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"doubtless" poems
1478 Look back on Time, with kindly eyes— He doubtless did his best— How softly sinks that trembling sun In Human Nature’s West—
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Look back on Time, with kindly eyes—
I've never seen a shooting star. The city lights are way too bright, But should they dim somehow, I'll wish for words to never fail. He said he'd take me out to see A shooting star this summer, And when he doubtless keeps his word, I'll wish him peace of mind.
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Feb 13, 2013
Feb 13, 2013 at 7:35 AM UTC
Shooting Star
Husband and Wife! yes, that term sounds nice. When they tie that knot with gold. Two will live as one, this path has just begun. Together until they both grow old. In this lifetime dance, sharing their romance. Will things always go their way. Errors can slip in, create a family sin. That makes this connection sway. He might go astray, and his wife betray. And the odds are this won't go. Far to making them want to try again But many others may not know. From an outside eye love will never die. They were made to live as one. Rather a theatrical play, than give the game away. The deception has begun. For a child's grace they create a face. That is happy and sublime. But they drift apart, both have lost the heart. And just seek to bide their time. For it will doubtless be when it's not us but me. And for freedom they will aim. No more having to distract with this farcical act. Finally ending loves spun game. Should it go on so late, when love does turn to hate. Is it not better to just leave For trying to be discreet can be so bitter sweet. Like a web that spiders weave. Better to live a truth than to try and prove. To those who are outside. Of this marriage bed where these hearts have bled. Just for the sake of pride.
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Oct 24, 2014
Oct 24, 2014 at 12:24 PM UTC
Bad Marriage Blues.
(For Harry Clifton) I HAVE heard that hysterical women say They are sick of the palette and fiddle-bow. Of poets that are always gay, For everybody knows or else should know That if nothing drastic is done Aeroplane and Zeppelin will come out. Pitch like King Billy bomb-balls in Until the town lie bearen flat. All perform their tragic play, There struts Hamlet, there is Lear, That's Ophelia, that Cordelia; Yet they, should the last scene be there, The great stage curtain about to drop, If worthy their prominent part in the play, Do not break up their lines to weep. They know that Hamlet and Lear are gay; Gaiety transfiguring all that dread. All men have aimed at, found and lost; Black out; Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages, And all the drop-scenes drop at once Upon a hundred thousand stages, It cannot grow by an inch or an ounce. On their own feet they came, or On shipboard,' Camel-back; horse-back, ass-back, mule-back, Old civilisations put to the sword. Then they and their wisdom went to rack: No handiwork of Callimachus, Who handled marble as if it were bronze, Made draperies that seemed to rise When sea-wind swept the corner, stands; His long lamp-chimney shaped like the stem Of a slender palm, stood but a day; All things fall and are built again, And those that build them again are gay. Two Chinamen, behind them a third, Are carved in lapis lazuli, Over them flies a long-legged bird, A symbol of longevity; The third, doubtless a serving-man, Carries a musical instmment. Every discoloration of the stone, Every accidental crack or dent, Seems a water-course or an avalanche, Or lofty slope where it still snows Though doubtless plum or cherry-branch Sweetens the little half-way house Those Chinamen climb towards, and I Delight to imagine them seated there; There, on the mountain and the sky, On all the tragic scene they stare. One asks for mournful melodies; Accomplished fingers begin to play. Their eyes mid many wrinkles, their eyes, Their ancient, glittering eyes, are gay.
