"faculty" poems
in complete melodies
the frequencies i hear
can not be contained by anything
love is drifting through the hills
and you are home to its trills
she dreams of light, the fire bright
and full of crystal skulls and eyeballs
dozens of monuments are built
just to mark the moments
when we could have said i'm sorry
merge with the mountains
find the source of fountains
shine the diamond compass
if that's what you are really here for
broken dams are our business
feed the swans their luminescent lunch-boxes
duck for cover, its a wonder that we are all together here
that's clearly redundant
the tendency to dream
is the most important human faculty
its a tragedy that the lack of nuclear power
showers the atomic world in rainbows
as forlorn teenagers in the ice-age of America
govern our equipment from their parent's basements
and carouse with comfort upon chairs, cushions and couches
a million times the victory
a million miles of rope to weave
a million are the paths to god
and a million more are the souls
who've learned to cope with tragedy
i come cherishing and bearing gifts
figures of speech are my playthings
i am furniture remodeled daily
and intuitively placed around your home
the finer things in life are free
so see me there upon your television set
i am electromagnetic static
within the black and white of advertisements
i am figures of forgotten speech
so record the unwatched programs
in your mind’s virtual memory
the hard drive of work and play
creates hundreds of new retirees each day
hundreds of haunted expatriates
knuckle-headed people
that couldn't tread lightly
even if they wanted to
so will you please untie me
and remove these binds and chains
it's time to free the lover from the psyche
for that is all she wrote
i am a silent p
i am a violet apogee
i am a cosmic minority
i am a message in your tea leaves
but if you stand too long in my shoes
you’ll likely drown in solitude
Sep 6, 2018
Sep 6, 2018 at 2:34 PM UTC
The old fable covers a doctrine ever new and sublime; that there is One Man, — present to all particular men only partially, or through one faculty; and that you must take the whole society to find the whole man. Man is not a farmer, or a professor, or an engineer, but he is all. Man is priest, and scholar, and statesman, and producer, and soldier. In the divided or social state, these functions are parcelled out to individuals, each of whom aims to do his stint of the joint work, whilst each other performs his. The fable implies, that the individual, to possess himself, must sometimes return from his own labor to embrace all the other laborers. But unfortunately, this original unit, this fountain of power, has been so distributed to multitudes, has been so minutely subdivided and peddled out, that it is spilled into drops, and cannot be gathered. The state of society is one in which the members have suffered amputation from the trunk, and strut about so many walking monsters, — a good finger, a neck, a stomach, an elbow, but never a man.
Man is thus metamorphosed into a thing, into many things. The planter, who is Man sent out into the field to gather food, is seldom cheered by any idea of the true dignity of his ministry. He sees his bushel and his cart, and nothing beyond, and sinks into the farmer, instead of Man on the farm. The tradesman scarcely ever gives an ideal worth to his work, but is ridden by the routine of his craft, and the soul is subject to dollars. The priest becomes a form; the attorney, a statute-book; the mechanic, a machine; the sailor, a rope of a ship.
Oct 8, 2014
Oct 8, 2014 at 1:16 PM UTC
The principal in a cool cartoon tee
His fashion sneakers squeaking across the floor
Sets out candy, pizzas, and canned sodas
Arranges a door prize, and assembles the faculty
Requires them to sign in so he can check on them
Orders them to hold hands and sing the school song
Reminds them they are all one big family
As a preface to his primary agenda:
To tell them to be more professional
The principal in a cool cartoon tee
Aug 11, 2018
Aug 11, 2018 at 3:57 PM UTC
Pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek,
this is who I am. This is my story.
It is only coincidence that I sing it
to you,
but sing, nonetheless, I do. One morning
amidst the restlessness of my top-bunk sheets
I heard a whispering and thought it might be God it was
me. My unconsciousness begging me
for nourishment, silently loudly attacking
my awareness with questions: it asked why
I neglect it. Pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek,
is this, too, why your body vibrates
when your thoughts are feelings? Because you too
have recognized feeling as thought? That that
faculty of wonder you hush about as if a
***** secret of forgotten childhood memory
is something that is as real as
the metaphysical pores of a skin you cannot touch,
but know is not some foreign, distant, effacing
thing, but is thick, is thick, thick as words
creaking like old wood in a library filled
with students who read so much ******** to get into
college but never venture forth for such skin
in the skin of those unconscious voices in the
shelves? Selves: we call them books but they breathe.
