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"eugene" poems
Who believes what we’ve heard and seen?     Who would have thought God’s saving power would look like this? The servant grew up before God—a scrawny seedling,     a scrubby plant in a parched field. There was nothing attractive about him,     nothing to cause us to take a second look. He was looked down on and passed over,     a man who suffered, who knew pain firsthand. One look at him and people turned away.     We looked down on him, thought he was **** But the fact is, it was our pains he carried—     our disfigurements, all the things wrong with us. We thought he brought it on himself,     that God was punishing him for his own failures. But it was our sins that did that to him,     that ripped and tore and crushed him—our sins! He took the punishment, and that made us whole.     Through his bruises we get healed. We’re all like sheep who’ve wandered off and gotten lost.     We’ve all done our own thing, gone our own way. And God has piled all our sins, everything we’ve done wrong,     on him, on him. He was beaten, he was tortured,     but he didn’t say a word. Like a lamb taken to be slaughtered     and like a sheep being sheared,     he took it all in silence. Justice miscarried, and he was led off—     and did anyone really know what was happening? He died without a thought for his own welfare,     beaten ****** for the sins of my people. They buried him with the wicked,     threw him in a grave with a rich man, Even though he’d never hurt a soul     or said one word that wasn’t true. Still, it’s what God had in mind all along,     to crush him with pain. The plan was that he give himself as an offering for sin     so that he’d see life come from it—life, life, and more life.     And God’s plan will deeply prosper through him. Out of that terrible travail of soul,     he’ll see that it’s worth it and be glad he did it. Through what he experienced, my righteous one, my servant,     will make many “righteous ones,”     as he himself carries the burden of their sins. Therefore I’ll reward him extravagantly—     the best of everything, the highest honors— Because he looked death in the face and didn’t flinch,     because he embraced the company of the lowest. He took on his own shoulders the sin of the many,     he took up the cause of all the black sheep. ~ Eugene Peterson
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Jun 23, 2016
Jun 23, 2016 at 12:31 PM UTC
Isaiah 53 (from The Message)
Who believes what we’ve heard and seen?     Who would have thought God’s saving power would look like this? The servant grew up before God—a scrawny seedling,     a scrubby plant in a parched field. There was nothing attractive about him,     nothing to cause us to take a second look. He was looked down on and passed over,     a man who suffered, who knew pain firsthand. One look at him and people turned away.     We looked down on him, thought he was **** But the fact is, it was our pains he carried—     our disfigurements, all the things wrong with us. We thought he brought it on himself,     that God was punishing him for his own failures. But it was our sins that did that to him,     that ripped and tore and crushed him—our sins! He took the punishment, and that made us whole.     Through his bruises we get healed. We’re all like sheep who’ve wandered off and gotten lost.     We’ve all done our own thing, gone our own way. And God has piled all our sins, everything we’ve done wrong,     on him, on him. He was beaten, he was tortured,     but he didn’t say a word. Like a lamb taken to be slaughtered     and like a sheep being sheared,     he took it all in silence. Justice miscarried, and he was led off—     and did anyone really know what was happening? He died without a thought for his own welfare,     beaten ****** for the sins of my people. They buried him with the wicked,     threw him in a grave with a rich man, Even though he’d never hurt a soul     or said one word that wasn’t true. Still, it’s what God had in mind all along,     to crush him with pain. The plan was that he give himself as an offering for sin     so that he’d see life come from it—life, life, and more life.     And God’s plan will deeply prosper through him. Out of that terrible travail of soul,     he’ll see that it’s worth it and be glad he did it. Through what he experienced, my righteous one, my servant,     will make many “righteous ones,”     as he himself carries the burden of their sins. Therefore I’ll reward him extravagantly—     the best of everything, the highest honors— Because he looked death in the face and didn’t flinch,     because he embraced the company of the lowest. He took on his own shoulders the sin of the many,     he took up the cause of all the black sheep. ~ Eugene Peterson
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52
