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"disclosed" poems
She must have been kicked unseen or brushed by a car. Too young to know much, she was beginning to learn To use the newspapers spread on the kitchen floor And to win, wetting there, the words, "Good dog! Good dog!" We thought her shy malaise was a shot reaction. The autopsy disclosed a rupture in her liver. As we teased her with play, blood was filling her skin And her heart was learning to lie down forever. Monday morning, as the children were noisily fed And sent to school, she crawled beneath the youngest's bed. We found her twisted and limp but still alive. In the car to the vet's, on my lap, she tried To bite my hand and died. I stroked her warm fur And my wife called in a voice imperious with tears. Though surrounded by love that would have upheld her, Nevertheless she sank and, stiffening, disappeared. Back home, we found that in the night her frame, Drawing near to dissolution, had endured the shame Of diarrhoea and had dragged across the floor To a newspaper carelessly left there. Good dog.
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Dog's Death
She is a poem of his heart He never disclosed In front of anyone.
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Apr 4, 2019
Apr 4, 2019 at 5:27 AM UTC
She Is A Poem
1173 The Lightning is a yellow Fork From Tables in the sky By inadvertent fingers dropt The awful Cutlery Of mansions never quite disclosed And never quite concealed The Apparatus of the Dark To ignorance revealed.
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16.5k
The Lightning is a yellow Fork
761 From Blank to Blank— A Threadless Way I pushed Mechanic feet— To stop—or perish—or advance— Alike indifferent— If end I gained It ends beyond Indefinite disclosed— I shut my eyes—and groped as well ’Twas lighter—to be Blind—
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12.9k
From Blank to Blank
porch talk, simmering in a Bud light sauce everyone chair-rocking, even the boxer dog, in his self-propelled 360 degree swiveling chair eavesdropping and spy eyeballing the farm for strangers and any creatures as of yet, unsmelled get done with weather, the crops, the neighbors, the weird, and the truly neighborly, grandkids escapades, hopes and desires, comparative literature and regional dialects and philosophical dialecticals tickling, bs’ing and tall tale telling,  breathing the windy geography of the air over the land that dictates the how we live, open another Bud for the buds, did I forget to mention farm equipment? skirt politics cause nobody wants any nothing-to-be-done-damn-aggravation, leaves nothing mo’ to ramble on about ‘cept the absent women no worries all above board no secrets uncouthed, but the mood softens as the pale daylight wisps come rarer as now nearer to nine pm, obvious saved the best for last, a very manly-way of ordering things, big silent pauses in the converso conversation, guy-sighs many, as the last essay of the day is being jointly authored, denotating the generalized listings of how they drive us crazy, listing the repetition of ever changing instructions, which doesn't recognize bi-coastal mannerisms,  non-differentiating just  humanism-isms and the peculiarities of each (a list kept) in a compare and contrast, an end of the day summation, and the boasting-outbesting, of each of their specialisms which is sadly now forgotten and which haven’t been brain-recorded so cannot be disclosed other than it’s now ten and all that’s left is to sleep, perchance, to dream, of private things and bigger and better John Deere tractors
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Jun 9, 2018
Jun 9, 2018 at 2:13 PM UTC
Songs of Oregon: No. 4 when men talk about their women, when they are not around
porch talk, simmering in a Bud light sauce everyone chair-rocking, even the boxer dog, in his self-propelled 360 degree swiveling chair eavesdropping and spy eyeballing the farm for strangers and any creatures as of yet, unsmelled get done with weather, the crops, the neighbors, the weird, and the truly neighborly, grandkids escapades, hopes and desires, comparative literature and regional dialects and philosophical dialecticals tickling, bs’ing and tall tale telling,  breathing the windy geography of the air over the land that dictates the how we live, open another Bud for the buds, did I forget to mention farm equipment? skirt politics cause nobody wants any nothing-to-be-done-damn-aggravation, leaves nothing mo’ to ramble on about ‘cept the absent women no worries all above board no secrets uncouthed, but the mood softens as the pale daylight wisps come rarer as now nearer to nine pm, obvious saved the best for last, a very manly-way of ordering things, big silent pauses in the converso conversation, guy-sighs many, as the last essay of the day is being jointly authored, denotating the generalized listings of how they drive us crazy, listing the repetition of ever changing instructions, which doesn't recognize bi-coastal mannerisms,  non-differentiating just  humanism-isms and the peculiarities of each (a list kept) in a compare and contrast, an end of the day summation, and the boasting-outbesting, of each of their specialisms which is sadly now forgotten and which haven’t been brain-recorded so cannot be disclosed other than it’s now ten and all that’s left is to sleep, perchance, to dream, of private things and bigger and better John Deere tractors
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44
