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"fatalism" poems
Weighed down by the world’s burden honest eyes only perceive hope of a better earth, beyond the infallible burning Dwelling within a premature space reality isn’t what it seems years upon years of confounding lies & schemes Phantoms and apparitions of the fallen the only thing piecing together the shattered earth that is falling How long will the fog of falsehood blind us to reconnecting as a brother & sisterhood How many of us have to bleed the same number of us who screamed when our reality came dropping down from where aloft we kept our dreams Please, please, oh please How long will it take us to see.
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Dec 19, 2018
Dec 19, 2018 at 11:00 AM UTC
Fatalism
Shall I get drunk or cut myself a piece of cake, a pasty Syrian with a few words of English or the Turk who says she is a princess--she dances apparently by levitation? Or Marcelle, Parisienne always preoccupied with her dull dead lover: she has all the photographs and his letters tied in a bundle and stamped Decede in mauve ink. All this takes place in a stink of jasmin. But there are the streets dedicated to sleep stenches and the sour smells, the sour cries do not disturb their application to slumber all day, scattered on the pavement like rags afflicted with fatalism and hashish. The women offering their children brown-paper ******* dry and twisted, elongated like the skull, Holbein's signature. But his stained white town is something in accordance with mundane conventions- Marcelle drops her Gallic airs and tragedy suddenly shrieks in Arabic about the fare with the cabman, links herself so with the somnambulists and legless beggars: it is all one, all as you have heard. But by a day's travelling you reach a new world the vegetation is of iron dead tanks, gun barrels split like celery the metal brambles have no flowers or berries and there are all sorts of manure, you can imagine the dead themselves, their boots, clothes and possessions clinging to the ground, a man with no head has a packet of chocolate and a souvenir of Tripoli.
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2.9k
Cairo Jag
pollen rots, faintly wafts increasing death in an otherwise vacant Spring breeze. the memories of bees buzz. melodramatically, i add a spoon of honey to my coffee. it isn't fair trade. neither is the milk..fair trade milk? 40 multicultural minds hexagonal attuned: the IPI begins to gather in consilience some further future data, worked together for a whole new picture- target for debunkers touting benefits of pesticides, ultra-gene manipulation patenting, cross-pollinating property. i am a bland dismissal too, not just touchy-feely rage at rampant death upon death, on death, death after death.. for 'death has always been common' right... as i sit here, sipping sweet and sour coffee not quite awake .
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May 3, 2013
May 3, 2013 at 12:59 PM UTC
beeline fatalism, a morning brew
how lonely sits the city says lamentations guess this mouse has what you americans call post traumatic stress disorder, think of it more like a path for the eyes. one where eyes are finally forced away from the works of hands by the knock knock knocking on heaven's door, everybody's saying, hodi hapa? something's wrong if no one's answering; tonight. my neighbor whose name is eej (for real) came to the hut with his friend. i said do you have siblings he said i did oh said i you are living my worst nightmare one thing about an african childhood, they say fatalism, you say you would think about death too and who knows what you'd look like tonight by the bagel van i said bunkle i gotta problem what's your problem said he well i think i'm not wearing enough colors no said he you're missing a bright splash in the orange red family who knows what we all look like inside the infinite space of our souls wonder if blue means purity or green means beauty or red means strength or love or love well we all look pretty much the same asleep hatred doesn't look different in one eye or another but why does it have to be in the eyes of anyone this mouse has been asking since child hood why why why. the cruelty but yet still and for ever (you always did care for me yeah you always did share with me yeah) you always make me laugh, still the book of jonah makes me think of sea legs and just everything, you know all the palm trees huts, nonvoices of our lives the blessings rain down an ocean sunsetting on an Ocean sky. siblings be strong the good kind of dangerous is the fire
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May 22, 2013
May 22, 2013 at 2:06 AM UTC
mice and fire manifesto
