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"filaments" poems
I have done it again. One year in every ten I manage it---- A sort of walking miracle, my skin Bright as a **** lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin 0 my enemy. Do I terrify?---- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else, I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart---- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash --- You poke and stir. Flesh, bone, there is nothing there---- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air.
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26k
Lady Lazarus
I have done it again. One year in every ten I manage it---- A sort of walking miracle, my skin Bright as a **** lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin 0 my enemy. Do I terrify?---- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else, I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart---- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash --- You poke and stir. Flesh, bone, there is nothing there---- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air.
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84
The artichoke of delicate heart ***** in its battle-dress, builds its minimal cupola; keeps stark in its scallop of scales. Around it, demoniac vegetables bristle their thicknesses, devise tendrils and belfries, the bulb's agitations; while under the subsoil the carrot sleeps sound in its rusty mustaches. Runner and filaments bleach in the vineyards, whereon rise the vines. The sedulous cabbage arranges its petticoats; oregano sweetens a world; and the artichoke dulcetly there in a gardenplot, armed for a skirmish, goes proud in its pomegranate burnishes. Till, on a day, each by the other, the artichoke moves to its dream of a market place in the big willow hoppers: a battle formation. Most warlike of defilades- with men in the market stalls, white shirts in the soup-greens, artichoke field marshals, close-order conclaves, commands, detonations, and voices, a crashing of crate staves. And Maria come down with her hamper to make trial of an artichoke: she reflects, she examines, she candles them up to the light like an egg, never flinching; she bargains, she tumbles her prize in a market bag among shoes and a cabbage head, a bottle of vinegar; is back in her kitchen. The artichoke drowns in a *** So you have it: a vegetable, armed, a profession (call it an artichoke) whose end is millennial. We taste of that sweetness, dismembering scale after scale. We eat of a halcyon paste: it is green at the artichoke heart.
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16.7k
Ode To an Artichoke
The light is like a spider. It crawls over the water. It crawls over the edges of the snow. It crawls under your eyelids And spreads its webs there-- Its two webs. The webs of your eyes Are fastened To the flesh and bones of you As to rafters or grass. There are filaments of your eyes On the surface of the water And in the edges of the snow.
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9.3k
Tattoo
Filaments fixed on your eyes all night and the possibility of a chance, of an opportunity, that I’ll be able to talk to you, because the club lights are blue stretched like animal hide across your own hide: complexion clear cheeks still rouged though tidal club glow is still blue. It’s pathetic, worse than any diabetic with their HumaPen Memoir insulin length of pen, recording the time and date and precise amount of pain they inject from the last 16 doses. My pen is my keyboard and records miserable times and forgotten dates in cafes and precise amounts of pain, though this diabetic is a pathetic poet and he knows it.
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Aug 19, 2013
Aug 19, 2013 at 2:49 PM UTC
HumaPen Memoir: No Diabetic Can Live Without One
Fought One, Twenty-two skidoo. Cantankerous mad filamous She, That of her, Me. Piñata, stretched balloon Over my big fleshy ****** Tea and cakes, Painted my nails Painted my lips Like candy. Gold trinkets, Pour like mercury out of my ear. Ouch! I cried My feet in hot sandy Dreams. Flying peacocks tickle My ***** Oranges roll on chalk board tables Over stale rye bread. ***** dribbles out like mucus And a runny nose. Toilet paper and rusty water. ********** on you. Stocking lover. Fetish cover. Woman pusher. Mellifluous **** Look at my skin. Pink, beige, peach, red Porous, greasy, bacteria ridden hide. **** me like seppuku, Smother, suffocate me with Red jelly jam. Lubricate your finger with black Cancerous ash. Stick it in my naval, Unravel my umbilical cord Like so many filaments of my heart. Tear your flesh You auto ********* Rip your liver And force feed it Corn and maize Hay and grass Emory my nails against Red barn walls Until bare skin fundamentals Kisses with salty lips Inflame my ravishing Pig stomach. Kick my shin you Everything, Wake up you stupid ***** Void can be blue skies, Oceans call for suicide. Kiss me with delight, Raspberries tattooed In my ***** Strawberry cream Vanilla, milk, Ponderous infinity, Cotton, dough Honey and sage. Caustic gastric You and not me. Feel my legs, Touch my thighs, Lick my lips, Give me anything Not direct. Tie me up in complexities. **** my head up. Put me in a dream, Make me happy. Blair Butterfield 2004
