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"ellipses" poems
Tinanong ako ni Annah Kung maayos na tayo Ang sabi ko Ayon, normal naman. Normal Kelan pa tayo nauwi sa normal nalang? Ah. Naaalala ko na. Nagsimula tayong maging normal Nang isang araw hindi mo ko matingnan sa mata Ni hindi mo ko makausap kung hindi ka titingin sa baba At kapag naman kailangang ikaw Ang unang magsisimula ng usapan Dinaig pa ng kapal ng usok sa kalakhang Maynila Ang nakaiilang na atmospera Sa pagitan nating dalawa. Nagsimula tayong maging normal Nang hindi na tayo nagsasabay umuwi sa hapon Nang simulan **** isipin na ayos lang na umuwi nang walang paalam May kasabay ka kasing iba. Nagsimula tayong maging normal Nang nahihirapan na kong Magsimula ng usapan sa pagitan nating dalawa Sa kung paanong sinasalamin ng Messenger sa pamamagitan ng ellipses Ang mga katagang nais ko sayang itanong sa iyo Ay sandali, online naman si Annah, siya nalang ang tatanungin ko (Pwede kaya kong sumabay sa kanya?) Wag na nga. Alam ko naman ang patungo doon. Nagsimula tayong maging normal Nang tanungin mo ang kagrupo natin sa kung ano ang gagawin Gayong ako na kagrupo mo rin ang nasa iyong harapan Pumunta ka pa talaga sa kanya Ganyan ka kailang? Normal naman sa atin ang hindi mag-usap nang madalas, hindi ba? Normal lang naman kung makakalimutan **** may katulad ko Na bukas palad na tinanggap ka Noong mga panahong durog na durog ka na, hindi ba? At bahagi din ng pagiging normal natin Kung mas pipiliin **** burahin nalang ang mga nakaraan natin, hindi ba? Nilalamon ka ng kalungkutan. Nasasaktan. At isa akong napawalang kwentang kaibigan Kasi hindi kita napatahan Sa mga panahong tahimik **** isinisigaw Ang mga bagay na sa tingin mo ay walang makauunawa Wala akong karapatang masaktan Kasi hindi ako naglakas-loob na tanungin Kung anu-ano ang mga bumabagabag sayo Hindi ko dapat indahin ang sakit ng pang-iiwan mo sa akin Gayong para na rin kitang iniwan Nang hayaan kitang unti-unting kumalas sa pagkakaibigan natin Wala akong karapatang manumbat Kasi hindi ko man lang sinubukang tanungin Kung ano nang nangyayari sa iyo Kaya mo pa ba? At hinding hindi ko rin aangkinin Ang karapatang sa una'y wala na sa akin Na maging sandalan mo Sapagkat hindi ko man lang nasabi Na ayos lang na ikaw ay humugot ng lakas sa akin Ayaw mo, oo Kasi sa tingin mo pabigat Ayaw mo, oo Kasi sanay ka na sa demonyong kalungkutan Na paulit-ulit lumalamon sayo Minsan nawawala, ngunit laging bumabalik Pagbalik-baliktarin ko man ang sitwasyon Hindi lang ikaw ang nang-iwan Iniwan din kita Iniwan kita Patawad Patawad Pakiusap, patawarin mo ko. Madaling makalimutan ang mga magagandang bagay Ngunit mahirap iwaksi mula sa makulit na isipan Ang idinadaing ng pusong nasugatan at patuloy na nahihirapan Kaya bilang pakunswelo sa tulad kong nagmahal sayo Iniisip ko na lamang na isa ako sa mga magagandang bagay sa buhay mo Kaya madali mo 'kong nakalimutan. Huli kong bulong sa sarili 'Ayos lang 'yan. Makakausad ka rin. Magtiwala ka.' Uusad at uusad ka rin. Kaibigan, patawad ulit.
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Nov 1, 2017
Nov 1, 2017 at 1:56 AM UTC
Hindi Ka Patas (Tangina, magkabukol ka sana.)
