"cinema" poems
Clap along if you know what happiness is for you.
Happiness is going for a run with the dog
Happiness is waking up and looking out my bedroom window
Happiness is being part of the universe
Happiness is music full blast
Happiness is learning to South Coast Swing
Happiness is dancing round my kitchen
Happiness is cooking, baking, EATING
Happiness is being at college with my friends
Happiness is the cinema with Margaux
Happiness is knowing I'm not perfect, and being glad not to be
Happiness is a lie-in
Happiness is a cup of tea
Happiness is getting my assignments in
Happiness is seeing how much I have grown
Happiness is seeing my brother and sister
Happiness is my sister proud of who I'm becoming
Happiness is dreaming
Happiness is talking about my Mum
Happiness is the colour red
Happiness is my brother and his girlfriend
Happiness is the friends I've yet to make
Happiness is the classes I've yet to teach
Happiness is everything I've yet to learn
Happiness is Christmas with my Grandparents
Happiness is spending New Years Eve quietly
Happiness is knowing I'm going to be home
Happiness is choosing a path to get there
Happiness is everywhere when we look for it
Happiness is me.
Jan 5, 2014
Jan 5, 2014 at 6:34 AM UTC
There is a young lady called Anna. She is a loner. She lives alone with her two cats. They are her world. I am a cat lover myself and have 2 little cuties in my nest. But these cats are just plain feral. They terrorise the other cats in the neighbourhood and **** in all the neighbours’ garden.
She works Monday to Friday for a recruitment company. She leaves her flat in a purple Mazda convertible which is renowned for being a Hairdresser’s (AKA dumb **** car. Every day she leaves at 7.30am on the dot and every day she arrives home at 7.15pm on the dot.
Once at home she turns on her TV cinema system (sub), just to watch the TV.
*****
At the weekend she also leaves her stinking putrid ******* bags out in the communal hallway.
*****
She ignores her neighbour’s knocking on her door. She ignores the notes that they put through her letterbox.
*****
So as Anna was not willing to speak to her neighbours directly. They had no other way to turn apart from to report her to Environmental Health for playing her TV cinema system (sub) too loudly and also for the disgusting ******* that she regularly leaves out in the communal hallway.
*****
In which she returns the compliment by reporting them (said neighbours) to the Environmental Health for:
1) Shouting at each other,
2) Talking too loudly,
3) Banging kitchen utensils on the floor when she is in her kitchen
How deluded is this *****
At the same time that her neighbours reported Anna to the Environmental Health they also spoke to the Community Support Officer. They advised them to contact the Mediators in their local area. Which of course they did. The Mediators arranged to visit one evening. Unbeknownst to them they parked in Anna’s allocated parking space. Once they had finished with her neighbours, the Mediators returned to their car. Just as they were about to reverse their car, Anna arrived home in her Mazda convertible and blocked them in.
*****
When she got out of the Mazda convertible, with attitude I might add, she asked the Mediators who they were. They then introduced themselves. Once she knew who they were, she invited them into her flat to hear her side on the story.
YES I AM HER ******* NEIGHBOUR AND YES I AM STILL WAITING TO HEAR BACK FROM THE MEDIATORS……
Jan 30, 2010
Jan 30, 2010 at 11:21 PM UTC
I am told,
You think I am too old,
I am more precious than gold.
If you listen to me,
I will take you to a wonderful world;
I'm supposed to be oral,
speaking
of
myths,
legends,
fantasy,
and the supernatural.
When you listen to me,
Then you'll know,
How I become young,
How I live so long.
I am who I am.
Everyone knows me
and
all
the children love me.
I am not a lie,
In me you can find the truth,
That roots
you
To
Your Past
and
To
The Orgin
Because,
It's me, the oxygen,
That
Cultures breath,
And
The nitrogen,
With which THEY fly
Deep
In a blue sea,
Like a White Dove,
Like a Magical Butterfly,
And
With which They dive
High
in a Blue Sky
Like an Incredible fish,
Like a Blue Whale,
in a Fairytale.