The ideas wriggle in your veins like
a worm. They block your blood yet move
your soul. The stillness of your speechlessness
is some movement in itself. So I suspect of you,
pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek.
So I suspect of myself.
I do not understand how else I could have been born
without eyes which we call eyes. I cannot see
why else.
I cannot.
You cannot.
There is light over there in that darkness.
A glimpse of it- a sliver of silver
has shocked you into your paleness. Into my
blackness. It is the same difference. A different
same.
Line break:
A mirror tells me things with my eyeless eyes.
My brownness ***** me into journeys with
tunnels so deep that we call them pupils.
In the distance that I gaze into I find
myself gazing into a distance I gaze into. Fathom
it. Do not. Will not will it will it will not
willed. Touching it will wilt it without touching:
this is the soul you said does not exist.
It is not there. It is.
In Indiana.
Where's that? asks my blood.
In Indiana.
Over there? my finger points out the window.
No. It is.
It is. Not.
Suddenly I smell something and it is myself.
It is not Indiana or freckles or pale-skin.
I ask you where it is.
Suddenly you smell something and it is yourself.
It is not Gaborone or curly-haired or black.
You ask me where I think it is.
What the **** do we know?
Apr 19, 2016
Apr 19, 2016 at 9:04 PM UTC
Parents assembled
cameras at the ready
the graduates march
with mortarboards tassled.
Faculty tributes
ever glowing praises
but graduates listen
with an eye to the prize.
Pomp and Circumstance
playing throughout the gym
while graduates ignore
with hopes for a cupcake.
Kindergarten bites.
Nov 15, 2009
Nov 15, 2009 at 11:02 AM UTC
I always thought feminism was just for women. That feminism was a bra burning, man hating, joke.
Then I had Mr. Thompson for AP US History. We were talking about the 1960’s and all the protests that were happening when we got to feminism and I let out an audible groan.
Mr. Thompson got quiet, and approached my desk.
“So you think feminism is a joke? Folks this is the problem we have with the word feminism. Because I bet you all think of feminism as a bunch of hippie women who don’t shave burning their bras? Well guess what that never happened. Feminism isn’t about putting women above anybody else. It’s about putting them on equal ground with men. It’s equality. And you know what? I’m a man and a feminist. You can be both!”
Mr. Thompson taught me two things that day that have affected me to this day. 1. That I was an ignorant ***** And 2. Teaching can change not only a life but the course history as well. So now I’m a teacher, and a feminist. I see these same boys who were just like me who believe in equality but don’t know what feminism means. So I try my best when I talk about feminism in my history class to teach them better. And you might ask why does the label matter? When you misunderstand or degrade feminism you make it impossible for actual feminists to affect any actual change. I get laughed at when I tell people I’m a feminist. I get it from other men, from faculty, even from women.
These people are not misogynists, but they aren’t doing much to help the cause either.
I try and teach what feminism is about but every year I’m noticing people think this is an outdated concept. If you think that women’s rights will keep progressing as a natural function of time you are wrong. I teach history and time and time again societies that have been progressive, changed and people became oppressed. We still have a long way to go but if we don’t take feminism seriously we can lose what’s been achieved.
Nov 12, 2015
Nov 12, 2015 at 1:45 PM UTC
I can feel the gravity
savage sadness grabbing me
like a stabbing agony
panicking heartbeat rapidly
like a drastic atrophy
my own tapestry of travesty
applicable calamity
catastrophe is my canopy
the faculty of tragedy
with no strategy for amnesty
the laxity of sanity
I can feel the gravity
Jul 28, 2018
Jul 28, 2018 at 4:57 PM UTC
When the struggles and grudges of life weakens me down to my bones and marrows,
And l have none to strengthen me;
The grace of praise l embrace will quicken and be my strength.
When the devil fires an arrow of sorrow towards me,
ln order to narrow my passion for the vision of my mission in life;
The grace of praise l embrace will be my shield.
When the challenges and pains of life groomed in fears,
Strains my heart to rain down tears;
And l have none to comfort me;
The grace of praise l embrace will be my comfort.
When life seems so tough and my challenges becomes too hot to bear,
And l have none to bear my burdens with me;
The grace of praise l embrace will be my refuge.
When my enemies channels their weapons of destruction and distraction towards me,
ln order for me to leave my dreams, visions and life ambitions unpushed,
The grace of praise l embrace will shield me and inspire me never to retire until l am discovered.
