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"decorative" poems
~for those who will read this and weep~ *the quiet ones, the silent Job ones, who quote not from the Book of Lamentations, but author their own, based on-the-job experience localized versions of cryptic elegiacs accepting the wooden crosses borne, stepping up to the unrequested unforeseen, then buried under, burnt alive, yet never relieved by dying, nailed by words, stronger than iron, promises sworn, promises kept with no ending date relief, promises by and to themselves, but not for themselves!* *the wearers of crystal glass shackles, adorned with decorative locks for which no key did the maker make, nor any divine creator dare conceive an early release, never no escape contemplated, for the lock human, unrepentant unbreakable, a decorative useless metaphor gesture, a blunt “life ***** advertisement I compose amidst a bus pond of mismatched city folk, a tapestry of ages colors and differing views on god/no god, none would believe that as the bus sways me, it’s in rhythm to holy choral music, hundreds year old, divinity masses and motets worships, where one human can hide temporarily a safe house, to calm his questioning relentless from the horrors of no answers, for when the mind has no solution to the rough and tumbling lives, lived in glass shackled confinement, the poets desperation equals theirs* *summon eagles to transport these imprisoned, but the shackled refuse, I come to them but they wave me off, I go crazy for once I was enslaved, thirty years war that left devastation, from which so many poems created so I speak with heightened regard of one who planned futures for others where his non-existence was a founding father (ha!)* *but the day came and I was released by my own inactions, but means nothing until a way to away found to release the yet bound early* got a couch, airline miles, hundred dollars in my pocket and an unrelenting need to save them, a consumption disease, the glass shackled, at ease, won’t rest till all are freed this my creed no one left behind these cyber words do not mock for they are unbounded, set free, when the flesh connects and the needs of the flesh are stronger for they are in heart conceived
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Jun 23, 2018
Jun 23, 2018 at 5:45 PM UTC
The Glass Shackles
~for those who will read this and weep~ *the quiet ones, the silent Job ones, who quote not from the Book of Lamentations, but author their own, based on-the-job experience localized versions of cryptic elegiacs accepting the wooden crosses borne, stepping up to the unrequested unforeseen, then buried under, burnt alive, yet never relieved by dying, nailed by words, stronger than iron, promises sworn, promises kept with no ending date relief, promises by and to themselves, but not for themselves!* *the wearers of crystal glass shackles, adorned with decorative locks for which no key did the maker make, nor any divine creator dare conceive an early release, never no escape contemplated, for the lock human, unrepentant unbreakable, a decorative useless metaphor gesture, a blunt “life ***** advertisement I compose amidst a bus pond of mismatched city folk, a tapestry of ages colors and differing views on god/no god, none would believe that as the bus sways me, it’s in rhythm to holy choral music, hundreds year old, divinity masses and motets worships, where one human can hide temporarily a safe house, to calm his questioning relentless from the horrors of no answers, for when the mind has no solution to the rough and tumbling lives, lived in glass shackled confinement, the poets desperation equals theirs* *summon eagles to transport these imprisoned, but the shackled refuse, I come to them but they wave me off, I go crazy for once I was enslaved, thirty years war that left devastation, from which so many poems created so I speak with heightened regard of one who planned futures for others where his non-existence was a founding father (ha!)* *but the day came and I was released by my own inactions, but means nothing until a way to away found to release the yet bound early* got a couch, airline miles, hundred dollars in my pocket and an unrelenting need to save them, a consumption disease, the glass shackled, at ease, won’t rest till all are freed this my creed no one left behind these cyber words do not mock for they are unbounded, set free, when the flesh connects and the needs of the flesh are stronger for they are in heart conceived
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68
Iguana of diamonds, Sand sea and sun, Little children in sight, Attractions of light, Natives of love, Decorative cities, what night. Island’s of the Bahamas beauty as can be, What more fun than playing with dolphins in the sea. Creative costumes, dancers so bright, The music dramatized, Feel the rush it’s a site. Nothing more beautiful than the island themselves, Well except the people willing to give help. Pineapples, peas and rice, pink sand, flamingoes, and some conch salad, Not forgetting the “KALIK,” cause’ “IT’S A BAHAMIAN TING”. Blue, Black and Aquamarine, was just described to you, All in the Islands Love. Come and enjoy the exciting experience too! My Bahama Land! ©
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Nov 4, 2010
Nov 4, 2010 at 7:33 AM UTC
Island
Cake, the meat of culinary delights; Icing, the sauce. Cake, the main entree, the special of the night; Icing, the decorative garnish. Without Cake, Icing has no purpose A clump, a blob, of meaningless goop. 1 spoonful of Icing alone and you're done. Spread out amongst the firm surface of Cake though, Icing becomes much more interesting, and much more fun. I am the Cake. You are the Icing. Without me, the base, the entree, the meat You, the sauce, the garnish and blob, don't matter You can be the Icing to your own Cake or to another But without me, you'll do nothing but rot teeth and smother So, to enjoy you, Icing, to the absolute fullest I must, first, combine the ingredients, stir and bake Because it is vital, if one is to appreciate your sweet taste, To properly prepare my foundation, the meat, your Cake. - BPW
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May 15, 2014
May 15, 2014 at 4:22 PM UTC
The Importance of Being Cake (a.k.a. frivolous icing)
