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"cityscapes" poems
Isn’t is strange how we notice things when it is too late? This is probably the last time that all of us will be in the car together. There will be no more midnight drives from hillside theatres. No more 2am dinner plans at kerbey lane. This is the first time that I have noticed that you twirl your hair when you drive. My eyes have shifted from cityscapes flying across backseat windows to watching you wrap your hair around your finger. It’s not slow and flirtatious, but quick and desparate, as if you're trying to distract yourself from the fact that we are growing up. It’s making me anxious, but I can’t look away. This is the first time that I noticed the change in our silence. We are driving down nearly empty highways, and we are leaving behind our time. We are no longer laughing, and this silence doesn’t feel like it usually does. For once, none of us have anything to say. Or maybe, we know that there is not enough time to say all of the things that we should and want to say. This is when I noticed how much I love driving down empty highways at midnight. Everything is slow, there is no rush, and, for once, there are no expectations of me. I am finally, truly noticing that there will never be enough time to tell you all that I love you, to hear you talk about science, to hear about your travels, to talk to you about your struggles, to drive, and laugh, and cry with you, to watch you twirl you hair. Now, we have grown up, and our distances will strain our years of friendships, and there will never be enough time with you.
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Jul 24, 2018
Jul 24, 2018 at 1:07 AM UTC
Notice
Isn’t is strange how we notice things when it is too late? This is probably the last time that all of us will be in the car together. There will be no more midnight drives from hillside theatres. No more 2am dinner plans at kerbey lane. This is the first time that I have noticed that you twirl your hair when you drive. My eyes have shifted from cityscapes flying across backseat windows to watching you wrap your hair around your finger. It’s not slow and flirtatious, but quick and desparate, as if you're trying to distract yourself from the fact that we are growing up. It’s making me anxious, but I can’t look away. This is the first time that I noticed the change in our silence. We are driving down nearly empty highways, and we are leaving behind our time. We are no longer laughing, and this silence doesn’t feel like it usually does. For once, none of us have anything to say. Or maybe, we know that there is not enough time to say all of the things that we should and want to say. This is when I noticed how much I love driving down empty highways at midnight. Everything is slow, there is no rush, and, for once, there are no expectations of me. I am finally, truly noticing that there will never be enough time to tell you all that I love you, to hear you talk about science, to hear about your travels, to talk to you about your struggles, to drive, and laugh, and cry with you, to watch you twirl you hair. Now, we have grown up, and our distances will strain our years of friendships, and there will never be enough time with you.
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14
Dread the free time But still can't wait to have it To seize peace and quiet By my force of habit And flee far away From a central locale Of a jobless, impoverished Human garbage pail Full of wasted potential Unutilized power Another kid lost to disease By the hour Devoured from inside out, Parasitic A malnourished mortality Fated statistic Accounting for little more than A UN Detrimental development Index embellishment IMF, World Bankers swooping in Heaven-sent Millions lent Never spent Back on the people Just keep them like sheep Marching on to the steeple And reap what they sow How so little they yield Until cityscapes swallow up Forest and field And behind their most opulent Optic facades In their decadence festers The graces of Gods
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Nov 23, 2018
Nov 23, 2018 at 5:09 AM UTC
Excluded
Pyres of cityscapes burn contingently in the distance ever drunk with blood of a mother, a nurturer who asks nothing of the morose, self-consumed existence she cares for. Her brow cocked, wrinkles descend like rain that tears down a window. Pain. You're bleeding out! But she'll never put herself forefront. How could she? Sitting, reflecting. Tormented by incompetence, her soft voice silently flutters the leaves. Drearily an extension of her lips, the words escape the cusps like a cautious prairie-dog. Smog obscures the senses, a haze darkening the pupils of your celestial eyes. I still see You drooping in the rocker under a hard light. Retaining know- ledge of past and present, through spectacles. Her deflating **** secreting concrete into the sucklings, cementing fate, as the clock that hangs above her falters. I shutter to think of the future that's afore. When the one who's raised me is not. No more. Your timber limbs look awfully thin. Restless and alone, she's tired. "Abandoned" we're all alone, but your company means more to me than a sustainable stone.