Tinanong ako ni Annah Kung maayos na tayo Ang sabi ko Ayon, normal naman. Normal Kelan pa tayo nauwi sa normal nalang? Ah. Naaalala ko na. Nagsimula tayong maging normal Nang isang araw hindi mo ko matingnan sa mata Ni hindi mo ko makausap kung hindi ka titingin sa baba At kapag naman kailangang ikaw Ang unang magsisimula ng usapan Dinaig pa ng kapal ng usok sa kalakhang Maynila Ang nakaiilang na atmospera Sa pagitan nating dalawa. Nagsimula tayong maging normal Nang hindi na tayo nagsasabay umuwi sa hapon Nang simulan **** isipin na ayos lang na umuwi nang walang paalam May kasabay ka kasing iba. Nagsimula tayong maging normal Nang nahihirapan na kong Magsimula ng usapan sa pagitan nating dalawa Sa kung paanong sinasalamin ng Messenger sa pamamagitan ng ellipses Ang mga katagang nais ko sayang itanong sa iyo Ay sandali, online naman si Annah, siya nalang ang tatanungin ko (Pwede kaya kong sumabay sa kanya?) Wag na nga. Alam ko naman ang patungo doon. Nagsimula tayong maging normal Nang tanungin mo ang kagrupo natin sa kung ano ang gagawin Gayong ako na kagrupo mo rin ang nasa iyong harapan Pumunta ka pa talaga sa kanya Ganyan ka kailang? Normal naman sa atin ang hindi mag-usap nang madalas, hindi ba? Normal lang naman kung makakalimutan **** may katulad ko Na bukas palad na tinanggap ka Noong mga panahong durog na durog ka na, hindi ba? At bahagi din ng pagiging normal natin Kung mas pipiliin **** burahin nalang ang mga nakaraan natin, hindi ba? Nilalamon ka ng kalungkutan. Nasasaktan. At isa akong napawalang kwentang kaibigan Kasi hindi kita napatahan Sa mga panahong tahimik **** isinisigaw Ang mga bagay na sa tingin mo ay walang makauunawa Wala akong karapatang masaktan Kasi hindi ako naglakas-loob na tanungin Kung anu-ano ang mga bumabagabag sayo Hindi ko dapat indahin ang sakit ng pang-iiwan mo sa akin Gayong para na rin kitang iniwan Nang hayaan kitang unti-unting kumalas sa pagkakaibigan natin Wala akong karapatang manumbat Kasi hindi ko man lang sinubukang tanungin Kung ano nang nangyayari sa iyo Kaya mo pa ba? At hinding hindi ko rin aangkinin Ang karapatang sa una'y wala na sa akin Na maging sandalan mo Sapagkat hindi ko man lang nasabi Na ayos lang na ikaw ay humugot ng lakas sa akin Ayaw mo, oo Kasi sa tingin mo pabigat Ayaw mo, oo Kasi sanay ka na sa demonyong kalungkutan Na paulit-ulit lumalamon sayo Minsan nawawala, ngunit laging bumabalik Pagbalik-baliktarin ko man ang sitwasyon Hindi lang ikaw ang nang-iwan Iniwan din kita Iniwan kita Patawad Patawad Pakiusap, patawarin mo ko. Madaling makalimutan ang mga magagandang bagay Ngunit mahirap iwaksi mula sa makulit na isipan Ang idinadaing ng pusong nasugatan at patuloy na nahihirapan Kaya bilang pakunswelo sa tulad kong nagmahal sayo Iniisip ko na lamang na isa ako sa mga magagandang bagay sa buhay mo Kaya madali mo 'kong nakalimutan. Huli kong bulong sa sarili 'Ayos lang 'yan. Makakausad ka rin. Magtiwala ka.' Uusad at uusad ka rin. Kaibigan, patawad ulit.
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81
Remember, that chaos first was a primordial deity, Chaos; the nothingness from which all else sprang headfirst and heartfelt, half-naked and handsome, hook, line and... halibut. All of this, every measurable moment, every particle, every object set forth in motion sprang from a void so harmoniously as if the absence of everything was kissed sudden by the presence of something. Often depicted with wings, a bow, and a quiver of arrows, Cupid, son of Venus - goddess of love, son of Mercury - god of trade, his story, almost identical in Greek and in Roman mythology, his story, about a couple of gods who seem so inherently human by nature, jolted by jealousy, dumbstruck by beauty, hellbent on immortality, his story has been hallmarked as red hot velvet rose petal fine wine and symmetrical hearts. Wrapped in tin foil red ribbons bitter-sweetly sugarcoated dipped in thin layer of chocolate taste-tested and lover approved. Remember that scene in Hook where Tinkerbell leaves her footprints on Peter's chest, well that's you and that's me-- touch me where my heart beats because I don't ever wanna be a lost boy. I wanna grow up like a good bedtime story with morals and purpose, I wanna have meaning. You might say that Cupid found himself. You might say that Psyche found her soul. You might say that Tinkerbell was just faking it-- with the clapping. Truth is, we can never know the whole story-- the complete truth. Problem is, we think we can and act like we do. So the only time we mean what we say is the first time we say it, every utterance thereafter is just an attempt at recreating a moment. I love you is a paraphrase that deserves three separate ellipses because there's a lot left unsaid. I (distinctively remember shadow-boxing with) love (against a star-dotted sky anchored to a moonlight so vibrant it can only be compared to) you (and your tidal waves). And that's where I fell headfirst and handsome. I (was punched-drunk by a kiss so breathless that it spiked my dopamine to a volume that can only be described as) love (in that every time my neurotransmitters feel) you (they spin themselves dizzy and dance to your science). There was a moment in the absence of everything when I was kissed silent by the presence of something. Hold me to your breastplate. I don't ever wanna go back to the void. 02/09/2010
