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"flails" poems
Bittersweet, get me going.                      hold your breath over my neck,                                     it really          lets me go,                          twists my tongue. Talk to me                   like an angel but,                                                           touch me                 like a convict.                           disrespect me,               neglect me, abuse me, but,               with a voice I can't refuse. Bittersweet, like a rose infused. Bittersweet, keep me going.         my heart flutters and flails when I hear you in my ear.              Whisper me ********** but,                                        ***** me like a ******                     ****** me,              reduce me, fool me,              but  Bittersweet,                                           make me feel ***** Like you're in school and I am turning thirty.
0
Oct 20, 2010
Oct 20, 2010 at 9:56 PM UTC
But Bittersweet
I'd rather die than listen to your poetry. **** pellets of perfection, Forget rhyme, rhythm or talent, Leave that **** for the poets, The saps and the ******* Don't start with that alliteration. No pantooms or odes. I'd rather place my head on the chopping block. I'd rather watch blood with such high viscosity, That it flails and leaps toward the opened mouth, Pleading "no more! No more!"
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Feb 22, 2011
Feb 22, 2011 at 1:02 PM UTC
For The Poetry Haters
Doctor, Doctor, did u hear? There's a new infection coming near. It starts with a flush and then a blush, Then gets down right scaly in a rush. It's nothing other than the dreaded disease, It's called Dragon **** if you please. First you're numb About the bumb. Then you itch! What a ***** Then out grows the scales, Watch out for the tails! Just heed this warning, secretaries out there, Dragon **** can catch you unaware. Look out for the numbness, the itching, the scales. Avoid the dryness, the burning, and flails. There's nothing worse to work all day, Draggin' **** is no way to play.
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Jan 13, 2011
Jan 13, 2011 at 4:49 PM UTC
Draggin' ****
The wobbly love bits woke up when the morning is still fogged by cold purple-hued freshness She covers her face but reveals those baby eyes to follow you with mirthful wonder and she flails her wobbly fingers and wobbly arms with playful waves and her mother takes away her blankie And she is dressed in blue, and that sort of beauty all crammed inside that little brand new human being can be quite overwhelming Her few feather hairs and happiness-crinkling eyes and mouth in a laughing sort of circle and her invisible neck and super puff-loved cheeks And love-hearts fill the air and spread joy though your bones and nerves like warm sunshine that melts yesterday's despair and dissipates all the tiny agonies within her radius. -To Alice Jan 7, 2016
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Feb 15, 2016
Feb 15, 2016 at 10:25 PM UTC
To Alice
heartache is a penny, leaving greenish glows in the palm of my hand, its slick caress a kiss against the inside of my pocket. its weight yearns like a kindergartener whose voice wasn't heard, who knows everything there is to know about outer space, something she can feel wrinkling, biting a hole through her chest. and this tadpole heart, it struggles and flails, gulping to life between words it never knew how to say. silently, somehow, this monster in my mind falls gently asleep with the tide.
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May 28, 2012
May 28, 2012 at 2:28 PM UTC
copper
Fissures cut through thick mocha fur, saturating The forest floor with stark crimson. The deer flails, Broken, knees buckled, breath shallow and emerging As vanishing steam in frosty November air. He falls on a bed of sugar maple leaves, illuminated In dappled sunlight and fulvous hues. “Must’ve been the coyotes,” my brother whispers, As my pocketknife meets the stag’s throat. Gentle Auburn clouds and freezes time, the body falls still. My father says, “Sacrifice is a form of worship, but it is only through Mercy that we may show passion for what we believe.” Coyote bites prevent carvings from going to Buxton’s General Store, But what nature produces it also receives. Ants forage along the split underbelly, And a red-tailed hawk carries away the entrails. History defines the antlers of deer as symbols of the Gods, And men would wear them atop their heads. I collect only them, still draped with threads of velvet, Knowing that years from now, nestled inside the perimeter Of wind-beaten fences around the family farm, beyond Moss-covered slopes and the Wishing Rock, Will be the bones of a solitary stag.