In 2005 my father, a pastor, decided that we would house victims of Hurricane Katrina. Our beds would be given to the ones whose homes had been submerged in water and humanity. Kitty and Minnie were twins who slept with me every night. I was only a child, but I felt like a mother to these two orphaned girls who relived the horror of seeing their grandmother rotting on a bench every night. They had nightmares of their grandmother standing up from the bench with maggot infested eyes and green rotting skin coming to kiss their cheeks. They were 6 years old. Eugene was 13 and his last image of home was his father drowning in their attic yelling for him to swim out of a small hole in the ceiling. His father never learned to swim. Eugene waited on the roof of his house, now his father's tomb, for 3 days until a helicopter came. John was an 8 year old boy with black skin and silver teeth who squeezed between me and Kitty every night. He dreamt of his mother finding him, and his dream came true; I watched them walk away together. Him in awe of his mom being alive. Her drunk and high. The last time I saw him his mother was slapping him in the back of the taxi that took him away from me. I pray that they learned to overcome their nightmares. I hope every day that they learned to stand up to the ones telling them that their experience is a crutch, an excuse, to never be anything more than what their parents are. I hope they all learned to swim.
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Dec 9, 2012
Dec 9, 2012 at 4:11 PM UTC
Katrina
This year, Spring has been stopped in its tracks. Incessant rain has driven life underground, so as a diversion, we're putting on a play. It's not the real world, rather a representation of it. The director is a control freak, so her role is perfect- she can dictate without having to act. Rehearsals take place in the Philharmonic Hall where the local band used to practice. But the young have all gone to the city looking for work, so the drum kit in the corner stays shrouded in a black cloth and the unplayed snooker table supports our props. On the stage, the backdrop is dominated by a church. Its steeple points to God only knows where, aiming to instill pure thoughts. Impossible to believe, its true aim is to inject fear into its people- depending on your point of view. The main player likes to be different. He turns up. A vain attempt to give some structure to his life. Late as usual, he's unshaven, and drowsy with wine. No one can decide whether he's in character or himself. Waiting for our cue, we stand on the narrow balcony, flicking damp cigarettes into the river of rain below. Eventually, we all change, put on our monstrous armour, become the same curious creatures following the same script.   Except one.... who refuses to change, deciding in his own mind where he will play his part. So he pulls on his proofed coat and heads out for the bar. Outside, the power is off. The streets are silent. Even the cafes have closed earlier than usual, tables and chairs left out in the rain chained together, like prisoners crying for release. He slips along the cobbled streets, chanting his lines in time with his own footsteps: 'There are more dead people than living....the living are getting rarer.' Even he's not sure if he's quite himself or still in character. Briefly, the clouds part to reveal the cold light of the moon, the only thing in which he has absolute faith to guide him on his way. copyright © Caroline Grace 2013
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Apr 26, 2013
Apr 26, 2013 at 1:07 PM UTC
Rhinoceros ( a tribute to Eugene Onesco)
This year, Spring has been stopped in its tracks. Incessant rain has driven life underground, so as a diversion, we're putting on a play. It's not the real world, rather a representation of it. The director is a control freak, so her role is perfect- she can dictate without having to act. Rehearsals take place in the Philharmonic Hall where the local band used to practice. But the young have all gone to the city looking for work, so the drum kit in the corner stays shrouded in a black cloth and the unplayed snooker table supports our props. On the stage, the backdrop is dominated by a church. Its steeple points to God only knows where, aiming to instill pure thoughts. Impossible to believe, its true aim is to inject fear into its people- depending on your point of view. The main player likes to be different. He turns up. A vain attempt to give some structure to his life. Late as usual, he's unshaven, and drowsy with wine. No one can decide whether he's in character or himself. Waiting for our cue, we stand on the narrow balcony, flicking damp cigarettes into the river of rain below. Eventually, we all change, put on our monstrous armour, become the same curious creatures following the same script.   Except one.... who refuses to change, deciding in his own mind where he will play his part. So he pulls on his proofed coat and heads out for the bar. Outside, the power is off. The streets are silent. Even the cafes have closed earlier than usual, tables and chairs left out in the rain chained together, like prisoners crying for release. He slips along the cobbled streets, chanting his lines in time with his own footsteps: 'There are more dead people than living....the living are getting rarer.' Even he's not sure if he's quite himself or still in character. Briefly, the clouds part to reveal the cold light of the moon, the only thing in which he has absolute faith to guide him on his way. copyright © Caroline Grace 2013
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35
I’m up early as always swimming in the currents of a sweet morning in summer in Oregon as if for the first time Much like the morning years past when I woke with a new girl in a cemetery in Eugene We went there to escape the heat slept on a blanket naked in the night So alive were we and in love Practicing, perhaps, for the day when sleep and death converge.
