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it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache
The day that I was christened--
  It's a hundred years, and more!--
A hag came and listened
  At the white church door,
A-hearing her that bore me
  And all my kith and kin
Considerately, for me,
  Renouncing sin.
While some gave me corals,
  And some gave me gold,
And porringers, with morals
  Agreeably scrolled,
The hag stood, buckled
  In a dim gray cloak;
Stood there and chuckled,
  Spat, and spoke:
"There's few enough in life'll
  Be needing my help,
But I've got a trifle
  For your fine young whelp.
I give her sadness,
  And the gift of pain,
The new-moon madness,
  And the love of rain."
And little good to lave me
  In their holy silver bowl
After what she gave me--
  Rest her soul!
Icarus M Jan 2013
It was a flavorful month.
First with a delightful treat of Black Walnut,
followed by a week of chestnut.

The splendorous aroma
of cooking meat on a rotating spit
the sizzle as the juices dripped running down,
covering his fingers and wrists with grease and fat
to drip into the burning flame
of the fire he had sheltered near.

The night was cold
but the fire would warm him.
(I'm done. Spoke the meat to the bone. I can no longer stay here with you and listen to your ramblings and lost dreams. I'm leaving you, she whispered. The old bone gasped, stricken. Please, do not go.
He reached for her and grasped tendrils, holding on to nay release.
And so the bone held the meat, but just barely.

The spit was held still, a sliver of flesh carved off
nearly pulling it all.
A smile at his face, as he replaced his knife to a home of supple, tan leather
stained black with charcoal.
Still broad-faced, he shut his eyes and gorged.

After
hist beard stubble provided a maze for the drippings to puzzle,
tracing towards his chin to run and leap,
and splatter and soak into the hard packed dirt below.
It had not yet rained, for many span.
So the fire would burn.
And crackle,
and sear substance that was brought too near its boundaries.

How it liked to char.
Its scorching embrace,
meant to suffocate with smoking laughter
curling upwards toward the trees
spreading all throughout the land.
Imagining creatures hundreds of miles,
breathing in and knowing vulnerability when coughing tumbled topside
and shook their entire being until,
until they understood her power
and how she came to be.

As stated, it had not rained for quite some time,
seven years and thirteen days to be exact.
And so, seven years ago,
(for the rain that came held saturation up to the thirteenth day)
she sparked into existence.
Quite literally, remarking on the above statement,
a passing knight atop a stumbling steed was fumbling around,
unwittingly, he had taken a trip down river which his horse had not been thrilled about.
While being chased by a horde of grey goblin trolls,
after he had blundered into their hunting party
he decided to escape through a stream
he had heard they were afraid of running water.
But his information was wrong,
and the throng
chased him down,
till the stream turned to river which turned to faster until
waterfall.
And so they went and now were sodden and miserable.
He rode along until Cudge, his haughty horse, refused to budge.
So, he built a fire and the following morn he rode away without putting it out.
Along his route,
his flint stone happened to drop,
out of a saddle bag and onto a rock,
causing a spark to light upon a bed of dry leaves,
which led to the creation of our dear fiery friend.

She spent years collecting herself
after the Tinder War.
Briefly explained:
Another fire that was left to burn
did not want to share
any of the forest around where the road did turn
all should be his no other fire would dare
challenge him.
This was her first test
as she felt meek and small
her flames could not jest
against his that were tall
but she prevailed and tricked him.

Fueled with victory,
she became an inferno,
and raged with widespread havoc,
till one day she murdered a magpie,
perched on the forest floor her heat overwhelming,
till his soul escaped to forever fly the skies never landing upon the earth again
.
Lusting with virtuous eyes
she eradicated and slaughtered
till she killed a village.
A lone survivor,
a child who could not see.
She cried tears of lost.
And brought flooding to the land that washed away the fire
till nothing,
but a spark was left.

The fire never forgot,
the pain,
the life she had snuffed out,
for what?
She changed her ways,
and lived out her days,
remembering her suffering faze as a young blaze.
But happy now
to provide company to this occasional traveler
and his trusty steed.

And so, encircling back (or forward we should considerately say),
to a month known as February which was particularly tasteful.
She, the fire, was enjoying her recent companions,
known as a knight and a horse called Cudge,
who had fed her planking from foreign floors
that tasted salty
from shipwrecks that had sailed to shore and he had carried for firewood.
Although she did not need wood to continue her life,
she relished the savory timber,
and in return provided a spirited heat to perfectly roast a pheasant.
Her name was Yori and she was fire.

The next night it rained.
The End.
© copy right protected

Note: (Entirely too long to read as a poem so consider it a stanza-stepped-story)
Kathryn Dixon Nov 2012
I do not love you in the most common sense of the word.

I do not love you softly with doe eyes and tender kisses.
I do not love you bravely, for there is nothing brave in my actions or words to you.
I do not love you kindly or sweetly, gently or patiently, considerately or reservedly.

I love you like a storm was loosed on my entire being from my first glimpse of you.
I love you like a match loves to be struck, or like a nail loves a hammer.
I love you like a page loves being scarred by the ink of a pen,
and I love you like a pick loves being scraped across old strings over and over again.