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Feb 14, 2012
Feb 14, 2012 at 2:03 PM UTC
Hallmarked & Handsome
Remember, that chaos first was a primordial deity, Chaos; the nothingness from which all else sprang headfirst and heartfelt, half-naked and handsome, hook, line and... halibut. All of this, every measurable moment, every particle, every object set forth in motion sprang from a void so harmoniously as if the absence of everything was kissed sudden by the presence of something. Often depicted with wings, a bow, and a quiver of arrows, Cupid, son of Venus - goddess of love, son of Mercury - god of trade, his story, almost identical in Greek and in Roman mythology, his story, about a couple of gods who seem so inherently human by nature, jolted by jealousy, dumbstruck by beauty, hellbent on immortality, his story has been hallmarked as red hot velvet rose petal fine wine and symmetrical hearts. Wrapped in tin foil red ribbons bitter-sweetly sugarcoated dipped in thin layer of chocolate taste-tested and lover approved. Remember that scene in Hook where Tinkerbell leaves her footprints on Peter's chest, well that's you and that's me-- touch me where my heart beats because I don't ever wanna be a lost boy. I wanna grow up like a good bedtime story with morals and purpose, I wanna have meaning. You might say that Cupid found himself. You might say that Psyche found her soul. You might say that Tinkerbell was just faking it-- with the clapping. Truth is, we can never know the whole story-- the complete truth. Problem is, we think we can and act like we do. So the only time we mean what we say is the first time we say it, every utterance thereafter is just an attempt at recreating a moment. I love you is a paraphrase that deserves three separate ellipses because there's a lot left unsaid. I (distinctively remember shadow-boxing with) love (against a star-dotted sky anchored to a moonlight so vibrant it can only be compared to) you (and your tidal waves). And that's where I fell headfirst and handsome. I (was punched-drunk by a kiss so breathless that it spiked my dopamine to a volume that can only be described as) love (in that every time my neurotransmitters feel) you (they spin themselves dizzy and dance to your science). There was a moment in the absence of everything when I was kissed silent by the presence of something. Hold me to your breastplate. I don't ever wanna go back to the void. 02/09/2010
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72
Rhythm of life Nails tapping on table tops Beating of our hearts spin the world right off its axis. Momma shot a man in Reno Just to watch him die. Atlas shrugged And we all tripped as we walked The pace of our mile, off by 3.6 seconds. Trust in our stated axioms Disillusioned Americans in Paris Judged by the color of our skins and the shoes on our feet No one stops to see how blue it is up there today. Hurrying through the rain Our cities never sleep. Going down South It’s slower down here. Sunday’s best and “God Loves You” stickers when you get your oil changed. Night train whistle blows Factory steam pipes squeal Mississippi riverboats tug and chug Dictionary.com definitions let us down. Greatest disasters in history are when thing we take perfectly for granted stop working. Mad cow, mad hatter, mad world Bad boys, bad wine, bad date Ellipses, dot dot dots, dramatic pause, passing of time passing of time passing of…. …….. …………. ……………………. Time. Tw— Twi— Twitch. (tick tick tick) I believe in the abnormal And the impossible And I refuse to believe that fictional characters aren’t real Animals completely understand me When I talk to them. Baby missiles fire From all parts of the globe End of the world party Let’s go down in glorious drunkenness As the beating of our hearts Spins the world right off its axis.
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Jun 13, 2012
Jun 13, 2012 at 11:34 AM UTC
This is the Way the World Ends, Not with a Whimper, but a Bang
You asked me my name in your first remark We sat on opposite ends of a question mark You were dashing - made me pause, me, this independent clause standing alone, I made sense on my own But I answered you anyway. Ellipses. Now you are the verb in my heart’s contraction I am the subject and you are the action An Interrogative with a Declarative reaction An Exclamatory and then an Imperative attraction Ellipses. Your lips ease Me, the direct object of your affection, but never sentenced to an apostrophe’s possession perhaps more true- a plural “s” suggestion and the excitement behind an exclamation point’s inflection The semi-colon understands We can be on our own, but we want to stand together where our letters aren’t fetters, but the typesetter’s better measure of linguistic pleasure. We communicate through metaphors and similes Like the birds and the bees We speak across homophone lines to keep a census of our senses at all times Because words said aloud have allowed us to find meaning behind the utterance of sound- mere words and phrases jumping off of pages into brain and heart and soul when the parts become a whole And with the syntax, punctuation, grammar, and usage I’m a hopeless semantic always trying to ****** it Language- yours I understand through the myriad. Words can’t capture you. Period.
