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"faucets" poems
so you're disappointed that you're disappointed and maybe that's to be expected some folks make beds out of their catharsis differently than others it's this list of things you lost in the fire or how jealous you are of people who never came back up for air you're crying so the faucets leak out of solidarity & someone asks you why the floor is wet so you tell them "we've been weeping here forever" then they want to give you a mouth full of presupposition by saying "are you going down with the ship?" & you look them in the mouth like Leo is handcuffed to a pipe five decks down you look at them like you just woke up from that dream everyone has where all their teeth fall out maybe it's an intervention a hearse vs station wagon origin story a clearance sale & everything's gotta go or maybe it's the dream where you're at the docks from your childhood and there's a little girl unmooring all the ships because she thinks they'll float away but every time she unties them they just sink                                         they just sink
0
Mar 13, 2015
Mar 13, 2015 at 5:20 PM UTC
whispering the wrong parts
Many believe they know the law Because they were arrested; Others know how to teach Because they too were tested. If you have a religious question, They attended church; Mention you've an ache or pain, They diagnose your hurt. Should you bring up politics, Republican or worse, They'll explain Democracy Cause they've been free since birth. Admit your car is pinging, Your faucets aren't behaving, The oven isn't cooking right, Your fridge is warm and shaking, The air conditioner's out of whack, Your furnace has turned blue, They'll tell you what to do: Change the thermo-coupler. It's always their one answer. Say you like this stock or bond, An investment that's appealing, They'll  discourse that all agents Are cunning conniving stealing. On Monday mention the big game, They'll re-play, play by play, As if you slept right through it. If you hear a rousing band, Attend a movie or a play, Know-its are informed critics, Once they were stagehands. They pose as friends and family, Waiting for an opening, To disrupt with diatribe, To display how much they know. I know what I'm on about, So let me advise you, I'm a Know-It-All poet, All I write is true. So, *Never miss the opportunity To keep your mouth shut too*.
0
Apr 19, 2017
Apr 19, 2017 at 10:54 AM UTC
Know-It-Alls
Stumbling into ancient scripts, authored a decades plus ago, ago being a modifier of time quantities, minute or large, unspecific without an objective adjective additive, that faucets a stream of an interlocutory elocution of a batter of rooted emotional histories, but not histrionics fanciful words for dredged up memories, acute, but tarnished, powered yet worn by a cousin of ago, a/k/a, age and yet renews as of, at this very second, as if it were a first, a tumult of visions, swelling of remembrances, embodied scars, and I weep anew but not for me, as much for the resonating simpatico souls with whom they even  now vibrate with resonance of the immediacy of If not now, When? Aside: The exterior environment is noisy wet pelting of thunderstorms and ****** sheets of bulleting rain, piercing projectiles, but I am safe in the sunroom, sadly happy my dog is no longer here to shiver and tremble, cuddle and be soothed by steady stroking But I am here, wrestling with this dredging operation, digging up tons of sand that require dumping, and I ask, inquire, beg: Who will take this detritus off my hands, once more, now uncovered, now recovered, the soil is already soaked and can absorb no more, the soul is already soaked and can absorb no more, the weakened heart, damaged and occluded, suffer cannot bare twice the outrageous misfortune of unbared recollections, twice, or thrice, and I feel myself drowning in revisiting pain, **** **** **** these old poems, not nuggets, but boulders dropping from night skies, shot from a pitching machine, without letup, piercing of agonies that once ago   freshly desecrated and decorated my basic training in humanity. Enough whining: *I wrote those poems to eject out those pains, and I write this now, once more, to realize that so so many still face uncertain and unrelenting similarities, doing their own sums, and I wish them easing, strength to compose and thereby dispose of the ineloquent and eloquent words of staining suffering* 3:30am Thur July 10 2025
0
Jul 16, 2025
Jul 16, 2025 at 5:39 PM UTC
Older poems, new readers, familiar thoughts...
Stumbling into ancient scripts, authored a decades plus ago, ago being a modifier of time quantities, minute or large, unspecific without an objective adjective additive, that faucets a stream of an interlocutory elocution of a batter of rooted emotional histories, but not histrionics fanciful words for dredged up memories, acute, but tarnished, powered yet worn by a cousin of ago, a/k/a, age and yet renews as of, at this very second, as if it were a first, a tumult of visions, swelling of remembrances, embodied scars, and I weep anew but not for me, as much for the resonating simpatico souls with whom they even  now vibrate with resonance of the immediacy of If not now, When? Aside: The exterior environment is noisy wet pelting of thunderstorms and ****** sheets of bulleting rain, piercing projectiles, but I am safe in the sunroom, sadly happy my dog is no longer here to shiver and tremble, cuddle and be soothed by steady stroking But I am here, wrestling with this dredging operation, digging up tons of sand that require dumping, and I ask, inquire, beg: Who will take this detritus off my hands, once more, now uncovered, now recovered, the soil is already soaked and can absorb no more, the soul is already soaked and can absorb no more, the weakened heart, damaged and occluded, suffer cannot bare twice the outrageous misfortune of unbared recollections, twice, or thrice, and I feel myself drowning in revisiting pain, **** **** **** these old poems, not nuggets, but boulders dropping from night skies, shot from a pitching machine, without letup, piercing of agonies that once ago   freshly desecrated and decorated my basic training in humanity. Enough whining: *I wrote those poems to eject out those pains, and I write this now, once more, to realize that so so many still face uncertain and unrelenting similarities, doing their own sums, and I wish them easing, strength to compose and thereby dispose of the ineloquent and eloquent words of staining suffering* 3:30am Thur July 10 2025
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40
please, i beg you, take care of yourself. when your stomach rumbles, eat. when your eyelids droop, sleep. and when your voice quivers, find a comfortable spot and cry, cry your little heart out. but when you're done, dry your eyes, occupy yourself, and know in your heart that you are better than that. do not be sad, be angry. become a roaring fire and burn the memory of all those who have wronged you. do not let the leaky faucets **** you. do not drown in a bucket of tears. light it on fire. pour it out. throw it. scream **** you" to sadness because you are so much better than it. let it out, let it out, let it out, then be done. because yes love, right now your sadness feels quite heavy but the truth is that it is just a paperweight. learn to turn the page.