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Jan 11, 2010
Jan 11, 2010 at 7:09 AM UTC
Rancour
for Ruth Fainlight I know the bottom, she says. I know it with my great tap root; It is what you fear. I do not fear it: I have been there. Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was you madness? Love is a shadow. How you lie and cry after it. Listen: these are its hooves: it has gone off, like a horse. All night I shall gallup thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing. Or shall I bring you the sound of poisons? This is rain now, the big hush. And this is the fruit of it: tin white, like arsenic. I have suffered the atrocity of sunsets. Scorched to the root My red filaments burn and stand,a hand of wires. Now I break up in pieces that fly about like clubs. A wind of such violence Will tolerate no bystanding: I must shriek. The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her. I let her go. I let her go Diminished and flat, as after radical surgery. How your bad dreams possess and endow me. I am inhabited by a cry. Nightly it ***** out Looking, with its hooks, for something to love. I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity. Clouds pass and disperse. Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge. What is this, this face So murderous in its strangle of branches? ---- Its snaky acids kiss. It petrifies the will. These are the isolate, slow faults That **** that **** that ****
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4.2k
Elm
for Ruth Fainlight I know the bottom, she says. I know it with my great tap root; It is what you fear. I do not fear it: I have been there. Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was you madness? Love is a shadow. How you lie and cry after it. Listen: these are its hooves: it has gone off, like a horse. All night I shall gallup thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing. Or shall I bring you the sound of poisons? This is rain now, the big hush. And this is the fruit of it: tin white, like arsenic. I have suffered the atrocity of sunsets. Scorched to the root My red filaments burn and stand,a hand of wires. Now I break up in pieces that fly about like clubs. A wind of such violence Will tolerate no bystanding: I must shriek. The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her. I let her go. I let her go Diminished and flat, as after radical surgery. How your bad dreams possess and endow me. I am inhabited by a cry. Nightly it ***** out Looking, with its hooks, for something to love. I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity. Clouds pass and disperse. Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge. What is this, this face So murderous in its strangle of branches? ---- Its snaky acids kiss. It petrifies the will. These are the isolate, slow faults That **** that **** that ****
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43
liminality; barely there ask if it matters care if you dare believe in impossibility mind framing liminal spaces places of liminal mind-frames filaments between contexts capturing subtleties as moths liminally reaching inwards map of a shady threshold twilight netherworld border between now & everywhen cusp of crisp discovery intangible as of late liminal during daylight; stars, fireflies, lanterns night itself being liminal colors need brightness shadow for textures whispering worlds peripheral vision vibes and feltsense inner underworlds embracing hell reversing it
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Oct 20, 2013
Oct 20, 2013 at 6:19 PM UTC
shades of liminality, liminal flavors
It is snowing and death bugs me as stubborn as insomnia. The fierce bubbles of chalk, the little white lesions settle on the street outside. It is snowing and the ninety year old woman who was combing out her long white wraith hair is gone, embalmed even now, even tonight her arms are smooth muskets at her side and nothing issues from her but her last word - "Oh." Surprised by death. It is snowing. Paper spots are falling from the punch. Hello? Mrs. Death is here! She suffers according to the digits of my hate. I hear the filaments of alabaster. I would lie down with them and lift my madness off like a wig. I would lie outside in a room of wool and let the snow cover me. Paris white or flake white or argentine, all in the washbasin of my mouth, calling, "Oh." I am empty. I am witless. Death is here. There is no other settlement. Snow! See the mark, the pock, the pock! Meanwhile you pour tea with your handsome gentle hands. Then you deliberately take your forefinger and point it at my temple, saying, "You suicide ***** I'd like to take a corkscrew and ***** out all your brains and you'd never be back ever." And I close my eyes over the steaming tea and see God opening His teeth. "Oh." He says. I see the child in me writing, "Oh." Oh, my dear, not why.
