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"fatales" poems
The inadequate bookshelf that sat near the door that my sister used to call her own was mostly made up of adolescent reads, books better suited for preteen girls rather than intellectually budding young ladies— juvenile vocabularies and simple, non-complex plot lines do little to craft and create worldly, knowledgeable women. I thought I must spring clean the naiveté away and replace it with the works of great authors like Sylvia Plath                        Simone de Beauvoir                                                              Virginia Woolf                        Margaret Atwood Betty Friedan; ingenious femme fatales that cut down to the brittled bones of the misogynists and burned their marrow along with the ashes of bras and aprons and 350 degree oven heat.   Growing up, to me, seemed like a wonderful epiphany chock-full of ideas and opinions and clever, ironic remarks that chased satirical witticisms like felines to rodents and wolves to deer— being an adult would guarantee me a say, a vote            prior 1920’s America                                                   play dress up as a suffragette            women’s rights femininity personified by dolls in plastic houses. To be eighteen-years-old, the goal, the legality, the bright light at the end of the tunnel; the official womanhood it would bestow upon me seemed like something almost tangible with the way that it loomed over my head. Get good marks graduate high school travel back in time sixty years meet a nice boy become a “good wife” have dinner ready by five bear two beautiful heirs clean up the messes left in the kitchen fast-forward to the twenty-first century go to a good college find a stable career settle down if the fancy strikes you live non-docile and full of passion— the parallelism of times are severely di     lap           i             dat                   ed. 1950’s America would never be a home for me because I am much too wild to be contained.
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Oct 14, 2013
Oct 14, 2013 at 12:12 AM UTC
Exemplar
The inadequate bookshelf that sat near the door that my sister used to call her own was mostly made up of adolescent reads, books better suited for preteen girls rather than intellectually budding young ladies— juvenile vocabularies and simple, non-complex plot lines do little to craft and create worldly, knowledgeable women. I thought I must spring clean the naiveté away and replace it with the works of great authors like Sylvia Plath                        Simone de Beauvoir                                                              Virginia Woolf                        Margaret Atwood Betty Friedan; ingenious femme fatales that cut down to the brittled bones of the misogynists and burned their marrow along with the ashes of bras and aprons and 350 degree oven heat.   Growing up, to me, seemed like a wonderful epiphany chock-full of ideas and opinions and clever, ironic remarks that chased satirical witticisms like felines to rodents and wolves to deer— being an adult would guarantee me a say, a vote            prior 1920’s America                                                   play dress up as a suffragette            women’s rights femininity personified by dolls in plastic houses. To be eighteen-years-old, the goal, the legality, the bright light at the end of the tunnel; the official womanhood it would bestow upon me seemed like something almost tangible with the way that it loomed over my head. Get good marks graduate high school travel back in time sixty years meet a nice boy become a “good wife” have dinner ready by five bear two beautiful heirs clean up the messes left in the kitchen fast-forward to the twenty-first century go to a good college find a stable career settle down if the fancy strikes you live non-docile and full of passion— the parallelism of times are severely di     lap           i             dat                   ed. 1950’s America would never be a home for me because I am much too wild to be contained.
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56
everyone has gone back to suburbia, city streets are dangerous, if you look at someone cross eyed, it earns you death. don’t celebrate this madness, mourn it in black, it has a taken a pandemic to school me again. this a broadcast, shout out, email me if you know how I’m feeling and can share what other mutualities crisscross. Do you like Jazz? Me neither. Flouncy bouncy dresses? Nah! Sweats? Unnecessary, I can sweat just by concentrating. You like me, own soulful bluesy singers, femme fatales, who coax and croon, wet the spun threads of subtle emotive, who live by light of candles votive, I live in black, day and nighttime, write in midnight blue, a woman who! takes no b.s. and doesn’t ever take no for an answer...