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Apr 10, 2016
Apr 10, 2016 at 10:50 PM UTC
Hopeless Semantic
the cosmos a web of plantary oppositions squares and triangulations curses and blessings demons, humans and gods friends and enemies each a constituent a revolving carousel of heavens and hells the macro, an umbrella of spilling stars like shattered glass in flames outer and inner stone & gas planets wandering infinitely like strays others in tight gravitational ellipses and eclipses the elements of fire air earth and water from the most subtle formless to rocks flames oceans and the air we breathe disjuncture in a   a mix-meister a gruesome churning mouth swallowing our delicate membranes and we wonder why we are in pain why we are nourished by flesh as we ourselves are consumed filled with blood and nothing and deadened by marking time all hungry shells and why we wither to dust as do suns and moons and gods themselves all of us children of monsters and corpse eaters born of magnitudes episodic collisions and  harrowing creative destructions the dead living and the living dead with eyes that flicker only on half a landscape at a time a holloween of pyramids and bones always running from wolves because we are meant to be eaten okay my darlings now lets try focused breathing, and boundless light lets try being Hindu
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Sep 16, 2018
Sep 16, 2018 at 2:23 PM UTC
HINDU
Still alone We are not Maybe Titan All we got Mine our way Barge ore back Build a bridge Plutonium tack Ceramic sails On solar wind Terminal shock Butterflies pinned On orbital ellipses ‘Gainst starry drops Spun light and dark Like judgment tops Spendthrift starfish Regenerate limbs From primal screams That eat our sins
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Oct 17, 2013
Oct 17, 2013 at 12:27 AM UTC
Starfish Prime
I don’t want to ever find myself apologizing to you today I am saying sorry by vomiting today I am saying sorry by not moving today your face is in my hand & I am kissing it today my body expands like lung cancer I am always writing about expanding bodies I am never not vomiting even when I am really not at all last night I got 4 hours of sleep this morning my headache is full of scraped knees today I do not move today I think about kissing you today I think that kissing you would not be very different from kissing a taxi today I think that I want to ignore you & kiss you forever & ever but I cannot do that if you ignore me today my stomach is angry at the world today I am in love with too many people today I am waiting for the world to thank me & I am waiting for an astronaut, a moon, a lit-up screen, ellipses in your rotten mouth, some beestings in my throat
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Jul 17, 2014
Jul 17, 2014 at 2:47 PM UTC
bulimia
I see myself in light and shadow. I wipe away “always and never” like spilled water, when the paradox bothers me. I dissolved my soft boundaries, in the name of unreal faith. So many places, so many faces, yet another beginning. I keep rolling a big stone beside others. The home I dreamt of now exists in my world. I have found this time, this place describing what cannot be translated: a room for uncertainty, farewells and returns. I like to stand in the last row, to see tired bodies. I whisper good words, to make the world a little better. My sovereignty is a willingness to be an echo, the symbol, the myth, or a meaningless element in the chain of woven stories. I love metaphors. I find myself in a forest of ellipses, that bring unbearable truths. Tensions, contradictions, awareness that everything that lights brings unseen weight. I am a part of stories, to vanish into oblivion— the done past. The Earth still breathes with me, or without me, among blooming linden trees. So, I want to stay, to open my eyes, and be with what remains.
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Jul 1, 2025
Jul 1, 2025 at 2:16 PM UTC
GNOSIS
fed the birds. fed the birds a book about my dead weight. fed the birds a heavy. fed them from my thin hands. The words that live. The birds ate. The birds ate words that lived and always lived in separate houses. if... and i mean if and only if they could afford it. if these clever pagans ever had a dime. they found it boring rich folk to death. i fed the birds my indigenous nomads. they dined in high style... dined black and fancy on shabby addicts, as they hopped trains . i fed the birds my swarthy tribe. and they supped. i fed the birds a monologue with trains of thought the words i fed them... the vagabonds... hopped trains. of thought. I fed the birds. i fed the birds just outside. i sat and fed them black light and Harmalade fed them blackly fed them with piano keys; the black ones, the ones that radiate i fed i watched them. watched them fancy peck. and peck and fancy pluck. i watched. they dined on serene defeat by technicality. it was surreal to watch a blackbird pluck from black keys - peck a morsel of glum from the black rays, yes. the black rays with opposable thumbs and a lifeline. the only one i know forbidding gypsies with three eyes. an open palm. a paranoid black radish white dwarf star with piano keys for black rays of nimbus, yes mine is the hand that bites the hand that writes the book it wants to ban, that ain't a fan not at all. just an appendage. a pen dirge ? What ? i fed the flock lots I fed the black ones - with dolls' eyes... tucked under wing. i fed them, yes. a book about the size of any welcome malcontent. i fed them sorrows and ellipses with adjacent lawns. wutherings in stately manors, squatting on either side of memory lane, like a bourbon and coke had practically crawled across shards of hard things to break, with a drink in your hand and crawled, well blended down the hatch of enormous, well appointed gothic frogs, that - were mostly refurbished toads with odd columns. i fed the birds, broke out the Good Chi na hang the tantrums ! yes One should expect a rich metaphor to want to watch you eat it's every word or by extension; lick the toad with 15 rooms, three stories, unfit for children and a full staff of Adjectives, highly trained to short-sheet the Bedlam, and fluff the pillories. one should sip the liqueur off the floor, inside the huge and tipsy gorgon and be thankful for the dank and the solid gold flyswatters. they're complementary. take one as you leave out thinking " toads, eat flies.... so it follows...." apropos of nothing, on the ' Good China ', now in the belly of birds, well fed an unwell. a book about my dead-weight's dream to eat fewer flies and more steak. to grow wings. yes.
