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"disordered" poems
Sixth grade was the first time I remember feeling out of place in my own body. I tried on a shirt from the year before and realized I wasn't the same size anymore. I felt strange for a moment, then brushed it off. I threw away the shirt the next day. By the end of middle school I knew I was bigger than my friends, but I tried to avoid thinking about it. I just wanted to fit in like the rest of them. Freshman year I got called fat and decided to make myself invisible. Treated every food as if it an allergy. Lost 30 pounds in 60 days. Told my parents I already ate. Told my friends I was eliminating junk food. Told no one my secret for years. Gained my weight back then lost it just as quickly. The never ending cycle of starving, binging, purging. Starving, binging, purging. Starving, binging, purging. Nobody notices when I fall off track because disordered eating is only cared about when the victim is skinny enough that you can see the evidence. I have been terrified for four years to speak out for fear nobody would believe me when I told them. No one expects a bigger girl to not know how to feed herself. There is something to say about a culture so warped that I get upset by the fact I don't have a stereotypical eating disorder body. Sometimes I wish it was more obvious, so at least that way they could see how hard I'm trying to be perfect... To fit in. America, am I not sick enough for you already?
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Jul 24, 2016
Jul 24, 2016 at 11:03 PM UTC
Not Sick Enough
I’m not good at being forward I have this habit of becoming disordered I let my emotions change the color of my sleeve In my aspirations I hope to find belief I walk through jungles and rainforests Once in a while I see through the canopy Into the skies of my memories And request that stars dance to the rhythm of us I keep them alive to avoid the gathering of dust My memories, caught in the Pensieve of your eyes Have ignored all the times I told myself lies I may not be your ideal Superman But I’d accept Peter Pan if you’ll go with me to Neverland I’ve rarely been so captivated by a girl Sure, Zooey Deschanel is quirky in New Girl And Emma Watson bewitched me from the start Anna Kendrick was perfect in Pitch Perfect Alex Morgan is the luckiest 13 I’ve ever seen But I choose you! To fill my canteen You quench my thirst when the loneliness dries me I was not made to walk in a desert My heart is an amphibian Living like a Floridian in the ice-cold tundra we call Rexburg You still need the sun, no matter how much it snows I’ll trudge on in the jungle; dormant in the night I’ll carry on with you in mind, until the time is right Once I’ve faced death, or even a spider Then, I think I’ll top the greats; George of the Jungle, Aslan, Mogly, Tarzan, Batman, Peter Pan, Harry Potter, Genghis Kahn, Michael… Jackson or Jordan They’re all kings and I’ll be in their league As I shake off the fatigue and find courage in you To make it through the awkward moment of simply saying “You’re a real kind of gorgeous” In that chorus, played on my rhythm of heartbeats I found my way out of the back streets From deep in the jungle I’ve come to know as Fear A jungle that disappears when your presence is near Sometimes I have to stop walking, stop thinking I feel like I’m on the verge of something spectacular Anything normal might ruin that
0
Oct 27, 2012
Oct 27, 2012 at 11:14 PM UTC
On the Verge of Spectacular
I’m not good at being forward I have this habit of becoming disordered I let my emotions change the color of my sleeve In my aspirations I hope to find belief I walk through jungles and rainforests Once in a while I see through the canopy Into the skies of my memories And request that stars dance to the rhythm of us I keep them alive to avoid the gathering of dust My memories, caught in the Pensieve of your eyes Have ignored all the times I told myself lies I may not be your ideal Superman But I’d accept Peter Pan if you’ll go with me to Neverland I’ve rarely been so captivated by a girl Sure, Zooey Deschanel is quirky in New Girl And Emma Watson bewitched me from the start Anna Kendrick was perfect in Pitch Perfect Alex Morgan is the luckiest 13 I’ve ever seen But I choose you! To fill my canteen You quench my thirst when the loneliness dries me I was not made to walk in a desert My heart is an amphibian Living like a Floridian in the ice-cold tundra we call Rexburg You still need the sun, no matter how much it snows I’ll trudge on in the jungle; dormant in the night I’ll carry on with you in mind, until the time is right Once I’ve faced death, or even a spider Then, I think I’ll top the greats; George of the Jungle, Aslan, Mogly, Tarzan, Batman, Peter Pan, Harry Potter, Genghis Kahn, Michael… Jackson or Jordan They’re all kings and I’ll be in their league As I shake off the fatigue and find courage in you To make it through the awkward moment of simply saying “You’re a real kind of gorgeous” In that chorus, played on my rhythm of heartbeats I found my way out of the back streets From deep in the jungle I’ve come to know as Fear A jungle that disappears when your presence is near Sometimes I have to stop walking, stop thinking I feel like I’m on the verge of something spectacular Anything normal might ruin that
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39
It was hard to miss Jerry in the corner holding court over the bran muffin. Flurries of judgement and wisdom flying across coffee dappled pages as he sentenced a large cup of Paruvian Dark Roast to be ****** 7 am Dan never flinched steeling his tenured chair at a spot one section of stir sticks away calculably just out of reach of the regularly scheduled tantrum. An auburn-haired newbie fanes camoflage peeking over two pages of Obituaries she never intended to read. Her raised and nearly detached eyebrows hover above the dateline like a magic trick. And on every table fall scattered leaves of press print trees unsorted and littered with intent by careless absorbers of trivia. Disconnected ear-budded footnotes of humanity see nothing hear nothing using the disarrayed World News as enormous coasters unmoved by hyper-ventilating compulsives pushing panic buttons through desperate quests to uncover one alphabetically organized set of local news. Of the papers not strewn the remnant holds anxious on a distant wall a throng of flopping rabbit-eared step children dangling precariously from unaccomodating magazine racks like smoky orphans from windows in a fiery building. Disordered. Disrespected. Discarded...words are Jews in the holocaust. Death of a voice. We are irreverent in our silence diminishing genius through apathy put off by the imposition to be challenged choosing disposable principles above responsible knowledge. Everything is disposable - cameras, cars, relationships, loyalty, babies...and wisdom - crumpling Pulitzer prize authors and discarding WW2 veterans just to get to the cartoons.