I have no specific author,
You can be my author.
I have no specific time,
For all times are mine.
I had lived in your Heart
An Art.
I had had only listeners
Until I was put in a Book.
I was Invisible,
But
Now you can see me if you look,
Or
GUESS what?
I am Unseen,
Though you think that's me on that screen.
That's not me,
For I have always been...
A Mystery,
That speaks
Of
Happiness
And
Misery,
Of
Kindness
And
Treachery,
Of
Poverty
And
Luxury,
Of
Honesty
And
Trickery,
Of
Freedom
And
Slavery,
So
please,
Hurry
And
Listen to me,
Before you go to any cinema or library.
For I am
The oldest Teacher
And
The honest Preacher.
I think you know me well now,
So ask Grandma how?
When you wish to MEET me.
I can be for you a guide
And take you to another side,
I can make your world wide.
If you follow me, Child!
I can take you to the Woods,
I can take you to the wild.
In which
Animals
Talk
And
Trees
Walk.
And
In which
A Witch
Has
Hooves ,
And
An Ant
Wears
Gloves,
And
In Which
A Wolf
Sings,
And
A Horse
Has
Wings,
And
In Which
A kingdom,
And
Many other Bewitching Gems
Of
Wisdom.
May 13, 2014
May 13, 2014 at 10:48 PM UTC
Her warm words wash over me like a dope fiend daze... other voices boorishly buzz a cackle cacophony. At best they are the background noise of your existence.
bit players (endless layers) as she comes my way
**Your body pixilates in an ******* focus**, it bends, projects all else slowly into your frame, the deja vu of ****** tunnel vision. I struggle to speak as I stand before you.
All others condemned, reduced to extras in a celluloid daydream
they are arrayed for your adornment
set pieces that surround you in the cinema that is your daily divine saunter
body sacramental (those around you incidental) as she walks away
The subtext, the reflex, the ambivalent, ambient lighting
means nothing without you
**my arc, my carnal ******
any other epilogue is dystopian
cdh
Jan 12, 2019
Jan 12, 2019 at 5:25 AM UTC
Happenstance to the melancholic gives leave the sin of pride.
Inbound reconnaissance tells not the bearer of influence.
Squeamish at first: a foreshadowing of calamitous bonding.
A space between the mark of corporeal and the ethereal; a stringent hiatus
That which rattles the concrete foundation of morality is scarcely a malleable recourse.
Regret stains the unfounded soul: an enigma of ephemeral perforations.
A separation of the unmitigated humanities; misandry topples the writhing snake.
Impact; a cleansing of the maker's flaws integrated solemnly.
Complacency arrests the administration of the abhorred; unbridled is the autonomy of a guru.
Ambivalent giftedness burdens the reliant and haughty.
A flick of the tongue brings forth the cinema mortem.
Castaway: alone to wade in the sea of obscenities.
A temporal causality allows no mourning to abscond.
Negligence is not the enemy, but indulgent wrath.
Hesitant: a stroke of qualia begets the end of a maiden.
Feb 6, 2014
Feb 6, 2014 at 11:13 AM UTC
i guess **** isn't art
because it doesn't really
make much of an effort to
go beyond showing men and women
being men and women.
i remember when i was a kid in sunday school
i got a ***** when we learned that
adam and eve lived naked
in the garden of eden.
when i do **** i like to take off all of my clothes.
when i do **** i want to visit a beach
where a lot of people are naked.
I don’t mind if they’re men.
it's always eyes on the guy when you do ****
im not like other straight guys
in the sense that i have a
few male pornstars i really like.
work it, homie.
is **** more like watching a movie
or is it more like having ***
the other day my friends from twitter
were laughing at a guy
who called himself an 'adult toys enthusiast.'
i made more friends on twitter than i did in college.
i look at people having *** on the computer
and that is not cinema.
is sexuality a hobby?
