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"franz" poems
I can name you The exact date On which he was shot: June 28, 1914. Who killed him? Gavrilo Princip, Member of the Bosnian Nationalist Movement: The Black Hand. Suddenly this montage Of bullet chambers And dead wars Shift - Hands. You. Me. Your fingers, Which I long to hold. Your voice, Which I long to hear. Which I have forgotten - Sometimes it is hard To trace the annals Of history. Our ****** pawprints Make the trail of Arms and hatred Harder to keep straight Than sin and so We walk backwards. ****** trail of footsteps Perhaps stepped Into By a meandering Mao, or ****** Or Tojo. Muddied further By the presence Of an Alger Hiss - Your voice Is a whisper, It sings to me in Secrets - I do not Know you but I Am in love, You are beautiful and I don't know why But there's a War. In my heart. A war of attrition. Subtraction Of causes. And the Archduke, Well the Archduke Is glad to see you. Hear his dates blur Into yours - History tests, And love notes Crumpled away folded And stored In the same junk Folder. I imagine his hands To have folded Quite slowly, Searching for something To latch onto. Like mine. Empty palms flickering Amidst a trail of Blood and dust - Oh, and yeah The history lessons Of course.
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Feb 20, 2015
Feb 20, 2015 at 2:12 PM UTC
Archduke Franz Ferdinand's Assassin
MONKEY IN A RED FEZ DANCING TO ABBA I watch the children play on a sunny Sunday in Rotterdam like a stereotypical alien studying humans. Their cries rise and fall like seagulls as they swing sea-sawing or blurring into one on a brightly coloured turnstile. A man looking like a badly drawn cartoon turns the handle slowly  of a broken down barrel ***** A monkey in a red fez dances on the end of a chain. The barrel ***** spews out everything from Abba to Franz Lehar. The decrepit old man and even more decrepit monkey appear as if they have stepped out of another century. I am far from home. The day is dying. I read from my battered book Hamsun's HUNGER. It's lurid cover torn half hanging on/off. The park deserted now as night steals its colours. The last words of of this the final chapter are lost to me swallowed by the dark. The barrel ***** peersists the soundtrack to some forgotten film The monkey red fez fallen at its feet. The monkey blissfully asleep. The music caught entangled in branches and  leaves. I watch the yellow lights blossom one by one a silhouette of houses like a stage set. Houses like cut-out silhouettes a stage set. The last lines revealed under a passing  lamp "...where the windows shone so brightly in every home..." I laugh at such a coincidence. Leave the book on the bench for some other me to discover when the sun comes up. And return to my space ship.
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Aug 28, 2018
Aug 28, 2018 at 5:17 PM UTC
MONKEY IN A RED FEZ DANCING TO ABBA
I lay awake tonight, sleep departs from my weary soul. It might be the effect of the caffeine i took this afternoon.. Or the moon in it's full bloom. But i think it's something more. Something more alive. A reason with no explanation. I think... I think it's her... The way she walked elegantly towards me, holding the tray of my order.     *I saw flashes of the future; a bride of mine,walking down an aisle* the way her scent-a mixture of vanilla and rose-caught inside my lungs when she got so close..   it felt like every  breath i have is branded and exclusively for her the way she smiled and the way her voice sounded when she asked "do you need anything else?"     like the melody of a violin to the tune of Franz Schubert's Ave Maria So gentle and calm and warm And the way I was hypnotized or crazy enough to respond...   You . I need you in my life . Will you marry me .
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Jun 18, 2015
Jun 18, 2015 at 9:23 PM UTC
Fool Moon
A random provocation of amber light A blond redhead The cruelty in everything more complicated Like falling asleep alone Or Franz Kafka in an ally
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Aug 12, 2012
Aug 12, 2012 at 1:45 PM UTC
Kafka in an ally
EAST BOSTON, 1996 ON THE BUS Franz Wright It's one thing when you're twenty-one, and I was way past twenty-one. With unshaven face half concealed in the collar of some deceased porcine philanthropist's black cashmere rag of a coat, I knew that I looked like a suicide returning an overdue book to the library. Almost everyone else did as well, but I found no particular solace in this; at best, the fact awakened some diverting speculations on the comparative benefits of waiting in front of a ditch to be shot alone or in company of others, and then whether one would prefer these last hypothetical others to be friends, family, enemies, total or relative strangers. Would you hold hands? Or would you rather like a good **** sapiens monster employ them to cover your genitals? What percentage would lose bowel control? And given time restrictions - and assuming some still had the ability to move - would ostracism result? Anyway, I knew the rules on this bus. No eye contact: the eyes of the terrified terrify. Look like you know where you're going, possess ample change to get there, and don't move your lips when you talk to yourself: the destroyed and sick, the poor, the hungry and the disturbed estrange. The badly dressed estrange, even, and that is uncalled for. The degree of one's power to estrange will increase in direct proportion to the depth of need for others. Do not cry. This can only bring about, on the one hand, an instant condition of banishment from the sole available companionship, or on the other, a near fatal beating (one more disappointment). Just follow the simple instruction if you ever come here. It's easy to remember - any idiot can do it. Don't cry, the world has abandoned us.