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3.9k
Oh
Take me to the windmill that revolves around the sun let me feel the air move as the music carries on hold me as we turn and turn and never let me go take me to the windmill that you know. Fastened to the gentle breeze with filaments of fun laughing 'til we cry as we revolve around the sun music playing moodily that just goes on and on turn and turn and never let me go. Take me to the windmill let us spin in our desire winding through the universe we set our world on fire hold me one more time and turn the music lower still take me to the windmill that you know.
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Jun 25, 2014
Jun 25, 2014 at 5:47 AM UTC
For lovers
balking, then walking into the suburban night, I have escaped the TV, the PC, the clutter of memories and the last two hanging, breasty incandescent bulbs in the galaxy,   soon to have their filaments burn out amid the indifference of florescent pigtails and their infinite, incessant hum I have escaped into this night       marching on, marching on the sullied, sacred sidewalk squares past the dentist’s house, past the woman whose husband was murdered by his best friend over a case of beer, and had her eternal fifteen minutes on Dr. Phil past the retired educator, past the woman who…hell I don’t know what she does--she drives a gold Avalon and never retrieves her Sunday paper before noon   marching on, marching on   I count cadence, move as if I am headed to another battle, and I am, but I won’t see my enemy tonight he is yet on the black horizon, waiting for me, and you     marching on when I pass the widow’s house a second time, a third (?) time I smell her cigarettes and see the orange glow in her garage, like   a lonely firefly moving to and fro, in the universe she creates for it before flicking it to her oil stained concrete graveyard, stomping it out never to let it fly again, though by my next circle she will have birthed a new one   and given it a foul fickle journey of its own     marching on a truck passes me on my final lap   its fumes mixing with the cool moonlight I hold my breath, wanting neither lunar light nor carbon monoxide for my evening repast    when I breathe again, the scent of tacos soothes my olfactory, I do not know its greasy origin in this dark place   nor do I care, but I inhale again more deeply daring the odor to tease me again   and help me forget what I escaped to find   marching on
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Sep 16, 2014
Sep 16, 2014 at 9:33 PM UTC
the blessed odor of tacos
balking, then walking into the suburban night, I have escaped the TV, the PC, the clutter of memories and the last two hanging, breasty incandescent bulbs in the galaxy,   soon to have their filaments burn out amid the indifference of florescent pigtails and their infinite, incessant hum I have escaped into this night       marching on, marching on the sullied, sacred sidewalk squares past the dentist’s house, past the woman whose husband was murdered by his best friend over a case of beer, and had her eternal fifteen minutes on Dr. Phil past the retired educator, past the woman who…hell I don’t know what she does--she drives a gold Avalon and never retrieves her Sunday paper before noon   marching on, marching on   I count cadence, move as if I am headed to another battle, and I am, but I won’t see my enemy tonight he is yet on the black horizon, waiting for me, and you     marching on when I pass the widow’s house a second time, a third (?) time I smell her cigarettes and see the orange glow in her garage, like   a lonely firefly moving to and fro, in the universe she creates for it before flicking it to her oil stained concrete graveyard, stomping it out never to let it fly again, though by my next circle she will have birthed a new one   and given it a foul fickle journey of its own     marching on a truck passes me on my final lap   its fumes mixing with the cool moonlight I hold my breath, wanting neither lunar light nor carbon monoxide for my evening repast    when I breathe again, the scent of tacos soothes my olfactory, I do not know its greasy origin in this dark place   nor do I care, but I inhale again more deeply daring the odor to tease me again   and help me forget what I escaped to find   marching on
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36
I'll ask you not to turn off the lights, I want them to blind me with their brilliant filaments until the bulbs break like a vase on a tiled floor, the walls, the door go back to being charcoal black as they have been so many times before. I have started to abhor the roads that define me, the words that describe me and my traits, the way I must walk in wintery air to a migraine inducing wilderness to be squashed into old moulds, will this be adequate for you now and when? What is this fall, does it affect you, your actions, your jumbled jigsaw piece thoughts? These bruises are purple, this brain is strained, inject me with zest until my wrist pains so much it must combust. Out of the glass is nothing, a candyfloss cloud, a tree, a lawn, it bores me, an artist is needed, paint a new canvas swathed in colour and things from my weekend dreams lucid and intense. I am a ******* up ball of paper, unfold me, still legible? Fold it again, an airplane chucked into an angry breeze or please, if the lamps are tough enough, watch my words illuminate, drool across the table.
