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"chinese" poems
Maybe it's the way the national flag flies so high Despite the country's imperfections Maybe it's the way we're united Not separated, despite the difference in cultures, Believes, traditions, languages Maybe it's the way you see an Indian eating with chopsticks, The way you see a Malay in a saree, The way you see a Chinese making ketupat's for Hari Raya. Maybe it's the unity you see, Maybe it's the goosebumps you feel when you say Merdeka, Maybe despite the hate you have towards history, Deep down, you know how grateful you are to be Malaysian. Maybe it's the way you walk into a mamak, And say " tauke tapau roti canai 1 milo ais 99 " And maybe, It lies in diversity, Beyond everything else. Malaysia, tanah tumpahnya darahku.
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Aug 30, 2014
Aug 30, 2014 at 1:27 PM UTC
Happy Independence Day, Malaysia.
Touch it: it won't shrink like an eyeball, This egg-shaped bailiwick, clear as a tear. Here's yesterday, last year --- Palm-spear and lily distinct as flora in the vast Windless threadwork of a tapestry. Flick the glass with your fingernail: It will ping like a Chinese chime in the slightest air stir Though nobody in there looks up or bothers to answer. The inhabitants are light as cork, Every one of them permanently busy. At their feet, the sea waves bow in single file. Never trespassing in bad temper: Stalling in midair, Short-reined, pawing like paradeground horses. Overhead, the clouds sit tasseled and fancy As Victorian cushions. This family Of valentine faces might please a collector: They ring true, like good china. Elsewhere the landscape is more frank. The light falls without letup, blindingly. A woman is dragging her shadow in a circle About a bald hospital saucer. It resembles the moon, or a sheet of blank paper And appears to have suffered a sort of private blitzkrieg. She lives quietly With no attachments, like a foetus in a bottle, The obsolete house, the sea, flattened to a picture She has one too many dimensions to enter. Grief and anger, exorcised, Leave her alone now. The future is a grey seagull Tattling in its cat-voice of departure. Age and terror, like nurses, attend her, And a drowned man, complaining of the great cold, Crawls up out of the sea.
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41.9k
A Life
This is the easy time, there is nothing doing. I have whirled the midwife's extractor, I have my honey, Six jars of it, Six cat's eyes in the wine cellar, Wintering in a dark without window At the heart of the house Next to the last tenant's rancid jam and the bottles of empty glitters ---- Sir So-and-so's gin. This is the room I have never been in This is the room I could never breathe in. The black bunched in there like a bat, No light But the torch and its faint Chinese yellow on appalling objects ---- Black asininity. Decay. Possession. It is they who own me. Neither cruel nor indifferent, Only ignorant. This is the time of hanging on for the bees--the bees So slow I hardly know them, Filing like soldiers To the syrup tin To make up for the honey I've taken. Tate and Lyle keeps them going, The refined snow. It is Tate and Lyle they live on, instead of flowers. They take it. The cold sets in. Now they ball in a mass, Black Mind against all that white. The smile of the snow is white. It spreads itself out, a mile-long body of Meissen, Into which, on warm days, They can only carry their dead. The bees are all women, Maids and the long royal lady. They have got rid of the men, The blunt, clumsy stumblers, the boors. Winter is for women ---- The woman, still at her knitting, At the cradle of Spanis walnut, Her body a bulb in the cold and too dumb to think. Will the hive survive, will the gladiolas Succeed in banking their fires To enter another year? What will they taste of, the Christmas roses? The bees are flying. They taste the spring.
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40.8k
Wintering
This is the easy time, there is nothing doing. I have whirled the midwife's extractor, I have my honey, Six jars of it, Six cat's eyes in the wine cellar, Wintering in a dark without window At the heart of the house Next to the last tenant's rancid jam and the bottles of empty glitters ---- Sir So-and-so's gin. This is the room I have never been in This is the room I could never breathe in. The black bunched in there like a bat, No light But the torch and its faint Chinese yellow on appalling objects ---- Black asininity. Decay. Possession. It is they who own me. Neither cruel nor indifferent, Only ignorant. This is the time of hanging on for the bees--the bees So slow I hardly know them, Filing like soldiers To the syrup tin To make up for the honey I've taken. Tate and Lyle keeps them going, The refined snow. It is Tate and Lyle they live on, instead of flowers. They take it. The cold sets in. Now they ball in a mass, Black Mind against all that white. The smile of the snow is white. It spreads itself out, a mile-long body of Meissen, Into which, on warm days, They can only carry their dead. The bees are all women, Maids and the long royal lady. They have got rid of the men, The blunt, clumsy stumblers, the boors. Winter is for women ---- The woman, still at her knitting, At the cradle of Spanis walnut, Her body a bulb in the cold and too dumb to think. Will the hive survive, will the gladiolas Succeed in banking their fires To enter another year? What will they taste of, the Christmas roses? The bees are flying. They taste the spring.
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50
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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20.5k
Fable and Round of the Three Friends
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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70
Take me to the art museum and kiss me by the paintings, Take me to the deeper parts of the oceans, so deep that any coral reef will be jealous that we will survive, Take me to that little ice cream shop my parents use to go on dates to when they were hopelessly in love and I'll let you order your favorite ice cream, Take me to the Chinese restaurant where my schizophrenic grandmother use to take me on late night outings and I'll kiss you in every booth, take me to New Jersey, to that beach where your parents stood in the same room and introduced you to home, take me to your bed, talk to me about those parts of your body not everyone gets to meet, take me to an abandoned hospital and let me take your blood on a canvas and make it resemble the Mona Lisa, so that people years from now glorify us, take me to the hill where I first tried ******* and let's make our hearts beat in sync with the breath of the flowers surrounding us, take me to that bench in the school gym where we met and kiss me, kiss me like you've never kissed anyone before, kiss me as if it'll be the last lips you ever touch, kiss me as if your life depended on it, take me to the edge of the universe and I'll show you the end of my love.