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Feb 27, 2017
Feb 27, 2017 at 7:59 AM UTC
On the Bus (Franz Wright)
EAST BOSTON, 1996 ON THE BUS Franz Wright It's one thing when you're twenty-one, and I was way past twenty-one. With unshaven face half concealed in the collar of some deceased porcine philanthropist's black cashmere rag of a coat, I knew that I looked like a suicide returning an overdue book to the library. Almost everyone else did as well, but I found no particular solace in this; at best, the fact awakened some diverting speculations on the comparative benefits of waiting in front of a ditch to be shot alone or in company of others, and then whether one would prefer these last hypothetical others to be friends, family, enemies, total or relative strangers. Would you hold hands? Or would you rather like a good **** sapiens monster employ them to cover your genitals? What percentage would lose bowel control? And given time restrictions - and assuming some still had the ability to move - would ostracism result? Anyway, I knew the rules on this bus. No eye contact: the eyes of the terrified terrify. Look like you know where you're going, possess ample change to get there, and don't move your lips when you talk to yourself: the destroyed and sick, the poor, the hungry and the disturbed estrange. The badly dressed estrange, even, and that is uncalled for. The degree of one's power to estrange will increase in direct proportion to the depth of need for others. Do not cry. This can only bring about, on the one hand, an instant condition of banishment from the sole available companionship, or on the other, a near fatal beating (one more disappointment). Just follow the simple instruction if you ever come here. It's easy to remember - any idiot can do it. Don't cry, the world has abandoned us.
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51
What was Kafka thinking? Felice Bauer- blonde, in a homely sort of way- couldn't think of him the same way after. He'd asked her that question (hidden behind his obsession with his own self-hatred, his surety that she hated him too). Could you- might you- do you think you'd be able to bear it- M a r r y i n g m e? History tells us they didn't tie the knot. Kafka, probably, didn't mind a lot. Franz Kafka: that hopeless man, couldn't look in the mirror without shying from his own reflection. Kafka, who'd balk at the slightest hint of romantic attention. More story than man, really. Had more eloquence in his smallest finger than ever came out of his mouth. No wonder Felice had her doubts.
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Feb 11, 2018
Feb 11, 2018 at 9:32 AM UTC
on Kafka and love
Speeding away from gravitational orbit The moon ablaze as gazes glare from the cockpit A jacket of jet leather with patches abound The Dead Kennedys and Franz Ferdinand Keeping political war on Earth's ground Flying away into the plains of space As the plane of time gives hearty chase Hollow youth filled with snippets of old age As their battlecry channels an inner rage Death to all earthly matters that muddle our future The neon glow hums as the last remnant of a culture So make way for this warrior who shall bring us all closure Rebelling like a banshee set ablaze over Orion's shoulder Ensuring the enemy's final haze destroys their dying composure
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May 9, 2019
May 9, 2019 at 3:49 PM UTC
Space Punk
Franz Kafka once said, "You are at once both the quiet and the confusion of my heart." I'll have to agree I love in silence Or through words In lines of poetry Confused about whether or not I can ever stop loving you truly I can't. I don't really sing But I'll sing you songs with my acoustic Wearing a flannel, sleeves rolled up It's a universally attractive thing I guess it's fair to say I'm confused and quiet Yet understanding and willing to start a riot... Just for you.
