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"cucumber" poems
Im a calm, cool collected cucumber underneath this fandangled, wiry, wrinkled visage. Ive escaped the clutches of the tangled snare of my image. Where and when I belong and to whom is no matter. I pass by groups and clans and grimace inquisitively at thier chatter. To my ears its an alien clamour of clashing egos and look at me's. They'd all be happier in a lonesome cross legged position enjoying the breeze beneath the trees. With ease I float through my day passionately. Expanding and contracting with the waves of existence. I sway indefinitely. Yield to and renounce the question arisen from the back of the mind "what does it mean to be me"
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Apr 24, 2014
Apr 24, 2014 at 12:32 PM UTC
identity
You're just a tiny bit minimalist in your own unique way a white star I have to squint to see in daytime sky not a Mercedes five point but a Nissan Micra car you park neatly in a three point turn by my netsuke and put a circular dent on my platonic furniture Your two humble rooms devoid of any bold sculpture except a fold-out table and a miniature bubble chair and a futon for a bed which is troublesome to share you draw the line at adornments but allow a wallflower A bulb in a bowl is your ornamental garden feature mealtimes a nibble on grated carrot celery cucumber you run so long on empty you're an eco friendly teacher stretching out the energy is a passion of my lover engaging in lessons on sustaining a resourceful nature Your shoes two pointe ballet slip ons easy to care barely there g-string thin cotton underwear nothing loud to upset your understated figure slight as a pin drop your bottom's semi-derrière sits so light on feet I'd swear you float on air I rarely get to hear you come before you're in my hair with a voice pitch high as a smitten kitten's purr your upper reaches get a score sized single 'A' nice when it fits into our schemes of feng shui I carry your bundle home on the roadway rivers of light yet you only burn one ray of candle power at night born of scintillating atoms which flow along each vein containing so much love without clutter in your frame a brave star small as wings formed of minuscule wire flutters in your eyes with minimal flare but deep desire
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Jul 24, 2014
Jul 24, 2014 at 12:54 PM UTC
My Bonsai Ballerina
You're just a tiny bit minimalist in your own unique way a white star I have to squint to see in daytime sky not a Mercedes five point but a Nissan Micra car you park neatly in a three point turn by my netsuke and put a circular dent on my platonic furniture Your two humble rooms devoid of any bold sculpture except a fold-out table and a miniature bubble chair and a futon for a bed which is troublesome to share you draw the line at adornments but allow a wallflower A bulb in a bowl is your ornamental garden feature mealtimes a nibble on grated carrot celery cucumber you run so long on empty you're an eco friendly teacher stretching out the energy is a passion of my lover engaging in lessons on sustaining a resourceful nature Your shoes two pointe ballet slip ons easy to care barely there g-string thin cotton underwear nothing loud to upset your understated figure slight as a pin drop your bottom's semi-derrière sits so light on feet I'd swear you float on air I rarely get to hear you come before you're in my hair with a voice pitch high as a smitten kitten's purr your upper reaches get a score sized single 'A' nice when it fits into our schemes of feng shui I carry your bundle home on the roadway rivers of light yet you only burn one ray of candle power at night born of scintillating atoms which flow along each vein containing so much love without clutter in your frame a brave star small as wings formed of minuscule wire flutters in your eyes with minimal flare but deep desire
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30
It’s something that try we should To provide the parrot its basic food Apple minus seeds mango banana Grape orange guava papaya As for vegetables cooked dried bean With beet broccoli its heart you can win Cucumber carrot and cauliflower They surely love like they love a shower Corn on the cob is fun for parrot They aren’t fussy as them you thought Hot peppers peapod lettuce For them delicacies you can choose Sweet and baked potato well cooked yam They devour in delight add to their glam Parrots are cute friendly and nice Give them oatmeal millet brown rice They’re not greedy from you they won’t beg Though these birds love scrambled boiled egg The parrot is innocent gorgeous and sweet Can’t call them carnivore yes they like meat Must talk to them and not keep your mouth shut Your loving pet the parrot loves occasional nut. Now words of caution what don’t do them good Candy and chocolate and all junk food I know you are smart and not at all mean To offer this wonder bird mushrooms caffeine Believe my words they aren’t my opinion Use them in your food don’t give them onion Dairy products for them are a big ‘no’ ‘no’ You surely want them to healthily glow Give the parrot shower keep its cage clean Give them just fresh foods no sugar no caffeine Say ‘no’ to pesticides choose only organic See in their bowel nothing goes toxic Follow what I’ve said the task is not hard Spend your time well with this beautiful bird.