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Lapis Lazuli
(For Harry Clifton) I HAVE heard that hysterical women say They are sick of the palette and fiddle-bow. Of poets that are always gay, For everybody knows or else should know That if nothing drastic is done Aeroplane and Zeppelin will come out. Pitch like King Billy bomb-balls in Until the town lie bearen flat. All perform their tragic play, There struts Hamlet, there is Lear, That's Ophelia, that Cordelia; Yet they, should the last scene be there, The great stage curtain about to drop, If worthy their prominent part in the play, Do not break up their lines to weep. They know that Hamlet and Lear are gay; Gaiety transfiguring all that dread. All men have aimed at, found and lost; Black out; Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages, And all the drop-scenes drop at once Upon a hundred thousand stages, It cannot grow by an inch or an ounce. On their own feet they came, or On shipboard,' Camel-back; horse-back, ass-back, mule-back, Old civilisations put to the sword. Then they and their wisdom went to rack: No handiwork of Callimachus, Who handled marble as if it were bronze, Made draperies that seemed to rise When sea-wind swept the corner, stands; His long lamp-chimney shaped like the stem Of a slender palm, stood but a day; All things fall and are built again, And those that build them again are gay. Two Chinamen, behind them a third, Are carved in lapis lazuli, Over them flies a long-legged bird, A symbol of longevity; The third, doubtless a serving-man, Carries a musical instmment. Every discoloration of the stone, Every accidental crack or dent, Seems a water-course or an avalanche, Or lofty slope where it still snows Though doubtless plum or cherry-branch Sweetens the little half-way house Those Chinamen climb towards, and I Delight to imagine them seated there; There, on the mountain and the sky, On all the tragic scene they stare. One asks for mournful melodies; Accomplished fingers begin to play. Their eyes mid many wrinkles, their eyes, Their ancient, glittering eyes, are gay.
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57
I dwell in a lonely house I know That vanished many a summer ago, And left no trace but the cellar walls, And a cellar in which the daylight falls, And the purple-stemmed wild raspberries grow. O’er ruined fences the grape-vines shield The woods come back to the mowing field; The orchard tree has grown one copse Of new wood and old where the woodpecker chops; The footpath down to the well is healed. I dwell with a strangely aching heart In that vanished abode there far apart On that disused and forgotten road That has no dust-bath now for the toad. Night comes; the black bats tumble and dart; The whippoorwill is coming to shout And hush and cluck and flutter about: I hear him begin far enough away Full many a time to say his say Before he arrives to say it out. It is under the small, dim, summer star. I know not who these mute folk are Who share the unlit place with me— Those stones out under the low-limbed tree Doubtless bear names that the mosses mar. They are tireless folk, but slow and sad, Though two, close-keeping, are lass and lad,— With none among them that ever sings, And yet, in view of how many things, As sweet companions as might be had.
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Ghost House
In honesty , I don't see a reason not to, I apologise for being crude or being rude or being blunt, I can feel this urge, this craving, this want. I know you've wanted it, And I refuse to dennie it, To be clear an honest, I don't plan to disrespect or disregard, Your words or agreements. But I don't disregard your wants, and I don't see why I would, You make me feel like I shouldn't, but you do like you should. Your eyes scream at me, As your thoughts twisting into my frequencies, calling me, but keeping me at bay. Your body reserved but your fingers twitch, Watching you closely, I can feel your nervous, it's not about me, I can feel you wanting me, but nervous. As I said it's not me, your not nervous about me, you may not know me, but you know me, well enough to or understand or know my intentions, but you know your not nervous because of me, I know you aren't. But I do know why you are. You gave me a reason, but I don't feel you can agree with it, I can feel your regret already building as you say no. But I know why, your afraid, of the problem, of the situation, of the conversation, of the lingering regret of regrets yet felt. But what regrets are more fearsome then the ones we create in our selves? Give your desire to me, rest your eyes from fears, let me take what you want me to have, and I'll give everything I know you want. To me this submission is one long coming, and now it's silent and waiting, Every glance, every bitten lip, every idea of desire, every moment in my presence, I've felt you. Your wants flowing to me like a current from the oceans pull, doubtless as they are, unquestionable, And unrelenting. So to be honest what reason not to, when it seems the scales have set, and balance is in my favor, and yours.
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Oct 29, 2019
Oct 29, 2019 at 4:01 AM UTC
A reason not to?