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Aug 19, 2015
Aug 19, 2015 at 11:20 AM UTC
Confused and quiet
Gira la negra, gira la luna, gira la negra luna, sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -¡Bah! ¡Canciones! Y músicas abstractas...! Y, lo que canta, es la Música Viva! Oye el Viaje de Invierno, de Franz Schubert, y el Rey de los Alisos, y El Doble y Ganímedes y Ante el mar, y de Schumann, Amores de un poeta, y de Dupare, Invitación al viaje y La vida anterior..., y de Chopín, Preludios y Nocturnos: tú, soñador romántico; tú, doliente elegíaco. Oye la voz serena, la voz profunda oye de Bach -añosa encina, inmensurable selva, órgano él mismo y templo de la harmonía-: tú, sereno y profundo. Y de Mozart el diáfano y sortílego, y de Haydn y Franck, la cortesana y la mística voz, inconfundibles, tú, gustador de lo pulcro y etéreo. Los Cánticos y Danzas de la Muerte, y Sin sol, de Musorgski, tú, angustiado, febril, hiperestésico; y Borís Godunov, Borís Godunov, oye, (bárbara gesta, miedo, sangre, lujuria y fausto) tú, Sátrapa en los sueños... Y, catador sutil de quintaesencias, gusta la mediatinta debussyana, pesquisidora de inusados timbres y lontanos acordes, 1 en un dorado ambiente de calígine. Y, borracho de lumbres y colores, Óye, de Rímski, Antar y Xeherazada y el Gallo de oro -vértigo y lascivia-: mas, si de ritmos ebrio, tú, frenético danzarín, danza todas las furias de Stravínski -del sabio y del bufón mezcladas dósis-: fino humor ricos timbres, forma clara 2 (sobria, o en concertado cataclismo). Y oye, en la noche, y en Tristán e Iseo, la voz vigía de Brangane, plena de lo fatal, o el corno quejumbroso; si no los Funerales de Sigfrido; o el Tránsito al Valhalla, milagroso tumulto. Y tú, plasmado en bronce, los vastos himnos oye, óye las soberanas sinfonías con que la voz del Sordo el orbe nutre! Las acendradas síntesis: sonatas y quátuors, insólito prodigio, filtros puros: la Misa en re, misterio panteísta, denso peán a la Naturaleza! Y el trágico clangor de Coriolano...: oye la voz del Indomado Prometeo, oye la voz del Sordo, oye la voz del Sordo! Gira la negra luna, gira sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -Bah! Ficciones! Y músicas abstractas...! Y, lo que canta, es la Música Misma!
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Suite de la luna negra
Gira la negra, gira la luna, gira la negra luna, sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -¡Bah! ¡Canciones! Y músicas abstractas...! Y, lo que canta, es la Música Viva! Oye el Viaje de Invierno, de Franz Schubert, y el Rey de los Alisos, y El Doble y Ganímedes y Ante el mar, y de Schumann, Amores de un poeta, y de Dupare, Invitación al viaje y La vida anterior..., y de Chopín, Preludios y Nocturnos: tú, soñador romántico; tú, doliente elegíaco. Oye la voz serena, la voz profunda oye de Bach -añosa encina, inmensurable selva, órgano él mismo y templo de la harmonía-: tú, sereno y profundo. Y de Mozart el diáfano y sortílego, y de Haydn y Franck, la cortesana y la mística voz, inconfundibles, tú, gustador de lo pulcro y etéreo. Los Cánticos y Danzas de la Muerte, y Sin sol, de Musorgski, tú, angustiado, febril, hiperestésico; y Borís Godunov, Borís Godunov, oye, (bárbara gesta, miedo, sangre, lujuria y fausto) tú, Sátrapa en los sueños... Y, catador sutil de quintaesencias, gusta la mediatinta debussyana, pesquisidora de inusados timbres y lontanos acordes, 1 en un dorado ambiente de calígine. Y, borracho de lumbres y colores, Óye, de Rímski, Antar y Xeherazada y el Gallo de oro -vértigo y lascivia-: mas, si de ritmos ebrio, tú, frenético danzarín, danza todas las furias de Stravínski -del sabio y del bufón mezcladas dósis-: fino humor ricos timbres, forma clara 2 (sobria, o en concertado cataclismo). Y oye, en la noche, y en Tristán e Iseo, la voz vigía de Brangane, plena de lo fatal, o el corno quejumbroso; si no los Funerales de Sigfrido; o el Tránsito al Valhalla, milagroso tumulto. Y tú, plasmado en bronce, los vastos himnos oye, óye las soberanas sinfonías con que la voz del Sordo el orbe nutre! Las acendradas síntesis: sonatas y quátuors, insólito prodigio, filtros puros: la Misa en re, misterio panteísta, denso peán a la Naturaleza! Y el trágico clangor de Coriolano...: oye la voz del Indomado Prometeo, oye la voz del Sordo, oye la voz del Sordo! Gira la negra luna, gira sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -Bah! Ficciones! Y músicas abstractas...! Y, lo que canta, es la Música Misma!
