waterstrife is spread Strange birds like snow spots o’er the huzzing sea Hang where the wild duck hurried past and fled On roars the flood—all restless to be free Like trouble wandering to eternity
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3.7k
The Flood
On Lolham Brigs in wild and lonely mood I’ve seen the winter floods their gambols play Through each old arch that trembled while I stood Bent o’er its wall to watch the dashing spray As their old stations would be washed away Crash came the ice against the jambs and then A shudder jarred the arches—yet once more It breasted raving waves and stood agen To wait the shock as stubborn as before —White foam brown crested with the russet soil As washed from new plough lands would dart beneath Then round and round a thousand eddies boil On tother side—then pause as if for breath One minute—and engulphed—like life in death Whose wrecky stains dart on the floods away More swift than shadows in a stormy day Straws trail and turn and steady—all in vain The engulfing arches shoot them quickly through The feather dances flutters and again Darts through the deepest dangers still afloat Seeming as faireys whisked it from the view And danced it o’er the waves as pleasures boat Light hearted as a thought in May— Trays—uptorn bushes—fence demolished rails Loaded with weeds in sluggish motions stray Like water monsters lost each winds and trails Till near the arches—then as in affright It plunges—reels—and shudders out of sight Waves trough—rebound—and fury boil again Like plunging monsters rising underneath Who at the top curl up a shaggy main A moment catching at a surer breath Then plunging headlong down and down—and on Each following boil the shadow of the last And other monsters rise when those are gone Crest their fringed waves—plunge onward and are past —The chill air comes around me ocean blea From bank to bank the waterstrife is spread Strange birds like snow spots o’er the huzzing sea Hang where the wild duck hurried past and fled On roars the flood—all restless to be free Like trouble wandering to eternity
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42
I I learnt this week that time and distance can be friends to memory their respective lengths only wet and sharpen the edge of love but for us dear friend we hold hard to hope that we may one day soon share the present and live each moment in each other's heart. II Hearing you on Holkham beach - whose soul is greater than the ocean whose spirit stronger than the sea - did I doubt for a moment that you, though buffeted by a cold east wind would never age for me, nor fade, nor die. Nor you for me (she said) Goodbye, my love, a thousand times goodbye. Write me well (she said) and turned and ran. III The Reedham ferry was but a river's width and yet I stood at the water's brink and watched the reeds quiver in the wind, watched the rain splatter on the puddled path. All around to the human eye this valley, a plain of grassland broken only by reed-fringed pools, was a gentle, unpeopled, easy place. The absence of relief left no fixed frame of reference. Places apart from one another would concertina and merge. Tempted to cross I waved a no to the ferryman in his quayside hut then turned and walked quickly back down the long, low road.
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Jan 11, 2014
Jan 11, 2014 at 6:29 PM UTC
Three Norfolk Poems
"To Lionel Engers-Kennedy: to the memory of Hargrave Jennings: and to A. C. W. G. and H. E. H." Beneath the vine tree and the fig Where mortal cares may not intrude, On melon and on ******* pig Although their brains are bright and big Banquet the Great White Brotherhood. Among the fountains and the trees That fringed his garden's glowing border, At sunset walked, and, in the breeze With his disciples, took his ease An Adept of the Holy Order. "My children," Said the holy man, "Once more I'm willing to unmask me. This is my birthday; and my plan Is to bestow on you (I can) Whatever favour you may ask me." Nor curiosity nor greed Brought these disciples to disaster; For, being very wise indeed, The adolescents all agreed To ask His Secret of the Master. With the "aplomb" and "savoir faire" Peculiar to Eastern races, He took the secret then and there (What, is not lawful to declare), And ****** it rudely in their faces. "A filthy insult!" screamed the first; The second smiled, "Ingenious blind!" The youngest neither blessed nor cursed, Contented to believe the worst - That He had spoken all his mind! The second earned the name of **** The first the epithet of ***** The third, as merry as a grig, On melon and on ******* pig Feasts with the Great White Brotherhood.
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2.9k
The Disciples
My body is a garden, but that does not mean I'm flourishing. A tight cluster of pale white peonies hold together something beautiful but what a **** shame it’s so fragile Because there’s a hell lot more. Those peonies are only a layer to the millions of roses underneath, and above a field of scattered poppy seeds a dash of meadow rue shows how I fell down and maybe just maybe seeping through a gorgeous burgundy zantedeschia will sprout from my wrist if I happen to fall apart. Purple velvet petunias are blooming under my eyes and my lips are full and cracked as a fringed tulip. My eyes, a deep blue barlow as if it meant anything. Of course know that I have described myself as a pretty little bouquet Don’t I feel beautiful now? Or is it only masking the truth with some pretty little words? My body may be a garden, but that does not mean I'm flourishing.