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Oct 17, 2012
Oct 17, 2012 at 11:23 AM UTC
DODO
fed the birds. fed the birds a book about my dead weight. fed the birds a heavy. fed them from my thin hands. The words that live. The birds ate. The birds ate words that lived and always lived in separate houses. if... and i mean if and only if they could afford it. if these clever pagans ever had a dime. they found it boring rich folk to death. i fed the birds my indigenous nomads. they dined in high style... dined black and fancy on shabby addicts, as they hopped trains . i fed the birds my swarthy tribe. and they supped. i fed the birds a monologue with trains of thought the words i fed them... the vagabonds... hopped trains. of thought. I fed the birds. i fed the birds just outside. i sat and fed them black light and Harmalade fed them blackly fed them with piano keys; the black ones, the ones that radiate i fed i watched them. watched them fancy peck. and peck and fancy pluck. i watched. they dined on serene defeat by technicality. it was surreal to watch a blackbird pluck from black keys - peck a morsel of glum from the black rays, yes. the black rays with opposable thumbs and a lifeline. the only one i know forbidding gypsies with three eyes. an open palm. a paranoid black radish white dwarf star with piano keys for black rays of nimbus, yes mine is the hand that bites the hand that writes the book it wants to ban, that ain't a fan not at all. just an appendage. a pen dirge ? What ? i fed the flock lots I fed the black ones - with dolls' eyes... tucked under wing. i fed them, yes. a book about the size of any welcome malcontent. i fed them sorrows and ellipses with adjacent lawns. wutherings in stately manors, squatting on either side of memory lane, like a bourbon and coke had practically crawled across shards of hard things to break, with a drink in your hand and crawled, well blended down the hatch of enormous, well appointed gothic frogs, that - were mostly refurbished toads with odd columns. i fed the birds, broke out the Good Chi na hang the tantrums ! yes One should expect a rich metaphor to want to watch you eat it's every word or by extension; lick the toad with 15 rooms, three stories, unfit for children and a full staff of Adjectives, highly trained to short-sheet the Bedlam, and fluff the pillories. one should sip the liqueur off the floor, inside the huge and tipsy gorgon and be thankful for the dank and the solid gold flyswatters. they're complementary. take one as you leave out thinking " toads, eat flies.... so it follows...." apropos of nothing, on the ' Good China ', now in the belly of birds, well fed an unwell. a book about my dead-weight's dream to eat fewer flies and more steak. to grow wings. yes.
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186
Punctuation marks the hesitancy in this conversation and I can't help but dwell on words resting unspoken between commas, ellipses and apostrophes;the Spaces between letters where sounds sleep, vibrations strike empty chords and fall short of expression.
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Feb 24, 2015
Feb 24, 2015 at 7:52 PM UTC
Words Unspoken Speaking
. •up the wall... he wou- ld climb every  night again and again... • every time he did, to the bottom he would fall•fortunately aid came quickly to where  he had lain... • on handsome horses, sat  men moustach- ed and tall  •   overhead the moon cried sullen and grim•*oh why  does he always par- take in such foolish endeavour?*•the men hurr- ied back on thundering  hooves to save him •he laid motionless  awaiting to be put toge- ther•"we're the same,  both ellipses, she and i" •same words he would repeatedly mutter •*"to be closer to her I will always try•only then she would know that forever i'll be falling for her"*• **IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII |-------|-------|-------|-------|-------|-------|-------|-------| |--|-------|-------|-------|-------|-------|-------|-------|---| |-------|-------|-------|-------|-------|-------|-------|-------| |--|-------|-------|-------|-------|-------|-------|-------|---|** .
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Dec 6, 2015
Dec 6, 2015 at 11:26 AM UTC
The Great Fall
For you to understand your self-destruction must I demonstrate sweet sugary ellipses to help initiate dreaming but what if I postpone and begin to talk of inanimate objects ramble meaningless words would you call me as I continued while you goodbyed must I demonstrate force fear upon your intestines for your eyes to open from your ellipse induced daze?
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Oct 21, 2012
Oct 21, 2012 at 11:14 PM UTC
untitled. (self-destruction)
You can't see beyond the cover Of this book The preface, the synopsis is great but you won't even look There is imagery inside which is breath taking and blinding gorgeous. But will never be read you will buy a book with a flashy front cover Never even see me as a potential lover I could be all you wanted But my love for you is an ellipses... Or a full stop. Because it can never be because you believe the thin surface of skin is more inviting.