how lonely sits the city says lamentations guess this mouse has what you americans call post traumatic stress disorder, think of it more like a path for the eyes. one where eyes are finally forced away from the works of hands by the knock knock knocking on heaven's door, everybody's saying, hodi hapa? something's wrong if no one's answering; tonight. my neighbor whose name is eej (for real) came to the hut with his friend. i said do you have siblings he said i did oh said i you are living my worst nightmare one thing about an african childhood, they say fatalism, you say you would think about death too and who knows what you'd look like tonight by the bagel van i said bunkle i gotta problem what's your problem said he well i think i'm not wearing enough colors no said he you're missing a bright splash in the orange red family who knows what we all look like inside the infinite space of our souls wonder if blue means purity or green means beauty or red means strength or love or love well we all look pretty much the same asleep hatred doesn't look different in one eye or another but why does it have to be in the eyes of anyone this mouse has been asking since child hood why why why. the cruelty but yet still and for ever (you always did care for me yeah you always did share with me yeah) you always make me laugh, still the book of jonah makes me think of sea legs and just everything, you know all the palm trees huts, nonvoices of our lives the blessings rain down an ocean sunsetting on an Ocean sky. siblings be strong the good kind of dangerous is the fire
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97
Optimism, romanticism, fatalism All with the smallest dash of realism mixed in. I believe in kismet. I believe in fate. I believe in Destiny, and all her wicked ways. I believe in you. And you. And you. And you. I'm doing my best to believe in me, too. I take rides and I take flights to get me out of my mind. I have highs and I have lows and I move on to the next show. Where's the time go? I'm moving too fast, and yet I'm always too slow and I can't think and I can't eat and all my past goals become dead dreams So I just **** blow, drive, scream, give up on this scene Find the inseam on my heart, see? Of course it's been broke. You see the stitching? I'm not bitching, I'm not hoping or wishing for anything other than what this life is giving me. Life doesn't wait on anyone. We've got to move to the rhythm it wants. Life doesn't play favorites. It's luck of the draw for life in the gutter or the ritz. I keep on moving and I keep my head held high I figure why not? We're all gonna die, some day. So my advice to you is do what you can while you can, So at the end you can say God **** I lived a hell of a life. I certainly lived one hell of a life. So live a hell of a life, Or live a life in hell. The choice is yours, I wish you well
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Dec 8, 2011
Dec 8, 2011 at 11:54 AM UTC
Pedestal Crumble
Will you please pin my shaking hands to the quivering universe and let me engage in communion? Because lately I have been feeling like a lonely colour in a soundless scape of unending sensation. Too weak to cling tightly enough for any whisper of permanence to latch itself to my soul before it gets caught in the door shutting on their technicolour fatalism. Let me tie my noose to the stars before they fall from the heavens in energetic heaps of light. I will tumble to the dirt alongside the hot white waste expelled from a realm where the gods will weep at the hedonistic horror disguised as modern drops of reality. Let me come to rest in the core, lie motionless among the charred remains of all that we once thought holy.
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Oct 14, 2012
Oct 14, 2012 at 7:12 PM UTC
Communion
Windows and gardens are gradually transformed into the threacherous abysses of thoughts evoking fear - there are avenues ripe for exploitation as reluctant and innocent fanciful minds are laid permanently bare; fatalism in the face of an accelerating and inevitable sense of doom and dust.
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Jul 22, 2010
Jul 22, 2010 at 6:47 PM UTC
Windows and gardens
Are you ever near the midpoint of a dark, bleak day? When nothing at all seems to welcome your stay? When inconveniences overwhelm and obliterate So you can’t lie and contemplate without Another hindrance to dim the clouds But at that fixed point in conditional fatalism I know that though I was bound to live through distress in its drift I am being called to call my power and foray Against the angst, the dark, the grief Here I bring the day to its end A new day dawns! In the late of the day, In my quaking, in my gloom In everything thing I’ve brawl against to counter monotony and grow In depression lost, passed, and away At this time I dawn a fine new day.
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Jul 22, 2014
Jul 22, 2014 at 2:51 PM UTC
Day Dawns
Your lips may be my barbiturate But your words are my poison. I need you to dissolve me Liquidate my mind So I no longer must suffer from the toxins. You cannot hurt a liquid. Quick, put your lips to mine! Crash them together to calm me, sedate me. Your kiss will melt my thoughts Allowing me to pick out the solids. To pick out your crystallized contamination. I need to build up a tolerance An amount of your fatalism that I can take. But I cannot do that right now- Your poison has sent me to a coma. Your poison is coursing through my bloodstream.
