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"clientele" poems
"Honestly? I'd just cover that up", he says Orion's not moving. Stars don't move. They may die, they may dim, they may traverse galaxies Change position in the night sky with the seasons Give me one. good. reason. To cover up my compass home, The one good thing, the one beautiful thing, On this scarred and wretched body? "We'll put Orion somewhere else, start over" You're not my mother, ripping out a new piercing Locking the door on a daughter and her father Drinking and dating and thinking "start over" My skin is just my skin, the moles and ink And decisions are mine to live in How dare you claim yourself an artist, yet break down your clientele, your canvas So Orion's not the problem, sir It's a debauched attitude toward station When I follow the stars tonight, I will tell them Needles have no consideration
0
Aug 5, 2014
Aug 5, 2014 at 4:13 AM UTC
Everett Tattoo Emporium
We pass laws about things we don't like. Or don't want in our community. But when you look through the microscope you amazed by those you see within the lenses. Oh, we protest the strip clubs and that environment. But pay attention to the visitors or clientele. Always seems to be someone we know so well. The businessman. The police officer. The minister. Hosts of others You know, those important fellas Especially , a few elected ones. The same ones supporting the bans on things. People, even protest Walmart cause of the small family's store facing competition. Oh, forget about the jobs for those unemployed. Forget about customers to get a slow economy back on the path of recovery. We, don't want the street walker disturbing visitors going to the store too. After all, they have secrets to create several havocs to a happy home. Again, when you look through the microscope or witness the news. You shocked by their clients too! Same, with the dealers of drugs. Who? When arrested we amazed that his clients might be teachers/ministers/politicians/judges/famers and the hard earn worker. Looking through the microscope reveals the sinners controlling us.
0
Jul 24, 2016
Jul 24, 2016 at 9:06 PM UTC
Through The Microscope
On old mainstreet, sits an old café, Where home-town-grown musicians play. Sometimes they like to change its name, But the clientele stay just the same. When times are tough down in the town, You know you can’t get the Black Dog down. Rednecks and faux-necks and used-to-be-loggers, Crafters and rafters, and activist bloggers, And poets and hippies and mystics and fools, And outcasts from the secondary schools, And gypsies too: you’ll find them here, Drowning in local, hand-crafted beer. At night, locals sip organic tea, And turn up the menagerie Of lights and mics from another age, Pieced together to make a stage. And there, the guitarists waste their breath Beating the Same. Four. Chords. To. Death. There are some new lyrics, there and here, But all of them memories of yester-year: A year spent in the same **** space, With others who’ve never left this place. They sing of their dear loves and pasts, And how much longer the wandering lasts. And on they wail, and on they moan, And twang the antique, rustic tone, But their faces show they like it here, This breaking haunt of yester-year, And after the set, they carouse with cheer, And smile contentedly to their beer. On old mainstreet sits an old café, Where home-town-grown musicians play. Sometimes they like to change its name, But the clientele stay just the same. When times are tough down in the town, You know you can’t get the Black Dog down.
0
Sep 13, 2012
Sep 13, 2012 at 3:17 AM UTC
Black Dog
Oh I do like to be in the countryside where the branches bash against the windows of the bus where the leaves on the boughs of the trees bow so low that I feel I have to duck. Where people know me almost better than I know myself I can gesture to my figure when Brigitte says "have you eaten?" and she will reply "but that means nothing." Where I can tell Tracy all about my life and she won't judge, will look at me with the same quiet smile, the same laughing acceptance as she ever has, since the day we met. Where Cindy and Cathy sit talking about the world and tell me of their troubles because they know I'll understand. Where the sea pounds gently in the distance whipping the wind sometimes into a frenzy and molding my hair into a salt-ridden sculpture on my head. I don't miss it when I'm in the city on the contrary, I love the beat of the sun on the concrete, the thrash of the trains in the distance, even the wheezing exhaust fumes feel like they fit somehow. But it's nice to be back sometimes where the trees still grow on the roadsides where the fields are green even in winter where the pubs are cozy and quiet like their clientele. I went back there today and I loved it like always I loved it as ever I love it still.