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May 25, 2014
May 25, 2014 at 9:37 AM UTC
Take me
Hindi matigas lahat ng bato Hindi lalago ang halamang nakatago Pero kung bubunutin din naman Anong silbi ng pagkakakilanlan? Itaas ang kamay kung ginawa mo ito: Ituro sa kapatid na bakla ang tito mo, Kung gayon, ito ay duwag at gago, Tingnan bilang presong kulong sa kandado At kung sapatos ni kuya, suot ng ate mo, Walang alam ni isa, pero sa ina sinabi mo Nasaksihan ang paglisan ng nagturong pumorma Narinig ang galit ng ama, sigaw ay "imoral ka!" Putang ina, lahat iyon ay narinig mo Hindi na kaya ng sentido mo Mali ito, mali ito ang pilit ng lipunan sayo Iwaksi mo, iwaksi mo, at tatanggapin ka nito Sa oras na lumabas ka, wala ka nang pangalan At araw-araw sa buhay mo, tila umuulan Ng husga, ng ismid, ng dura sa sahig Tawag sainyo ng kasintahan ay bawal na pag-ibig Tomboy, bakla, bayot, tibo Araw na binigyan ka ng ngalan tila naglaho Binato ng panghahamak na gusto mo nang lumisan Kaysa tanggapin ang galit na pinagmulan ay di alam 'Mahalin mo ang 'yong kapwa' Banggit at turo ng May Likha Pero bakit may galit ata Nagpahayag nito't nagsalita? Hindi ba itinuturing na kapwa sila? Na kasama **** lumaki, magdalaga? Kalaro ng chinese garter baga, Kahit alam **** lalaki naman talaga siya Ang saya na dulot niya di mo naalala Nang minsan sa kanto'y sutsutan siya Sapatos lang daw at k'onting barya Tiningnan ka niya, ikaw ay tumawa Saan ba ang lugar sa mundo para sa kanya? Mahirap bang sabihin, katagang, 'tanggap kita?' Tingin mo ba'y karamdaman kanyang nadarama? Oh bakit nakangiti ka? Nahawa ka ba? Kaya ba't ka umiiwas nang nalaman mo na? Bilang kaibigan, oo nabigla ka nga Pero 'wag mo naman sanang isiping Naisip niya minsang ika'y makasiping Alisin na natin ang malawakang pag-iisip Na pandirihan ang kakaiba, pero subukan **** sumilip, Lalawak ang saradong takip Sana isang araw ang hangin, magbago ang ihip Maging magkasama, pantay-pantay sa ibabaw ng isang ulap Nawa'y mga anak nati'y maranasan, ekwalidad sa hinaharap Matapos na ang inis at galit Pagmamahal ang pumalit
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Jun 28, 2016
Jun 28, 2016 at 5:57 AM UTC
Isipin mo
Hindi matigas lahat ng bato Hindi lalago ang halamang nakatago Pero kung bubunutin din naman Anong silbi ng pagkakakilanlan? Itaas ang kamay kung ginawa mo ito: Ituro sa kapatid na bakla ang tito mo, Kung gayon, ito ay duwag at gago, Tingnan bilang presong kulong sa kandado At kung sapatos ni kuya, suot ng ate mo, Walang alam ni isa, pero sa ina sinabi mo Nasaksihan ang paglisan ng nagturong pumorma Narinig ang galit ng ama, sigaw ay "imoral ka!" Putang ina, lahat iyon ay narinig mo Hindi na kaya ng sentido mo Mali ito, mali ito ang pilit ng lipunan sayo Iwaksi mo, iwaksi mo, at tatanggapin ka nito Sa oras na lumabas ka, wala ka nang pangalan At araw-araw sa buhay mo, tila umuulan Ng husga, ng ismid, ng dura sa sahig Tawag sainyo ng kasintahan ay bawal na pag-ibig Tomboy, bakla, bayot, tibo Araw na binigyan ka ng ngalan tila naglaho Binato ng panghahamak na gusto mo nang lumisan Kaysa tanggapin ang galit na pinagmulan ay di alam 'Mahalin mo ang 'yong kapwa' Banggit at turo ng May Likha Pero bakit may galit ata Nagpahayag nito't nagsalita? Hindi ba itinuturing na kapwa sila? Na kasama **** lumaki, magdalaga? Kalaro ng chinese garter baga, Kahit alam **** lalaki naman talaga siya Ang saya na dulot niya di mo naalala Nang minsan sa kanto'y sutsutan siya Sapatos lang daw at k'onting barya Tiningnan ka niya, ikaw ay tumawa Saan ba ang lugar sa mundo para sa kanya? Mahirap bang sabihin, katagang, 'tanggap kita?' Tingin mo ba'y karamdaman kanyang nadarama? Oh bakit nakangiti ka? Nahawa ka ba? Kaya ba't ka umiiwas nang nalaman mo na? Bilang kaibigan, oo nabigla ka nga Pero 'wag mo naman sanang isiping Naisip niya minsang ika'y makasiping Alisin na natin ang malawakang pag-iisip Na pandirihan ang kakaiba, pero subukan **** sumilip, Lalawak ang saradong takip Sana isang araw ang hangin, magbago ang ihip Maging magkasama, pantay-pantay sa ibabaw ng isang ulap Nawa'y mga anak nati'y maranasan, ekwalidad sa hinaharap Matapos na ang inis at galit Pagmamahal ang pumalit
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52
Oh how I hate this time of year, with the stupid songs and holiday cheer... Annoying bell ringers outside the store, and the tacky wreaths hanging on the door. Cardboard calendars filled with waxy treats, ice and snow making death traps of streets. Frazzled parents spending more then they should on entitled kids who are far from good. Fake smiles & wishes in the "spirit" of it all, the empty shelves- the crowds at the mall. The hour long line to see Santa the phony who falsely promises an x-box or a pony. Having to gather with family who annoy, gifting another cheap Chinese-made toy. Fire hazards strung with tinsel and lights, tensions leading to fun Christmas fights! Secret Santas- holiday parties for work- ugly sweaters making you look like a **** The stress of having an enormous list and a tiny budget just makes me ****** No, nothing seems jolly or merry or bright... Oh how I can't wait till post-Christmas night!