In honesty , I don't see a reason not to, I apologise for being crude or being rude or being blunt, I can feel this urge, this craving, this want. I know you've wanted it, And I refuse to dennie it, To be clear an honest, I don't plan to disrespect or disregard, Your words or agreements. But I don't disregard your wants, and I don't see why I would, You make me feel like I shouldn't, but you do like you should. Your eyes scream at me, As your thoughts twisting into my frequencies, calling me, but keeping me at bay. Your body reserved but your fingers twitch, Watching you closely, I can feel your nervous, it's not about me, I can feel you wanting me, but nervous. As I said it's not me, your not nervous about me, you may not know me, but you know me, well enough to or understand or know my intentions, but you know your not nervous because of me, I know you aren't. But I do know why you are. You gave me a reason, but I don't feel you can agree with it, I can feel your regret already building as you say no. But I know why, your afraid, of the problem, of the situation, of the conversation, of the lingering regret of regrets yet felt. But what regrets are more fearsome then the ones we create in our selves? Give your desire to me, rest your eyes from fears, let me take what you want me to have, and I'll give everything I know you want. To me this submission is one long coming, and now it's silent and waiting, Every glance, every bitten lip, every idea of desire, every moment in my presence, I've felt you. Your wants flowing to me like a current from the oceans pull, doubtless as they are, unquestionable, And unrelenting. So to be honest what reason not to, when it seems the scales have set, and balance is in my favor, and yours.
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29
597 It always felt to me—a wrong To that Old Moses—done— To let him see—the Canaan— Without the entering— And tho’ in soberer moments— No Moses there can be I’m satisfied—the Romance In point of injury— Surpasses sharper stated— Of Stephen—or of Paul— For these—were only put to death— While God’s adroiter will On Moses—seemed to fasten With tantalizing Play As Boy—should deal with lesser Boy— To prove ability. The fault—was doubtless Israel’s— Myself—had banned the Tribes— And ushered Grand Old Moses In Pentateuchal Robes Upon the Broad Possession ’Twas little—But titled Him—to see— Old Man on Nebo! Late as this— My justice bleeds—for Thee!
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It always felt to me—a wrong
1385 “Secrets” is a daily word Yet does not exist— Muffled—it remits surmise— Murmured—it has ceased— Dungeoned in the Human Breast Doubtless secrets lie— But that Grate inviolate— Goes nor comes away Nothing with a Tongue or Ear— Secrets stapled there Will emerge but once—and dumb— To the Sepulchre—
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Secrets is a daily word
In your mother's apple-orchard, Just a year ago, last spring: Do you remember, Yvonne! The dear trees lavishing Rain of their starry blossoms To make you a coronet? Do you ever remember, Yvonne, As I remember yet? In your mother's apple-orchard, When the world was left behind: You were shy, so shy, Yvonne! But your eyes were calm and kind. We spoke of the apple harvest, When the cider press is set, And such-like trifles, Yvonne, That doubtless you forget. In the still, soft Breton twilight, We were silent; words were few, Till your mother came out chiding, For the grass was bright with dew: But I know your heart was beating, Like a fluttered, frightened dove. Do you ever remember, Yvonne, That first faint flush of love? In the fulness of midsummer, When the apple-bloom was shed, Oh, brave was your surrender, Though shy the words you said. I was glad, so glad, Yvonne! To have led you home at last; Do you ever remember, Yvonne, How swiftly the days passed? In your mother's apple-orchard It is grown too dark to stray, There is none to chide you, Yvonne! You are over far away. There is dew on your grave grass, Yvonne! But your feet it shall not wet: No, you never remember, Yvonne! And I shall soon forget.
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Yvonne Of Brittany
I Do not Doubt you any Longer. I Am sorry That I doubted You.. I Will not Doubt you ever Again...
