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"composers" poems
You laugh Angels weep out of jealousy Devils have no single conspiracy Demons dancing in harmony Men hearts go broken with no remedy Women eyes tearing continuously Violins break out of envy terribly Composers have no more creativity Music plays with no melody Silence starts listening joyfully Happiness laughters left in agony Beautiful words describe nothing but misery Tulip flowers become colorless shamefully Believers lose their faith immediately Infidels drop their convictions instantly Hearts start beating rapidly Lungs oxygenating quickly Living ones laying listening carefully The dead come back miraculously --Hisham Alshaikh
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Jul 13, 2018
Jul 13, 2018 at 10:24 AM UTC
You Laugh
I can remember starving in a small room in a strange city shades pulled down, listening to classical music I was young I was so young it hurt like a knife inside because there was no alternative except to hide as long as possible-- not in self-pity but with dismay at my limited chance: trying to connect. the old composers -- Mozart, Bach, Beethoven, Brahms were the only ones who spoke to me and they were dead. finally, starved and beaten, I had to go into the streets to be interviewed for low-paying and monotonous jobs by strange men behind desks men without eyes men without faces who would take away my hours break them **** on them. now I work for the editors the readers the critics but still hang around and drink with Mozart, Bach, Brahms and the Bee some buddies some men sometimes all we need to be able to continue alone are the dead rattling the walls that close us in.
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11.2k
Friends Within The Darkness
~the heart of (the) matter~ ~~~~~~ an essential phrase, that concentrates the instincts not to sway away,    be focused on, by the always present algorithm of the essences but my version preferred is that "the heart of matter" with skill and effort, one can learn, to shoot arrows honed to be near an-almost-bullseye every time but to understand that the heart is matter, the mother of our body parts, the little engine that could, can and does, and asks only refresh it with fresh blue blood, every second (not to much to ask for) what are/is the sinews of the heart? what are its secreted corpuscular (1) composed of? why words, you silly! each beat, a letter,       the heart doth register its creativity incessant, never ceasing to rest for composition is its goal, to sing to write, to weep from pleasured thoughts and deepest fright, and you say you need inspiration? then listen to your writing vibrations that from thy center emanate, you who toil laboriously when all that matters is the matter, the wonderful matter of who when where and why that chatterbox in your body never ever pauses ***and that is why in the matter of god, have no doubts only a god could have conceived of a world of billions of composers where each one of us matters***… 5:19am Wed Sep 10
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Sep 12, 2025
Sep 12, 2025 at 5:59 AM UTC
the heart of matter
Take me to Vienna where the music walks. Where the buildings invite you to sit, And accompany them for a cup of melange. Where the many palace gardens have jovial pique-niques, With their bikes resting by the trees. Take me to Vienna where life ebbs out Where the past lives on, And composers wave out the windows. Take me to Klimt's golden city, The city where even the grey Donau is welcoming. Take me to Vienna and don't take me back.
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Aug 20, 2018
Aug 20, 2018 at 3:05 AM UTC
Take Me to Vienna
She wears t-shirts of the Beatles And she loves the Rolling Stones She wakes up to David Bowie And she dreams of the Ramones She goes out to dance clubs nightly Till her ear drums both get blown But, she has a deep dark secret That her friends will never know At night when she is by herself When the room is nice and dark She slips beneath the covers With Johann Sebastian Bach She's a closet classic ****** And her name is Amber Clark She just loves orchestral music The rock and roll is just a lark Her friends think something classical Is something for your folks They cannot play an instrument They cannot read the notes They think that  chamber music is What people play on boats But she has a deep dark secret She loves the stuff that Chopin wrote At night when she is by herself And her friends have gotten ****** She slips beneath the covers And she listens to some Liszt She listens to it many times In case there's things she's missed She's a closet classic ****** She has "Baroque" upon her wrist She listens to the music That her friends like to be cool If she told them what she listens to They'd laugh her out of school So, when they go out  clubbing She will join them as a rule But...ah that deep dark secret This girl is no ones fool She listens to Beethoven And she knows each piece by heart She knows where one bar ends And another one will start She can play most every instrument And she knows most every part She's a classic closet ****** But she still knows Boyce and Hart She has cds in her library And most sit there untouched When her friends are gone they don't get played She doesn't like them much She would rather hear a symphony By a composter who was Dutch But there's that deep dark secret And she won't use it a crutch At night when she is warm in bed She listens to Mozart She needs a little Nacht Musique To open up her heart It's a piece that sets her mind a blaze It hits her like a dart She's a closet classic ****** And she keeps her worlds apart By day she sings Bruce Springsteen At night she listens to Composers that her friends don't know They're so old they're new So she keeps her world a secret For she knows what they would do If they found she didn't know Where were you in sixty two But at night she is a ****** And she listens to Mozart She needs that piece of music To shoot an arrow through her heart Eine Kleine Nachmusic She conducts every part She's our Closet Classic ****** shhh.....the song's about to start...