In a bedroom in small-town Pennsylvania, you’ll find an unmade bed, a pile of clothes on the floor— clean but not folded, open drawers and dusty shelves, a desk in the corner of the room with pictures laid across it. When I caught my first fish at six. I held it at arm’s length by the fishing line to avoid the slimy scales, a frown on my face from being forced to sit silently in the cold. When my family went to Marco Island, my sister and I, sifting sand for the best seashells in our matching swimsuits and hats. Mom and dad’s fights forgotten in our fun. High school graduation posing with my best friend since first grade, diplomas in one hand and an extra cap held between us because not everyone survived all four years. Move-in day at college, sitting on my raised bed with a grey comforter and two decorative pillows the color of cotton candy. Sweat on my brow from southern humidity and moving furniture without the help of a father. The pictures are merely snapshots that lack the full story. How I learned what it meant for love to fall apart when I was eight years old. My sister warned me before it happened, told me what a divorce was. I mistook her for joking until they called us upstairs. Dad cried when they told us, but mom held her tears until the day he left. The sounds of her cries escaping from behind a closed door. “This doesn’t mean we don’t love each other.” But that’s exactly what it meant. How I was taught by my father that love is conditional, and I repeatedly needed to prove myself through good grades and unquestioning obedience. Forced to stay home to spend time with the family, sitting wordlessly on the couch while he watched TV. Made guilty for wanting to spend time with friends because that somehow meant that I was a bad daughter. It’s funny—I never asked myself if he was a good father. If you look harder at the bedroom, you’ll find journals filled with bitter words, screws from disassembled pencil sharpeners, loose razors, and Aquaphor, food wrappers stuffed in hidden places, a closet brimming with junk and pairs of shoes, evidence of a story untold. Until you.
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Sep 20, 2023
Sep 20, 2023 at 9:09 PM UTC
To Whom It May Concern:
In a bedroom in small-town Pennsylvania, you’ll find an unmade bed, a pile of clothes on the floor— clean but not folded, open drawers and dusty shelves, a desk in the corner of the room with pictures laid across it. When I caught my first fish at six. I held it at arm’s length by the fishing line to avoid the slimy scales, a frown on my face from being forced to sit silently in the cold. When my family went to Marco Island, my sister and I, sifting sand for the best seashells in our matching swimsuits and hats. Mom and dad’s fights forgotten in our fun. High school graduation posing with my best friend since first grade, diplomas in one hand and an extra cap held between us because not everyone survived all four years. Move-in day at college, sitting on my raised bed with a grey comforter and two decorative pillows the color of cotton candy. Sweat on my brow from southern humidity and moving furniture without the help of a father. The pictures are merely snapshots that lack the full story. How I learned what it meant for love to fall apart when I was eight years old. My sister warned me before it happened, told me what a divorce was. I mistook her for joking until they called us upstairs. Dad cried when they told us, but mom held her tears until the day he left. The sounds of her cries escaping from behind a closed door. “This doesn’t mean we don’t love each other.” But that’s exactly what it meant. How I was taught by my father that love is conditional, and I repeatedly needed to prove myself through good grades and unquestioning obedience. Forced to stay home to spend time with the family, sitting wordlessly on the couch while he watched TV. Made guilty for wanting to spend time with friends because that somehow meant that I was a bad daughter. It’s funny—I never asked myself if he was a good father. If you look harder at the bedroom, you’ll find journals filled with bitter words, screws from disassembled pencil sharpeners, loose razors, and Aquaphor, food wrappers stuffed in hidden places, a closet brimming with junk and pairs of shoes, evidence of a story untold. Until you.
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51
*On a bright and delightful Easter morning A furry white rabbit, wiggled her pink adorable nose Peeking through lush bushes In a lovely and distinctive pose And jiggled her cottony soft scut Aiming into a vegetation On this sunny day With so much motivation Quietly hopping into a blissful garden Placing decorative filled eggs in pastels With little time to rest As she quickly inhales Adding vibrant colours, to an emerald spiky blanket And into a rainbow of unfolding tulips Enlightening her way, like a dazzling carnival For little peeps enjoyment, upon soft winds movement Beginning in the latter daylight hours, as tots of all ages Eagerly carried empty interwoven baskets, on their quest Pacing through, as in peekaboo And observing who competes the best*
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Apr 26, 2014
Apr 26, 2014 at 3:39 PM UTC
On A Bright And Delightful Easter Morning
1. Her thick brow, Is only her choice. A stance against norms. 2. Ribbons and flowers, All tangled in her hair. A decorative crown, But beauty is not defined here. 3. She had many lovers, Of many kinds. But promiscuity, Does not define worth. 4. Drink more than the men. To dance with a love, They can never have. 5. Politics are unimportant, Only the ideas in your mind. Of equality and charity, But it will leave somebody dead. 6. Be bold and smart. Follow your own direction, Maybe dress like a man 7. When a trolley crashes, Leaving you wishing for death, Draw on your bandage. Don’t let your broken column Break your strength. 8. Don’t fall in love with artists, They drink too much, Cheat too much. And will break your heart 9. Fall in love with artists, A musician, maybe a painter. You’ll never be bored, You’ll always be drunk. 10. Just don’t let them break you, Don’t stop painting because you’re hurt. Don’t give them the satisfaction, Of breaking your wings. 11. You don’t need anyone, When you have wigs to fly. Don’t need feet, Or anyone else. 12. You probably feel like a freak, Like the weirdest person you’ve ever known. But as long as you’re weird with me, You’ll never be weird alone. 13. Make friends with the past, With people you’ve never known. It’ll always be a source of security, No one can leave that’s already gone. I look at Frida through her paint, through her words, through the story of her life she has taught me not to be afraid.
