Hello Poetry
Submit your work and get some sparkles! Create free account
"conciliatory" poems
On having thought of the deeds I do Day in, day out, and all through Some I wish I hadn’t done Though doing which was no fun Slapping my own baby, Hurting a daughter For instance I am no man, maybe I reel, and I totter. Often I repent, life’s force spent Yet on living on, hell bent Sometimes it’s just a thought I bore Heart from heart, gut wrenching Usually only a word that tore Mouth’s bile, soul drenching Doubt engulfs me unknowing Words my own, self rending Even I know when I am no match For a conciliatory patch, Plod on I must, myself to prove I may yet find my gentle groove.
0
Aug 23, 2015
Aug 23, 2015 at 4:27 PM UTC
As When I Repent
Esu Lanlu Esu Elegbara Esu Odara Esu, the scared child of heaven Esu, a reviled, respected, Yet misunderstood being. Esu, all creations dance to your best of life Esu Dagunro Esu Lukuluku Esu Apagbe Esu, the quickest and fastest one Esu, confuser of many Esu, the disruptor of order Esu, the iconic one Esu, the master of linguistics Esu, the conciliatory peacemaker Esu, the divine alchemist Esu, the trickster Esu, the pusher of those, Who doesn't carry Olodumare's wishes. Esu, the inseparable friend of Orunmila Esu, Papa Legba Legba Atibon Kalfou Papa La Bas Esu, divine messenger of transformation Esu, ebora to luti la nbo Esu, Okunrin ori ita Esu, a quick responder when consulted Esu, divine messenger of the gods Esu Odara, the divine one of Ose Otura Esu, carrier of the ase of sensuality and fertility Esu Lanlu, king of dance Esu, keeper and imparter of ase Esu, the fundamental Orisa Esu, the manifest of greatness Esu, the one who is as hard as Rock Esu Akeregbaye Esu, the shedder of blood who knows no one's tears Esu, the controller of earth Esu, the special middle man between heaven and Earth Esu, the anointed rope to success and wealth Esu Lanlu Esu Elegbara Esu Odara Written by Tosan Oluwakemi Thompson
0
Jul 6, 2020
Jul 6, 2020 at 8:18 AM UTC
Esu
Life tosses a conciliatory bone, A string of tiny texts form a story, Written in pages interwoven across the day. But I'm still trapped in mid-week, Looking forward through Wednesday's bars, To a weekend's promised freedom. I claim the night as my own, But am cheated by the dawn, Alone at the end of the rave. With my summer spent, And winter yet to be earned, I finish my colourless breakfast solemnly. My detoxification becomes a hollowing of the soul, An empty vessel left listlessly on the sea, Floating in an ocean of conspiracy.
0
Dec 29, 2011
Dec 29, 2011 at 4:34 AM UTC
Detox
Red is your color, never blue or gold. My finish is never met with hollers or cheers, simply silence. And not of the reverent sort, the sort of clammy, piteous, and overbearing silence. Not the quiet that is shared in the company of friends or lovers. Never that. My place on the podium will only raise me a foot or two. From where I am standing the stars seems so **** far. My "Participant" ribbon lies crumpled in-between my fingers. And the ever present "I'm so sorry, good try" is meted out with each conciliatory apology. But this isn't the first time, and I know it won't be the last. That'll I will take second place in this race. But really, how could I ever really want to win, When I can barely get people to acknowledge me. It would be a miracle if they started to cheer. Did I mention I don't believe in miracles? Everyone grows up learning to lie. They fill in the spaces where we can't find the words. They substitute for the stories we never made. They shield those we love from all the hurt in the world. So I guess I don't feel too bad about living a few lies. Despite the wounds they left never really healing over. I could blame him and her for them, but what is the point. They happened, there they are on my skin, for all to see. No use in tears, those won't change anything. But the best I can do is grit my teeth and bear it. The time for strength will be for later. And I wouldn't look back if I was stronger, But then again Orpheus was just a man too. So call me a pillar of salt, or a push over. But I lost, and it hurts. I finished last again, and I think that adage might have more truth to it than I thought.