0
Apr 30, 2014
Apr 30, 2014 at 11:15 PM UTC
Daily News and Disrespect
It was hard to miss Jerry in the corner holding court over the bran muffin. Flurries of judgement and wisdom flying across coffee dappled pages as he sentenced a large cup of Paruvian Dark Roast to be ****** 7 am Dan never flinched steeling his tenured chair at a spot one section of stir sticks away calculably just out of reach of the regularly scheduled tantrum. An auburn-haired newbie fanes camoflage peeking over two pages of Obituaries she never intended to read. Her raised and nearly detached eyebrows hover above the dateline like a magic trick. And on every table fall scattered leaves of press print trees unsorted and littered with intent by careless absorbers of trivia. Disconnected ear-budded footnotes of humanity see nothing hear nothing using the disarrayed World News as enormous coasters unmoved by hyper-ventilating compulsives pushing panic buttons through desperate quests to uncover one alphabetically organized set of local news. Of the papers not strewn the remnant holds anxious on a distant wall a throng of flopping rabbit-eared step children dangling precariously from unaccomodating magazine racks like smoky orphans from windows in a fiery building. Disordered. Disrespected. Discarded...words are Jews in the holocaust. Death of a voice. We are irreverent in our silence diminishing genius through apathy put off by the imposition to be challenged choosing disposable principles above responsible knowledge. Everything is disposable - cameras, cars, relationships, loyalty, babies...and wisdom - crumpling Pulitzer prize authors and discarding WW2 veterans just to get to the cartoons.
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62
all of you too, ask what shall we call you, and I smile/grimace, for lack of a proper witty, worthy, weirdly perfect pithy reply which is why I offer you a free option, call me by my other name, a What~You~Will, your preference is my desire, it is within your hidden possesions! your chosen attribute?choice, now mine, multi-faceted multi faced, every name has its own unique poet hissing hiding inside, wary of confessing he's/she's a sinner, ask, and you shall be both deceived, and well received, for we live in a thousand of words, all  disordered and when you inquire, then they be re~sorted into new combinations and for you, **when you call me, you may call by that name** that name, of the poem that will be given and taken expressly for and from you, it is the only way my teachers taught me to take, in order yo give you back your uniquness
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Sep 18, 2025
Sep 18, 2025 at 10:20 PM UTC
call me by my other name
Something’s stirring - hey honey, sweetie, sugar- Something’s ******* up and in, like their stomachs, (why don’t I look that flat, mummy?) Something’s furious and seething, something strong And stuck and breathing My bones in. It’s the *** you see, yeah you bet, All they are is *** sweaty, oily, wet With some such suffocating, suffering, surrendering Desire to please. Please the man, the thick man, with your eyes. Please him with your deadened stare – glare - Please him with your chest, your hair, Feel the way that wind rustles and tousles, as you dance, As you feel the liberation of a thrusty, ***** pleasing stance, As they slip money between your legs. As they wrap you up, up, Up in its crinkles, up in its arms, Swept from your feet and in love, swept up from harm, Just as you desired. Love is the one – but what? Love comes from beauty, right? Full lips, bright eyes, as dead as the night, The best thing a girl can be is pretty. (well that’s what they are on screens) And that’s why I cried when they drew a picture, Fourteen and they took all our ‘best features’ Ripped them from our bodies, Bundled them up into one jigsaw creature -where’s mine? They forgot me, But it’s fine – she’s got your per-son-a-lit-y. And I cried. It’s easy to say, I know, and I see That things are better now, I am almost free. But oh she’s been in the wars: She’s hit; she’s ripped; she’s cut; she’s lost; That pleasing object onscreen – she’s yours. But passion’s no good, gotta be pure, sweet and true Well she’s gotta be new, and a girl's gotta do What a girl only can do, ‘Til she’s through, ‘Til she’s cold cold and blue, So hey lady, lady, lay-dee, Who are you? Sorry for the passion, words disordered in a heap. Didn’t mean to make it bleak. Didn’t mean to make her speak. But you see this is how she might. Flocked in furious, in flight, The little bird - the beast - is heard: Each word, each word, each bite.