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May 4, 2012
May 4, 2012 at 11:35 AM UTC
Closet Classic ****** - (The Street - poem 4)
She wears t-shirts of the Beatles And she loves the Rolling Stones She wakes up to David Bowie And she dreams of the Ramones She goes out to dance clubs nightly Till her ear drums both get blown But, she has a deep dark secret That her friends will never know At night when she is by herself When the room is nice and dark She slips beneath the covers With Johann Sebastian Bach She's a closet classic ****** And her name is Amber Clark She just loves orchestral music The rock and roll is just a lark Her friends think something classical Is something for your folks They cannot play an instrument They cannot read the notes They think that  chamber music is What people play on boats But she has a deep dark secret She loves the stuff that Chopin wrote At night when she is by herself And her friends have gotten ****** She slips beneath the covers And she listens to some Liszt She listens to it many times In case there's things she's missed She's a closet classic ****** She has "Baroque" upon her wrist She listens to the music That her friends like to be cool If she told them what she listens to They'd laugh her out of school So, when they go out  clubbing She will join them as a rule But...ah that deep dark secret This girl is no ones fool She listens to Beethoven And she knows each piece by heart She knows where one bar ends And another one will start She can play most every instrument And she knows most every part She's a classic closet ****** But she still knows Boyce and Hart She has cds in her library And most sit there untouched When her friends are gone they don't get played She doesn't like them much She would rather hear a symphony By a composter who was Dutch But there's that deep dark secret And she won't use it a crutch At night when she is warm in bed She listens to Mozart She needs a little Nacht Musique To open up her heart It's a piece that sets her mind a blaze It hits her like a dart She's a closet classic ****** And she keeps her worlds apart By day she sings Bruce Springsteen At night she listens to Composers that her friends don't know They're so old they're new So she keeps her world a secret For she knows what they would do If they found she didn't know Where were you in sixty two But at night she is a ****** And she listens to Mozart She needs that piece of music To shoot an arrow through her heart Eine Kleine Nachmusic She conducts every part She's our Closet Classic ****** shhh.....the song's about to start...