0
May 28, 2013
May 28, 2013 at 9:26 PM UTC
They'll Eat You Alive (Fears)
Red is your color, never blue or gold. My finish is never met with hollers or cheers, simply silence. And not of the reverent sort, the sort of clammy, piteous, and overbearing silence. Not the quiet that is shared in the company of friends or lovers. Never that. My place on the podium will only raise me a foot or two. From where I am standing the stars seems so **** far. My "Participant" ribbon lies crumpled in-between my fingers. And the ever present "I'm so sorry, good try" is meted out with each conciliatory apology. But this isn't the first time, and I know it won't be the last. That'll I will take second place in this race. But really, how could I ever really want to win, When I can barely get people to acknowledge me. It would be a miracle if they started to cheer. Did I mention I don't believe in miracles? Everyone grows up learning to lie. They fill in the spaces where we can't find the words. They substitute for the stories we never made. They shield those we love from all the hurt in the world. So I guess I don't feel too bad about living a few lies. Despite the wounds they left never really healing over. I could blame him and her for them, but what is the point. They happened, there they are on my skin, for all to see. No use in tears, those won't change anything. But the best I can do is grit my teeth and bear it. The time for strength will be for later. And I wouldn't look back if I was stronger, But then again Orpheus was just a man too. So call me a pillar of salt, or a push over. But I lost, and it hurts. I finished last again, and I think that adage might have more truth to it than I thought.
Continue reading...
30
Under the duress of the sacrificial Cross and positioned between two thieves, the culmination of grace for the World was granted - via Jehovah’s heavenly reprieve. Surrounded by the stench of death, Christ uttered famous words of forgiveness; enduring human suffocation with each dying breath, His Light steadfastly opposed foreboding darkness. His heart was forcefully punctured, by a soldier’s upward, piercing blow. Ripping the spear from the broken body caused both blood and water to surprisingly flow. Not immediately realized or understood was the significance of His Crucifixion. For this conciliatory offering to God covered our sin, serving as a holy propitiation. In plain sight, upon Golgotha’s skull hill, hung our Savior between two thieves. On that Good Friday He fulfilled God’s will, before His Spirit was allowed its earthly leave. Author Note: Learn more about me and my poetry at: http://www.squidoo.com/book-isbn-1419650513/ By Joseph J. Breunig 3rd, © 2010, All rights reserved.
0
Feb 7, 2013
Feb 7, 2013 at 6:17 AM UTC
Poem: Between Two Thieves
people who feel like to extend their pinky fingers when the others have been recently offered in assistance to greedy children, antagonistic husbands, selfish friends. they would never see people that way though because if they did, and on the few days that they do, when humanity is tire slashing puppy decapitation, the people who feel crumble into a *** of sappy person, resorting to gulping sobs and furious scribbles in a journal no one will read. people who feel like to assume they are alone, that if God wanted to, they might all have been rounded up, dumped on an island, and left to offer conciliatory remarks, hugs, and shared assumptions of responsibility and ethical treatment. people who feel like to believe people are good, as good as cotton wrapped tightly around a small, slender, white stick: dutiful, essential, uniquely purposeful. but those people who feel woefully forget the Ones who Feel and feel to such a degree that they create destructions and downfalls, messily, angrily like a toddler desperately trying to make the blue crayon look black. they are dangerous. powerfully effective at harnessing the attention of those who digest and regurgitate what Society has in mind about the condition of people, that there are troublemakers and peacemakers, but the bad apples are more capable of wiping out the apples who never had a chance, and merely were in line of fire because they were apples of the same kind at the same place with the same name. people, plain regular people, like to remember this silly notion from childhood, the devil and the angel entertaining either shoulder of people, all, everyone people. but what I think, me, who feels and feels and feels until the feeling goes far away until I beg for it to return, everyone feels. some listen too keenly. some explode. some are deaf. others mute.