I love you violently, and entirely. But, most of all, secretly.

I love you scorchingly and searingly, as if all the pretty words you've ever bestowed upon me were mere kindling.

I love you like an atom must love the universe, a thing by the grace of which it exists, but a thing also which it couldn't possibly ever grasp.

I love you behind my heart and behind my eyes, to shield such a vulnerable thing from the corrosion and harsh grinding of the world.

I love you brokenly, and bitterly, and for always, because I will not admit to loving you at all.
Nick I May 2012
We met in February,
snow painted red-bricks looming,
flaring nostrils crisply inhaling;
we scampered across the boulevard
doused in the wake of passing tires.

We kissed on a Wednesday,
economically sharing a cab,
considerately a chaste peck,
stirring up a faint blush
while you clutched my hand.

I fell in love one morning
wrapped in a paradox of your limbs;
I extricated myself miserably,
condemned to hard labor
from nine to five.

You called me today,
the unrecognized number
churning cement in my stomach,
an answer to the the seven digit prayer
I left this morning on your pillow.
First published in the 2012 edition of the Porter Gulch Review.
David Barr Nov 2015
The quest for both burial and resurrection are significant, as their flickering shadows of the self-depreciatory abyss chant their silent and hauntingly audible presence under the canopy of the ancient forest.
Let us celebrate the night together, as we are traumatically enveloped within an exposed and dialectical pronunciation during this classical and acoustic daylight romance.
Although I truly hate your love, I also reject your evident indifference.
This is the essence of feeling like a fake within the genuineness of our actual and perceived realities.
It is heaven-sent, like a feathered breed of unresolved investigations within our socio-political climate of assumed advancement, where the intensity of the beat gyrates her percussionist hips across ******* expressions of the cosmological sound barrier.
Concurrently, the tangible rhythm of nature’s pulse considerately consummates her forcefully placid interactions within the context of gender specific diversity.
It is all in the name of discriminatory wholeness, my friend.
Our ambivalent connectedness to that which is catastrophically uncertain reminds me of drawing curtains across this conglomerate dawn of darkness and uninhibited concealment.
Just look at our ornithological formation, where leadership spreads her wings with censored zoological resignations and simplistic wisdom.
You have truly lifted my soul within the complexity of this circuitry, and I wholeheartedly acknowledge that we are a myriad of expressions which cannot be adequately articulated within the thermals of our cosmological stratosphere.
Yet, there is a certain finesse to delinquency, and I have bridged the metaphorical gap across the chasm of divided entities, where we can embrace the cool and gentle breeze right at the fulcrum of unforgiving landscapes and shamanic pastures.
Like an artistic depiction of woodland serenity, we are engaged in this wonderful neutrality where it is all about the dance – otherwise known as the energy of modern choreography.
Epistemology can be questionable, where assumptions are sickeningly grounded within the soil of egocentric perceptions of supremacy.
Trust me, my seasoned partner of those astral plains of Nirvana: my lips are sealed in this putrid reconciliation of proclaimed opposites, which are said to mutually attract.
grumpy thumb Sep 2016
She considerately held a smile
and strained to conceal the strain
of politeness,
asking correct questions
with an ear of patience
conveying interest
to spare feelings from being hurt.
Though I held a mask
of being fooled by her falseness
we knew we knew
and yet the charade continued.
I admire her for that.
Kendra R Feb 2015
The nursing home smelled like ****
considerately covered with disinfectant.
“Thank god for small mercies”, I thought,
as I walked towards the one I love
who can no longer speak my name.
She had grown whiskers, when did that happen?
And the corner of her eyes were filled with decay.
Some things were the same, though,
Like the way she cried when I hugged her.
Like the way her hair smells-
like protection,
like childhood.

It is very difficult to converse with some one who can barely speak.
I pattered on about my boyfriend, and she asked,
“Jewish?”
I reply, “No Bubbe, he’s not.”
Her eyes fell, and how can I reveal myself to her?
That I lost nothing when I found that I didn’t believe?
Instead I smile and say, “maybe someday Bubbe.”
But she is not fooled, and my smile becomes plaster.
I stop filling the silence.

There is a woman screaming in the hall.
Not screaming exactly, but yelping
like a fox caught in a trap.
Thin, helpless cries so full of fear and pain
that I could reach up and feel her loss ripping the air.    
“She sounds like I feel”, I thought.
But then again, how must she feel?
I’m here for half an hour,
she’s here until death.
And I text my boyfriend, I tell him,
if you’re still around when we're old,
before you let them put me in a place like this,
put a bag over my head,
and slit my wrists.
thePaigebook Nov 2012
I flourish,
I fade
Let me live in your home,
perfectly I stay poised
Let me live in my home,
unrestrained
I grow freely
I lure you in with my stately scent
Be heedful as I may harm your hands
Hold me considerately and carry me with you
The beloved of the bride
The chivalrous choice for the lover
Remember me when I am gone
You will see me again
Mucho Gusto Jun 2015
I'm goner.
Spit one last splash of lukewarm words out
and I'm a solid rock on my bed.
You see,
I whisper words out to the world
like the way you'd sing to a plant,
silently so as not to be overheard,
but hoping that a soft tune
will make it grow.
I speak to you
the way a child asks the stars
for his wish to come true,
considerately, moderately,
shyly, greedily.
And then I shut my eyes.
saarahe Feb 2021
am I really real,
if I want you to see?

by your soul tell me,
am I as shallow as the sea?