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Sep 11, 2013
Sep 11, 2013 at 8:18 AM UTC
Parrot Care
Tea Talk (or Taking Tea) Jam comes first And then the cream Said the scone from Cornwall To one ‘n’ all Taking tea Milk jug blinked. The teaspoon gasped, Who would have linked The layers of bliss that sweetly kiss With their order between the halves of a scone From Cornwall Where one ‘n’ all Know that the milk is churned Until it’s solid Then we say the cream is clotted. The teapot looked at the scone from Devon Who knows that cream and jam is heaven But only if the cream comes first And then the jam . . . . . My thoughts exactly said the ham From between its sandwich fingers Where it lingers Until it’s time for tea. ‘Are you sure?’ the teacup said To ham within its breaden bed. Saucer asked the cucumber salad, ‘Should jam come first?’ ‘But does it matter?’ said cucumber salad. ‘It’s a ballad So red and white, A symphony of taste Into which to bite. It is so right For those who are taking tea,’ ‘Jam then cream, is what you do,’ Insisted Cornwall’s scone who As we know likes cream to be clotted. But tomato blushed and quickly said, ‘With cream from Devon I am besotted Because we know it’s clotted. . . . . Too. Onion, hearing Cornwall and Devon Knows that cream and jam are heaven . . . . . But jam and cream are bliss Sealed with a kiss that is heaven . . . . .too. The dilemma of order fuels onion’s frustration And onion’s tears lead to prostration For those who are taking tea. What is to be done To solve the question of order Jam first . . . . . or cream? The issue borders On the ridiculous As the layers sweetly intermingle Like the lovers’ kiss As those who are taking tea Bite . . . . . Ouch! said onion The scone from Cornwall And the scone from Devon ‘Either way is heaven. David Applin Copyright …David Applin (2015)
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May 9, 2015
May 9, 2015 at 7:13 AM UTC
Tea Talk (or Taking Tea)
Tea Talk (or Taking Tea) Jam comes first And then the cream Said the scone from Cornwall To one ‘n’ all Taking tea Milk jug blinked. The teaspoon gasped, Who would have linked The layers of bliss that sweetly kiss With their order between the halves of a scone From Cornwall Where one ‘n’ all Know that the milk is churned Until it’s solid Then we say the cream is clotted. The teapot looked at the scone from Devon Who knows that cream and jam is heaven But only if the cream comes first And then the jam . . . . . My thoughts exactly said the ham From between its sandwich fingers Where it lingers Until it’s time for tea. ‘Are you sure?’ the teacup said To ham within its breaden bed. Saucer asked the cucumber salad, ‘Should jam come first?’ ‘But does it matter?’ said cucumber salad. ‘It’s a ballad So red and white, A symphony of taste Into which to bite. It is so right For those who are taking tea,’ ‘Jam then cream, is what you do,’ Insisted Cornwall’s scone who As we know likes cream to be clotted. But tomato blushed and quickly said, ‘With cream from Devon I am besotted Because we know it’s clotted. . . . . Too. Onion, hearing Cornwall and Devon Knows that cream and jam are heaven . . . . . But jam and cream are bliss Sealed with a kiss that is heaven . . . . .too. The dilemma of order fuels onion’s frustration And onion’s tears lead to prostration For those who are taking tea. What is to be done To solve the question of order Jam first . . . . . or cream? The issue borders On the ridiculous As the layers sweetly intermingle Like the lovers’ kiss As those who are taking tea Bite . . . . . Ouch! said onion The scone from Cornwall And the scone from Devon ‘Either way is heaven. David Applin Copyright …David Applin (2015)
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64
Cucumber mornings and coconut breezes Embracing the moment As the wild wind teases. Painted red roses and stunning green eyes Surrender your heart To harmless white lies.