0
Nov 9, 2014
Nov 9, 2014 at 5:16 PM UTC
for feelers
people who feel like to extend their pinky fingers when the others have been recently offered in assistance to greedy children, antagonistic husbands, selfish friends. they would never see people that way though because if they did, and on the few days that they do, when humanity is tire slashing puppy decapitation, the people who feel crumble into a *** of sappy person, resorting to gulping sobs and furious scribbles in a journal no one will read. people who feel like to assume they are alone, that if God wanted to, they might all have been rounded up, dumped on an island, and left to offer conciliatory remarks, hugs, and shared assumptions of responsibility and ethical treatment. people who feel like to believe people are good, as good as cotton wrapped tightly around a small, slender, white stick: dutiful, essential, uniquely purposeful. but those people who feel woefully forget the Ones who Feel and feel to such a degree that they create destructions and downfalls, messily, angrily like a toddler desperately trying to make the blue crayon look black. they are dangerous. powerfully effective at harnessing the attention of those who digest and regurgitate what Society has in mind about the condition of people, that there are troublemakers and peacemakers, but the bad apples are more capable of wiping out the apples who never had a chance, and merely were in line of fire because they were apples of the same kind at the same place with the same name. people, plain regular people, like to remember this silly notion from childhood, the devil and the angel entertaining either shoulder of people, all, everyone people. but what I think, me, who feels and feels and feels until the feeling goes far away until I beg for it to return, everyone feels. some listen too keenly. some explode. some are deaf. others mute.
Continue reading...
45
The beauty of the desert Is not in the land; Barren, dry, harsh and bitter. The beauty of the lake Is not in the water; Brackish, still, cold and endless. The beauty of a man’s soul Is not in his prayers; Angry, conciliatory, false, importunate. Look up All reflects what shines above Sun painting mountains pink Glint of light on wave Love that gives more than it takes Beauty in the eye of the beholder Blessing in the eye of the beloved Perfection in reflection Peace within and without This walks with us The vessel must be open To receive the wine.
0
Dec 21, 2014
Dec 21, 2014 at 12:22 PM UTC
Opening
Sadness held me when no one else would. I was afraid, and alone, and a mess, but sadness selfishly let me crawl into its lap, and curl up into a size of myself that I could tolerate but no one could love. Sadness held me when you didn't. It held me when my heartbeat was a hurricane, and when the apologies rolled out of my throat like tidal waves. Sadness threw on its rainboots and marched through the storm to bring the moon back to me when you couldn't even march outside. Running its cloudy fingers through my hair like strands of spider webs, careful not to skip a single inch, sadness pulled me against its hollow chest and whispered venomous conciliatory reminders of who we are into my broken head. Sadness shook me like a seizure until I finally fell asleep. And when I woke up to the soft grey light of this existence, sadness held me because my heart slipped through the greedy fingers of everyone who tried, shattering on the floor as you walked away from the mess you hadn't seen before. Sadness held me because no one else could. And I deserved to be held.
0
Jul 12, 2014
Jul 12, 2014 at 2:44 PM UTC
April 1, 2013 -- Held
Love is never average when I am with you. When I say I love you I mean: I take you into my heart, My desires, pain and suffering, Longing, My dreams are full of your dedication, What I mean by I love you is: I gather up the physics of your footsteps, Calculate your directions, Analyze your pace, The arc plane of which your hair falls, I measure love in: The beauty of your voice, The conciliatory effect it has into the art of my body, The soul train of your rhymes, Your rhythm, how they reverberate between the walls of my ears, How you pinball between cerebral sections that cause me to taste the half notes between the bars of your lips, I feel love by: You holding my waist, Gripping me to safety, Letting my hips and thighs and cheekbones my rounded jawline, That the the gaps between your fingers can be filled with my curves. What I mean by I love you is: The distortion of my hyper ****** drive to mute into intimacy. Not to disperse, But to love. To lift control to the surface, To caress, not to be driven and forced, What I mean by love is: How I define the impact of you on me.