0
Feb 3, 2015
Feb 3, 2015 at 9:32 PM UTC
a love letter to myself
Amnesia like leaky faucets swollen drain ventilates vapid powdered portrait At least smiled. Blood slightly warmed manicure and smiled in forgotten garden Such lovely font. All wanted Mini clouds surrounding shrines backlit green in ritual. Smiles speak but of the wet smell of pollen and the sweat collecting in his hand behind the small of her uncrushed spine. Curing chlamydia the straight—A fairytale. Conned alive, clumsily and bitter. Nurtured cotton uprooted attempt. Scrubbed stains to shreds Not even the green light merely aftermath so of course when shaking egg shells sheltering in “cold hands warm heart” chests receive the song I sing but never knew
0
May 5, 2015
May 5, 2015 at 4:40 PM UTC
Nest
Even when your eyes are closed, the colours of the world surround you, Your imagination keeps you awake. Sounds, everywhere. The ticking of clocks, the drip of faucets; It forces you to stay awake. A flood of thoughts and memories come to your mind, Turning each into monsters, clawing at your emotions. The sound of them are overwhelming; The colours splattered everywhere. You decide to listen to some music, your favourite song, the one you have listened to probably a hundred times this week. You hit repeat because that's what would calm you, Even though you’ve listened to it so many times you think your ears will bleed; The sweet sounds an addiction. You continue, to drown out the sounds your mind provides. The constant, deafening yells of danger, The vivid memories of all the times that you’ve failed. The music gets louder to drown out the terrible sounds your mind provides, To cover the ugly colours in sweet melodies.
0
Jul 10, 2018
Jul 10, 2018 at 1:35 AM UTC
Colours and Chaos
My brother finds comfort in calculators. He assigns every number a name. He believes that they add up to certainty and he is upset with fractions that remain. So I examine these maps with my eyes, and at best I can trace with my finger all the way to that town where she went in an attempt to forget the cracks and the lines of my face. So Jetsabel cleaned out the closets for me and she piled up the boxes in the hall. Tomorrow when she wakes she'll come take them away and they'll never haunt me again; but it is still hard to sleep with the moon's heavy beams. I run barefoot to the backyard, just to freeze in my place by the rod iron gate; too afraid and ashamed to advance. Today I walked through the snow and found a field of headstones. They were in rows like the weeks in calendars where each box is a day you can never escape without pills or the poison of sleep. These memories leak from these faucets that weep. Hot tears splash against the shower floor and I stand in the steam as if inside a dream-- I can see her again by the sink. From behind the bathroom mirror she pulls a thermometer and places it under my tongue. She said, "You're as pale as a sheet. You look awful, my sweet. Lay down and wait for the sun." So I stayed in that bed. She brought me water and read each night from a volume out loud. She whispered soft poetry. Her favorite was Anabel Lee. And those words, like these drugs, comforted me. But the clocks kept waving their hands and she couldn't understand why temperature would never drop. And though she promised with tears that she would always be here, I heard truth like the sounding sea. I said, "My Arienette, how soon you forget this house will never be your home, and you will leave in the fall when the trees become graves and their colors lie dead in the grass." Gold and green torture me like the lies I believe too easily. Oh my Jetsabel, look at this hell that I have made. If you want, maybe drop by sometime-- put some flowers on my grave so that I will look beautiful in my silent sepulchre. Yeah, that's fine. Throw some dresses away. I don't want anything of hers. For the moon never shines and the stars never rise without bringing me dreams, haunted by the ghosts of those bright eyes.
0
Sep 18, 2012
Sep 18, 2012 at 5:03 PM UTC
Jetsabel Removes the Undesireables
My brother finds comfort in calculators. He assigns every number a name. He believes that they add up to certainty and he is upset with fractions that remain. So I examine these maps with my eyes, and at best I can trace with my finger all the way to that town where she went in an attempt to forget the cracks and the lines of my face. So Jetsabel cleaned out the closets for me and she piled up the boxes in the hall. Tomorrow when she wakes she'll come take them away and they'll never haunt me again; but it is still hard to sleep with the moon's heavy beams. I run barefoot to the backyard, just to freeze in my place by the rod iron gate; too afraid and ashamed to advance. Today I walked through the snow and found a field of headstones. They were in rows like the weeks in calendars where each box is a day you can never escape without pills or the poison of sleep. These memories leak from these faucets that weep. Hot tears splash against the shower floor and I stand in the steam as if inside a dream-- I can see her again by the sink. From behind the bathroom mirror she pulls a thermometer and places it under my tongue. She said, "You're as pale as a sheet. You look awful, my sweet. Lay down and wait for the sun." So I stayed in that bed. She brought me water and read each night from a volume out loud. She whispered soft poetry. Her favorite was Anabel Lee. And those words, like these drugs, comforted me. But the clocks kept waving their hands and she couldn't understand why temperature would never drop. And though she promised with tears that she would always be here, I heard truth like the sounding sea. I said, "My Arienette, how soon you forget this house will never be your home, and you will leave in the fall when the trees become graves and their colors lie dead in the grass." Gold and green torture me like the lies I believe too easily. Oh my Jetsabel, look at this hell that I have made. If you want, maybe drop by sometime-- put some flowers on my grave so that I will look beautiful in my silent sepulchre. Yeah, that's fine. Throw some dresses away. I don't want anything of hers. For the moon never shines and the stars never rise without bringing me dreams, haunted by the ghosts of those bright eyes.