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78
DAYS of the dead men, Danny. Drum for the dead, drum on your remembering heart. Jaures, a great love-heart of France, a slug of lead in the red valves. Kitchener of Khartoum, tall, cold, proud, a shark's mouthful. Franz Josef, the old man of forty haunted kingdoms, in a tomb with the Hapsburg fathers, moths eating a green uniform to tatters, worms taking all and leaving only bones and gold buttons, bones and iron crosses. Jack London, Jim Riley, Verhaeren, riders to the republic of dreams. Days of the dead, Danny. Drum on your remembering heart.
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Drumnotes
"Take a throne, we're all royalty here" Said the Master of Ceremonies to The Peeping Tom, The Spokesperson, The Wretch and The One Man Band He pulled out the syllabus It said that each of his colleges must fulfill a duty if they wanted membership into this social club The One Man Band had to seek out a impudent amputee, a touchy nomad and give them brochures to a day spa The Spokesperson was asked to to find his inner child, his feminine side and his sensitive side while making good conversation with Arch Duke Franz Ferdinand and ask him why he holds a grudge against Bosnia The Wretch was given the task to sell Avon products to those who looked like death warmed over and sway their urges to burn their candles at both ends Lastly, the Peeping Tom was told to teach the languid, rough and tumble lipid worshiping people the number line then pass out pamphlets on healthy living After reviewing their work and the rubric, the Master of Ceremonies congratulated them, they were in "You will all now be a part of history, figures on this brotherhood's timeline; you fit the bill!" They all got up as the Wretch footed the bill and went on to go wassailing -Tommy Johnson
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Jul 4, 2014
Jul 4, 2014 at 1:17 PM UTC
The Unreliable Society of Dry-heavers No. 39
GOD **** THIS CZECH SHAPESHIFTING lost in Praha lost in Kafka losing myself careful making deals with old Nick I said 'Beatle' not 'beetle' *** WHEN FRANZ MET DÓNALL 'When Dónall Dempsey woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous version of a certain F. Kafka. Someone must have been telling lies about Dónall Dempsey, he knew he had done nothing wrong but, one morning, he was arrested to find out he had been turned into this F. Kafka. Where had his Dónall Dempsey-ness gone and why -  Kafka? He knew of but had never actually read any - Kafka He had knowledge of the tropes...what Kafka could be reduced to in terms of general knowledge that could possibly clinch a pub quiz victory so that people would nod sagely and say "I knew...you being a poet and all...that you would know the answer to that." I found that what had happened to me...whatever had happened to me...was more extensive that I had thought so that even my initial "D" become the 11th letter of the alphabet instead of the usual fourth. I was now merely a  "K." I realised I would have to go to Prague to bring some semblance of sense to this transformation. And when I did so...hiding myself among the many tourists...I discovered that Kafka had become me and that we had somehow traded places. So that now there was a Dónall Dempsey cafe and postcards bearing my features and other such touristy attractions that would be sure to be a sure fire attraction to the traveller with a literary bent of mind. I visited the grave...his grave...and sure enough...it was my name that was chiseled into the stone. Meanwhile Kafka was enjoying my life and strolling around Guildford as if it was his own. He appeared to be enjoying being Dónall Dempsey. "Ha ha..!" I thought. "Give it time...give it time!" And Franz would surely find that being Dónall Dempsey wasn't such a good thing. And myself being a literary tourist attraction? I ****** well hated it  I wanted to crawl away and die or be trampled to a pulp by a frightened child who had discovered a cockroach in her cornflakes.