When l am frustrated, distressed and stressed in the battles of life,
And l have none to console or encourage me to move ahead;
The grace of praise l embrace will be my fortress and my solace.
When my feet becomes feeble in the faculty of life,
And l have none to uphold me to be strong;
The grace of praise l embrace will be my strength and shelter.
When temptation, trials and tribulation engulfs me like a mother hen engulfs her chicks,
And l have none to unveil me;
The grace of praise l embrace will unveil me and announce me to my world.
When l am battered, shattered and scattered in the battles of life,
And l have none to come to my rescue;
The grace of praise l embrace will gather me up and put me together.
When l kneel before the creator and maker of heaven and earth in prayer,
And l know not how to present my matters before him;
The grace of praise l embrace will speak on my behalf.
When l am knocked down on my feet by the struggles and battles of this life,
And l have none to raise me up;
The grace of praise l embrace will raise me up.
Oct 12, 2013
Oct 12, 2013 at 1:09 PM UTC
When stretch'd on one's bed
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!
How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.
How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,
Or the Guests, be they Beggars or Lords.
How little the Bells,
Ring they Peels, toll they Knells,
Can attract our attention or Ears!
The Bride may be married,
The Corse may be carried
And touch nor our hopes nor our fears.
Our own ****** pains
Ev'ry faculty chains;
We can feel on no subject besides.
Tis in health and in ease
We the power must seize
For our friends and our souls to provide.
3.6k
Your head on my chest:
thumping hare and cerebral mess,
the electricity and disconnects
drove my rhythms out of breath.
I didn't know that this was you:
a tantalizing wit in lieu
of the neurological faculty to
feel my chest pounding for you.
You are a palpable glitch,
with a brute heart and incisive wit:
my form deflated under it,
I gasp, writhe, and then submit.
My eager sentiment waits for the sound
of your breath catching then and now
and I think that you'll come around
when you grasp at me and moan aloud.
But you are steadily in place,
I, silly hare running a race, breathless face
your backward truth, the callous fate,
the need you can't reciprocate.
Apr 14, 2012
Apr 14, 2012 at 6:15 AM UTC
(a traditional Japanese ghost story, re-told by Raj Arumugam)
Preamble
Ogiwara sits in his shed
alone, sad
only memories sustain him now
in the lonely hours of his nights
and now it is the night of the obon
and he hears the light feet of women
just outside on the grass
just below the willow
it is a woman with her peony lantern
and beside her
through his window
Ogiwara sees the beauty that weakens his heart
young Otsuyu he sees
and Ogiawara comes out and bows
and he invites them in
on this the night of the obon
What Onatsaku saw
I saw the ladies come every night
and the woman with the lantern
sat out at the deck
while the young one went in
and Ogiwara as happy as in times past
every night I saw them
come as gentle as divine beings
and before the break of dawn
as I prepared for work
I saw them leave
and Ogiwara sad, as he is always now
What an elderly neighbor saw
toothless I may be
but ‘m still sharp of faculty
and I saw these two w'men
one young, and a beauty as one from Edo
and every night Ogiwara received her
and last night I went by his window
and I saw ‘m naked in his room
and the w'man he was making love to
was but bones, bones and smiling skull
and the two were entwined
limb over limb
so close in love making
and the w'man he was making love to
was but bones, bones and smiling skull
What the priest did
And the priest came forth
And warned Ogiwara of the danger
The ravishing young girl
was the ghost Otsuyu
And a prayer he placed on the door
so she can never come in
even when invited in
Otsuyu’s song
O Ogiwara
my heart and flesh
yearns for you
on previous nights
you welcomed me in
but now you have doors
shut against me
was all your love
false, false as our days?
O Ogiwara
my heart and flesh
trembles for yours
on previous nights
you cried as we made love
you cried that you had found
beauty and joy
but now you let me stand
crying out in the cold
was all your love
false, false as our days?