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Jan 25, 2015
Jan 25, 2015 at 10:45 PM UTC
Thirteen ways to look at Frida
1. Her thick brow, Is only her choice. A stance against norms. 2. Ribbons and flowers, All tangled in her hair. A decorative crown, But beauty is not defined here. 3. She had many lovers, Of many kinds. But promiscuity, Does not define worth. 4. Drink more than the men. To dance with a love, They can never have. 5. Politics are unimportant, Only the ideas in your mind. Of equality and charity, But it will leave somebody dead. 6. Be bold and smart. Follow your own direction, Maybe dress like a man 7. When a trolley crashes, Leaving you wishing for death, Draw on your bandage. Don’t let your broken column Break your strength. 8. Don’t fall in love with artists, They drink too much, Cheat too much. And will break your heart 9. Fall in love with artists, A musician, maybe a painter. You’ll never be bored, You’ll always be drunk. 10. Just don’t let them break you, Don’t stop painting because you’re hurt. Don’t give them the satisfaction, Of breaking your wings. 11. You don’t need anyone, When you have wigs to fly. Don’t need feet, Or anyone else. 12. You probably feel like a freak, Like the weirdest person you’ve ever known. But as long as you’re weird with me, You’ll never be weird alone. 13. Make friends with the past, With people you’ve never known. It’ll always be a source of security, No one can leave that’s already gone. I look at Frida through her paint, through her words, through the story of her life she has taught me not to be afraid.
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51
all things are useful, bulbs bring light , denote ideas, good intentions, spent, collected. cotton hankies, frayed hold the books, yet those with nylon, stretch the skin resulting in red and soreness. shy away from dangerous commodities, use the best, those tradtional artefacts which are gentle on your soul, bring light. wipe your nose clean. sbm. today we have added notes for your interest. A HANDKERCHIEF (also called handkercher or hanky) is a form of a kerchief, typically a hemmed square of thin fabric that can be carried in the pocket or purse, and which is intended for personal hygiene purposes such as wiping one’s hands or face, or blowing one’s nose. A handkerchief is also sometimes used as a purely decorative accessory in a suit pocket. When used as an accessory to a suit, a handkerchief is known as a POCKET SQUARE. There are a wide variety of ways to fold a pocket square, ranging from the austere to the flamboyant. The material of a handkerchief can be symbolic of the social-economic class of the user, not only because some materials are more expensive, but because some materials are more absorbent and practical for those who use a handkerchief for more than style. Handkerchiefs can be made of cotton, cotton-synthetic blend, synthetic fabric, silk, or linen. Historically, white handkerchiefs have been used in place of a white flag to indicate surrender or a flag of truce; in addition to waving away sailors from port. King Richard II of England, who reigned from 1377 to 1399, is widely believed to have invented the cloth handkerchief, as surviving documents written by his courtiers describe his use of square pieces of cloth to wipe his nose.
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Jun 9, 2014
Jun 9, 2014 at 1:33 AM UTC
. light bulbs and handkerchiefs .
all things are useful, bulbs bring light , denote ideas, good intentions, spent, collected. cotton hankies, frayed hold the books, yet those with nylon, stretch the skin resulting in red and soreness. shy away from dangerous commodities, use the best, those tradtional artefacts which are gentle on your soul, bring light. wipe your nose clean. sbm. today we have added notes for your interest. A HANDKERCHIEF (also called handkercher or hanky) is a form of a kerchief, typically a hemmed square of thin fabric that can be carried in the pocket or purse, and which is intended for personal hygiene purposes such as wiping one’s hands or face, or blowing one’s nose. A handkerchief is also sometimes used as a purely decorative accessory in a suit pocket. When used as an accessory to a suit, a handkerchief is known as a POCKET SQUARE. There are a wide variety of ways to fold a pocket square, ranging from the austere to the flamboyant. The material of a handkerchief can be symbolic of the social-economic class of the user, not only because some materials are more expensive, but because some materials are more absorbent and practical for those who use a handkerchief for more than style. Handkerchiefs can be made of cotton, cotton-synthetic blend, synthetic fabric, silk, or linen. Historically, white handkerchiefs have been used in place of a white flag to indicate surrender or a flag of truce; in addition to waving away sailors from port. King Richard II of England, who reigned from 1377 to 1399, is widely believed to have invented the cloth handkerchief, as surviving documents written by his courtiers describe his use of square pieces of cloth to wipe his nose.