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Aug 23, 2020
Aug 23, 2020 at 2:10 PM UTC
empty bed, empty streets, unmet needs
Take me back to Chelsea please Where the flossed and glossed smile at me And everyone’s kind to an open mind That’s materialistic in design. Where locals embrace me all open armed Whenever I’m crinkling cash in my palms. So eject me fast from this boorish ****** And take me back to Chelsea please. Take me back to Chelsea please Outside the city’s financial squeeze Where mummy and daddy pay the cheques For my escargots and Ready Brek. I’ll wield through the system with the family name And use all the power of my local fame. Oh, to live life without la joie de fees Come take me back to Chelsea please. Take me back to Chelsea please To put my social norms at ease. I miss my measly excuse of friends Who constantly ***** to make amends For their failed entrepreneurial careers Their dialect a hodgepodge of gobbles and sneers. I long for their monotonous wheeze So take me back to Chelsea please. Chelsea, Chelsea you’re all I adore From the A308 to the A304. You’re the sole nirvana I can’t bear to depart, Your femmes fatales know the paths to my heart. But you will always have the its lock and key So Chelsea: come and take me back please.
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Jan 8, 2017
Jan 8, 2017 at 5:47 PM UTC
Take me back to Chelsea
Lo supieron los arduos alumnos de Pitágoras: los astros y los hombres vuelven cíclicamente; los átomos fatales repetirán la urgente Afrodita de oro, los tebanos, las ágoras. En edades futuras oprimirá el centauro con el casco solípedo el pecho del lapita; cuando Roma sea polvo, gemirá en la infinita noche de su palacio fétido el minotauro. Volverá toda noche de insomnio: minuciosa. La mano que esto escribe renacerá del mismo vientre. Férreos ejércitos construirán el abismo. (David Hume de Edimburgo dijo la misma cosa). No sé si volveremos en un ciclo segundo como vuelven las cifras de una fracción periódica; pero sé que una oscura rotación pitagórica noche a noche me deja en un lugar del mundo que es de los arrabales. Una esquina remota que puede ser del Norte, del Sur o del Oeste, pero que tiene siempre una tapia celeste, una higuera sombría y una vereda rota. Ahí está Buenos Aires. El tiempo que a los hombres trae el amor o el oro, a mí apenas me deja esta rosa apagada, esta vana madeja de calles que repiten los pretéritos nombres de mi sangre: Laprida, Cabrera, Soler, Suárez... Nombres en que retumban (ya secretas) las dianas, las repúblicas, los caballos y las mañanas, las felices victorias, las muertes militares. Las plazas agravadas por la noche sin dueño son los patios profundos de un árido palacio y las calles unánimes que engendran el espacio son corredores de vago miedo y de sueño. Vuelve la noche cóncava que descifró Anaxágoras; vuelve a mi carne humana la eternidad constante y el recuerdo ¿el proyecto? de un poema incesante: «Lo supieron los arduos alumnos de Pitágoras...»
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1.7k
La noche cíclica
Lo supieron los arduos alumnos de Pitágoras: los astros y los hombres vuelven cíclicamente; los átomos fatales repetirán la urgente Afrodita de oro, los tebanos, las ágoras. En edades futuras oprimirá el centauro con el casco solípedo el pecho del lapita; cuando Roma sea polvo, gemirá en la infinita noche de su palacio fétido el minotauro. Volverá toda noche de insomnio: minuciosa. La mano que esto escribe renacerá del mismo vientre. Férreos ejércitos construirán el abismo. (David Hume de Edimburgo dijo la misma cosa). No sé si volveremos en un ciclo segundo como vuelven las cifras de una fracción periódica; pero sé que una oscura rotación pitagórica noche a noche me deja en un lugar del mundo que es de los arrabales. Una esquina remota que puede ser del Norte, del Sur o del Oeste, pero que tiene siempre una tapia celeste, una higuera sombría y una vereda rota. Ahí está Buenos Aires. El tiempo que a los hombres trae el amor o el oro, a mí apenas me deja esta rosa apagada, esta vana madeja de calles que repiten los pretéritos nombres de mi sangre: Laprida, Cabrera, Soler, Suárez... Nombres en que retumban (ya secretas) las dianas, las repúblicas, los caballos y las mañanas, las felices victorias, las muertes militares. Las plazas agravadas por la noche sin dueño son los patios profundos de un árido palacio y las calles unánimes que engendran el espacio son corredores de vago miedo y de sueño. Vuelve la noche cóncava que descifró Anaxágoras; vuelve a mi carne humana la eternidad constante y el recuerdo ¿el proyecto? de un poema incesante: «Lo supieron los arduos alumnos de Pitágoras...»