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34
Onetime I let a boy inside my ribcage I warned him upon entry that the path to the     space     between my lungs was a oneway ticket that I had never smoked a cigarette, but the walls inside me were tar-filled   and sick that sometimes my heart failed to beat with my brain and instead fell into perfect uneven synchrony with the faucet where I threw-up cherry red the other night. Onetime I let a boy with a knife inside my ribcage and I had seen the knife and I didn't care he climbed inside me so gently like he belonged there and was just taking his place like a missing ***** he made me his home reassembled my insides vital pieces of me now resting on his body, depending on his body one hand on my heart the other on my throat. Onetime I let a boy with a knife and a bottle of bourbon live inside my ribcage he cleaned the tar off the walls but didn't cure the sickness I think he liked the smell of it. One night he carved his name everywhere spine clavicle esophagus and I pretended to sleep cut nick slash he tried to claim me he tried to clean me but lost souls can't be claimed and I'll never be clean enough my heart follows faucets not boys and that scared the boy so one night he poured the bourbon down the throat he held and I didn't stop him and I almost drowned gulp, gulp, gulp slash, slash, slash cursive illegible sorry's over every spot he had once cut his name into and he kissed the wounds and I woke up heavy. Organs are worthless without their host but Onetime I watched a boy tear his way out of my ribcage. Knife and empty bottle in his place, nothing's been working right in there since. I haven't let anyone in there since.
0
Mar 24, 2015
Mar 24, 2015 at 3:57 AM UTC
***** Transplant
Onetime I let a boy inside my ribcage I warned him upon entry that the path to the     space     between my lungs was a oneway ticket that I had never smoked a cigarette, but the walls inside me were tar-filled   and sick that sometimes my heart failed to beat with my brain and instead fell into perfect uneven synchrony with the faucet where I threw-up cherry red the other night. Onetime I let a boy with a knife inside my ribcage and I had seen the knife and I didn't care he climbed inside me so gently like he belonged there and was just taking his place like a missing ***** he made me his home reassembled my insides vital pieces of me now resting on his body, depending on his body one hand on my heart the other on my throat. Onetime I let a boy with a knife and a bottle of bourbon live inside my ribcage he cleaned the tar off the walls but didn't cure the sickness I think he liked the smell of it. One night he carved his name everywhere spine clavicle esophagus and I pretended to sleep cut nick slash he tried to claim me he tried to clean me but lost souls can't be claimed and I'll never be clean enough my heart follows faucets not boys and that scared the boy so one night he poured the bourbon down the throat he held and I didn't stop him and I almost drowned gulp, gulp, gulp slash, slash, slash cursive illegible sorry's over every spot he had once cut his name into and he kissed the wounds and I woke up heavy. Organs are worthless without their host but Onetime I watched a boy tear his way out of my ribcage. Knife and empty bottle in his place, nothing's been working right in there since. I haven't let anyone in there since.