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Aug 6, 2018
Aug 6, 2018 at 4:30 PM UTC
Cemetery Song
the lanky mortician with wryly looking fingers, oh the poor boy. The hospital asked me how the body should be cast. Such a funny thought to wrap you up in white linens, your favorite colour. Before I say goodbye my dear Eugene, "Do you find it all right, my dragonfly?" I can hear you asking, "James why do you cry?, Make the most of your life, while it is rife; While it is light." Before I watch your flesh go, Shall we look at the moon, one last try?
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Sep 14, 2015
Sep 14, 2015 at 7:41 PM UTC
James & Eugene
A Mean machine        in       obscene     gang    green The Candlelight    flicker     in busted   T   V    screen Scream queen          Ilene   in   paralyzed          dream Dean Irene                      exploded               her spleen It seems  when                  she ate            some  beans Kathleen drank         from a canteen        of benzene Said sardines soaked in saline make the best cuisine Eugene came          between    Kristine     and Janine When they went             to the ravine         in Racine Teens hopped up on           caffeine               convene With Thirteen marines                         on Halloween On routine to      clean    and preen   the       latrines I’m keen    to notice the things      that you’ve   seen ? ?    ? ?   ?   ? ?    ? ?? ?    ? ?   ?   ? ?    ? ?? ?    ? ?   ?   ? ?    ? ? What if you could         unseen        what you've seen
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Apr 6, 2012
Apr 6, 2012 at 9:54 PM UTC
The Things I've Seen {poem pop art}
She found a propeller in Portland and carried it all the way to Eugene under her arm, this western artifact. Says she’ll turn it into a necklace, use it to press through the crowds of people reaching at her hems. They hold the sidewalks down as she passes, waiting like wildflowers.
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Nov 8, 2012
Nov 8, 2012 at 3:49 PM UTC
Maharaji M.O.
America. Oregon. Eugene. ***** hippies, Homeless kids, Handcrafted knickknacks For sale at Saturday Market. Rain Rain Rain Rain some more. These tourists cannot Perceive how happy The rain makes me, When their droplets of Life fall and surround me. They do not have That Oregonian Blood. I have ducks in my heart, And rain water Courses through my veins. I am a Country Fair girl. I am a Eugene Girl. I will be an Oregonian forever. Portland may not be As quaint, As ***** As close knit. But, When it rains, I get chills. I kick off my shoes, And I dance in the Glorious lifeblood of my home.