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Apr 9, 2014
Apr 9, 2014 at 2:35 PM UTC
Stirring
Something’s stirring - hey honey, sweetie, sugar- Something’s ******* up and in, like their stomachs, (why don’t I look that flat, mummy?) Something’s furious and seething, something strong And stuck and breathing My bones in. It’s the *** you see, yeah you bet, All they are is *** sweaty, oily, wet With some such suffocating, suffering, surrendering Desire to please. Please the man, the thick man, with your eyes. Please him with your deadened stare – glare - Please him with your chest, your hair, Feel the way that wind rustles and tousles, as you dance, As you feel the liberation of a thrusty, ***** pleasing stance, As they slip money between your legs. As they wrap you up, up, Up in its crinkles, up in its arms, Swept from your feet and in love, swept up from harm, Just as you desired. Love is the one – but what? Love comes from beauty, right? Full lips, bright eyes, as dead as the night, The best thing a girl can be is pretty. (well that’s what they are on screens) And that’s why I cried when they drew a picture, Fourteen and they took all our ‘best features’ Ripped them from our bodies, Bundled them up into one jigsaw creature -where’s mine? They forgot me, But it’s fine – she’s got your per-son-a-lit-y. And I cried. It’s easy to say, I know, and I see That things are better now, I am almost free. But oh she’s been in the wars: She’s hit; she’s ripped; she’s cut; she’s lost; That pleasing object onscreen – she’s yours. But passion’s no good, gotta be pure, sweet and true Well she’s gotta be new, and a girl's gotta do What a girl only can do, ‘Til she’s through, ‘Til she’s cold cold and blue, So hey lady, lady, lay-dee, Who are you? Sorry for the passion, words disordered in a heap. Didn’t mean to make it bleak. Didn’t mean to make her speak. But you see this is how she might. Flocked in furious, in flight, The little bird - the beast - is heard: Each word, each word, each bite.
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49
Th poems were walking down the street A young teenage girl, A Professional Loser, but life lessoned and in possession of Eagled-claws and tongue razored sharpened From gettin/givin acidic high school barbed kisses (She maintained up to date put down lists), Swooped them up, hers to imprison, Framed them to be soully hers, Purposed for skin restoration during the wee hours of the Crying Nights A middle aged man, tired from failure, Trapped tween lost rock n' roll dreams and Unsuccessful retirement planning, Suffocated by the hands of twixt and tween, Grabbed the three, like a rock climbing hand-hold to Take him home when and where his family looks at him Pathetically. This grandfather espied the other two, Looked liked old familiars, friends maybe, But eyes/words, dimmed, disparu, Memories unsorted, disordered, jumble-merged, Perhaps the words to a song he once knew complete, But did he write that phrase, or was he just a poet Thief? The three poems went about their business, Bringing heaven to earth, *FYI, even Angels can't be everywhere, so, God invented poems to do his ***** work, Cleansing souls.* They rode in~out of town on a prankster wave, A cheering throng was not around, But a singular poet saw, recorded the vision, And thus, this nameless poet, Below unmasked, unsealed, Cleansed one more soul, And that soul, this soul, as required, Paid it forward. Paid as in the past tense
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Jun 9, 2013
Jun 9, 2013 at 10:38 AM UTC
Three poems were walking down the street
i'm tired i'm so ******* tired. i didn't ask for any of it- not the scars, not the pills, not the anxiety or obsession or disordered thoughts i never wanted this. because when you're thirteen you don't think that within the next three years you'll have four mental illnesses. nobody ever predicts that they'll have a collection of cuts, of failed recoveries and subsequent relapses. nobody wants to be a burden. nobody wants to be trapped in their own mind and i can't tell if it's depression, or the eating disorder but God, i'm exhausted. i don't want to carry this anymore. (i never did.)
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Oct 6, 2020
Oct 6, 2020 at 1:46 AM UTC
never
Bright vegetables of the sea, disordered hair, thin arms. Tubes protrude among vivid coral, an array of shades against a sapphire canvas. Wobbly vermilion wires poke out from under rust-coloured rocks. A clown swims quick through the middle, orange in a forest of fingers. Pink bonbons, candy canes, an underwater confectionery store. Some throb with electricity, small pools of violet light near their homes. Others ***** rainbows from deep open mouths. Waltzing in solitude as tangerine horses gallop. More creatures weave past, realise they are in a multi-hued hug. Hidden paint splatters, are they aliens of the deep?