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36
She starred with Bogart, Douglas, and Victor Mature. The Smokey voiced blonde whose motives weren’t all pure, Lisabeth Scott was the last of her line; Femme Fatales of film Noir, you know her kind. In the forties and fifties she was in her prime. She was the subject of scandal of a ****** nature When the tabloids discovered that no man would date her. Like Garbo and Stanwyck, stars in their own stead Lisabeth preferred a brunette in her bed. For her men had their uses, Men had their places But she found herself drawn to soft feminine faces.
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Feb 8, 2015
Feb 8, 2015 at 7:12 PM UTC
Noir
The Little Black Dress The concrete city summer-heat will beat most men into a state of distraction, confess their sins w/o waiting for Miranda, to warn them of their foolhardiness, to warn them that silence is golden. Some men will torch, not touch, themselves to gain relief from city street heat, Their loosened ties look like used nooses, that have done some good hanging. but not you babe, not you. Sleeveless, your shape shifts effortlessly within, a cool container, your black sheath, and what's underneath, a knife in the heart of most mortal, immoral men. Black is the color of choice, of les femmes fatales, in the summertime, when we drink, on rooftops, in search of a breeze, and the lassies order silly drinks with silly names, looking refreshing and fetching, in their little black dresses. Manhattan, my beloved, misshapen, fingerling of an island-city-fortress-playground, named such by the Algonquins, the original poets-in-residence. In a city of stone and brick gets so **** miserable hot, Good Humor melts instantaneously, and the toasted almonds taste fried, the papers report of Poets suffocating, unable to exhale their own fiery breath! But not you babe, not you, in your Little Black Dress, you suggest all is well with world, perhaps I should try one as well We fight the temp rising with white linen, white shoes, straw and seersucker, not you babe, not you. Black silk that rustles, Black silk that mocks the sun, Stirring up rustling in faint-hearted men, observing your languid promenade across 57th Street, we the idiots, panting, tongues extended, standing still like Frozfruit bars, cry out in unison, I have been released! Contradictory miracles still occur, disbelieve me if you want, from June to August, this isle ruled, by tan goddesses in a uniform of a Little Black Dress. May 28, 2013
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May 29, 2013
May 29, 2013 at 10:35 PM UTC
The Little Black Dress (and its magic prowess!)
The Little Black Dress The concrete city summer-heat will beat most men into a state of distraction, confess their sins w/o waiting for Miranda, to warn them of their foolhardiness, to warn them that silence is golden. Some men will torch, not touch, themselves to gain relief from city street heat, Their loosened ties look like used nooses, that have done some good hanging. but not you babe, not you. Sleeveless, your shape shifts effortlessly within, a cool container, your black sheath, and what's underneath, a knife in the heart of most mortal, immoral men. Black is the color of choice, of les femmes fatales, in the summertime, when we drink, on rooftops, in search of a breeze, and the lassies order silly drinks with silly names, looking refreshing and fetching, in their little black dresses. Manhattan, my beloved, misshapen, fingerling of an island-city-fortress-playground, named such by the Algonquins, the original poets-in-residence. In a city of stone and brick gets so **** miserable hot, Good Humor melts instantaneously, and the toasted almonds taste fried, the papers report of Poets suffocating, unable to exhale their own fiery breath! But not you babe, not you, in your Little Black Dress, you suggest all is well with world, perhaps I should try one as well We fight the temp rising with white linen, white shoes, straw and seersucker, not you babe, not you. Black silk that rustles, Black silk that mocks the sun, Stirring up rustling in faint-hearted men, observing your languid promenade across 57th Street, we the idiots, panting, tongues extended, standing still like Frozfruit bars, cry out in unison, I have been released! Contradictory miracles still occur, disbelieve me if you want, from June to August, this isle ruled, by tan goddesses in a uniform of a Little Black Dress. May 28, 2013
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57
Amor abrazame make the world go away, make the smoldering world of deceivers disappear. Make cunning entities leave my woods and forest lands. Make the sterile fem fatales grow heart and courage. Make the human predators              be my sacred Tika talcs.             Make our vessels sparkle beneath the starry sky, to the God of grace in you. Lift the world off my shoulders. Oh make the world go away!  ~~~~~~~ By; Karijinbba.