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55
this old poet, one of the first, to see your wave, when he was playing knick-knack paddy whack on his shoe, the old poet then played two, and said, yes, I will follow you Please imaging-imaging that old poet with a glanceable cursory, a small smile whispered, with entourage of a nod and a wink, stands, knowing he is in the delivery room, a witness, to first steps of a babe starting a new life marvelous miracle by touching a button, a new line written, not crossed but connecting by pressing "Follow" with a finger from a hand, a human fringe, attached to a breathing mind and a thinking heart, the first to follow you, a ceremonial gesture of innovation magic incantation, a new moon blessing, a living person believing, remembering, the longest ago, his first own graceful acknowledgement and eyes speak, yes, I will follow you the new poet, astonished at this induction to the smallest Hall of Fame that they alone own the only key, study that number, that number 1, the first to follow, kinda looking over their shoulder to make sure the old poet still there on the morrow, sure enough there are now two, safe in the back pocket, a tabulation of humans who speak volumes of trust, saying, yes, I will follow you the old poet, imaging-imaging the babe, dancing round the room, invigorated, challenged and the faucets pouring, can't write it down as fast as the trains arriving disgorging, words unique in new combinations and the rush of blood from heart to head to those newly literary fingers bleeding happy creatures of creation as if they are Noah setting sail to save us with verbs and adjectives two by two all for now species unheard of the old poet wants to send cautionary notes, the path strewn with frustrations of no inspiration ditches and inescapable cliches that sound fresh but just aren't, the disappearing satisfaction, the inability to get it just perfect, and so many obstacles to be prophesied, but he does not, these things must be self taught, today let it suffice the initiation, the first crowning of **yes, I will follow you for this the way of the poet 10/16/17 5:09pm**
0
Oct 16, 2017
Oct 16, 2017 at 5:22 PM UTC
The First to Follow
this old poet, one of the first, to see your wave, when he was playing knick-knack paddy whack on his shoe, the old poet then played two, and said, yes, I will follow you Please imaging-imaging that old poet with a glanceable cursory, a small smile whispered, with entourage of a nod and a wink, stands, knowing he is in the delivery room, a witness, to first steps of a babe starting a new life marvelous miracle by touching a button, a new line written, not crossed but connecting by pressing "Follow" with a finger from a hand, a human fringe, attached to a breathing mind and a thinking heart, the first to follow you, a ceremonial gesture of innovation magic incantation, a new moon blessing, a living person believing, remembering, the longest ago, his first own graceful acknowledgement and eyes speak, yes, I will follow you the new poet, astonished at this induction to the smallest Hall of Fame that they alone own the only key, study that number, that number 1, the first to follow, kinda looking over their shoulder to make sure the old poet still there on the morrow, sure enough there are now two, safe in the back pocket, a tabulation of humans who speak volumes of trust, saying, yes, I will follow you the old poet, imaging-imaging the babe, dancing round the room, invigorated, challenged and the faucets pouring, can't write it down as fast as the trains arriving disgorging, words unique in new combinations and the rush of blood from heart to head to those newly literary fingers bleeding happy creatures of creation as if they are Noah setting sail to save us with verbs and adjectives two by two all for now species unheard of the old poet wants to send cautionary notes, the path strewn with frustrations of no inspiration ditches and inescapable cliches that sound fresh but just aren't, the disappearing satisfaction, the inability to get it just perfect, and so many obstacles to be prophesied, but he does not, these things must be self taught, today let it suffice the initiation, the first crowning of **yes, I will follow you for this the way of the poet 10/16/17 5:09pm**
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43
darkness extends its warm arms around me and its fingernails trace the delicate purple veins tattooed on my forearms thin curlicues and tiny vessels of this very thing-- this thing that reverberates and reverberates and reverberates within this tiny black knife makes its first vicious forceful trace-- the curls becoming faucets of this bluish purple liquid a puddle which defiles the pristine floor -- maybe this is a suitable cleaning device-- a thin rod with this pointy shiny silvery tip, collecting tiny mercury ***** from the puddle, as I rearranged the puddle into the thing bluish purple liquid curlicues just like that whence they came
0
Jul 10, 2014
Jul 10, 2014 at 9:43 AM UTC
blood letting
The men kept to themselves: they were waiting for the swiftness of the last cyclists. The women kept to themselves: they were expecting the death of a boy on a Japanese schooner. They all kepy to themselves- dreaming of the open beaks of dying birds, the sharp parasol that punctures a recently flattened toad, beneath silence with a thousand ears and tiny mouths of water in the canyons that resist the violent attack on the moon. The boy on the schooner was crying and hearts were breaking in anguish for the witness and vigilance of all things, and because of the sky blue ground of black footprints, obscure names, saliva, and chrome radios were still crying. It doesn't matter if the boy grows silent when stuck with the last pin, or if the breeze is defeated in cupped cotton flowers, because there is a world of death whose perpetual sailors will appear in the arches and freeze you from behind the trees. it's useless to look for the bend where night loses its way and to wait in ambush for a silence that has no torn clothes, no shells, and no tears, because even the tiny banquet of a spider is enough to upset the entire equilibrium of the sky. There is no cure for the moaning from a Japanese schooner, nor for those shadowy people who stumble on the curbs. The countryside bites its own tail in order to gather a bunch of roots and a ball of yarn looks anxiously in the grass for unrealized longitude. The Moon! The police. The foghorns of the ocean liners! Facades of ***** of smoke, anemones, rubber gloves. Everything is shattered in the night that spread its legs on the terraces. Everything is shatter in the tepid faucets of a terrible silent fountain. Oh, crowds! Loose women! Soldiers! We will have to journey through the eyes of idiots, open country where the docile cobras, coiled like wire, hiss, landscapes full of graves that yield the freshest apples, so that uncontrollable light will arrive to frighten the rich behind their magnifying glasses- the odor of a single corpse from the double source of lily and rat- and so that fire will consume those crowds still able to **** around a moan or on the crystals in which each inimitable wave is understood.