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Feb 25, 2013
Feb 25, 2013 at 4:44 PM UTC
Home
For God's sake, you got to give more power to the people There's some people up there hoggin' everything Tellin' lies, givin' alibis about the peoples, money an' things An' if they gonna throw it away, might as well give some to me Yeah, they seen an' heard it but never had misery There are some people who are starvin' to death Never knew but only heard 'em an' they never had happiness If you don't have enough to eat, how can you think of love? You don't have time to care, so it's crime you're guilty of For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? Cut this jive an' see who's got the power to **** the most When they run out of power, the world's gonna be a ghost They know we're not satisfied, so we begin to holler They give us a promise an' throw in a few more dollars There's no price for happiness, there's no price for love Up goes the price of livin' an' you're right back where you was So whatever you got, just be glad you got it Now we're gonna get on up an' get some more of it For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, got to have it, more power For God's sake, got to have it, power, power, power For God's sake, why don't you give more power to the people? For God's sake, you better give more power to the people For God's sake, why don't you try it? Yeah, power, power For God's sake, can't deny it, no, no, no, power, power For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give power, power? For God's sake, you got to give Songwriters RECORD, EUGENE -The Chi-Lites on Soul train!!!! https://www.youtube.com/watch?v=rSIr5a4L8os Joss Stone - São Paulo, Credicard Hall, 11/11/2012 https://www.youtube.com/watch?v=0iyd3Dgi1xY
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Aug 28, 2013
Aug 28, 2013 at 10:03 PM UTC
For God's sake, Give More Power To The People -The Chi-Lites/Joss Stone,-Generation Food Project
For God's sake, you got to give more power to the people There's some people up there hoggin' everything Tellin' lies, givin' alibis about the peoples, money an' things An' if they gonna throw it away, might as well give some to me Yeah, they seen an' heard it but never had misery There are some people who are starvin' to death Never knew but only heard 'em an' they never had happiness If you don't have enough to eat, how can you think of love? You don't have time to care, so it's crime you're guilty of For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? Cut this jive an' see who's got the power to **** the most When they run out of power, the world's gonna be a ghost They know we're not satisfied, so we begin to holler They give us a promise an' throw in a few more dollars There's no price for happiness, there's no price for love Up goes the price of livin' an' you're right back where you was So whatever you got, just be glad you got it Now we're gonna get on up an' get some more of it For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, got to have it, more power For God's sake, got to have it, power, power, power For God's sake, why don't you give more power to the people? For God's sake, you better give more power to the people For God's sake, why don't you try it? Yeah, power, power For God's sake, can't deny it, no, no, no, power, power For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give more power to the people? For God's sake, you got to give more power to the people For God's sake, why don't you give power, power? For God's sake, you got to give Songwriters RECORD, EUGENE -The Chi-Lites on Soul train!!!! https://www.youtube.com/watch?v=rSIr5a4L8os Joss Stone - São Paulo, Credicard Hall, 11/11/2012 https://www.youtube.com/watch?v=0iyd3Dgi1xY
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43
Well it was Tarquin's idea, actually. It came to him after watching 'Slumdog Millionaire.' Have you seen it? Marvellous film. Such resourceful people. Anyway, we were looking at schools, and the local comprehensive - simply ghastly - we couldn't put Eugene through that. But two blocks away there's a school for the blind. Ofsted simply raved about it. So, we popped the old eyes out - easy as - and Bob's your uncle. He starts in August. More tea?