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May 10, 2010
May 10, 2010 at 8:31 AM UTC
Periphery of Sustainability
Atlantic thoughts of fish, schools on schools what could be better than this, living with no rules dog days, your cute face, fresh fade, cityscapes romantic thoughts again, texts on texts what could be better than this, living the loveliest warm nights, green lights, divine touch, just rough enough just how I like
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Apr 16, 2022
Apr 16, 2022 at 8:51 PM UTC
How I Like
Sand-crusted catacombs of dismembered dreams Settle beside memories of the child who grew up In rocky Harpswell, Maine. Not many beaches, Only a foggy stretch beyond Morse Mountain -- But I used to stand ankle-deep In the water, wait until my toes sank Into crystalized Earth And bubbles from Littleneck clams. I’d stand there until goosebumps spread upon My blanched legs, rising up, up, like the artificial hills Of Maya Lin’s Storm King Wavefield. Now, when I lie alone, Misplaced inside a vacant Manhattan studio, I surrender to sirens and accelerated lives. Peace comes in painting – thick oil, Violet and claret on stretched canvas, Depictions of neon signs and cityscapes, Cheap t-shirt stands on street corners, And 24-hour coffee shops with “specialty” Blends in little white travel mugs – selling To flocks of strangers, strutting like pigeons on cement Sidewalks, pretending they belong.
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Sep 20, 2014
Sep 20, 2014 at 10:50 AM UTC
The Simplicity of Whitecaps
Starlight … Icy crystalline sparkles beaming brilliance ‘gainst the moonlit winter sky Stars bright. Luminescent wonders. Scintilla laid bare in the heavens by the pale white light of the moon Full moon bathing dingy cityscapes, their dim lit ****** tales told ‘neath streetlamps’ jaundiced glow. We walk, slip on ice, crunch through snow, watching for sliding cars and dangers lurking in shadows. Moonlit whitewashed winter wind winds through desolate streets on a pale cold night in the city. Walk on. Whistling winds, barking dogs, chill us, spur our pace, on through the moonlight and cold. Our wish upon this night’s heavenly stars is to be safely home, watching from icy windows … winter walkers. Doug Curry 1/6/10
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Oct 20, 2012
Oct 20, 2012 at 11:50 AM UTC
Winter Walkers
cityscapes and heartbreaks 808s and carrot cakes my life took a turn, a left you tried to make me burn but I left you at the alter, my destiny I cannot falter I let me get softer, left the slaughter watercolour paints and growing pains deep introspection and soaking rains get to the root of the issue, the root of the pain elevate, activate popping off like champagne
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Feb 3, 2022
Feb 3, 2022 at 10:14 AM UTC
watercolour paints
It's windy tonight. Not a cloud in sight. And the ever-glory of the mass blue sky was dotted once again with the friends of the sky. Guardian of my house, Orion, with his strong, bright 3-starred bow, burns steadily, as opposed to the Ursas of the north, with the bleak Polaris, its light a little faded due to the lights of the northern cityscapes. I think of you in these circumstances. Whether you'd be looking at the sky as well, trying hard to find the connecting dots. Stay warm under this cool season, alright? I've yet to brush my teeth or even get my blanket and pillow, because I've decided to sleep under the stars tonight, and they're too beautiful for me to even pass a second without looking at them. Just like how I think about you. My thoughts are still as the stars in the night sky, sometimes bleak and sometimes bold. I hope you never lose your way even if you feel like it. The Polaris will always be guiding you. My thoughts will always be guiding you. For you, I'll be constant as the stars above, so always know that you are loved.
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Dec 21, 2016
Dec 21, 2016 at 11:55 AM UTC
Chapter 5: The Roof Deck
The rotten fruit shall be shaken --- W. H. Auden Do they somehow envision sainthood in the homeless or extol the virtue of the millions toiling for minimum wage; see themselves as the feudal overlords of trickle-down, their enormous profits banquet omelets for the common good? You know the politics whereof I speak, the Me, Myself and I of anachronistic yesterdays, the concave years of soup-kitchens supporting high-rise condos and batshit crazy presidential candidates admiring selfies.   I wonder if it's all because they can't reach ****** impotence and pharmaceuticals which fuel our economy? A nation moans from the exhaustion of despair with forgotten cityscapes of odorous blacks and blues.