0
Jun 23, 2015
Jun 23, 2015 at 11:07 AM UTC
Countryside
People often say now I understand When they hear that I'm from Paree Not Gay Paree silly, but redneck In the heart of Tennessee I am the newest style of hairdressers Here to lay out all the facts I no longer work on the tops of heads But straight out of the pits It all happened when I got bored With the every day to day Trimming of the head left me feeling dead That's when it hit me..."Underarm Braid" That right there was my life saver That right there was my turn around If it didn't make me world famous At least it did on this side of town Now people come from as far as Nashville To have their underarms done I even gave a left and right pit Mohawk To the Governor's daughter and son What? Did you think I only braided? There's so much more that I can do Just ask the Punk Rock Chick's that wait in line To have their armpits colored blue My older clientele have let there hair grow out Since it is they learned I'm now specializing in for both women and men Their favorite sets and perms So feel the freedom of the pits That hippie chicks have long since known Here at Michael's Salon Of Pits We'll do something special with that growth
0
Sep 21, 2013
Sep 21, 2013 at 8:42 AM UTC
Michael's Salon Of Pits
It has often been said to expand But with the theory in being your plan Now you might have multi-talents and only concentrating on one Even though it is one that is not your finale in being done It is the fact, you were probably doing one talent, and then later discover you were also doing another talent and didn’t realize you had another talent Everyone has more than one craft It may seem unimportant to you, but think of yourself as value There is value in everything that we do with a purpose One must connect the talent with an opportunity Let’s say talent being an alphabetic letter, but when you add other alphabetic letters, the letters become a word The same principle applies to multi-talented as you add one skill and inquiring with more Think of multi-talented being numerous sentences So multi-talented have many avenues and offer many opportunities Think of it, you have acquired talents beyond measure The value being a treasure Expand your talent in being the show and tell Market your talent in being a sell Before you know it, you will have a clientele that will pass the word and continuing in your talent tell Opportunities that will be just swell.
0
Mar 10, 2017
Mar 10, 2017 at 3:26 PM UTC
MULTI-TALENTED: SIMPLY EXPAND
these faces on the wall that have no eyes, the young children with blood escaping from their hands as they pick up a mound of the Earth and throw at genuflected roses. these battered men in parks searching for light and my woman is no longer with me. it’s all vaudeville: this obnoxious working of continuance, these redundant flutings, these unprecedented fluctuations. opening the yellow gates to death as the automobile churns the last of its exhausted snarl. we are children peering through glass cases as death laughs at his hopeless clientele, sad, desolate progenies in working-classes, in parks, in factories, somewhere along Mendiola, or just treading the waist-high hellish froths of Dapitan, there’s always death in the nooks of the quiet and from where birds stir in sidereal circles, death with his hands resting on the cage, chases us back to our homes. death the changing of the gatekeeper. death the telling machine. death the dentist. death my next door neighbor. death, this boorish broken-winged Maya twitching in front of my dog’s shadow shot out of the Sun’s shameful recoil. death, my loud and loutish muse, death the truant, death, the copious fog somewhere in Kennon Rd. death, in my hands through darkness and light, death through troves of enigma, death through undisputed clearings, death the long line of red beads in EDSA, death the gates of Plaridel, it’s the moon following you, trailing your measure, i hold my woman’s used shirt, pick up her photographs and there’s no tender movement left but the still-seeking lion prowling the jungles of my heart, seared by lovelorn undoing. through the bottom of the sky and the unchanging roof-beam, the weathervane ceases to a sojourn and the wind is trapped in a place where we cannot utter any word between the gnashing of our teeth – through the wasted years, through the sleeping in and out of homes filled with beatings, to cathedrals swollen with tribulations, and to the vineyards wrung out of wine, my lover, walking through fire, sound silence.