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Dec 7, 2020
Dec 7, 2020 at 8:01 AM UTC
GOD **** THIS CZECH SHAPESHIFTING
GOD **** THIS CZECH SHAPESHIFTING lost in Praha lost in Kafka losing myself careful making deals with old Nick I said 'Beatle' not 'beetle' *** WHEN FRANZ MET DÓNALL 'When Dónall Dempsey woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous version of a certain F. Kafka. Someone must have been telling lies about Dónall Dempsey, he knew he had done nothing wrong but, one morning, he was arrested to find out he had been turned into this F. Kafka. Where had his Dónall Dempsey-ness gone and why -  Kafka? He knew of but had never actually read any - Kafka He had knowledge of the tropes...what Kafka could be reduced to in terms of general knowledge that could possibly clinch a pub quiz victory so that people would nod sagely and say "I knew...you being a poet and all...that you would know the answer to that." I found that what had happened to me...whatever had happened to me...was more extensive that I had thought so that even my initial "D" become the 11th letter of the alphabet instead of the usual fourth. I was now merely a  "K." I realised I would have to go to Prague to bring some semblance of sense to this transformation. And when I did so...hiding myself among the many tourists...I discovered that Kafka had become me and that we had somehow traded places. So that now there was a Dónall Dempsey cafe and postcards bearing my features and other such touristy attractions that would be sure to be a sure fire attraction to the traveller with a literary bent of mind. I visited the grave...his grave...and sure enough...it was my name that was chiseled into the stone. Meanwhile Kafka was enjoying my life and strolling around Guildford as if it was his own. He appeared to be enjoying being Dónall Dempsey. "Ha ha..!" I thought. "Give it time...give it time!" And Franz would surely find that being Dónall Dempsey wasn't such a good thing. And myself being a literary tourist attraction? I ****** well hated it  I wanted to crawl away and die or be trampled to a pulp by a frightened child who had discovered a cockroach in her cornflakes.
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19
funerals are a form of menticide. also, writers. undead, I don’t mean to talk. what I mean to do is approximately yearn. for something nearby. an old computer. plugged in, cursor blinking, hell’s door. for awareness. priesthood. box-cutter. wayside. what began as Franz Wright. what became Lou Reed.
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Oct 29, 2013
Oct 29, 2013 at 3:12 PM UTC
committal
This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me. — Franz Kafka — After some time on this earth, we come to be encased in a robotic shell; the same kind our parents were encased in and all who surround us are encased in. There’s a feeling of being trapped, of living a “semi-life”, of simply living yet not existing. Gradually, you get dropped and dropped by the world. Parts of the shell start to disappear; you see parts of what lie underneath, yet remain encased by what you’ve come to assume. You see some lies, but at the same time, you cannot breathe in all that you see. You get dropped and dropped some more. Your body reacts in all that has been taught; in hurts. The stabs and contractions scare it out of confrontation. The more you shield yourself, the more the shell seems to cling. You come to resist all that you once felt. And so long as you refuse, the falling will never cease. Till one day you fall so hard into the ground, shell encased, never found.
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Feb 2, 2015
Feb 2, 2015 at 11:50 PM UTC
|Encased|
Strindberg was born here I said who is he? Dalya said an author who wrote plays poems novels etc. I said never heard of him she said we were in a bar in Stockholm sipping our beers she in her jeans and tee shirt and I likewise (not in her jeans but my own) what's the book you're reading on the minivan? Solzhenitsyn's The Gulag Archipelago I said you don't half read some funny books she said what's it about? Russian labour camps between 1918 and 1958 where millions perished I said sounds a right bundle of laughs she said why do you read such stuff? it interests me how evil humans can be at times she lit cigarettes for us both and we sat sipping our beer and smoking she said do you know I had relatives who died in Auschwitz? no I didn't know I said my parents told me a few years ago when I was becoming an ******** and they said what would great uncle Franz or Abel say if they saw how you behave? and I said who the heck are they and they told me and I cried but I'm still an ******** at times she said sad that having relatives killed like that I said drink up Benny we're on holiday more beer and smokes and she laughed and she added and more *** tonight if we can get my tent free of the other woman for awhile and I nodded and gave her my Elvis smile.
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Sep 6, 2015
Sep 6, 2015 at 2:01 AM UTC
IF WE CAN 1974.
A weak and vacillating man, one vain and narcissistic , once drew a line upon the sand with consequences cataclysmic. Now some will say the line’s been crossed, while others say not yet. Intervening in a civil war won’t end without regret. Relentlessly his minions beat the drums and call for war. Propagandists lionize Their would be king once more. In Austria, Franz Ferdinand is stirring in his crypt. Entangling alliances- It seems I’ve read this script. Now if the lights go out again as they have dimmed before We will not see them lit again If we blunder into war.