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Jun 8, 2016
Jun 8, 2016 at 3:25 PM UTC
Dont judge me like a books cover
One-sidedly decided arrows, vacillating ellipses; equilaterally considered triangles, biased Isosceles; worlds, whorls, rectangled squares, afflicted rhombuses; A self-destructing nova. The night opens up, a book of wonders across the sky, shining in the stars; broken moon; Wading across ancient expanse. Flashes of illumination: lighted mountain bush, cross rising on the eastern sky; One look at the visage, blooming out of this figure wrapped creeper-like around faint sight, flower emerging in silver light out of the shadows: bubbles, rolling, nonagular, collapsing; Oh pointless ratiocination!
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Nov 5, 2013
Nov 5, 2013 at 1:34 PM UTC
Flashes... | Abstract Ekphrasis
I An old man sits In the shadow of a pine tree In China. He sees larkspur, Blue and white, At the edge of the shadow, Move in the wind. His beard moves in the wind. The pine tree moves in the wind. Thus water flows Over weeds. II The night is of the colour Of a woman's arm: Night, the female, Obscure, Fragrant and supple, Conceals herself. A pool shines, Like a bracelet Shaken in a dance. III I measure myself Against a tall tree. I find that I am much taller, For I reach right up to the sun, With my eye; And I reach to the shore of the sea With my ear. Nevertheless, I dislike The way ants crawl In and out of my shadow. IV When my dream was near the moon, The white folds of its gown Filled with yellow light. The soles of its feet Grew red. Its hair filled With certain blue crystallizations From stars, Not far off. V Not all the knives of the lamp-posts, Nor the chisels of the long streets, Nor the mallets of the domes And high towers, Can carve What one star can carve, Shining through the grape-leaves. VI Rationalists, wearing square hats, Think, in square rooms, Looking at the floor, Looking at the ceiling. They confine themselves To right-angled triangles. If they tried rhomboids, Cones, waving lines, ellipses -- As, for example, the ellipse of the half-moon -- Rationalists would wear sombreros.
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1.8k
Six Significant Landscapes
What I wouldn't give to know the comet tails of thought obscured by your ellipses …
0
Jan 1, 2011
Jan 1, 2011 at 5:53 PM UTC
Ellipses
her cigarette smelled like a black rose on a 2:39 am nightmare full of feelings and darkness into the abyss... dramatic ellipses... uh... evil! dark! mean! bullying is bad! i guess.
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Jan 8, 2016
Jan 8, 2016 at 1:04 PM UTC
a compilation of bad poetry cliches.
i am a terrible poet. the words i tied together in attempt to annunciate 
the way your kisses felt along the soft of my 
cheeks were mediocre and just barely enough.
 just barely.
 there weren't enough ways that i could describe the mouthful 
of stars that spilled at the seams of my 
lips as you gently traced them with warm finger tips. 
mm, your finger tips.
 your finger tips felt like a personal extension from god himself as
 they dusted the empty jars i left untouched 
in the forgotten spaces of me.
 you held them tightly and filled them to the top
 with a breathful of morning secrets 
and hidden places to meet. 
i found you.
 i found you and allowed the words to slip
 through my small hands 
as you kissed my palms gently and sweetly
 and folded them into your own to keep for just a little bit. (
i could stay here) i could lay underneath your tired smiles
 and messy hair
 until stars realigned themselves and directed 
me to you all over again. (
i could stay here) 
i could tangle in-between your pale sheets and make up all the words that 
effortlessly translate the way i melted and simmered 
at the sheer thought of waking up and knowing you again. 
i could illustrate all of the galaxies you whispered 
onto the trail of my back with
 colors and warmth i never knew 
and turn them into poorly strung together, 
black and white strings of thought.
 you were my favorite secret
 and the cause of all of my writer’s block. (i could stay here) 
i’ve lived in florida my entire life 
and have spent more days than i can count 
under the sun and in the wake of rays that always burned, 
but i’ve never felt more warmth than lying underneath
 your expired thoughts and eclipsing eyes 
as the moon seeped through your broken window blinds. 
i forgot what it was like to breathe 
until you took my face sweetly and sincerely and kissed me. the paragraphs and ellipses that perforated my parenthetical sighs of relief stained the corners of my mouth and lingered long enough for me to remember the after taste of your recycled sunshine as you left me. i am a terrible poet, but a better kept secret it seems.