0
Nov 11, 2014
Nov 11, 2014 at 1:06 AM UTC
It's not just your average love.
i saw your poem in the paper the other day i didn’t read it some wounds are too fresh if i wrote something beautiful, would it change you? if you wrote something conciliatory, would it change me? i saw your story in the paper the other day i can’t read it.
0
Mar 6, 2013
Mar 6, 2013 at 5:53 PM UTC
i don't read the news these days.
There is a mood That seems missing In the public square Morning lyrics ring With truculent sounds Unescorted By harmonious echos Discerning pundits Wonder aloud Why divisiveness Holds sway Where oh where Has civility gone Lost in a forest Of greed Submerged in A sea of avarice
0
Dec 29, 2023
Dec 29, 2023 at 8:57 AM UTC
Conciliatory
selfish listening is even bigger and more murderous today than if I could share it with me! A larger, uninhabited continent is at war with me than anyone could understand! Curiously, however, I threw myself thirsty at hyena landscapes; they would have been called by the conciliatory smiles that sent me, the promises that could be kept — I would have put my trembling child's soul, trembling in my innocent tears, in the palm of My Beloved!   If he looks into the mirror of another seer - he offers him a teasing shadow! When someone sees me “on the other side” he only senses my chubby fur-crust: an emotional Marsian! My loneliness is also a rich relative of the waterfall of my falling Star Tears shining at night! What would I find and get to know? I'm autumn: my falling letters, if they don't pay attention, the wind often sweeps away…   I will be a limp bee on the silk veils of my sweetheart's heartbreaking petals. He will take care of my   pistils, I will close my eyes and I will know Dormant! His tired roe deer danced flirtatiously in star-glitter even with the yellow-glowing Moonbeam; I could feel its crater weight, even though it was millions of light-years away and it was curling over our heads at the frowning midnight! The redeeming Universe burned my skin like a flaming black flame: our common body trembled at a beat like a stretched bow and immortalized al   I wrote my vulnerable footprint in my heart and can I hope it takes care of it? - In the double darkness around us grows the rampant uncertain! We are both standing on the shore: Who can leave first ?!
0
Nov 20, 2020
Nov 20, 2020 at 11:05 PM UTC
My departure delayed
selfish listening is even bigger and more murderous today than if I could share it with me! A larger, uninhabited continent is at war with me than anyone could understand! Curiously, however, I threw myself thirsty at hyena landscapes; they would have been called by the conciliatory smiles that sent me, the promises that could be kept — I would have put my trembling child's soul, trembling in my innocent tears, in the palm of My Beloved!   If he looks into the mirror of another seer - he offers him a teasing shadow! When someone sees me “on the other side” he only senses my chubby fur-crust: an emotional Marsian! My loneliness is also a rich relative of the waterfall of my falling Star Tears shining at night! What would I find and get to know? I'm autumn: my falling letters, if they don't pay attention, the wind often sweeps away…   I will be a limp bee on the silk veils of my sweetheart's heartbreaking petals. He will take care of my   pistils, I will close my eyes and I will know Dormant! His tired roe deer danced flirtatiously in star-glitter even with the yellow-glowing Moonbeam; I could feel its crater weight, even though it was millions of light-years away and it was curling over our heads at the frowning midnight! The redeeming Universe burned my skin like a flaming black flame: our common body trembled at a beat like a stretched bow and immortalized al   I wrote my vulnerable footprint in my heart and can I hope it takes care of it? - In the double darkness around us grows the rampant uncertain! We are both standing on the shore: Who can leave first ?!
Continue reading...