*** is called sleeping with someone
is napping a hobby?
is watching **** like taking a ****
is watching **** like breathing?
i guess if **** isn't art
then it isn't a poem either.
May 18, 2021
May 18, 2021 at 8:19 PM UTC
The door to your heart is a horrifying puzzle
Your Jigsaw pattern I can't put together
The pieces I hold don't correspond
So I take parts from you
Which is making me Leatherface
And giving you a flatter taste
And the ****** chain I saw placed
Was pressed to your door with haste
You're a killer doll like Chucky
How could I have been so unlucky?
I can't even cut through your curtains
I become a cold corpse before the movie can start
Like a careless Jamie Lee Curtis
How long can such a curted courtship last?
Before I contrive the courage to crush
The Killer Croc in your rib cage
But the corrosive corrections officer
That is your puzzle piece door
Impedes all progress to your horror heart
Because the improper placement of pieces
Will make me think you're The Witch
When you tell me Don't Breathe
As my theater's lights dim
I scramble for an exit
But my only escape from the cinema is through your door
I grow cynically situated to the pitch black pictures
How could I expect to solve the riddle
Now that I need to?
Doors that can't be opened are walls
Speaking softly turns to brawls
As your pieces scattered like change
Your door completely wrapped in chains
I feel stupid and ashamed
Your puzzled movie's to blame
Jun 17, 2017
Jun 17, 2017 at 4:16 AM UTC
At the cinema they project a movie
And in that movie at a certain point it's raining
And it's a so realistic rain
That I pull the jacket on
Almost to protect myself
Even outside it's raining, or
Perhaps not.
It's truth this rain that in a dream we dream
Even when it's raining outside?
*
POESIA 2:
Al cinema danno un film
e nel film a un certo punto piove
ed è una pioggia così realistica
che io mi tiro addosso il giubbino
quasi a proteggermi
anche fuori sta piovendo, o forse no.
E’ vera la pioggia che in un sogno sogniamo
anche quando fuori piove?
Sep 23, 2018
Sep 23, 2018 at 6:11 AM UTC
I think we were strangers in a blind white
Losing momentum of a previous life
Speeding the cinema into blurs of light
Jun 20, 2013
Jun 20, 2013 at 12:21 PM UTC
Hand in hand
Walking down the road
Skipping with an animal at our heels
or
Hand in hand
Screaming down a rollercoaster
Tears of laughter on our chins
or
Hand in hand
Watching a film in the cinema
Entranced with the popcorn in the adverts
or
Hand in hand
Right next to me
And not in my imagination
Apr 8, 2015
Apr 8, 2015 at 5:12 PM UTC
I am told,
You think I am too old,
I am more precious than gold.
If you listen to me,
I will take you to a wonderful world;
I'm supposed to be oral,
speaking
of
myths,
legends,
fantasy,
and the supernatural.
When you listen to me,
Then you'll know,
How I become young,
How I live so long.
I am who I am.
Everyone knows me
and
all
the children love me.
I am not a lie,
In me you can find the truth,
That roots
you
To
Your Past
and
To
The Orgin
Because,
It's me, the oxygen,
That
Cultures breath,
And
The nitrogen,
With which THEY fly
Deep
In a blue sea,
Like a White Dove,
Like a Magical Butterfly,
And
With which They dive
High
in a Blue Sky
Like an Incredible fish,
Like a Blue Whale,
in a Fairytale.
I have no specific author,
You can be my author.
I have no specific time,
For all times are mine.
I had lived in your Heart
An Art.
I had had only listeners
Until I was put in a Book.
I was Invisible,
But
Now you can see me if you look,
Or
GUESS what?
I am Unseen,
Though you think that's me on that screen.
That's not me,
For I have always been...
A Mystery,
That speaks
Of
Happiness
And
Misery,
Of
Kindness
And
Treachery,
Of
Poverty
And
Luxury,
Of
Honesty
And
Trickery,
Of
Freedom
And
Slavery,
So
please,
Hurry
And
Listen to me,
Before you go to any cinema or library.