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Apr 24, 2014
Apr 24, 2014 at 2:56 PM UTC
.{ mason jars }.
i am a terrible poet. the words i tied together in attempt to annunciate 
the way your kisses felt along the soft of my 
cheeks were mediocre and just barely enough.
 just barely.
 there weren't enough ways that i could describe the mouthful 
of stars that spilled at the seams of my 
lips as you gently traced them with warm finger tips. 
mm, your finger tips.
 your finger tips felt like a personal extension from god himself as
 they dusted the empty jars i left untouched 
in the forgotten spaces of me.
 you held them tightly and filled them to the top
 with a breathful of morning secrets 
and hidden places to meet. 
i found you.
 i found you and allowed the words to slip
 through my small hands 
as you kissed my palms gently and sweetly
 and folded them into your own to keep for just a little bit. (
i could stay here) i could lay underneath your tired smiles
 and messy hair
 until stars realigned themselves and directed 
me to you all over again. (
i could stay here) 
i could tangle in-between your pale sheets and make up all the words that 
effortlessly translate the way i melted and simmered 
at the sheer thought of waking up and knowing you again. 
i could illustrate all of the galaxies you whispered 
onto the trail of my back with
 colors and warmth i never knew 
and turn them into poorly strung together, 
black and white strings of thought.
 you were my favorite secret
 and the cause of all of my writer’s block. (i could stay here) 
i’ve lived in florida my entire life 
and have spent more days than i can count 
under the sun and in the wake of rays that always burned, 
but i’ve never felt more warmth than lying underneath
 your expired thoughts and eclipsing eyes 
as the moon seeped through your broken window blinds. 
i forgot what it was like to breathe 
until you took my face sweetly and sincerely and kissed me. the paragraphs and ellipses that perforated my parenthetical sighs of relief stained the corners of my mouth and lingered long enough for me to remember the after taste of your recycled sunshine as you left me. i am a terrible poet, but a better kept secret it seems.
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58
Standing, soaked, out in a storm, gusts of wind whipping my hair around wildly Unruly strands sway with the song of chaos, pulling at my scalp, snapping, lashing at my face My existence is all reality as this whirlwind tempest frantically thrashes about my flesh In the complex puzzles and foolish games, a simple madness lives, and therein lies my freedom My tongue and lips sometimes flap boisterously from their spot on my face And the noises risen up from my throat, and passed through my mouth are meaningless blubberings Involuntarily, I grin, tasting the nonsense's unique sweetness, and I swallow My laughter rings out, a vociferous and untameable sound; humor, the voice of a crazy woman And I spin! Oh, I spin and spin and spin, savagely, in ellipses, ovals, and circle shapes I've no shame, and this dance is all mine, so I maniacally fling my arms through the air And as my body makes its revolutions, a fierce smile curves the shape of my lips, wrinkles the corners of my eyes Inside my mind, wandering - wondering if there's any real difference between elated insanity and that which I crave... Some people might use words such as eccentric, strange, whimsical, and peculiar for what they cannot understand So very often I hear these such words being used from those who speak of me But it is them whom I perceive as being rather off, so habitual and boring, living like routine enslaved, joyless zombies So unfathomable to me, why most everyone seems to desire nothing beyond a passionless, hollow schedule to, every day, just repeat Me... I'll race barefoot down a gravel path, through lightning, thunder, and rain, only to feel my hair being twisted and tangled up in the wind I'll jabber absurdities, laugh like a loon, all while I spin contentedly around and around, until, stupidly dizzy, I crash and fall Madness pays little mind, stands without worries or concerns, because it believes - it knows, most nothing matters This is my freedom, freedom that cannot be shared, for what it is, is something that's only freeing for me...                ~A. D. Smithson   MARCH 2013
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Jun 14, 2013
Jun 14, 2013 at 4:58 AM UTC
Ellipses, Ovals, & Circle Shapes
Standing, soaked, out in a storm, gusts of wind whipping my hair around wildly Unruly strands sway with the song of chaos, pulling at my scalp, snapping, lashing at my face My existence is all reality as this whirlwind tempest frantically thrashes about my flesh In the complex puzzles and foolish games, a simple madness lives, and therein lies my freedom My tongue and lips sometimes flap boisterously from their spot on my face And the noises risen up from my throat, and passed through my mouth are meaningless blubberings Involuntarily, I grin, tasting the nonsense's unique sweetness, and I swallow My laughter rings out, a vociferous and untameable sound; humor, the voice of a crazy woman And I spin! Oh, I spin and spin and spin, savagely, in ellipses, ovals, and circle shapes I've no shame, and this dance is all mine, so I maniacally fling my arms through the air And as my body makes its revolutions, a fierce smile curves the shape of my lips, wrinkles the corners of my eyes Inside my mind, wandering - wondering if there's any real difference between elated insanity and that which I crave... Some people might use words such as eccentric, strange, whimsical, and peculiar for what they cannot understand So very often I hear these such words being used from those who speak of me But it is them whom I perceive as being rather off, so habitual and boring, living like routine enslaved, joyless zombies So unfathomable to me, why most everyone seems to desire nothing beyond a passionless, hollow schedule to, every day, just repeat Me... I'll race barefoot down a gravel path, through lightning, thunder, and rain, only to feel my hair being twisted and tangled up in the wind I'll jabber absurdities, laugh like a loon, all while I spin contentedly around and around, until, stupidly dizzy, I crash and fall Madness pays little mind, stands without worries or concerns, because it believes - it knows, most nothing matters This is my freedom, freedom that cannot be shared, for what it is, is something that's only freeing for me...                ~A. D. Smithson   MARCH 2013
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21
I feed my appetite with your voice. Your fricatives pirouette on my tongue. Each sibilant hangs on my teeth, then slides off and leaves its wax to pile up in my throat. I cough it up and collect it in a jar. It sits on the shelf in my basement and becomes familiar with the musty cloak of yesterday’s wet laundry. On the shelf, there are jars of swollen strawberries and gritty half-skulls of pears, blackberries like bundles of balloons. But in your jar, suspended in their own sugary liquid, are ripened vowels that arabesque when I give the jar a shake. I wipe the damp film off the metal lid with my thumb. Now I’m sitting in bed at 2:00 a.m., scooping your words from their glass house with a sticky index finger, speckled with seeds, semicolons, ellipses. Each dig gets me closer to your older, sweeter language–closer to what I’ve been craving. The last drops cling to the jar’s lip until I tilt it to mine, and I’m full-bellied, staring at an empty jar. In the bathroom, I slide a finger in my mouth until it reaches my throat and the words come up and fill the toilet and overflow onto the floor, puddle around my crooked toes and stain the linoleum.