0
2.3k
Landscape of a ******* Multitude
The men kept to themselves: they were waiting for the swiftness of the last cyclists. The women kept to themselves: they were expecting the death of a boy on a Japanese schooner. They all kepy to themselves- dreaming of the open beaks of dying birds, the sharp parasol that punctures a recently flattened toad, beneath silence with a thousand ears and tiny mouths of water in the canyons that resist the violent attack on the moon. The boy on the schooner was crying and hearts were breaking in anguish for the witness and vigilance of all things, and because of the sky blue ground of black footprints, obscure names, saliva, and chrome radios were still crying. It doesn't matter if the boy grows silent when stuck with the last pin, or if the breeze is defeated in cupped cotton flowers, because there is a world of death whose perpetual sailors will appear in the arches and freeze you from behind the trees. it's useless to look for the bend where night loses its way and to wait in ambush for a silence that has no torn clothes, no shells, and no tears, because even the tiny banquet of a spider is enough to upset the entire equilibrium of the sky. There is no cure for the moaning from a Japanese schooner, nor for those shadowy people who stumble on the curbs. The countryside bites its own tail in order to gather a bunch of roots and a ball of yarn looks anxiously in the grass for unrealized longitude. The Moon! The police. The foghorns of the ocean liners! Facades of ***** of smoke, anemones, rubber gloves. Everything is shattered in the night that spread its legs on the terraces. Everything is shatter in the tepid faucets of a terrible silent fountain. Oh, crowds! Loose women! Soldiers! We will have to journey through the eyes of idiots, open country where the docile cobras, coiled like wire, hiss, landscapes full of graves that yield the freshest apples, so that uncontrollable light will arrive to frighten the rich behind their magnifying glasses- the odor of a single corpse from the double source of lily and rat- and so that fire will consume those crowds still able to **** around a moan or on the crystals in which each inimitable wave is understood.
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45
My grade school burned down twice. Once in the 1930's then again  in the 50's. They rebuilt, there were two large black and white framed photographs of the school houses before both fires hanging in the main hallway. At some point in the reconstruction someone had decided on two boys restrooms. The one at ground level was always clean. There were small white tiles and fresh blue paint. It always smelled like pine cleaner, never ran out of paper towels. There was always sweet smelling liquid soap in the shinny silver dispensers. There were doors with shinny silver locks on the stalls. It was a timeless space, pristine and somehow preserved. Free and unscathed by the ugliness of the world. Then there was the other one. The restroom below ground in the basement. There were ground level windows with round wire cages over them. The view of the ***** untied tennis shoes attached to saggy socks and scabbed knees. The children ran about with purpose over every inch of the playgrounds hot black top as I'd try to guess who's feet were who's. There were no doors on the stalls, yellow stains beneath every leaky ****** Smears of rust around the faucets , a coarse hand soap in the often broken dispensers. More fit for prisoners than students. It smelled like **** and was always cold. I don't know why one was always cleaner than the other. Maybe it was an unwritten janitor law. Maybe they seen it as somehow lower than the other. I always chose the basement restroom. It just seemed more natural to me, it made me feel strong, made it all feel more real. Now after so many hardships as I sit with drink in hand or lay down while high on some drug I can't seem to  help but look back and remember. Then ponder the question. "Have I always been meant to live in such a ***** harsh environment, even way back then?"
0
May 2, 2013
May 2, 2013 at 8:49 PM UTC
Finding the empty way back then
My grade school burned down twice. Once in the 1930's then again  in the 50's. They rebuilt, there were two large black and white framed photographs of the school houses before both fires hanging in the main hallway. At some point in the reconstruction someone had decided on two boys restrooms. The one at ground level was always clean. There were small white tiles and fresh blue paint. It always smelled like pine cleaner, never ran out of paper towels. There was always sweet smelling liquid soap in the shinny silver dispensers. There were doors with shinny silver locks on the stalls. It was a timeless space, pristine and somehow preserved. Free and unscathed by the ugliness of the world. Then there was the other one. The restroom below ground in the basement. There were ground level windows with round wire cages over them. The view of the ***** untied tennis shoes attached to saggy socks and scabbed knees. The children ran about with purpose over every inch of the playgrounds hot black top as I'd try to guess who's feet were who's. There were no doors on the stalls, yellow stains beneath every leaky ****** Smears of rust around the faucets , a coarse hand soap in the often broken dispensers. More fit for prisoners than students. It smelled like **** and was always cold. I don't know why one was always cleaner than the other. Maybe it was an unwritten janitor law. Maybe they seen it as somehow lower than the other. I always chose the basement restroom. It just seemed more natural to me, it made me feel strong, made it all feel more real. Now after so many hardships as I sit with drink in hand or lay down while high on some drug I can't seem to  help but look back and remember. Then ponder the question. "Have I always been meant to live in such a ***** harsh environment, even way back then?"
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106
I will not talk about my losses, where I neither gave up nor tossed in the towel, and still did not come out a winner, the winner. Maybe I am not built to compete, I have no grit no edge to my way, maybe life is fun, and we are to just play? Maybe when you feel sorry for your self, you lose, your edges now, are broken bits, that makes deep cuts into your pysche, a vivisection of the visceral. Maybe thoughts like this are best bottled up and tossed in an ocean made up of the tears that rain down and pour like a wash filled with every dream, every goal, every first step of last resort, I ever had that never left the space. the gray space above my ears, which heard my cry and my eyes which see but have no handles to turn off the faucets that they have become, leaking saline, while I pretend to understand Einstein. I write and that makes me a writer and a winner, what pray tell, are you a winner at...? I am listening. ©DWE112013
0
Nov 29, 2013
Nov 29, 2013 at 11:24 PM UTC
What are you a winner at?
Cool white sheets. Blue sunshine filtering through my hand learning your skin. Dreaming of angels. Empty shadows on quiet streets. The city breathes in, grass blades quiver. A drumming echo. The hasty steps of belatedness. I shift my hand. The faucets, dripping. The sunrise pulling your skin into alps, but you’re not cold. A high-rise drips its concrete breath. The sky breaks. Exhale and return.
0
Jan 18, 2015
Jan 18, 2015 at 8:00 AM UTC
And the end comes to soon, like dreaming of angels.