For I am
The oldest Teacher
And
The honest Preacher.
I think you know me well now,
So ask Grandma how?
When you wish to MEET me.
I can be for you a guide
And take you to another side,
I can make your world wide.
If you follow me, Child!
I can take you to the Woods,
I can take you to the wild.
In which
Animals
Talk
And
Trees
Walk.
And
In which
A Witch
Has
Hooves ,
And
An Ant
Wears
Gloves,
And
In Which
A Wolf
Sings,
And
A Horse
Has
Wings,
And
In Which
A kingdom,
And
Many other Bewitching Gems
Of
Wisdom.
May 13, 2014
May 13, 2014 at 10:51 PM UTC
blood in my hair
can't really remember
what yr face looks like
makes me sad
but i can't really feel it, y'know?
i love yr sick veins
i hear yr heartbeat in my brain
wish i could feel it
i wish i could feel something at all
Jan 30, 2019
Jan 30, 2019 at 3:31 PM UTC
the other time
my donkey insisted
I take it to the cinema
and so I did -
not that I got a kick out of it
but just so that I didn't get a kick
anyways
we were watching the movie
when the guy seated next to donkey
said: *"Hey, you're a donkey.
What 'r' you doing in the cinema? "*
And donkey replied:
*" I reviewed the book;
now I'm here to review the movie"*
Feb 1, 2014
Feb 1, 2014 at 6:30 AM UTC
*This is one of the racier "Memories" poems by the great Barry Hodges, my alter ego.
It might well make you come involuntarily in your ******
How happy was I once with the wind in my hair
Wandering o'er the dales with joyousness unmeasur'd,
In the sweet long passed innocent days of platonic love
When stolen gropes and kiss were to be treasured.
But all good and true things come to a sad close
And my poor first love lies in her grave so sorrowfully
Having been crushed to death by a runaway steamroller
Before I managed to go all the way quite thoroughly.
What a waste of delightful teenage flesh was that
Yet perhaps I had a narrow escape from the derangement
Which might have been mine had our trysting
Led to a semi-permanent matrimonial arrangement.
For I recall one afternoon in the old ABC cinema
In the delighful Yorkshire spa town of Harrogate,
Sitting next to my gorgeous love in the back row,
Exploring her not so very private parts on a hot date.
How I cursed the management's niggardly folly
In not showing a film with hot romantic blood
But saving pathetic pennies by putting on
Daffy ******** Duck and Elmer ******* Fudd.
But yet I perserved with my digital explorations
Unaware that the throbs my fingers felt were no dream
But darling Elsie laughing like a proverbial drain
At Daffy's hilarious anatine adventures on-screen.
'Twas then I began to wonder about the viscous liquid
I had hitherto imagined was Elsie's lovejuice flowing
*(dear, dear reader, cease your perusal of my tale forthwith
if you are of a nervous disposition or prone to food up-throwing)*.
It was only a careful examination of my sopping knuckles
In the dimly lit gents after old Daffy's film was done and dusted
Which revealed that my dearly beloved had leaked
Big time out of both ends, leaving my fingers well encrusted.
O to think that, but for Daffy, I might have been lumbered
With a different kind of bird for whom double incontinence
Was a way of life (thus, the fatal steamroller she encountered
The very next day was a blessing from kindly Providence).
Aug 16, 2015
Aug 16, 2015 at 5:07 PM UTC
/ although i'd love to go back to the cinema of, bell, book & candle from the 1950s in early technicolour... can i? don't think so... trapped the rekindled narrative of myth... i wish i could, do the supra-capitalist, drunk at 5 in the afternoon, and still pulling the strings... early nostalgia of what was late nostalgia of what was 19th century german concerning ancient greece... i chose 17th century france... because? because... why could it ever be england as primo optio?! am i either that daft, or as much stiff for waiting for eddie zee theerd?! well? well done, you guessed my thinking: write a fictive narrative, it'll last longer, like a photograph.
immigrant song, led zeppelin -
probably the only grand theatre
plus,
of thor: rangarok;
i still don't know where those
M16s came from...
and?
given they used
a led zeppelin's song?
i honestly, don't want to know.
i was honestly going to favour
a black sabbath oeuvre,
using only solitude
by the witches' congregation
ask, aspect,
or subsequent, marketing ponce
scheme.
