Hello Poetry
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"chute" poems
maybe the buildings are hollow, occupied only in facade on the first floor of storefronts maybe this whole town is a hologram of neon against puddles on the pavement. maybe the citizens are ghosts floating by in circles, or squares of city blocks, around a routine, or droning through on electric scooters as if on muted theme park rides to the next sensory diversion; to the nearest gastronomical pleasure; toward the weekend and its next party celebrating the loss of time, I see their tired faces staring out from the glass of coffeeshop windows on every block. I see their piles of beer cans beside the trash chute. I hear them singing on booze-cruises to nowhere What part of this cycle that turns days into dust moves us closer to heaven? What feast from what new restaurant downtown will feed our souls? From which lonely night do we finally emerge beside the one whose presence fills these hollow buildings to the top-most floors? Which of the empty lots between us do we fill with a conversation about how this is all a dream, or how we'll keep each other awake on a bench beneath a street lamp before dawn waiting for the first bus to take us home.
0
Aug 20, 2018
Aug 20, 2018 at 12:25 AM UTC
Ghost Town
White-furred hill flowers bow Gust-bent, Wet in April snow, Lavender beneath their Downy coats. Tender soldiers of spring Grasp wind-blown gravel steeps, Stand to beckon brown grass, Soft-call the life in sapless trees To ring with green again Against Old Bully Winter’s Blustering. Quaking aspens, Earliest to leaf in yellow-green, Curling grama grasses, Tough food for buffalo, Cannot boast first life each Montana spring; Only zombie-lichens, Rock-fast mosses Throw off winter’s death Before the crocus' rise. On eastern Montana hills No street-hemmed dandelions Colonize in chute-dropped ranks; No time-tamed tulips Live on wind-round knolls. Here, the yucca’s bayonet-sharp ****** Here, the wild onions’ scent-strong hold; But these arrive after early chill, Following the purple crocus on the hill.
0
Jan 4, 2012
Jan 4, 2012 at 8:36 AM UTC
Prairie Crocus
I'm a Barbie Girl, in a Barbie World. Life's fantastic: I feel like plastic, aiming for an eighteen-inch waist because I can afford to throw my internal organs away. I feel like plastic, having to choose between eating and breathing with not enough space for two tubes. I feel like plastic, a thirty-nine inch bust and three times the forehead. I feel like plastic, a size nine squeezed to a three, spending three to nine avoiding mealtime because my weight loss book says 'Don't eat.' I'm a Barbie Girl, in a Barbie World. Life's fantastic, but... I'm not plastic. I've sat here listening while you complain about society but I don't think you realize that society is made by you. You complain about masks but you're masked by your poetry and trust me, it's trendy: Psychiatry. A bottle of capsules captures your soul and your dreams, fading reality. I cannot be defined because a definition leaves no room for change and I am a flame, ready to burn the cardboard box of priority you put over me. All the cool kids are lesbians and thespians on about repressions and I care, I do, I mean... I'm standing here among you. But words are just air. You can stand on this stage and tell me I'm beautiful, but I am more than my face so disregard my mild distaste for your inspirational speech. Now, this... This isn't a call for help. This is a call to arms. This is a battle cry because I am sick of waiting for a future that should've happened yesterday. So use this air to live the words you say and rally. Do not soothe, because we've already been cocooned by soothed reality in Shawnee, Johnson County. I'm a real girl, in a real world. Life's fantastic, and I refuse to be plastic, aiming for generic weight range based on content, not scale number. I refuse to be plastic, a neck moulded perfectly for both eating and breathing so I don't have to choose. I refuse to be plastic, a bust that you don't need to be sizing when I've got eyes a green not of romanticized meadows but of drunken puke. I refuse to be plastic, a size nine foot in a size nine shoe, spending three to nine enjoying my meal times, because my weight loss book is chucked down the chute. I'm a living girl in a beautiful world. Life's fantastic, because I'm not plastic.
0
Feb 11, 2015
Feb 11, 2015 at 4:24 PM UTC
Barbie Girl
I'm a Barbie Girl, in a Barbie World. Life's fantastic: I feel like plastic, aiming for an eighteen-inch waist because I can afford to throw my internal organs away. I feel like plastic, having to choose between eating and breathing with not enough space for two tubes. I feel like plastic, a thirty-nine inch bust and three times the forehead. I feel like plastic, a size nine squeezed to a three, spending three to nine avoiding mealtime because my weight loss book says 'Don't eat.' I'm a Barbie Girl, in a Barbie World. Life's fantastic, but... I'm not plastic. I've sat here listening while you complain about society but I don't think you realize that society is made by you. You complain about masks but you're masked by your poetry and trust me, it's trendy: Psychiatry. A bottle of capsules captures your soul and your dreams, fading reality. I cannot be defined because a definition leaves no room for change and I am a flame, ready to burn the cardboard box of priority you put over me. All the cool kids are lesbians and thespians on about repressions and I care, I do, I mean... I'm standing here among you. But words are just air. You can stand on this stage and tell me I'm beautiful, but I am more than my face so disregard my mild distaste for your inspirational speech. Now, this... This isn't a call for help. This is a call to arms. This is a battle cry because I am sick of waiting for a future that should've happened yesterday. So use this air to live the words you say and rally. Do not soothe, because we've already been cocooned by soothed reality in Shawnee, Johnson County. I'm a real girl, in a real world. Life's fantastic, and I refuse to be plastic, aiming for generic weight range based on content, not scale number. I refuse to be plastic, a neck moulded perfectly for both eating and breathing so I don't have to choose. I refuse to be plastic, a bust that you don't need to be sizing when I've got eyes a green not of romanticized meadows but of drunken puke. I refuse to be plastic, a size nine foot in a size nine shoe, spending three to nine enjoying my meal times, because my weight loss book is chucked down the chute. I'm a living girl in a beautiful world. Life's fantastic, because I'm not plastic.