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Oct 17, 2015
Oct 17, 2015 at 6:22 AM UTC
As the Days Decay
It’s that awkward time between 5 and 6 pm where his eyes are the colour of mocha brown stained novel pages and finger tips callused and crinkled with years of practicing and gripping too tight on a black biro pen. He turns the corner of the street and we make a narrow escape to the highway where careful mothers have their children strapped to seats wailing with voices so shrill yet so untouched and pure.. And I turn and I look out the window and plaster on a sad look like I’ve been copy pasted out of a sad music video about boys and breakups and lost loves, reminiscent of the paraphernalia of stories and soaps and television shows my mother used to watch. Slowly I turn and I feel a tap on my shoulder blades and he asks me if I’m ok but secretly I’m wishing and hoping that there’s more to life than this god forsaken city but I still say I’m fine anyway. "The city looks really nice this time of day" he says and I just don’t see it because everything around me is illuminated in fake fluorescence and wired in with the hands of a man who’s just lost his wife and swears his depression is just a phase. "Squint and you’ll see it" he insists but I can’t because the world is in monochrome and the concrete of the buildings are the tombstones of chivalry and manners, filled to the brim with office workers hunched over stacks of papers and lists. He turns left at the third intersection and laughs at a man squabbling drunk cursing the world on the side of the road and I hope he doesn't know that it was what I'd do if he let me grab the bottle of Jack from the trunk. "Goodnight and godspeed," he laughs and I say **** off" in exchange for a hug and so another day passes in the presence of car windows and rolling cityscapes.
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Dec 9, 2013
Dec 9, 2013 at 10:03 PM UTC
Of Car Windows and Rolling Cityscapes
It’s that awkward time between 5 and 6 pm where his eyes are the colour of mocha brown stained novel pages and finger tips callused and crinkled with years of practicing and gripping too tight on a black biro pen. He turns the corner of the street and we make a narrow escape to the highway where careful mothers have their children strapped to seats wailing with voices so shrill yet so untouched and pure.. And I turn and I look out the window and plaster on a sad look like I’ve been copy pasted out of a sad music video about boys and breakups and lost loves, reminiscent of the paraphernalia of stories and soaps and television shows my mother used to watch. Slowly I turn and I feel a tap on my shoulder blades and he asks me if I’m ok but secretly I’m wishing and hoping that there’s more to life than this god forsaken city but I still say I’m fine anyway. "The city looks really nice this time of day" he says and I just don’t see it because everything around me is illuminated in fake fluorescence and wired in with the hands of a man who’s just lost his wife and swears his depression is just a phase. "Squint and you’ll see it" he insists but I can’t because the world is in monochrome and the concrete of the buildings are the tombstones of chivalry and manners, filled to the brim with office workers hunched over stacks of papers and lists. He turns left at the third intersection and laughs at a man squabbling drunk cursing the world on the side of the road and I hope he doesn't know that it was what I'd do if he let me grab the bottle of Jack from the trunk. "Goodnight and godspeed," he laughs and I say **** off" in exchange for a hug and so another day passes in the presence of car windows and rolling cityscapes.
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8
build the earth from nothing, she demanded. build around me a shield of green and carve your cityscapes into my ribcage, burrow deep into my flesh and drink from my throat like thieves. i gave you everything but the clothes on your back and the poison you stole from my name, shutting out birdsong and brainwaves for rocketships and buckets of red that stained my dress like the frost. i have been bleeding, starving, praying, but you've only licked your lips and settled more comfortably into the rabbit's fur like the demons you are. an outcry. we had planted her fingers and eaten the roots just as she had asked, pressed the dark, rich earth between our toes as blood seeped from the pores of our skin and acid dripped into the lungs of the children. we had stood in the cold shivering and knocking but her door remained sealed for still she was not pleased. we had outsmarted her once before, you see. twisted glacial rivers and sent showers of sparks towards the sky in a beauty more precise than arrows, and by luck of the dice had turned her pieces round. but she had shaken us off her shoulder as easily as a dew droplet or the shedding of a second skin, an empty shell that filled with rainwater when left out for a night. our punishment was one of unusual origins and hadn't a fathomable end, one we couldn't even begin to guess. our question stands in a noose of gold and silver and i've a feeling the jury will clatter their knees to protect the guilty. and who were we to speak the truth when the snapping of necks deafened the loudest voice?
