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"cummings" poems
Blasting music as loud as my little internet machine Will let me, And for such a pointless computer, This thing gets pretty loud. And I've caught myself humming or singing Which for me is strange. And I guess I'm happier, Even though I'm still waiting for it all To come crashing down. But for now, I'm hoping it won't. I just hope I can manage a smile out of you Today.
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Nov 28, 2016
Nov 28, 2016 at 4:23 PM UTC
"You are my Sun, my Moon, and all my Stars." - E.E. Cummings
Standing on the hillside is a rustic yellow cottage, Rusty yellow staining from the steel dust of the trains. Passing, rushing carriages that crisscross by the hour, The ten o clock from Frankston meets the City train detained. Golden light of sunrise in the calm of early morning Golden light reflected on the rusty cottage roof, Puffing at his briar and sitting at the doorstep Old Grandpa drinks the peacefulness whilst stroking cat aloof. Bacon smells a-beckoning from coal range fires a-glowering Delicious tang of coffee from my Granma’s breakfast fare, The clattering of silver wheels as silver rails reverberate Sings the music of the morning with not a trace of care. Memories from yesteryear I treasure on reflection, Memories, a little boy, recalled from times secure. Memories of cuddles in the ***** of my Grandma And the scent of plum tobacco giving Grandpa’s pipe allure. Perhaps a trick of memory, perhaps my passing fancy But I clearly recall a sign above the kitchen door, A simple sign of welcome with a sense of real belonging In the gentle name of “Sunrise” to warm the heart galore. Marshalg In memory of my dear Nan and Pop Cummings @ Mordialloc by the bay. 23 April 2013
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Apr 23, 2013
Apr 23, 2013 at 2:58 AM UTC
"Sunrise"
somewhere i have never travelled, gladly beyond any experience, your eyes have their silence: in your most frail gesture are things which enclose me, or which i cannot touch because they are too near your slightest look easily will unclose me though i have closed myself as fingers, you open always petal by petal myself as Spring opens (touching skillfully, mysteriously) her first rose or if your wish be to close me, i and my life will shut very beautifully, suddenly, as when the heart of this flower imagines the snow carefully everywhere descending; nothing which we are to perceive in this world equals the power of your intense fragility: whose texture compels me with the color of its countries, rendering death and forever with each breathing (i do not know what it is about you that closes and opens; only something in me understands the voice of your eyes is deeper than all roses) nobody, not even the rain, has such small hands
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Feb 18, 2013
Feb 18, 2013 at 9:11 PM UTC
Somewhere I have never traveled, Gladly Beyond (By E.E. Cummings)
i've been reading poetry ee cummings and-- sylvia plath pretty pools of words filled with color --and ducks charles bukowski is a ***** old man lots of ***** old words and images but real dirt, not pretend real's so hard to find these days they talk about love like it's broken--painful--deadly-- always wonderfully beautiful (like the beautiful snake whose poison's killing you) that's not love because it's falling asleep with warm breath on the back of your neck and your bed a little too small because it's laughing so hard that you almost snort macaroni and cheese out your nose because it's doing laundry and pausing just to notice how your clothes smell like her because it's waiting alone, imagining how big you'll smile when she comes back - it's always bigger than you think. because it's knowing that the pain's not part of love, it's part of being human they don't know nearly as much as they think-- they do i love-- baseball in the park when it's not too hot (I play shortstop) chocolate ice cream cones in the hot sun (dripping down my hand) flying kites in autumn winds (the falling leaves make the difference) sledding through the snow (and crashing into snowbanks) i love-- coca-cola (in the glass bottles) root beer (with vanilla ice cream) 7-up (it's better than sprite) mountain dew (caffeine!) i love-- you (and the soapy smell after you shower) you (making me laugh more) you (how much you care about people) you (and you let me, too) that's my proof they don't know (what they're talking about that is) so-- i think poetry is overrated
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Jan 25, 2010
Jan 25, 2010 at 10:08 PM UTC
love poems