Jul 24, 2018
Jul 24, 2018 at 12:50 AM UTC
I took my ****** sister Marigold to the cinema,
she had asked specifically and eventually
(she doesn't speak a lot on account of her awful stammer
and amazing cleft palate which has won prizes)
so I knew that this was something she really wanted,
and I teased for her bad taste
when she told me that she wanted to see
"Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Charlie
and the Ch-Ch-Ch-Ch-Ch-Chocolate Factory".
It was a Saturday evening and the local picture house
was showing a re-run of the classic starring Gene Wilder
as the enigmatically stylish ***** Wonka,
and not that steaming great pictorial **** served up by Tim Burton
and I knew that town would be busy with oiks
so as a treat I dressed her up better than usual,
and even gave her a hosedown to get rid of the poopy pong.
She had stopped crying by the time the feature started
and I think the Ooompa Loompa costume grew on her
but that maybe the orange paint was a bit of a bad idea
as people had stared as it was Day-Glo and she stood out
like a bulldog's ******* but I stand by my decision
to dye her hair green, it had taken thought and planning;
it was meant to add to her excitement of the day,
so I meant well, even if I was ineffectual in the end.
I sat her on my lap in the picture house
but still paid for two seats but I do get one ticket half price
though because of her disabilities, so it wasn't all bad,
every cloud and all that, you know what I mean?
She tends to get a little down every now and then
but a £1 cinema ticket partly makes up for being born legless.
I knew from past experience that the cinema staff
prefer me to carry my stunted sis rather than wheeling her in
(I do recall that the time I taped her to her skateboard
proved somewhat a disaster - but really, the fat usher
had a torch and should have watched her step
or otherwise she wouldn't have bust her neck).
The Ooompa Loompa costume allowed Marigold
to amuse herself during the screening
(as there were no leggings to the costume).
She barely noticed when the fat little hero
got blown up on screen except to dribble "chocolate"
from her own little chocolate factory.
It was, all in all, quite an eventful outing
and one I might consider repeating but
probably in a different cinema next time,
mainly because we got banned for life
when the manager saw the condition of the seat.
Dec 16, 2014
Dec 16, 2014 at 8:06 AM UTC
there is a camping trip planned and preserved
on the reservation of our hopes and dreams and summer sweet nothings. we
retreat upon an open-toed weekend, cooler gemmed
& ready.
there is a place in the mountains
& on that wooded ridge it is waiting to be seen and witnessed. lived
upon, lit upon,
seedling.
sure, i love you.
& sure, i’ll die. and that is forever.
& forever is -
no worry. no bluffs. no sweat.
because this life is right, and right now is everything.
yolk.
to become a bloom of love more than just words and digits and plays of
time. this time
is ours.
is good beer. great beer. &
the heat. the her. her soothes and sovereigns
on this land in which we live with the whole tribe and fun days.
we are our own dreams.
good dreams.
meet her on the shore of a river.
& she is listening and speaking and sung.
with an urge
to love and let begin.
take precedent. take my nettled little heart
and crackle like fire from it the nutrient of lonesome ode.
& from the strum of that
we begin.
we end.
we cog back into the existence of small time
small town nobodies. worked little we.
service and cinema.
thus
busting gut toward town and more weekends and more movement.
there is motion to this curve of time, kids.
curve of pages expressed
& exposed here in wayward traveled poems.
truths of some sort or hallucination. here
we daydream.