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Jun 21, 2012
Jun 21, 2012 at 8:35 PM UTC
Cucumber Mornings And Coconut Breezes
The braches of the faint oak were bewitched to a dark gold under the orange, thick silk sunset.  The wood, as the sun lowered, changed from apple green to golden billow which swept foamy, rose clouds along a now cucumber, blurry horizon. Plump plums and fruit rinds litter ripe walkways alongside the flower beds who's tickled buds are closing slightly as the fickle sky, gone nine, turns to a majestic Indian blue and the June monastery's milky swirls are lit by the sugar lump stars.
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Apr 26, 2014
Apr 26, 2014 at 3:27 PM UTC
Trees and Sunsets
Pickle Haiku F J McCarthy on Jul 17, 2009 Green fresh cucumber Drowning in spiced vinegar Reborn a pickle
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Jul 10, 2010
Jul 10, 2010 at 3:31 PM UTC
Pickle Haiku
I feel like a pickle in jar. Drowning in salty tears. Waiting on a shelf for someone to want me. To drag me out of this lonely jar and take a bite of my tear soaked body. I am waiting for someone to tell the difference between a cucumber and a pickle.
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Sep 16, 2014
Sep 16, 2014 at 4:42 PM UTC
Pickle in a jar
In my backyard, the deep sauce of sun-gold air swivels lazily, stirred by the occasional bumblebee. I’m entertained by the idea of anything beyond this. No continents, no glitter-splashed ocean. The softened world settles into itself, transforming from its usual busyness. Squash lounges in the garden and preschool train operators maneuver Thomas through his wooden kingdom. They move trees and buildings around their set and we, still fascinated with the cucumber in the garden, don’t look up from skimming our fingers through grass, changing our own soil kingdoms with the sweep of a hand.
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Dec 15, 2011
Dec 15, 2011 at 10:33 PM UTC
The Luxury of Laziness
my room smells like that sandwich i bought home because of the fear of loneliness that sandwich with cold bacon baked with temporary warmth. spiced with sweet onion mayonnaise honey mustard which flavours fill the emptiness. healthy-ised it with lettuce tomato cucumber onion to make the most out of things. my room smells like that sandwich i bought home because of the fear of loneliness
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Oct 10, 2013
Oct 10, 2013 at 3:56 AM UTC
sandwich
Perfect Imperfection My eyes are brown and big, But darker than a twig, My nose is flexible, But it goes red in the cold, My skin is sweet and gold, But I've got spots and moles, My lips are soft, Like a rose~ but scarred at the left side, I used to want to hide, because I felt so ugly, on the outside, but I knew inside I was a perfect imperfection, My anger is just !toxic,!, Like a snake with venom, and I tried to bleach my acne, With CUCUMBER and LEMON, I put on too much make-up, Because I saw IMPERFECTION, I thought I wasn't worth it, Anything GOOD would throw me DOWN, I was so NEGATIVE, like a crying CLOWN, But things are getting better now, because I see how, I've got perfect imperfections, and everyone can see me smile, But I am only human, So I'll cry every once in a while, even when I feel truly happy, And wilder than the wild. By Larna Kira Kourtis Aged 14 ~Peace~
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Jul 24, 2014
Jul 24, 2014 at 7:03 PM UTC
Perfect Imperfection
san diego sun waves waft in through the grime-claimed window above the cucumber melon colored tub, and onto a seashell embroidery, salmon pink lukewarm soak plus one more drink
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May 12, 2014
May 12, 2014 at 6:21 PM UTC
sheshells
Wimbledon’s playing on the TV in the living room. Dad and I are watching on the sofa. In the kitchen, Mom cuts carrots and cucumbers with a long blade. She slices the vegetables one by one. Orange pieces. Green pieces. I glance over Mom chops up the carrots and cucumbers without a cutting board, taking each long carrot and cucumber and slices it with precision, as though she’s a professional like the film with Natalie Portman and Jean Reno. But she’s not a little girl and she’s not a Frenchman. She’s like a mix-in-between, like the asphalt in our driveway and the grass sprouting in between the cracks. Dad is a computer engineer. He used to be an artist. Used to study technical drawing in a university in Saigon. He met mom when he was working on a play. She was the lead actress. Shakespeare had said, “All the world’s a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.” He’s right, but right now I can’t tell what act I’m in. Dad focuses on the TV. Watches Federer and Djokovic, his eyes, darting from left to right like the mood of a young boy that crosses back and forth from light to dark, and back again. Blade in hand, Mom makes longer and deeper cuts across the cucumber, cutting away the skin, leaving deep cuts in the vegetable. Dad turns his head towards her, his neck cracking like the forehand swung by Federer. He clears his throat, softly, soft as gas leaking out from a stovetop from a studio apartment, like the scene in Fight Club, a match about to be struck. Mom sets the blade down on the table, and bites her lip. Her nostrils flare. I press down on the couch arm, and stand up, my head bent, my eyes wandering to the doorway.