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16
sky sun rise early morning dawn cascades upon blanketed lawn decorative leaves poke through snow strong reminder that nothing can grow including the daisy and every other flower nights become longer, days shorter by the hour and flying to the south  robin, crane and hummingbird a wolves forlorn howl does not go unheard nor does that of the snowy owl a north wind itself does howl a weathered husk does blow dancing across the snow a lonely endeavor but forever hopeful (C) Shawn White Eagle
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Nov 10, 2012
Nov 10, 2012 at 12:37 PM UTC
Biboon (Winter)
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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Mar 28, 2013
Mar 28, 2013 at 12:28 PM UTC
Sonya Rose
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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58
They call her Violent Violet for the purple bruises that bloom dangerously deep and disturbingly dark along the tops of her knuckles. To her it’s decorative floral. In fights she clutches violets offering their vicious beauty to any contending adversary. She’s a volatile force of nature.
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Jun 13, 2014
Jun 13, 2014 at 11:48 PM UTC
Violent Violet
While hearing a jingle from somebody's Marmy I bake on a warm parchment sheet Cut out to be single but one in an army of gingerbread men I will meet. Don't know if I care that this life is so scary or just that I fear saying so and not that I know but I hear that it's hairy out there so I'm just laying low For better, for worse, I can promise far better for me if we all had no clue a blessing or curse I'm gingerbread,  Ma'am and a hell of a good soldier too. We're golden brown guys with a raisins for eyes at first glance,  not by chance,  like the others but The Gingerbread Men of Company Ten have a mission: to stand with our brothers. I'll fight to the end, for I am what I am   and that's reason enough to defend just give me my gun don my uniform, hon my baker, my maker, my friend. You've had all your fun when the mixing was done with rolling and stamping my fate. I live now to serve and not to be served a desert on a decorative plate. I was mixed up before but I've figured the score from the moment I came from the oven that you had a plan for this gingerbread man, not my fight but my plight you'd be lovin'. So just give me a hand kindly help me to stand and salute all the men who have gone into battle for this a man's right to exist and be more than a treat to chew on. and in fact, if you will I'd much rather still to be the manning the front lines, I'm itchin' to run 'cross your floor and head straight for the door to release all my men from your kitchen!
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Nov 17, 2013
Nov 17, 2013 at 12:35 PM UTC
the gingerbread soldier
While hearing a jingle from somebody's Marmy I bake on a warm parchment sheet Cut out to be single but one in an army of gingerbread men I will meet. Don't know if I care that this life is so scary or just that I fear saying so and not that I know but I hear that it's hairy out there so I'm just laying low For better, for worse, I can promise far better for me if we all had no clue a blessing or curse I'm gingerbread,  Ma'am and a hell of a good soldier too. We're golden brown guys with a raisins for eyes at first glance,  not by chance,  like the others but The Gingerbread Men of Company Ten have a mission: to stand with our brothers. I'll fight to the end, for I am what I am   and that's reason enough to defend just give me my gun don my uniform, hon my baker, my maker, my friend. You've had all your fun when the mixing was done with rolling and stamping my fate. I live now to serve and not to be served a desert on a decorative plate. I was mixed up before but I've figured the score from the moment I came from the oven that you had a plan for this gingerbread man, not my fight but my plight you'd be lovin'. So just give me a hand kindly help me to stand and salute all the men who have gone into battle for this a man's right to exist and be more than a treat to chew on. and in fact, if you will I'd much rather still to be the manning the front lines, I'm itchin' to run 'cross your floor and head straight for the door to release all my men from your kitchen!