5
It is very sad When hearts are broken Pain walks in When words are left unspoken Communicate with one another That will eliminate the frustration Moments will become better With conciliatory action
0
Jul 30, 2014
Jul 30, 2014 at 1:39 PM UTC
It Is Very Sad
The silence in this world is ringing ringing like the unanswered phones left on the line because no one is home to hear the shrill call of an unanswered voice just begging, begging for one more shot at whatever sordid mess they’ve left behind because the future is ahead and it’s scaring them. Please, just let me come home. Home was never safe, it was never warm, it was just a place for childhood embers burnt fast by the age of 12, no, 11, no, 10, but then I still beg to go back because life’s ahead, mom, And they’re calling my name but I cover my eyes because all I hear is the shrill call of an unanswered voice begging me to amount to all that I’m worth, to take strides on horizons I can hardly fathom, because out there, they’re looking for a shadow to their sunset. A step away, a reach, a grasp, but I let it fall from my hands and crash - graceless, inelegant, twisted, metamorphosed into a nightmare I’ll never catch. Because these walls are a sanctuary where the hands that cover my eyes and the hands that cover my ears protect me from the world’s volatility, and the one thing I grasp: invincibility in the highest degree. So fire your bullets, because they’ll only ricochet, keep away no way no wait, this isn’t invincibility, just conciliatory me bending, twisting, metamorphosed into         a grotesque shape         a nightmare I’ll become When someday there’s a ringing in my head of an unanswered phone left on the line. I don’t want to hear it; the shrill call of an unanswered voice just begging, begging for one more shot at the broken pieces, this puzzle strewn across the floor like it’s always been there just never seen before, Because you only see the flash after you hear the bang and it’s all over. It’s too late. The phone keeps ringing.
0
Dec 14, 2018
Dec 14, 2018 at 9:12 PM UTC
ringing
The silence in this world is ringing ringing like the unanswered phones left on the line because no one is home to hear the shrill call of an unanswered voice just begging, begging for one more shot at whatever sordid mess they’ve left behind because the future is ahead and it’s scaring them. Please, just let me come home. Home was never safe, it was never warm, it was just a place for childhood embers burnt fast by the age of 12, no, 11, no, 10, but then I still beg to go back because life’s ahead, mom, And they’re calling my name but I cover my eyes because all I hear is the shrill call of an unanswered voice begging me to amount to all that I’m worth, to take strides on horizons I can hardly fathom, because out there, they’re looking for a shadow to their sunset. A step away, a reach, a grasp, but I let it fall from my hands and crash - graceless, inelegant, twisted, metamorphosed into a nightmare I’ll never catch. Because these walls are a sanctuary where the hands that cover my eyes and the hands that cover my ears protect me from the world’s volatility, and the one thing I grasp: invincibility in the highest degree. So fire your bullets, because they’ll only ricochet, keep away no way no wait, this isn’t invincibility, just conciliatory me bending, twisting, metamorphosed into         a grotesque shape         a nightmare I’ll become When someday there’s a ringing in my head of an unanswered phone left on the line. I don’t want to hear it; the shrill call of an unanswered voice just begging, begging for one more shot at the broken pieces, this puzzle strewn across the floor like it’s always been there just never seen before, Because you only see the flash after you hear the bang and it’s all over. It’s too late. The phone keeps ringing.
Continue reading...