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Sep 22, 2014
Sep 22, 2014 at 1:50 PM UTC
Mercy
“Every act has meaning. Accident is a word born of confusion.” –Agnes Whistling Elk Some memories are like crude graffiti some gray in museums still others, vulnerable chalk on the pavement all fade dawn makes no promises it never has If you’re afraid of what the night will bring, or worse, you know what it’s like to be young and out of control leaving a scent trail of blood and flowers for the monsters of yesterday to follow just let them the fighting makes me so tired Rust in the sun until rubies form cry through the night until you have diamonds pressure makes us perfect because it made the cracks that make us imperfect fear is ancient, normal, mundane even but fear is the anticoagulant Meanwhile, I am very busy construction’s going on in Hell disrupted by random clouds of revolting, revolving gravity knocking girders loose violent vertigo claiming kingdoms work horses slide into black holes yellow tape flails as white flags cranes arch and spark swing into the dark silky black tar bubbles, pops, seals everything is untimely interrupted and later ungainly speech mocks the tombstones growing in the lake Pain is like a good book so hard to put down separation of critical moments crystallize until everything has a compartment and no one can touch each other Decades old daydreams stink stale like sour seeds in green fruit lilies could grow out of so much manure. Rot bleeds through involuntary walls The past is sweating, afraid of what I know
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May 17, 2010
May 17, 2010 at 11:40 PM UTC
Accident
You're disappointing, you've never lived up to all I've imagined you to be. You're a failure. A loser. Wake the hell up. Wake up. You're letting this monster control you, you're letting it beat you. It's like you're it's ***** Do you hear me? DO YOU HEAR ME? You're it's ***** It has you on puppet strings, and I watch as it flails you around. You think you can't win, you are giving up. I'm watching the light die out from your eyes, and it's frightening. Oh god, it is frightening. You sit at this bottomless vortex of darkness and you let it consume you. You let it. YOU LET IT. Listen to me, listen, listen, listen. This is frustrating, I want to shake you, I want to shake you. You're breathing, I know you can hear me. You think you can't climb out and you think you're done for. You think you're dead. You're not dead. YOU'RE NOT DEAD. Think, think. Tick, tick. That's the clock, time is moving, it's still ticking. It's ticking. Do you see the mirror? You see it, I know you do. Look, look at you! You incompetent human being. You piece of **** You're being selfish, ******* selfish. Stop wallowing in self pity. You're a failure, a failure. Wake up. Wake the hell up. I know you can hear me, I'm right here! Right here in the maze of your mind, and I'm banging on your skull. I know you can hear me, I know. Wake up. Wake the hell up. WAKE UP.
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Jan 11, 2014
Jan 11, 2014 at 2:54 PM UTC
Wake up
Upon the stale wind, her body flails again I came walking through the field to learn about compassion She was blonde and the last heart in town The moon bathed her from within What a loveless dream from that tree touching God's skin. Her feet above my head, painted in mud and above the sugarcane And if I didn't love her so, I'd be able to walk from this pain But I recall her warm breath the last time we kissed The air tasted of a broken soul that I failed to fix Blood under her nails, scratching freedom too slow If she was yelling for my name, then I'd rather not know It might as well been me who hung her above the stars I did not give her enough of me and it will haunt me for years
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Apr 13, 2014
Apr 13, 2014 at 6:02 PM UTC
A Body Above the Stars
I think yesterday is years away; Between one and the other, Between fathers and brothers. So sisters and mothers Blink feathery at their watches. Hums like a hummingbird Flails to a shrillness, And a polyphonic fearing panic Pulls us all back by chance To the chancery. Somewhere after grandfathers Before grandsons, Like Robert Frost being a modern Not modernist— There’s the last of the conceivable eros— Conceived by sleeping Resource and resourceful Poverty with all the impressionism of the gardens and allegories at a dinner party.