0
Jan 2, 2016
Jan 2, 2016 at 9:20 PM UTC
Anthem
these faces on the wall that have no eyes, the young children with blood escaping from their hands as they pick up a mound of the Earth and throw at genuflected roses. these battered men in parks searching for light and my woman is no longer with me. it’s all vaudeville: this obnoxious working of continuance, these redundant flutings, these unprecedented fluctuations. opening the yellow gates to death as the automobile churns the last of its exhausted snarl. we are children peering through glass cases as death laughs at his hopeless clientele, sad, desolate progenies in working-classes, in parks, in factories, somewhere along Mendiola, or just treading the waist-high hellish froths of Dapitan, there’s always death in the nooks of the quiet and from where birds stir in sidereal circles, death with his hands resting on the cage, chases us back to our homes. death the changing of the gatekeeper. death the telling machine. death the dentist. death my next door neighbor. death, this boorish broken-winged Maya twitching in front of my dog’s shadow shot out of the Sun’s shameful recoil. death, my loud and loutish muse, death the truant, death, the copious fog somewhere in Kennon Rd. death, in my hands through darkness and light, death through troves of enigma, death through undisputed clearings, death the long line of red beads in EDSA, death the gates of Plaridel, it’s the moon following you, trailing your measure, i hold my woman’s used shirt, pick up her photographs and there’s no tender movement left but the still-seeking lion prowling the jungles of my heart, seared by lovelorn undoing. through the bottom of the sky and the unchanging roof-beam, the weathervane ceases to a sojourn and the wind is trapped in a place where we cannot utter any word between the gnashing of our teeth – through the wasted years, through the sleeping in and out of homes filled with beatings, to cathedrals swollen with tribulations, and to the vineyards wrung out of wine, my lover, walking through fire, sound silence.
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43
For those among us who lived by the rules, Lived frugal lives of pubis-scratching desperation; For those who sustained a zombie-like state for 30 or 40 years, For these few, our lucky few— We bequeath an interactive Life-Alert emergency dogtag, Or a dog, a colossal beast of a pet, A humongus Harlequin Dane dog to feed, For that matter, why not buy a few new cars before you die? Your home mortgage is dead and buried. We gave you senior-citizen rates for water, gas & electricity— “The Big 3,” as they are known in certain Gasoline Alley-retro Neighborhoods among us, Our parishes. Our boroughs. All this and more, had you lived small, Had you played by the rules for Smurfs & Serfs. We leave you the chance to treat your grandkids Like Santa’s A-List clientele, “Good ‘ol Grampa,” they’ll recollect fondly, “Sweet Grammy Strunzo,” they will sigh. What more could you want in retirement? You’ve enabled another generation of deadbeat grandparents, And now you’re next in line for the ice floe, To be taken away while still alive, Still hunched over and wheezing, On a midnight sleigh ride, Your son, pulling the proverbial Eskimo sled, Down to some random Arctic shore, Placing you gently on the ice floe. Your son; your boy-- A true chip off the igloo, so to speak.
0
Jun 1, 2014
Jun 1, 2014 at 10:22 AM UTC
“An Elegy on Prosperity & Death: Take 65”
capricious arabesque undulate clientele juxtaposition visceral illuminati illustrious canticle piecewise chantry tealeaves evensong quixotic
0
Oct 20, 2011
Oct 20, 2011 at 12:46 AM UTC
Words
__B__usy as much; busy as a bee serving sweet remarks to a Queen The hours are long, and we’re always swarming with activity __E__veryday business is always so sweet, and even given a pet named— the retirement package for it though, kind of stings __E__very colleague of mine seems to know what’s the buzz; and our clientele do carry a good scent- _something like flowers_ …just another day for the life of a bee
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Aug 17, 2024
Aug 17, 2024 at 4:05 AM UTC
Life in the day of a bee
There are so many dentists that the market's getting tight. One must differentiate to draw trade to one's site. Being new kid on the block especially was scary Until, in a flash of brilliance, he called his:"The Tooth Fairy" With gloves and masks and dental dams He served his clientele- leaving their other cavities to those who knew them well. His clientele were handsome and all exercised a bit. Some were macho, some were fey it mattered not a whit. What mattered were the smiles he saved, that gave him satisfaction, and he earned a decent living. from the fine are of extraction. So if you, too, seek success it pays to find your niche. Serve the Sado- masochists and make them all your b*tch.