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Dec 7, 2017
Dec 7, 2017 at 9:24 PM UTC
F-Mas
The mushroom The unfolding instant of creation (fertilisation) not an instant separate from breakfast It all flows down & out, flowing but that instant: not fire & fusion (fission) but a moment of jellied ice, crystal, vegetative mating merging in cool slime splendour a crushing of steel & glass & ice (instant in a bar; glasses clash, clink, collide) far-out splendour heat & fire are outwards signs of a Small dry mating ~~~ event in a room event in space a circle Magic rite To call up the godhead spirits, demons The shaman calls: “When radio dark night…” We are eating each other. ~~~ The Voice of the Serpent dry hiss of age & steam & leaves of gold old books in ruined Temples The pages break like ash I will not disturb I will not go Come, he says softly an old man appears & moves in tired dance amid the scattered dead gently they stir ~~~ I received an Aztec wall of vision & dissolved my room in sweet derision Closed my eyes, prepared to go A gentle wind inform’d me so And bathed my skin in ether glow ~~~ Drugs are a bet w/ your mind ~~~ The cigarette burn’d my fingertips & dropp’d like a log to the rug below My eyes took a trip to dig the chick Crouch’d like a cat at the next window My ears assembled music out of swarming streets but my mind rebelled at the idiot’s laughter The rising frightful idiot laughter Cheering an army of vacuum cleaners ~~~ Mouth fills w/taste of copper. Chinese paper. Foreign money. Old posters. Gyro on a string, a table. A coin spins. The faces. There is an audience to our drama. Magic shade mask. Like the hero of a dream, he works for us, in our behalf. How close is this to a final cut? I fall. Sweet blackness. Strange world that waits & watches. Ancient dread of non-existence. If it’s no problem, why mention it. Everything spoken means that, it’s opposite, & everything else. I’m alive. I’m dying. ~~~ 1st wild thrush of fear -A phone rings There is a knock on the door. It’s time to go. No.
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17.7k
Explosion
The mushroom The unfolding instant of creation (fertilisation) not an instant separate from breakfast It all flows down & out, flowing but that instant: not fire & fusion (fission) but a moment of jellied ice, crystal, vegetative mating merging in cool slime splendour a crushing of steel & glass & ice (instant in a bar; glasses clash, clink, collide) far-out splendour heat & fire are outwards signs of a Small dry mating ~~~ event in a room event in space a circle Magic rite To call up the godhead spirits, demons The shaman calls: “When radio dark night…” We are eating each other. ~~~ The Voice of the Serpent dry hiss of age & steam & leaves of gold old books in ruined Temples The pages break like ash I will not disturb I will not go Come, he says softly an old man appears & moves in tired dance amid the scattered dead gently they stir ~~~ I received an Aztec wall of vision & dissolved my room in sweet derision Closed my eyes, prepared to go A gentle wind inform’d me so And bathed my skin in ether glow ~~~ Drugs are a bet w/ your mind ~~~ The cigarette burn’d my fingertips & dropp’d like a log to the rug below My eyes took a trip to dig the chick Crouch’d like a cat at the next window My ears assembled music out of swarming streets but my mind rebelled at the idiot’s laughter The rising frightful idiot laughter Cheering an army of vacuum cleaners ~~~ Mouth fills w/taste of copper. Chinese paper. Foreign money. Old posters. Gyro on a string, a table. A coin spins. The faces. There is an audience to our drama. Magic shade mask. Like the hero of a dream, he works for us, in our behalf. How close is this to a final cut? I fall. Sweet blackness. Strange world that waits & watches. Ancient dread of non-existence. If it’s no problem, why mention it. Everything spoken means that, it’s opposite, & everything else. I’m alive. I’m dying. ~~~ 1st wild thrush of fear -A phone rings There is a knock on the door. It’s time to go. No.