46
Shadow, Shadow Within my dream, Have I dreamed you awake, Said Lizard King To Peace Frog? Peace Frog says it's Old anchovy, Rare bits of beef And I can't remember the last thing I said, Except that which I see. Is that just a dream Within a dream, Or just a brush of Raven's wing? But Lizard King I dream what I dream awake, How can that be? Shadow sees what fades to passing, another dream Within a dream. And I look at the burning sun Bleeding paint like a river. And I think of my job, And I think of nothing at all, As a baby night bug crawls Along the spiral of my page, Invading worlds beneath my fingers. Oceans, Worlds, Suns and Arcs of light beyond our being. Nothing moves in silence. Wondering of stories Forgotten as a child, Yet nothing's forgotten, Yet all is forgiven. Conciliatory Shadows, Reckoning light, Pink and blue and coral Dreams of light and line And space and Shadow And Shadow. Therin lies your answer Peace Frog says to Lizard King. This welcome mat beneath you, this simple Weaves of straw an steel, And the streetlight bends Behind me, then gone. So are Lizard King and Peace Frog. Where have they gone? To Shadow, To the realm of Shadow. And I see my Father's face, Darkening, lighting In the streetlights. As the stink of the factories Fill the air. And my Dad would talk of jazz, while I turned the radio To Donovan, Mellow Yellow, And its 1966. And I think of my job, Revolving wheels, Sparks and Sun Dogs, And I think of Shadow, Shadow, And red headed women In Capris, And the light of the sun Blinding in noon. Dreams of bright nothings. Bon Bon's of scarlet. Shadow, Shadow, What to make of such things? Shadow smiles as Buddha, Says a sliver of sleep Is all you need. Do I cipher a riddle From the air? And I wonder of Shadow, Will he haunt me forever?
0
Mar 8, 2020
Mar 8, 2020 at 11:06 PM UTC
And Later The Shadow King
Shadow, Shadow Within my dream, Have I dreamed you awake, Said Lizard King To Peace Frog? Peace Frog says it's Old anchovy, Rare bits of beef And I can't remember the last thing I said, Except that which I see. Is that just a dream Within a dream, Or just a brush of Raven's wing? But Lizard King I dream what I dream awake, How can that be? Shadow sees what fades to passing, another dream Within a dream. And I look at the burning sun Bleeding paint like a river. And I think of my job, And I think of nothing at all, As a baby night bug crawls Along the spiral of my page, Invading worlds beneath my fingers. Oceans, Worlds, Suns and Arcs of light beyond our being. Nothing moves in silence. Wondering of stories Forgotten as a child, Yet nothing's forgotten, Yet all is forgiven. Conciliatory Shadows, Reckoning light, Pink and blue and coral Dreams of light and line And space and Shadow And Shadow. Therin lies your answer Peace Frog says to Lizard King. This welcome mat beneath you, this simple Weaves of straw an steel, And the streetlight bends Behind me, then gone. So are Lizard King and Peace Frog. Where have they gone? To Shadow, To the realm of Shadow. And I see my Father's face, Darkening, lighting In the streetlights. As the stink of the factories Fill the air. And my Dad would talk of jazz, while I turned the radio To Donovan, Mellow Yellow, And its 1966. And I think of my job, Revolving wheels, Sparks and Sun Dogs, And I think of Shadow, Shadow, And red headed women In Capris, And the light of the sun Blinding in noon. Dreams of bright nothings. Bon Bon's of scarlet. Shadow, Shadow, What to make of such things? Shadow smiles as Buddha, Says a sliver of sleep Is all you need. Do I cipher a riddle From the air? And I wonder of Shadow, Will he haunt me forever?
Continue reading...