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Sep 16, 2021
Sep 16, 2021 at 6:44 AM UTC
Day by day darling
Amante abandonado por una infiel amada, ¿Por qué los puños alzas torvo y airado al cielo? ¿Por qué la frente inclinas con hondo desconsuelo y como loco miras y no ambicionas nada? ¿Por qué te desesperas? ¿Por qué?... Porque admirada Pasa; porque es hermosa; porque tu ardiente anhelo Fue su amor y ahuyentaban tus sombras y tu duelo Los besos de su boca, la luz de su mirada. Al recordar su rostro tiemblas y palideces, y al juzgar que a otro ama, de celos te estremeces, Porque embriagan tu mente sus hechizos fatales. Me das lástima, ¡oh mártir de un amor sin ventura! La vida pasa pronto, fugaz es la hermosura... ¡Piensa en las calaveras, que todas son iguales!
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A un enamorado
Oh, noche Mi mal es ir a tientas con alma enardecida ciego sin lazarillo bajo el azul de enero; mi pena estar a solas errante en el sendero; y el peor de mis daños, no comprender la vida. Mi mal es ir a ciegas, a solas con mi historia, hallarme aquí sintiendo la luz que me tortura y que este corazón es brasa transitoria que arde en la noche pura. Y venir sin saberlo, tal vez de algún oriente que el alma en su ceguera vio como un espejismo, y en ansias de la cumbre que dora un sol fulgente ir con fatales pasos hacia el fatal abismo. Con todo, hubiera sido quizás un noble empeño el exaltar mi espíritu bajo la tarde ustoria como un perfume santo… ¡Pero si el corazón es brasa transitoria! Y sin embargo, siento como un perenne ardor que en el combate estéril mi juventud inmola… (¡Oh noche del camino, vasta y sola, en medio de la muerte y del amor!)
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837
Oh, noche
Pretty red lips, ice dagger stare, Secret truths laid to bare. Pointy high heel pressed against your heart— Piercing through is only a start. They say not to, but really, who’s to stop you? Pretty red lips, ice dagger stare. They say not to, but really, who’s to stop you? Secret truths laid to bare. They say femme fatales never win, But I reveal the hidden sin. The self-righteous act grows old— Who wants to do as they're told? A void within, black hole filling in. I get what's mine, until next time. This emptiness drives me, a never-ending thirst, A hunger so deep, it feels like a curse. Pride in your chest wells up, you think "I’m your man." You’re my next victim, according to plan. You poor thing, you don’t stand a chance— Every sin, a calculated dance. One gentle kiss and a wink, you’re mine. Snakes of deceit around your heart intertwine. You say it’s wrong, and it’s your last stand, But really, you know you’re in sinking sand. They say to stay away, but who’s to stop you? Those pretty red lips, that ice dagger stare. They say to stay away, but who’s to stop you, When secret truths are laid so bare?