Continue reading...
73
Clem, the rodeo clown wears a bold painted smile, a bright plaid shirt and bib overalls with cuffs too short for his legs. Between the rides and roping - Clem banters with the emcee, wheeling off groaners and scrambling in and out of his barrel- playing the air-headed bumpkin. But Clem is nobody's fool; when that gate opens, his real work begins. Bull and rider explode from the chute and the game is on. The cowboy weaves and writhes to stay on top for that eight golden seconds that will earn him his pay against a half ton of feral energy stomping and lurching to fling him to the earth. With eyes as keen as a hungry hawk, Clem tracks every buck and lurch for any peril sign - and then it happens: the rider is hurled airborne, landing inches from the driving hooves. Clem seizes the cowboy with a linebacker's grip and swings him safely over the fence as wranglers speed the bull from the ring. The show goes on and Clem has plenty more jokes for the crowd who knows he's never a barrel of laughs when a rider's life is on the line.
0
Sep 1, 2016
Sep 1, 2016 at 8:14 AM UTC
Brave Rodeo Clown
Here are my eyes my fried eggs teal lily-pads floating on white albumen. Here are my elbows like deformed peaches my knuckles the peas wrist corn on the cob. Here are my teeth my frosty Stonehenge a ring of slabs solid halibut. Here are my ankles four gobstoppers cracking as rocks under her size-five feet. Here is my nose fastened to my face the garbage chute meets hoover hybrid. Here are my knees two wrinkled potatoes mashing in their sockets as waves crumble on me. Here is my hair my straw candyfloss unlike her buttered popcorn curly-wurly waterfall. Here are my tonsils squashy strawberries wedged at the back of the cave I once made. Here are my lips azalea-pink sweets flecked with salt from our slice of sea.
0
May 30, 2014
May 30, 2014 at 2:46 PM UTC
Anatomy
I’m a Barbie girl in a Barbie world. Life’s fantastic! I feel like plastic, aiming for an 18-inch waist because I can afford to throw my internal organs away. I feel like plastic, a neck so slender I have to choose between eating and breathing; there’s not enough space for two tubes. I feel like plastic, a 38-inch bust and 3-times the average amount of forehead. I feel like plastic, a size nine shoe squeezed to a three, spending three to nine avoiding meal time because my weight-loss book says, “Don’t eat.” I’m a Barbie girl, in a Barbie world. Life’s fantastic, but I’m not plastic. Bile tastes all too organic, its taste chasing after me if I exceed my daily nutritional limit of 2,000 calories. I’m skinny enough that people think I’m healthy. I’m not skinny enough for people to think I’m unhealthy. Anorexia is as familiar as the back of my hand, poised like a gun to the back of my throat, waiting and ready to blow. I’m a sixteen-year-old suicide case, product of the war of production, wearing battle wounds in the form of uniform lines across the tops of my thighs. I’ve been rewriting this poem since its conception. I feel like the rough draft: concision is key. (Be smaller.) I’m trying rewriting, trying to leave out things that aren’t important enough, like: four of my ribs and my esophagus and my stomach and my small intestine. I’m testing the limits of realism. But here’s the thing: I’m a real girl in a real world. Life’s not always fantastic, but I am not plastic. I am not plastic. I refuse to be plastic, aiming for generic weight range based on content, not scale number. I refuse to be plastic, eating and breathing like both are vital aspects to living. I refuse to be plastic, an actual hip-to-bust ratio for not a thirty-year-old but a teenager. I refuse to be plastic, shoe size nine in size nine shoes, trying to start enjoying mealtimes because my “weight-loss book” has been chucked down the chute. I’m a living girl in a terrifying world, trying to remind myself that “Life in Plastic!” is not fantastic.