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Oct 25, 2012
Oct 25, 2012 at 3:59 PM UTC
Terminal Velocity
I. Still thriving beyond immaculate walls. Tincturing the water that solemnly streams in the river, I await the corner of grassy marshes, and Gather your secret spells. In days when the land is prey to rhythmic beats; The water dances with disturbance. I run through the meadow barefoot, and Cast the sun-dried bricks beyond me. The red Moon drowns in woeful bliss, while Its jealous relative illuminates the dew on Morning petals. I glare through my destruction; And see your silhouette. Torn bridges of yesterdays misfortune send Violent waves forth, undying they proceed. Bravely-- they despondently conquer me; No longer a trace of you I see. II. Unable to grasp reality, bitter Tears of a Bright knowledge no longer in possession. Red yonder, cognizant of former tribulations Appear among the contour of wilted trees Desperately searching for extraneous disposal, Only melted clay reflects the ruins of an icy marsh. Spring is obscure; but inevitable. Soon harvest shall return to the field, And barren no more will the land be. No longer riddles, or secret spells; Greet the stream of lost memories. Impairment heals itself; it weaves Filaments of seconds- to create a Labyrinth of Time.
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Oct 8, 2012
Oct 8, 2012 at 2:35 AM UTC
Partition of Light
Captive of the city. A walk between the drawing and the camera, a drawing and a camera. Blindness is about understanding gesture. Stereoscope Sound Scenes Systems Blue lines form the links between the black cats suggesting, what we know is that we do not. Forget me the sweet song rising from her ashtray be gone hearts frayed afraid. Coma Cluster Coma Cluster Coma CLUSTER COMO cluster CLuster cOma ClUsTeR CoMa Soma simply trying to muster Domino Christos no longer allow my suffer ECCE **** IN The GARDEN of ever EARTHLY delights Strings Filaments Voids Soap bubbles filling a sink slide through Pop. Pop. I float above stronger than a rock my blue black burning body love emirates emanating Red-Shifted For You though dust clouds interfere
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Feb 11, 2015
Feb 11, 2015 at 3:11 PM UTC
SOho FeEds The pOOr
When you do stand so close, so bare fingers weaving through my filaments of hair. When you do inhale the extras and the uncensored imperfections When you do break thus incandescent sweat that shivers from yours to mine I do hope you may see The love and trust and compassion felt that you could find in me.
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Jan 19, 2016
Jan 19, 2016 at 8:26 PM UTC
Uncensored Imperfections
on this rumbling stretch of tundra no trees reach up to soothe the sky there is a pulling down of wind tunnel vortex like conifers in reverse an icy howl in the bonechill of time Translucent holes, perfectly round, are dug in glacial archeology and in the sea below gelid creatures lurk, half-frozen in the history of my soul Only moss and lichens grow on the rock, somehow softening the rugged textures of the wild landscapes that seethe just beneath my skin and there, just shy of the surface is a quickening a subtle pulse of veins that pumps life between the gales of my heart's steppes flushing out the pain somewhere deep within the private lotus of my being folioles unfurl leafy shapes around my organs wrapping them like gifts as they undulate in whorls opening my petals in renewed consciousness and deliberation as a new kind of stamen rises dusty pollen powdery budding ripeness bursting up and out of my deepest centered whirlpool pistil nectar dripping in viscous webs, to be caught upon the tongue of a new dawning My silky outer wings of vegetation, slender stalks of filaments and anther have been turned into hot steel They protect the tender vulnerable when burned as poison words held up to my watchful eyes, are properly discerned I give myself over to this new power, my back arched to fully embrace what is to come, a universe calling thunder, the old patterns undone I am ready to reveal my all as the goddess deep within comes to release my gold suffusing light through skin conjured from me a relentless strength, ever-growing, now tenfold rising way past soft-lit stratospheres and orbiting to bold
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Nov 5, 2017
Nov 5, 2017 at 6:05 PM UTC
orbit