Part 2 The old man sits upon his chair and speaks words slip with spit they drip - drip drip - he speaks but no one’s there. From thought to speech the old man speaks, his words released hang in the mist formed out of air so thick and dense it ebbs and flows and dances with a constant freeze brought by the breeze thus when he speaks the old man sees the sounds that slip from his own lips... ...Each word a sound each sound a note encased in ice the words take form; his thoughts comprised of merging chords which morph into the words whose form is slick and round, encased in ice, shine like a string of flawless pearls. A burden air can never bare the string of pearls falls from mid-air. Pearls hit the floor with such great force that impact shatters words like bones upon a field where battles roared, souls ripped from form thus die his words; remains of thoughts the old man spoke, words torn apart reduced to chords in piles litter scatter wasted cursed forever to be words unheard like treasures lost, no! never found or heard, his words the unearthed pearls of thoughts he thought and dared to speak though fate he knew would have them be forever lost beneath the sea where words from chords and notes will never see the day nor know the heat when they would shine under the sun though smooth and round their form once was when once the shattered chords were words. There was a time his words had form their form was round like pearls or drops of water dripped from leaky faucets drip they slip from rusty lips into the sink and down the pipes which snake throughout the secret house, they drip the words words slip his thoughts from lips are lost drip drip the words in chords thoughts drip are lost in sinks forever gone the old man thinks… Drip drip he speaks words slip drip drip from lips words drip their form drip drip so round the sound from chords which merged and formed the words he thinks and speaks and let's thoughts drip released expelled he sees the strings of pearls his words afloat drip drip the words the sound he hears or heard he thinks once there he sees or saw he saw he knows he did let words drip drip from lips but then drip drip he knows he sits he rocks on boards within drip drip a house where secrets drip, the words, drip drip the sound, they slip forever gone as if they once were sounds which maybe formed the maybe thoughts he may have thought the old man thinks that maybe he just never spoke the words which maybe never were the thoughts he thought or did he think he didn’t know now doesn’t know not like the sound he knows he hears the drip, drip drip drip from rusty lips of leaky faucets down the sink... The End Part 2
0
Aug 3, 2017
Aug 3, 2017 at 7:54 AM UTC
Drip Drip Drip - Part 2
Part 2 The old man sits upon his chair and speaks words slip with spit they drip - drip drip - he speaks but no one’s there. From thought to speech the old man speaks, his words released hang in the mist formed out of air so thick and dense it ebbs and flows and dances with a constant freeze brought by the breeze thus when he speaks the old man sees the sounds that slip from his own lips... ...Each word a sound each sound a note encased in ice the words take form; his thoughts comprised of merging chords which morph into the words whose form is slick and round, encased in ice, shine like a string of flawless pearls. A burden air can never bare the string of pearls falls from mid-air. Pearls hit the floor with such great force that impact shatters words like bones upon a field where battles roared, souls ripped from form thus die his words; remains of thoughts the old man spoke, words torn apart reduced to chords in piles litter scatter wasted cursed forever to be words unheard like treasures lost, no! never found or heard, his words the unearthed pearls of thoughts he thought and dared to speak though fate he knew would have them be forever lost beneath the sea where words from chords and notes will never see the day nor know the heat when they would shine under the sun though smooth and round their form once was when once the shattered chords were words. There was a time his words had form their form was round like pearls or drops of water dripped from leaky faucets drip they slip from rusty lips into the sink and down the pipes which snake throughout the secret house, they drip the words words slip his thoughts from lips are lost drip drip the words in chords thoughts drip are lost in sinks forever gone the old man thinks… Drip drip he speaks words slip drip drip from lips words drip their form drip drip so round the sound from chords which merged and formed the words he thinks and speaks and let's thoughts drip released expelled he sees the strings of pearls his words afloat drip drip the words the sound he hears or heard he thinks once there he sees or saw he saw he knows he did let words drip drip from lips but then drip drip he knows he sits he rocks on boards within drip drip a house where secrets drip, the words, drip drip the sound, they slip forever gone as if they once were sounds which maybe formed the maybe thoughts he may have thought the old man thinks that maybe he just never spoke the words which maybe never were the thoughts he thought or did he think he didn’t know now doesn’t know not like the sound he knows he hears the drip, drip drip drip from rusty lips of leaky faucets down the sink... The End Part 2
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7
I want to write you a poem concerning how I feel. It has to come across as meaningful and real. So I wrote a little bit about my gratitude for plumbing. Praising pipes and faucets just sets my fingers strumming. Then I thought this wasn't good and to this make amends. So I started out on lust, counting down my favorite sins. What am I? A charlitain? A purveyor of filth and **** Someone who speaks of things he wants to stick up in your **** No my dear tis not the case at least not this time around. I'd rather set your mind to ease not run your ship aground. So let's start by whispering something soft meant to ease. You can use my sleeve to wipe your nose should you ever sneeze. Wasn't that not good enough? A little gross for your taste? Let try to redeem myself I promise I'll make haste. She approaches draped in honey surrounded by an amber glow. Knowing things I can assure, you may not want to know. Like the sun was to Icarus it is her smile that melts my heart. Without her works to inspire I wouldn't know where to start. So it's her you have to blame if it's this line you do not like. I gotta warn ya, if she likes, I'll put your head upon a spike. Lips like fire smoldering under eyes an emerald green. Yes I know I got it wrong Todd my eyes aren't so keen. I'd like to say in closing a great many things. To spout a song so beautiful like the first few days of spring. But alas I'll fail you and end this ridiculousness. By saying I adore you and I need to take a **** So tis here I leave you but never for much too long. I'll cross your mind again one day when you hear my favorite song.