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Jun 30, 2013
Jun 30, 2013 at 1:58 AM UTC
Doubtless Affair
**My life is foretold in every crevice of this universe, in serene seas, and swaying sands, in scorching degrees and holding hands, with a lover in my longing arms, fires raging, and yet i am sheltered from harm. and throughout my journeys, it is my deepest desire, to ignite and set my ambitions on fire, in the midst of euphoric dreaming, with my lover on this late summer's evening. and i shall be at one with the stars, and my doors in life shall forever remain ajar.** *Walk into this space it is endless sublime congruence with the heavens open is the third eye looking directly at abyss i feel a divine hint on my skin as if it were a celestial kiss there is no need to travel in doubt it is written across the evening canvas open the gates of exotic awareness* **It is writhing, it is gifting, entrusting me, and quaking, yet I, within mine, remain still. Fore be it told, and beneath footless form, it's subversive, yet, I dance a sure tango, uphill. I must be sure, so sure not to mind lone notches and disparity, as crevices, you see, they arch to transverse. Fearing but forging the depths of what is migration, we say, from this hallowed tangle be my rise, my verse. I’m floundering, I grant, when I think I hold discovery, so, I tug at the rein of imprint and plan. It is here my beloved reliance, my precious doubtless tread is afforded the fair crossing of Pan. So, although it contests and chides and outreaches, I am in love and as love, an apprentice. A conquest won, no never, but here, a concession, a regard- I am, with no poet’s journey, amiss.** Lilting ebulliently in ineffable fields of ecstasy. Mellifluous waves, in life's voyage, inure us to pulchritude paths, refined by old age. Multifarious, nascent jubilant days, swaying in paint, array the way as we sail away.
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Mar 28, 2015
Mar 28, 2015 at 7:27 AM UTC
A Poet's Journey ( collab by 4 Amazing Poets)
**My life is foretold in every crevice of this universe, in serene seas, and swaying sands, in scorching degrees and holding hands, with a lover in my longing arms, fires raging, and yet i am sheltered from harm. and throughout my journeys, it is my deepest desire, to ignite and set my ambitions on fire, in the midst of euphoric dreaming, with my lover on this late summer's evening. and i shall be at one with the stars, and my doors in life shall forever remain ajar.** *Walk into this space it is endless sublime congruence with the heavens open is the third eye looking directly at abyss i feel a divine hint on my skin as if it were a celestial kiss there is no need to travel in doubt it is written across the evening canvas open the gates of exotic awareness* **It is writhing, it is gifting, entrusting me, and quaking, yet I, within mine, remain still. Fore be it told, and beneath footless form, it's subversive, yet, I dance a sure tango, uphill. I must be sure, so sure not to mind lone notches and disparity, as crevices, you see, they arch to transverse. Fearing but forging the depths of what is migration, we say, from this hallowed tangle be my rise, my verse. I’m floundering, I grant, when I think I hold discovery, so, I tug at the rein of imprint and plan. It is here my beloved reliance, my precious doubtless tread is afforded the fair crossing of Pan. So, although it contests and chides and outreaches, I am in love and as love, an apprentice. A conquest won, no never, but here, a concession, a regard- I am, with no poet’s journey, amiss.** Lilting ebulliently in ineffable fields of ecstasy. Mellifluous waves, in life's voyage, inure us to pulchritude paths, refined by old age. Multifarious, nascent jubilant days, swaying in paint, array the way as we sail away.
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41
welcome to the world milk larder atlas killer welcome to the universal mind your presence has not been anticipated no bells rung at your birth but the cosmos shook about a nanometer from the force of your creation spectacular birth even if your arm is weak doubtless your good looks will make up the rest ... no luck there? you're the down-trodden, the eclipsed lantern, the face in odd angles, wearing the weight of someone's unconditional .. Lust but deep in your caved chest your heart is beating the tribal song of a jet launching for the sky the way you felt when you switched wheat for rye the turn in your cerebrum going from gluten to sigh. but even as the birds coast beside your jet-stream heart strings I see your hesitation glistening shivering at the start line from your magnum opus and you are shattered growling lioness courage running from the cannon exhaust that running lion until she's panting on her back sweating vapor into the atmosphere and you remember that all along you have been the soulmate of the intangible you just forgot and you forgot again.