0
Sep 13, 2017
Sep 13, 2017 at 8:00 PM UTC
revisiting Barbie Girl
I’m a Barbie girl in a Barbie world. Life’s fantastic! I feel like plastic, aiming for an 18-inch waist because I can afford to throw my internal organs away. I feel like plastic, a neck so slender I have to choose between eating and breathing; there’s not enough space for two tubes. I feel like plastic, a 38-inch bust and 3-times the average amount of forehead. I feel like plastic, a size nine shoe squeezed to a three, spending three to nine avoiding meal time because my weight-loss book says, “Don’t eat.” I’m a Barbie girl, in a Barbie world. Life’s fantastic, but I’m not plastic. Bile tastes all too organic, its taste chasing after me if I exceed my daily nutritional limit of 2,000 calories. I’m skinny enough that people think I’m healthy. I’m not skinny enough for people to think I’m unhealthy. Anorexia is as familiar as the back of my hand, poised like a gun to the back of my throat, waiting and ready to blow. I’m a sixteen-year-old suicide case, product of the war of production, wearing battle wounds in the form of uniform lines across the tops of my thighs. I’ve been rewriting this poem since its conception. I feel like the rough draft: concision is key. (Be smaller.) I’m trying rewriting, trying to leave out things that aren’t important enough, like: four of my ribs and my esophagus and my stomach and my small intestine. I’m testing the limits of realism. But here’s the thing: I’m a real girl in a real world. Life’s not always fantastic, but I am not plastic. I am not plastic. I refuse to be plastic, aiming for generic weight range based on content, not scale number. I refuse to be plastic, eating and breathing like both are vital aspects to living. I refuse to be plastic, an actual hip-to-bust ratio for not a thirty-year-old but a teenager. I refuse to be plastic, shoe size nine in size nine shoes, trying to start enjoying mealtimes because my “weight-loss book” has been chucked down the chute. I’m a living girl in a terrifying world, trying to remind myself that “Life in Plastic!” is not fantastic.
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70
loathe — july 17, 2013 reëstablish the current which made being whole no, not just in another life since fragmented whole is nothing tethered to the waist. that’s what belts are for. if you say so monitor it like you would anywhere the trajectory is clear : light the torch of multi-orbed sensation where we wait on the cusp of the whole perhaps in another life, we dare to suggest it. i don’t dare. if i did, i would consider myself a pigment of this pallet i don’t breathe limited expectation scientific claims they’re just as good as dead to me. perhaps the whole can be related and consume our progress. there is too much to see. too little methods methodic function isn’t perfunctory yet. a push is required. jumpstarting will only cause sparks. i know something better so sit down and move to the right. the light’s blocking my view and i cannot surmise unless i’m granted a complete oversight. nothing backseat, because we all know that is reductive paint splatters on my face                                                 i                                               am                                            frozen the colors reimage our complexion and erase the mistakes until we are whole [ uncertainty is the new guarantee ] introspection is a form by which we do so. everything we see is incomplete. our eyes need to be adjusted to the [ uncertain ] adore — july 29 , 2013 black blue strata pillars spruces flutes eclectic aftermath debris snaffle pop   chute-in whelked chrome lugubrious    lifeblood : trans yes mutate pro-ohms     in timehalts wyoming woodsmoke      screened scans : rancid gemini rotors       hulks histories back - lying supine arts        ( please remind me to act regimentally )
0
Aug 22, 2013
Aug 22, 2013 at 5:27 PM UTC
loathe / adore
loathe — july 17, 2013 reëstablish the current which made being whole no, not just in another life since fragmented whole is nothing tethered to the waist. that’s what belts are for. if you say so monitor it like you would anywhere the trajectory is clear : light the torch of multi-orbed sensation where we wait on the cusp of the whole perhaps in another life, we dare to suggest it. i don’t dare. if i did, i would consider myself a pigment of this pallet i don’t breathe limited expectation scientific claims they’re just as good as dead to me. perhaps the whole can be related and consume our progress. there is too much to see. too little methods methodic function isn’t perfunctory yet. a push is required. jumpstarting will only cause sparks. i know something better so sit down and move to the right. the light’s blocking my view and i cannot surmise unless i’m granted a complete oversight. nothing backseat, because we all know that is reductive paint splatters on my face                                                 i                                               am                                            frozen the colors reimage our complexion and erase the mistakes until we are whole [ uncertainty is the new guarantee ] introspection is a form by which we do so. everything we see is incomplete. our eyes need to be adjusted to the [ uncertain ] adore — july 29 , 2013 black blue strata pillars spruces flutes eclectic aftermath debris snaffle pop   chute-in whelked chrome lugubrious    lifeblood : trans yes mutate pro-ohms     in timehalts wyoming woodsmoke      screened scans : rancid gemini rotors       hulks histories back - lying supine arts        ( please remind me to act regimentally )
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33
Thoughts and beliefs bubbling in my head Yet when the nozzle opens The water remains stagnant The chute blocked by a language barrier An English lad and a French Claire Both hearts galloped in stampede The two magnets draw in spontaneously But does love exist from the front cover alone? The vast terra firma Perforated in years time Earth plates sever the one masterpiece into pieces The scraps bounded by a shimmering blue frame Engineering, Psychology, and Humanities All in uniform language But still segregated Even with a paint degree Does the artist know what note the musician is playing? A gallant soldier Survived the war of “learn how to speak German” Two languages under the belt, but 6,498 to go Illustrious pride stifled into humility Will there ever be a language compromise?