Macavity’s a Mystery Cat: he’s called the Hidden Paw— For he’s the master criminal who can defy the Law. He’s the bafflement of Scotland Yard, the Flying Squad’s despair: For when they reach the scene of crime—Macavity’s not there! Macavity, Macavity, there’s no on like Macavity, He’s broken every human law, he breaks the law of gravity. His powers of levitation would make a fakir stare, And when you reach the scene of crime—Macavity’s not there! You may seek him in the basement, you may look up in the air— But I tell you once and once again, Macavity’s not there! Macavity’s a ginger cat, he’s very tall and thin; You would know him if you saw him, for his eyes are sunken in. His brow is deeply lined with thought, his head is highly doomed; His coat is dusty from neglect, his whiskers are uncombed. He sways his head from side to side, with movements like a snake; And when you think he’s half asleep, he’s always wide awake. Macavity, Macavity, there’s no one like Macavity, For he’s a fiend in feline shape, a monster of depravity. You may meet him in a by-street, you may see him in the square— But when a crime’s discovered, then Macavity’s not there! He’s outwardly respectable. (They say he cheats at cards.) And his footprints are not found in any file of Scotland Yard’s. And when the larder’s looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke’s been stifled, Or the greenhouse glass is broken, and the trellis past repair— Ay, there’s the wonder of the thing! Macavity’s not there! And when the Foreign Office finds a Treaty’s gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scap of paper in the hall or on the stair— But it’s useless of investigate—Macavity’s not there! And when the loss has been disclosed, the Secret Service say: “It must have been Macavity!”—but he’s a mile away. You’ll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long division sums. Macavity, Macavity, there’s no one like Macacity, There never was a Cat of such deceitfulness and suavity. He always has an alibit, or one or two to spare: And whatever time the deed took place—MACAVITY WASN’T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!
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5k
Macavity: The Mystery Cat
Macavity’s a Mystery Cat: he’s called the Hidden Paw— For he’s the master criminal who can defy the Law. He’s the bafflement of Scotland Yard, the Flying Squad’s despair: For when they reach the scene of crime—Macavity’s not there! Macavity, Macavity, there’s no on like Macavity, He’s broken every human law, he breaks the law of gravity. His powers of levitation would make a fakir stare, And when you reach the scene of crime—Macavity’s not there! You may seek him in the basement, you may look up in the air— But I tell you once and once again, Macavity’s not there! Macavity’s a ginger cat, he’s very tall and thin; You would know him if you saw him, for his eyes are sunken in. His brow is deeply lined with thought, his head is highly doomed; His coat is dusty from neglect, his whiskers are uncombed. He sways his head from side to side, with movements like a snake; And when you think he’s half asleep, he’s always wide awake. Macavity, Macavity, there’s no one like Macavity, For he’s a fiend in feline shape, a monster of depravity. You may meet him in a by-street, you may see him in the square— But when a crime’s discovered, then Macavity’s not there! He’s outwardly respectable. (They say he cheats at cards.) And his footprints are not found in any file of Scotland Yard’s. And when the larder’s looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke’s been stifled, Or the greenhouse glass is broken, and the trellis past repair— Ay, there’s the wonder of the thing! Macavity’s not there! And when the Foreign Office finds a Treaty’s gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scap of paper in the hall or on the stair— But it’s useless of investigate—Macavity’s not there! And when the loss has been disclosed, the Secret Service say: “It must have been Macavity!”—but he’s a mile away. You’ll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long division sums. Macavity, Macavity, there’s no one like Macacity, There never was a Cat of such deceitfulness and suavity. He always has an alibit, or one or two to spare: And whatever time the deed took place—MACAVITY WASN’T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!
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42
I Go on, high ship, since now, upon the shore, The snake has left its skin upon the floor. Key West sank downward under massive clouds And silvers and greens spread over the sea. The moon Is at the mast-head and the past is dead. Her mind will never speak to me again. I am free. High above the mast the moon Rides clear of her mind and the waves make a refrain Of this: that the snake has shed its skin upon The floor. Go on through the darkness. The waves. fly back II Her mind had bound me round. The palms were hot As if I lived in ashen ground, as if The leaves in which the wind kept up its sound From my North of cold whistled in a sepulchral South, Her South of pine and coral and coraline sea, Her home, not mine, in the ever-freshened Keys, Her days, her oceanic nights, calling For music, for whisperings from the reefs. How content I shall be in the North to which I sail And to feel sure and to forget the bleaching sand ... III I hated the weathery yawl from which the pools Disclosed the sea floor and the wilderness Of waving weeds. I hated the vivid blooms Curled over the shadowless hut, the rust and bones, The trees likes bones and the leaves half sand, half sun. To stand here on the deck in the dark and say Farewell and to know that that land is forever gone And that she will not follow in any word Or look, nor ever again in thought, except That I loved her once ... Farewell. Go on, high ship. IV My North is leafless and lies in a wintry slime Both of men and clouds, a slime of men in crowds. The men are moving as the water moves, This darkened water cloven by sullen swells Against your sides, then shoving and slithering, The darkness shattered, turbulent with foam. To be free again, to return to the violent mind That is their mind, these men, and that will bind Me round, carry me, misty deck, carry me To the cold, go on, high ship, go on, plunge on.