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87
At the Zoo Patriots and faux exhibit and binge on synonyms of liberty printed on beer and underwear Advertising what should be unspoken and inspired to pervert and romanticize Preludes to the parades and finale above us all Weeks of saturated irony Cuckoo bird irony and BBQ As they reform Phoenix, rebirth of distractions and thievery Predators in ally ways pursing America's diamonds and legs Then gunpowder Gunpowder of colors and cuckoos Layers of streets in gunpowder Towns built of gunpowder Sky is gunpowder We are born addicted to led and gunpowder Gunpowder ****** in the air Success, display and diversion and more gunpowder to ingest. The Grand Finale The Volta of the evening The hammer of the judge *** appeal of death and nature flexing it's muscles-   show us some skin! Covering your ears Eyes fastened- Ready to burrow back to mothers womb Binged and free Chinese celebration hijacked Red, White and Blue And a moment of silence   Orchestrated onomatopoeia in heaven Chorus of arousal on Earth Band marching war machines in hell The showdown of 241 years! This freedom we are all grateful to only talk about Only free to battle shackling intoxication Men and women tugging extra weighted offspring Sulking for indoors and portable addiction   Chanting three letter obedience God being counted by his blessings Fear and Statism in every breathe for salvation from our stick swatted enemies Checkpoints that serve and protect asking for a toll; liberty synonyms. Arresting the too free At the Zoo, The cuckoos regaining reality. The phoenix red eye and held under oath To the next day where we are back To hate each others freedom, again.
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Jul 10, 2017
Jul 10, 2017 at 1:31 AM UTC
4
At the Zoo Patriots and faux exhibit and binge on synonyms of liberty printed on beer and underwear Advertising what should be unspoken and inspired to pervert and romanticize Preludes to the parades and finale above us all Weeks of saturated irony Cuckoo bird irony and BBQ As they reform Phoenix, rebirth of distractions and thievery Predators in ally ways pursing America's diamonds and legs Then gunpowder Gunpowder of colors and cuckoos Layers of streets in gunpowder Towns built of gunpowder Sky is gunpowder We are born addicted to led and gunpowder Gunpowder ****** in the air Success, display and diversion and more gunpowder to ingest. The Grand Finale The Volta of the evening The hammer of the judge *** appeal of death and nature flexing it's muscles-   show us some skin! Covering your ears Eyes fastened- Ready to burrow back to mothers womb Binged and free Chinese celebration hijacked Red, White and Blue And a moment of silence   Orchestrated onomatopoeia in heaven Chorus of arousal on Earth Band marching war machines in hell The showdown of 241 years! This freedom we are all grateful to only talk about Only free to battle shackling intoxication Men and women tugging extra weighted offspring Sulking for indoors and portable addiction   Chanting three letter obedience God being counted by his blessings Fear and Statism in every breathe for salvation from our stick swatted enemies Checkpoints that serve and protect asking for a toll; liberty synonyms. Arresting the too free At the Zoo, The cuckoos regaining reality. The phoenix red eye and held under oath To the next day where we are back To hate each others freedom, again.
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47
Success is as dangerous as failure. Hope is as hollow as fear. What does it mean that success is a dangerous as failure? Whether you go up the ladder or down it, you position is shaky. When you stand with your two feet on the ground, you will always keep your balance. What does it mean that hope is as hollow as fear? Hope and fear are both phantoms that arise from thinking of the self. When we don't see the self as self, what do we have to fear? See the world as your self. Have faith in the way things are. Love the world as your self; then you can care for all things. ___________ "Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao Te Ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life). Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
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Nov 4, 2010
Nov 4, 2010 at 9:27 PM UTC
The Tao -13. Success is as dangerous as failure.
This poem is not pretty... It's real black and white no one wants to listen to them few want them families in shambles mom was gone long ago the ***** drug addicted, unlucky children, adults, black , white, chinese you name it they are there no work no hope hungry and ***** few notice them blending into the sidewalks 400 a night fill just one shelter one shelter of thousands crazy and sane the forgotten and the down trodden it could be you you just don't want to admit it
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Mar 22, 2014
Mar 22, 2014 at 9:36 PM UTC
#Homeless
Lady, your room is lousy with flowers. When you kick me out, that's what I'll remember, Me, sitting here bored as a loepard In your jungle of wine-bottle lamps, Velvet pillows the color of blood pudding And the white china flying fish from Italy. I forget you, hearing the cut flowers Sipping their liquids from assorted pots, Pitchers and Coronation goblets Like Monday drunkards. The milky berries Bow down, a local constellation, Toward their admirers in the tabletop: Mobs of eyeballs looking up. Are those petals of leaves you've paried with them --- Those green-striped ovals of silver tissue? The red geraniums I know. Friends, friends. They stink of armpits And the invovled maladies of autumn, Musky as a lovebed the morning after. My nostrils prickle with nostalgia. Henna hags:cloth of your cloth. They tow old water thick as fog. The roses in the Toby jug Gave up the ghost last night. High time. Their yellow corsets were ready to split. You snored, and I heard the petals unlatch, Tapping and ticking like nervous fingers. You should have junked them before they died. Daybreak discovered the bureau lid Littered with Chinese hands. Now I'm stared at By chrysanthemums the size Of Holofernes' head, dipped in the same Magenta as this fubsy sofa. In the mirror their doubles back them up. Listen: your tenant mice Are rattling the ******* packets. Fine flour Muffles their bird feet: they whistle for joy. And you doze on, nose to the wall. This mizzle fits me like a sad jacket. How did we make it up to your attic? You handed me gin in a glass bud vase. We slept like stones. Lady, what am I doing With a lung full of dust and a tongue of wood, Knee-deep in the cold swamped by flowers?