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Apr 28, 2016
Apr 28, 2016 at 11:29 PM UTC
Blue Tennis Court
Wimbledon’s playing on the TV in the living room. Dad and I are watching on the sofa. In the kitchen, Mom cuts carrots and cucumbers with a long blade. She slices the vegetables one by one. Orange pieces. Green pieces. I glance over Mom chops up the carrots and cucumbers without a cutting board, taking each long carrot and cucumber and slices it with precision, as though she’s a professional like the film with Natalie Portman and Jean Reno. But she’s not a little girl and she’s not a Frenchman. She’s like a mix-in-between, like the asphalt in our driveway and the grass sprouting in between the cracks. Dad is a computer engineer. He used to be an artist. Used to study technical drawing in a university in Saigon. He met mom when he was working on a play. She was the lead actress. Shakespeare had said, “All the world’s a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.” He’s right, but right now I can’t tell what act I’m in. Dad focuses on the TV. Watches Federer and Djokovic, his eyes, darting from left to right like the mood of a young boy that crosses back and forth from light to dark, and back again. Blade in hand, Mom makes longer and deeper cuts across the cucumber, cutting away the skin, leaving deep cuts in the vegetable. Dad turns his head towards her, his neck cracking like the forehand swung by Federer. He clears his throat, softly, soft as gas leaking out from a stovetop from a studio apartment, like the scene in Fight Club, a match about to be struck. Mom sets the blade down on the table, and bites her lip. Her nostrils flare. I press down on the couch arm, and stand up, my head bent, my eyes wandering to the doorway.
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10
green and filmy algea whispers by the lone sea cucumber, caressing it as it struggles to suction itself lower than the outgoing tide. its movements, though minuscule, move it towards the bottom of the tide pool but not quite fast enough - a rock could erode faster than the sea cucumber could crawl. but still it moves with the tenacity of something that does not realize it is in danger. and although it is fighting, it knows not that it is fighting but merely goes on.
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Aug 1, 2012
Aug 1, 2012 at 7:14 PM UTC
The Lone Sea Cucumber
What colour are Mondays? Red? Well mine are. The same colour you’d imagine a headache to be, tomatoes, morello cherries or like a nosebleed. Does that mean Tuesdays are blue? That mouthwash shade, brain-freeze after a Slushie. Wednesdays? Perhaps purpley-pink as burning potassium, Parma Violets under your tongue. Thoughts on Thursdays? Fake-tanned, tangerine skin, the ugliest orange for the ugliest day. But Fridays are a healthier green, think telephone-pole celery, cucumber truncheons and kiwis. Saturdays then? Funeral black speckled with brown sugar though Sundays are white. Hurts-your-eyes-like-snow white, almost transparent, for they come and dash by with no tone in-between.
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Jan 13, 2014
Jan 13, 2014 at 2:31 PM UTC
Palette
*Fried brinjal rolled in flatbread Her magic recipe of love homemade What treasure they hold what charm unlocks When sharp at two opens up lunchbox! A sweet candy from the finest cheese Made from cow milk a salivary bliss I feel helpless and little can do My belly when growls sharp at two! I feel entranced in that magic hour When smell green peas and cauliflower She makes them fine rich butter spread The toasted breads her love homemade! She knows my bowel not makes it rich Fine cut cucumber in soft sandwich In all them I find her special brew Of love homemade to be opened at two! Though it’s never that I made her known How sweetly relish her love homegrown But when I open lunchbox at two Wonder without her what I would do!*
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Jan 20, 2014
Jan 20, 2014 at 6:18 AM UTC
Homemade
no taste. still, though, cool and crisp enough to bring about a smile. and what a relief, what a change of pace to write a poem about something that don’t deserve no poetry, for once. i feel a little bubble of anger, of bitterness at the knowledge that the words come easier when my mouth is on fire. what the hell. for a few seconds the cool seeds slide down easy. no taste. (a.m.)