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5k
Farewell to Florida
I Go on, high ship, since now, upon the shore, The snake has left its skin upon the floor. Key West sank downward under massive clouds And silvers and greens spread over the sea. The moon Is at the mast-head and the past is dead. Her mind will never speak to me again. I am free. High above the mast the moon Rides clear of her mind and the waves make a refrain Of this: that the snake has shed its skin upon The floor. Go on through the darkness. The waves. fly back II Her mind had bound me round. The palms were hot As if I lived in ashen ground, as if The leaves in which the wind kept up its sound From my North of cold whistled in a sepulchral South, Her South of pine and coral and coraline sea, Her home, not mine, in the ever-freshened Keys, Her days, her oceanic nights, calling For music, for whisperings from the reefs. How content I shall be in the North to which I sail And to feel sure and to forget the bleaching sand ... III I hated the weathery yawl from which the pools Disclosed the sea floor and the wilderness Of waving weeds. I hated the vivid blooms Curled over the shadowless hut, the rust and bones, The trees likes bones and the leaves half sand, half sun. To stand here on the deck in the dark and say Farewell and to know that that land is forever gone And that she will not follow in any word Or look, nor ever again in thought, except That I loved her once ... Farewell. Go on, high ship. IV My North is leafless and lies in a wintry slime Both of men and clouds, a slime of men in crowds. The men are moving as the water moves, This darkened water cloven by sullen swells Against your sides, then shoving and slithering, The darkness shattered, turbulent with foam. To be free again, to return to the violent mind That is their mind, these men, and that will bind Me round, carry me, misty deck, carry me To the cold, go on, high ship, go on, plunge on.
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44
My bf works in Geneva, Switzerland. I go to school in New Haven. We Facetime a lot - but it’s not ideal. “I wanted to tell you, that it’s been nice.” I told him somberly. “What do you mean?” He asked after a moment. “Well,” I began, “You know how I like to go down to the harbor and watch the ocean?” “Yeah,” he answered. “Well, I was down there this evening and the sun plunged into the sea and it got dark. I think we’re all going to die.” “Anais, you’re on the east coast,” he reported. “That’s true,” I confirmed (New York’s on the east coast and it’s 60 miles away). “The sun rises in the east and sets in the west.” He explained. “ocean sunsets only happen on the west coast.” “Really?’ I said, flabbergasted, “I never noticed that.” “Yeah,” he reiterated. “I have a confession,” I admitted, sighing. “What’s that?” He enquired. “I made it up, the sun and sea thing,” I admitted. “For real?” He followed up. “Yeah,” I said. “Why?” he asked. “Nothing happens, when you’re not here,” I disclosed, “It’s SO dull, I’m dull, I’m afraid of underwhelming you.” “We’re going to die someday,” he assured me, consolingly. . . songs for this: I Can’t Remember Love by Anna Hauss So In Love by k.d. lang It’s the End of the world as we know it by REM The end of the world by Skeeter Davis
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Apr 20, 2024
Apr 20, 2024 at 9:44 PM UTC
then the sun plunged into the sea
953 A Door just opened on a street— I—lost—was passing by— An instant’s Width of Warmth disclosed— And Wealth—and Company. The Door as instant shut—And I— I—lost—was passing by— Lost doubly—but by contrast—most— Informing—misery—
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A Door just opened on a street
I've taken special precaution to protect myself. Meaning, I don't give my email to people I do not know. My phone number is clutched to my chest. Even my real name is never disclosed. I live by pseudonym. Pandarra, Pandakin or simply just Panda. And' If that's not to your liking. Try; Vearena, Vearona or even Vea. I have lots of names, all of them a mouthful as they roll off your tongue. I live with precautions, to keep people at bay. Too many idiots and pervert now-a-days. But that's not the worst, heathens and **** dwell as well. People who are working the angles to make a quick buck or two off the naive and the unknowing. So learn from me well; live with precautions. Keep people at arms length, because then, and only then, can they not sink their teeth in.