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Dec 11, 2014
Dec 11, 2014 at 7:48 PM UTC
My Body Is A Garden
Cerebral woman,,,,,,,,,,, 'I'm a judge jail Mee she's a technicoloured melodrama fringed in pink a loony tune character penned in indian ink, she's positive and poignant blessed with perfect poise my snake wrangling lady- she's one o' the boys. she's a synaptical **** siren and rather refined a whoreatical kinda woman; that ***** with my mind, she's passionate and pendulous immersed in deep thought my minds mary's monster my cerebral - consort, alan nettleton.
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Sep 11, 2010
Sep 11, 2010 at 10:28 PM UTC
"- Cerebral Woman -"
I think I am always an afterthought, one that people seem to disregard, It seems that people call me when there is nothing left, and I don't know how I feel about being being second best. Dates are asked and promised, and phone calls are never returned, the tightly tied strings of friendship are fringed and burned. The effort is never made, as it is assumed I will always be there, an afterthought, a maybe, forgotten without a care. You don't jump at the chance to be with me, it's always a "maybe", or a "we will see." I am not number one on any lists, not "best looking", or "who I want to kiss." But I'm an afterthought, the one lingering in the back of your mind, the "not too bad", the "she's okay", "with her it's an alright time." An afterthought, I do not want to be, But a first thought, the one you want to see.
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Jun 13, 2014
Jun 13, 2014 at 1:20 PM UTC
An Afterthought
Thou blossom bright with autumn dew, And colored with the heaven's own blue, That openest when the quiet light Succeeds the keen and frosty night. Thou comest not when violets lean O'er wandering brooks and springs unseen, Or columbines, in purple dressed, Nod o'er the ground-bird's hidden nest. Thou waitest late and com'st alone, When woods are bare and birds are flown, And frosts and shortening days portend The aged year is near his end. Then doth thy sweet and quiet eye Look through its fringes to the sky, Blue--blue--as if that sky let fall A flower from its cerulean wall. I would that thus, when I shall see The hour of death draw near to me, Hope, blossoming within my heart, May look to heaven as I depart.
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2.5k
To the Fringed Gentian
Bread from waxed paper packet a childhood memory of mum making tea snow white, thick sliced fringed with a brown crust comfortingly heavy, ****** smelling the butter pleases me covered under the tub lid with a coated paper peeled back to reveal a thick golden slab of churned cream easily spread, cold straight from the fridge onto waiting fibrous surface, allowing it to sink in cheese in a yellow block, related to the butter in so many ways, dairy a long lost brother, sliced thick with a proper knife with the pointed curved tip, designed to ***** and pick up each slice, placing carefully on the bed prepared for it to rest, ready for the final ochre coloured element, mustard, from a glass jar using a teaspoon, to dollop before resting a second buttered slice on top to make a creation, a taste sensation
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Jul 20, 2019
Jul 20, 2019 at 2:39 PM UTC
Cheese Sandwich
Earth's children cleave to Earth--her frail Decaying children dread decay. Yon wreath of mist that leaves the vale, And lessens in the morning ray: Look, how, by mountain rivulet, It lingers as it upward creeps, And clings to fern and copsewood set Along the green and dewy steeps: Clings to the fragrant kalmia, clings To precipices fringed with grass, Dark maples where the wood-thrush sings, And bowers of fragrant sassafras. Yet all in vain--it passes still From hold to hold, it cannot stay, And in the very beams that fill The world with glory, wastes away, Till, parting from the mountain's brow, It vanishes from human eye, And that which sprung of earth is now A portion of the glorious sky.
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2.2k
Earth's Children Cleave To Earth
hearing Shakespeare, my-own-voice crack'd, stilted, stuttered-shut by the mocking silence of still waters on the brain poverty exposed, raggedy verbiage for a raggedy man's frayed fringed garments ashamed of every word I ever wrote, not even ten survivors, not enough to pray collectively for muse~forgivement **** hush me not, no chairs turned, the public has not texted, new tattoo: write on for audience of one a necessity, a life sentence a single topic, a subject, a life, mine, still unmastered, decades of trying poverty exposed, unmasked for what it is worth, or what it is not
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Mar 5, 2014
Mar 5, 2014 at 4:05 PM UTC
Hearing Shakespeare
This feast-day of the sun, his altar there In the broad west has blazed for vesper-song; And I have loitered in the vale too long And gaze now a belated worshipper. Yet may I not forget that I was ‘ware, So journeying, of his face at intervals Transfigured where the fringed horizon falls,— A fiery bush with coruscating hair. And now that I have climbed and won this height, I must tread downward through the sloping shade And travel the bewildered tracks till night. Yet for this hour I still may here be stayed And see the gold air and the silver fade And the last bird fly into the last light.