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Aug 27, 2010
Aug 27, 2010 at 9:56 AM UTC
poison
In the fairy tale, Aimee was bad at heart, a pretty shell that promised a pearl and when cracked open, gave grains of sand instead. It scratched the surface of the eyes and misled; Aimee was just one of those pretty Jezebels, cruel within, decorated without. Her sister Aurore was the heroine, a fatalist, who sighed her philosophy: 'What will be will be' and her patience and good heart tugged her towards the coincidences that always favour the light. But Aimee was driven away by her own wickedness, and had not the luck of the good. All Aimee had was the face. These are the kind of stories I am tired of because I want to tell you that when Aimee was just a small girl, she sat and watched her mother scrutinise her appearance in the mirror. She watched as she painted her face and knew then that she was just a painted beauty, a kind that easily peels off. How little it mattered though, as her mother smiled at her jewels. Painted or true, her mother had succeeded through beauty. So Aimee saw no good in the kind and the patient, who suffered and accepted their suffering. She chose an ambition called wickedness and she wore it like a petticoat beneath the blue ballgown. Aimee was the kind of girl to get what she wanted. Her mother had taught her that her face was the only kind of fatalism she could follow. I am tired of these fairy tales that give undefined shapes. I'm tired of the dichotomy between the good and the bad. I'm bored of the light always finding their happily ever after. Just tell me the story of the dark and tell it properly.
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May 3, 2016
May 3, 2016 at 1:32 AM UTC
Aimee
In the fairy tale, Aimee was bad at heart, a pretty shell that promised a pearl and when cracked open, gave grains of sand instead. It scratched the surface of the eyes and misled; Aimee was just one of those pretty Jezebels, cruel within, decorated without. Her sister Aurore was the heroine, a fatalist, who sighed her philosophy: 'What will be will be' and her patience and good heart tugged her towards the coincidences that always favour the light. But Aimee was driven away by her own wickedness, and had not the luck of the good. All Aimee had was the face. These are the kind of stories I am tired of because I want to tell you that when Aimee was just a small girl, she sat and watched her mother scrutinise her appearance in the mirror. She watched as she painted her face and knew then that she was just a painted beauty, a kind that easily peels off. How little it mattered though, as her mother smiled at her jewels. Painted or true, her mother had succeeded through beauty. So Aimee saw no good in the kind and the patient, who suffered and accepted their suffering. She chose an ambition called wickedness and she wore it like a petticoat beneath the blue ballgown. Aimee was the kind of girl to get what she wanted. Her mother had taught her that her face was the only kind of fatalism she could follow. I am tired of these fairy tales that give undefined shapes. I'm tired of the dichotomy between the good and the bad. I'm bored of the light always finding their happily ever after. Just tell me the story of the dark and tell it properly.
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32
My teacher told me everyone was a liar , institutions , family ,church! He was telling me about our hopeless young generation Dissapointed on life that's what he seemed. I smiled and told him not to worry , there were people who was good . besides everybody is a liar maybe he was lying too. Then i realiized life it's not worth for any sadness nor fatalism or regret. Life is beautiful and charmin' only there you'll find love lies too.
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Feb 28, 2013
Feb 28, 2013 at 9:48 PM UTC
Conversations.
Million dollar haircut and a two bit soul. There's a hole in my heart where you've fallen in and swim deep in my darkness. Myopic, yet distant, your eyes betray your armor to the world and presents with a bow, a more harrowing figure to be told. Our voices ring out in hallowed tones unveiled by the ordinary horrors beset by beasts in human masquerade. Unshielded, you choose to drop this pretense, the unjust foray into the dark night of the soul, and sound out "I am the god of this forsaken place. That contains the human psyche, I am the bull of this labyrinth. I have tamed the wild pleasures of Eros and I have befriended the mortal end, Thanatos. I have unraveled this velvet thread until time itself was my servant." Yet, I am still pulled to the human fold. "Why is there a NEED to be wanted!" Shouted everybody in the room. The question reverberated down the gilded halls and between the cracking voices of the council. Yet... There was never a breath of a conceivable answer. All in all, futility and fatalism is what we all are sentenced to.