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Jan 22, 2015
Jan 22, 2015 at 2:38 PM UTC
Pseudonym
Heed these words, write them upon the tablet of your mind for I have returned. When you finally come to the point in your life and comprehend that the dreams with which you have been bestowed are to be used as a blueprint, you then and only then will win remarkable success in what ever calling that you adopt. You will begin to visualize things with a much greater understanding and you will experience sights stranger than you have ever seen before. You will know that these new visions are all true, for you will see that you have been given the ability to pick out and notice clusters of confirmations and on an imaginary scale. The fear of premonitions and ignoring notable occurrences by dismaying them all off as if they are just figments of your imagination is to be avoided. It is not out of random chance, the thought that things are bound to line up from time to time and for no apparent reason or that evolution had a major impact on us to evolve into begins to recognize pattern recognition, but rather, it is to be construed as if you have been blessed with the gift of foresight and you will notice that you are able to think and speak things into existence. Never again will you live with the fear of the unknown for you will know all. The truth of all things will manifest themselves and be disclosed to you in a vivid clear contrast. There will be many people who will find it extremely difficult to interpret what is being explained to them and in the process they will then start to display that they are trapped within there own gridlocked mind and be confused with just your mere presence. You will find that people who do not understand you will then try to get you to conform to what they see, ignore them. Life is but an enigma, one that is full of complex-ed riddles, when you accept to follow your dreams and with an open objective you will then have the opportunity to harness all its power and in return all the pieces of the puzzle will be spread out for you for your taking. Once you find the first piece, you then will be given the license required to take part of this phenomenon so you can complete life's grander picture found outside the ivory tower. You will know with all certainty that you are not dreaming and that what you are witnessing is not a mirage, that is until, the silver cord be loosed, after that, when death finds its way to sting and the grave can then claim its victory, welcome and accept a Re"quies'cat In Pa'ce. As always, Welcome to the show!
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Jan 7, 2015
Jan 7, 2015 at 11:05 AM UTC
Euphoria Established
Heed these words, write them upon the tablet of your mind for I have returned. When you finally come to the point in your life and comprehend that the dreams with which you have been bestowed are to be used as a blueprint, you then and only then will win remarkable success in what ever calling that you adopt. You will begin to visualize things with a much greater understanding and you will experience sights stranger than you have ever seen before. You will know that these new visions are all true, for you will see that you have been given the ability to pick out and notice clusters of confirmations and on an imaginary scale. The fear of premonitions and ignoring notable occurrences by dismaying them all off as if they are just figments of your imagination is to be avoided. It is not out of random chance, the thought that things are bound to line up from time to time and for no apparent reason or that evolution had a major impact on us to evolve into begins to recognize pattern recognition, but rather, it is to be construed as if you have been blessed with the gift of foresight and you will notice that you are able to think and speak things into existence. Never again will you live with the fear of the unknown for you will know all. The truth of all things will manifest themselves and be disclosed to you in a vivid clear contrast. There will be many people who will find it extremely difficult to interpret what is being explained to them and in the process they will then start to display that they are trapped within there own gridlocked mind and be confused with just your mere presence. You will find that people who do not understand you will then try to get you to conform to what they see, ignore them. Life is but an enigma, one that is full of complex-ed riddles, when you accept to follow your dreams and with an open objective you will then have the opportunity to harness all its power and in return all the pieces of the puzzle will be spread out for you for your taking. Once you find the first piece, you then will be given the license required to take part of this phenomenon so you can complete life's grander picture found outside the ivory tower. You will know with all certainty that you are not dreaming and that what you are witnessing is not a mirage, that is until, the silver cord be loosed, after that, when death finds its way to sting and the grave can then claim its victory, welcome and accept a Re"quies'cat In Pa'ce. As always, Welcome to the show!