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Nov 25, 2016
Nov 25, 2016 at 10:01 PM UTC
ode to cucumber
It was some yesterday, sitting in my high chair eating salted cucumber slices a wooden one three adjustments only locked in a bumble bee landed on my arm the pain raced through my blood and brain little pin ****** I could not get out my memory stops there sitting in my chair.
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Sep 25, 2016
Sep 25, 2016 at 1:31 PM UTC
Cucumber Chair
Pills, pills for the mentally ill The more you take, the worse you'll feel So down the hatch Yep down your throat Very soon you'll be wearing this coat A hug me jacket tarnished in white With buckles and straps wound so tight But for now some side effects I wrote Down here on this pretty little note Increased thoughts of suicide And harsh voices to which you can't hide Nausea, drooling, and anxiety too And whoever seems to be "after you" We'll put you to sleep You won't make another peep Strap you to a cozy bed where you'll slumber Pump you till you're as cool as a cucumber To which we'll add you to our lovely garden No ifs, buts, or beg your pardons What's the matter? You seem unwell You're as mad as a hatter This I can tell So don't start a spell Don't start a clatter We'll pick up those pieces to which your mind has shattered Just take this pill In fact why not stay You're better off here anyway!
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Apr 30, 2014
Apr 30, 2014 at 7:31 PM UTC
Pills!
We can make this edible without utensils In a strange, menuless kitchen Well, can you not make a salad? Take a cucumber of memory Slice it so thin that none of the recollections hurt anymore. Mince some olives so fine Their oil leaks onto the cucumber like OK. Add the pulsing flesh of bright red tomatoes But don’t slice them Just squeeze them with your hand Until they explode like wet epiphanies And dare to dice a garlic clove Without turning your nose away As invisible olfactory reality Assaults you with truth so pungent That ECT would pale in comparison To that very assault on your boundaries of understanding And then toss the whole thing Watching how it changes color and texture And just when you both start to get hungry And you both want to cry The 50 minutes are over.
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Dec 23, 2011
Dec 23, 2011 at 11:08 AM UTC
PSYCHOTHERAPY SALAD
We slump on the couch when we return like lifetimes have passed before us. We have to, even though it was only a seven minute walk to the dining hall, because 1) the food was just “weird consistency” (which we tend to say regardless), 2) the light in there yawned indifferently to us (when does it not?), and 3) the reassuring clink of our forks on our plates wasn’t even there this time it was hiding underneath slop and smothered on top by the intruding sound waves (who asked?) of our next-table neighbors’ lives. You made a sly remark about seconds to catch a glimpse of youthful **** She’d gone to get some more baby carrots and cucumber slices to put in her salad maybe (who knows? who cares?) Either way, her youthful **** would make the food taste like something to you. And you described them to us when you sat down again so the slop would taste like something to us (there’s pride in that type of generosity, don’t forget) and (congratulations) we had the faint impression of some sort of ****** there, but we didn’t tell you (it’s easier that way). A cup, a squeeze, a kiss on her ******* yes that could feed our hunger for a night. And tonight was a night like any, so her ******* led us to talk of women, and women led us to talk of love (and the blooming one for the poor ******* as we who lost withstood the vicarious twinge of an addling ****** very different from the first. This one led us to pine for sweets, but the ones we found were dry, so we left the table, left the dining hall, looking around at the others: the lonely, the couples, the blessed lonely couples, and the fortunate friends huddled against everything with open laughter, enjoying the weird consistency like drunk theoretical physicists before they discovered bubbles and inflated eternally meaning when they safeguarded a zoo with a pistol they didn’t know how to use, in Soviet Russia. (So you see?) We have to slump on the couch when we return like lifetimes have passed before us. No one even bothers to pick up a guitar, we leave all four of them strewn on the floor like dead wooden boxes because Dylan or Young or Cash (or whoever) is already in the living room. Any bubbling, inflating, theoretical physicist (any drunk, pistol-packing zookeeper, for that matter) will tell you that. So we slump, comfortably uncomfortable, (at least we’re trying!) feeling their (our) strings plucking. No sounds, no voices. Because we don’t need to hear this that. Not right now. (Not right now).