i've been reading poetry ee cummings and-- sylvia plath pretty pools of words filled with color --and ducks charles bukowski is a ***** old man lots of ***** old words and images but real dirt, not pretend real's so hard to find these days they talk about love like it's broken--painful--deadly-- always wonderfully beautiful (like the beautiful snake whose poison's killing you) that's not love because it's falling asleep with warm breath on the back of your neck and your bed a little too small because it's laughing so hard that you almost snort macaroni and cheese out your nose because it's doing laundry and pausing just to notice how your clothes smell like her because it's waiting alone, imagining how big you'll smile when she comes back - it's always bigger than you think. because it's knowing that the pain's not part of love, it's part of being human they don't know nearly as much as they think-- they do i love-- baseball in the park when it's not too hot (I play shortstop) chocolate ice cream cones in the hot sun (dripping down my hand) flying kites in autumn winds (the falling leaves make the difference) sledding through the snow (and crashing into snowbanks) i love-- coca-cola (in the glass bottles) root beer (with vanilla ice cream) 7-up (it's better than sprite) mountain dew (caffeine!) i love-- you (and the soapy smell after you shower) you (making me laugh more) you (how much you care about people) you (and you let me, too) that's my proof they don't know (what they're talking about that is) so-- i think poetry is overrated
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65
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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6.5k
A Letter To My Aunt
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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67
Led down from the tower Head high and hands bound Blindfold declined against the wall Black square pinned to his heart Eyes afire and shining proud He sang... He sang of Caruso, Townes Van Zandt Pavarotti, Bocelli, Mercury, Carreras, he sang of Antoine, Of Sinatra, Lennon, Morrison, Redding He sang and songbirds paused in flight He sang like them all He sang a song of himself Of leaves of grass, of second comings Of Byron, and Bharti, and Cummings He sang of Neruda, and Plath, Tagore Dickinson, Kamala Das and Naidu Oh, he sang of them all He sang of art and beauty Of Mona Lisa and starry nights Girls in green dresses and pearls He sang of Van Gogh, of Picasso Of Rembrandt, da Vinci He sang of Michelangelo He sang of sadness, pain He sang of My Lai, Sand Creek Of Guernica and Krystallnacht He cried and sang of Wounded Knee Of Katyn Forest, Sabra and Shatila Oh, he wept as he sang He sang of history and wonders He sang of Olduvai and pyramids Machu Picchu, Tikal, and Angkor Wat He sang of a great wall, the Taj Mahal Stonehenge, Easter Isle, Mesa Verde His song took us to them all He sang of courage A song of Bunker Hill, Gettysburg Of the Alamo, Normandy, Stalingrad Of Lincoln, Guevara and Dr. King He sang of Bolivar, Bhutto, Ghandi He shamed us with their song He sang his song... As women sighed and peasants cried He  sang until the rifles fired, he died Songbirds fell from the sky Soldiers broke their guns on stones And marched into the deep blue sea. r ~ 4/12/14
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Apr 12, 2014
Apr 12, 2014 at 7:05 PM UTC
Song
Led down from the tower Head high and hands bound Blindfold declined against the wall Black square pinned to his heart Eyes afire and shining proud He sang... He sang of Caruso, Townes Van Zandt Pavarotti, Bocelli, Mercury, Carreras, he sang of Antoine, Of Sinatra, Lennon, Morrison, Redding He sang and songbirds paused in flight He sang like them all He sang a song of himself Of leaves of grass, of second comings Of Byron, and Bharti, and Cummings He sang of Neruda, and Plath, Tagore Dickinson, Kamala Das and Naidu Oh, he sang of them all He sang of art and beauty Of Mona Lisa and starry nights Girls in green dresses and pearls He sang of Van Gogh, of Picasso Of Rembrandt, da Vinci He sang of Michelangelo He sang of sadness, pain He sang of My Lai, Sand Creek Of Guernica and Krystallnacht He cried and sang of Wounded Knee Of Katyn Forest, Sabra and Shatila Oh, he wept as he sang He sang of history and wonders He sang of Olduvai and pyramids Machu Picchu, Tikal, and Angkor Wat He sang of a great wall, the Taj Mahal Stonehenge, Easter Isle, Mesa Verde His song took us to them all He sang of courage A song of Bunker Hill, Gettysburg Of the Alamo, Normandy, Stalingrad Of Lincoln, Guevara and Dr. King He sang of Bolivar, Bhutto, Ghandi He shamed us with their song He sang his song... As women sighed and peasants cried He  sang until the rifles fired, he died Songbirds fell from the sky Soldiers broke their guns on stones And marched into the deep blue sea. r ~ 4/12/14
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49
"listen beloved i dreamed i thought you would have deceived me and became a star in the kingdom of heaven" - ee cummings listen love, I am looking for things to promise you. (i promise) I have noticed the lines next to your eyes I promise I am a foreign country i'm not trying to be I promise sometimes I look in the mirror and I see a child and I am right. Build me a castle made of cigarette butts and litchi fruit and (i will) wear my crown of white hot ash and i will burn my Hebrew name into your palms like some catholic wednesday like some stolen bicycle like your sidelit kindness in the cold. (go home) and i will write you a song sweet enough to wash the taste out of your mouth.