0
Apr 18, 2013
Apr 18, 2013 at 11:33 PM UTC
Foreigner
You know how when you walk down the street You can hear the whispers about everyone else on that street That the frail, sallow faced homeless man with the rattling tin can That man whose moaning and screeching weakly to himself can only mean bad things Ought be locked away; shoved into a loony bin Ought to be rattling his skull against a padded wall instead of a can Well they all say he must have lost his marbles somehow Well they must have fallen from his ears like gumballs from a metal chute As if sanity is just a series of tiny glass ***** that you could lose beneath your bed As if the memories and morality of some demented women are just collecting dust somewhere But I doubt that sanity should be perceived in that fashion But I doubt that our mental stability isn’t more like one massive marble All thick and glassy but crusted in spatters of glitter All shiny and glimmering with the memories of some tortured soul Rocking back and forth against their skulls and chipping away their ability to cope Rocking back and forth the way they do in the fetal position; alone in their bedrooms Breaking off tinsel-y bits of their childhood, their personality, their purpose Breaking off a kaleidoscope chunk of their minds Perhaps we don't ‘lose’ our marbles at all Perhaps they just crumble away
0
Jun 30, 2013
Jun 30, 2013 at 2:32 AM UTC
Sanity
Where collects the thoughts of the paraplegic sitting alone in thoughts of a past no longer perfect ? The glowing red sun sets behind the hill as life flows by against our will Every step has a purpose even when we are running away Each cause has effect but once motored it is here to stay Tell me of the sands of time how fickle they stand Against the winds of change a dead man's hand Everyday , so much the same never the moment to be again Such a little word that means so much , "never" again Blessed yet all are the same taken for granted , a dance of denial Catch us before our great fall Parachute us . . . or we won't be even able to crawl
0
Apr 30, 2015
Apr 30, 2015 at 8:45 PM UTC
Paracete Chute (Protect against a fall)
I pulled on an oversized sweater to stop my hands from shivering as I typed my soul out to you I arranged the alphabet into a story made only for you to ball up and throw into the chute down to the garbage pit in the back of your mind it was thanksgiving and you packed my things and you left everything the way it was incomplete you left me standing in my room twelve years old and confused the grand return came as I conquered ninth grade and I pulled on oversized sweaters to stop my mind from wandering towards the mirror listening intently to my stepmother’s words and the drunken cries to God you wept yourself to sleep on the porch every night and what was I to do but wonder fourteen and impressionable you left again to find a better life than the bottle could supply you wrote me letters on Tuesdays signed with an Ichthys and a verse and I pulled on oversized sweaters to stop the chills that sank deep into my heart on nights when I needed someone who wasn’t there and found someone who didn’t need to be there in the first place sixteen and licentious you came back and stopped leaving found contentedness in the bottom of a Bible etsi deus non daretur and I pulled on oversized sweaters to silence the questions brought forth by my past.
0
Jan 30, 2014
Jan 30, 2014 at 3:28 PM UTC
sweaters
In tandem we took the jump- Just you and me. We weren't falling-- we were flying We were free Parachutes deployed, and sailing were we -- somewhere towards the ground. But an unsound wind whirled around, and separated you from me. now alone and unwound but still sailing, you see. sailing, searching, hoping foolishly-- while you hurtle farther from me as not to be found losing focus. losing hope. and I can't see. but you came back - just to cut the cords of my chute so callously. now falling, not flying or sailing - not happy nor free plummeting down, down, down and you're nowhere to be found. alone and falling, no net to slow me down no trampoline, no rebound and you're nowhere to be found. would that you would catch me, but you make not a sound so you leave your mark a secret blemish -- nowhere to be found
0
Sep 16, 2012
Sep 16, 2012 at 7:14 AM UTC
nowhere to be found
We risk our lives everyday every time that we clock in, it's our way of life and what we do its the way it's always been. We wake at 3 am to bells ringing and sirens blare, we leap to our feet and go get dressed to fight deep in Hells lair. In the darkness we don our gear Strap on helmet and boot, as one these brothers all get up go sliding down the chute. We run to the truck now wide awake and with ease we slide in, we put on our headsets to hear each other all other noise becomes a low din. We race to the scene where smoke is showing no one knows who got out, we put on our airpacks and our masks to talk we must now shout. With axe in hand we enter therein the Devils home amidst the flame, we quickly search for everyone boy, girl, man and dame. The air is hot we can feel it through the clothe armor that we wear, but on we search through the building till we realize we're low on air. Another​ crew goes in In their hands the hose To find the seat of the flames It's advancement to oppose We cut the roof we pull the ceiling Our hands and feet lose all feeling We find a child we cover them up We rush back to the door We bring them to safety and go back in To check and search for more For hours the cycle repeats Till all is said and done The fire is out, we've done our job This time we won No fire is left and all are safe We put our tools and hose away And go back to the station Where hopefully we'll get to stay Our gears been scrubbed Time to rest our exhausted bodies We wake at 8 am to bells ringing and sirens blare, we leap to our feet and go get dressed to fight deep in Hells lair...
0
May 14, 2017
May 14, 2017 at 10:32 PM UTC
A Fireman's Day
We risk our lives everyday every time that we clock in, it's our way of life and what we do its the way it's always been. We wake at 3 am to bells ringing and sirens blare, we leap to our feet and go get dressed to fight deep in Hells lair. In the darkness we don our gear Strap on helmet and boot, as one these brothers all get up go sliding down the chute. We run to the truck now wide awake and with ease we slide in, we put on our headsets to hear each other all other noise becomes a low din. We race to the scene where smoke is showing no one knows who got out, we put on our airpacks and our masks to talk we must now shout. With axe in hand we enter therein the Devils home amidst the flame, we quickly search for everyone boy, girl, man and dame. The air is hot we can feel it through the clothe armor that we wear, but on we search through the building till we realize we're low on air. Another​ crew goes in In their hands the hose To find the seat of the flames It's advancement to oppose We cut the roof we pull the ceiling Our hands and feet lose all feeling We find a child we cover them up We rush back to the door We bring them to safety and go back in To check and search for more For hours the cycle repeats Till all is said and done The fire is out, we've done our job This time we won No fire is left and all are safe We put our tools and hose away And go back to the station Where hopefully we'll get to stay Our gears been scrubbed Time to rest our exhausted bodies We wake at 8 am to bells ringing and sirens blare, we leap to our feet and go get dressed to fight deep in Hells lair...