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Jan 22, 2013
Jan 22, 2013 at 9:22 AM UTC
Sorted
Through a vision in my dream, I see her there standing a smile, unpainted, authentic and real, hopeful opening the door, I feel a smile emerge, and the butterflies oh they kick within me, like a life is growing there a baby in sight, with no bump or pulse, just a gathering of fluttering wings, that should I rip my chest open out they would fly, a mélange of colours and shapes purple swallowtails, adonis blues, lacewings, painted ladies and finally, my favourite, the Menelaus Blue Morpho escorted by the Duke of Burgundy, my springtime hero each flutter, each movement, a collection from the continents my self, my soul, my body has travelled, wanderlust keepsakes of beauty and bliss, bordering on extinction safe within me in a heartbeat they cover my whole self, they move around my body my legs tremble, barely able to hold, this grown woman upright a gulp, a gasp, a stare in wonder, speechless, tongue tied, dazed, dumb, silent my head empties, no thought passes, the parietal lobe vanishes adrenaline is racing through my body faster than the light hitting my eyes moments later I find vocal sound waves breezing past my ears they are in slow motion, her voice mumbled, incoherent she touches me and I jump in fright, my eyes adjust, my heartbeat slows down, my legs steady "Rachel!" "Rachel!" I wake up alone. © Sia Jane --- *"In through the window a moonbeam comes,— Little gold moonbeam with misty wings; All silently creeping, it asks, "Is he sleeping— Sleeping and dreaming while mother sings?"* Eugene Field
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Dec 28, 2013
Dec 28, 2013 at 7:02 PM UTC
Dreamscape
Through a vision in my dream, I see her there standing a smile, unpainted, authentic and real, hopeful opening the door, I feel a smile emerge, and the butterflies oh they kick within me, like a life is growing there a baby in sight, with no bump or pulse, just a gathering of fluttering wings, that should I rip my chest open out they would fly, a mélange of colours and shapes purple swallowtails, adonis blues, lacewings, painted ladies and finally, my favourite, the Menelaus Blue Morpho escorted by the Duke of Burgundy, my springtime hero each flutter, each movement, a collection from the continents my self, my soul, my body has travelled, wanderlust keepsakes of beauty and bliss, bordering on extinction safe within me in a heartbeat they cover my whole self, they move around my body my legs tremble, barely able to hold, this grown woman upright a gulp, a gasp, a stare in wonder, speechless, tongue tied, dazed, dumb, silent my head empties, no thought passes, the parietal lobe vanishes adrenaline is racing through my body faster than the light hitting my eyes moments later I find vocal sound waves breezing past my ears they are in slow motion, her voice mumbled, incoherent she touches me and I jump in fright, my eyes adjust, my heartbeat slows down, my legs steady "Rachel!" "Rachel!" I wake up alone. © Sia Jane --- *"In through the window a moonbeam comes,— Little gold moonbeam with misty wings; All silently creeping, it asks, "Is he sleeping— Sleeping and dreaming while mother sings?"* Eugene Field
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33
When a woman says: she likes The man to take the initiative; What she is really saying is: *“Yes, I will **** you, just ask.”* As I write these words, I rent The Eugene O’Neill Theater, Located between Broadway & 8th Ave, on West 49th Street, No shabby venue, I might add. Then I stage & cast the play, Choosing for the role of me, Myself:  Queequeg. Ishmael’s Crypto-Gay, New Bedford, Mass bedmate, A large, well-toned, muscled Man of much ink & few words, Just short pigeon-English phrases, Utterances such as: “I likee.” That’s right, playing me is Melville’s freaky, tattooed, Polynesian harpooner, Right out of *Moby **** And should the ****** imagery & Metaphor of me—yours truly— Packing a harpoon in my trousers, Prove a trifle too scrumptiously Potent for you, consider please the ****** potential of a three-way with Chingachgook.
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Jun 29, 2015
Jun 29, 2015 at 12:54 AM UTC
"Yes, I'll **** You, Just Ask"
Wynken, Blynken, and Nod A Dutch Lullaby. WYNKEN, Blynken, and Nod one night Sailed off in a wooden shoe,-- Sailed on a river of crystal light Into a sea of dew. "Where are you going, and what do you wish?" The old moon asked the three. "We have come to fish for the herring fish That live in this beautiful sea; Nets of silver and gold have we!"        Said Wynken,        Blynken,        and Nod. The old moon laughed and sang a song, As they rocked in the wooden shoe; And the wind that sped them all night long Ruffled the waves of dew. The little stars were the herring fish That lived in the beautiful sea-- "Now cast your nets wherever you wish,-- Never afeared are we!" So cried the stars to the fishermen three,        Wynken,        Blynken,        And Nod. All night long their nets they threw To the stars in the twinkling foam,-- Then down from the skies came the wooden shoe, Bringing the fishermen home: 'Twas all so pretty a sail, it seemed As if it could not be; And some folk thought 'twas a dream they'd dreamed Of sailing that beautiful sea; But I shall name you the fishermen three:        Wynken,        Blynken,        And Nod. Wynken and Blynken are two little eyes, And Nod is a little head, And the wooden shoe that sailed the skies Is a wee one's trundle-bed; So shut your eyes while Mother sings Of wonderful sights that be, And you shall see the beautiful things As you rock in the misty sea Where the old shoe rocked the fishermen three:--        Wynken,        Blynken,        And Nod. Eugene Field
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Aug 2, 2015
Aug 2, 2015 at 1:34 AM UTC
How Many of You Remember This!