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14.7k
Leaving Early
Lady, your room is lousy with flowers. When you kick me out, that's what I'll remember, Me, sitting here bored as a loepard In your jungle of wine-bottle lamps, Velvet pillows the color of blood pudding And the white china flying fish from Italy. I forget you, hearing the cut flowers Sipping their liquids from assorted pots, Pitchers and Coronation goblets Like Monday drunkards. The milky berries Bow down, a local constellation, Toward their admirers in the tabletop: Mobs of eyeballs looking up. Are those petals of leaves you've paried with them --- Those green-striped ovals of silver tissue? The red geraniums I know. Friends, friends. They stink of armpits And the invovled maladies of autumn, Musky as a lovebed the morning after. My nostrils prickle with nostalgia. Henna hags:cloth of your cloth. They tow old water thick as fog. The roses in the Toby jug Gave up the ghost last night. High time. Their yellow corsets were ready to split. You snored, and I heard the petals unlatch, Tapping and ticking like nervous fingers. You should have junked them before they died. Daybreak discovered the bureau lid Littered with Chinese hands. Now I'm stared at By chrysanthemums the size Of Holofernes' head, dipped in the same Magenta as this fubsy sofa. In the mirror their doubles back them up. Listen: your tenant mice Are rattling the ******* packets. Fine flour Muffles their bird feet: they whistle for joy. And you doze on, nose to the wall. This mizzle fits me like a sad jacket. How did we make it up to your attic? You handed me gin in a glass bud vase. We slept like stones. Lady, what am I doing With a lung full of dust and a tongue of wood, Knee-deep in the cold swamped by flowers?
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44
#090316 Naabutan mo ba ang Chinese Garter o 10-20? Luksong-lubid, Tagu-taguan, Piko o Patintero? Alam mo ba yung Yes or No? Gumuhit ka ng kahong pahaba't Hatiin ang mga ito, marahil mahabang proseso Mahalukay lamang ang tamang istilo. Titingala't magtatanong, "Yes or No?" At may magbabatuhan ng boses ng pagsilong. Paano kaya kung ganoon kadali Kung kaya **** magpatawad Nang bukal sa puso't walang gitgit. Hanggang kaya mo nang ipaubaya ang galit sa Langit, Hanggang kaya mo nang lumaban na may sariling paninindigan. Pagpapatawad Sa mga nanakit sayo, Sa mga nasaktan mo, Maging sa sarili mo. Kaya mo ba? Yes or No? Bumisita ka sa Palengke, Tiyak bistado mo ang 'yong sarili. Hindi ba't pag mahal, humihingi ka rin ng tawad? Pag di ba pinagbigya'y galit ang ibabayad sa Tindera? Oo, mahal kasi; sobrang mahal Kaya sana'y lambingin ng "oo" ang "patawad" niya. May oras para sa lahat; Maging sa paghilom ng Bayan, Sa pagdidildil ng Asin sa sanlibutan, Na Siya ring naghasik Ng mga butong nagkalaman sa Lipunan. Bahagi ka ng Tulang ito, isang tulang pasalaysay - Payak at walang bahid na pagkukunwari. Ibabalot ko ang tanong na "Yes or No?" Batang 90's, iba na nga pala ang timpla't Magkakaubusan na naman ng mga letra't himig. Sige, magtatapos ako Sayo, Pagkat Ikaw naman ang taya sa buhay Mo. At ito na marahil ang Pagtatapos Na Ikaw rin ang Panimula. (P.S. Tapusin Mo, sa muli nating pagkikita)
0
Sep 3, 2016
Sep 3, 2016 at 8:37 PM UTC
Batang 90's
The supreme good is like water, which nourishes all things without trying to. It is content with the low places that people disdain. Thus it is like the Tao. In dwelling, live close to the ground. In thinking, keep to the simple. In conflict, be fair and generous. In governing, don't try to control. In work, do what you enjoy. In family life, be completely present. When you are content to be simply yourself and don't compare or compete, everybody will respect you. _ "Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the Tao te ching, the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life). Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
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Oct 16, 2010
Oct 16, 2010 at 3:42 PM UTC
The Tao-8. The supreme good is like water
<><><><><><> Talk nerdy to me It's my thing! Use words so pedantic They're obtusely romantic Let's politick and homilize (For philosophy use French and Chinese) We'll ramble until we're halfway wise Or let's invent a new word, at least Talk nerdy to me SNL and X-Men Then note the plot holes With a trendy quill pen If you can't talk nerdy to me, Just be yourself. That's also gutsy
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Dec 20, 2014
Dec 20, 2014 at 12:52 AM UTC
Talk Nerdy to Me
"What are you?" he asks. "I mean what are you mixed with?" He does not mean for the question to be rude. He has never seen someone quite like me, and the question has been bouncing around in his head for at least 2 minutes. So he blurts it out. "Jamaican, Chinese, and White," I tell the stranger. I smile politely and attempt to mask my discomfort. He only looks more intrigued. He thinks I am odd, oddly beautiful. Like a rare bird he has found. Not a bird one would ever keep. Just something to look at in awe. "What are you?" the test paper asks, though in a more formal way. "Please bubble your ethnicity." I hesitate. I think about bubbling 3 different races, but I just end up filling in the bubble that says "other". "What are you?" I ask my mirror. "Are you a freak? Why don't you look like everyone else? Why do they stare at you?" "You are not pretty," i tell my reflection. "You are just different. The kind of different that no one likes. The kind of different that scares and intimidates people." My reflection pauses for a moment. She smiles with kind eyes, forgiving my insult. "You are everything," she tells me. "You are the sun, the moon and everything in between. You are a scorching hot fire, yet you are cold spring water. You are good and bad. You are you and I am, too. But most of all, you are human. Just like anyone else.