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52
(my great, great grandfather as told by my mamasita) he came from Calbiga with his Spanish nose tropic’s warmth allowed him to wear but a pair of shorts everyday his shirtlessness revealed smooth, supple, brown skin thick shimmering white hair the only clue to his age without knife or razor his fingers felt his face and tweezered stubble with a pair of empty clam shells he slept on a pillow of hard narrah wood made smooth and shiny by years of use he built his nipa and bamboo house by the shore big, sturdy and strong sheltered at cliff’s foot it withstood every storm high atop the cliff a tree stood tall and huge a prolific garden of crops and flowers grew in the soft filtered light of its canopy cane and banana relinquished skin in strips scraped clean and sun dried woven into harvest and fishing baskets braided into fishing line he cut down only what he needed allowing the plants to thrive long before sustainability was new old folks said that tall and huge tree was a faeries’ castle tending pineapples growing beneath it Apay Bectay heard a voice beckoning her a sweet musical melody in the wind “Bectay…Bectay…” she peered upward to a vision so beguiling a beautiful naked lady sitting high on a limb her skin a pale, pale white her face and smile radiant she stroked her long golden hair with a golden comb as it flowed alive with the breeze she appeared as a mermaid underwater sitting in a sea of swaying green leaves Apay Bectay ran home for fear of enchantment one day, my ears followed a peaceful, playful tune until I came upon Apoy Engo by his front door post improvising on a small yellow flute he had carved by hand a thin, foot long bamboo chute harvested from a nearby grove when the tide was high you could always find him fishing by the house, close to shore rain or shine as long as the sea was calm sitting in his banca slightly stooped patiently awaiting a bite for his viand a woven sun shade hat tied under his chin a picture of serenity accompanied by the soft lapping sea
0
Apr 13, 2014
Apr 13, 2014 at 11:56 PM UTC
APOY ENGO
(my great, great grandfather as told by my mamasita) he came from Calbiga with his Spanish nose tropic’s warmth allowed him to wear but a pair of shorts everyday his shirtlessness revealed smooth, supple, brown skin thick shimmering white hair the only clue to his age without knife or razor his fingers felt his face and tweezered stubble with a pair of empty clam shells he slept on a pillow of hard narrah wood made smooth and shiny by years of use he built his nipa and bamboo house by the shore big, sturdy and strong sheltered at cliff’s foot it withstood every storm high atop the cliff a tree stood tall and huge a prolific garden of crops and flowers grew in the soft filtered light of its canopy cane and banana relinquished skin in strips scraped clean and sun dried woven into harvest and fishing baskets braided into fishing line he cut down only what he needed allowing the plants to thrive long before sustainability was new old folks said that tall and huge tree was a faeries’ castle tending pineapples growing beneath it Apay Bectay heard a voice beckoning her a sweet musical melody in the wind “Bectay…Bectay…” she peered upward to a vision so beguiling a beautiful naked lady sitting high on a limb her skin a pale, pale white her face and smile radiant she stroked her long golden hair with a golden comb as it flowed alive with the breeze she appeared as a mermaid underwater sitting in a sea of swaying green leaves Apay Bectay ran home for fear of enchantment one day, my ears followed a peaceful, playful tune until I came upon Apoy Engo by his front door post improvising on a small yellow flute he had carved by hand a thin, foot long bamboo chute harvested from a nearby grove when the tide was high you could always find him fishing by the house, close to shore rain or shine as long as the sea was calm sitting in his banca slightly stooped patiently awaiting a bite for his viand a woven sun shade hat tied under his chin a picture of serenity accompanied by the soft lapping sea
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69
La Llorona (ce poéme écrit après avoir écouté la chanson est dédié à Frida Kahlo et à Joan Baez) Sur les remparts de Tenochtitlan tu ne sors qu'à la nuit couchante les nuits ou la lune est orange tourne rouge de sang et d'amertume. Tu fais briller ta chevelure de geai, tel un diamant noir, ton nom est "Llorona la belle" qui nous appelle de ses pleurs. Et tente de nous attirer Avec sa voix rauque et ses pleurs. Tu annonces la venue de ceux par qui la mort doit advenir. Car telle est ta prophétie magicienne, du Monde Indien. Surtout passant, ferme les yeux et retiens ton amour naissant car la Llorona ne vient pas pour te serrer dans ses bras et te donner sa douce peau, Ni te couvrir de baisers. Elle se fait messagère de malheur. Et annonce les temps nouveaux D’où surgiront les hommes barbus, bardés de fer avec ces animaux fabuleux Et leur bâton de foudre et de tonnerre qui tuent mieux que la guerre fleurie. Son chant est hymne funèbre ou la prophétie s'accomplit dans les cliquetis d’acier, la maudite soif de l’or et le feu des bûchers. Garde toi de suivre « la pleureuse » qui t'annonce les jours maudits, ou le sang indien va couler et le Peuple être mis en servage. Loran ta beauté est venin cartes présages sont les flèches que nous lancent les "temps nouveaux". Pleurons, tous, notre liberté et les jours de cendre venus, et la chute des Dieux serpents. Paul Arrighi, Toulouse
0
Jan 9, 2014
Jan 9, 2014 at 4:12 PM UTC
La Llorona
Son regard a croisé le mien Ses yeux ont percé les miens J'ai été fauché par son parfum Elle m'a souri, je lui ai pris la main Maintenant ma peau connait la sienne et ne veux plus la quitter Et mes mains tremblent a l'idée de ne plus la toucher Les jours je rêve d'elle, et je rêve eveillé La nuit j'admire son image qui ne peux me quitter Mon coeur fond, ma tête craque du seul son de sa voix Comme la neige s'effondre sous un seul de nos pas Je suis tombé dans le piège. Maintenant il faut qu'elle m'achève Mais je suis seul, et j'ai froid Je ne vois plus que ses yeux Je n'entend plus que sa voix Je tombe d'amour, je tombe dans le piège Et dans ma chute je crois bien que je la vois Qui se jette dans le vide, le vide au creu de mes bras Ne me retenez pas. Je suis tombé Je ne veux plus me relever Je ne vie plus que pour elle Il m'en pousserai des ailes Mais je suis tombé. Je suis cloué. Je suis tombé dans le piège. Et si ce n'est qu'un rêve Ne me reveillez pas.