Wynken, Blynken, and Nod A Dutch Lullaby. WYNKEN, Blynken, and Nod one night Sailed off in a wooden shoe,-- Sailed on a river of crystal light Into a sea of dew. "Where are you going, and what do you wish?" The old moon asked the three. "We have come to fish for the herring fish That live in this beautiful sea; Nets of silver and gold have we!"        Said Wynken,        Blynken,        and Nod. The old moon laughed and sang a song, As they rocked in the wooden shoe; And the wind that sped them all night long Ruffled the waves of dew. The little stars were the herring fish That lived in the beautiful sea-- "Now cast your nets wherever you wish,-- Never afeared are we!" So cried the stars to the fishermen three,        Wynken,        Blynken,        And Nod. All night long their nets they threw To the stars in the twinkling foam,-- Then down from the skies came the wooden shoe, Bringing the fishermen home: 'Twas all so pretty a sail, it seemed As if it could not be; And some folk thought 'twas a dream they'd dreamed Of sailing that beautiful sea; But I shall name you the fishermen three:        Wynken,        Blynken,        And Nod. Wynken and Blynken are two little eyes, And Nod is a little head, And the wooden shoe that sailed the skies Is a wee one's trundle-bed; So shut your eyes while Mother sings Of wonderful sights that be, And you shall see the beautiful things As you rock in the misty sea Where the old shoe rocked the fishermen three:--        Wynken,        Blynken,        And Nod. Eugene Field
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51
R.I.P. Clinton Eugene Jarvis ~My father ~ The saguaro an altar A tree stump a pew He knelt in the garden His church all that grew. Cactus and succulent Tenderly grown Were all in his choir For his ears alone. From aisles of stone walkways Stained glass in bright clouds The sun was his mantle The stars are his shroud The lakes holy water As a child he'd haunt Skipping stones 'cross a pond Like a Baptismal Font Sat he 'neath the willows To hear their prayer's sigh The saguaro an altar His Cathedral the sky. SoulSurvivor Catherine Jarvis (C) 5/31/2018
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May 31, 2018
May 31, 2018 at 8:11 AM UTC
His Cathedral the Sky
America, you never had a chance America, you and I both know there's only one way this ends America, you aren't going to like it America, what did you do to deserve the millions of revolutionaries in your streets? America, whose bones are in the ground beneath your feet? America, what did your father say before he left? America, what did your sons bring home  from war? America how holy was your birth that you can't move on? America, who will be left behind when you do? America, I'm too sentimental about you and I know it America, I watched the workers hold the line for months and you locked the doors America, I watched those people starve America, I watched you build a cage and call it Chicago, call it Missouri, call it Baltimore, call it Dayton call it what you want and forget America, I watched you forget America, you forgot your angels America, the saints want to destroy you and I don't feel sorry for you not anymore America, I let go of you in pieces America, I watch your flag burn to cinder and drift away America, I watch you die every night America, I loved you once and now I'm nothing America, how did you repay Ginsberg's love? America, where did you bury Eugene V Debs? America, did you follow Abbie Hoffman to hell? America, where are your heroes? America, what did you do to the workers who never crossed the picket lines? America, what did you give the black kids for Christmas? America, what price do the immigrants pay for your freedom? America, who do they pray to? America, what do you pray for? America, I pray too much for someone who doesn't believe in you America, you never had a chance America, I pray you get one, I owe you that much at least
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Dec 30, 2016
Dec 30, 2016 at 3:17 AM UTC
Late December, 2016, Somewhere in America