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80
tonight I will bleed out the defintion between us tonight I will leak like the ocean in between every grain of sand tonight I will break my body in all the pieces tommorow I will leave you tommorow I will make every vertabra in your back shake tommorow I will sweep you into my mind and drench you out thinking about my sleepless night yesterday I held you yesterday I blushed when you came to kiss my cheek yesterday I listened to your heart sing under your skin yesterday I felt you in my stomach yesterday you were my favorite song played by the ancestors of all the greatest composers yesterday you were the art of my life and the cleanliness in my heart yesterday I invisioned a picture of you and me and a small soul between us, a painted mixture of you and I yesterday you were the bone in my fingers that helped me write soft things now your the rapture in my heart and the fire burning my wings
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Aug 7, 2011
Aug 7, 2011 at 9:04 PM UTC
lover
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase. For truly, just as the genuine Epicure lingers lovingly over a morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also - I NEVER loved a dear Gazelle - NOR ANYTHING THAT COST ME MUCH: HIGH PRICES PROFIT THOSE WHO SELL, BUT WHY SHOULD I BE FOND OF SUCH? To glad me with his soft black eye MY SON COMES TROTTING HOME FROM SCHOOL; HE'S HAD A FIGHT BUT CAN'T TELL WHY - HE ALWAYS WAS A LITTLE FOOL! But, when he came to know me well, HE KICKED ME OUT, HER TESTY SIRE: AND WHEN I STAINED MY HAIR, THAT BELLE MIGHT NOTE THE CHANGE, AND THUS ADMIRE And love me, it was sure to dye A MUDDY GREEN OR STARING BLUE: WHILST ONE MIGHT TRACE, WITH HALF AN EYE, THE STILL TRIUMPHANT CARROT THROUGH.
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Tema con Variazioni
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase. For truly, just as the genuine Epicure lingers lovingly over a morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also - I NEVER loved a dear Gazelle - NOR ANYTHING THAT COST ME MUCH: HIGH PRICES PROFIT THOSE WHO SELL, BUT WHY SHOULD I BE FOND OF SUCH? To glad me with his soft black eye MY SON COMES TROTTING HOME FROM SCHOOL; HE'S HAD A FIGHT BUT CAN'T TELL WHY - HE ALWAYS WAS A LITTLE FOOL! But, when he came to know me well, HE KICKED ME OUT, HER TESTY SIRE: AND WHEN I STAINED MY HAIR, THAT BELLE MIGHT NOTE THE CHANGE, AND THUS ADMIRE And love me, it was sure to dye A MUDDY GREEN OR STARING BLUE: WHILST ONE MIGHT TRACE, WITH HALF AN EYE, THE STILL TRIUMPHANT CARROT THROUGH.
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19
We are musical notes Drifting as waves through the air. Each of us has a unique rhythm, A different beat. We are nothing more than melodies, Penetrating the ears of those we love. And your melody is beautiful. It moves me across the floor As I dance, Spinning and pirouetting through voids of happiness. Your breath is the voice of a bluebird, Your heart the gentle beating of the drums, Your ribs the strings of a guitar And your eyes wilful composers. You are the song I can't stop singing.
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Jun 3, 2015
Jun 3, 2015 at 10:23 AM UTC
Melodies
Rainy summer day, storming actually The kind of day that made you want to crawl under the covers and forget yourself drift off to sleep Still despite the navy skies It was still summer summer means peaches big ones, bursting, dripping honey nectar and sunshine so we make a peach pie cinammon and sugar sticking to our fingers like slow molasses underscored by the constant drip, slip, flooding arranging produce like composers and we waited we waited for the pie to bake we waited for the crust to crisp, for the sugars to melt, for the peaches to ripen, to brown and butter we waited for the rain to stop we waited for sunshine, for dry shoes, for beach days, powerlines we waited for hours we waited for months we waited eighteen years we sat, and we stood, and we waited. We sat in front of the oven eyes pressed against the window we waited watched the sugars bubble, the scented cloves we were two years old and one hundred at the same time we waited for the kind of lives that we saw in movies the kinds of dreams you wanted so bad it hurt we waited with stomachs churning wasting our youth, one rainy afternoon at a time waiting for life to begin Rainy summer day, storming actually The kind of day that made you want to crawl under the covers and forget yourself forget about the peaches forget about summer, about friends, about anyone and anything drift off to sleep