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3
tire ishq kī intihā chāhtā huuñ mirī sādgī dekh kyā chāhtā huuñ Your infinite love, I desire Look at my humility what I desire sitam ** ki ** vada-e-be-hijābī koī baat sabr-āzmā chāhtā huuñ Fury or your audacious-unveiling Something fortitude-testing I desire ye jannat mubārak rahe zāhidoñ ko ki maiñ aap kā sāmnā chāhtā huuñ Heavens be favourable for the religious But us ever-so close, facing each other is what I desire zarā sā to dil huuñ magar shoḳh itnā vahī lan-tarānī sunā chāhtā huuñ A tiny heart but so spirited I am To hear those words ‘’By no means canst thou see Me’’ I desire koī dam kā mehmāñ huuñ ai ahl-e-mahfil charāġh-e-sahar huuñ bujhā chāhtā huuñ Determined guest I am O’ people of assembly Morning lamp I am, quenching I desire bharī bazm meñ raaz kī baat kah dī baḌā be-adab huuñ sazā chāhtā huuñ Within a full gathering I have disclosed the secret So impolite I am, your punishment I desire Note: Moses prays to God for guidance and begs God to reveal himself to him. It is narrated in the Quran that God tells him that it would not be possible for Moses to perceive God, but that He would reveal himself to the mountain, stating: "By no means canst thou see Me (direct); But look upon the mount; if it abide in its place, then shalt thou see Me." When God reveals himself to the mountain, it instantaneously turns into ashes, and Moses loses consciousness. When he recovers, he goes down in total submission and asks forgiveness of God. ✒ Translated by ℐamil Hussain Words of Muhammad Iqbal
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Apr 18, 2022
Apr 18, 2022 at 11:14 PM UTC
Infinite LOVE
tire ishq kī intihā chāhtā huuñ mirī sādgī dekh kyā chāhtā huuñ Your infinite love, I desire Look at my humility what I desire sitam ** ki ** vada-e-be-hijābī koī baat sabr-āzmā chāhtā huuñ Fury or your audacious-unveiling Something fortitude-testing I desire ye jannat mubārak rahe zāhidoñ ko ki maiñ aap kā sāmnā chāhtā huuñ Heavens be favourable for the religious But us ever-so close, facing each other is what I desire zarā sā to dil huuñ magar shoḳh itnā vahī lan-tarānī sunā chāhtā huuñ A tiny heart but so spirited I am To hear those words ‘’By no means canst thou see Me’’ I desire koī dam kā mehmāñ huuñ ai ahl-e-mahfil charāġh-e-sahar huuñ bujhā chāhtā huuñ Determined guest I am O’ people of assembly Morning lamp I am, quenching I desire bharī bazm meñ raaz kī baat kah dī baḌā be-adab huuñ sazā chāhtā huuñ Within a full gathering I have disclosed the secret So impolite I am, your punishment I desire Note: Moses prays to God for guidance and begs God to reveal himself to him. It is narrated in the Quran that God tells him that it would not be possible for Moses to perceive God, but that He would reveal himself to the mountain, stating: "By no means canst thou see Me (direct); But look upon the mount; if it abide in its place, then shalt thou see Me." When God reveals himself to the mountain, it instantaneously turns into ashes, and Moses loses consciousness. When he recovers, he goes down in total submission and asks forgiveness of God. ✒ Translated by ℐamil Hussain Words of Muhammad Iqbal
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974 The Soul’s distinct connection With immortality Is best disclosed by Danger Or quick Calamity— As Lightning on a Landscape Exhibits Sheets of Place— Not yet suspected—but for Flash— And Click—and Suddenness.
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The Soul’s distinct connection
The old man told his story, lost within his troubled youth His words quite labored, heavy... his raspy voice by now uncouth At times mixing the conversation with gin and ice, and sweet vermouth His eyes were clear however, and I saw therein... a quiet truth He talked of her at length, his thoughts concise, composed... serene At times he’d pause, efface another silent tear he’d wished unseen His dreams would countermand the years... love and youth, would reconvene She’s waiting there for him you see… The girl with eyes, of Paris green Some had said her ways unsound, disposition... introject He said she knew the rumors, and she thought them all quite innocent He told of how she’d laughed at them… of narrow minds, and intellect He found in her the love he’d sought, although his hope remained suspect He looked into her eyes, and saw the faintest touch of sorrow there Shining through the gentle mist, and the eglantine within her hair He felt somehow her pain, although she’d kept it obscure... nom de guerre And so his own mistakes were viewed, in Paris green... and sad despair Their time together thus unfurled within this anguished declamation Of years now spent in solitude, with lost and lonesome lamentation For one whose essence still bestows upon his dreams, in meditation Aspirations there arise, to leave his heart in desperation His thoughts remained unchanged, unbroken... memories demure He stood to mix another drink, then paused...perhaps his mind unsure Gathering his memories, so past and present touch... concur And then continued once again, his sad and doleful dream of her I listened there, throughout the night... I lie in sedentary pose Then as I fall asleep I see the here and now, and then... transpose I see myself in dreams with her, but why? my heart has not disclosed I'm lost within some late, late hour envisage... or so I suppose I then awake alone, to find my thoughts of her and then, no clearer The snow outside my window cannot bring her memory nearer Though I can dream of Paris green, and all those places, so familiar Tonight I'll listen once again, and tell my story.. to the mirror Dean Evans 1-06-15
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Jan 6, 2015
Jan 6, 2015 at 2:50 PM UTC
EYES OF PARIS GREEN