America, you never had a chance America, you and I both know there's only one way this ends America, you aren't going to like it America, what did you do to deserve the millions of revolutionaries in your streets? America, whose bones are in the ground beneath your feet? America, what did your father say before he left? America, what did your sons bring home  from war? America how holy was your birth that you can't move on? America, who will be left behind when you do? America, I'm too sentimental about you and I know it America, I watched the workers hold the line for months and you locked the doors America, I watched those people starve America, I watched you build a cage and call it Chicago, call it Missouri, call it Baltimore, call it Dayton call it what you want and forget America, I watched you forget America, you forgot your angels America, the saints want to destroy you and I don't feel sorry for you not anymore America, I let go of you in pieces America, I watch your flag burn to cinder and drift away America, I watch you die every night America, I loved you once and now I'm nothing America, how did you repay Ginsberg's love? America, where did you bury Eugene V Debs? America, did you follow Abbie Hoffman to hell? America, where are your heroes? America, what did you do to the workers who never crossed the picket lines? America, what did you give the black kids for Christmas? America, what price do the immigrants pay for your freedom? America, who do they pray to? America, what do you pray for? America, I pray too much for someone who doesn't believe in you America, you never had a chance America, I pray you get one, I owe you that much at least
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32
smiling not frowning not grinning peculiar how with effortless crisp cheeks unsentimental remember your cheeks nearly my cheeks oh and your lips were there too don't let's forget how they tasted like warm plum wine in a hot little motel room in Eugene how the sun felt like a delightful hammer when we hadn't single thing to do and we walked like nothing everywhere because the van was broke and we ate chocolate and ****** everynight
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Apr 11, 2012
Apr 11, 2012 at 1:51 AM UTC
smiling not frowning not grinning
A cold has put me on the fritz, said Eugene O'Neill, how can I forget certain things? Now I have thirteen bottles of red wine where once I had over a thousand. I know where they went but why should I tell? Every day I feed the dogs and birds. The yard is littered with bones and seed husks. Hearts spend their entire lives in the dark, but the dogs and birds are fond of me. I take a shower frequently but still women are not drawn to me in large numbers. Perhaps they know I'm happily married and why exhaust themselves vainly to ****** me? I loaned hundreds of thousands of dollars and was paid back only by two Indians. If I had known history it was never otherwise. This is the song of the cold when people are themselves but less so, people who haven't listened to my unworded advice. I was once described as "immortal" but this didn't include my mother who recently died. And why go to New York after the asteroid and the floods of polar waters, the crumbling buildings, when you're the only one there in 2050? Come back to earth. Blow your nose and dwell on the shortness of life. Lift up your dark heart and sing a song about how time drifts past you like the gentlest, almost imperceptible breeze.
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Apr 7, 2015
Apr 7, 2015 at 8:31 AM UTC
Cold Poem - Jim Harrison
He got up onstage lookin’ like somebody’d torn him out of a National Geographic special on the Amish, plunked ‘im down in Eugene for a decade where he quickly realized he didn’t have to change much to get along quite alright here. this is a song ya know I played it here 23 years ago just right over there on that side of the room and ya know my partner and I played it here and I couldn’t write songs then and he could and I was a little bit down in the dumps about myself about it but then I moved on and ya know my partner left here not long after that got caught up in that hitchhiking business and then got tangled up with the mental hospital and now he’s forced to take antipsychotic drugs every day for a time he was known as the second most dangerous schizophrenic in the state of Oregon but ya know he was also probably the second most gentle person in the state of Oregon cause ya know opposites sometimes come together in that way and ya know his songs were gentle too like this one for example this one is real gentle ya know he was really a gentle player and now he’s caught up on those antipsychotics and its all my fault cause I drank a bunch of ***** Hot Tub Jeff looked straight outta National Geographic but when he sat down he pulled out a phone and the screen glowed bright on his face bringing out all the creases that had been hidden in room’s putty atmosphere, cause ya know opposites sometimes come together in that way.