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Jul 13, 2013
Jul 13, 2013 at 9:28 PM UTC
Rain Peaches
Flesh on flesh. Eyes watch eyes Following fingers round curvatures. Caressing skin. Skin on skin. Flesh in flesh. A gin-sung-dream – Silent utterances from the dark-side of a candlestick. An unsung overture to Nature’s greatest gift And Nature’s perfect curse. Lips pursed open, speechless. Breathless. Wide-white eyes scream STOP. blink. GO ON. Glances flash between the flickers of candlelight , Meeting unknown looks in the black. Bodies Embrace, writing words that have their own Music. Heard only by its two composers. Everywhere the other wishes to be – Vivacity. Revelling in promiscuity. Obscurity. Strangers share a warmth As old as the ages. A wafer-thin knife-edge of meaning. Gin-song dreaming. An opaque tonic For loneliness. Hands in hands, heart fleeting. The perfect curse of Man In the stroking of skin. Later, a vague sound of water, a towel A drawer closing – a door latch clicks. The world floods back. Through the curtains, Through the drainpipes Your fleeting heart sheepishly returns, Aching like a hangover. Too much gin. The momentary tonic wears off. Heart in hand, Hand to head. Candlelit premonitions return. Heated flesh. Arching backs. Fingers through hair… Salty fingers through oily hair and Blood-red-wine lipstick smudges and A singeing waxy smell makes you reel To the window for air. And there you are again, In the middle of a city that knows you More than your Alcoholic Lover, A Melancholic Mother to all your needs, Except the one you tried to soothe A few hours back. The one you pine for. The one you lack. Oh, this Humdrum City Rushing you, with your heart in your hand, off your feet. And your heart in the street And the gin in your glass Whenever you meet Whoever it is that might Make you complete… A vague sound of water, a towel, A candle extinguished, a door hinge creeks. Wafer-thin. Flesh on flesh. A belt buckle rings, a zip A drawer closing, a door latch clicks. The door latch clicks. The door latch clicks.
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Mar 5, 2013
Mar 5, 2013 at 2:25 PM UTC
Flesh On Flesh
Flesh on flesh. Eyes watch eyes Following fingers round curvatures. Caressing skin. Skin on skin. Flesh in flesh. A gin-sung-dream – Silent utterances from the dark-side of a candlestick. An unsung overture to Nature’s greatest gift And Nature’s perfect curse. Lips pursed open, speechless. Breathless. Wide-white eyes scream STOP. blink. GO ON. Glances flash between the flickers of candlelight , Meeting unknown looks in the black. Bodies Embrace, writing words that have their own Music. Heard only by its two composers. Everywhere the other wishes to be – Vivacity. Revelling in promiscuity. Obscurity. Strangers share a warmth As old as the ages. A wafer-thin knife-edge of meaning. Gin-song dreaming. An opaque tonic For loneliness. Hands in hands, heart fleeting. The perfect curse of Man In the stroking of skin. Later, a vague sound of water, a towel A drawer closing – a door latch clicks. The world floods back. Through the curtains, Through the drainpipes Your fleeting heart sheepishly returns, Aching like a hangover. Too much gin. The momentary tonic wears off. Heart in hand, Hand to head. Candlelit premonitions return. Heated flesh. Arching backs. Fingers through hair… Salty fingers through oily hair and Blood-red-wine lipstick smudges and A singeing waxy smell makes you reel To the window for air. And there you are again, In the middle of a city that knows you More than your Alcoholic Lover, A Melancholic Mother to all your needs, Except the one you tried to soothe A few hours back. The one you pine for. The one you lack. Oh, this Humdrum City Rushing you, with your heart in your hand, off your feet. And your heart in the street And the gin in your glass Whenever you meet Whoever it is that might Make you complete… A vague sound of water, a towel, A candle extinguished, a door hinge creeks. Wafer-thin. Flesh on flesh. A belt buckle rings, a zip A drawer closing, a door latch clicks. The door latch clicks. The door latch clicks.