The old man told his story, lost within his troubled youth His words quite labored, heavy... his raspy voice by now uncouth At times mixing the conversation with gin and ice, and sweet vermouth His eyes were clear however, and I saw therein... a quiet truth He talked of her at length, his thoughts concise, composed... serene At times he’d pause, efface another silent tear he’d wished unseen His dreams would countermand the years... love and youth, would reconvene She’s waiting there for him you see… The girl with eyes, of Paris green Some had said her ways unsound, disposition... introject He said she knew the rumors, and she thought them all quite innocent He told of how she’d laughed at them… of narrow minds, and intellect He found in her the love he’d sought, although his hope remained suspect He looked into her eyes, and saw the faintest touch of sorrow there Shining through the gentle mist, and the eglantine within her hair He felt somehow her pain, although she’d kept it obscure... nom de guerre And so his own mistakes were viewed, in Paris green... and sad despair Their time together thus unfurled within this anguished declamation Of years now spent in solitude, with lost and lonesome lamentation For one whose essence still bestows upon his dreams, in meditation Aspirations there arise, to leave his heart in desperation His thoughts remained unchanged, unbroken... memories demure He stood to mix another drink, then paused...perhaps his mind unsure Gathering his memories, so past and present touch... concur And then continued once again, his sad and doleful dream of her I listened there, throughout the night... I lie in sedentary pose Then as I fall asleep I see the here and now, and then... transpose I see myself in dreams with her, but why? my heart has not disclosed I'm lost within some late, late hour envisage... or so I suppose I then awake alone, to find my thoughts of her and then, no clearer The snow outside my window cannot bring her memory nearer Though I can dream of Paris green, and all those places, so familiar Tonight I'll listen once again, and tell my story.. to the mirror Dean Evans 1-06-15
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44
507 She sights a Bird—she chuckles— She flattens—then she crawls— She runs without the look of feet— Her eyes increase to ***** Her Jaws stir—twitching—hungry— Her Teeth can hardly stand— She leaps, but Robin leaped the first— Ah, ***** of the Sand, The Hopes so juicy ripening— You almost bather your Tongue— When Bliss disclosed a hundred Toes— And fled with every one—
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She sights a Bird—she chuckles
As potential grew, a desire to write, disclosed to few Imagination immerse, but yet to thirst for knowledge, accrued ambition address All aboard the express, thoughts of Harry, a plot to marry From fanciful flights to greater heights Capturing such visualisation, twas the formation Characterisation, of wings to soar, with metaphor From Dumbledore, yet taking shape Professor Snape, assume the plot, lest thoughts forgot A forest to roam, a philosophical stone Such creative flair of which to share Joining of the dotted line, artistic mind Transporting train, journeyed acclaim Of whom to impede, the will to succeed The ability to write, the capacity to teach, the desire to reach An impetus for change, a literary role, a priority Of which to seek with tenacity Beyond horizons, beyond confines, stand undefined Awe-inspire, great readership, a due reply To simplify, a noble shift, outstanding writer in the midst Dynamic plot from pen to page, persistence through to published stage A realised dream, challenge overcome A victory won definably, stocked supplies to library Broomstick flight phenomenon, a mystical tale was to become Would generate, the bus of Knight, to render right A rebuilt life, a legacy made From chosen craft to final draft, a world of creativity The right to type, to innovate, an intriguing wait A shining star that would liberate Written by Geraldine Taylor ©
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Jun 11, 2017
Jun 11, 2017 at 3:10 PM UTC
J. K. Rowling
I'm sorry I can't be a bad boy for you I'm not the kind of reclamation project that women dream of reclaiming It's the attitude you crave not the mood I've been manufacturing this bad boy body for two months Who am I fooling? It's the mind where the fantasies and possibilities take shape Even though I've flashed a knife at a bad boy it doesn't matter for I wasn't the bad boy nor am I a rock star or a pro athlete or a student who wears detention like a badge of honour I'm a ******* poet and who wants a holder of fantasies that have already been disclosed? I'm sorry I'll make it up to you I'll be the ear you require when your heart is broken I'll be the nodder you require when you need to make it clear that all guys are ***** even though it was the ***** you were hypnotized by in the first place Bad boy body? Bad boy language? It's doesn't mean a **** for it's all in the mind Who am I fooling? You'll be okay for the sea is teeming with jellyfish
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Aug 1, 2014
Aug 1, 2014 at 6:54 AM UTC
THE TALKING SHEEP
She laid on the varnished wooden floor observing nothing seemed different. The children played and jumped on her back as normal sighed getting up. Walking away keeping a quiet presence the love for her immense. Part of the family they had called her Jess not one of the illegal breeds. A golden labrador with a gentle nature but on that day it changed! An urgent call to the police was received the scene they hadn't perceived! Jess sat calmly on the wooden front porch covered in blood wagging her tail. Inside the house two badly mutilated bodies as if attacked by a savage beast! They heard children whimpering nearby an awful sobbing cry. Two children were found in a walk in wardrobe both in a state of shock. Jess offered no resistance when she was handled licking and barking loudly. The Police were very wary putting her in a cage there was no sign of rage. The dwelling was sealed the children taken to safety after tests it was proved. Jess had killed her owners the only witnesses told of their friend going crazy! The once beloved pet was quickly put to sleep sadness in the county was deep! It was never disclosed that in the dogs blood sample an unknown virus was found. But it just disappeared before its origin was traced so the mystery remained. The case was closed a tragic accident and filed away until the following Sunday! Now the authorities began to fear the worst! The Foureyed Poet.