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Apr 11, 2010
Apr 11, 2010 at 8:34 PM UTC
of leaf and leather
build the earth from nothing, she demanded. build around me a shield of green and carve your cityscapes into my ribcage, burrow deep into my flesh and drink from my throat like thieves. i gave you everything but the clothes on your back and the poison you stole from my name, shutting out birdsong and brainwaves for rocketships and buckets of red that stained my dress like the frost. i have been bleeding, starving, praying, but you've only licked your lips and settled more comfortably into the rabbit's fur like the demons you are. an outcry. we had planted her fingers and eaten the roots just as she had asked, pressed the dark, rich earth between our toes as blood seeped from the pores of our skin and acid dripped into the lungs of the children. we had stood in the cold shivering and knocking but her door remained sealed for still she was not pleased. we had outsmarted her once before, you see. twisted glacial rivers and sent showers of sparks towards the sky in a beauty more precise than arrows, and by luck of the dice had turned her pieces round. but she had shaken us off her shoulder as easily as a dew droplet or the shedding of a second skin, an empty shell that filled with rainwater when left out for a night. our punishment was one of unusual origins and hadn't a fathomable end, one we couldn't even begin to guess. our question stands in a noose of gold and silver and i've a feeling the jury will clatter their knees to protect the guilty. and who were we to speak the truth when the snapping of necks deafened the loudest voice?
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44
Your scar tissue is majestic I love the way it glows beneath your skin Divine designs aligned in such a way They make me lose my mind with sin and I wish I could possess you just so you can touch yourself the way I would so you can feel that way Whenever you need to. Darling, I want to swim in you like an ocean And get lost at sea for days. I want to traverse your peaks and valleys, Trace your hand - drawn cityscapes leave no stone unturned, Unearth your hidden geyser As we both learn new things, eternally About your maternal Earth. I want to burn you with the raging fire of my infernal desire. Like a volcano erupting a dozen miles in the sky, I will cover you with the wreckage of my incendiary lust. But I will forever nourish your soil with the forest of my love.
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Oct 27, 2014
Oct 27, 2014 at 10:15 PM UTC
Darling
those in the tribe of “that is enough for a 40 and a bag of chips” like to self diagnose, self medicate, and self love/hate they spend 3 dollars and 75 cents at least three times a week on medicinal purposes only. most often, 3 dollars and 75 cents is not enough. so they diagnose that they can spend up to, but no more than, 6 dollars and something cents on healing yesterday’s wounds and on stitching up tomorrow’s possible cuts those in the tribe of “i wont live to be that old” enjoy loud music, avoiding sleep, and looking angry they wake up dizzy because last night’s dose was a little strong, it will feebly run it’s course through the veins it learned to call home for a few more hours. they hang on because in no time, tonight’s dose will warm their blood again those in the tribe of “i don’t need your pity” like to question authority, read manifestos, and tattoo nighttime cityscapes. they, sometimes, live so fast that they forget to remember. on early morning occasions, they find puzzle pieces they forgot to throw in the closet and they remember who they were, are, and want to be. it is during these “it is 4 o’clock in the morning, why are you calling me” moments that they remember who to love and what to hate. for some, this is progress. for others, this is another 3 dollars and 75 cents. the tribes meet as often as possible. sharing a couple dollars, 75 cents, and some loose lint, they gather the right doses needed to obliterate the demons. although only temporary, the fix holds long enough to help heal, release, and erase.