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Mar 22, 2011
Mar 22, 2011 at 1:49 PM UTC
Untitled
The waitress doesn't smile The cabbie doesn't speak The salesman is all business (This hasn't been his week) The boss is rude and angry He drives us all to tears The barber flails his scissors And almost cuts my ears This band of moaners and groaners Is no treat for a happiness glutton The only grin I've seen all week Was on a "SMILE" button
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Jul 9, 2015
Jul 9, 2015 at 4:46 PM UTC
The Pursuit of Happiness
Running for a thousand places Running for my very hide, Running to obscure the traces Run from those I can’t abide. Pursued by the claw of guilders Pursued by the Bank of Greed, Running from the Ruin Builders Run from those whose lust is need. I’ve worked to build a modest holding Worked to feel a pride secured, Family of love enfolding Sanctity midst world endured. Feel manipulations brooding Moneys lust does intervene, Those who have it all, concluding, What is mine is theirs to glean. Claw back by manipulators Claw back by the fiends of greed, Implacable cold calculators Cut with Law to make me bleed. Running for a thousand places Running for my very hide, Run to flee pursuing faces Run from that I can’t abide. Anguish at my walls collapsing Wailing of my bride’s despair Futility’s tomorrow lapsing Monstrous as it flails me there. Standing in a freezing stillness Standing in this hall of time, Forlorn in a prisoned illness Greed has vanquished me and mine. Marshalg For the forgotten people who have been ruined by those, who call themselves the mighty. Auckland N.Z. 9 February 2013
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Feb 8, 2013
Feb 8, 2013 at 10:37 PM UTC
Running from the Ruin Builders
The marks of her tears are Etched permanently on her pink cheeks. Her beautiful lips ****** Even when she shrieks. Her desperate cries go on and on. Her voice is now hoarse. She begs us to stop but Ends up provoking us even more. We **** her. And watch her bleed. Beauty itself invites destruction. So isn't she responsible for our deeds? She flails her arms. She screams. She tries to fight. She cannot challenge our iron might. There will come a time when everyone will know, she says. We slap her across her rose-tinted face. Everyone already knows, but there is no one to fear Because everyone is an animal out here! Someday she will fall silent forever After cursing and begging in vain. And though we are the plunderers of her treasures, Do you think we would bow down our heads in shame? We wouldn't mind pressing, for the last time, Her dead woman's arms under our iron hands. Yes, we would **** for one last time, her wealth. She is, after all, just a piece of land.
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Jun 10, 2012
Jun 10, 2012 at 2:46 AM UTC
Land
Where Phil's ship set sails With the biggest whales His legend has tales And he spouts no fails In the depth of nails His hammer has gales With winding winds of hales He keeps to his trails Leaving quests that impales Five consecutive NBA finals scales With LeBron and Leonard's pails He fetches more water to rescales With Lakers, his thirst now flails Bringing hope his ship prevails Logan Robertson 7/15/2019
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Jul 15, 2019
Jul 15, 2019 at 3:32 PM UTC
Newly Hired Laker's Assistant Phil Handy
Whatever is coming out from the chimneys is catching the light in the distance, it trails across the auburn tree tops that are shedding autumn and getting ready for the already-here winter, then flails and falls down. The train carries on as does the couple next to me, they're on about what they've done and achieved in Leeds throughout the day; they paid for a first class carriage but ended up in carriage C next to me.
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Nov 25, 2013
Nov 25, 2013 at 9:54 AM UTC
Achieved In Leeds
Just home from work and I'm still not quite here. When it was morning, I walked out on Tracy's simmering mood and into her thick June sky. The elephant's trunk hangs from a cloud In sepia, it seems there can be no explanation, but a dream Scale out of whack -- no longer confined, no turning back. In color, smooth rampage just born The trunk flails and takes aim. Storms through the corn. Coming for me to reconcile the blame. I'm still not quite here. In the afternoon, as Tracy's sky dims to deathly grey and ghostly white, I ran back to her worried eyes and reflected them back. And directly, the stampede consumed my regret.
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Feb 21, 2015
Feb 21, 2015 at 1:25 PM UTC
Elephant
They took you across the home like an uncharted furniture as the walls lost gait and stumbled. Before I could shatter a word without compunction, they took you before my eyes laid lattices – they faltered, officiating over space that fails infinitely when turning you away before I could understand, say the day again happens and my grievous art flails like a ******* child. a deep dream within a shallow sleep occurring within sundries – miscellanea collected together, put to question but no answer folded to be sure in its destination other than where they took you: the air minting the world on your face wanting to move and remind a fate of decay: to be malleable within clay, and hunger for a face they stole from me.