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Sep 27, 2024
Sep 27, 2024 at 6:49 PM UTC
Femme Fatale
Jeanne-Marie a des mains fortes, Mains sombres que l'été tanna, Mains pâles comme des mains mortes. - Sont-ce des mains de Juana ? Ont-elles pris les crèmes brunes Sur les mares des voluptés ? Ont-elles trempé dans des lunes Aux étangs de sérénités ? Ont-elles bu des cieux barbares, Calmes sur les genoux charmants ? Ont-elles roulé des cigares Ou trafiqué des diamants ? Sur les pieds ardents des Madones Ont-elles fané des fleurs d'or ? C'est le sang noir des belladones Qui dans leur paume éclate et dort. Mains chasseresses des diptères Dont bombinent les bleuisons Aurorales, vers les nectaires ? Mains décanteuses de poisons ? Oh ! quel Rêve les a saisies Dans les pandiculations ? Un rêve inouï des Asies, Des Khenghavars ou des Sions ? - Ces mains n'ont pas vendu d'oranges, Ni bruni sur les pieds des dieux : Ces mains n'ont pas lavé les langes Des lourds petits enfants sans yeux. Ce ne sont pas mains de cousine Ni d'ouvrières aux gros fronts Que brûle, aux bois puant l'usine, Un soleil ivre de goudrons. Ce sont des ployeuses d'échines, Des mains qui ne font jamais mal, Plus fatales que des machines, Plus fortes que tout un cheval ! Remuant comme des fournaises, Et secouant tous ses frissons, Leur chair chante des Marseillaises Et jamais les Eleisons ! Ça serrerait vos cous, ô femmes Mauvaises, ça broierait vos mains, Femmes nobles, vos mains infâmes Pleines de blancs et de carmins. L'éclat de ces mains amoureuses Tourne le crâne des brebis ! Dans leurs phalanges savoureuses Le grand soleil met un rubis ! Une tache de populace Les brunit comme un sein d'hier ; Le dos de ces Mains est la place Qu'en baisa tout Révolté fier ! Elles ont pâli, merveilleuses, Au grand soleil d'amour chargé, Sur le bronze des mitrailleuses A travers Paris insurgé ! Ah ! quelquefois, ô Mains sacrées, A vos poings, Mains où tremblent nos Lèvres jamais désenivrées, Crie une chaîne aux clairs anneaux ! Et c'est un soubresaut étrange Dans nos êtres, quand, quelquefois, On veut vous déhâler, Mains d'ange, En vous faisant saigner les doigts !
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818
Les mains de Jeanne-Marie
Jeanne-Marie a des mains fortes, Mains sombres que l'été tanna, Mains pâles comme des mains mortes. - Sont-ce des mains de Juana ? Ont-elles pris les crèmes brunes Sur les mares des voluptés ? Ont-elles trempé dans des lunes Aux étangs de sérénités ? Ont-elles bu des cieux barbares, Calmes sur les genoux charmants ? Ont-elles roulé des cigares Ou trafiqué des diamants ? Sur les pieds ardents des Madones Ont-elles fané des fleurs d'or ? C'est le sang noir des belladones Qui dans leur paume éclate et dort. Mains chasseresses des diptères Dont bombinent les bleuisons Aurorales, vers les nectaires ? Mains décanteuses de poisons ? Oh ! quel Rêve les a saisies Dans les pandiculations ? Un rêve inouï des Asies, Des Khenghavars ou des Sions ? - Ces mains n'ont pas vendu d'oranges, Ni bruni sur les pieds des dieux : Ces mains n'ont pas lavé les langes Des lourds petits enfants sans yeux. Ce ne sont pas mains de cousine Ni d'ouvrières aux gros fronts Que brûle, aux bois puant l'usine, Un soleil ivre de goudrons. Ce sont des ployeuses d'échines, Des mains qui ne font jamais mal, Plus fatales que des machines, Plus fortes que tout un cheval ! Remuant comme des fournaises, Et secouant tous ses frissons, Leur chair chante des Marseillaises Et jamais les Eleisons ! Ça serrerait vos cous, ô femmes Mauvaises, ça broierait vos mains, Femmes nobles, vos mains infâmes Pleines de blancs et de carmins. L'éclat de ces mains amoureuses Tourne le crâne des brebis ! Dans leurs phalanges savoureuses Le grand soleil met un rubis ! Une tache de populace Les brunit comme un sein d'hier ; Le dos de ces Mains est la place Qu'en baisa tout Révolté fier ! Elles ont pâli, merveilleuses, Au grand soleil d'amour chargé, Sur le bronze des mitrailleuses A travers Paris insurgé ! Ah ! quelquefois, ô Mains sacrées, A vos poings, Mains où tremblent nos Lèvres jamais désenivrées, Crie une chaîne aux clairs anneaux ! Et c'est un soubresaut étrange Dans nos êtres, quand, quelquefois, On veut vous déhâler, Mains d'ange, En vous faisant saigner les doigts !