O Ogiwara
if I may not come in
open the door
and come with me
What the children saw
This morning we
went playing across the fields
and at the graveyard
And there in an open grave
there we saw Ogiwara’s corpse
breaking, rotting
but his blue cloak still round him
And we saw his corpse
embraced by a woman
but she was but bones, bones and smiling skull
and the two were entwined
limb over limb
and the skull-woman he was with
she hissed at us
and she said: “Go away, children…Go away…”
and she was but bones, bones and smiling skull
Sep 22, 2012
Sep 22, 2012 at 6:32 AM UTC
For Henrietta Swan Leavitt—
Henrietta
dark-eyed darling of the night sky--
A Swan
who sails
the heavens
deaf with lights
that pulse across your mind
In photographic plates
that number
many thousands
You see the differences in light
You swim the curves that grace the arch of heaven
between the cloud and pinwheel galaxies
You measure
their exquisite wakes of distance--
Become the glittering timepiece of the farthest stars--
Bestowed forever in your hands
the clock and keys of all existence
You know the bends of ages
You heard the voices of the light
of the angels
and of man
I hope you've found true happiness
gathered to your love
forgetful of the pond of space and time
and all that hopeless pain and counting
of perfection
and of loneliness
to which you were assigned
that in your hands unravel all....
The secrets of the universe
white and gray in motion...
brilliant beyond all measure
by which you were forgotten
and unvalued by design
Eulogized only--
as loving God
and as being kind
___
*copyright Liz Balise 2019, Use only by permission.
Her colleague Solon I. Bailey wrote in her obituary that "she had the happy faculty of appreciating all that was worthy and lovable in others, and was possessed of a nature so full of sunshine that, to her, all of life became beautiful and full of meaning.”
https://en.wikipedia.org/wiki/Henrietta_Swan_Leavitt
Jan 6, 2019
Jan 6, 2019 at 6:57 PM UTC
Corina Junghiatu is a bilingual poet/writer hailing from Romania. She holds a Master Degree in Philology and Phychopedagogy and likewise she graduated from The Faculty of Letters and Philosophy in Bucharest. She speaks five foreign languages.
Corina has written and publishing two books of poetry: „Exile in the light” and „The ritual of a Sunrise”. She is Administrator and Publication Coordinator of Motivational Strips, editor of "Bharath Vision" website, and Chief Advisor of World Nations Writers' Union Kazakhstan. Corina has won many awards from international institutions of repute, for poetry.
Recently, Corina Junghiatu, together with 350 poets and writers from 80 countries, received a certificate of appreciation for her entire literary activity, on the occasion of the 74th anniversary of the Independence Day of the Republic of India. This certificate was was handed by the famous writer Shiju H. Pallithazheth the Founder of Motivational Strips, World's Most Active Writers Forum and Padma Shree Dr. Vishnu Pandya, President of Gujarat Sahitya Akademy, a government institution of the state of Gujarat (India).
Aug 31, 2020
Aug 31, 2020 at 10:45 AM UTC
"MIXED FEELING."
The saints
are always
crook: why.?
They have
none tolerance for ********* Yes
believe me
they don't,
even Christ
Jesus didn't. Nonetheless
though He
quoted "When your
right cheek
is slapped turn
the left side."
that's no ******** it's
what make
a Saint. But
He hesitated
not to chase the Merchandise
out the
Lord's temple.
********* are: like, sometimes where positivity is
anticipated finding negativity there
right is
the biggest
******** in the
whole wide
crazy world.
Full of
crazy thangz, crazy people living crazy lifestyle. Wide
life, out
the jungle,
homicides, massacre Wonder why we breathing, when
we living to
die. Or I'm
high? (Sigh)
when will the
world halt being ridiculously
crazy. Said
they he's
zany. Plagued
the sages
mad. However
sages are the
last hopes
to heal
the world.
Corona-virus
army, enemy
agent of segregation. What right have
you to black
me, who am
I to white
a brother. ?
When we
looked just
the same, being humanbeing.
How to become
human, Auth-positive thinking faculty, creativity,
optimism build only, nothang but
possibility. Innovation, inspiration,
motivation.
Here rode
time on the
road to glory
is there any future anywhere.? if
there ever is
a time for
everythang
le' me use
mine now. I
was told
the future
is now, I
wanna live
it unfolding
my pages
stepping the
stair cases,
roller coaster,
fortune searching
I
ride slow,
nonetheless
I gets heading
I should rush
not, yet
on steadily.
#C9_fm
May 16, 2021
May 16, 2021 at 5:08 PM UTC
*In his breakthrough work of channeled literature, I Am the Word, author and medium Paul Selig recorded an extraordinary program for personal and planetary evolution as humankind awakens to its own divine nature. I Am the Word is an energetic transmission that works directly on its readers to bring them into alignment with the frequency of the Word, which Paul's guides call the energy of "God in Action."
Paul was born in New York City and received his Master's Degree from Yale. He had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson's Manhattan Center for Living and in private practice. In the process, he began to "hear" for his clients, and much of Paul's work now is as a clairaudient, clairvoyant, channel, and empath.