0
May 16, 2016
May 16, 2016 at 10:33 PM UTC
What do you think Colibri?
I want to write you a poem concerning how I feel. It has to come across as meaningful and real. So I wrote a little bit about my gratitude for plumbing. Praising pipes and faucets just sets my fingers strumming. Then I thought this wasn't good and to this make amends. So I started out on lust, counting down my favorite sins. What am I? A charlitain? A purveyor of filth and **** Someone who speaks of things he wants to stick up in your **** No my dear tis not the case at least not this time around. I'd rather set your mind to ease not run your ship aground. So let's start by whispering something soft meant to ease. You can use my sleeve to wipe your nose should you ever sneeze. Wasn't that not good enough? A little gross for your taste? Let try to redeem myself I promise I'll make haste. She approaches draped in honey surrounded by an amber glow. Knowing things I can assure, you may not want to know. Like the sun was to Icarus it is her smile that melts my heart. Without her works to inspire I wouldn't know where to start. So it's her you have to blame if it's this line you do not like. I gotta warn ya, if she likes, I'll put your head upon a spike. Lips like fire smoldering under eyes an emerald green. Yes I know I got it wrong Todd my eyes aren't so keen. I'd like to say in closing a great many things. To spout a song so beautiful like the first few days of spring. But alas I'll fail you and end this ridiculousness. By saying I adore you and I need to take a **** So tis here I leave you but never for much too long. I'll cross your mind again one day when you hear my favorite song.
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28
The expectation, Of you to accept the inhalation, Of the evaporation, Of someone else’s waste. Make it make sense, How the walls of stalls, Fail to reach its maximum highs and lows, For all of us to share what we release. We listen to the air, That flubs between *** cheeks, Just as the **** projects deuces, Into the bowl that cups the sound of wind. We hear the moans and sighs, Of relief, constipation and strain, As we urinate nearby, Adjacent to the incomplete **** shack. Make it make sense, How tasting the gases, Of Joe Blow, blowing out his insides, Is a customary to our community. A sociological experiment, Deemed to generate sociopathy, As we laugh at the flatulence, And giggle at one’s vulnerability. Merely a forgotten fact, That we have been there too, We go there every day, And pretend that others don’t do the same. And without a mere act of courtesy, The space is left filthier than the last, Because why be considerate for the next? Someone’s job is to cleanse my waste. Furthermore is the neglect, Of faucets, soap and towels, Aimed to **** bacteria, That exits biological passageways. Why oh why, Must I be forced to study, Why this is simply unacceptable, This concept of oversharing? Recurring stage fright, Readily apparent, When forced to **** beside men, More than double my size. I’ll simply never understand, How by design, What we wouldn’t do in front of house guests, Is something we are urged to do in front of strangers. Bonding, With a bunch of hairy, overweight men, Who clear their throats, bladders and colons, In my personal space.
0
Nov 13, 2023
Nov 13, 2023 at 9:41 PM UTC
Public Restrooms
The expectation, Of you to accept the inhalation, Of the evaporation, Of someone else’s waste. Make it make sense, How the walls of stalls, Fail to reach its maximum highs and lows, For all of us to share what we release. We listen to the air, That flubs between *** cheeks, Just as the **** projects deuces, Into the bowl that cups the sound of wind. We hear the moans and sighs, Of relief, constipation and strain, As we urinate nearby, Adjacent to the incomplete **** shack. Make it make sense, How tasting the gases, Of Joe Blow, blowing out his insides, Is a customary to our community. A sociological experiment, Deemed to generate sociopathy, As we laugh at the flatulence, And giggle at one’s vulnerability. Merely a forgotten fact, That we have been there too, We go there every day, And pretend that others don’t do the same. And without a mere act of courtesy, The space is left filthier than the last, Because why be considerate for the next? Someone’s job is to cleanse my waste. Furthermore is the neglect, Of faucets, soap and towels, Aimed to **** bacteria, That exits biological passageways. Why oh why, Must I be forced to study, Why this is simply unacceptable, This concept of oversharing? Recurring stage fright, Readily apparent, When forced to **** beside men, More than double my size. I’ll simply never understand, How by design, What we wouldn’t do in front of house guests, Is something we are urged to do in front of strangers. Bonding, With a bunch of hairy, overweight men, Who clear their throats, bladders and colons, In my personal space.
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52
i've been watering dead plants for so long i hardly remember what they look like when they're alive, and maybe this means i'm losing my mind, but the truth is, we all want a miracle. i think i've just been counting too much on mine. i wanna believe that my love & loyalty alone can turn a withered pile of prickly dirt into a strong and stunning cactus, once again. i wanna believe that if i count you every time i count my blessings, you'll bless me with your presence, but it feels a bit like a child's impossible dream. i am a dreamer though, even in a one bedroom apartment with creaky doors and leaky faucets. so, i'll continue to do these things that don't make sense to you. i'll wish you a happy birthday, just cause i mean it. & i'll visit your mom in the hospital, so she knows she's never alone. and i'll give money to your friends' "gofundme" page, because you know, i want ryan to get well too. and i'll pray for your safety, even though i have no religion. and i'll sit here, on my bathroom floor thinking about dead roses while you lie with your face in a pillow that's forever stained with the scent of my shampoo. and i'll hope that you still love that smell as much as you did when you still loved me. and i'll hope that your heart isn't prickly and pathetic. i'll hope that it's stunning and strong like a cactus. and if they call me crazy, you can tell them they're right. but i'd rather be the one who waters a dead plant, than be the one who misses the magic only found in fallen petals.