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51
Yes I jumped in those leaves crunchy, fluffy, autumn leaves Waded in the decorative fountain Climbed on the public art Yes I danced swing in the BART station Hid in the grocery store among rolls of toilet paper Had to *** a ride after the Dicken's faire Played in the rain Hugged my mother Made my dad take me to see Tangled in 3D Yes I measured the baking soda for those dinosaur chocolate chip cookies Loved Steve Irwin will all my childhood admiration Was afraid of the Deep End Memorized Shel Silverstein Remember my sister reading me Harry Potter Gripping my best friend on Tower of Terror, Indiana Jones, Space Mountain Sang Christmas Carols in October And I'm not even sorry I was a pirate paleontologist pop-star pokemon master steampunk rocker renaissance girl who time-traveled, hunting T-rex adventuring with Christopher Robin, Calvin and Hobbes Made two corsages for my junior prom, fed ducks, ate at Mels, posed in the dollar store, watched the Avengers in our glittering dresses for the second Laughed so hard I cried about the stupidest things I doubted, got lost in Costco, found my faith Had my prayers answered For the bestest, most faithful friends I have the "simple human relief of knowing you’ve done wrong, and living through it" And don't take this the wrong way It's not like I'm going to jump off a bridge Well, maybe with a bungee cord? But if I died right now **** Gone. I wouldn't say I envied anybody Not really We've had a pretty **** great time haven't we? Oh sure I'd protest Places to go, people to see, things to eat, but... As long as You forgive me my faults Whose to say, There is anything else I HAVE to do Before I have lived a GREAT life I have nothing to prove besides that I am grateful for this breath of life which may pass at any moment
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Nov 10, 2013
Nov 10, 2013 at 2:49 PM UTC
If I died right now
Yes I jumped in those leaves crunchy, fluffy, autumn leaves Waded in the decorative fountain Climbed on the public art Yes I danced swing in the BART station Hid in the grocery store among rolls of toilet paper Had to *** a ride after the Dicken's faire Played in the rain Hugged my mother Made my dad take me to see Tangled in 3D Yes I measured the baking soda for those dinosaur chocolate chip cookies Loved Steve Irwin will all my childhood admiration Was afraid of the Deep End Memorized Shel Silverstein Remember my sister reading me Harry Potter Gripping my best friend on Tower of Terror, Indiana Jones, Space Mountain Sang Christmas Carols in October And I'm not even sorry I was a pirate paleontologist pop-star pokemon master steampunk rocker renaissance girl who time-traveled, hunting T-rex adventuring with Christopher Robin, Calvin and Hobbes Made two corsages for my junior prom, fed ducks, ate at Mels, posed in the dollar store, watched the Avengers in our glittering dresses for the second Laughed so hard I cried about the stupidest things I doubted, got lost in Costco, found my faith Had my prayers answered For the bestest, most faithful friends I have the "simple human relief of knowing you’ve done wrong, and living through it" And don't take this the wrong way It's not like I'm going to jump off a bridge Well, maybe with a bungee cord? But if I died right now **** Gone. I wouldn't say I envied anybody Not really We've had a pretty **** great time haven't we? Oh sure I'd protest Places to go, people to see, things to eat, but... As long as You forgive me my faults Whose to say, There is anything else I HAVE to do Before I have lived a GREAT life I have nothing to prove besides that I am grateful for this breath of life which may pass at any moment
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52
You liked me for what you saw, for what  was skin deep. You liked the decorative icing on the cake. You did not know what lay beneath. Was I dry, moldy or a fake. You did not know my regrets, the things I've done wrong; You did not know the secrets that I've kept for so long. But you were perfect; maybe too perfect for me. I was not worthy of you but perfect I'd be. If you just wait for a while and give me some time I would be perfect but right now I'm not worth a dime.
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Aug 15, 2014
Aug 15, 2014 at 3:24 AM UTC
Worthy
The solitary reminder, a sole survivor, hopeful-placed, forgivingly encased in little boxes decorative hidden in plain sight throughout our home. Single and incomplete, the lonesome leftovers, openly hid upon bookshelf, desk corners, fireplace mantels, storage units of the I am unlost, I am unfound, Raise your hand, stand up and say that is me, that is me. Minor treasure chests, of carved wood, seashell real, acquisitions of trips to faraway places, these boxes, they themselves, visible but unremembered, just there, no cares, no one knows, when or why. that is me, is that me? Space fillers, memory taunts, grandchildren's playthings, delight, when they someday come visit, weather and parents permitting, finding keys for locks, doors, from three homes ago. Can they unlock me too? Boxes hoard the things we have lost, but cannot discard, can't sacrifice, gotta keep, an admixture of buttons, dried flowers, faded notes that once upon a time mattered, shook someone's world... Some kept in hope, others, sequestered, lock-up, jails that we are both jailor and jailed, the joke being on me. Should we, you and I, exchange these cases histories of lost hopes, memories, it would not be surprising, if when opened, the contents identical, even if you are in Manila, Leeds, places of need, and yet, we would be shocked, asking, *that is me, is that me?*
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Dec 9, 2013
Dec 9, 2013 at 6:34 AM UTC
The Solitary Earring/Cufflink (Where do we survivors live?)