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Nov 26, 2012
Nov 26, 2012 at 3:56 AM UTC
those in the tribe of...
those in the tribe of “that is enough for a 40 and a bag of chips” like to self diagnose, self medicate, and self love/hate they spend 3 dollars and 75 cents at least three times a week on medicinal purposes only. most often, 3 dollars and 75 cents is not enough. so they diagnose that they can spend up to, but no more than, 6 dollars and something cents on healing yesterday’s wounds and on stitching up tomorrow’s possible cuts those in the tribe of “i wont live to be that old” enjoy loud music, avoiding sleep, and looking angry they wake up dizzy because last night’s dose was a little strong, it will feebly run it’s course through the veins it learned to call home for a few more hours. they hang on because in no time, tonight’s dose will warm their blood again those in the tribe of “i don’t need your pity” like to question authority, read manifestos, and tattoo nighttime cityscapes. they, sometimes, live so fast that they forget to remember. on early morning occasions, they find puzzle pieces they forgot to throw in the closet and they remember who they were, are, and want to be. it is during these “it is 4 o’clock in the morning, why are you calling me” moments that they remember who to love and what to hate. for some, this is progress. for others, this is another 3 dollars and 75 cents. the tribes meet as often as possible. sharing a couple dollars, 75 cents, and some loose lint, they gather the right doses needed to obliterate the demons. although only temporary, the fix holds long enough to help heal, release, and erase.
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7
People always tell you that living in the city means you miss out on the night sky. The thing I don't realize is it doesn't matter where you are— the stars are still there, just different. And the way I see it, Cityscapes at night have their own cosmic qualities. Groups of skyscrapers cluster into galaxies and headlights shine like comets and if you look up the moon is still shining there. The way I see it, cities act as solar systems in themselves; holding all of the excitement and all of the magic and all of the inspiration that comes from gazing at the stars.
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Sep 3, 2013
Sep 3, 2013 at 11:26 AM UTC
Urban Constellations
I want a man whose heart is so full - Rainwater dripping from the pitcher on the drizzled grey of yesterday, A soft sound in the great symphony of the wet garden, Bejeweled and glistening, Pianoforte drops Upon the wet leaves Falling. I will know him by the way he writes, the kindness in his eyes - Flashes of him in my professor, In myself, caught laughing like a child, In the quiet teenager who is becoming an Unlikely philosopher, frontal cortex in heat, With the implications of existence (He’s awake in the early dawn, a furious Jacob, wrestling with his God) And he will be a Seeker of Beauty: “There is no medium unworthy” He will tell me, but never in words, Crouching for perfection’s grace among leaves and dirt Like a widow beneath rainbow fractals At early morning’s mass. He will be effortless, like the unspoken love Between two old friends, bookends Scattering crumbs of baguettes in the park To clicking beaks, and dancing pigeon feet. Burying himself in pages, when he thinks no one sees (Was that you there, on the subway? Dark eyes, fixated on the lines, Crinkling with understanding?) Both of us adventurous spirits - “Let’s run away, you and me” and we will Melt with ease into cityscapes, so transparent, adaptive, Young and free, Like the wood moths becoming one With the aspen in its serenity, We light upon France, Spain… Italy. I know I will find him In my own verse. Will discover him In pages that I’ve turned. Will recite his thoughts back to him, and will Love him like poetry. I will know him by heart.
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Feb 6, 2018
Feb 6, 2018 at 4:08 PM UTC
Love Him Like Poetry
I want a man whose heart is so full - Rainwater dripping from the pitcher on the drizzled grey of yesterday, A soft sound in the great symphony of the wet garden, Bejeweled and glistening, Pianoforte drops Upon the wet leaves Falling. I will know him by the way he writes, the kindness in his eyes - Flashes of him in my professor, In myself, caught laughing like a child, In the quiet teenager who is becoming an Unlikely philosopher, frontal cortex in heat, With the implications of existence (He’s awake in the early dawn, a furious Jacob, wrestling with his God) And he will be a Seeker of Beauty: “There is no medium unworthy” He will tell me, but never in words, Crouching for perfection’s grace among leaves and dirt Like a widow beneath rainbow fractals At early morning’s mass. He will be effortless, like the unspoken love Between two old friends, bookends Scattering crumbs of baguettes in the park To clicking beaks, and dancing pigeon feet. Burying himself in pages, when he thinks no one sees (Was that you there, on the subway? Dark eyes, fixated on the lines, Crinkling with understanding?) Both of us adventurous spirits - “Let’s run away, you and me” and we will Melt with ease into cityscapes, so transparent, adaptive, Young and free, Like the wood moths becoming one With the aspen in its serenity, We light upon France, Spain… Italy. I know I will find him In my own verse. Will discover him In pages that I’ve turned. Will recite his thoughts back to him, and will Love him like poetry. I will know him by heart.