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Jul 5, 2011
Jul 5, 2011 at 4:31 PM UTC
the perks of knowing nothing
Whenever you think or you believe or you know, you are all a lot of other people; but the moment you feel, you are nobody but yourself. -E.E. Cummings
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Jan 12, 2016
Jan 12, 2016 at 11:38 AM UTC
Poetry for Potheads
without the memories of playgrounds-- the smell of too many American Spirits (andsometimesnewportmentholswhentimesgottough) the taste of chocolate wine the cold of holy river water the sting of heartache and hangovers and broken toes the glow of midnight fires built too high with entire trees the feel of tears on my sun-scorched collarbones the sound of e.e. cummings and the poems from our adolescence being read over baking bread at three in the morning rushing back to me. i still remember our fears of shadow people and the too loud screams of *** rock over men(i should say boys) who we centered our summer around when we weren't busy being goddesses. & there isn't a day i don't see a swing set or hear the beginnings of Johnny Cash song when i do not think of you and hope that the world will not change you that the world will not change me and we will one day have a practical magic houses and hostas that i glare at while i make tea in the mornings.
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Nov 14, 2012
Nov 14, 2012 at 11:10 PM UTC
i can't pass up a swing-set
You, saying love You, shaman's road You, a bird You, a yellow sun You, Emperor You, lovely door You, my Walt Whitman You, Neal You, Sal Paradise You, Pancho Villa You, La Revolución Mexicana You, navajo You, the border You, the river You, chicana You, Mafia You, redemption You, poetry You, Salvador Dalí You, Picasso You, stereo You, love You, *** You, youth You, America You, América You, español You, english You, country side You, cat You, fire You, books You, E. E. Cummings You, Bukowski You, Octavio Paz You, Coca-Cola You, Coke You, India You, Mississippi You, jazz You, Miles You, Davis You, water You, rain You, lagoon You, chest You, car You, road You, reading You, lines You, Paris You, Baudelaire You, Poe You, japanese You, katana You, Mishima You, gun You, rifle You, cam You, can You, can't You, Durango You, Arizona You, desert You, gonzo You, mezcal You, alcohol You, drive You, crush You, alive You, again
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Jun 3, 2013
Jun 3, 2013 at 3:16 PM UTC
Down with law
I If I were a poet I would compose beautiful line breaks and elegant stanzas. Similes would be ******** scattered with alliteration like stars against a sunset sky. My tone would be of reason rather than innocence. I would refuse to analyze the meaning of death in literature. II Fortune cookies would be my mantra and life would be a wiggle instead of a struggle. I would pray five times a day to my journal most benevolent, ever-merciful. My poems would not be of peace of war or (you)nity or them here Amur'cans. III My form would be indifferent and probably never earn me awards or acceptance to grad school. Fondness of (parentheses) may get me compared to e.e. cummings or completely dismissed if I were a poet.
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Nov 15, 2011
Nov 15, 2011 at 11:49 AM UTC
If I Were A Poet
A poet is somebody who feels, and who expresses his feeling through words. This may sound easy. It isn't. A lot of people think or believe or know they feel - but that's thinking or believing or knowing; not feeling. And poetry is feeling - not knowing or believing or thinking. Almost anybody can learn to think or believe or know, but not a single human being can be taught to feel. Why? Because whenever you think or you believe or you know, you're a lot of other people: but the moment you feel, you're nobody-but-yourself. To be nobody-but-yourself - in a world which is doing its best, night and day, to make you everybody else - means to fight the hardest battle which any human being can fight; and never stop fighting. As for expressing nobody-but-yourself in words, that means working just a little harder than anybody who isn't a poet can possibly imagine. Why? Because nothing is quite as easy as using words like somebody else. We all of us do exactly this nearly all of the time - and whenever we do it, we are not poets. If, at the end of your first ten or fifteen years of fighting and working and feeling, you find you've written one line of one poem, you'll be very lucky indeed. And so my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world - unless you're not only willing, but glad, to feel and work and fight till you die. Does this sound dismal? It isn't. It's the most wonderful life on earth. Or so I feel.