0
Jul 17, 2014
Jul 17, 2014 at 8:55 AM UTC
Je suis tombé dans le piège
Consider a drip, Falling from a faucet. An effortless glide to the sink, Plunging into the drain. Twisting, Turning, Tumbling. A skydiver’s free fall, With out his chute. A direct flight, And then – the curve, Hard, Full, Yucky, Ding – **** “ It’s the plumber he’s come to fix the sink.”
0
Jan 6, 2014
Jan 6, 2014 at 8:28 PM UTC
CONSIDER A DRIP
The paint is chipping, the Christmas tree shutters hanging Green on gray, brick stoop and twin column mouth Opens to creaking stairs that made sneaking out commando work My room made your favorite shade is gone, death to ugly orange I used to think of it as my laboratory, safe haven for exploration And abstract cultivation, I bled my innocence into the floorboards There are still fist-sized holes along the stud that I detected Remnants of the games I played and the four that I connected The basement is still damp and dreary, the wooden cage for laundry suspended At the bottom of a chute that you told me was the tomb of a curious girl My weight bench, secondhand and mixed pounds with kilograms Living in sin, vowed never to be defenseless training endless The attic lends its hospitable hand to trapped bird and cobweb gems Quarter-circle window kept by chain hungrily swallows smoke Shelves packed so tight with yellowing knowledge and petrified wood That if spiteful spark made love to Musty air and ********** embers, I would never make it out Déjà vu as backyard grass soothes badtripbitch with tingling tips Of leathery flesh, ready to be buried and wormed in its bedbox Overwhelmed like militia in failing keep against advancing hordes Until nature’s handsome sprouts remind me life is beautiful, always The trumpet vine grows hideous and spiny, roots reaching deep Settles in its site and survives all assaults man-made For a blink during the year its vermillion nectar tubes take flower The hummingbirds find love outside my window in their bloom
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May 13, 2011
May 13, 2011 at 10:16 PM UTC
98. Hummingbirds 5/13/11
The paint is chipping, the Christmas tree shutters hanging Green on gray, brick stoop and twin column mouth Opens to creaking stairs that made sneaking out commando work My room made your favorite shade is gone, death to ugly orange I used to think of it as my laboratory, safe haven for exploration And abstract cultivation, I bled my innocence into the floorboards There are still fist-sized holes along the stud that I detected Remnants of the games I played and the four that I connected The basement is still damp and dreary, the wooden cage for laundry suspended At the bottom of a chute that you told me was the tomb of a curious girl My weight bench, secondhand and mixed pounds with kilograms Living in sin, vowed never to be defenseless training endless The attic lends its hospitable hand to trapped bird and cobweb gems Quarter-circle window kept by chain hungrily swallows smoke Shelves packed so tight with yellowing knowledge and petrified wood That if spiteful spark made love to Musty air and ********** embers, I would never make it out Déjà vu as backyard grass soothes badtripbitch with tingling tips Of leathery flesh, ready to be buried and wormed in its bedbox Overwhelmed like militia in failing keep against advancing hordes Until nature’s handsome sprouts remind me life is beautiful, always The trumpet vine grows hideous and spiny, roots reaching deep Settles in its site and survives all assaults man-made For a blink during the year its vermillion nectar tubes take flower The hummingbirds find love outside my window in their bloom
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26
I was tired Drained like laundry being wrung out to be dried As soon as my meds went down the chute of my throat I woke up But being awakened had brought fourth that of which I felt That I felt was my heart dulling more and falling from a cloud like rain Forward I went Upon a train of remembered dreams and no feelings Onto a path of things not felt and only heard Paused in motion Although my head was above water like flowers fallen from trees My feet were never meant to like the roots of those trees, touch the ground
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Jun 10, 2015
Jun 10, 2015 at 11:13 PM UTC
Bluebells
a man stands in an empty lobby of his apartment building the night had hit its stride and was walking tall in front of the closed doors of the elevator his finger falters lingering just as the red display reads: 4F he is confronted with a decision up or down? above him lies his apartment, his home his girlfriend of many years conversation about his day and the promise of a meal then television and watered down beer endless talking about the rent and what the new girl did at work talks about relationships and the ever-looming future what comes next? the man pulls out his phone absently checking the time below him are the basement apartments and the apartment of the girl he met last week when the trash chute was clogged so he had to go all the way downstairs the girl who lives alone with barely any furniture and no heat the girl whose brown hair always bears the sign of a good morning tangled and askew the girl whose thrift store clothing clings to the contorts of her body so effortlessly the girl who had once said feel free to come over sometime. We’d have a lot of fun I can keep a secret if you can he pulls out his phone and checks the time again he is late his finger presses firmly against the up arrow the elevator chugging to life he fixes his shirt as the doors open with their familiar bell the man enters the elevator and presses the button for his floor and goes home
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Apr 8, 2014
Apr 8, 2014 at 2:45 PM UTC
Which Floor?