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44
Outstretched over tightly woven grids of interlaced cityscapes, storm clouds purge their bodies. Rolling thunder claps, snapping like a rattrap executioner. Lightning strikes, it follows along to: Fibonacci's beat one and one is two and one is three and two is five and three is eight. Eight legs, like the ****** who spun these threads of buildings with a widows design. All the while wearing her red sign of warning, this city will ensnare you, and bleed you dry.
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May 10, 2010
May 10, 2010 at 8:29 AM UTC
Home
The myriad of workers all shattered and broken Complementary cityscapes remain inescapable High tech offices, shimmering urban dystopia, Eight hours spent well, dreams of eloping. Twice daily gaze avoidance in a cold rolling tin Public transport gaslight, nobodies talking Level crossings stay shut without fair warning Waiting at the lights while fending off wardens. A twenty car pileup with zero casualties Gridlock at rush hour, boredom eternally Look out the sunroof towards the contrails Dreams of escaping, a matter of urgency. Overhead, the most beautiful of tapestries Each one a trail to the temporarily free The sun in this case, a dog for a flee Migrate for a week and live on the beach. The cycle goes on as you don't have the money Yet venture capitalists adventure freely All expenses paid, hands rub greedily Shouting to the world 'I want you to pay me!' Nothing pillaged nothing earned Bear witness to the 'altruistic economy' Climb onto haveness mezzanines Stroll down avoidance alley. Open your front door, the handle falls off Take a smoke and climb up the chimney Sit on the slate and draw the scenery All glass houses need stone underneath.
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Nov 11, 2017
Nov 11, 2017 at 8:30 AM UTC
All The Rooftops Are Privately Owned
I can see the city lights out my window after painting cityscapes of Spain with that little set of watercolors I bought in that small town (by the lake) so much like home (a trinket in my hands) each light is like a poem to me a song or laugh (contained) if I could contain your laugh and ship it back to me away from arid cities and the red sun in the sky I think it would look like all the lights out my window each night here in Madrid and as I would lie to fall asleep and look at the orange glow the moon sitting in the dark blue sky I think of all the lights that can't go out when I look into your eyes.
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Aug 16, 2013
Aug 16, 2013 at 8:02 PM UTC
All the Lights.
you and me and our cheesy selves twinkling as the ashes burst out of the effervescent bonfire i’m wearing your awfully baggy sweater and i look like a little marshmallow in an old mug of hot cocoa you pull me into your sturdy arms the breeze whips through whistling like a singsong we’re cuddled up next by the snug heat of the wood burning orange sheet you’re holding me around my belly (you know how much i hate that word) the fire builds cityscapes and countrysides and warm embraces cheeks are rosy hearts are cozy ashy smoky atmosphere burning bark and rustic willow leaves chattering murmuring in the silence of the frozen in time night i fall asleep in your lap so you lay me down tenderly and i still smell the smoldering fire as you put the flame to rest and the hazy smoke envelops our stationary bodies flawlessly appressed
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Apr 19, 2022
Apr 19, 2022 at 9:57 PM UTC
smoky haze
Cloudy in August Couldn't be better Burning dumpsters Near crowded highways This inner city squalor Is my lifelong muse Leather jackets And scuffed up boots Patients give me Patience sticking Needles in our veins Dynomatic symphonies Pounding us With ecstasy Drinking in the Sweet smoked air At bus stops I've Never seen before I'd never it give it up That politically incorrect Temperamental judgement I'll live forever For the idiosyncratic Enigma I call My not quite home
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Aug 7, 2019
Aug 7, 2019 at 4:29 PM UTC
Cityscapes
When I was younger I saw stars in everything But now my mind has turned to cityscapes, Angular in design I look up and see only the glimmer of passing planes Everything has turned into a product of the unattainable I miss the stars, the past, the memories But perhaps this city skyline isn't so bad
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Feb 12, 2018
Feb 12, 2018 at 11:59 PM UTC
Younger Years