0
Jan 17, 2013
Jan 17, 2013 at 1:16 PM UTC
Anemone
I was born with a brain that takes hurtful words to heart which turned my world into a disordered mess I cannot dig my way out of this chaos I am trapped in my own skin
0
Mar 12, 2014
Mar 12, 2014 at 7:16 AM UTC
Trapped
An unexpected betrayal Lurks dormant in her manipulative mind Feelings of no remorse Leaving all who loved her behind A superficial glibness and charm My Soulmate I thought I had met Lies with no shame or guilt Hurting others with no conscience or regret A empty soul lacking a heart Stone cold personality Using people only for self gain A target until she gets what she needs Sadly incapable of love Only a projection to hide her true self Now moving on to the next victim A sickness that cannot be helped Hopeless with no cure Lack of empathy a disordered brain One day to find herself all alone Her shallow emotions had caused only pain Oblivious to the devastation she caused Out to pacify her own selfish needs Unreliable with irresponsible promiscuity Never concerned about wrecking others lives and dreams… © P.I. 2010
0
Nov 17, 2014
Nov 17, 2014 at 12:34 PM UTC
Broken Angel
The night was passing, and the Grecian host By no means sought to issue forth unseen. But when indeed the day with her white steeds Held all the earth, resplendent to behold, First from the Greeks the loud-resounding din Of song triumphant came; and shrill at once Echo responded from the island rock. Then upon all barbarians terror fell, Thus disappointed; for not as for flight The Hellenes sang the holy pæan then, But setting forth to battle valiantly. The bugle with its note inflamed them all; And straightway with the dip of plashing oars They smote the deep sea water at command, And quickly all were plainly to be seen. Their right wing first in orderly array Led on, and second all the armament Followed them forth; and meanwhile there was heard A mighty shout: "Come, O ye sons of Greeks, Make free your country, make your children free, Your wives, and fanes of your ancestral gods, And your sires' tombs! For all we now contend!" And from our side the rush of Persian speech Replied. No longer might the crisis wait. At once ship smote on ship with brazen beak; A vessel of the Greeks began the attack, Crushing the stem of a Phoenician ship. Each on a different vessel turned its prow. At first the current of the Persian host Withstood; but when within the strait the throng Of ships was gathered, and they could not aid Each other, but by their own brazen bows Were struck, they shattered all our naval host. The Grecian vessels not unskillfully Were smiting round about; the hulls of ships Were overset; the sea was hid from sight, Covered with wreckage and the death of men; The reefs and headlands were with corpses filled, And in disordered flight each ship was rowed, As many as were of the Persian host. But they, like tunnies or some shoal of fish, With broken oars and fragments of the wrecks Struck us and clove us; and at once a cry Of lamentation filled the briny sea, Till the black darkness' eye did rescue us. The number of our griefs, not though ten days I talked together, could I fully tell; But this know well, that never in one day Perished so great a multitude of men.
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2.6k
The Battle Of Salamis
The night was passing, and the Grecian host By no means sought to issue forth unseen. But when indeed the day with her white steeds Held all the earth, resplendent to behold, First from the Greeks the loud-resounding din Of song triumphant came; and shrill at once Echo responded from the island rock. Then upon all barbarians terror fell, Thus disappointed; for not as for flight The Hellenes sang the holy pæan then, But setting forth to battle valiantly. The bugle with its note inflamed them all; And straightway with the dip of plashing oars They smote the deep sea water at command, And quickly all were plainly to be seen. Their right wing first in orderly array Led on, and second all the armament Followed them forth; and meanwhile there was heard A mighty shout: "Come, O ye sons of Greeks, Make free your country, make your children free, Your wives, and fanes of your ancestral gods, And your sires' tombs! For all we now contend!" And from our side the rush of Persian speech Replied. No longer might the crisis wait. At once ship smote on ship with brazen beak; A vessel of the Greeks began the attack, Crushing the stem of a Phoenician ship. Each on a different vessel turned its prow. At first the current of the Persian host Withstood; but when within the strait the throng Of ships was gathered, and they could not aid Each other, but by their own brazen bows Were struck, they shattered all our naval host. The Grecian vessels not unskillfully Were smiting round about; the hulls of ships Were overset; the sea was hid from sight, Covered with wreckage and the death of men; The reefs and headlands were with corpses filled, And in disordered flight each ship was rowed, As many as were of the Persian host. But they, like tunnies or some shoal of fish, With broken oars and fragments of the wrecks Struck us and clove us; and at once a cry Of lamentation filled the briny sea, Till the black darkness' eye did rescue us. The number of our griefs, not though ten days I talked together, could I fully tell; But this know well, that never in one day Perished so great a multitude of men.