**** here I am again suffused by incoming sunlight floods, blonde tresses decorative, and a refrigerator light dim surprising, ********** a future fest, when in search of ordinary milk and coffee cherries, grapes, watermelon, cole slaw, caramelized walnuts, Spanish Marcona almonds, chicken defrosting, and wine, a pink rose, blushing like me, at the amplitude of love and blessings I have uncovered, and that covers me, while she sleeps, I sip first coffee and her love and more than suffused, *I am effused, unable to contain all this, what I am feeling, like my water broken, pouring tears and I wonder who is* this idiot that forgets to say thank you for what he has been given, and who in return can merely offer up a pauvre writ, a love poem, of salt and sweet
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Jun 28, 2014
Jun 28, 2014 at 6:42 AM UTC
**** Here I Am Again
Yes, mechanical leaf mover, create the shrillest sounds known to man. See if it doesn't just slowly make the world a ******** place by taking away the joy of crunchy leafs, which gradually become moist, squishy leafs, then, after a long period, emerging from a snow covering thaw and lie there, fully exposed, recumbent, depriving the dormant seed of grass its sunlight, preventing grass, freeing up water for infrastructure needs more urgent and rational than supporting the most boring of decorative plants encompassing our lives. I guess what I'm saying is that, not only are your sounds annoying, they're just another of the short-sighted endeavors our present society insists on. You are the "circumcision-for-hygiene-purposes" of our urban planning. **** you, leaf blower. **** you and the excruciating environmental ignorance you represent. I SAID **** YOU, LEAF BLOWER, YET YOU PERSIST! You need to let that leafy-foreskin grow, covering the shaft of ground. Rid it of the pleasure-impeding growth of grass! Let the earth cry out for the sensation of tiny points of pressure moving delicately along its surface. Let the ground erupt with wild flowers, or at the very least, the trampled exuberance of plodded soil and the desperate levels of human debris that would collect upon it. Or are you trying to hide our wastefulness from us by removing something which is nothing, a nothing, invisible barrier? You've already succeeded in giving my apartment complex the ambience of an industrial production complex which I suppose it always was. Maybe your attempt at concealment has been a revelation. Or maybe I just can't think straight, because there's been a ******* leaf blower circling below my window all morning and now a heavy, riding lawn mower is coming to cut the grass that hasn't grown since September but has been watered every day even though it froze last night and it's almost November.
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Oct 26, 2012
Oct 26, 2012 at 12:45 PM UTC
For fuck's sake with the leaf blowers!?
Yes, mechanical leaf mover, create the shrillest sounds known to man. See if it doesn't just slowly make the world a ******** place by taking away the joy of crunchy leafs, which gradually become moist, squishy leafs, then, after a long period, emerging from a snow covering thaw and lie there, fully exposed, recumbent, depriving the dormant seed of grass its sunlight, preventing grass, freeing up water for infrastructure needs more urgent and rational than supporting the most boring of decorative plants encompassing our lives. I guess what I'm saying is that, not only are your sounds annoying, they're just another of the short-sighted endeavors our present society insists on. You are the "circumcision-for-hygiene-purposes" of our urban planning. **** you, leaf blower. **** you and the excruciating environmental ignorance you represent. I SAID **** YOU, LEAF BLOWER, YET YOU PERSIST! You need to let that leafy-foreskin grow, covering the shaft of ground. Rid it of the pleasure-impeding growth of grass! Let the earth cry out for the sensation of tiny points of pressure moving delicately along its surface. Let the ground erupt with wild flowers, or at the very least, the trampled exuberance of plodded soil and the desperate levels of human debris that would collect upon it. Or are you trying to hide our wastefulness from us by removing something which is nothing, a nothing, invisible barrier? You've already succeeded in giving my apartment complex the ambience of an industrial production complex which I suppose it always was. Maybe your attempt at concealment has been a revelation. Or maybe I just can't think straight, because there's been a ******* leaf blower circling below my window all morning and now a heavy, riding lawn mower is coming to cut the grass that hasn't grown since September but has been watered every day even though it froze last night and it's almost November.
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It's Diwali Tonight Festival of Lights Celebratory Mood Festive Food Gifts and Treats, Sharing a Delight The House Well  Lit Decorated in Bridal Colours The Courtyard and Front Door Decorated is the Floor In Colourful Rangoli Designs and Patterns   The Porch Lit Bright With Earthen and Sky Lamps And Decorative Lights Welcoming The Goddess 'Laxmi' For Good Luck , Wealth and Prosperity Fineries Adorned The Family comes together in the evening Reverently Offering Prayers Following the Rituals . Friends come visiting Sharing the Love Warmth and Light Mithai and more Mithai Calories not bothered About Once in a year it's a Delight Children burst Crackers And Light  up Sparklers The Night Sky lights up Bright Yes it's the Festival of Lights Spreading Happiness and Cheer The Light within Burns Bright
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Oct 18, 2017
Oct 18, 2017 at 9:15 PM UTC
Diwali Greetings
Anticipation rising as our holiday nears My gosh, Eid ul Fitr is already here In the early morning on your way to groom and a bath I know it's so because I too clean up to be on the same path Squeaky clean the skin on our faces shine A gigantic goal accomplished oh we're feeling really fine Who needs Christmas when we've got Eid a festivity that includes all Muslims even those in need Decorative clothes we wear while extending our hearts to each other and offering a good cheer it isn't hard to tell our love of our religion is near From the same community we come, it's known we throw a fun-filled Eid party "Because this is my holiday" and our festive spirits aught to be really hearty Allah hu Akbar, the accessory and ornament of our special day along with a duo and nearly two billion others, you'll hear me loudly say When little girls, Atefeh's and my enthusiasm about Eid blossoming as we sang an Eid song perhaps trying to compete "From sunrise to sunset, no food did we eat. All praises are due to Allah, our fast is now complete." Mehdi whose thoughts of his beloved in the distance too busy with his boys climbing trees and ducking low a long time friend of two families to witness a wedding and a start of an Eid tradition that brings the community together, what a show So here's to Mehdi and Atefeh, Eid enthusiasts among a few showing you gratitude and appreciation, for we've heard it said "It takes one to know two." by: Najwa Kareem
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Jun 4, 2019
Jun 4, 2019 at 7:05 AM UTC
"It takes one to know two."