0
Aug 20, 2013
Aug 20, 2013 at 6:50 PM UTC
The Tooth Fairy
with bodies relaxed, but eyes observant, they sell five dollar bags of ***** weedy poetry mixed clientele, there is no age or gender or ****** preference discrimination, certainly none requiring critical taste, in the buying and selling of ***** weedy poetry commercial savants, organized by topic, available for purchase love, depressing, rants and whines, discounts for pre-owned anti boyfriend rhymes in his day, they say, Whitman partook, ferried up from his Brooklyn nook, William Carlos Williams too, from New Jersey came, better to understand the most common patois they'll do custom stuff, the suppliers, mix and blend  all kinds of **** their database exponential, give them the requisite hashtags, and within it, in it, thirty minutes, no more, they'll requisition, providing an acquisition - you'll get your name-your-own-hash, Freedom to entitle your own ***** weedy poetry or you could grow you own on the window sill in the earth of your discarded despair
0
Jan 4, 2015
Jan 4, 2015 at 10:24 AM UTC
on quiet Manhattan street corners, in two's and three's
~ She draws water from the well, an old drink for new clientele. She "loves" living next to airports, big shiny airports, named after gruesome visionaries and drunk, womanizing actor sorts. She "loves" wearing a Chinese dress and sitting in a Chinese chair, posing for pictures she can never share. ~
0
Dec 14, 2023
Dec 14, 2023 at 2:51 PM UTC
Samaritan Woman
It rained all day that Tuesday When Link McCoo hit town. He checked into a rooming house And began to look around. He found the most run-down dive And pulled himself a chair. He took one look around to see Who else was drinking there. Nobody much noticed him Except for Esther Masterson, And she walked right over to him. She knew she’d found herself a good one. She asked him to buy her a drink And he shook his head slowly no. He said he wasn’t in the renting mood So she might just as well go. Esther like the way he looked That he wasn’t to be a pushover. She moved her chair next to him And slyly told him, “Move over.” She said, “I’m not a working girl I own this stink-hole of a place. So, being seen with the likes of me Is not some kind of a disgrace. That started them as something hot Flame hot enough to set fire. Nobody looking at the two of them Could miss the heat of that desire. Then, about a month later on, Johnny Wacklin came back to stay He and Esther were once a thing And he was here to have his way. But Esther had moved on by then And told Johnny right up front. Johnny paid no attention, said “It don’t matter what you want.” He grabbed her hand and dragged Nearly taking her off her feet. Link came in right about then Knocked Johnny into his seat. Link tucked Esther behind himself And he warned Johnny not to try Or he would be leaving there With no time to say goodbye. Johnny was always long on mean But pretty much short on bright. He figured he could whip Link In a short but brutal fight. So, they squared off and circled And scowled for a few feet. Link punched Johnny in the throat And knocked him back into his seat. Choking Johnny still attacked So link kicked him in the knee. He said “I don’t play slap and cry. I don’t fool with those who attack me.” Link and Esther have stayed there As two knitted into just the one. The bar has cleaned up clientele And is a place for having fun. Johnny Wacklin went away and Spent some time in a clinic. I can say he deserved what he got Without being branded a cynic.
0
Jun 12, 2015
Jun 12, 2015 at 1:08 AM UTC
NEW DAY IN A SMALL TOWN
It rained all day that Tuesday When Link McCoo hit town. He checked into a rooming house And began to look around. He found the most run-down dive And pulled himself a chair. He took one look around to see Who else was drinking there. Nobody much noticed him Except for Esther Masterson, And she walked right over to him. She knew she’d found herself a good one. She asked him to buy her a drink And he shook his head slowly no. He said he wasn’t in the renting mood So she might just as well go. Esther like the way he looked That he wasn’t to be a pushover. She moved her chair next to him And slyly told him, “Move over.” She said, “I’m not a working girl I own this stink-hole of a place. So, being seen with the likes of me Is not some kind of a disgrace. That started them as something hot Flame hot enough to set fire. Nobody looking at the two of them Could miss the heat of that desire. Then, about a month later on, Johnny Wacklin came back to stay He and Esther were once a thing And he was here to have his way. But Esther had moved on by then And told Johnny right up front. Johnny paid no attention, said “It don’t matter what you want.” He grabbed her hand and dragged Nearly taking her off her feet. Link came in right about then Knocked Johnny into his seat. Link tucked Esther behind himself And he warned Johnny not to try Or he would be leaving there With no time to say goodbye. Johnny was always long on mean But pretty much short on bright. He figured he could whip Link In a short but brutal fight. So, they squared off and circled And scowled for a few feet. Link punched Johnny in the throat And knocked him back into his seat. Choking Johnny still attacked So link kicked him in the knee. He said “I don’t play slap and cry. I don’t fool with those who attack me.” Link and Esther have stayed there As two knitted into just the one. The bar has cleaned up clientele And is a place for having fun. Johnny Wacklin went away and Spent some time in a clinic. I can say he deserved what he got Without being branded a cynic.