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Aug 31, 2013
Aug 31, 2013 at 9:16 AM UTC
HELL NO!
i passed and looked at the oaks on their foolish great peaks to their great fairy tale words to their unique skies i walked around the apple trees and rushed straight to the inspiration i became a wind blowing away from huge calves of fire and foxes i passed near the oaks of mighty and I took a couple of mushrooms and flowers tomorrow i'll put them on my hat put on my golden hat because tomorrow i'm going to play on pianoforte and will sound among the oaks and the cities of the franz liszt sound 25.07.18
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Jul 25, 2018
Jul 25, 2018 at 7:55 AM UTC
Music Among Oaks.
My music i s me, I am my music, It reflects the kind of person I am in music and in song, I love The Carpenters, as well as Franz Liszt, I love Gordon Lightfoot as well as Fredrick Chopin, I love to sing and I love to dance, It tells you who I really am. My music is me, I am my music, It reflects the kind of person I am music and song, It will tell you if I am depressed, If I am in love, It will tell you if I am lonely, or If I am moody, I am my music and my music is me and tells you all about me
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Oct 15, 2011
Oct 15, 2011 at 8:10 PM UTC
My Music Is Me
Degradation of decadent sprawling cities, there's a beetle trapped between a house and a hard place Wind tunnel determination, gusts like ocean waves Traveling on pillows of air, the heir is here and he's insignificant Window pane, wan to the wanderer Oscar Wilde with a bug-brain, scanning Feral animal skulking on street corners - and the wind dies with me Resting place, settled, solitude Insect evolution Populace, putrid, passed in the past and language dies too (This poem was never written) Ek Ek Ah Ek ee ee neep nee AHHH Ek Ek KKKKKRRRR SSSSSSSHHHHSSSSSSSSHHHSSSSSSSHHHSh And silence falls as the world sighs.
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Jun 14, 2013
Jun 14, 2013 at 8:45 AM UTC
Part IV: That One Time Franz Kafka Made Coffee for H.G. Wells and The World Ended
you lied, I said, you lied to me I have dressed myself to look pretty who do you think it's for? why, for me, of course, he said his eyes searched elsewhere for beauty Franz, my one and only Franz, am I the one and only Clarissa for you? I asked you waited tick tock tick tock yes, yes you are! you said the golden sun ripped through the blinds you let out a sigh, a very sad one and we spent the rest of the day staring at each other not knowing what to say not knowing where to start forgetting how to kiss and make up must we, in this wave of falseness, lay?
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Jun 2, 2019
Jun 2, 2019 at 4:58 AM UTC
franz
This world is a prison And plague Also Musty Like a king without castle
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Jan 17, 2017
Jan 17, 2017 at 10:09 PM UTC
Franz Kafka
So now the thing is over all the pundits have gone back home and the Rimet Trophy has been put away to be played for again another day some managers will now lose their teams for not fulfilling a nation’s dreams. But it is football, just a game men paid so much, disgraceful shame while others struggle to put food on the table players cavorted like Betty Grable but we watched it still – we cannot stop I wonder when the penny will drop. I remember pictures in black and white when games were played in failing light where players had jobs to earn their pay and played the game on Saturday where then the ref’s decision was law and players didn't roll round on the floor. Those days are gone and that’s for sure the ***** were heavy and kit was poor but player’s hearts were in the game and not the glory of fleeting fame when celebrity wasn't theme of the day for men oft found to have ‘feet of clay’. ©Joe Wilson – The Jules Rimet 2014 I can still remember Franz Beckenbauer playing on after breaking his arm, simply by wearing a black sling to support it…a sight you wouldn't see today.
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Jul 14, 2014
Jul 14, 2014 at 5:23 PM UTC
THE JULES RIMET
*Dedicated to William Shakespeare, Gene Roddenberry, Lewis Carroll and Franz Joseph Haydn.* The power scythe roared and quivered; Had he chops, he would have licked them - So rabid was he to taste the fray. Verdure clad stalks by the thousands Eschewed all feint of Futile resistance - Falling like spineless wimps Before the carbon breathed Leviathon's Cyclonic advance. Pausing only to quaff A long draft of energy potion, Toro relentlessly carved a swath Across the battle ground - Vorpally snicker-snacking his way Toward the mission's inexorable termination. A single command Brought the roaring vortex to a halt. Victorious, sans medals or ceremony, Captain Toro was debriefed And escorted back To his lonely barracks To sleep, perchance to dream Of past and future triumphs In the jungle wilds at the confluence Of Prairie and Missouri Avenues. August, 2007
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May 21, 2016
May 21, 2016 at 11:42 PM UTC
Captain Toro