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49
all I gain is clarity from the clouds while adding more weight to my inertia disordered thoughts only form orderly mounds in order to confound the pin searcher
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Mar 7, 2017
Mar 7, 2017 at 6:36 PM UTC
balloon (hubble bubble)
As the stores close, a winter light opens air to iris blue, glint of frost through the smoke grains of mica, salt of the sidewalk. As the buildings close, released autonomous feet pattern the streets in hurry and stroll; balloon heads drift and dive above them; the bodies aren't really there. As the lights brighten, as the sky darkens, a woman with crooked heels says to another woman while they step along at a fair pace, 'You know, I'm telling you, what I love best is life. I love life! Even if I ever get to be old and wheezy—or limp! You know? Limping along?—I'd still ... ' Out of hearing. To the multiple disordered tones of gears changing, a dance to the compass points, out, four-way river. Prospect of sky wedged into avenues, left at the ends of streets, west sky, east sky: more life tonight! A range of open time at winter's outskirts.
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2.2k
February Evening In New York
**"His mind would never romp again like the mind of God." The Great Gatsby** Does he fret, Does he sweat, Does he pay his bills On Time, Even tho his personal stash Of anything, Inexhaustible and He bills himself? Is he lonely, So when he romps, His greatest pleasure is Inventing new kinds of pain? Does he like to watch butter Snowmelt, Does he turn the honey jar Upside down Because viscosity is A turn on? Is he lonely? Of course he is, Is that why he endlessly Tinkers with creative destruction? Does he put strawberry jam On his watermelon? Salt on his wounds, Caramelized onions in his Cologne and parfumes? Does he watch reruns? The bombing of Dresden, Hiroshima? The shaving of the heads of the French women? What's his fav. late night host, When he can't sleep And. his damaged dreams Become our unfortunate realities? Acting childish, a métier, So he can scold himself? Does he keep score, Ever say no more, Contemplate suicide, Or just murdering his sons? Did he kiss Shakespeare's lips, Or just his fingertips? Does he sing a Capella With Holly and Cooke, Let Beethoven play rock n' roll? What is he best excuse For playing with Tormented souls, Making so many wonderful things Forbidden fruit? Does he worship regularly at the altar? Irony his faith and skin his vestments? Are his twisted straight, His late, early? His order disordered and when bored, Does he just close his eyes and Let us live in peace?
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Aug 15, 2013
Aug 15, 2013 at 4:46 PM UTC
The Mind of God, Romping
*Not long ago Sadness Laughter Panic Tears Joy Were all here Just calm remains So many empty chairs Disordered as they may Waiting Waiting Whose tears will I dry Whose laughter will shake These old legs Bowing down With this weight In my heart*
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Sep 6, 2012
Sep 6, 2012 at 5:55 AM UTC
Cafeteria
For years I’ve had marbles tucked in my mouth, Different colored weights that pulled on my glands, on secret saliva. For years I’ve had marbles in my mouth and I forgot to spit them out or hide them away so I let them become permanent placements in my always-cavities; soon they even slipped so easy into my bloodstream. The black ones made me say yes too often. The reds made me want to bleed. The blues made me cry, obviously. They stood guard on my tear ducts, deciding when and how to show emotion. They didn’t let me cry that night. They didn’t let me cry for months. Now I am crying almost everyday, and I am shooting those blue marbles straight to the moon; I’ve had it with avoiding emotion every day of my life. The yellows made me want to forgive you, made me want to **** on sunshine, made me want to clamber into your mother’s arms, let her know that it wasn’t your fault. The yellows are ******** The cat eyes have me avoiding eyes with every man on the street, so sure they will spit out words that they expect me to lap up like milk with an easy grin, tail twitching for attention. The cat eyes have me distrustful, have me always knowing it could happen again. The rainbows loosened my tongue, had me admit secret sexualities, let me march in parades and kiss girls, had me falling over myself tripping into love. I’m not sure who this poem is for anymore, or what it’s even about. The doctors say I have the cleanest bloodwork they’ve seen in a while, I don’t ask them about the marbles. They refer to some of them as disordered. I’m not sure if they’re marbles anymore, I think they’re just me, and I’m sorry I’m getting off-track, the marble in my hand right now is glitter and sparkle and confusion and I’m trying so hard to stay put. Give me the orange ones, the fire, ones that looks like Mars or Jupiter. Give me two moons, or maybe sixty-six. Give me a giant ladder. This is about running away. This is about playing with your marbles and learning everything about them and staying put.
0
Sep 23, 2012
Sep 23, 2012 at 5:11 AM UTC
Untitled #72
For years I’ve had marbles tucked in my mouth, Different colored weights that pulled on my glands, on secret saliva. For years I’ve had marbles in my mouth and I forgot to spit them out or hide them away so I let them become permanent placements in my always-cavities; soon they even slipped so easy into my bloodstream. The black ones made me say yes too often. The reds made me want to bleed. The blues made me cry, obviously. They stood guard on my tear ducts, deciding when and how to show emotion. They didn’t let me cry that night. They didn’t let me cry for months. Now I am crying almost everyday, and I am shooting those blue marbles straight to the moon; I’ve had it with avoiding emotion every day of my life. The yellows made me want to forgive you, made me want to **** on sunshine, made me want to clamber into your mother’s arms, let her know that it wasn’t your fault. The yellows are ******** The cat eyes have me avoiding eyes with every man on the street, so sure they will spit out words that they expect me to lap up like milk with an easy grin, tail twitching for attention. The cat eyes have me distrustful, have me always knowing it could happen again. The rainbows loosened my tongue, had me admit secret sexualities, let me march in parades and kiss girls, had me falling over myself tripping into love. I’m not sure who this poem is for anymore, or what it’s even about. The doctors say I have the cleanest bloodwork they’ve seen in a while, I don’t ask them about the marbles. They refer to some of them as disordered. I’m not sure if they’re marbles anymore, I think they’re just me, and I’m sorry I’m getting off-track, the marble in my hand right now is glitter and sparkle and confusion and I’m trying so hard to stay put. Give me the orange ones, the fire, ones that looks like Mars or Jupiter. Give me two moons, or maybe sixty-six. Give me a giant ladder. This is about running away. This is about playing with your marbles and learning everything about them and staying put.