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Mar 27, 2012
Mar 27, 2012 at 7:33 PM UTC
Slumping in West Adams
We slump on the couch when we return like lifetimes have passed before us. We have to, even though it was only a seven minute walk to the dining hall, because 1) the food was just “weird consistency” (which we tend to say regardless), 2) the light in there yawned indifferently to us (when does it not?), and 3) the reassuring clink of our forks on our plates wasn’t even there this time it was hiding underneath slop and smothered on top by the intruding sound waves (who asked?) of our next-table neighbors’ lives. You made a sly remark about seconds to catch a glimpse of youthful **** She’d gone to get some more baby carrots and cucumber slices to put in her salad maybe (who knows? who cares?) Either way, her youthful **** would make the food taste like something to you. And you described them to us when you sat down again so the slop would taste like something to us (there’s pride in that type of generosity, don’t forget) and (congratulations) we had the faint impression of some sort of ****** there, but we didn’t tell you (it’s easier that way). A cup, a squeeze, a kiss on her ******* yes that could feed our hunger for a night. And tonight was a night like any, so her ******* led us to talk of women, and women led us to talk of love (and the blooming one for the poor ******* as we who lost withstood the vicarious twinge of an addling ****** very different from the first. This one led us to pine for sweets, but the ones we found were dry, so we left the table, left the dining hall, looking around at the others: the lonely, the couples, the blessed lonely couples, and the fortunate friends huddled against everything with open laughter, enjoying the weird consistency like drunk theoretical physicists before they discovered bubbles and inflated eternally meaning when they safeguarded a zoo with a pistol they didn’t know how to use, in Soviet Russia. (So you see?) We have to slump on the couch when we return like lifetimes have passed before us. No one even bothers to pick up a guitar, we leave all four of them strewn on the floor like dead wooden boxes because Dylan or Young or Cash (or whoever) is already in the living room. Any bubbling, inflating, theoretical physicist (any drunk, pistol-packing zookeeper, for that matter) will tell you that. So we slump, comfortably uncomfortable, (at least we’re trying!) feeling their (our) strings plucking. No sounds, no voices. Because we don’t need to hear this that. Not right now. (Not right now).
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68
Five days a week    for six months now I have crossed the street    from work to the little shop    that sells sticky buns pork nuzzled by pastry    and perused the food something for lunch    and almost always pick a baguette brimming with chicken    chilled cucumber disks a sprinkling of lettuce    plus a muddy-coloured latte for that extra afternoon kick though today is different    I’m feeling ruthless a shimmery packet of salt and vinegar    waits for me to pluck it from the shelf    squeak it open the lady says hi and I reply    with a we’ve spoken five days a week for six months now    and it’s about time I told you these small encounters    brighten my day a rotten cliché I know    so I leave quick with my grub but a tiny grin on my face unwrap the baguette    take a satisfying bite
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Dec 2, 2015
Dec 2, 2015 at 11:23 AM UTC
Chicken Baguette, Latte, Salt and Vinegar Crisps
Give me the sea and I'll drink it all of it Give me the sky and I'll blot it out cut it out leave the gaping earth barren of its liquid dressing and leave the sky naked of its blue face there is no compare that is not to say you are not enough for me not at all it is to say you are more than I could have desired more than I could have dreamed and I do not tire of you not in my darkest moments when I'm stretched thin and there is no longer a devil-may-care draped about my addled mind when my patience snaps when my jaw clamps my eyes droop my brain thumps against my skull not even then with the last vestiges of civility held in grasp not even then can I think to lash out at you not even when you poke or **** plod about my sensibilities maim my sensitivities not even then not even when you roll your eyes give me that long 'hmmmm - really...' I don't give in to the nagging, nigh satisfying itch to shake with rage and curse everything that stems from the womb I am cool as a cucumber placid as a windless lake I roll my shoulders flutter my eyelashes look you up and down say, 'My... my... tired aren't you?' Your shoulders slump Your efforts to topple me abate You nod your head curl up on my lap isn't it funny how comforted we become when we are offered solace in exchange for an argument that neither of us would win?
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Jun 18, 2022
Jun 18, 2022 at 4:06 AM UTC
The Raised Hairs Of Lions...