on this rumbling stretch of tundra no trees reach up to soothe the sky there is a pulling down of wind tunnel vortex like conifers in reverse an icy howl in the bonechill of time Translucent holes, perfectly round, are dug in glacial archeology and in the sea below gelid creatures lurk, half-frozen in the history of my soul Only moss and lichens grow on the rock, somehow softening the rugged textures of the wild landscapes that seethe just beneath my skin and there, just shy of the surface is a quickening a subtle pulse of veins that pumps life between the gales of my heart's steppes flushing out the pain somewhere deep within the private lotus of my being folioles unfurl leafy shapes around my organs wrapping them like gifts as they undulate in whorls opening my petals in renewed consciousness and deliberation as a new kind of stamen rises dusty pollen powdery budding ripeness bursting up and out of my deepest centered whirlpool pistil nectar dripping in viscous webs, to be caught upon the tongue of a new dawning My silky outer wings of vegetation, slender stalks of filaments and anther have been turned into hot steel They protect the tender vulnerable when burned as poison words held up to my watchful eyes, are properly discerned I give myself over to this new power, my back arched to fully embrace what is to come, a universe calling thunder, the old patterns undone I am ready to reveal my all as the goddess deep within comes to release my gold suffusing light through skin conjured from me a relentless strength, ever-growing, now tenfold rising way past soft-lit stratospheres and orbiting to bold
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94
if only emotional abuse scarred my skin the way physical abuse did, because maybe then you'd see that your words and your demeanor are the reason why you say i have issues with channeling my anger maybe if your screams bludgeoned my skin the way a punch would destroy the filaments under my tender flesh, you'd notice how much you're hurting me and it scares me that you can't even see what you're doing it scares me that one day i'll be one scream away from erratically fainting to my demise, falling effortlessly to the floor, heart still beating in my chest and brain activity picking up faster than ever before it scares me that you're not scared your words are like knives carving my organs with cynical words "worthless" is inscribed through the hemispheres of my brain "damaged" is engraved into my lungs i can't breathe and im beginning to not feel anything anymore
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Jul 30, 2016
Jul 30, 2016 at 1:30 PM UTC
how much longer can my body endure relentless abuse
liquid light oozing over solid sound, gasping gas. static singing focal filaments, breaking brains. lightning licks the devilish dervish, knighted king, the anointed anarchist antichrist, now nowhere.
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Aug 27, 2014
Aug 27, 2014 at 1:18 AM UTC
Zap!
Antsy aardvarks all accept ants accordingly as an addiction Bamboo bayonets bought by barbaric, beastly barons bite beatniks Cloistered cobblers can color candy-cane conches concealing crooners Daffodils doodle daydreams down, debauchery demons deafening Every eon each electric elephant eats eleven elk eggs For fun fantasies file films filosophic'ly filling filaments Go get greens Get grass grayer gal goonie ghoul Hello high hammock how hooligans heave haddocks heathenly hecklers Igloos ixist in icy islands interning internationally Jello jam jizzy Jacks jostling jewels juney jump jump joop jail
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Dec 27, 2009
Dec 27, 2009 at 9:11 PM UTC
Alphabetic Haiku Fun
Violets fell from your mouth, smoke in purple filaments Your laughter spills from frozen tongues you are   you are   you are   a thousand words in a silent room echoing from my naked mouth, the folds layering in my mind:   red and blossomed nectar filling the hollows of my ears.
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Aug 14, 2012
Aug 14, 2012 at 12:46 AM UTC
Violets
This poem is going to be a lie He tells himself Writhing in tantalizing filaments The bright asphyxiation drawing him closer and closer To this An ideal Of the perfect truth Told out in unwritten song Painfully typed words A clever shower of meteors Belittling the dangerous craters on the surface The danger of tripping and dying Not withstanding what we know to be A falicy My multilingual interpretation of her feelings Old testimonies heard in the court Of the already guilty This poem is a complete distortion of facts My trivial response to empowered individuals Standing on my Adam's Apple And beating on my lungs like drums Rhythm meaning honor And the attention of the onlookers meaning The inviting glow Of the fireplace. She sat down next to That night That town That unfamiliar castigating of a child not belonging to You Or her Or the abyss "Unbelonging" "Inbelonging" Not. Yours. The wordsmith falters Checking his math Calculation, equation, kiss on the cheek For luck for death For the noose to slip, lovingly And gently to the ground as the trap door swings open A great, open toothed smile Laughing at silence BARBARIC to interrupt such delicacy Straining to look into my eyes She whispers low I want to find a home... And i tell her, with my heaviest conviction "No home is." Which could mean anything. This poem is a verisimilitude A lie about a truth Which, again... Could mean anything...