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64
Line up the Bottles on your dresser Ordered And measured Have the water Lines gone down? So much perfume So little time So much bodyspray, our Well-scented crimes. Can I smell Better than the Next girl? Should today be "Fruited Almond Flower Quell" Or "Coconut Island Sugar Swirl"? What does it matter? Just bathe in it There's always tomorrow for "French Hibiscus Pomegranate". Because we're all just Femme fatales Or maybe our nostrils Can no longer smell.
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Jul 5, 2016
Jul 5, 2016 at 6:49 PM UTC
Bodyspray
When we were young we used to burn ants alive. We would go to the detective store, back when it existed to buy listening devices and itching powder. Our summers were filled with agent number sevens and femme fatales. We'd hide under the stairs spy on our aunts and grandmothers hoping to hear some of the spelled out words family secrets hushed looks, that so frequented our presence. I wonder if you would still snicker hold your hand over your mouth, face blooming red, if you knew that the spelled out words and family secrets are now about you.
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Oct 2, 2013
Oct 2, 2013 at 8:53 PM UTC
Allen
Si tu ne m'aimais pas, dis-moi, fille insensée, Que balbutiais-tu dans ces fatales nuits ? Exerçais-tu ta langue à railler ta pensée ? Que voulaient donc ces pleurs, cette gorge oppressée, Ces sanglots et ces cris ? Ah ! si le plaisir seul t'arrachait ces tendresses, Si ce n'était que lui qu'en triste moment Sur mes lèvres en feu tu couvrais de caresses Comme un unique amant ; Si l'esprit et les sens, les baisers et les larmes, Se tiennent par la main de ta bouche à ton cœur, Et s'il te faut ainsi, pour y trouver des charmes, Sur l'autel du plaisir profaner le bonheur : Ah ! Laurette ! ah ! Laurette, idole de ma vie, Si le sombre démon de tes nuits d'insomnie Sans ce masque de feu ne saurait faire un pas, Pourquoi l'évoquais-tu, si tu ne m'aimais pas ?
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599
À Laure
Mis batallas fatales duermen y despiertan en la noche cuando mi mente esta completamente y tristemente debil
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Aug 1, 2015
Aug 1, 2015 at 1:54 AM UTC
(To be named)
At thirteen years old, I learn that not all mermaids are like Ariel-- some mermaids are sirens, femme fatales of the seven sea who lure sailors to their drownings with sweet, nectared voices. Still, I wish to don the life of a siren, whose danger appears dizzyingly seductive to me. I have become fascinated with the dark and the peculiar, you know, and, as a result, I too have undergone a dark, peculiar evolution-- and, as literature has dictated, such a character as myself is to be scrutinized under an omniscient perspective: She wears thick, purple eyeliner and dresses only in heavy blacks and deep blues, an abrupt transition from her previous adoration for pastels and ruffled sleeves. But it is not only her countenance that is indicative of this disturbed youth-- there are the books she reads, tales of death, gore, and other macabre eccentricities. Her favourite titles are those by Edgar Allan Poe. How suiting then, that she should be an Anabel Lee in the making-- "her highborn kinsmen came And bore her away... To shut her up in a sepulchre In this kingdom by the sea.-- " she just doesn't realize it yet-- that she is a drowning girl impending, that she was never to be the siren, after all, but the poor fool who succumbed to the siren's dreadful tides.
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Sep 12, 2018
Sep 12, 2018 at 3:18 PM UTC
I, Ophelia (Part Three--Annabel Lee)
I wonder what you saw In that first look When our eyes met Maybe our shared loneliness Urged you to approach Like you already knew my secrets. Late nights spent watching old movies of femme fatales and heroes The sounds of pretty poems and old guitars filling our air instead of words from a thousand unknowns Staring longingly at ***** lovers on silent trains Feeling empty in our bellies as we walk home Alone To empty beds Yet our minds are filled with plenty of thoughts to keep us fed Falling asleep dreaming of the day Where a you might  meet a me.