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Sep 25, 2013
Sep 25, 2013 at 4:19 PM UTC
Wheat Gut
The mountain and the squirrel Had a quarrel, And the former called the latter, "little **** Bun replied, You are doubtless very big, But all sorts of things and weather Must be taken in together To make up a year, And a sphere. And I think it no disgrace To occupy my place. If I'm not so large as you, You are not so small as I, And not half so spry: I'll not deny you make A very pretty squirrel track; Talents differ; all is well and wisely put; If I cannot carry forests on my back, Neither can you crack a nut.
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Fable
Heathens - in heaven's lobby flock to barter for Magic 'Shrooms with pop rocks... and pancakes and leaf-green brownies. new to the scene; the Son of Man holds a motley court, then wanders off to fetch Picasso - Lassoed from his cups, his Love that must Love his genius... doubtless, cloud-scrawling huge pendulous ******* in Elysium; for no one at all. better Pablo should tend bars      that set mobs free than one god's toddler, with long odds against Bacchus - should ever small-talk-speak to the godless or worse... preach. " Better Sins to love.. " The Spaniard once taught... A Lover's Urge is born in forms of weakness.... adorned in all Might - bathed in blessed contradiction, a Lingam for a Yoni's dream of stiff drinks and pliable men, with strong arms. a blue fiction  on Calvary - nailed to the softest cross. Between thieves, an honor, double parked with bucket seats brimming with moonlight, and her knickers tossed. Picasso asks for absinthe to be sent post haste and polished off - by all his better angels he had guillotined with dull snails, and fallen   harps ones -  he stole,  to de-tune a flat fifth of Cuttysark for a deaf ****  [but no mute ] a portrait, **** and is soon bought... lust sleeps then - with both Eyes;   Locked on One of God's. like a deer in a Head-light's Gospel... now, a Minotaur on the Autobahn - stalking it. II Heathens in heaven's lobby recite ' Howl ' as Ginsberg, walks over hot coals and spicy psalms; glowing wanton in white grass; with a very cherry **** And a wise throng, cobbles... ****** - they rob Peter of his  toga, leaving nothing wrong. but no less ' On ' they laugh hard;  and wake the dead asking  them for new songs to set    their false alarms in lofty Tic' Tocks   of Eternity's clock. Bible on a snooze bar for at least that long or  someone knocks. As if  "Hello."   Spoke the Whole World into Being - And " Goodbye." misspoke, and trailed off...
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Feb 6, 2013
Feb 6, 2013 at 1:58 PM UTC
Heathens In Heaven [ Canto I ]
Heathens - in heaven's lobby flock to barter for Magic 'Shrooms with pop rocks... and pancakes and leaf-green brownies. new to the scene; the Son of Man holds a motley court, then wanders off to fetch Picasso - Lassoed from his cups, his Love that must Love his genius... doubtless, cloud-scrawling huge pendulous ******* in Elysium; for no one at all. better Pablo should tend bars      that set mobs free than one god's toddler, with long odds against Bacchus - should ever small-talk-speak to the godless or worse... preach. " Better Sins to love.. " The Spaniard once taught... A Lover's Urge is born in forms of weakness.... adorned in all Might - bathed in blessed contradiction, a Lingam for a Yoni's dream of stiff drinks and pliable men, with strong arms. a blue fiction  on Calvary - nailed to the softest cross. Between thieves, an honor, double parked with bucket seats brimming with moonlight, and her knickers tossed. Picasso asks for absinthe to be sent post haste and polished off - by all his better angels he had guillotined with dull snails, and fallen   harps ones -  he stole,  to de-tune a flat fifth of Cuttysark for a deaf ****  [but no mute ] a portrait, **** and is soon bought... lust sleeps then - with both Eyes;   Locked on One of God's. like a deer in a Head-light's Gospel... now, a Minotaur on the Autobahn - stalking it. II Heathens in heaven's lobby recite ' Howl ' as Ginsberg, walks over hot coals and spicy psalms; glowing wanton in white grass; with a very cherry **** And a wise throng, cobbles... ****** - they rob Peter of his  toga, leaving nothing wrong. but no less ' On ' they laugh hard;  and wake the dead asking  them for new songs to set    their false alarms in lofty Tic' Tocks   of Eternity's clock. Bible on a snooze bar for at least that long or  someone knocks. As if  "Hello."   Spoke the Whole World into Being - And " Goodbye." misspoke, and trailed off...