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Jan 9, 2012
Jan 9, 2012 at 12:33 PM UTC
Verisimilitude
After the sunset I hide Nothing can hurt me there No tears to be shed No flesh to be torn The castle shields me from the war Prevents me from hurting Even if just for a little while The castle is what I love most Kissing the dark of the sky Dancing in the moonlight Even if just for a little while Making me look up from my scars Getting me to dwell on the little piece of life left in me In the castle, I am alive, I am home Even if just for a little while When the sun goes up I have to return To the hell I was born in Getting beaten to filaments All the hate flows back in me Insulating me Dragging me down deeper and deeper Burning me to ash In the dark heat I long To the cherry nights under the stars And in the dark paradise I prance Under the bright glazing sun
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Jan 26, 2019
Jan 26, 2019 at 11:30 AM UTC
The Castle
Today I walked to the park and back And saw suburbia rearranged into dizzying distortions All the trees had a purplish tint And on the grass, I saw multicoloured light reflecting off the dew When I got home I attacked all the imagery with a dagger to reshape reality And a blank mirror to recreate the world in my head. The world that was quiet is humming again I hear choirs of crickets and choral basslines Cacophonous and ecstatic in the constant confusion The dull concrete is shot open with marquee moonlight Indulgence pouring out, free-flowing like communion And painted onto canvases like rain on a car window Daydreams and delusions are ice cream melting, sticky and sap-like on your chin Clouds pixelate with diamond edges Voices ring out in a flurry And there isn't a soul in sight. So I breathe in the air And let all the sounds and smells and limitations of reality colour my imagination once again Daydreamed delusions and nightmarish reality are one Filaments in the vibrant violence Until the summer fades away again.
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Aug 18, 2023
Aug 18, 2023 at 7:25 AM UTC
Daydreams and Nightmares
An anarchist atom Assaults the atmosphere With anger and aerial arson Bringing, begetting Brutal and ****** battles In my brain Initiating chaos With charges Of chemicals. A disection, distortion Diversion of dedication And direction Causing eruptions Emissions Of erratic, electric elements Of ego. Ferocious fires form In filaments, firmaments Feeding the fantastic Forces Which grow and gain In greatness in gravity Grave, gory, gorgeous Gloom. Henceforth hidden horrors Harrowed in a hollow heart Instantly interact with Intimate ideas Initiating irregular, irrational Irreversible Irrelevant Intimacy Jealousy Jumbling of jinxes And laws of the jungle For kicks Leading to lies Leaving love for loneliness Loss. A massive moral meltdown In my mind Negating, neutralising normality Orchestrates an open Onslaught of order And ordinary People's principles To pursue passion And perfection In a poetic periphery Quite queer to some And quaint to those Not acquainted with Rushes of ramblings Received and reciprocated Or radical ridicule Of rascals. Synapses send, Signal every sinew Simulating similar signs But transmitting treacherous Tingles Teasing, trapping thoughts In terror, temptations To commit treason Unforgivable, unforgettable Us Vivid and vibrant But also very Woeful Wishing we were wild And willing to walk Our wishes make wonderful Wells of Youth And creative zest.
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Feb 24, 2013
Feb 24, 2013 at 11:09 AM UTC
Chaotic Pattern
With tenacious tread I seek the dawn Like urban trees drink deep Of lake water and clear skies, I plant my feet Only to stumble through The arid wasteland of my wound. I walk off the pain Though each step draws the flames higher Each breath becomes an act of will My own heel my pyre. I set my eye, with rigid strides Press toward the gold horizon line. Maybe a fool: I am my own fuel As forward motion consumes, I'm vaporized And my sparks skyward fly. Ashes To ashes, dust To dust. Each searing step I take alone Then in the coals see marks Of other feet, upward look and meet Eyes ember bright, fearless Fingers tracing filaments against the night. Fire walkers give off the light By which we find a way A note or rhyme, a guiding flame As forward motion consumes, refines And our sparks skyward fly. Ashes To ashes, dust To dust To gold.
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Feb 16, 2019
Feb 16, 2019 at 12:23 PM UTC
Fire Walkers