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Jun 27, 2012
Jun 27, 2012 at 7:59 PM UTC
Jess!
YADA TASHY ( "Originator Stone" ) Outside the first snow falls. Her wounds are photographed. Spoken of. Described in detail. Technical. The overhead microphone takes it all in. Being dead she is more naked than she ever was. Stripped of her humanity. She had ceased to be who she used to be. She is now merely a cadaver. The autopsy can not tell her name. She is Kuzuku. Her mother called her KuKu. She had been born with a caul. KuKu was pregnant. She was going to call the child if it was a girl . . .Yuki. She couldn't conceive what she would call it if a boy? It was always going to be a girl. She liked candyfloss and her hair up. Now her hair is down. It touches her shoulders. As if her hair were still alive. The autopsy wound by wound tells of the hell of her dying. The voice is deadpan. Mechanical. The coroner breaks for coffee. Bitter.  Black. "Ya da!" as the Turks say. "...with nothing..." *** Kuzuku was named after the flowering plant/rampant **** Her mother always drank a tea made from it. Only her mother called her her pet name; "Kuku!" Her blacker than black hair always seemed like a living entity in itself as it danced upon her shoulders or splashed over her clavicles. She always wore off the shoulder dresses or tops even in winter cold. I once told her she had the cutest clavicles( "rekishi no naka de kawaī sakotsu" )in history which....always made her laugh. I told her she had well tempered clavicles and she laughed even more when the pun was explained to her. She had been born with a caul...a red caul. She it was who told me the Turkish tale or the Yada Daşı and of the Yadachy. She had just met the man who would eventually stab her to death and she was greatly in love with him and his culture. All these little scraps of humanity could not be disclosed by the autopsy which could never tell of how beautiful she was and what a joy she was to be around. Her death was a horror tale told by a friend of a friend of a friend and hard to comprehend or believe.
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Aug 27, 2016
Aug 27, 2016 at 6:12 AM UTC
YADA TASHY ( "Originator Stone" )
YADA TASHY ( "Originator Stone" ) Outside the first snow falls. Her wounds are photographed. Spoken of. Described in detail. Technical. The overhead microphone takes it all in. Being dead she is more naked than she ever was. Stripped of her humanity. She had ceased to be who she used to be. She is now merely a cadaver. The autopsy can not tell her name. She is Kuzuku. Her mother called her KuKu. She had been born with a caul. KuKu was pregnant. She was going to call the child if it was a girl . . .Yuki. She couldn't conceive what she would call it if a boy? It was always going to be a girl. She liked candyfloss and her hair up. Now her hair is down. It touches her shoulders. As if her hair were still alive. The autopsy wound by wound tells of the hell of her dying. The voice is deadpan. Mechanical. The coroner breaks for coffee. Bitter.  Black. "Ya da!" as the Turks say. "...with nothing..." *** Kuzuku was named after the flowering plant/rampant **** Her mother always drank a tea made from it. Only her mother called her her pet name; "Kuku!" Her blacker than black hair always seemed like a living entity in itself as it danced upon her shoulders or splashed over her clavicles. She always wore off the shoulder dresses or tops even in winter cold. I once told her she had the cutest clavicles( "rekishi no naka de kawaī sakotsu" )in history which....always made her laugh. I told her she had well tempered clavicles and she laughed even more when the pun was explained to her. She had been born with a caul...a red caul. She it was who told me the Turkish tale or the Yada Daşı and of the Yadachy. She had just met the man who would eventually stab her to death and she was greatly in love with him and his culture. All these little scraps of humanity could not be disclosed by the autopsy which could never tell of how beautiful she was and what a joy she was to be around. Her death was a horror tale told by a friend of a friend of a friend and hard to comprehend or believe.