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Jul 25, 2017
Jul 25, 2017 at 1:53 AM UTC
26.06.2017
À la Bidassoa, près d'entrer en Espagne, Je descendis, voulant regarder la campagne, Et l'île des Faisans, et l'étrange horizon, Pendant qu'on nous timbrait d'un nouvel écusson. Et je vis, en errant à travers le village, Un homme qui mettait des balles hors d'usage, Avec un gros marteau, sur un quartier de grès, Pour en faire du plomb et le revendre après. Car la guerre a versé sur ces terres fatales De son urne d'airain une grêle de balles, Une grêle de mort que nul soleil ne fond. Hélas ! Ce que Dieu fait, les hommes le défont ! Sur un sol qui n'attend qu'une bonne semaille De leurs sanglantes mains ils sèment la mitraille ! Aussi les laboureurs vendent, au lieu de blé, Des boulets recueillis dans leur champ constellé. Mais du ciel épuré descend la Paix sereine, Qui répand de sa corne une meilleure graine, Fait taire les canons à ses pieds accroupis, Et presse sur son cœur une gerbe d'épis. Ecrit à Béhobie en 1840.
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348
À la Bidassoa
Such were evenings of the type too often marked as sultry, But sometimes such descriptions are apt And thus denoted as so; We would be well into the bottles and cans To such point as we were not wearing them particularly well, And so we spoke of things Which may or may not have mattered, The relative merits of cinema femme fatales Dead four, perhaps five decades, The notion of such women who had it, (Followed by the de rigeur toasts to Chrissy Hynde, And long may she wail) Various things which disappeared with the fog and dew Once sunrise made its unhappy presence known, And when the old boiler suggested that sleep and abstinence Constituted the prudent route to follow, I excused myself for a walk, (Nodding to my brother-in-law as he nodded, Possibly but not invariably still awake) Undertaken in various shambling states of unsteadiness Back to my mother-in-law's house Muttering silent regrets for the lack of bread crumbs Mixed with somewhat less than sotto voce snippets Of songs sung earlier with considerable gusto And nearly adequate fidelity to sharps and flats, And if I had maintained a relative judiciousness in my intake (The alternative an unpleasant return to my domicile pro tem, Usually marked with an entrance featuring mud and mayhem, More or less forgiven the next morning) I would, if the evening was clear and still, Speculate upon the nature of the starlight, Be it the distress calls of celestial bodies dark and listless Or something in its salad days, so to speak, And often it would strike me as somewhat less than fitting That not a single glass had been raised to their health.
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Nov 10, 2019
Nov 10, 2019 at 8:39 PM UTC
a little traveling music for certain august evenings
Such were evenings of the type too often marked as sultry, But sometimes such descriptions are apt And thus denoted as so; We would be well into the bottles and cans To such point as we were not wearing them particularly well, And so we spoke of things Which may or may not have mattered, The relative merits of cinema femme fatales Dead four, perhaps five decades, The notion of such women who had it, (Followed by the de rigeur toasts to Chrissy Hynde, And long may she wail) Various things which disappeared with the fog and dew Once sunrise made its unhappy presence known, And when the old boiler suggested that sleep and abstinence Constituted the prudent route to follow, I excused myself for a walk, (Nodding to my brother-in-law as he nodded, Possibly but not invariably still awake) Undertaken in various shambling states of unsteadiness Back to my mother-in-law's house Muttering silent regrets for the lack of bread crumbs Mixed with somewhat less than sotto voce snippets Of songs sung earlier with considerable gusto And nearly adequate fidelity to sharps and flats, And if I had maintained a relative judiciousness in my intake (The alternative an unpleasant return to my domicile pro tem, Usually marked with an entrance featuring mud and mayhem, More or less forgiven the next morning) I would, if the evening was clear and still, Speculate upon the nature of the starlight, Be it the distress calls of celestial bodies dark and listless Or something in its salad days, so to speak, And often it would strike me as somewhat less than fitting That not a single glass had been raised to their health.
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Es una araña enorme que ya no anda; una araña incolora, cuyo cuerpo, una cabeza y un abdomen, sangra. Hoy la he visto de cerca. Y con qué esfuerzo hacia todos los flancos sus pies innumerables alargaba. Y he pensado en sus ojos invisibles, los pilotos fatales de la araña. Es una araña que temblaba fija en un filo de piedra; el abdomen a un lado, y al otro la cabeza. Con tantos pies la pobre, y aún no puede resolverse. Y, al verla atónita en tal trance, hoy me ha dado qué pena esa viajera. Es una araña enorme, a quien impide el abdomen seguir a la cabeza. Y he pensado en sus ojos y en sus pies numerosos... ¡Y me ha dado qué pena esa viajera!