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May 9, 2014
May 9, 2014 at 12:49 AM UTC
Bad Poem # 72
Fill my dreams with tear gas butterflies Killing queens and monarchs cross-eyed All I've seen are things you can't hide Apocalyptic hypno-landslide Hallelujah **** the sinner Don't forget to pray for dinner Your whole life is in his likeness At least you know you're dying righteous Praise the hand that does enslave Bow down, proclaim, "Jesus saves" Against my will, I'm taught your ways Now I decide your judgement day Antichrist, eclipse the sun Liberate cerebral function Hypno-landslide, smoking gun No masters, gods, or holy son ***** your finger, slit your wrist Obedience is your weakness Comply and gain eternal bliss But kingdoms like this don't exist
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Feb 23, 2016
Feb 23, 2016 at 9:39 AM UTC
Idiocentric Fatalism
when in poetry she is referred to as mother she uses it to show others her fatalism has regressed.  on par with such beliefs as voice recognition and voice recognition technology.  she knows a dream is a good reminder of how someone looked.  when detoured from the road they’re filming on she manually rolls up the driver’s side window to say curse words.  a tire rolls by.  then a second tire called ahead by a bus on fire.  adventures in adoption. her diary keeps a brother.
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Jun 26, 2013
Jun 26, 2013 at 1:01 PM UTC
censure
such cruelty, but also kindness     startling beauty, baffling blindness               faithful in my fashion.       No to fatalism, no to indifference Yes to vegetarianism, Silence, non-dualism Great Compassion
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Feb 3, 2019
Feb 3, 2019 at 7:36 PM UTC
Buddha, Nature and Buddha Nature
Left alone in the dark A restless mind awaits the physical distress to come Thinking, wondering, worrying. What makes me this way? I want to join you, I want to be normal I’m sick of trying, it’s been gone for far too long It’s too late to start now, just accept it This is who I am, who I’ve become I haven’t changed before, and won’t start now Fatalism sets us up for disappointment
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Mar 24, 2011
Mar 24, 2011 at 6:12 PM UTC
Alone In This World
Flickering like a tentative alpenglow corraded from profaned time A whisper jostles through a crowded rumpus prescient of teleology and design Jolting with pangs of panic a screech emanates from the brontides of tomorrow A chagrin outpaces the gingerly apprehension of a peevish sorrow Among the ruffled plumes quaffed from pedigree and put to disuse A banausic electricity galvanizes the ****** of the amalgamated acuity pinched from the sordid, the obtuse Refracted like off a darkened moon that clenches the darkness in an abstruse tomb Combs through sentience of Saturn presiding over ineluctable doom A silence louder than a plangent ****** of phantasmagoria debased A looming victor erodes with the putrefaction of sworn and utter distaste How to obtrude on the evening with triaged fulmination Is an affront to the rudders of a piecemeal civilization in tatters with exacting doddering calculation Graveyards bustle with the eidolons of scurrilous spite Congregating around a blackened epitaph on an alabaster palace gilded in the swanky pinnacle of light Scuttling the outmoded flanks of an abortive war Against a henchman of state too ostentatious to hardly ever ignore We clamber with insistence hoping on fortuitous deliverance Yet we are deranged of the clasped distance between the crevasse of the clerisy and the satisdiction of futures passed with meticulous diligence Absconding with furtive furrows on a wizened guild an entrusted world we helped build We witness the silence creep over us like a trepidation contained as lethal killers of the cartel willed That which frightens a self-fulfillment is a fatalism gone awry Someday soon omens excavated from immolated tombs will beseech a more universal backlash, an alienated sorrow that will one day cry But until that fetched disaster occurs Let us meditate only on the process of emanation among wayward words That dance with a destiny that the hegemony of momentary circumstance much prefers
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Feb 16, 2018
Feb 16, 2018 at 2:19 AM UTC
Triage with Predestination