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2k
The Hill Summit
1424 The Gentian has a parched Corolla— Like azure dried ’Tis Nature’s buoyant juices Beatified— Without a vaunt or sheen As casual as Rain And as benign— When most is part—it comes— Nor isolate it seems Its Bond its Friend— To fill its Fringed career And aid an aged Year Abundant end— Its lot—were it forgot— This Truth endear— Fidelity is gain Creation is o’er—
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2k
The Gentian has a parched Corolla—
Looking out of the window; a ribbon of duck-egg-blue sky, fringed by the sun's late light, is sandwiched by grey cumulus. It frames Sycamore tree tops, red tiled pyramids with their expectant aerials pointing West, littering clean lines. It is a mute view; serried bins wait for the mornings collection, cars sit dumb, curbed, their daily commute completed. Two starlings flit, silent, and in the far distance a high contrail is picked out in gold as a thread in blue silk. For five years this view remains changeably the same; unspoilt by the entropy of new perspectives. This is the summer of un-broadcast malcontents, pacified in Brazilian spectacle. Days simmer here and there. Soap operas filter through, made to massage the message of consume and discard, of holidays and pistons. And in the mornings, that never come, we abandon the cars that cannot diverge from work-honed routes, taking to the air from Sycamores as Starlings. June 2014
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Jul 5, 2014
Jul 5, 2014 at 5:05 AM UTC
Starlings
It was my first time I was fifteen years old And it was 8 inches. Eight. Whole. Inches. Laying motionless in my hands, Long and lifeless as I stared excitedly, nervously My first ...haircut I spun around in the salon chair to see my exposed jaw, shoulders, neck Holding in my hands a ponytail that would soon be sent to Locks of Love My first legitimate haircut, not the simple snips my mom would attempt in the bathroom when split ends were too unbearable, A real style Back straight and shoulders proud, Uncertainty left on the tiles beneath the feet of beaming confidence, Leaving dead the sheet that covered scared eyes and shy smiles…ever since I've developed an addiction to change, Can't leave it the same for more than two months And the chime of the door behind me opened endless opportunities: Brown, auburn, gold, red, blond, yellow Black Brown black, blue black, soft black, natural black, always back to black Straight, curly, layered, cropped, feathered, fringed, shaved Undercut, mohawk, faux hawk, that weird thing where I gel it to the side and kind of look like a boy... And yeah, sometimes I get sick of the sexist comments People telling me I've got a boy's haircut That short hair is for men, but So were the olympics and voting and public education and getting published, And thriving in the workplace and wearing pants, And god knows im not going to give up either my Levi's or my razor I'm not going to keep worrying; man's words will stop me from doing what i love And I've been called lesbian, boyish, butch, manly, androgynous, anti-effeminate, But I know I don't stand alone. So thank you, Natalie Portman, P!nk, Rihanna, Katy Perry, Anne Hathaway, Kaley, Megan, Erin, Kim, Skylar I don't know all of you well, But the risks you've taken with your hair Are an inspiration to those who care So short haired women, Keep doing your thang.
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May 12, 2013
May 12, 2013 at 1:51 PM UTC
My First Time
It was my first time I was fifteen years old And it was 8 inches. Eight. Whole. Inches. Laying motionless in my hands, Long and lifeless as I stared excitedly, nervously My first ...haircut I spun around in the salon chair to see my exposed jaw, shoulders, neck Holding in my hands a ponytail that would soon be sent to Locks of Love My first legitimate haircut, not the simple snips my mom would attempt in the bathroom when split ends were too unbearable, A real style Back straight and shoulders proud, Uncertainty left on the tiles beneath the feet of beaming confidence, Leaving dead the sheet that covered scared eyes and shy smiles…ever since I've developed an addiction to change, Can't leave it the same for more than two months And the chime of the door behind me opened endless opportunities: Brown, auburn, gold, red, blond, yellow Black Brown black, blue black, soft black, natural black, always back to black Straight, curly, layered, cropped, feathered, fringed, shaved Undercut, mohawk, faux hawk, that weird thing where I gel it to the side and kind of look like a boy... And yeah, sometimes I get sick of the sexist comments People telling me I've got a boy's haircut That short hair is for men, but So were the olympics and voting and public education and getting published, And thriving in the workplace and wearing pants, And god knows im not going to give up either my Levi's or my razor I'm not going to keep worrying; man's words will stop me from doing what i love And I've been called lesbian, boyish, butch, manly, androgynous, anti-effeminate, But I know I don't stand alone. So thank you, Natalie Portman, P!nk, Rihanna, Katy Perry, Anne Hathaway, Kaley, Megan, Erin, Kim, Skylar I don't know all of you well, But the risks you've taken with your hair Are an inspiration to those who care So short haired women, Keep doing your thang.
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