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Jul 29, 2013
Jul 29, 2013 at 4:44 PM UTC
Teeth Like Lloyd
it doesn’t have to mean anything more than a crumpled up dollar bill in an open guitar case i hope one day i’ll learn to keep my head down to keep walking instead of getting stuck in front of windows it feels like i’m loitering in the parking lot of everyone else’s lives a heap of squeezed ginger ale cans and candy bar wrappers crowding my bare feet i guess eventually i’ll have to leave and find out things always look better through a side mirror i glance back and see the orange trees in the median a runner almost getting hit by a left-hand turn i’m so glad i didn’t have to watch her die instead i watch two college students nervously laugh shifting their weight from one foot to the other beside the crosswalk button and i sigh a little they are on one side of the glass and i am on the other i seem to miss the things i made sure would never happen to me tuck myself into bed buzzing with the engine of a snow-covered train, a reckless ellipses it is comforting to want what i cannot have
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Mar 27, 2021
Mar 27, 2021 at 8:38 AM UTC
anna karenina
In God’s mind, there was infinity. a slowly whirling, glittering, eternity of terrifying bright night, full of flames that sprinted in ellipses, and marbled floating globes with golden belts of grit and sand all this, tethering His earth with their gravities. In God’s mind, there was a glassy-toothed plesiosaurus, smooth-skinned, dark-eyed, soaring through the airy green deeps. In God’s mind, there was a rumply, wrinkly boulder of an elephant, curling his corrugated trunk shaking his curving tusks. And in God’s mind there was His Child. In God’s mind there were His children: heads, feet, hearts, muscles, nerves, veins, eyes, and hands and mouths. all these. And once upon a time, in God’s mind, there was a small, feathered thing. light-boned and fragile, with a pert, sassy **** to its head-- a daring rascal of a bird! It had a thin, flat tail like a paintbrush, that flicked and bobbed as though held loose in an artist’s indecisive fingers-- As for the feet, their scales were like a lizard’s gray, scalloped ones, fringing eight skinny claws-- such a small bird! And the wings --He smiled-- the wings were the best part, those bronzy-edged feathers, as neatly lapping over each other as shingles on a roof. Ah, yes, in God’s mind there was a sparrow.
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Apr 23, 2013
Apr 23, 2013 at 9:04 PM UTC
In God's Mind
While it rains We sit in a window Looking out waiting for it to stop Our life goes into a limbo All this precious time in our lives We waste on waiting For something or someone To happen We wait for the light turn green For our laundry to be done We wait for the oven to preheat Or for reciprocated love This limbo we live in while we wait Gives us nothing but grey hairs As our precious time slips away Patience is a virtue When it comes to the right things worth waiting on But how much time is wasted in that limbo On things that aren't worth the wait? It's a fine line Deciding when it's appropriate to wait But it's not worth it when we put our lives on hold With or without patience We grow old In the end We all have an end How many of your pages are filled with words and events Instead of ellipses (...) which is The limbo we sit in while waiting © Nathan Pival 2016
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Jun 4, 2016
Jun 4, 2016 at 12:59 AM UTC
The Limbo we sit in While Waiting
You Facebook messaged me today. **** it’s been a month or two! I remember at Velvet I tried to be like Lennon to your friend Roxy! “dance?” I said, raising my arms; eye contact; smile. She smiled and said, “Oh no that’s ok…” “Ok, I’m not John Lennon haha…” Twenty mins go by. I lit a jack. You and I geeked about Murakami. I was three Natty bo’s deep. I glanced up; rain fell Your friend Sara pushed up her huge [ellipses] umbrella. You mentioned your boyfriend is a Deejay at Flash. You Facebook messaged me today.
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Oct 22, 2016
Oct 22, 2016 at 1:47 PM UTC
R-Status a.k.a How to make awkwardly make Friends from U-Street