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Sep 17, 2015
Sep 17, 2015 at 11:28 PM UTC
Untitled #1
Always it happens when we are not there-- The tree leaps up alive into the air, Small open parasols of Chinese green Wave on each twig. But who has ever seen The latch sprung, the bud as it burst? Spring always manages to get there first. Lovers of wind, who will have been aware Of a faint stirring in the empty air, Look up one day through a dissolving screen To find no star, but this multiplied green, Shadow on shadow, singing sweet and clear. Listen, lovers of wind, the leaves are here!
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10.8k
Metamorphosis
Faking Bad In anticipation of my Evaluation to be declared Non Compos Mentos I slept under a bridge For three days "Getting into character," But on the morning of My intake interview My hair fell perfectly, I mean I looked like A ******* rock star. College girls on the bus Were giving me their Numbers and my skin, Which I'd purposely sunburnt And caked in the finest filth, Glowed like an Australian Chippendale dancer named Weegie And even the female Assisstant D.A. Who had busted me for vagrancy Waved her ******* from The third story building Of the Courthouse. No matter how much I Tried to speak gibberish Poetry and philosophical Tracts spewed from my mouth. Shuffling past the park I beat eight Grand Masters At chess on move 1 Inadvertently I solved The Phi Epsilom Theorem By kicking stones Into an algorythym. When I arrived they didn't Make me wait at all. My caseworker giggled like A schoolgirl while I told her Each day was like an endless shift In a Chinese fish- gutting Sweatshop and every one of my fellow Employees was motivationalist Richard Simmons. She ungirdled her enormous **** and as they spilled Like fishguts onto the desk She began to howl **** me, **** me, oh **** Me right here in Front of the open window On State Street as everyone Watches me ******* the strongest, Healthiest, smartest, most popular, Well-adjusted man in the world. The rest of the examination was Also a success. But as I left the Mental HealthCenter feeling marvelous I accidentally bumped An old woman with the door: "Watch out you manic-depressive Schizoid with Socially Avoidant Features klutz." -Thomas L. Vaultonburg
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Aug 11, 2015
Aug 11, 2015 at 5:05 PM UTC
Faking Bad (Outsider Poetry)
Faking Bad In anticipation of my Evaluation to be declared Non Compos Mentos I slept under a bridge For three days "Getting into character," But on the morning of My intake interview My hair fell perfectly, I mean I looked like A ******* rock star. College girls on the bus Were giving me their Numbers and my skin, Which I'd purposely sunburnt And caked in the finest filth, Glowed like an Australian Chippendale dancer named Weegie And even the female Assisstant D.A. Who had busted me for vagrancy Waved her ******* from The third story building Of the Courthouse. No matter how much I Tried to speak gibberish Poetry and philosophical Tracts spewed from my mouth. Shuffling past the park I beat eight Grand Masters At chess on move 1 Inadvertently I solved The Phi Epsilom Theorem By kicking stones Into an algorythym. When I arrived they didn't Make me wait at all. My caseworker giggled like A schoolgirl while I told her Each day was like an endless shift In a Chinese fish- gutting Sweatshop and every one of my fellow Employees was motivationalist Richard Simmons. She ungirdled her enormous **** and as they spilled Like fishguts onto the desk She began to howl **** me, **** me, oh **** Me right here in Front of the open window On State Street as everyone Watches me ******* the strongest, Healthiest, smartest, most popular, Well-adjusted man in the world. The rest of the examination was Also a success. But as I left the Mental HealthCenter feeling marvelous I accidentally bumped An old woman with the door: "Watch out you manic-depressive Schizoid with Socially Avoidant Features klutz." -Thomas L. Vaultonburg
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66
I remember sometimes her voice would quiver like paper lanterns dancing in some foreign nighttime glow I fancy sometimes I knew that sweet tremble at a tea ceremony table beneath Chinese skies many years before it first caressed my ear
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Aug 12, 2018
Aug 12, 2018 at 10:46 PM UTC
apprehensive
i. the curly, green-haired leo with the cry-baby tattoo on her left calf; fish net stockings and loud guitar playing and menthol cigarettes. driving through the park at 9 pm, ***** shots, the white house with the a-frame roof, hugs that made your heart feel as warm as she did crying as i left my room again to be intertwined with a girl who did not love me, but i wanted to; months pass, lonely car rides with one-sided conversations and seven years gone, quiet disconnection that made you feel as cold as i did ii. brown eyes, brown skin, round glasses and chicago streetlights. holding each other close on the subway lakehouse parties in the beginning of spring and pisces season and tarot readings and soft kisses on the train. holding hands at the aquarium, sweet poetry and calm and a sense of oneness that made you feel important hurt for the third time a panic, a loss i held their heart in my hands and let it fall harsh unimportant i still carry the guilt on my fingertips iii. short hair. freckled cheeks, i fell in love with the way the skin crinkled around her eyes when she smiled. an apartment, a home built around our lips touching wrapped in blankets on the couch, dense smoke and her hand on my leg while she drove. chinese food and waking up against her chest and laughing so hard my ribs hurt crashing. her anger withering away my heartstrings; pain and crying alone in the bathtub moving away drunk tears on the interstate punching my thighs in place of the way her words made me hurt
0
Feb 6, 2018
Feb 6, 2018 at 11:27 AM UTC
people i lost last year (and how i lost them)