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98
Former goals long before gone, broken dreams, hidden in secret behind friends views, a life in vain. Doubtless efforts fruitless taken, countless beatings endured, still seeking path to milk and honey, wondering if it hasn´t already resigned. Value meaningless, reduced to sheer nothingness, clouded vision, not able to recognize it´s worth. Neither happiness nor sadness, behind it´s emotionless face, killing time with dusty distractions and waiting for something to happen, that relightens a fire well known in former days.
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Oct 3, 2014
Oct 3, 2014 at 2:34 AM UTC
delusional days
91 So bashful when I spied her! So pretty—so ashamed! So hidden in her leaflets Lest anybody find— So breathless till I passed here— So helpless when I turned And bore her struggling, blushing, Her simple haunts beyond! For whom I robbed the ****** For whom I betrayed the Dell— Many, will doubtless ask me, But I shall never tell!
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So bashful when I spied her!
1231 Somewhere upon the general Earth Itself exist Today— The Magic passive but extant That consecrated me— Indifferent Seasons doubtless play Where I for right to be— Would pay each Atom that I am But Immortality— Reserving that but just to prove Another Date of Thee— Oh God of Width, do not for us Curtail Eternity!
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Somewhere upon the general Earth
Have you seen my granny? She shoots like Johnny Wayne, Smokes cigarettes like Garbo, Sings like Kelly in the rain. She's doubtless at the movies Watching Audrey zip 'round Rome, And wishing she were young enough To run away from home. My nana laughs like Rita, Plays chess like Steve McQueen, She smoulders like her heroes do Up on that silver screen. Have you seen my granny? She loves Bogart and Bacall, And in her dreams forever She is blonde and six-foot tall.
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Nov 3, 2019
Nov 3, 2019 at 5:01 PM UTC
Have You Seen My Granny?
I claim to know the wolf, tracking scents in the high country though half truth requires I confess one has never been in my sight though in silent night, in snow weighted pines and fir, doubtless one has eyed me in my folly I have seen the coyote scratching in the caliche on the stingy prairies, crouching in the mesquite ready for the **** whilst the hare hops by when chase ensues and mammal hearts race I have yet to see the canine succeed the hare hides in Alice’s hole while the mangy hunter settles for field mice or makes bargains with buzzards while the flies yet crawl on the ****
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Aug 1, 2013
Aug 1, 2013 at 4:27 PM UTC
what the coyote eats
The admiral of the U.S. fleet was staring towards the shore. A mob of people jammed the wharf. He thought we were at war. The good Mayor Paulo, of Monterrey was waving with the rest. He saw our large Pacific fleet And, doubtless, was impressed. The commodore made cannons roar The impact shook the ground By miracle no townsfolk died And not one sailor drowned. “Perhaps they are saluting us!” The puzzled mayor said. But when we put marines ashore Such thoughts soon left his head. That day we captured Monterrey It was quite the feat of arms We lost just one or two marines to some Senorita’s charms. The State Department soon put an end To the splendid little war And erstwhile foes departed friends from the Mexicali shore.