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63
*i've become as lazy as composers when writing titles, example of tautology is as lazy as beethoven's ninth symphony... yeah, grand... but what a dull title!* so i was reading this article about bim adewunmi about the singer laura mvula... and you know how it goes... leftist liberals tend to write tautological spaghetti, likened to bim's example: 'short-haired, dark-skinned black girl', bim, we get it... could have said rancid cinnamon for all i care... tautology is a logic of adding more salt than the salt required so it doesn't taste too salty when it does... i could also proof-read other journalists... restaurant critics are the best laughs, esp. when reshuffled like a ****** cabinet of the labour party to the opinion columns... then it's not called opinions section but table talk... a bit like saying: do i woo the sea back into this oyster before i gulp-down-the-hatch-it? well what do you expect, free democracy and subsequently free journalism has a judas kiss / brutus stab at everything, why not laugh at it as a useless get up in the morning read a newspaper be pulverised by stories from kingdoms far far away and opinions of people who'd send ******** dubbed soldiers off to the slaughter fields of Flanders so they can keep erectile egos ready for a salary readied... journalists always divert the heat & fire to the politicians... while journalists get away with satirising themselves, and i dare say, they are the clumsiest satirists of themselves, the most wonky ready to dismantle itself noumenons in existence. - journalist: huh? - the public - (elvis') aha uh um (frolicking without the stiff upper lip).
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Feb 14, 2016
Feb 14, 2016 at 7:50 AM UTC
example of tautology
*i've become as lazy as composers when writing titles, example of tautology is as lazy as beethoven's ninth symphony... yeah, grand... but what a dull title!* so i was reading this article about bim adewunmi about the singer laura mvula... and you know how it goes... leftist liberals tend to write tautological spaghetti, likened to bim's example: 'short-haired, dark-skinned black girl', bim, we get it... could have said rancid cinnamon for all i care... tautology is a logic of adding more salt than the salt required so it doesn't taste too salty when it does... i could also proof-read other journalists... restaurant critics are the best laughs, esp. when reshuffled like a ****** cabinet of the labour party to the opinion columns... then it's not called opinions section but table talk... a bit like saying: do i woo the sea back into this oyster before i gulp-down-the-hatch-it? well what do you expect, free democracy and subsequently free journalism has a judas kiss / brutus stab at everything, why not laugh at it as a useless get up in the morning read a newspaper be pulverised by stories from kingdoms far far away and opinions of people who'd send ******** dubbed soldiers off to the slaughter fields of Flanders so they can keep erectile egos ready for a salary readied... journalists always divert the heat & fire to the politicians... while journalists get away with satirising themselves, and i dare say, they are the clumsiest satirists of themselves, the most wonky ready to dismantle itself noumenons in existence. - journalist: huh? - the public - (elvis') aha uh um (frolicking without the stiff upper lip).
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51
You owe me nothing but to breathe. To remember how I tore my heart in Two rendering a Blood Eagle to stretch its wings and Tickle our souls with its sticky feathers. When I think of us, I see us as we were. Other people than now. Memories framing themselves like a Fantastic painting the artist Stepped back to admire, then died. *Hang me. Hang me before i hang Myself.* Dramatically opposed to drama. Uninterested infatuation. Broke billionaire. Mortal gods shaking divine hands With decomposing composers, Thanking them for the silence. We were lovers and enemies, and I'd still give my life and afterlife to See you worship another as if I Never left a fingerprint on this Planet; resting as safely in arms that Love you unendingly, As we all lie sleeping; dreaming In our own, stronger arms,   Forgetting that even our loving Is imaginary. Death is awakening. Rubbing the Eyes of our souls and yawning, We look up and smile at that which All of this is a bleak and fleeting Shadow of. Plato knew. When I wish to die, I do too. This love is not Love. It's all mud and air. You owe me nothing but to breathe.