i. the curly, green-haired leo with the cry-baby tattoo on her left calf; fish net stockings and loud guitar playing and menthol cigarettes. driving through the park at 9 pm, ***** shots, the white house with the a-frame roof, hugs that made your heart feel as warm as she did crying as i left my room again to be intertwined with a girl who did not love me, but i wanted to; months pass, lonely car rides with one-sided conversations and seven years gone, quiet disconnection that made you feel as cold as i did ii. brown eyes, brown skin, round glasses and chicago streetlights. holding each other close on the subway lakehouse parties in the beginning of spring and pisces season and tarot readings and soft kisses on the train. holding hands at the aquarium, sweet poetry and calm and a sense of oneness that made you feel important hurt for the third time a panic, a loss i held their heart in my hands and let it fall harsh unimportant i still carry the guilt on my fingertips iii. short hair. freckled cheeks, i fell in love with the way the skin crinkled around her eyes when she smiled. an apartment, a home built around our lips touching wrapped in blankets on the couch, dense smoke and her hand on my leg while she drove. chinese food and waking up against her chest and laughing so hard my ribs hurt crashing. her anger withering away my heartstrings; pain and crying alone in the bathtub moving away drunk tears on the interstate punching my thighs in place of the way her words made me hurt
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54
And now there would come a time a swift sharp clock on the bed Blaring its little chime in between the hard bells Like an angry little arm Charming if not for the alarm And everyday I slap the face of it Like an unwanted ***** And she is silenced Quick unlike Said chick But I am a cruel guy and have no sense of wet and dry Nor cool or heat There's nothing bothering me Time just ticks off and I laugh at it But my cells divide and turn into little old protoplasmic men And yet I am not called upon them Because they are stupidly designed and I have no sympathy for arts and crafts No masterman who failing to raise his hand Clams up With such poor artwork Slap that ***** in the dilapidated sistan Now In San Francisco Where the alley streets stink of *** And the European facades are just that Crumbling Poopy And full of **** And what yet are they dreaming to be? The church that survived fire Great conflagration God didn't make a rainbow at the end of that, Now did he? He's a water-sign Dolt And water only jolts your mind When it scatters true light, Ain't that right? But it's all the same Just different hues And the news Isn't new Just Blaring and yelling And speeding television crews Riding their stories Up and down the many stories Trying to build a city of angels On a bituminous hill Shills No life skills And I walk the city streets with a ugly old leather Brief Casing the joints and rolling my own Unhappy and alone Kerouac and the dreams on the monangular input where the triangular avenues meet And he has no road While airplanes shake their jets on the tarmac and trebuchet into the air Going god knows where Seeing a new piece of the sculpted pinball Perpetually trapped in the machine How bout Nippon Or Hangujin Or Han Chinese Or Berlin Anywhere but when A little ways along the state Of "in" All these strange things
0
Aug 16, 2018
Aug 16, 2018 at 3:00 PM UTC
That ******* from Pastebin or 10it or whatever
And now there would come a time a swift sharp clock on the bed Blaring its little chime in between the hard bells Like an angry little arm Charming if not for the alarm And everyday I slap the face of it Like an unwanted ***** And she is silenced Quick unlike Said chick But I am a cruel guy and have no sense of wet and dry Nor cool or heat There's nothing bothering me Time just ticks off and I laugh at it But my cells divide and turn into little old protoplasmic men And yet I am not called upon them Because they are stupidly designed and I have no sympathy for arts and crafts No masterman who failing to raise his hand Clams up With such poor artwork Slap that ***** in the dilapidated sistan Now In San Francisco Where the alley streets stink of *** And the European facades are just that Crumbling Poopy And full of **** And what yet are they dreaming to be? The church that survived fire Great conflagration God didn't make a rainbow at the end of that, Now did he? He's a water-sign Dolt And water only jolts your mind When it scatters true light, Ain't that right? But it's all the same Just different hues And the news Isn't new Just Blaring and yelling And speeding television crews Riding their stories Up and down the many stories Trying to build a city of angels On a bituminous hill Shills No life skills And I walk the city streets with a ugly old leather Brief Casing the joints and rolling my own Unhappy and alone Kerouac and the dreams on the monangular input where the triangular avenues meet And he has no road While airplanes shake their jets on the tarmac and trebuchet into the air Going god knows where Seeing a new piece of the sculpted pinball Perpetually trapped in the machine How bout Nippon Or Hangujin Or Han Chinese Or Berlin Anywhere but when A little ways along the state Of "in" All these strange things
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68
only an idiot like me, the rain poured down, my socks were wetted,  and i looked at the pavement for glory, instead i found a £10 note and  imagined my right shoe on my left leg, and my left shoe on my right  leg... just to prove the luck. it came from listening to rotting christ's kata ton daimona... i wrote the poem on two tesco receipts numbering them no. 1 - .4, it made sense to just give it a narrative... the naturally apparent lisp of greek is due to... lies between theta (θ) and phi (φ)... check feta cheese... it might be less morbidly fermented... that's why the greeks have a natural lisp... it's theta and it's phi... in english it's like chinese.... w & r... something's rolling something's waving, something's trigonometric... harrison fowd was almost jonathan woss if i care... the chinese in english debate with chin-chin-wanker scissors piece of paper stone good luck on the handshake: lost the price of interest being gained for excavation purposes of dinosaur bones and inflation via the ptertodactyl of the extended mohawk shave... english dicionary makes me confused... it places theta alongside the, than... but then it's therapy... thermometer... too many unique examples i'd have said... that's the lisp there... sidelined phew and engaged in phew in byzantine... english linguistics is filled with too many "unique" examples of expression... coupled with the celebrity culture... i farted and a person took hold of a *** squeeze... how's that?! english language in summary? pleasing on the eye... but the spelling? a burden on the tongue. i know that slavic linguistics would make enlgish that's written ugly... it wouldn't be pharmacology but farmacology... then it made sense, i stopped asking the english dicta written down, the greek θ wasn't a couple of th & etc... a few athenains in death metal said it like i said it... the 2nd f... it was απηθανoν - because it was simply athens - fern fence... and not d... defence, or anything easily acquired as a prescription of zee wee point of german scottish.