Paul has led channeled energy groups for many years. In 2009 he was invited to channel at the Esalen Institute's Superpowers symposium, where he was filmed for the upcoming documentary film Authors of the Impossible. He is the subject of the feature-length documentary film Paul & the Word which will be released late summer, 2011. His workshops in 2011 include Edgar Cayce's A.R.E. in New York City, the Jungian Center in Vermont and the Esalen Institute in Big Sur, Calfornia. Also a noted playwright and educator, Paul serves on the faculty of NYU and directs the MFA in Creative Writing Program at Goddard College. He lives in New York City, where he maintains a private practice as an intuitive and conducts weekly, channeled energy groups.*
Personal and planetary evolution- Live channeling with Paul Selig
http://www.youtube.com/watch?v=CAgh2pXDDls&feature;=youtu.be
Waking Universe With Guest Paul Selig
http://www.youtube.com/watch?v=Z7BI0Lgb9Kk&feature;=youtu.be
Dec 26, 2012
Dec 26, 2012 at 8:19 PM UTC
Write about being seen, really being seen.
(Remember to go with your "first flash," and write for 10 minutes without stopping or thinking.)
I was so humiliated. Besides feeling humiliated, I felt like I was on display. Each step I took down the hallway, every person in every little group glared at me, glanced away, and the whispers were buzzing. I felt it unjust, but I knew I brought it on myself. I cannot say I felt betrayal, as I was the original betrayer, (well, he was, but our emotional volley had collapsed with the weight of my action) but I hated him for savoring the revenge of my ruined reputation. I knew the pain I bestowed on him wouldn’t go away, but his smug satisfaction of broadcasting my shame only added to my humiliation.
When is graduation? Exactly two months away. That was April first, and I would have my high school diploma June 1st. I was a survivor, for my whole life, and although it was awful, I knew I could get past it. Still, every step I took in the hallway following that dreaded day, every move I made, every word I spoke, every breath I exhaled– was noticed, and I was judged without given the opportunity to provide an explanation of my perspective. High school rumors were ruthless, but what was worse is when it wasn’t a rumor. It was a scandal.
Even though no one dared to ask about it, to obtain information from me, I knew they all knew. Everyone knew, and once the basic information was known, details were not important. I wondered how many other girls experienced what I was experiencing, having to hold their head high and act proud despite the shame. It was strengthening, inadvertently, but the only other option was to hide away and avoid everyone. Even with a reputation, I couldn’t do that. Peers whispered and laughed degrading words, female faculty cast judgmental stares and all male teachers avoided eye contact, to avoid any association with me.
Sep 6, 2014
Sep 6, 2014 at 7:00 AM UTC
He was one of those guys who marry money.
And you can grok that in any sense you desire.
But be forewarned, my friend,
I am well-versed in a multitude of
Marry-For-Money manifestations.
Take, for example, marrying the Boss' daughter.
Come with me, for illustration's sake,
Join me in one such dis-functional household:
George & Martha's place on campus--
A classic Tudor-revival home,
Ivied & plushly-appointed,
A coveted faculty perk
Which goes along with the gig.
And the gag, for that matter.
I speak, of course, of Edward Albee's
Two perversely miserable humans,
Married to each other, to wit:
George & Martha, leading lives of
Pubis-scratching desperation, in
"Who's Afraid of Virginia Woolf?"
She's the only daughter--
Daddy's precious jewel--
Only girl-child of the President
Of a small, rural college.
He's the middle-aged professor
With no great pedagogic or research prowess.
His working-class perspective,
Viewing the quiet academic life to be
A significant step up in genteel existence.
Except--and there's the rub:
Mere existence is a far cry from
Living the good life Dan Draper &
The rest of Satan's Mad Men minions
Taught him to take for granted.
So George & Martha,
In terms of core values,
Have little in common;
More like opposites, in fact:
His starvation diet as a child &
Her helping out Mom at the
Food Bank on Saturday mornings.
It's those formative razzmatazz years,
He lacked the behavior blueprint,
The overwhelming fatigue of acting.
He's perpetually memorizing lines,
Practicing ****** expressions &
Physical gestures & phrases.
Guard up, another Oscar-worthy performance,
Burton is superb & Elizabeth Taylor
Showing us precisely why she is &
Will continue to be revered as an actress.
George knows she has his number.