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64
You know, it's not bad I thought I would be messed up mentally but instead I'm succeeding - they call it reality I can't lie and say I don't long for the outdated admiration, insincere adulation from your clientele - embarrassed millionaires Wasting what's left of their fortunes to stash and squeeze While I was caring what you would think, they crafted a creation out of me I like to think about the curve of my words compared to the small of your back; the dot over i to the ones on your skin the lines crossing t's like those that run beneath your vision Were you any letter, you would take the form of a hook and a swoop in another direction; a question never ending That's always asking "Why?" I drink ***** as I write poetry Focus on my handwriting to keep myself from Wondering what you're doing or what you'd think of me Sipping my way out of my head, Jack Daniels for breakfast freedom from the distillery
0
Dec 16, 2011
Dec 16, 2011 at 1:06 PM UTC
That's That
Alkaline eyes As if pierced by some awl, As if hallowed by some blunt axe, As if to juxtapose Bee stung lips. Cabaret music, Dead souls, Dancing corpses. Ella Enchanted: Swinging, Swirling, Swaying, Swabbing Sick, Suffering, yet Sauntering; Sweaty Socage with Scummy Suede-heads, Stocking Satan’s Sweet Sibling. Swollen Skeleton, Skin Shunned and Shivering, Shadowed, her face; Shock-less eye Sockets Tired grow her limbs, Unction bottled in her heart. Unaware, her clientele, Zeal in their eyes.
0
Nov 2, 2011
Nov 2, 2011 at 10:14 PM UTC
The Dancer
She strode the stage in swathes of silk That swished in synchronicity To the drum beat, As in the heat Her voice oozed electricity. It coursed the room With her perfume In concert with those sultry tones, Deep in the groove, So velvet smooth Like chocolate o'er the microphone. All eyes were fixed Upon that mix Of swinging hips And painted lips, Her clientele a lust fuelled fire, All whetted mouths and dark desire. Yet in the midst of all those cheers, The wolf whistles and sexist jeers, She played her set of old school jazz With elegance and pure pizzazz.
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Sep 26, 2014
Sep 26, 2014 at 8:55 PM UTC
The Singer
I was twenty-four when I first started working at the bar and it was suppose to be a temporary gig. A way to put a couple bucks in my pocket while I searched for a "real job". I never could decide whether I choose the bar or the bar choose me but something about the place felt like home. A belief that would drive my ex up a wall and eventually out the door. She didn't understand my infatuation with the bar, my obsession with its clientele. I came to love its unique aroma of confused souls who wandered in, looking for the missing parts of their whole like they could find it at the bottom of a bottle. The liquor never lied unlike their boss who promised that raise, their spouse who promised to be faithful or the television who told them they weren't important. The ***** promised intoxication and she never failed to deliver on that promise. Maybe, thats why they kept coming. They were looking for the truth they couldn't find in people.
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Sep 25, 2013
Sep 25, 2013 at 10:30 AM UTC
The Liquor Never Lied
Am I healthy? Am I healthy. Am I healthy? What Kind of question Is that? Am I healthy? Am I healthy. Am I healthy? Enough To know whose eyes See mine as prey. I won't ask for much else In the way of health. Am I healthy? Am I healthy. Am I healthy? Enough to avoid death in the short term. ***** you have a problem with that? It's ten feet, maybe less, to the door -- Remember when I sent that request ? ***** you weren't invited inside. I decide the clientele. You're denied. I decide the clientele, for my health.