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Jun 18, 2014
Jun 18, 2014 at 7:08 AM UTC
e.e. cummings - A poets advice
A poet is somebody who feels, and who expresses his feeling through words. This may sound easy. It isn't. A lot of people think or believe or know they feel - but that's thinking or believing or knowing; not feeling. And poetry is feeling - not knowing or believing or thinking. Almost anybody can learn to think or believe or know, but not a single human being can be taught to feel. Why? Because whenever you think or you believe or you know, you're a lot of other people: but the moment you feel, you're nobody-but-yourself. To be nobody-but-yourself - in a world which is doing its best, night and day, to make you everybody else - means to fight the hardest battle which any human being can fight; and never stop fighting. As for expressing nobody-but-yourself in words, that means working just a little harder than anybody who isn't a poet can possibly imagine. Why? Because nothing is quite as easy as using words like somebody else. We all of us do exactly this nearly all of the time - and whenever we do it, we are not poets. If, at the end of your first ten or fifteen years of fighting and working and feeling, you find you've written one line of one poem, you'll be very lucky indeed. And so my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world - unless you're not only willing, but glad, to feel and work and fight till you die. Does this sound dismal? It isn't. It's the most wonderful life on earth. Or so I feel.
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12
Glub **** **** glub glub thumb, Breathing is quick **** Glub Smile **** Glug Look away Then look back A subtle smirk **** glub glug thumb Goes my beating heart
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Jul 9, 2014
Jul 9, 2014 at 12:20 AM UTC
A poem inspired by e.e. cummings.
little  the life that is left unto us now! wars a ****** in! (COME SAVE US E E CUMMINGS!) the massive death the rags of poverty grief and despair that shall be our only dominion in a matter of days or weeks or years (at best) oh **** are here after I finally have come to kinda like it here amid the queer folks and the paparazzi socialists and nazis! but the bankers have mastered oink-piggery and the politicians have turned us into ****** weenies seeking only false security! and there is no life left here! (WHERE ARE YOU E E CUMMINGS!?) ah, gentle reader, be brave be kind and good still be the subtlest sense of decency shining and displaying a last bit of reverence for this sacred universal place we are in though painfully being murdered let us rebel gracefully and live freely again
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Jun 8, 2010
Jun 8, 2010 at 11:38 AM UTC
come save us e e cummings
~ October 2023 HP Poet: Maddy Age: 65 Country: USA Question 1: We welcome you to the HP Spotlight, Maddy. Please tell us about your background? Maddy: "Retired Teacher now Media and Digital Literacy Educational Consultant and writer." Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry? Maddy: "Been writing since I was eight. Three years now as an HP member." Question 3: What inspires you? (In other words, how does poetry happen for you). Maddy:  "Poetry wakes me in the middle of the night on airplanes and when I walk. It is still one of my best friends other than my husband, sister, and Best BFF Irene." Question 4: What does poetry mean to you? Maddy: "It is my friend and companion and is a precious asset. Without it my life would be empty." Question 5: Who are your favorite poets? Maddy: "Thoreau, EE Cummings, Sappho, MAYA Angelou, Carole King, Emily Torres, Mary Oliver, Millay, and many here on HEPO." Question 6: What other interests do you have? Maddy: "I love Travel, Photographer, Nature, Cooking, Theatre, Concerts, and Reading." Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Maddy! You are a wonderful addition to the series!” Maddy: "Thanks and looking forward to it and your review of my book on Amazon." Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Maddy a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable) We will post Spotlight #9 in November! ~
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Oct 1, 2023
Oct 1, 2023 at 3:33 PM UTC
HP Writers Spotlight: Maddy
~ October 2023 HP Poet: Maddy Age: 65 Country: USA Question 1: We welcome you to the HP Spotlight, Maddy. Please tell us about your background? Maddy: "Retired Teacher now Media and Digital Literacy Educational Consultant and writer." Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry? Maddy: "Been writing since I was eight. Three years now as an HP member." Question 3: What inspires you? (In other words, how does poetry happen for you). Maddy:  "Poetry wakes me in the middle of the night on airplanes and when I walk. It is still one of my best friends other than my husband, sister, and Best BFF Irene." Question 4: What does poetry mean to you? Maddy: "It is my friend and companion and is a precious asset. Without it my life would be empty." Question 5: Who are your favorite poets? Maddy: "Thoreau, EE Cummings, Sappho, MAYA Angelou, Carole King, Emily Torres, Mary Oliver, Millay, and many here on HEPO." Question 6: What other interests do you have? Maddy: "I love Travel, Photographer, Nature, Cooking, Theatre, Concerts, and Reading." Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Maddy! You are a wonderful addition to the series!” Maddy: "Thanks and looking forward to it and your review of my book on Amazon." Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Maddy a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable) We will post Spotlight #9 in November! ~