Flickering like a tentative alpenglow corraded from profaned time A whisper jostles through a crowded rumpus prescient of teleology and design Jolting with pangs of panic a screech emanates from the brontides of tomorrow A chagrin outpaces the gingerly apprehension of a peevish sorrow Among the ruffled plumes quaffed from pedigree and put to disuse A banausic electricity galvanizes the ****** of the amalgamated acuity pinched from the sordid, the obtuse Refracted like off a darkened moon that clenches the darkness in an abstruse tomb Combs through sentience of Saturn presiding over ineluctable doom A silence louder than a plangent ****** of phantasmagoria debased A looming victor erodes with the putrefaction of sworn and utter distaste How to obtrude on the evening with triaged fulmination Is an affront to the rudders of a piecemeal civilization in tatters with exacting doddering calculation Graveyards bustle with the eidolons of scurrilous spite Congregating around a blackened epitaph on an alabaster palace gilded in the swanky pinnacle of light Scuttling the outmoded flanks of an abortive war Against a henchman of state too ostentatious to hardly ever ignore We clamber with insistence hoping on fortuitous deliverance Yet we are deranged of the clasped distance between the crevasse of the clerisy and the satisdiction of futures passed with meticulous diligence Absconding with furtive furrows on a wizened guild an entrusted world we helped build We witness the silence creep over us like a trepidation contained as lethal killers of the cartel willed That which frightens a self-fulfillment is a fatalism gone awry Someday soon omens excavated from immolated tombs will beseech a more universal backlash, an alienated sorrow that will one day cry But until that fetched disaster occurs Let us meditate only on the process of emanation among wayward words That dance with a destiny that the hegemony of momentary circumstance much prefers
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25
Running from the future until the sole is worn into Abyssinian empiric solitude Where the only voice that speaks is the hollow tone of history's fatalism Destined for the furrowed smile of luxury's unknown apathy Growth hormone empath who sleeps frozen under cosmic abandonment A chancers change of chanson song that sweeps the windy street A vignette of turgid stories that predict the rising tide of paperless bedsheets
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Jan 22, 2018
Jan 22, 2018 at 12:19 PM UTC
Wherever Lays the Head, So Too Does the Heart
there is nothing cute or cool about fatalism… apathetic ******** acting aloof to modern atrocities as if an air of arrogance can stop climate change or advert a third world war astoundingly they ask unabashedly and with authority for the authorization to acquire all apples and artichokes while advancing lies about August being better than April…. am I lost? after re-reading and attempting to articulate Arminian or Asian my assessment complete I allow myself a nap awash in applesauce and aghast at the appearance.
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Nov 4, 2015
Nov 4, 2015 at 12:42 PM UTC
Oops... I slipped into AAAAlliteration
He always felt the pressure, with eyes that weighed life only through the mind; though not too strong or sardonic; he listened closely to her apologies to others for life’s unrelenting random decisions; but dead still fatalism was the only logic that he allowed to approach He should have known, her languid eyes weighed life only through the heart; though not so delicate, nor sympathies hopelessly buried in allegory, she laid the dead pennies upon his eyes while blood became clear because she said so But she knew how to laugh, it was as close as she would come to pretending she didn’t care so much; it was because of days spent drowning in her own futile black and white world; seeing life only in the light of kindness and the darkness of shadows begging to lift their veil He laughed but only in the past; he spent more time asking what difference does any of it make; she smiled patiently, if there was anything she loved about him it was that what he denied of himself screamed in agony alone at night because he knew he was the same as she was
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Apr 18, 2015
Apr 18, 2015 at 8:36 PM UTC
Eyes Through Her Heart
So many qualms about so many tasks that none of them would satisfy, and ambitions, in their vacuousness: begone! So fatalism is cruel, and you are what you think. But about Waste and Want: what can be done ? I don't know... I don't know! . . .  I don't know, probably medication.