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Oct 20, 2016
Oct 20, 2016 at 1:25 PM UTC
Plato Knew. (This Love is not Love. (Mud and Air.)).
washing on the shores, the rustling winds in the palms, the caws of birds and scuttling of ***** the silence in the mornings, and the quiet in the night echoing, soothing, playing, evolving the sounds of the ocean sound like some ancient composers song there is life in this music human life, animal life, plant life, sea life, life of the air, life of the earth, life of the tiny and life of the big we feel it more than we hear it and we smile the bass hum of the trees the melody of the seagulls the harmony of the wind the crescendos of the waves it is the song of the sea the music of the ocean the soundtrack of life I feel my muscles unclench and relax
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Apr 3, 2011
Apr 3, 2011 at 5:49 AM UTC
healing
Poets, composers and writers we are Looking to convey happiness and perhaps scars From hope to love and death and sorrow Expressive lines filled with feelings of tomorrow Some may be long And others short Some may even contain our deepest thoughts Therapeutic and knowledgeable And some worrying too Our verses can also uplift the most saddest of moods Inspired words as well as our own notes Sometimes with or without double quotes Eagerly penning our lives away Sometimes to feel and sometimes to keep those monsters at bay Exhilarating, freedom, the release of pressure Making us feel new or sometimes fresher Love for words and thoughts equally Some of us are novices and others literarys  Imaginative and creative is what we are Aiming to reach the faintest of stars Lyrical, rhythmic and sometimes wordy Our heartbeats race as we become sturdy Promoting our poems through lists and sites Making good friends with critics who help us to seek new heights Poets, composers and writers we are appreciating others for their talent by far!
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Mar 3, 2012
Mar 3, 2012 at 5:06 PM UTC
Who we are
In the morning before the day gets too distracting your piano’s at its very best.   Say Hello! to it with a scale or two. Nothing quite like the harmonic minor (in contrary motion – 3 octaves please) to get its hammers hammering, the pedals pedalling, and those black and white keys to skip under your fingers.   Bach today or shall it be Brahms? Gershwin maybe, or just a little Grieg? No matter what, they’re all your friends. Nice people composers, no trouble to anyone. All they do all day is sit in their studios and dream about music. Sometimes they write it down, ​carefully, measuring every note and rhythm ​for your piano to play before the day gets too distracting.
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Sep 9, 2012
Sep 9, 2012 at 2:07 AM UTC
Playing the Piano before Breakfast
Autumnal joy floats on the wind: it blows A woodwind section through the buzzing leaves, And gently rattles red arpeggios That harmonise with mournful semibreves Of ageing branches creaking in the breeze. The forest spirits collectively moan. Without the crunch of thund’rous symphonies The rain can ****** on a xylophone: The surface of a hidden woodland pond Where all the stepping stones are so arranged As keys of limestone next to keys of slate. And all around the silence is estranged And till the snow of winter has to wait. We wave our sticks at where the air has thinned And call ourselves composers of the wind.
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Apr 24, 2013
Apr 24, 2013 at 3:58 PM UTC
Autumnal Sonata
There are times when writings is useless. When the similes go on for too long like when the ocean merges with the sky and your eyes cannot the define the boundary between each crystalline blue and it is almost sublime because there is no end or no beginning and that is what I think of you. Infinite There are times when art is not enough. Like those times I cannot make the right mixture of the hue of that lovely tint in your eyes and, of course, not matter how many times I trace you in the canvas those lips like rose petals will never move and say "Me too." There are times when music is lacking. How you remind me of a melody each and every single time I see you and despite trying to trap the melody in these useless music sheets nothing comes but a few missing music notes that birds and composers have not and will not fathom. But if I could write you down in paper, I'd let the words scramble away once more because the free verse of your world intrigues me further more than finite verses on washed out paper. If I could paint your essence, Life would be a monochrome film,no more technicolour, no more blushing cheeks. I like you much more in this everlasting landscape where you can dye the world a million colours and still search forevermore If I could play you in to melody, The poor birds would be envious and the world would be a quiet place without composers able to eclipse that lovely song of yours. And yet, I love this cacophonous world in which everyone is deaf to you but I who can discern such a faint, dainty tune. There are those times, you know? When I know I'm not good enough but if I could, I still would not.