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aunt lucy during the recent war could and what is more did tell you just what everybody was fighting for, my sister isabel created hundreds (and hundreds)of socks not to mention shirts fleaproof earwarmers etcetera wristers etcetera, my mother hoped that i would die etcetera bravely of course my father used to become hoarse talking about how it was a privilege and if only he could meanwhile my self etcetera lay quietly in the deep mud et cetera (dreaming, et cetera, of Your smile eyes knees and of your Etcetera)
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Apr 6, 2015
Apr 6, 2015 at 5:51 PM UTC
my sweet old etcetera - e e cummings
is just another word for control freak. But let me back up. Who decided that things are FTW? **** competition. I apologize for line 4, but I wanted to make sure you know I’m being serious. Winning is meaningless. The one thing the Arts had going for them is gone. It’s all about being the best and it’s devastating G-d. When I play my saxophone at the right time with right mind I swear John Coltrane couldn’t recreate that. When I write a poem about truth or of it I swear ee cummings couldn’t have written it. Expression is all that really matters, but only to me. The world doesn’t accept it, so it doesn’t accept me. That’s just the way it is. I’m not concerned with success. I’m not like all the rest. I am happy and blessed. Does my mind deceit me? We’ll see When I face Judge
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Sep 6, 2010
Sep 6, 2010 at 1:27 PM UTC
Judge
You are so unbelievably warm; I never thought it was possible to be this warm. (but here I am thinking ‘bout ee cummings, well mostly about that one ee cummings poem that you recite for me) look- I just used parentheses just like he does I want to be inside your parentheses. you're so unbelievably warm.
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Feb 14, 2013
Feb 14, 2013 at 12:11 AM UTC
on a Cold Night in February
what does little Ernest croon in his death at afternoon? (kow dow r 2 bul retoinis wus de woids uf lil Oinis
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Jan 3, 2019
Jan 3, 2019 at 3:24 PM UTC
poem #26 from E.E. Cummings No Thanks (1935)
A quick whip of the wrist and I've fallen. I see gentle fingers and porcupine hair. Porcupines' aren't real. They're fantastical creatures we made up. You're mellow your voice is hollow as your breath can be well-labored and painful looking. Is see beyond your bedroom eyes and your needs that say you to be the big spoon in the little spoon bunch. The last one put down, the first one picked up. Turned over of lust and anxiety. You're mellow your voice is hollow as your face can be. Life-like giraffe linen curtains beckon me to rest in your arms. The length of your body from ceiling to floor is equally as fantastical as a made up creature. The moon cries in equal fear that it will not see me to be with you for we are too far and too late. Like an enraged teenage girl it turns itself over for a new day. Listen; there is a hell of a good universe next door. Let's go.
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Nov 6, 2013
Nov 6, 2013 at 1:39 AM UTC
E.E. Cummings: Borrowed Line
hymn to Apollo by Michael R. Burch something of sunshine attracted my i as it lazed on the afternoon sky, golden, splashed on the easel of god; what, i thought, could this elfin stuff be, to, phantomlike, flit through tall trees on fall days, such as these? and the breeze whispered a dirge to the vanishing light; enchoired with the evening, it sang; its voice enchantedly rang chanting “Night!” . . . till all the bright light retired, expired. This poem appeared in my high school literary journal, the Lantern, so it was written by age 18, but probably around age 16 or 17. That was my "cummings" period. Keywords/Tags: sun, god, sunshine, Apollo, elfin, phantom, ghostly, magical, enchanted, bright, light, brilliant, sky, golden Moon Lake by Michael R. Burch Starlit recorder of summer nights, what magic spell bewitches you? They say that all lovers love first in the dark... Is it true? Is it true? Is it true? Starry-eyed seer of all that appears and all that has appeared— What sights have you seen? What dreams have you dreamed? What rhetoric have you heard? Is love an oration, or is it a word? Have you heard? Have you heard? Have you heard? I believe I wrote this poem in my late teens, during my “Romantic Period.” Tomb Lake by Michael R. Burch Go down to the valley where mockingbirds cry, alone, ever lonely . . . yes, go down to die. And dream in your dying you never shall wake. Go down to the valley; go down to Tomb