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Dec 10, 2015
Dec 10, 2015 at 7:04 PM UTC
the sweet greek lisp (θ vs. φ) no. 1
only an idiot like me, the rain poured down, my socks were wetted,  and i looked at the pavement for glory, instead i found a £10 note and  imagined my right shoe on my left leg, and my left shoe on my right  leg... just to prove the luck. it came from listening to rotting christ's kata ton daimona... i wrote the poem on two tesco receipts numbering them no. 1 - .4, it made sense to just give it a narrative... the naturally apparent lisp of greek is due to... lies between theta (θ) and phi (φ)... check feta cheese... it might be less morbidly fermented... that's why the greeks have a natural lisp... it's theta and it's phi... in english it's like chinese.... w & r... something's rolling something's waving, something's trigonometric... harrison fowd was almost jonathan woss if i care... the chinese in english debate with chin-chin-wanker scissors piece of paper stone good luck on the handshake: lost the price of interest being gained for excavation purposes of dinosaur bones and inflation via the ptertodactyl of the extended mohawk shave... english dicionary makes me confused... it places theta alongside the, than... but then it's therapy... thermometer... too many unique examples i'd have said... that's the lisp there... sidelined phew and engaged in phew in byzantine... english linguistics is filled with too many "unique" examples of expression... coupled with the celebrity culture... i farted and a person took hold of a *** squeeze... how's that?! english language in summary? pleasing on the eye... but the spelling? a burden on the tongue. i know that slavic linguistics would make enlgish that's written ugly... it wouldn't be pharmacology but farmacology... then it made sense, i stopped asking the english dicta written down, the greek θ wasn't a couple of th & etc... a few athenains in death metal said it like i said it... the 2nd f... it was απηθανoν - because it was simply athens - fern fence... and not d... defence, or anything easily acquired as a prescription of zee wee point of german scottish.
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40
If you overesteem great men, people become powerless. If you overvalue possessions, people begin to steal. The Master leads by emptying people's minds and filling their cores, by weakening their ambition and toughening their resolve. He helps people lose everything they know, everything they desire, and creates confusion in those who think that they know. Practice not-doing, and everything will fall into place. _______ "Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the Tao te ching, the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life). Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
0
Oct 7, 2010
Oct 7, 2010 at 9:50 AM UTC
The Tao-3. If you overesteem great men, people become powerless.
The pantheon of Chinese rope torture. ****** Art. Free = Sold.
0
Jun 26, 2014
Jun 26, 2014 at 3:03 PM UTC
****** Pantheon 10w
I am half-Chinese and a half Filipino-Spanish. I have only learnt to speak Filipino my whole life. The best advises I have received is that there is no right or wrong, that labels does not always help. That no matter what, I should just go and "Live my life", or "Sing in Full Voice, Until Then". Attentive to a fault to the work or person at hand. Because of routine and living demands, sometimes I only pay attention to what is available or given to me. Like the quest for the Spices of the East, I could no longer live the same way when the time came. I had to learn preservation and other flavors. In a Asian Food Show, someone shares How some later generation Chinese had to study their own native language in secret between 1966 to 1998. Stories of how their migrant or refugee heritage have made them scapegoats of many local tensions. And varieties of words and ingredients also native to Chinese and later generations that lived offshore. Many of us now in the thrash of our collective songs towards healing and full living as humanity, continuing refugees and wanderers in our own ways. Where we see our indigenous-selves and our oppressor-selves, is not as difficult as we are usually made to, in a world of artificial demands and surpluses. One old song gently reminds me in many languages singing, as another bowl of handmade noodles breaks open into countless random pieces: We are only passing through earth. Made to experience, and let go of our fears and limitations.To gather our remains so that it is inanimate buildings and objects that are used by the living instead, and nothing is left behind. To not leave a trace. To learn how to love.#
0
Sep 3, 2018
Sep 3, 2018 at 1:27 AM UTC
HANDMADE NOODLES
I am half-Chinese and a half Filipino-Spanish. I have only learnt to speak Filipino my whole life. The best advises I have received is that there is no right or wrong, that labels does not always help. That no matter what, I should just go and "Live my life", or "Sing in Full Voice, Until Then". Attentive to a fault to the work or person at hand. Because of routine and living demands, sometimes I only pay attention to what is available or given to me. Like the quest for the Spices of the East, I could no longer live the same way when the time came. I had to learn preservation and other flavors. In a Asian Food Show, someone shares How some later generation Chinese had to study their own native language in secret between 1966 to 1998. Stories of how their migrant or refugee heritage have made them scapegoats of many local tensions. And varieties of words and ingredients also native to Chinese and later generations that lived offshore. Many of us now in the thrash of our collective songs towards healing and full living as humanity, continuing refugees and wanderers in our own ways. Where we see our indigenous-selves and our oppressor-selves, is not as difficult as we are usually made to, in a world of artificial demands and surpluses. One old song gently reminds me in many languages singing, as another bowl of handmade noodles breaks open into countless random pieces: We are only passing through earth. Made to experience, and let go of our fears and limitations.To gather our remains so that it is inanimate buildings and objects that are used by the living instead, and nothing is left behind. To not leave a trace. To learn how to love.#
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31