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20
O LOVE! O LOVE! WHY ARE YOU EVER DEVOID OF LOGIC? Alexander K Opicho (Eldoret, Kenya; [email protected]) Mankind in its pathetic folly entice you in a dint of stupor Knowing not your true colour and texture Endeavoring to achieve glory in your mastery With the so limited human capacity In grey faith that you are a cradle of bliss But O love! Why are you ever crooked? Young men and women in strength of their sinews Toil day and night in ******* of humanity Praying and whining incantations with the hope for optimal love Ornamenting their bodies with diamond and bronze Fibre and silk ornamented to helm of providence In the foolish quest for love equillibria But in full stretch of your vice, you impish love You catapult all away to the shifted goal posts O love! O love! Why are you ever ruthless? You hate the learned but you favour the strong You hate professors but you favour the soldiers You hate the rich but you favour the agile You hate the lawyers but you favour the footballers You hate the pastors but you favour the ruffian You hate the whites but you favour the Negroes You hate the groomed but you love the ragamuffin You hate the chaste but you favour the mistress O love! O love! Why are you ever illogical? Love, I revere you for wickedness and irrationality In all of your history you scored sum *** laude In the duo as blend of your domain, Look; You never dwell in a genuine companionship You like where the couth will interject; Amidst fornication between married and single ones Amidst adultery in the triangle of foul compassion Amidst miscegenation between black and white Amidst infatuation between the whole and the lame Amidst conjugal appetite between the old and the young Amidst concupiscence between house master and houshelp Amidst immorality of married master over the wallowing servant Amidst libidos between literate teacher unto the peasant pupil Amidst disordered passion among the sly lesbians Amidst impious ********** among the suave gays O love! O love! You are the most wicked force! Love I am told; your colour is red You may be red or you may not be red But all in all, you deserve poetical veneration For your herculean ability to bend the most wise; In your force you made sagacious Shakespeare to bend In your force you made Princes Diana to bend and bend Bending downwardly stooping for Afawoyed the moor, In your stupefying dint you made Napoleon de Bonaparte To bend and bend downwardly stooping for Josephine Josephine a famed she-Casanova in the gone Paris Among the then humanity and the then animality, In your impairing machinery you set sons on their fathers In the roman empire of Antony and Ceaser In the scramble for Cleopatra, the Egyptian queen Beauty of her aquiline nose heavily hovered perhaps In the eyes of the Roman beholders The father and the son only to sent the empire To the love forlorn smithereens!
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Dec 3, 2013
Dec 3, 2013 at 5:08 AM UTC
O love ! O love ! why are you ever devoid of logic ?
O LOVE! O LOVE! WHY ARE YOU EVER DEVOID OF LOGIC? Alexander K Opicho (Eldoret, Kenya; [email protected]) Mankind in its pathetic folly entice you in a dint of stupor Knowing not your true colour and texture Endeavoring to achieve glory in your mastery With the so limited human capacity In grey faith that you are a cradle of bliss But O love! Why are you ever crooked? Young men and women in strength of their sinews Toil day and night in ******* of humanity Praying and whining incantations with the hope for optimal love Ornamenting their bodies with diamond and bronze Fibre and silk ornamented to helm of providence In the foolish quest for love equillibria But in full stretch of your vice, you impish love You catapult all away to the shifted goal posts O love! O love! Why are you ever ruthless? You hate the learned but you favour the strong You hate professors but you favour the soldiers You hate the rich but you favour the agile You hate the lawyers but you favour the footballers You hate the pastors but you favour the ruffian You hate the whites but you favour the Negroes You hate the groomed but you love the ragamuffin You hate the chaste but you favour the mistress O love! O love! Why are you ever illogical? Love, I revere you for wickedness and irrationality In all of your history you scored sum *** laude In the duo as blend of your domain, Look; You never dwell in a genuine companionship You like where the couth will interject; Amidst fornication between married and single ones Amidst adultery in the triangle of foul compassion Amidst miscegenation between black and white Amidst infatuation between the whole and the lame Amidst conjugal appetite between the old and the young Amidst concupiscence between house master and houshelp Amidst immorality of married master over the wallowing servant Amidst libidos between literate teacher unto the peasant pupil Amidst disordered passion among the sly lesbians Amidst impious ********** among the suave gays O love! O love! You are the most wicked force! Love I am told; your colour is red You may be red or you may not be red But all in all, you deserve poetical veneration For your herculean ability to bend the most wise; In your force you made sagacious Shakespeare to bend In your force you made Princes Diana to bend and bend Bending downwardly stooping for Afawoyed the moor, In your stupefying dint you made Napoleon de Bonaparte To bend and bend downwardly stooping for Josephine Josephine a famed she-Casanova in the gone Paris Among the then humanity and the then animality, In your impairing machinery you set sons on their fathers In the roman empire of Antony and Ceaser In the scramble for Cleopatra, the Egyptian queen Beauty of her aquiline nose heavily hovered perhaps In the eyes of the Roman beholders The father and the son only to sent the empire To the love forlorn smithereens!