“We” are becoming a game A game of Hide my feelings And Seek your touch A game of Memory While you memorize my curves I memorize the curves of your smile A game of ring around the truth and let the thought of being together fall right down my cheek as I cry from your words of Guess Who doesn't love you “We” have become that Puzzle With the pieces that all look the same And I’m not sure if our pieces fit together One of those puzzles with the pieces that look like they’ll fit But you won’t know for sure till you finish But you aren’t sure you want to try hard enough to find out A game where you Chute me that look And I start to climb the Ladder Even though I know I’m gonna have to slide back down eventually A game where I constantly think about the sweet Candy that is you and Land right back into reality Knowing you’ll never get the Clue And I’ll be the one who is Sorry Even though I should have known you were Trouble all along I’m starting to learn that this is Life And the War with myself isn’t worth it It isn’t worth feeling like the Paper While you are the Scissors when really we are both stuck under this Rock We just keep calling for Red Rover to send sanity right over our way so we can finally figure out the Monopoly of Forged seduction I’ll just continue to Go Fishing for the words to unlock our mystery so we can finally Connect our Four arms together ‘We” are becoming a game Where we are constantly Tagging each other to be the one to say It first A game where feelings are Cooties and we have to Circle our brains to find the Spot Where we find out if we even have a Shot You’ll just keep making me Tick While I try to find a way to Tack a label Toe how I feel Until I realise this is just Child's Play
0
Sep 23, 2014
Sep 23, 2014 at 12:54 AM UTC
Child's Play
“We” are becoming a game A game of Hide my feelings And Seek your touch A game of Memory While you memorize my curves I memorize the curves of your smile A game of ring around the truth and let the thought of being together fall right down my cheek as I cry from your words of Guess Who doesn't love you “We” have become that Puzzle With the pieces that all look the same And I’m not sure if our pieces fit together One of those puzzles with the pieces that look like they’ll fit But you won’t know for sure till you finish But you aren’t sure you want to try hard enough to find out A game where you Chute me that look And I start to climb the Ladder Even though I know I’m gonna have to slide back down eventually A game where I constantly think about the sweet Candy that is you and Land right back into reality Knowing you’ll never get the Clue And I’ll be the one who is Sorry Even though I should have known you were Trouble all along I’m starting to learn that this is Life And the War with myself isn’t worth it It isn’t worth feeling like the Paper While you are the Scissors when really we are both stuck under this Rock We just keep calling for Red Rover to send sanity right over our way so we can finally figure out the Monopoly of Forged seduction I’ll just continue to Go Fishing for the words to unlock our mystery so we can finally Connect our Four arms together ‘We” are becoming a game Where we are constantly Tagging each other to be the one to say It first A game where feelings are Cooties and we have to Circle our brains to find the Spot Where we find out if we even have a Shot You’ll just keep making me Tick While I try to find a way to Tack a label Toe how I feel Until I realise this is just Child's Play
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50
Talk to me Talk to me about half-finished journals and empty theaters Talk to me about the calluses on the soles of your feet Do you think they look like art? Talk to me about the bobby pins stuck between the sheets of your bed Talk to me about the broken doorbell in your childhood house Why have you never gotten it fixed? Do you think it says a lot about your family? Do you think it’s a metaphor for your parents’ relationship? Talk to me about the ghosts in your head I wanna see if they look like mine If they were friends in some past, unfulfilled life Talk to me about kites Talk to me about knee high socks What do they remind you of? Talk to me about spilled lemonade Does the sourness still linger on your tongue Long after the mess as been mopped up? Talk to me about your 10th grade English teacher Do you resent her blatant favouritism? Do you wonder why she didn’t like you the best? Do you ever wonder why It seems like nobody likes you the best? Talk to me about the peonies in the garbage chute Talk to me about untied shoelaces And an 8 year old’s skinned knees Talk to me about slippery floors Talk to me about illegal downloads Talk to me about Tarsiers Talk to me about oil pastels Do you prefer them over any other art medium Because they are dirtier, messier and more difficult to work with it? Talk to me about recycling Do you think it’s pointless? Or do you think it’s gonna make a significant difference? Talk to me about Broadway musicals Talk to me about Hercules Have you ever dreamed of being immortalized Through the whispering of the stars? Talk to me about god Do you think god made man Or did man make god? Talk to me about clay pots Talk to me about cacti Talk to me about the color grey Talk to me about plastic balloons When did you learn that the art of letting go Is closely intertwined with the tragedy of loss? Talk to me about films Talk to me about knuckles What do you tell your grandmother When she asks why they are bruised and wounded? Talk to me about Geishas Talk to me about roadtrips And that one time when you were 15 And you drove away in your older brother’s car Feeling young and reckless and so so alive Talk to me about pain Every stabbing hurt Every mouth filled with blood Talk to me about joy Both the abundance and the lack of it Talk to me about love And warmth And light And the sound of coming home Talk to me Write your life’s story on torn Christmas wrappers And I will hold them in my hands like sacred beads of prayer Talk to me Open the cracks of your spine and engulf me in the shade of your eyes Talk to me Let me in