Poetry is often made impossible and forgotten it dribbles away Experiences begot are dried in dusty memoriam of thoughts Locked in chipped ornaments pictured emotions die framed in an old letter's sentenced pain Decorative wordy entrapments cannot fool or command love however many silvered words try to stir or grab at thine heart Whereas times every moment in your observed, captured thought does cradle this beating heart "*We shall gift thought it's touch and bites of freedom then love it's sustenance*" Fun's giggling thrashing bushes of living sweating poetry David x
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Jul 19, 2010
Jul 19, 2010 at 3:55 AM UTC
today's ****** sustenance tomorrows sunny giggling ***
Just Like A Woman You focus on the act, The ridiculous derring-do, Laughing at me Cause I chased away In my rumpled ****** The woodpecker that convulsed Our house at 5:00 AM, With a decorative pillow. Focus on the results, says the Results-oriented man. Has Woody ever returned? No and his fate is still unknown, He may fly forever neath our trees, But now he knows to stay away From me and the risk of my pillowy pillory! P.S. I may (or may not) Choose to disclose That upon my return The house still shook, From someone's uproarious, convulsed Laughing at a city boys country heroics. 10:30am June29 2013
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Jun 29, 2013
Jun 29, 2013 at 3:49 PM UTC
just like a woman
where to begin? let us acknowledge the responsibility of our actions, and the titles and duties, and the unexpected, thereof. I was a son, till this year, still, of sorts, but no longer, traded it in for orphan. are you still a child, when you have no parents? are you still a parent, when a child lost? I am a father, and grandfather. this definition of me, extant, future seeded, perhaps permanent, perhaps not. the product of actions more than thirty years ago, and events yet-to-be thirty years hence. titles claimed and granted, partial, not finite, not definitive, nor infinite. partial, but part and parcel, these titles, of you, yet they are not the totality, of you, but very much part of you, for you possess precious, The Imprint - The Gift. the child lost, the parent found, the newest coming, the oldest gone, all imprinted on your hands, just look at them! there are lines on your palms you do not know the meaning of, you do not yet know the ending, they are in your cells, as you are and were in theirs. The Imprint is The Gift that is non returnable, non refundable, nor is it diminished by any stone marker, measurement of a day, an uncertain, certain moment. Look in the mirror. see them in you, as they saw themselves in your reflection. ah, reflect. acknowledge that the absence is pain, but look at those hands, that face, your face, see the The Imprint - The Gift permit yourself an easement, for it the season of recollection. ah, re-collect, recollect. let the story. continue, by the retelling. find that palm line, find that psalm song, where the babe lost, the mother lost is the babe reborn, in new faces, forever contained in The Imprint. we all ken loss, we all keen know anguish, different kinds for different folks. do we not all have blood? but are there different types, and yet, all still blood related. prepare yourself for more sad to come, and some to never, woebegone. but do not forget, nay, you cannot, for seared it is, this imprint, a two sided copy of a single document, you on them, them on you. ~ an eyelash falls upon the poem. a decorative reminder, a stop sign, a decorative remainder, that it is time, to recall, to be unafraid. now, now, right now, is the time to remember, that very eyelash, the cells that are therein, the eyes that it has protected, saw, know, well recall, gave, gave part of you and smile, yes, smile, for in them, in the lines around your eyes, the crisscrossed cell map upon thy hands is the The Imprint, The Gift. where to end? This imprint upon your body exterior, part mark, part stain, part badge, part medal, part cain, part ribbon black pinned. it is twinned, for the match, the mate, of this gift I printed, is still in your living cells, and thus knowing the imprint is yours forever, they are not lost, you are not lost, for Their Imprint is a gift that is never ending shall eternal be a salve this happy, sad, melancholy, holy morn, day, season.