Lake. Tomb Lake is a cauldron of souls such as yours — mad souls without meaning, frail souls without force. Tomb Lake is a graveyard reserved for the dead. They lie in her shallows and sleep in her bed. I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976. In addition to having similar titles, they had similar "staircase" indention styles. According to my notes, I modified "Moon Lake" two years later in 1978, at which time the poem was substantially finished. I then modified "Tomb Lake" in 1981, but must have forgotten about it, because I don't show that I ever submitted the poem for publication or did anything with it for more than 40 years. Keywords/Tags: Moon, Lake, Lakes, Water, Reflection, Reflections, Image, Imagery, Mirror, Magic, Magician, Seer, Prophet, Shaman, Spell, Spells, Enchantment, Sorcery, Bewitchment, Bewilderment, Incantation, Rhapsody, Love Talk, Love Potion
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Mar 29, 2020
Mar 29, 2020 at 4:20 AM UTC
hymn to Apollo
hymn to Apollo by Michael R. Burch something of sunshine attracted my i as it lazed on the afternoon sky, golden, splashed on the easel of god; what, i thought, could this elfin stuff be, to, phantomlike, flit through tall trees on fall days, such as these? and the breeze whispered a dirge to the vanishing light; enchoired with the evening, it sang; its voice enchantedly rang chanting “Night!” . . . till all the bright light retired, expired. This poem appeared in my high school literary journal, the Lantern, so it was written by age 18, but probably around age 16 or 17. That was my "cummings" period. Keywords/Tags: sun, god, sunshine, Apollo, elfin, phantom, ghostly, magical, enchanted, bright, light, brilliant, sky, golden Moon Lake by Michael R. Burch Starlit recorder of summer nights, what magic spell bewitches you? They say that all lovers love first in the dark... Is it true? Is it true? Is it true? Starry-eyed seer of all that appears and all that has appeared— What sights have you seen? What dreams have you dreamed? What rhetoric have you heard? Is love an oration, or is it a word? Have you heard? Have you heard? Have you heard? I believe I wrote this poem in my late teens, during my “Romantic Period.” Tomb Lake by Michael R. Burch Go down to the valley where mockingbirds cry, alone, ever lonely . . . yes, go down to die. And dream in your dying you never shall wake. Go down to the valley; go down to Tomb Lake. Tomb Lake is a cauldron of souls such as yours — mad souls without meaning, frail souls without force. Tomb Lake is a graveyard reserved for the dead. They lie in her shallows and sleep in her bed. I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976. In addition to having similar titles, they had similar "staircase" indention styles. According to my notes, I modified "Moon Lake" two years later in 1978, at which time the poem was substantially finished. I then modified "Tomb Lake" in 1981, but must have forgotten about it, because I don't show that I ever submitted the poem for publication or did anything with it for more than 40 years. Keywords/Tags: Moon, Lake, Lakes, Water, Reflection, Reflections, Image, Imagery, Mirror, Magic, Magician, Seer, Prophet, Shaman, Spell, Spells, Enchantment, Sorcery, Bewitchment, Bewilderment, Incantation, Rhapsody, Love Talk, Love Potion
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may i feel said he may i feel said he (i'll squeal said she just once said he) it's fun said she (may i touch said he how much said she a lot said he) why not said she (let's go said he not too far said she what's too far said he where you are said she) may i stay said he (which way said she like this said he if you kiss said she may i move said he is it love said she) if you're willing said he (but you're killing said she but it's life said he but your wife said she now said he) ow said she (tiptop said he don't stop said she oh no said he) go slow said she (cccome?said he ummm said she) you're divine!said he (you are Mine said she)
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May 15, 2015
May 15, 2015 at 10:09 PM UTC
e e cummings
give me five minutes i said and the glass, notempty, stared back    americans at the bar    refused to be quiet as the poem forced itself through the belgian air brussels they said is where it all comes together - the barmaid, watching me silently, agrees        difficult not to see that 0-0 result as a judgment, a prediction an omen no score? i'd hoped for more
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Dec 14, 2015
Dec 14, 2015 at 8:43 AM UTC
On watching a scoreless draw between Ukraine and England while sitting in the bar in the Brussels Hilton, chatting with a beautiful Ukrainian lady who likes e.e. cummings
In a pornographic poem ee cummings wrote may i feel , Fell the nicest of the rhymes into Brooks of sholas Untidy caveman and lady in water Heard the words in the streams Though evaporated few from the stream There stood ee Cummings on the banks With the inks for liquid state Somewhere he again stood With the inks for gaseos state
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May 18, 2018
May 18, 2018 at 4:37 AM UTC
Etching Cycle