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Dec 29, 2014
Dec 29, 2014 at 5:19 AM UTC
Talk To Me
Talk to me Talk to me about half-finished journals and empty theaters Talk to me about the calluses on the soles of your feet Do you think they look like art? Talk to me about the bobby pins stuck between the sheets of your bed Talk to me about the broken doorbell in your childhood house Why have you never gotten it fixed? Do you think it says a lot about your family? Do you think it’s a metaphor for your parents’ relationship? Talk to me about the ghosts in your head I wanna see if they look like mine If they were friends in some past, unfulfilled life Talk to me about kites Talk to me about knee high socks What do they remind you of? Talk to me about spilled lemonade Does the sourness still linger on your tongue Long after the mess as been mopped up? Talk to me about your 10th grade English teacher Do you resent her blatant favouritism? Do you wonder why she didn’t like you the best? Do you ever wonder why It seems like nobody likes you the best? Talk to me about the peonies in the garbage chute Talk to me about untied shoelaces And an 8 year old’s skinned knees Talk to me about slippery floors Talk to me about illegal downloads Talk to me about Tarsiers Talk to me about oil pastels Do you prefer them over any other art medium Because they are dirtier, messier and more difficult to work with it? Talk to me about recycling Do you think it’s pointless? Or do you think it’s gonna make a significant difference? Talk to me about Broadway musicals Talk to me about Hercules Have you ever dreamed of being immortalized Through the whispering of the stars? Talk to me about god Do you think god made man Or did man make god? Talk to me about clay pots Talk to me about cacti Talk to me about the color grey Talk to me about plastic balloons When did you learn that the art of letting go Is closely intertwined with the tragedy of loss? Talk to me about films Talk to me about knuckles What do you tell your grandmother When she asks why they are bruised and wounded? Talk to me about Geishas Talk to me about roadtrips And that one time when you were 15 And you drove away in your older brother’s car Feeling young and reckless and so so alive Talk to me about pain Every stabbing hurt Every mouth filled with blood Talk to me about joy Both the abundance and the lack of it Talk to me about love And warmth And light And the sound of coming home Talk to me Write your life’s story on torn Christmas wrappers And I will hold them in my hands like sacred beads of prayer Talk to me Open the cracks of your spine and engulf me in the shade of your eyes Talk to me Let me in
Continue reading...
73
Young Americans, all volunteers Sampling English women and English beer Over sexed, over paid and over here In the scrubby bit next to Sally's house there used to stand another cottage. If you scrape away some soil you can find floor bricks. A german fighter tailed some bombers back, shot one down as it made its final landing approach.It crashed short, demolishing the cottage. When Sally first moved in there were bits of metal laying around and dials hanging in the trees. An old boy turned up one day, a surviving crew member. They gave him some bits of his old plane to take home. On planes with names like Frivolous Sal, Dauntless Dotty Million $ Baby, Memphis Belle Sylvia was a child during the war.They saw a german fighter shot down, the pilot managed to open his chute. He walked up to their house, knocked on the door and gave himself up. Sylvia's dad marched him down to the Police Station. Braving the freezing hostile skies Thousands and thousands of you guys How can we thank you After you've died? Next to Diane's house, hidden in the trees are the remains of nissen huts built as accommodation for the airmen. Not much left after 70 years, a few concrete block walls. Now and again she used to see some misty-eyed old guy gazing into the trees. Long after you're gone The land remembers Bears the scars Of those few years of turmoil David is a gardener in our village, nice guy, should have retired by now. Don't think his father ever kept in touch.
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Mar 19, 2012
Mar 19, 2012 at 1:16 PM UTC
Young Americans
Endlessly... we fall... connecting through cognetive strenght as we endeavor the practice of never looking back... trembling hands reaching out for intricate parts of reality... concerned... we fall... Positive emotions dance happily as morning mist turns into droplets that run down the side of your face like tears and I rejoice while we climb as high as can be, up into the sky, over the clouds - over the sea time slows down... stops... endlessly... we fly! Freefalling ... waiting for the wacky 'chute to open Falling further and further away from the ground silently ... without a sound ... we rise
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Apr 15, 2013
Apr 15, 2013 at 8:35 PM UTC
the peculiarities of life