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61
Wood of crimson & bone where the dead lie still, leaves are their burial Rites they fall from life to Canvas, Shroud,   Envelope The flesh, for the fallen are the Food of the wood, new life Reaches up, Roots entangle Around every bone, Interweaved, Disordered, Chaotic Lifelessness now scattered Among the roots of this linage Of old, new saplings Now sprung forth from the Leaved burials that litter the floor, They call this forest, leaves of blood As all leaves that grow forth are Crimson, Burgundy, Blossoming Forth, as if each leaf has life of its own, Each of the branches growing Resemblance of ***** fingers reaching Out to a world, wisps Encircle, Envelope, Halos Of white mist greet all trees, As if the souls of the departed Sleep silently around this gravestone Of wood, And leaves one again Fall, not all just one, and this tree with No leaves, now resting upon the floor Like the features of bones grow out and forth As some where in this Forest of crimson and bone, A body now rests in its tome of red This is the home of the dead, where the trees grow.
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Nov 5, 2014
Nov 5, 2014 at 6:35 AM UTC
Forest Of Crimson & Bone
Shattered and broken Hated and messed up The thoughts are rotten And everything's twisted Like my own mind Let us free there entwined roots Let the society not be blind. Blind as we were always, We tend make promises, When we hold thy little fingers In our own grown ones We tend to break promises When thy grow as majestic as us Because we later realise The society existed and it would be a fuss If we are rebellious. Rebels rise from the graves But they are shut out From the whole place Into their underground Holes, they used to stay in, back to the caves. They take rebels and make them dig Dig deeper and deeper trenches Where they at last put them in To quench their burning rage. The society is a messed up place Full of lies and cheats Rebels try to shape But then thy push them into shade 'Cause then for them Something goes out of shape For them, shaping is a blasphemy , A pure profanity For their fake divinity. Society is orderly disordered A complete pack of sane insanity Where lunatics rule and sane lives on gruel, Where united division is taught Where the strongest of brains forgot What living is.
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May 11, 2015
May 11, 2015 at 11:32 AM UTC
Society
The Process There is the notion, the urging. The first spilling, the self-congratulatory Commencement ceremony for The process. Then there is the first short-pause, a quick-freeze hibernation. Then, The bubbling, The querying, the special fear, What have I started? Where is it taking me, Am I properly undressed for doing T  he process? A new vocabulary, an arm extended, but distended, Words are all angled puzzled, Capable of unity, but first, Unshaped but swollen, By the process. Hatching, head-aching, words arrive rushed, but disordered, Confused by the process. *{The exception has it own character. One kingly, run-on sentence birthed, After silent labor, a full poem, fully dilated, A shocking head of hair, full developed, So fast does "it" fall onto the paper The obstetrician arrives too late To process.}* The exception, exceptional. The normal, normative. Twenty four hours of labor, False starts, much screaming, Painful joys, hardly seamless, This process. Distractions the enemy, Compulsion the master, As you choreograph the work, In loving servitude to The process. You the doctor, insert probes, Looking for the tumors, the out of ordinary, For normal flesh is not of interest as part of The process. Finally, you do exhale, With unique the pleasure, of the longest sweetest Female ****** The breathing less labored, Tho whole, sensing a diminish-meant to convey That completion is the end of part of you, The near-end of the continuum, lessened but continuing The process.
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Sep 24, 2013
Sep 24, 2013 at 6:51 AM UTC
The Process
The Process There is the notion, the urging. The first spilling, the self-congratulatory Commencement ceremony for The process. Then there is the first short-pause, a quick-freeze hibernation. Then, The bubbling, The querying, the special fear, What have I started? Where is it taking me, Am I properly undressed for doing T  he process? A new vocabulary, an arm extended, but distended, Words are all angled puzzled, Capable of unity, but first, Unshaped but swollen, By the process. Hatching, head-aching, words arrive rushed, but disordered, Confused by the process. *{The exception has it own character. One kingly, run-on sentence birthed, After silent labor, a full poem, fully dilated, A shocking head of hair, full developed, So fast does "it" fall onto the paper The obstetrician arrives too late To process.}* The exception, exceptional. The normal, normative. Twenty four hours of labor, False starts, much screaming, Painful joys, hardly seamless, This process. Distractions the enemy, Compulsion the master, As you choreograph the work, In loving servitude to The process. You the doctor, insert probes, Looking for the tumors, the out of ordinary, For normal flesh is not of interest as part of The process. Finally, you do exhale, With unique the pleasure, of the longest sweetest Female ****** The breathing less labored, Tho whole, sensing a diminish-meant to convey That completion is the end of part of you, The near-end of the continuum, lessened but continuing The process.