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Dec 17, 2014
Dec 17, 2014 at 12:24 AM UTC
If I could
There are times when writings is useless. When the similes go on for too long like when the ocean merges with the sky and your eyes cannot the define the boundary between each crystalline blue and it is almost sublime because there is no end or no beginning and that is what I think of you. Infinite There are times when art is not enough. Like those times I cannot make the right mixture of the hue of that lovely tint in your eyes and, of course, not matter how many times I trace you in the canvas those lips like rose petals will never move and say "Me too." There are times when music is lacking. How you remind me of a melody each and every single time I see you and despite trying to trap the melody in these useless music sheets nothing comes but a few missing music notes that birds and composers have not and will not fathom. But if I could write you down in paper, I'd let the words scramble away once more because the free verse of your world intrigues me further more than finite verses on washed out paper. If I could paint your essence, Life would be a monochrome film,no more technicolour, no more blushing cheeks. I like you much more in this everlasting landscape where you can dye the world a million colours and still search forevermore If I could play you in to melody, The poor birds would be envious and the world would be a quiet place without composers able to eclipse that lovely song of yours. And yet, I love this cacophonous world in which everyone is deaf to you but I who can discern such a faint, dainty tune. There are those times, you know? When I know I'm not good enough but if I could, I still would not.
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14
This Boyhood’s End was mine too, but through its music’s dance, not just Hudson’s farewell to a natural world of exotic flowers and flocks of birds on the great plains of the pampas. In Tippett’s suite of songs I first found that ecstasy of word-rhythm wedded to melodic contour held in place by a singer’s voice, and a pianist’s touch of harmony grafted from a play of parts. Sitting on my bedroom floor ear close to the gramophone, thirteen and already enamored, I listened over and again to this cantata that has for so long held the key to the very door of music . . . Music may be a notion like ‘God’ or ‘love’. Everyone identifies with it, but it is composers who live to fathom its depths and sound out its mystery.
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Dec 4, 2013
Dec 4, 2013 at 3:11 PM UTC
Boyhood's End
We did really well this time. It was the longest we'd gone without one of us messing it up— I was proud. But now I've decided these record-breaking few months should really be the nice note that we end on. Cause both of us are performers, not composers, and we can play the parts just fine, but as soon as the background music falters and it's our turn to take charge, and use the opportunity to shine, we falter, too, and back out of the spotlight that's begging us to take a chance. So it's the last time that I'm running backstage. I'm seizing this chance to conduct for once, and I'm getting the feeling you're just waiting for the song to end too. ................................................................................... Don't worry. The decrescendo will be as fast as possible.
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Nov 1, 2013
Nov 1, 2013 at 11:18 AM UTC
In a Decrescendo
TIME has so much power and say on our day to day. It tells us if we are early or late. If we should be hired or fired. Determines if we're morally correct or socially incorrect. Our definition of TIME is far from perfect. TIME is a song that has your radio station infected. Can't change the station, can't escape it. "Ugh! I hate this song!!!" singing along We are the dysfunctional orchestra, the composers of this catchy tune. Composed by the abused watches we wear, the guilty murderer clocks we hang on our walls and by our notorious digital clocks in our phones. Our favorite dance partner is 'Father Time'. Dancing to the ticking and tocking. Grooving at the speed of gears turning. Steady rhythm; never speeding or slowing. TIME does not exist, TIME keeping does. Oh silly humans...... measuring something that does NOT exist.
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Jul 1, 2016
Jul 1, 2016 at 10:53 PM UTC
What is time?