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Apr 28, 2014
Apr 28, 2014 at 10:02 PM UTC
Hot Tub Jeff
I asked him why he loved me I said I was hysterical A drama queen Hypochondriac What did he see in me He replied After a swig of dry red wine My love You're talking nonsense again
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Sep 12, 2013
Sep 12, 2013 at 4:42 AM UTC
Eugene
We scuffed across the wide sidewalks, 3 AM ***** persuading us the dim-lit bridge wouldn’t fall away beneath our curiosity to see the university’s emptiness, content in August’s stagnancy. I tried to picture thousands of strangers walking different paths to reach their point B, but soon we stepped off yellow-toned brick and I saw hippies laying on the ground outside a pub, smoking joints. One woman with hip-length dreads, her face as wrinkled as crumpled love letters hidden behind my dresser, pointed and said, You’ll forget yourself some day. Months later, I blinked awake in the tank as dawn crept through my cell bars, quietly, like the disappointment on my birthdays or Mom’s sighs when she browsed the mail for child support checks never sent by my train-wreck, truck deck loving old man who ****** me off when I mistook him for that self-righteous cop hell-bent on teaching me a lesson of respect. He had that patronizing presence, and it blinded me with magma rage I felt in my arms, through my knuckles, right to his rib cage. I still don’t remember the way back to that dingy pub.
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Mar 4, 2015
Mar 4, 2015 at 6:06 PM UTC
Nights in Eugene, Oregon
“It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a little in love with death!” “Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually. Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.” Eugene O'Neill,  Long Day's Journey Into Night
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May 20, 2018
May 20, 2018 at 11:04 PM UTC
It was a great mistake, my being born a man
After a tortuous hour of math (algebra to be exact) I start dinner; Middle Eastern stew: Cardamom, Coriander, and turmeric. Cooking is a little like math, but much more like art. My mind begins to ease as Bach pumps out one of his symphonies from the CD player. The stew boils, and I want to go outside and play, chase windmills. Where's Sancho? Dulcinea's here, frustrated by my inept ability in the equation game. I ******* despise algebra. Where's the Bluebird, the Sunflower, Bukowski or Eugene O'Neil? I want to smell a six-week-old puppy, taste Van Gogh yellow, **** until I can't walk, and ease my way into old age. Vivaldi plays his victorious song. And I know I'll conquer the numbers game, but probably not before it drives me crazy; actually, it's a short putt.
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Jan 19, 2021
Jan 19, 2021 at 7:46 AM UTC
A Short Putt
Not just a white knight But a soldier A protector of many He doesn't wield a sword But he's a hero Just the same He doesn't have a crown Instead a few dog tags But a prince just the same He doesn't have a cape Just a camouflage uniform But he's royal the same He doesn't have long hair But a crew cut short Still beautiful to me He traded his life For all of this But he's the same He's still my white knight Even as a soldier He still has my heart Even if he's away This princess, this Rapunzel Is willing to wait for her White knight Prince Eugene Flynn Her hero, her soldier
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Sep 29, 2012
Sep 29, 2012 at 3:54 PM UTC
Her Soldier
My alarm clock screams. Been awake for three hours; so ahead of the game, unaware of my powerless range. I’ve been tossing, turning, creaking, coming up with new names; another attempt to link together all of my fireless plains. Hey, I’m running on fumes. Hey, I’m Eugene Tooms; stretching, twisting, warping, got you reaching for clues. It’ll all come together, posted up in my room; just typing up a dichotomy of life as a lifeless plume.
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Aug 15, 2018
Aug 15, 2018 at 9:02 AM UTC
Going, going, gone.