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Dec 24, 2013
Dec 24, 2013 at 8:21 PM UTC
The Imprint is The Gift
where to begin? let us acknowledge the responsibility of our actions, and the titles and duties, and the unexpected, thereof. I was a son, till this year, still, of sorts, but no longer, traded it in for orphan. are you still a child, when you have no parents? are you still a parent, when a child lost? I am a father, and grandfather. this definition of me, extant, future seeded, perhaps permanent, perhaps not. the product of actions more than thirty years ago, and events yet-to-be thirty years hence. titles claimed and granted, partial, not finite, not definitive, nor infinite. partial, but part and parcel, these titles, of you, yet they are not the totality, of you, but very much part of you, for you possess precious, The Imprint - The Gift. the child lost, the parent found, the newest coming, the oldest gone, all imprinted on your hands, just look at them! there are lines on your palms you do not know the meaning of, you do not yet know the ending, they are in your cells, as you are and were in theirs. The Imprint is The Gift that is non returnable, non refundable, nor is it diminished by any stone marker, measurement of a day, an uncertain, certain moment. Look in the mirror. see them in you, as they saw themselves in your reflection. ah, reflect. acknowledge that the absence is pain, but look at those hands, that face, your face, see the The Imprint - The Gift permit yourself an easement, for it the season of recollection. ah, re-collect, recollect. let the story. continue, by the retelling. find that palm line, find that psalm song, where the babe lost, the mother lost is the babe reborn, in new faces, forever contained in The Imprint. we all ken loss, we all keen know anguish, different kinds for different folks. do we not all have blood? but are there different types, and yet, all still blood related. prepare yourself for more sad to come, and some to never, woebegone. but do not forget, nay, you cannot, for seared it is, this imprint, a two sided copy of a single document, you on them, them on you. ~ an eyelash falls upon the poem. a decorative reminder, a stop sign, a decorative remainder, that it is time, to recall, to be unafraid. now, now, right now, is the time to remember, that very eyelash, the cells that are therein, the eyes that it has protected, saw, know, well recall, gave, gave part of you and smile, yes, smile, for in them, in the lines around your eyes, the crisscrossed cell map upon thy hands is the The Imprint, The Gift. where to end? This imprint upon your body exterior, part mark, part stain, part badge, part medal, part cain, part ribbon black pinned. it is twinned, for the match, the mate, of this gift I printed, is still in your living cells, and thus knowing the imprint is yours forever, they are not lost, you are not lost, for Their Imprint is a gift that is never ending shall eternal be a salve this happy, sad, melancholy, holy morn, day, season.
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Lion When I was a kid, I told myself I was going to buy a lion. Not to rule over the king of the jungle but to have a kitty named Mufasa. When I grew up Mufasa became my father and I found out three quarters wasn't enough for a lion. When I grew a little older, reached adolescence I learned a lesson, that three quarters still wasn't enough to buy a giant pussycat. I would have bought a jaguar because my lion days were beside me, I would buy a giant jaguar to be beside me but I was still naive and had not known that jaguars would see me as a steak. When I reached adulthood and the pressures of buying a house and a car hit me so my first thought was once again, I'll buy a jaguar. Then I heard my brother tell me that jaguars will cost me a fortune to keep fuelled, so I told him, I'll sweat gas and bleed decorative pillows. He laughed at me and my naivety. I am now an adult and I wonder, how much does a lion cost?
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Apr 27, 2017
Apr 27, 2017 at 3:13 AM UTC
Lion
Oh my cheerful little ******* They hadn’t any notion Of all the silliness, of all the commotion One day their purpose would change Temporarily my body would rearrange Their use not merely ****** Suddenly they were meant to be practical Away with my decorative commodity Hello to something of an oddity So I traded in those dainty little things For two mountains bursting with springs Slowly the transformation took place Albeit lacking in grace Oh, my lovely unpresumptuous ******* Had become so useful, for that I am blessed My zippy little ****** had grown to such size And areola darkened and saucerish in guise So to you I must ask a serious question, After this, my descriptive dissection I borrowed my ******* why be afraid? It is the babes whose homage will be paid The ******* that had been lent, weren’t ****** or vile You might even go so far as to beguile Because their most typical use was on hold Their new purpose should’ve been a sight to behold Instead people like to glorify or shame As if those ******* are actually the same Forget your twisted ****** mind And to breastfeeding mothers try to be kind
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May 5, 2017
May 5, 2017 at 11:37 AM UTC
Borrowed *******
read consistently, learn diligently, and write profusely so that beyond lifetimes of persistent practice produced from painful, arthritis-stricken fingers may you birth a humble book in its eternal years, as many mute manuscripts, it shall collect continents of dust until it finally bares relevance due by your unfortunate final, unheard breaths. but near such justly demise, you will rage and reach forth, to hope an innocent youth may learn the many mistakes collected and condensed from one life to years to weeks, summarized by your trembling hands. yet I fear, as you may too, that as we fade from existence, our voice echoes lost; our words unread forever, to exist untouched as a decorative piece on a pretentious bookshelf.
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Apr 7, 2016
Apr 7, 2016 at 12:14 AM UTC
"A Decorative Piece on a Pretentious Bookshelf"
THIS DIWALI This Diwali, prepare n tell yourself, a big "No" to any Chinese stuff Let's be firm; let China crib, play games ***** or huff and puff Please be firm, do not buy their lights, lamps or items decorative Few Fireworks, means less pollution; please take this important initiative Know this, Fengshui items are absolutely their commercial creation Let's follow our very own Vastu Shastra, during n always, right away from this celebration. WISHING YOU ALL MY READERS, A HAPPY DIWALI AND A VERY HAPPY NEW YEAR. Armin Dutia Motashaw
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Oct 1, 2022
Oct 1, 2022 at 1:43 AM UTC
THIS DIWALI