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La araña
Pourquoi t'exiler, ô poète, Dans la foule où nous te voyons ? Que sont pour ton âme inquiète Les partis, chaos sans rayons ? Dans leur atmosphère souillée Meurt ta poésie effeuillée : Leur souffle égare ton encens ; Ton cœur, dans leurs luttes serviles, Est comme ces gazons des villes Rongés par les pieds des passants. Dans les brumeuses capitales N'entends-tu pas avec effroi, Comme deux puissances fatales, Se heurter le peuple et le roi ? De ces haines que tout réveille À quoi bon remplir ton oreille, Ô poète, ô maître, ô semeur ? Tout entier au Dieu que tu nommes, Ne te mêle pas à ces hommes Qui vivent dans une rumeur ! Va résonner, âme épurée, Dans le pacifique concert ! Va t'épanouis, fleur sacrée, Sous les larges cieux du désert ! Ô rêveur, cherche les retraites, Les abris, les grottes discrètes, Et l'oubli pour trouver l'amour, Et le silence afin d'entendre La voix d'en haut, sévère et tendre, Et l'ombre afin de voir le jour ! Va dans les bois ! va sur les plages ! Compose tes chants inspirés Avec la chanson des feuillages Et l'hymne des flots azurés ! Dieu t'attend dans les solitudes ; Dieu n'est pas dans les multitudes ; L'homme est petit, ingrat et vain. Dans les champs tout vibre et soupire. La nature est la grande lyre, Le poète est l'archet divin ! Sors de nos tempêtes, ô sage ! Que pour toi l'empire en travail, Qui fait son périlleux passage Sans boussole et sans gouvernail, Soit comme un vaisseau qu'en décembre Le pêcheur, du fond de sa chambre Où pendent ses filets séchés, Entend la nuit passer dans l'ombre Avec un bruit sinistre et sombre De mâts frissonnants et penchés !
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Fonction du poète (I)
Pourquoi t'exiler, ô poète, Dans la foule où nous te voyons ? Que sont pour ton âme inquiète Les partis, chaos sans rayons ? Dans leur atmosphère souillée Meurt ta poésie effeuillée : Leur souffle égare ton encens ; Ton cœur, dans leurs luttes serviles, Est comme ces gazons des villes Rongés par les pieds des passants. Dans les brumeuses capitales N'entends-tu pas avec effroi, Comme deux puissances fatales, Se heurter le peuple et le roi ? De ces haines que tout réveille À quoi bon remplir ton oreille, Ô poète, ô maître, ô semeur ? Tout entier au Dieu que tu nommes, Ne te mêle pas à ces hommes Qui vivent dans une rumeur ! Va résonner, âme épurée, Dans le pacifique concert ! Va t'épanouis, fleur sacrée, Sous les larges cieux du désert ! Ô rêveur, cherche les retraites, Les abris, les grottes discrètes, Et l'oubli pour trouver l'amour, Et le silence afin d'entendre La voix d'en haut, sévère et tendre, Et l'ombre afin de voir le jour ! Va dans les bois ! va sur les plages ! Compose tes chants inspirés Avec la chanson des feuillages Et l'hymne des flots azurés ! Dieu t'attend dans les solitudes ; Dieu n'est pas dans les multitudes ; L'homme est petit, ingrat et vain. Dans les champs tout vibre et soupire. La nature est la grande lyre, Le poète est l'archet divin ! Sors de nos tempêtes, ô sage ! Que pour toi l'empire en travail, Qui fait son périlleux passage Sans boussole et sans gouvernail, Soit comme un vaisseau qu'en décembre Le pêcheur, du fond de sa chambre Où pendent ses filets séchés, Entend la nuit passer dans l'ombre Avec un bruit sinistre et sombre De mâts frissonnants et penchés !
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