0
Feb 17, 2016
Feb 17, 2016 at 12:38 AM UTC
no bug spray
i've been watering dead plants for so long i hardly remember what they look like when they're alive, and maybe this means i'm losing my mind, but the truth is, we all want a miracle. i think i've just been counting too much on mine. i wanna believe that my love & loyalty alone can turn a withered pile of prickly dirt into a strong and stunning cactus, once again. i wanna believe that if i count you every time i count my blessings, you'll bless me with your presence, but it feels a bit like a child's impossible dream. i am a dreamer though, even in a one bedroom apartment with creaky doors and leaky faucets. so, i'll continue to do these things that don't make sense to you. i'll wish you a happy birthday, just cause i mean it. & i'll visit your mom in the hospital, so she knows she's never alone. and i'll give money to your friends' "gofundme" page, because you know, i want ryan to get well too. and i'll pray for your safety, even though i have no religion. and i'll sit here, on my bathroom floor thinking about dead roses while you lie with your face in a pillow that's forever stained with the scent of my shampoo. and i'll hope that you still love that smell as much as you did when you still loved me. and i'll hope that your heart isn't prickly and pathetic. i'll hope that it's stunning and strong like a cactus. and if they call me crazy, you can tell them they're right. but i'd rather be the one who waters a dead plant, than be the one who misses the magic only found in fallen petals.
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58
I am a cloudwatcher. I am a listener of dripping faucets. I used to be a dream catcher. Now my dreams are cautious. Lame and mute and easily trapped. A re-run of nothing lasts. -But nothing. That always hangs about. Nothing. I’ve found a generous amount. Of nothing. Thanks for always being there. Nothing.
0
May 28, 2013
May 28, 2013 at 7:15 PM UTC
Nothing.
Have you ever milked a goat? well, I have not But I've read about it in books Before this bookish knowledge was bestowed upon me I had mistaken goat udders for faucets Imagine my surprise upon opening a book, to see that the milk must be extracted by hand, by machine but not once was the handy faucet turned so I ventured to a goat farm and there I was mistook for the most crooked of humans apparently I had that look in my humble opinion I was merely forsook for the look of a nooked crook
0
Dec 13, 2012
Dec 13, 2012 at 8:09 PM UTC
Milk
poetry comes and goes opens and flows spills into streams of prose amidst the musical rows of my thoughts. forms and rhythms which melt and morph and sing into being the abstractions of synaptic connections, write into existence the chemical signals of neurotransmitter gossip, and transfer to the Symbolic the electrical impulses of the Real scratch and peel the caulk from the edges of The Faucet, turn and wind the wheeled handles open, open, open. Past lefty loosey and into the outpouring of pent up pressure; raw, and juicy. Poetry is *** death and magic. The art of training the mind's faucets elastic.
0
Jan 8, 2014
Jan 8, 2014 at 12:40 PM UTC
faucets
White snow covers the brittle branches Of the sage brush beside them The birds song of the Nevadan January is gone- Not even the brisk wind moves this scene Her car pushes through the stillness Then the clicking of her engine stops. Silence speaks again Through clouded windows she hears him shouting phrases unknown Then his stumbled pacing sounds nearer and nearer He stops at the sight of her Still sitting in the drivers seat she looks forward aimlessly With a tug at the door handle she follows him into the road He's looking at her eyes turn into faucets longing for her to say something to break the silence She's staring at the emptiness surrounding him They almost meet eachothers gaze, He tries to pull her in, she refuses Then as the silence floods between them She rushes into him The brittle branches are nourished By the tears that violently crash down Grasping on to him, She wills to always be held by him And then he pulls her off She tries to speak, but feathers fill her throat Their eyes meet and search rapidly for secrets His pupils swallow her face With the shadow of the sun behind her, she sees herself within his gaze He asks her "What do you see" And she looks into the car window beside her and croaks " Me. I'm Pathetic" His reflection scrunches his eyes and brings his hand up to his ear He begins to disappear The silence surrounds them once more And she turns around and looks into his eyes one last time And sees two tears racing to the ground
0
Feb 22, 2016
Feb 22, 2016 at 1:32 AM UTC
A sound good bye
wake up, feel terrible for all the right reason it is all too easy this augmentation this grandeur of emptiness it is silent a car traverses another road humans are out there alive and breathing and asleep still asleep eyes open the humans are just as empty in seventeen years they will be as empty in paris or new york or moscow their eyes will still speak as their mouths curl and their children cry from their cultured gardens the unfixed faucets dripping in their marble slate bathrooms in the shower they still wonder what happened to their lives their dreams and how they'd changed with every pivotal moment they'd passed up for comfort or a new dream conveniently forgetting the rest they'll think back to the faces of lovers they lost to the road or to chance or to themselves and cry in the shower if they haven't forgotten how to recollecting how once long ago in a dream they had learnt dreams don't mean anything.
0
Feb 2, 2013
Feb 2, 2013 at 8:45 PM UTC
aspiration