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Jun 14, 2016
Jun 14, 2016 at 2:47 AM UTC
Clay
it’s one of those mornings where I just want to run, mama. I get up, only to brush my teeth, comb the knots out of my hair, and put on dainty heels (to make dainty gestures to important men in business apparel) and spend eight hours using my false eyelashes, bright voice, and candied lips to appease the disgruntled populace. my inner goddess flails her arms recklessly, bruising my heart, my lungs, my stomach, my soul, her cage. every day I hear her sobs emanating from my core. is this what you raised me to be, mama? a little bit of a slave to the system and sucker for the city? if I were to throw it all away, what would they call me? what would they do to me, were I to abandon my heels for bare feet melting into the damp Earth? like some ancient character in a brilliant mythology I want to let it all burn just to rise from the ashes all over again.
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Oct 5, 2012
Oct 5, 2012 at 10:50 AM UTC
three.
when i cordoned you off with Gorilla Tape and lilac vine once i was done attaching encrypted files of pearls upon that sultry salt of your inner-thighs once i’d borrowed bonds off my favorite banker’s portfolio so i could waste myself in their earned interest ratios of blood bourne by centuries of hapless gathering oppression so i could use them in mosaics of swollen sand that i could lay like sea-glass shards under your ebbing feet as useless parchments i swallowed you in all your swollen spasms of fragile oblivion until that bottom of this tongue lept amidst surfacing juices obliterating and obligating all that ever decayed amidst obelisks your whispers (hatched from your breathy endorphins) shook me into mine own desperate shudders astride our gathering humidity and i gathered in your needle-nosed plier eyes -rust encrusted grey incisors- wrought from melted andirons mixed with slug trodden soils of hinterlands i was never to penetrate as if i ever slammed you with yore spinning flails into night’s emerging chasm of charcoal sprinkled with inner-orange peels and their attempts toward all that is illuminating, wistful, brief, and precious— i am your son, i am birthed from your sal i vations. i am twisting, still, amidst these rudiments of brine...
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Apr 7, 2016
Apr 7, 2016 at 2:20 AM UTC
Gorilla
Serpent flails; shallow water. Joker smiles; never speaks. On top of the mountain, Hands grasping each other, One behind our backs. Gazing into the jokers eyes The serpent clenches the hand behind his back. His last defense. Pulsating blood; pushed through uneasy veins, Sideways glances, Grips tightening, Eyes locking,Tongues melting. Our goodbyes; easy. One dagger. One rose. Covered in a single tear of crimson. Perennials: Never to be given away to a serpent. Dagger concealed behind him. Once a voluptuous rose, Left now to die, decay. Blade: Rose, Fell, A tear from the only one left laughing
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Jan 4, 2014
Jan 4, 2014 at 7:05 PM UTC
The Joker and the Serpent
Trust has lost its potency. Words clumsily bump up against meaning, Groping for reason the darkness of good intentions. Clinging to the old wives tales of sincerity, We hold a hollow pedastool above Or weary, aching backs, Hoping for someone to come and relieve us Of our empty obligations. Atlas has long left his perch, The world slowly tumbled off his sinewy frame, Shattering upon the cold hard face Of reality. Language has lost its clarity, Muddled with distorted alliances And miscommunication, It's flails hopelessly, gasping for air Before plummeting back down Into the deep water of tragedy And modern day relationships. There's no room anywhere For carefully constructed prose, Or spontaneous laments of passion. They've all been pushed out To make room for something intangible. Something not there enough to grasp it, But real enough to trace its Shadowy silouhette against The cold hard walls that encompass Innocence lost.