0
Mar 30, 2019
Mar 30, 2019 at 10:40 PM UTC
Health Is The Punchline
the empty theater! the actors "crowd upon the stage" but the writer has fled (afraid of the censors) the set designer is working on setting up a scene of mass slaughter and war replacing pixar imagry with real bodies as ordered  to by the WAR MACHINE people having *** with either *** indiscriminatingly and JUSTICE is for sale openly in the court rooms and the legislature the actors cannot play human beings because they have never been one or seen one the writers have fled sanity and the censors the theater is empty now only the graveyards have ""clientele" mother earth is dying only lovers like myself are feeling well
0
Jul 30, 2010
Jul 30, 2010 at 2:51 PM UTC
like as unto me
I've seen them come I've seen them go I've seen the needle Take another soul I've seen the vacuum I've seen the hole I've seen things I'd rather not know I've seen them beg I've seen them cry I've seen them lose I've seen them die I've seen broken mothers Wonder why I've seen it all Through tear-filled eyes I've seen the needle I've seen the cost I've seen it all Through thickened walls I've seen men when They take the fall Get up again Then do more I've seen them do Without a doubt I've seen them cut Their clientele Treat them worse Then they would a dog Send them to hell With Fentanyl I've seen them come I've seen them go I've seen them beg For another dose And when there's nothing Left to own I've seen them die All alone
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Nov 10, 2018
Nov 10, 2018 at 10:03 AM UTC
Somethings I Wish I'd Never Seen
our local hotel is a great gathering place it is a fine place for the boozers to congregate after a schooner or an eighteen gallon keg all of the patrons are smashed out of their heads many are unable to walk a straight line and some flake out on the foot path to sleep overnight the beers is made of the best hops and yeast that's why the drinkers partake of a goodly amount our local publican has happy hour on Friday nights and the customers gorge themselves with plenty of free ***** usually by half past ten all the drinkers are hanging over the bar they can hardly stand up after consuming so much ale it is always dry weather at a bush hotel that is why there is such a thirsty clientele the local watering hole has heaps of liquid amber on tap so if you are in or around our parts drop in and have a pint with us as we wouldn't want you to die for lack of refreshment
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Sep 18, 2013
Sep 18, 2013 at 8:38 AM UTC
Our Local Hotel
Primetime TV is asinine; Intellectual cyanide. Empty like a home in Palestine, And corrosive like an alkaline: It's the software for the poor. Subliminally shutting your doors Of perception, While they pump the town full of more -- More liquor stores And two cent ****** Deadbolted doors Adorned with gang graffiti Where the government ignores. So how can I sleep When all these kids never eat? And where's the sweeps For the bodies in the streets? They'll just pour more concrete Over our homes. Gentrified zones, Minorities in tow. High interest loans. Money's dried up, Foreclosure and drones Dropping tear gas on the protesters; Arresting anyone not in their homes Please tell me, how can I atone For the sins of a system That riddles the world with victims? This is the modern vista The ghetto is everywhere The aftermath of an affair Between the elite And their federal clientele. Predatory lending, Bailouts, drop outs, A culture without. Humanitarian drought. Where's the empathy? The love? The care and clemency? A solution for this endemic peasantry? Man, I wish I knew. I wish the numbers weren't true, And I wish the sunrise brought a nice view, Instead of billboards and condemned buildings, Abandoned homes, potholes, **** and trash: The ashes of a golden age long past.
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Apr 21, 2015
Apr 21, 2015 at 6:24 AM UTC
Ballad for the Poor
the empty theater! the actors "crowd upon the stage" but the writer has fled (afraid of the censors) the set designer is working on setting up a scene of mass slaughter and war replacing pixar imagry with real bodies as ordered  to by the WAR MACHINE people having *** with either *** indiscriminatingly and JUSTICE is for sale openly in the court rooms and the legislature the actors cannot play human beings because they have never been one or seen one the writers have fled sanity and the censors the theater is empty now only the graveyards have ""clientele" mother earth is dying only lovers like myself are feeling well
0
Jul 30, 2010
Jul 30, 2010 at 2:58 PM UTC
like i am