The thing about the play is the
Intense malice the couple feel for each other.
For the audience, an experience in stage drama
Best classified as an intensely painful morality play.
A good thing to remember: Live Theater
Adds value to a community.
Give generously, please!
But I digress.
Aug 14, 2016
Aug 14, 2016 at 12:27 AM UTC
no one knows How to ride a bike.
we learn and discard. what once,
came hard -
now a faculty, disconnected
from the [ method. ]
embedded in
the act. beyond the rhombus of our reckoning !
and the calculus of initial conditions,
indeed; waaaay back
when skill lacked
and the knack was absent.
with - only pure Will
Unpacked.
mastery forgets.
and we forget
That.
Jul 13, 2013
Jul 13, 2013 at 2:18 PM UTC
The relentless effort to exhale
Emotions, with composed face,
That's me around you
Your presence alone
deprive me of the power of resistance
I Lose control, become irrational
That's me around you
Your flawless beauty, intoxicating my vision
Entertaining my every senses
Teasing the mere faculty to see beyond.
.........that's me around you.
May 22, 2015
May 22, 2015 at 2:21 PM UTC
Enraptured by the senses heightened,
Sight stolen by blindfold,
Mobility hindered by bands of silk,
Forced into placidity by restraints.
Blinded abruptly,
Aural faculty's amplified by the loss.
Still, I hear nothing.
Silence so thick it's tangible,
Heavy, weighed down by an anxious nervousness,
Attuned to very vibrations permeating the atmosphere,
Breathing in sync with the pulse of my blood,
Harsh and quick,
Thunderous in the stillness of this contemporary plane.
I'm almost afraid.
Fear exacerbated by acute vulnerability,
Naked to criticism, to contempt, to desecration.
Offered as repast,
Meal to sate invisible mouth,
Chocolate sin to tantalize his tongue,
Displayed and arranged for his feast.
I long to be free.
Wavering between the excitement begotten by thrill,
And a desperate need to escape,
I hang. With nothing to ground me.
Held aloft at another's will.
I long to be free...
Don't I?
Jul 24, 2021
Jul 24, 2021 at 3:06 PM UTC
I can feel the gravity
savage sadness grabbing me
like a stabbing agony
panicking heartbeat rapidly
like a drastic atrophy
the tapestry of travesty
applicable calamity
catastrophe is my canopy
the faculty of tragedy
with no strategy for amnesty
the laxity of sanity
I can feel the gravity
Feb 20, 2017
Feb 20, 2017 at 2:47 PM UTC
On my graduation day,
I ripped down all the flimsy paper signs
hanging from the ceiling,
like Judd Nelson does on The Breakfast Club.
I just wanted to be that cool.
I also poured glitter into the water fountains
so it could reflect off the drinkers eyes,
as a reminder that even when you leave here
you can still shine.
I put my lock on backwards
so it would be a ***** for faculty to take off
my locker when I was gone.
I turned in my cap and gown inside out,
and wrote
"see you then"
on the tag right next to the size,
hoping someone might laugh when they read it
or think it was written by someone real wise
when really it was some moon-eyed girl who heard it
from a friend she knew long ago.
I did a donut in the parking lot
with my beat up Cherokee
who had been down all the back roads
too many nights in a row,
just because I wanted to.
I didn't wear underwear to the ceremony,
because it made me feel free
like I was finally going to be.
I also sketched every dream I had
on pieces of loose leaf
and threw them in random places throughout the school,
praying someone would find them
and maybe have them too.
I almost punched you,
for all the times I should have back in middle school
but I didn't want the principal to ask
why there was blood on my hands
when they handed me that fake diploma
that wouldn't really come in the mail
for weeks.
It was just a day to congratulate
all the **** you got away with as a kid,
and to remind you those days are over
it gets real
from this point on-
how comforting.
I left the stage with my tongue out,
hands raised saying goodbye
here I go
thanks for teaching me all the stuff,
I never really wanted to know.
And by the way,
I put 20 goldfish in the girl's lavatory toilets
so even when I left
there'd be something hard to get rid of
something you'd never forget-
like me
when I was gone.
Feb 20, 2013
Feb 20, 2013 at 2:07 PM UTC
*Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.
First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind’s way of protecting itself from pain by stepping through the first door.
Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying ‘time heals all wounds’ is false. Time heals most wounds. The rest are hidden behind this door.
Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.
Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.”*
Apr 21, 2015
Apr 21, 2015 at 3:24 PM UTC