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Nov 21, 2012
Nov 21, 2012 at 9:08 PM UTC
A splendid Little War
1105 Like Men and Women Shadows walk Upon the Hills Today— With here and there a mighty Bow Or trailing Courtesy To Neighbors doubtless of their own Not quickened to perceive Minuter landscape as Ourselves And Boroughs where we live—
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Like Men and Women Shadows walk
As the author was discharging his Pistols in a Garden, Two Ladies passing near the spot were alarmed by the sound of a Bullet hissing near them, to one of whom the following stanzas were addressed the next morning. Doubtless, sweet girl! the hissing lead, Wafting destruction o’er thy charms And hurtling o’er thy lovely head, Has fill’d that breast with fond alarms. Surely some envious Demon’s force, Vex’d to behold such beauty here, Impell’d the bullet’s viewless course, Diverted from its first career. Yes! in that nearly fatal hour, The ball obey’d some hell-born guide; But Heaven, with interposing power, In pity turn’d the death aside. Yet, as perchance one trembling tear Upon that thrilling ***** fell; Which I, th’ unconscious cause of fear, Extracted from its glistening cell;— Say, what dire penance can atone For such an outrage, done to thee? Arraign’d before thy beauty’s throne, What punishment wilt thou decree? Might I perform the Judge’s part, The sentence I should scarce deplore; It only would restore a heart, Which but belong’d to thee before. The least atonement I can make Is to become no longer free; Henceforth, I breathe but for thy sake, Thou shalt be all in all to me. But thou, perhaps, may’st now reject Such expiation of my guilt; Come then—some other mode elect? Let it be death—or what thou wilt. Choose, then, relentless! and I swear Nought shall thy dread decree prevent; Yet hold—one little word forbear! Let it be aught but banishment.
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Lines Addressed To A Young Lady
As the author was discharging his Pistols in a Garden, Two Ladies passing near the spot were alarmed by the sound of a Bullet hissing near them, to one of whom the following stanzas were addressed the next morning. Doubtless, sweet girl! the hissing lead, Wafting destruction o’er thy charms And hurtling o’er thy lovely head, Has fill’d that breast with fond alarms. Surely some envious Demon’s force, Vex’d to behold such beauty here, Impell’d the bullet’s viewless course, Diverted from its first career. Yes! in that nearly fatal hour, The ball obey’d some hell-born guide; But Heaven, with interposing power, In pity turn’d the death aside. Yet, as perchance one trembling tear Upon that thrilling ***** fell; Which I, th’ unconscious cause of fear, Extracted from its glistening cell;— Say, what dire penance can atone For such an outrage, done to thee? Arraign’d before thy beauty’s throne, What punishment wilt thou decree? Might I perform the Judge’s part, The sentence I should scarce deplore; It only would restore a heart, Which but belong’d to thee before. The least atonement I can make Is to become no longer free; Henceforth, I breathe but for thy sake, Thou shalt be all in all to me. But thou, perhaps, may’st now reject Such expiation of my guilt; Come then—some other mode elect? Let it be death—or what thou wilt. Choose, then, relentless! and I swear Nought shall thy dread decree prevent; Yet hold—one little word forbear! Let it be aught but banishment.
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40
Don’t get arrested if you’re poor! There’s no way they’ll let you go! Privilege just means private law To those ***** in the know And if you ever wondered why it seems The system disregards your self It’s because you are on separate teams "The law"’s an anagram of "wealth" But do not worry, not all’s lost, You poor demented yob You can have freedom at a cost -The freedom of the mob Oh sure, The mob won’t listen And doubtless will not care, But it’s guaranteed admission To most likely anywhere But where will the people rally to? Well, you may think this is funny – It’s the same place that they always do- The mob follows the money. And the people rule the country The same way as did the few, But now you cannot blame them Because "the people" includes you.
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Dec 12, 2015
Dec 12, 2015 at 6:49 PM UTC
Democratic Freedom
I’m filled with love, but nothing to do with it. So much energy but nowhere to go. You, a prisoner that I must acquit. I love you more than you could ever know. Hateful love, kindly fighting, furious peace. I feel more loved when I am filled with hate. All these describe how I feel; Bitter Sweet. I can’t stand this; I’ve got a lot on my plate. Little did I know, you are always there. I can be myself when I’m around you. You’ve come to rescue me from my nightmare. I hope you see that my love is pure and true. And no longer do I feel bittersweet. Doubtless you’re the girl I have longed to meet.
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Sep 7, 2014
Sep 7, 2014 at 11:21 PM UTC
Bitter Sweet