I remember the day when love you'd say Embrace me and take me to the place where we'd both engage... In love filling the dull and pale page Inspiring the knowledge of an ancient omniscient sage I remember the scent that showered my senses I remember the nuzzle and the puzzling glare When you'd stare wondering if I would stay and from this buzz magic we shared And laying you on my lap studying your soul's map Searching for the destination of your heart healing the wounds along the way where the wolves marked Will I ever succeed mending a broken heart? I wondered. So many pieces didn't seem to fit How do you survive going about as a wreck? I guess you go on for there is ever someone next Oh! Only leaving you more lonely Your heart crying: "Somebody hold me, Burn the sour of my throat that chokes me" And honesty and loyalty you know no more Only a cognitive matrix that has you feel like ***** You lost the battles but won the war You are the monster of your love sore The pieces leave wounds unrepairable and inspires a behaviour unbearable Leaving you in dramatic peril But love you still have Settling you know not, always quick to dance but so many malevolent composers are there Can you please them all? Will they sit beside you on your bed after *** or leave and close the door? A sham a shame, who to blame?! Once red, now a black broken rose squandering pink minnows Sweet cheerio! And money band Heart of gold and hands of sand Will you ever find form? Will you ever heal from the storm? I hope the poetry of the moments keeps you warm.
0
Apr 16, 2013
Apr 16, 2013 at 5:49 AM UTC
Broken Rose
I remember the day when love you'd say Embrace me and take me to the place where we'd both engage... In love filling the dull and pale page Inspiring the knowledge of an ancient omniscient sage I remember the scent that showered my senses I remember the nuzzle and the puzzling glare When you'd stare wondering if I would stay and from this buzz magic we shared And laying you on my lap studying your soul's map Searching for the destination of your heart healing the wounds along the way where the wolves marked Will I ever succeed mending a broken heart? I wondered. So many pieces didn't seem to fit How do you survive going about as a wreck? I guess you go on for there is ever someone next Oh! Only leaving you more lonely Your heart crying: "Somebody hold me, Burn the sour of my throat that chokes me" And honesty and loyalty you know no more Only a cognitive matrix that has you feel like ***** You lost the battles but won the war You are the monster of your love sore The pieces leave wounds unrepairable and inspires a behaviour unbearable Leaving you in dramatic peril But love you still have Settling you know not, always quick to dance but so many malevolent composers are there Can you please them all? Will they sit beside you on your bed after *** or leave and close the door? A sham a shame, who to blame?! Once red, now a black broken rose squandering pink minnows Sweet cheerio! And money band Heart of gold and hands of sand Will you ever find form? Will you ever heal from the storm? I hope the poetry of the moments keeps you warm.
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i close my eyes my favorite classical slowly fades out my eyelids move violently i picture myself rocking back and forth   hands folded as I secretly listen to the music my hands move with the sound of the violin my feet move with the sound of the piano and my heart soars with the composers i try to open my eyes i'm not rocking my hands are still folded, tightly, stiff it seems now my heart is still underground
0
Oct 11, 2013
Oct 11, 2013 at 5:46 PM UTC
death
I remember that when I was young A bunch of Insects taught me All I Need, The Walrus showed me my Imagination, And a couple Stones gave me Satisfaction. Three Idiots Held My Heart Like a Grenade, And Thnks go to a cartoon for giving a band its name. My good friend Jimi led me through the Haze, And the words of a Pie dropped me into a maze. Old Blue Eyes was with Apollo when it Flew to the Moon, And the Cops sang of a set of colored Eyes too. Now, lets not forget those old composers, And the Sweet Children who filled our Guns with Roses. The King of Rock said Only Fools Rush In, The Queen said Champions Fight ‘Til The End The Prince played his guitar like a god, And the Jester’s voice was a little odd. Those surfer Boys sang about Vibrations, While the Lizard King expressed his Fiery intentions. Mr. White was always there to set the mood, And Mr. Brown explained how to Feel Good. Ms. Franklin taught me how to spell, Mrs. Robinson got me out of hell, Ms. Perry’s figure was like a Dream, And Mrs. Ross still reins Supreme. One blind man sang of his home in Georgia, And another was Superstitious. A guy named Ozzy served as my conductor As I looked out at the Smoke on the Water. Michael danced like no one else, And Kurt rebelled against life itself. Cocker left the stage with nothing left to give, And it was music that taught me how to live.
0
Oct 17, 2011
Oct 17, 2011 at 3:14 PM UTC
Music