69
Be Nice to the Police It was like watching me on a film clip, surrounded by four police officers one of them a woman who yelled at me for not speaking proper Portuguese. I stared at her with contempt It was a tense moment. A conciliatory officer stepped in. No big deal he said, a little scratch the car is insured documents in order have a pleasant journey. I have often wondered why female officers are so aggressive, is it because they are smaller, land compensate the feeling of inferiority by being brusque? I met one smiling woman officer once, black and six foot ten, refused my offer to marry her so I could feel safe, was married she said…so what! Before I forget the rude female officer was standing behind a car in the dark smoking a cigarette and she was overlooked by the male officers
0
Apr 2, 2017
Apr 2, 2017 at 5:15 AM UTC
sexist policing
I am the very model of a modern poet laureate, I've information rhythmical, poetical and lexical, I know the poets of our land and quote their plays historical, From Macbeth to Much Ado, in order categorical; I'm very well acquainted, too, with rhythm hendecasyllable, I understand assonance and refrain octosyllable, About pentameter theory I'm teeming with a lot o' news, With many cheerful facts about the style of poet Edward Hughes. I'm very good at couplets and at blank verse very fabulous; I know the seventy-one plays ascribed to Aeschylus: In short, in matters rhymical, poetical, and lexical, I am the very model of a modern poet laureate. I know our poem-history, Caedmon's Hymn to Chaucer's works; I can cite bards' acrostics with volatility in my vocal box, I quote in elegiacs all the crimes of Heliogabalus, In dialect ionic I can cite Semonides of Amorgos; I can tell undoubted Aratus from Aristeus and Sophocles, I know the croaking chorus from The Frogs of Aristophanes! Then I can hum a fugue of which I've heard the music's din afore, And whistle all the airs from that infernal nonsense Pinafore. Then I can write a decasyllable as a dactyl or tetrameter, And tell you ev'ry detail of soliloquies in Shakespeare: In short, in matters rhythmical, poetical, to elloquate, I am the very model of a modern poet laureate. In fact, when I know what is meant by a "septet" and a "sestet", When I can tell at sight a literary from a prose effect, When such affairs as odic and idyllic I'm more wary at, And when I know precisely 'to be or not to be' by Dane "Hamlet". When I have learnt what progress has been made in modern rhymery, When I know more iambic than a novice in a nunnery In short, when I'm audacious, vexatious and dilatory You'll say a poet laureate has ne'er been so conciliatory. For my alliteration knowledge, though I'm plucky and adventury, Has only been brought down to the beginning of the century; But still, in matters rhythmical, poetical and etiquette, I am the very model of a modern poet laureate.
0
May 3, 2021
May 3, 2021 at 11:44 AM UTC
I am the Very Model of a Modern Poet Laureate (Parody)
I am the very model of a modern poet laureate, I've information rhythmical, poetical and lexical, I know the poets of our land and quote their plays historical, From Macbeth to Much Ado, in order categorical; I'm very well acquainted, too, with rhythm hendecasyllable, I understand assonance and refrain octosyllable, About pentameter theory I'm teeming with a lot o' news, With many cheerful facts about the style of poet Edward Hughes. I'm very good at couplets and at blank verse very fabulous; I know the seventy-one plays ascribed to Aeschylus: In short, in matters rhymical, poetical, and lexical, I am the very model of a modern poet laureate. I know our poem-history, Caedmon's Hymn to Chaucer's works; I can cite bards' acrostics with volatility in my vocal box, I quote in elegiacs all the crimes of Heliogabalus, In dialect ionic I can cite Semonides of Amorgos; I can tell undoubted Aratus from Aristeus and Sophocles, I know the croaking chorus from The Frogs of Aristophanes! Then I can hum a fugue of which I've heard the music's din afore, And whistle all the airs from that infernal nonsense Pinafore. Then I can write a decasyllable as a dactyl or tetrameter, And tell you ev'ry detail of soliloquies in Shakespeare: In short, in matters rhythmical, poetical, to elloquate, I am the very model of a modern poet laureate. In fact, when I know what is meant by a "septet" and a "sestet", When I can tell at sight a literary from a prose effect, When such affairs as odic and idyllic I'm more wary at, And when I know precisely 'to be or not to be' by Dane "Hamlet". When I have learnt what progress has been made in modern rhymery, When I know more iambic than a novice in a nunnery In short, when I'm audacious, vexatious and dilatory You'll say a poet laureate has ne'er been so conciliatory. For my alliteration knowledge, though I'm plucky and adventury, Has only been brought down to the beginning of the century; But still, in matters rhythmical, poetical and etiquette, I am the very model of a modern poet laureate.
Continue reading...