I sit up and try them-
the names, all the parts of me

to find them longing
to be run over, pilfered considerately

by a discerning eye
wise, auspicious hands

oh tell me, please tell me!
who am I? what is this land?
how may I save my heart?
Do you- do you understand?
wordvango May 2016
as she asked me to leave after a quick romp
I pouted quite noticeably, my needs had been
perspired very well in her *****, and she did
notice and asked quite considerately
Would a hug help?
I smiled.
Bob B Oct 2016
Discover your inner music and dance!
Sing your song with glee.
Let your ability to be yourself
Light up your glowing marquee.

Accept yourself; be kind to yourself;
And be considerately bold.
Don't let purveyors of mediocrity
Force you into a mold.

Proclaim your individuality.
Be humble yet self-assured.
Don't let the light of your heartfelt endeavors
Ever be obscured.

So what if you are not like others.
If you want to go far,
Keep your focus, follow your heart,
And simply be who you are.

Be impervious to scornful mutterings.
See through hypocrites and fakes.
Don't let others' weaknesses cause you
To imitate their mistakes.

Be attentive to those around you,
But go where your inner guides take you.
Don't let the sticklers for conventionality
Stifle your song or break you.

Appreciate every single moment;
Try to maintain good cheer.
Trust in yourself and realize
There's nothing, there's no one to fear.

- by Bob B
Vincent Legrand May 2020
sometimes i catch myself
going over the things you said

and wonder if there were things
you didn’t say

if you felt selfish things
you considerately couldn’t say

things
i would have liked to hear

things that would cause us pain
Gabriela Ayala May 2018
I don’t know how you handle my complexity but thank God you do.
There are lots of secrets I’ve been trying to hide from you.
Starting from how things were ****** up even before we met
Unto now, where simple stuffs are getting me upset

You know what, if I were just good at explaining myself
I would have told you stories that deafens my head
Like how I badly pleaded for my life to end
Because I’m never good enough even for myself

To be honest, to you, why am I dedicating this poem?
You already got tons of my breakdowns to absorb.
Sorry honey, I’ve got no one listening to me
So please, I ask you to bare considerately

I wanted to apologize for the person I have become
For being someone whom I never imagined I’ll turn into
Always being a *****, selfish and imprudent
Trying to stay away from any possible harm

My past is never an excuse for me to treat you rudely
Still, I want to say sorry for pushing you away from me
I got a pile of fears and insecurities all over my body
I hope that you have the strength to tag me along with your journey
S cape Mar 2017
Has a memory ever sent  chills of anxiousness down your spine
after your mind so considerately forced it  to replay a cringing vivid encounter of a horrific experience
The high definition play back never fails to send me shivering in my seat
I feel like my friends are always asking me if I'm cold
Anne Billinge Dec 2022
the earthquake deigned to rumble through our house,
a runaway train rattling against windowpanes,
careening along like some crazy joy rider,
hurling from nowhere to no where's end.

porcelain plates thrown by a drunken juggler
smashing in splintered shards of blue and white,
ponies in the paddock tossing their manes,
wildly galloping with eyes rolled back in panic.

Mother stood in the middle of this, glaring, hands on hips,
albeit body now tilted at a somewhat precarious angle,
but staunch nonetheless - mouth shaped in a perfect 'O',
determination to remain upright tattooed in her stance.

tiles began to dislodge cascading into the yard,
detonating like shrapnel from an exploding nail bomb
and water began belching from a discontented drain cover,
all in all not the best of Mondays...

considerately it departed as quickly as it arrived,
leaving dislodged furniture upended in its wake,
Mother, as calm as ever in an earthquake, swat a circling fly
which had the audacity to try to seek refuge in her hair.

No other and me began the painstaking reconstruction,
thankful that the walls of our humble dwelling
had refrained from lurching into the yard beyond,
Mother disappeared to explore the medicinal benefits of gin.
nevaeh Feb 2020
she held a fragile butterfly
in the palm of her gentle hand
it wings moving,
not the the rapid flutter of flight,
but slowly, considerately.
her dusty colors shifted
like an oil spill over the heavens.
she tried to hold her;
keep her safe.
she loved her inevitably,
for she was innocent.
she never knew
right from wrong,
good and bad,
true evil.
she only knew the ways of the world;
to ****
or be killed.
this fight
is one which will always be lost
on both sides.

it feels like
everything
is slipping away.
this means something but a lot of it doesn't even make sense to me yet. i have a distinctly anxious but subtle feeling that bad things are about to happen.

— The End —