Aug 17, 2015
Aug 17, 2015 at 8:32 AM UTC
Is it acting
or adapting?
smiling for the show
of customers:
bright, dapper,
cheery and proud -
pushing product
with a knowing smile,
words animated,
confident and collected.
once they leave i sit and
ponder, I see the stars
in their films and admire
from afar, lamenting that I
cannot act - but can I?
Mar 4, 2016
Mar 4, 2016 at 1:38 PM UTC
I loved you in the timeless hours
of a dark city.
In the morning, who you were
had been replaced;
the people that we were together
no longer there.
All the memories erased, so you
could love somebody new.
But the shadow of you still lingers
incompletely;
wandering through my slideshow memories
like the glimpse of your eyes fleeting
round the carousel.
A flash under the cinema lights,
over before it began.
Now I'm on someone else's mind
but I'm still under you
in mine.
Apr 9, 2019
Apr 9, 2019 at 9:12 PM UTC
Sitting at home with a cold
You at yours, me at mine
Texting back and forth, watching
Same movie at the same time
Getting one that said
We should watch together
Rushing to get ready for your
Arrival, pretending it's 'whatever'
Two hours go by and nothing
Tell me later, sorry I fell asleep
It's okay, I love you so much
I only fell apart and weeped
Oct 6, 2014
Oct 6, 2014 at 7:02 PM UTC
I am alone with you.
A fire burns in the distance
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,
What words could never speak
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud
Two of us, alone, as one
Rapt in the spread of wings.
Later, alone we dine in the Café
Campagne. Our conversation
Deafens a burgeoning crowd
Coffee was nectar, our words
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest
Sorrow on your face, the green ocean
In your eyes, I was cleansed
By your tears. I have always
Known you.
Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin
Your slender legs, columns that taught
The Greeks in Helens age, touched the water
And the sky. I saw the milky way that night.
Síneánn, I am your Pablo
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone you are the hinge
To my casement world. Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes
I hold your skin, my Selkie
Sweet Niamh, I have lived
One hundred years this week.
It is warm in the distance
In the country of the sun
We end at the house in Umbria
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.
At the great table we feast
With family and friends
And I am not alone with you.
Jun 3, 2012
Jun 3, 2012 at 2:32 AM UTC
Saw women
Waiting at the bus stop
Heard the new cinema song
From the advertising vehicle
Asked the stranger sitting near me
Whether he was not going to Potta ashram
In conductor’s seat
Slumbers a traveler without a ticket (stowaway)
Under the label of defence forces,
Two school children
On the Ladies’ seat,
Padre from the local church
“The lady who brings this card is an orphan
Her family was lost in floods
She is the only one for herself and her child
A blue card fell in my lap.
How did I become blind?
Beating time on the stomach,
A Tamil song stretched its arm
Became deaf
A girl became mute
“do you remember this face?”
Sat on the seat for handicapped
With a sense of belonging and righteousness.
Nov 13, 2013
Nov 13, 2013 at 8:48 AM UTC
building purist æsthetic
proselytizing solar-powered heliolatry
commemorating historic concert
sensing dark forces
fokken lekker antwoord
pumping sensory overload
featuring high-tech dee-jay
admiring gelato micro-truck
laxing laying lazing
"doing something nasty"
continuing quality content
entering another cathedral
journeying without borders
"exactly one year
since visiting vatican"
appreciating full-time gigasphere
awaiting pyongyang performance
depicting unlikely crowdsurfer
foreseeing exponential improvements
furthering esoteric agenda
sensing profound incompatibility
data-mining people's infidelities
anticipating futuristic caffeine
perfecting invisible propaganda
researching mind-control techniques
polishing psycho-social weaponry
sensing social embargo
flourishing frantic fanfare
admiring longitudinal monument
parodying marketing slogans
cycling through österreich
eyeing dystopian disneyland
streaming crosswords extended-play
herding glass kittens
deleting idiosyncratic fragment
loremipsum-ing laconic loudmouth
receiving ultramodern telegram
eigo-ga wakarimasu ka?