36
I am the very model of a modern poet laureate, I've information rhythmical, poetical and lexical, I know the poets of our land and quote their plays historical, From Macbeth to Much Ado, in order categorical; I'm very well acquainted, too, with rhythm hendecasyllable, I understand assonance and refrain octosyllable, About pentameter theory I'm teeming with a lot o' news, With many cheerful facts about the style of poet Edward Hughes. I'm very good at couplets and at blank verse very fabulous; I know the seventy-one plays ascribed to Aeschylus: In short, in matters rhymical, poetical, and lexical, I am the very model of a modern poet laureate. I know our poem-history, Caedmon's Hymn to Chaucer's works; I can cite bards' acrostics with volatility in my vocal box, I quote in elegiacs all the crimes of Heliogabalus, In dialect ionic I can cite Semonides of Amorgos; I can tell undoubted Aratus from Aristeus and Sophocles, I know the croaking chorus from The Frogs of Aristophanes! Then I can hum a fugue of which I've heard the music's din afore, And whistle all the airs from that infernal nonsense Pinafore. Then I can write a decasyllable as a dactyl or tetrameter, And tell you ev'ry detail of soliloquies in Shakespeare: In short, in matters rhythmical, poetical, to elloquate, I am the very model of a modern poet laureate. In fact, when I know what is meant by a "septet" and a "sestet", When I can tell at sight a literary from a prose effect, When such affairs as odic and idyllic I'm more wary at, And when I know precisely 'to be or not to be' by Danish "Hamlet". When I have learnt what progress has been made in modern rhymery, When I know more iambic than a novice in a nunnery In short, when I'm audacious, vexatious and dilatory You'll say a poet laureate has ne'er been so conciliatory. For my alliteration knowledge, though I'm plucky and adventury, Has only been brought down to the beginning of the century; But still, in matters rhythmical, poetical and etiquette, I am the very model of a modern poet laureate.
0
Jul 26, 2021
Jul 26, 2021 at 8:15 AM UTC
I am the Very Model of a Modern Poet Laureate (Parody)
I am the very model of a modern poet laureate, I've information rhythmical, poetical and lexical, I know the poets of our land and quote their plays historical, From Macbeth to Much Ado, in order categorical; I'm very well acquainted, too, with rhythm hendecasyllable, I understand assonance and refrain octosyllable, About pentameter theory I'm teeming with a lot o' news, With many cheerful facts about the style of poet Edward Hughes. I'm very good at couplets and at blank verse very fabulous; I know the seventy-one plays ascribed to Aeschylus: In short, in matters rhymical, poetical, and lexical, I am the very model of a modern poet laureate. I know our poem-history, Caedmon's Hymn to Chaucer's works; I can cite bards' acrostics with volatility in my vocal box, I quote in elegiacs all the crimes of Heliogabalus, In dialect ionic I can cite Semonides of Amorgos; I can tell undoubted Aratus from Aristeus and Sophocles, I know the croaking chorus from The Frogs of Aristophanes! Then I can hum a fugue of which I've heard the music's din afore, And whistle all the airs from that infernal nonsense Pinafore. Then I can write a decasyllable as a dactyl or tetrameter, And tell you ev'ry detail of soliloquies in Shakespeare: In short, in matters rhythmical, poetical, to elloquate, I am the very model of a modern poet laureate. In fact, when I know what is meant by a "septet" and a "sestet", When I can tell at sight a literary from a prose effect, When such affairs as odic and idyllic I'm more wary at, And when I know precisely 'to be or not to be' by Danish "Hamlet". When I have learnt what progress has been made in modern rhymery, When I know more iambic than a novice in a nunnery In short, when I'm audacious, vexatious and dilatory You'll say a poet laureate has ne'er been so conciliatory. For my alliteration knowledge, though I'm plucky and adventury, Has only been brought down to the beginning of the century; But still, in matters rhythmical, poetical and etiquette, I am the very model of a modern poet laureate.
Continue reading...
36