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Dec 27, 2017
Dec 27, 2017 at 8:09 PM UTC
Ennui
They rarely bother to mow here anymore, Once a month, perhaps every other (Times are tight, full burials being pretty much A thing of the past these days) Though it’s unlikely anyone would notice If the grass grew a bit longish, Or the crownvetch and crabgrass became a little more prevalent, No one being buried in this part of the cemetery For the better part of a hundred years now, The stones bleached and faded from decades of sleet and sunlight And acid rain from the auto plants of Flint and Lorain and South Bend, (Now boneyards for gears and drill bits themselves) Those names still legible on the teetering, unsteady stones Mostly the stolid Scotch-Irish surnames Vaguely familiar from the town’s founding generation Found on its street signs or pocket-parks, Their descendants mostly having fled to friendlier climes, Though the odd lesser strain of the families remain (Not that they would choose to pay tribute to those ancestors To whom they have fared so poorly in comparison) Though many more bear the family names of their trades, Clusters of Coopers, Weavers, and Smiths, Their stones bearing the sentiments of grim Victorian fatalism, Thus in mercy early call’d away or The happy soul is that which fled. Such thoughts are quaint, eccentric things to us now, As would be the clothes they wore, the songs they sung, But we would know them nonetheless, Know the muted joy of their minor successes, The depth and finality of their defeats, The sting of bowing and scraping To the owners of the mill, the haughty town fathers, As they served them at the milliners or the drug store, Their odd, fleeting dreams of grandeur having come to rest here, Cherry-lidded as they proceed to dust.
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May 2, 2017
May 2, 2017 at 9:35 AM UTC
The Old Section Of The Cemetery On Bootjack Hill
They rarely bother to mow here anymore, Once a month, perhaps every other (Times are tight, full burials being pretty much A thing of the past these days) Though it’s unlikely anyone would notice If the grass grew a bit longish, Or the crownvetch and crabgrass became a little more prevalent, No one being buried in this part of the cemetery For the better part of a hundred years now, The stones bleached and faded from decades of sleet and sunlight And acid rain from the auto plants of Flint and Lorain and South Bend, (Now boneyards for gears and drill bits themselves) Those names still legible on the teetering, unsteady stones Mostly the stolid Scotch-Irish surnames Vaguely familiar from the town’s founding generation Found on its street signs or pocket-parks, Their descendants mostly having fled to friendlier climes, Though the odd lesser strain of the families remain (Not that they would choose to pay tribute to those ancestors To whom they have fared so poorly in comparison) Though many more bear the family names of their trades, Clusters of Coopers, Weavers, and Smiths, Their stones bearing the sentiments of grim Victorian fatalism, Thus in mercy early call’d away or The happy soul is that which fled. Such thoughts are quaint, eccentric things to us now, As would be the clothes they wore, the songs they sung, But we would know them nonetheless, Know the muted joy of their minor successes, The depth and finality of their defeats, The sting of bowing and scraping To the owners of the mill, the haughty town fathers, As they served them at the milliners or the drug store, Their odd, fleeting dreams of grandeur having come to rest here, Cherry-lidded as they proceed to dust.
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fatalism și reavăn. reavăn și fatalism. n-am mai scris, n-am mai scris. mi-a mers gura prea puțin și acum mi-e capu-n groapă. mă soarbe Oltul ? Rămân o cruce ortodoxă, stingheră pe marginea drumului, îndoită de mașini în depășire. reavăn... e reavăn după ploaie și îmi intră în vene. fatalism slav și decăderea omului, cui i-am mai dat urechile mele? asta nu sunt eu aici, nu eu aud, nu eu simt. ace și mâini atinse, drumuri scurse, reavăn și fatalism. da n-am mai scris! nu, nu, pentru că nu *** nu în București, nu în tramvai, nu in scaunul din dreapta, nu cu mâna lui tata strânsă pe volan, nu cu piciorul scuturându-mi în spital. un chist pe ovar, un folicul hormonal habar n-am;tot e un reavăn tot e fatalism și eu iar n-am scris. poate că nu mai am de ce. viața e film destul nu mai are nevoie de scenarist, viața m-a depășit uite, e self-sustaining! Tata a zis că i-am frânt inima când i-am zis să mă ia acasă la 2 ani, ce isteric. Nu mai vreau să aud, nu mai vreau să simt atât de greu din cer curgându-mi la tălpi, rămân reavăn și fatalism și nu mai scriu nimic, nimic. reavăn sărută buzele astea - petale de iris lăsate în soare! reavăn, reavăn sărută trupul ăsta și mintea ce duc oriunde în nicăieri! reavăn, sărută fatalismul ăsta infantil și torturat și dă-mi înapoi tot ce a fost și poate fi eu!
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May 20, 2022
May 20, 2022 at 4:47 PM UTC
mmm ce cuvinte bune de mestecat