With Hybrid Genes you Lack connective Tissue Body Bones Fall apart Stones and earth Provide Emblematic deaths In overcrowded Cityscapes Bewildered by Your goddess names I bow Fish-like Hooked on Venerable Devotion
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Nov 7, 2016
Nov 7, 2016 at 3:31 AM UTC
Homage
Those shadowy emissaries That pass the mind’s great lidless eye In slow procession through the night Do fill with color and with sound The sleeping brain’s vast sweeping bound, And populate its cityscapes And alleys with amorphous shapes That shifting form and countenance Convey the tides of fleeting thought; And oft become dark shapes of dread, Parades of faceless horrors, such That when I glance their looks are changed – Each lineament is rearranged – All meaning or remembrance lost, Or masked by sweet forgetfulness. The secret that there lurks within The labyrinths of memory, Still tainted by the stench of guilt - And strengthened by the voice of fear - Still screams from some dark hidden cell The lurid blasphemies of hell, And births itself anew each night, Each morning dying with the light, Yet nightly grows in hateful strength, Corrodes the sturdy locks of will, And claws through those great iron doors That lead to waking consciousness.
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Jun 17, 2018
Jun 17, 2018 at 10:43 PM UTC
Remorse
In college, going home was always a reprieve Well, until it wasn't. Those awkward moments when you'd walk in on an argument, Or when you had chores again Like slipping back into your childhood skin But it was a little tight, constricting. But home made my chest hum, No matter how tight the skins I wore became. Home was a historic ranch with a view of the skyline It was washing dishes with a view And spending more time on the porch than in the living room Home was the first place that actually felt like more than just a house. Home had a yard, and friendly *** who mowed it Home was walking outside to the smell of fried dough Mouth watering for a fresh doughnut down the street. Home was a garage turned art studio, Bugs and all Home was fighting over a single, small bathroom. And it was just a couple minutes walk into the city. Cityscapes, always changing. Now, home is a green field, awaiting development Home was ripped from beneath us like the run down houses two summers before. Home is gentrification, Only a few steps from the balcony of wealthy young professionals Cozied up in their overpriced studio apartments. Home still smells of doughnuts And the driveway in the sidewalk is still there Home still brings back our perennials, White, purple, and pink. Home cannot be taken from us, She is woven into our very fibers, But she can never be touched again. Home was sold, beaten, bulldozed, and cleared away. Home is just a memory. But I will still drive by, Smell that sickly sweet air, And pick some of her flowers. Here's to you, my love.
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Mar 7, 2017
Mar 7, 2017 at 4:01 PM UTC
On going home
In college, going home was always a reprieve Well, until it wasn't. Those awkward moments when you'd walk in on an argument, Or when you had chores again Like slipping back into your childhood skin But it was a little tight, constricting. But home made my chest hum, No matter how tight the skins I wore became. Home was a historic ranch with a view of the skyline It was washing dishes with a view And spending more time on the porch than in the living room Home was the first place that actually felt like more than just a house. Home had a yard, and friendly *** who mowed it Home was walking outside to the smell of fried dough Mouth watering for a fresh doughnut down the street. Home was a garage turned art studio, Bugs and all Home was fighting over a single, small bathroom. And it was just a couple minutes walk into the city. Cityscapes, always changing. Now, home is a green field, awaiting development Home was ripped from beneath us like the run down houses two summers before. Home is gentrification, Only a few steps from the balcony of wealthy young professionals Cozied up in their overpriced studio apartments. Home still smells of doughnuts And the driveway in the sidewalk is still there Home still brings back our perennials, White, purple, and pink. Home cannot be taken from us, She is woven into our very fibers, But she can never be touched again. Home was sold, beaten, bulldozed, and cleared away. Home is just a memory. But I will still drive by, Smell that sickly sweet air, And pick some of her flowers. Here's to you, my love.
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