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Feb 27, 2013
Feb 27, 2013 at 2:53 AM UTC
Trust has lost its potency (Innocence Lost)
telling too many terrible twisted tales running riders right off resistant rails selling sailors sailboats without sails flipping forbidden findings til it flails bending bedlam beast of burdens bound killing king kind is kindly crowned selling seats to such sights and sound feeling the fallen fears are found vending voracious vindictive vices paying predictable pragmatic prices selling substituted selected slices drumming on dormant distant devices
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Aug 6, 2013
Aug 6, 2013 at 2:51 AM UTC
TwiSteD TaLeS
There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. They left their cottages there at dawn As the sun was on the rise, Wandered out with their ploughman’s lunch And rubbed the sleep from their eyes, They carried their sickles across their backs Their ******* hooks and their flails, And who could read took a crumpled book To read with a half of ale. They bent their backs to the task ahead Of reaping the sheaves of grain, The clouds were billowing overhead And they said, ‘It looks like rain!’ The sun went in and the sun came out As the shadows flitted across, They stooked the sheaves at an angle so The rain would drain from the crops. The rain held off ‘til the afternoon When the men were streaked with sweat, They sheltered under the Sycamores, Laid down their tools in the wet, The wives were busily cleaning homes, Preparing the worker’s tea, They didn’t look out to the barley field ‘Til the sun dipped into the sea. They didn’t look, it was almost dusk When they noticed something wrong, The men would usually come back home, They’d hear them, singing a song, A silence settled upon the land And the wives came out to stare, But nothing moved in the barley field, The men were just not there. Their faces white in the pale moonlight The wives sat still, and stared, The stooks were seeming to move about And the women, they were scared, The stooks lined up in the barley field Like a pack of hooded ghouls, And lying right in the midst of them Was a heap of reaping tools. There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. David Lewis Paget
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Feb 24, 2014
Feb 24, 2014 at 3:29 PM UTC
The Barley Stooks
There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. They left their cottages there at dawn As the sun was on the rise, Wandered out with their ploughman’s lunch And rubbed the sleep from their eyes, They carried their sickles across their backs Their ******* hooks and their flails, And who could read took a crumpled book To read with a half of ale. They bent their backs to the task ahead Of reaping the sheaves of grain, The clouds were billowing overhead And they said, ‘It looks like rain!’ The sun went in and the sun came out As the shadows flitted across, They stooked the sheaves at an angle so The rain would drain from the crops. The rain held off ‘til the afternoon When the men were streaked with sweat, They sheltered under the Sycamores, Laid down their tools in the wet, The wives were busily cleaning homes, Preparing the worker’s tea, They didn’t look out to the barley field ‘Til the sun dipped into the sea. They didn’t look, it was almost dusk When they noticed something wrong, The men would usually come back home, They’d hear them, singing a song, A silence settled upon the land And the wives came out to stare, But nothing moved in the barley field, The men were just not there. Their faces white in the pale moonlight The wives sat still, and stared, The stooks were seeming to move about And the women, they were scared, The stooks lined up in the barley field Like a pack of hooded ghouls, And lying right in the midst of them Was a heap of reaping tools. There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. David Lewis Paget
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57
No one feels more alone when feeling alone in another darkened hometown. He went and wandered, kerb crawled and begged, asked for four quid then left when he got it, though two pounds less than he wanted; away, away, away, away, away, away he’ll go again, vagabond turned drifter, God talking, kneel praying, church attending, Amen. When the already sirens start up, wind up, swing around merrily in their egg shell cups upon and above the panda-car-cop, he’ll wake to wander again until the day his body flails and gives in, drops to the floor in a melodramatic stop. For this forever New York, with its high rise chimney tops and siren's scare, is no place to sleep without a home to go home too.
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Feb 26, 2013
Feb 26, 2013 at 10:22 AM UTC
FINDING A HOME
Tomorrow is a shattered mirror, blinking at me, showing the sun's teeth, as though fending off starving stray cats. There was no sun today, I worked while it slept below its sheets made of the empty fields that lie east of my home. Dereliction, undiluted, joins ranks with the birds who have forgotten winter is coming. Blotches of paint on stormcloud canvas, like Jackson ******* began painting the October sky and gave up after three or four flails of his glorified, dripping brush. Although there is a reflection here, it is a dream now. The details have been misplaced, and we can only recall major landmarks and plot twists. The surface, however, looks the same as it always has, and will go on doing so, through the death of tomorrow, and her child.
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Oct 14, 2012
Oct 14, 2012 at 1:22 AM UTC
Again.