guzzling duck-fat fries
encouraging panic selling
(juxtaposing past incarnations)
getting black-and-white privilege
renewing boutique account
relishing cinema poutine
re-entering hibernation mode
opening old windows
continuing zoo motif
absquatulating excessive excesses
nullifying originality claims
proliferating protean persona
disappearing sidewalk alphabet
shrugging opprobrious moments
enjoying vertical alignment
re-entering cyberpunk paradise
approaching island sun
soaring beyond monoliths
trivializing extraneous argy-bargy
decreasing character limits
dumping generic accounts
uglifying commit message
escaping into idiosyncracy
moonshining great lake
exuding idiosyncratic propaganda
living nineties' dreams
making occidental cuisine
envisioning idiocratic president
expropriating your time
ascending homely helix
singing fat lady
Sep 12, 2015
Sep 12, 2015 at 12:12 PM UTC
My Window
Staring out my window,
sometimes the view is very wide,
sometimes the view is very small,
How can that be, it's the same window?,
sometimes my window is Cinema Vision,
sometimes my window is Tunnel Vision,
and sometimes the blinders offer no vision
how can I be so right, and yet again be so wrong?,
how can I love so deeply, and yet show such little regard?,
my world is so incredibly large,
and yet so infinitesimal,
I cannot believe most of the things I can see,
how am I supposed to believe the things I can't?
I wish I had answers to some of the troubles of the world,
but it seems I have none, nada, zip, clueless,
I consider my self fairly smart, but obviously I'm quite stupid,
is it me or does the world seem to becoming more difficult?
I can't even understand what is going on outside my window,
how in the hell can I help mankind?
Gomer LePoet...
Sep 2, 2013
Sep 2, 2013 at 8:31 AM UTC
it's inherent ontology, it's not even necessary to process inherited ontology; inherited ontology can be riddled and lost to abstraction like the invention of crosswords as antidote to the drilling-in of the Bible... but inherent ontology? inherent is a tautological invitation to italicise the word ontology - tautology anti synonym - the doubly stressed, point origin secured, but from two adjacent / adjective angles - well, might as well be a compound, the adjacent-adjective, when language meets math and math meets.... d'uh... or simply arithmetic, because that's how it's easily translated, arithmetic is grey people and math the rich... language the poets and grammar the farts.
a shortened critique of pure reason -
a) based on phenomena
(things most likely talked about)
and
b) based of noumenna
(things least likely talked about)....
i.e. a) and the ego implant,
and b) the god implant -
likewise the zealots on either side,
bleep bleep beep r r e r s.... and muslims...
i forgot to mention that Kant forgot
to mention the trigonometric foundations
as justifying owning a villa or whatnot,
the same foundations of having
the implant ego secured and willed
are the same parameters of the
implant god secured and thought
the point being dynamic parallelism,
mid-way between cosine and sine
rigid fluctuation tangents occur,
the ridiculous abbreviations, the p.s., and ibis.;
you're basically born with ego
or you're born with god -
there's no woof woof Pavlov chime chime in between -
ring-a-ding-ding-surprise?
there's no side-winding to create cinema -
being born with ego is explained clearly, coerced
with monetary affairs;
being born with god is explained "clearly", coerced
with murderers, lastly -
no psychological theory will box-me-in
given the lost tribalism and the usage of
the trans-valuation of the synonym of thing -
with money came slang - and all thorough evils,
with slang, synonyms, antonyms, critique of vocab.,
Arizona in the ******* Amazon -
i'm basically saying what Kant said:
god isn't uncool or whatever atheism tends to forget,
it's an implant of functioning, we can't rid it
by argument, and we certainly can't accept it
by prayer - unless we're dumb enough to do either
for worth of understanding tornadoes;
because that's were Seymour Hoffman started for me,
filming Twister.
Jun 24, 2016
Jun 24, 2016 at 7:29 PM UTC