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-o-0-o- With my two eyes closed, the third sees beyond the edge of the horizon. Keeping us within its sight, unopposed. In the center of the energy, I experience an alternate path that has not been disclosed. Unending, undivided. You are not alone, this symphony plays for us both, and this Universe we interpret will provide it. Keep digging, diving, deriving, speaking, seeing, hearing, feeling, believing, sensing. Unrelenting, still unconditional, yet undeniable, so undefinable, and indescribable... Yet Loving
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Jan 15, 2013
Jan 15, 2013 at 11:49 PM UTC
Third Eye
One midnight up The man to be, the troubled boy woke up feeling sully, undignified Vexed by an unwavering Storm in his mind, Torn, tired and tearful at last About the facade he portrays Good actions, he wants shown But are being overtaken, over-showed By chagrin from wanton tendencies Hope he is not giving up Maybe he'll let go of it all Take over his life and forget it all Become an honest man and move on The troubled boy wants help Distraught of mind, peace has dwindled from within him Pulsating reminders of who he wants to be Try to revert the lost boy back to the right path But a transition is taking root Forcing a recognition of accepting to Live a life only one way, disclosed Must facades come tumbling down And hiding faces shown light Or Must hiding faces be buried up And facades become true sights The troubled boy will decide
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Nov 27, 2010
Nov 27, 2010 at 10:48 AM UTC
The Troubled Boy
My newest hobby is telling people that I have a prom date, watching the drift of mouths and listening to the refocusing of eyes. I'm sure they don't mean to be rude but they certainly make a good show of their unkempt reactions. "Really?" comes the pestilential chorus as trains of thought rapidly switch tracks. One stalwart, you may shudder to hear this, expressed profound disgust when I disclosed the girl's identity. "I wasn't aware they let lesbians go to the dance.” he says and I: "Well, you'll find they cannot bar the doors to any sort of trash. You're going right?" Not a thing about this business seems (to my joying eyes) quite belonging to its proper world. Yes, it's really me. I, the wandering virgin-shaman, must look quite at odds in their view; despoiling the *** ritual by stepping out from behind the moon's galling rind of half-light. To beat at my own tides? Oh, god! The quiddity of my queer mind is sacred like a water-walking rumor. I find myself betrothed behind my back, my role is sealed ere tightness shows a crack.
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Feb 24, 2010
Feb 24, 2010 at 6:16 PM UTC
**** Erectus, **** Eruditus
The Riddle One of you has seen my face. One of you knows where I live. Stuff. Important stuff, like the locale of my hidey-holes. My email and my cell disclosed soon to be on sale on eBay for a trifling sum. So now I must disburse to parts more remote, reappear in a nouveau identity. Just a necessary precaution. Moreover, methinks you have grown tired of my waning voice, waxing ineloquently, opining too frequently. feel like a thick wooly straw welcome mat, edges unravelling, grown raggedy, roundabout the edges, or like a paperback book, tho well thumbed, nonetheless, consigned to the bye-bye discard box. riddle me, me be the riddle, when I scribe under a new Nom de Plume. will you recognize, my signature hid amidst the restless words that still need a home? are my poems worthy of a second glance, do you predispose your attentions on your favorites only, the newbies squeaking ignored and unattended, whose ranks I have now rejoined? did you ever meet a poem you did not like? did you ever greet a poet with palms outwardly raised, saying, no mas, had enough, no time for you and your clouded clarifications? need you. need you to judge me, without the saddlebags of predisposition and imposition. if you need me just give me a loud holler in my sleepy hollow. tho sadly my country road, has listening posts on the telephone wires, I will know, when. you call, your voice, I will come, if you ask, always. I'll be riddling in plain sight, if you have the taste for and of me, you will find me soon enough. HOWEVER, in emergencies all you need dial, my digital signature, 911 and ask for the Poetry Hotline.
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Nov 15, 2013
Nov 15, 2013 at 11:23 PM UTC
The Riddle
The Riddle One of you has seen my face. One of you knows where I live. Stuff. Important stuff, like the locale of my hidey-holes. My email and my cell disclosed soon to be on sale on eBay for a trifling sum. So now I must disburse to parts more remote, reappear in a nouveau identity. Just a necessary precaution. Moreover, methinks you have grown tired of my waning voice, waxing ineloquently, opining too frequently. feel like a thick wooly straw welcome mat, edges unravelling, grown raggedy, roundabout the edges, or like a paperback book, tho well thumbed, nonetheless, consigned to the bye-bye discard box. riddle me, me be the riddle, when I scribe under a new Nom de Plume. will you recognize, my signature hid amidst the restless words that still need a home? are my poems worthy of a second glance, do you predispose your attentions on your favorites only, the newbies squeaking ignored and unattended, whose ranks I have now rejoined? did you ever meet a poem you did not like? did you ever greet a poet with palms outwardly raised, saying, no mas, had enough, no time for you and your clouded clarifications? need you. need you to judge me, without the saddlebags of predisposition and imposition. if you need me just give me a loud holler in my sleepy hollow. tho sadly my country road, has listening posts on the telephone wires, I will know, when. you call, your voice, I will come, if you ask, always. I'll be riddling in plain sight, if you have the taste for and of me, you will find me soon enough. HOWEVER, in emergencies all you need dial, my digital signature, 911 and ask for the Poetry Hotline.
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