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52
We are living in a hypocritic Hyperbole Of disordered order Where wise men wonder And the politicians wander Liars prevail While the truth falters This thought must weigh a ton Maybe scares you to death But you're a part of the program Too valuable to be left
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Jan 27, 2014
Jan 27, 2014 at 4:36 PM UTC
Hypocrite
With the violent jerking, And battering of my heart, And my self-image, I have deteriorated. I don't want to look at myself for a second longer than it takes To put on my face in the morning, Because if I do, I will begin to poke and **** at my own flesh, Feeling as if I am going to upchuck every calorie I have consumed In the 15 years, and 120 days of my life. If I look at myself long enough, I am repulsed, And my day from that point on will be violently, Disruptively disordered. Everything I am forced to consume, Because of the need to hide my disastrous disorder, Will become disgusting, half-digested ***** And rottingly, I will feel pure, And vile, All at the same time.
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Apr 16, 2018
Apr 16, 2018 at 9:05 PM UTC
*****
My heart - delicate, and malleable undulates within two poles, seamlessly juxtaposed - beauty and affliction capricious container- truth and fiction; the sheer surfeit of choice reverberates with imperious diversion, settled invitation- loud and shiny things. Hard to breathe, I'm in exile slave to my emotions, obsequious and servile barren, cold and mute existence - the brute; tilted reminiscence, scars of loss contrive frames   around moments - footprints,   interminable - being and time. Infinite deity, triune polyphony artist of sublimity smearing shades of loneliness, vestiges of faith, to retrieve hues of meaning; oddly convivial prophets of reprieve. Orpheus lost Eurydice palpable discordancy suffused in time could not resolve without verse decidedly sonorous, canvas showered pain, splashed Jackson Pollack stain Love - onerous, deep beneath the veneer, it's mercy severe. Fiction from the first Eden‘s fatal gift, lucidity cursed altered cosmos murmur, parlance of disordered elegance; effusive language, phrasing art nouveau tacit script; ensconced within the fabric; create a Thirst torment - visceral and immediate. Ardor and innocence once quenched, render pathos in proportion to the pleasure, conveyance of beatitude The past absorbed into the treasure, Inscrutable Heart - devotion and turpitude desire, loathing and paucity affinity in abundance, fear and doubt inhabit certitude. ©2009 & 2011 W.S. Warner
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Aug 31, 2011
Aug 31, 2011 at 11:19 AM UTC
The Beautiful Thirst
maelstrom meltdown on Third Avenue <•> the crushing came from nowhere external, walking calm, southbound on Third Avenue, 7:00am, found myself lost, slumped up against an unopened bank copious weeping an acceptable addition to the malignant, maelstrom meltdown turmoil, turbulence, such tumult that weighed so-heavy that my disordered confusion recognized no boundaries of shame, all chaos fission fussing into fusion new friends, passerby's all, asking, even pleading, offering water, coffee, solace with milk, counseling kindness, the inexplicity, thereof, a suited man, so normally workbound; the timidity, to inquire what's wrong, fearful of an answer's danger, the enormity, thereof, worse, the hollowness of any responsive words there lay I, till the police asked me to move along or be arrested; I moved on for was I not already arrested? my vortex, center of a swirling eddy, a wind whipped maelstrom whirlpool, shortly to consumed, bedlam no more, and the blood in me revererbrates that mournful prayer music of my child that cohabits, never departs or wavers, n'ere ceases or changes, Les Miserables "Bring Him Home" supplanting the desperation of a living sin, mine own breathing sounds as I said, the crushing came from nowhere external <•> for Steve and Tonya
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Jul 16, 2017
Jul 16, 2017 at 2:04 PM UTC
maelstrom meltdown on Third Avenue
Khabele is an enemy from the spiritual world Debacularly rocking peace of people in my village My Hamlet, or my country, my continent or in my piety, He starkly hates anything human, especially the family, His tool box against human family is a composition Or dark Patchworks of opportunism, ethnicity, poverty, Fluidly disordered gender, abortion, **** diseases, war, Crude religion, divorce, self-pride, shallow thought, Infertility, love for money, laziness, corruption, Politicization, public indiscipline, self-idolatry, Shameless thievery, looting and gambling,
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Dec 12, 2016
Dec 12, 2016 at 5:15 AM UTC
KHABELE’S TOOL BOX