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"categorising" poems
before existentialism, and nietzsche in mind, philosophy was written or spoken of accepting the socratic rigidity of words, the rigidity of words known through the socratic method of inquiry: the simplest of questions imposed on the meaning of words; e.g. what is virtue? but with existentialism this old method of inquiry, the poised posing bewilderment lost its quality, in that the new method of inquiry was given to stress not a method of questioning but that of ambiguity, even though this new method that simply said the reverse of what is virtue as the preservation of a narrative: "virtue" concedes many variations exampled true, e.g. - this dittoing going against - previously said / as above - became staged against a brick wall - since this method, the existential method of brushing aside inquiry and entering the realm of ambiguity was already present - the pluralism of meaning found in certain words; it isn't a question whether red or blue can be ambiguous, this allocation of noun and quality is all too pervasive - so when an ambiguity is allowed to exercise its stressor posit - the word in question is allocated a verb orientation in its exercise of use and example, further diluted by the quantity and lack of example, and ascribed contorting adjectivity due to the dilution of meaning: with lessened recognition of sought out qualification to sentence an enzymic perfection of: banker and philanthropist, priest and maximilian kolbe, poetry and lack of envy. even though these examples are idealistic, they provide the obvious ambiguity already apparent, hence the double ambiguity of opposites, ideal opposites. in shorthand - if socrates were to come upon reading existentialism - his questions regarding the virtues would be bound to free floating terms in the ditto bubbles of flimsiness of non-inquiry - bewildered by the number of prompts to question, there would be no necessary ambiguity to many other terms of inactivity - such as the previously mentioned red and blue, dog and glue, but too many, it would seem, should a strict belief in categorising virtue as a noun but not a verb be kept - for categorisation of such nature only provides a linear cascade without due action or cared for imitation - ending with the only chance of virtue chanced and seen as an unvirtuous person doing crossword puzzles in silence - and already virtue's opposite is engaged in defending itself and justifying its ills by first forcing many synonyms to cover it in ambiguity, and asserting itself as an adjective within a noun framework blunt: virtue v. unvirtuous will only confiscate siamese phonetic mingling to ease the definition; i guess that's how rhyming was born, the opposite of alphabetical ordering: a, aardvark                              the violet's blue                                                                    ****** a doughnut with you.
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Sep 22, 2015
Sep 22, 2015 at 11:31 AM UTC
the last line in a difficult poem is always fun
before existentialism, and nietzsche in mind, philosophy was written or spoken of accepting the socratic rigidity of words, the rigidity of words known through the socratic method of inquiry: the simplest of questions imposed on the meaning of words; e.g. what is virtue? but with existentialism this old method of inquiry, the poised posing bewilderment lost its quality, in that the new method of inquiry was given to stress not a method of questioning but that of ambiguity, even though this new method that simply said the reverse of what is virtue as the preservation of a narrative: "virtue" concedes many variations exampled true, e.g. - this dittoing going against - previously said / as above - became staged against a brick wall - since this method, the existential method of brushing aside inquiry and entering the realm of ambiguity was already present - the pluralism of meaning found in certain words; it isn't a question whether red or blue can be ambiguous, this allocation of noun and quality is all too pervasive - so when an ambiguity is allowed to exercise its stressor posit - the word in question is allocated a verb orientation in its exercise of use and example, further diluted by the quantity and lack of example, and ascribed contorting adjectivity due to the dilution of meaning: with lessened recognition of sought out qualification to sentence an enzymic perfection of: banker and philanthropist, priest and maximilian kolbe, poetry and lack of envy. even though these examples are idealistic, they provide the obvious ambiguity already apparent, hence the double ambiguity of opposites, ideal opposites. in shorthand - if socrates were to come upon reading existentialism - his questions regarding the virtues would be bound to free floating terms in the ditto bubbles of flimsiness of non-inquiry - bewildered by the number of prompts to question, there would be no necessary ambiguity to many other terms of inactivity - such as the previously mentioned red and blue, dog and glue, but too many, it would seem, should a strict belief in categorising virtue as a noun but not a verb be kept - for categorisation of such nature only provides a linear cascade without due action or cared for imitation - ending with the only chance of virtue chanced and seen as an unvirtuous person doing crossword puzzles in silence - and already virtue's opposite is engaged in defending itself and justifying its ills by first forcing many synonyms to cover it in ambiguity, and asserting itself as an adjective within a noun framework blunt: virtue v. unvirtuous will only confiscate siamese phonetic mingling to ease the definition; i guess that's how rhyming was born, the opposite of alphabetical ordering: a, aardvark                              the violet's blue                                                                    ****** a doughnut with you.
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58
Someone told me talking to women was completely different from talking to men Familial desire circumventing physical rationality I don't ******* get it Flesh is flesh There is no separation between this body and the next No delineation save for my own arbitrary ones This world is chaos bound by imposition And none of it is real I'm not even going to say middle class conceptions of family are constructs Everything is a construct Knowledge is anthropic chaos Don't pretend you can tell the difference between essential existence and our subjective reordering of boundless matter A gap does not form between a molecule of air and a molecule of flesh I am trapped in my own sensations but I am not defined by them So back to the story of material existence reduced to reproductive imperative Treating all of the other *** as a means to displace one's self beyond annihilation into temporal infinity Who ******* cares? Legacy does not carry on after death Legacy does not even carry through life Language breaks down the moment we open our mouths No one will ever view your life the way you view it Splashing through a pool, ripples morph all reflections into monstrous amalgamations Hey, tell me Do you even remember yourself that clearly? Hollow triumph, grandfather's bones in a grandfather clock ticking past twelve Sorry, I just don't see the allure of treating half the human race as a means to satiate your own lust whether physical or genealogical Or even categorising humans into binary dualisms that bored philosophers a century ago Haven't you heard? God is dead And there is no meaning to your boring male existence
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Apr 15, 2016
Apr 15, 2016 at 9:37 PM UTC
anthropic chaos
Someone told me talking to women was completely different from talking to men Familial desire circumventing physical rationality I don't ******* get it Flesh is flesh There is no separation between this body and the next No delineation save for my own arbitrary ones This world is chaos bound by imposition And none of it is real I'm not even going to say middle class conceptions of family are constructs Everything is a construct Knowledge is anthropic chaos Don't pretend you can tell the difference between essential existence and our subjective reordering of boundless matter A gap does not form between a molecule of air and a molecule of flesh I am trapped in my own sensations but I am not defined by them So back to the story of material existence reduced to reproductive imperative Treating all of the other *** as a means to displace one's self beyond annihilation into temporal infinity Who ******* cares? Legacy does not carry on after death Legacy does not even carry through life Language breaks down the moment we open our mouths No one will ever view your life the way you view it Splashing through a pool, ripples morph all reflections into monstrous amalgamations Hey, tell me Do you even remember yourself that clearly? Hollow triumph, grandfather's bones in a grandfather clock ticking past twelve Sorry, I just don't see the allure of treating half the human race as a means to satiate your own lust whether physical or genealogical Or even categorising humans into binary dualisms that bored philosophers a century ago Haven't you heard? God is dead And there is no meaning to your boring male existence
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29
Politics of saturation and starvation ignore sleeping imperative intentions in this passing light wave, with matter in tension and motions of presence colliding into another in to another syntax (spectrums) like that. Colliding, categorising. "It happens all the time" again the flower reiterates as it opens to the morning sun passing through into that clarity in contradiction while meanwhile, in the mind of a small worm, dirt is brighter than blindness. Oh where does it go to, this timid, fragile thing? Are we reaching or are we lifting?
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Jan 27, 2013
Jan 27, 2013 at 11:43 PM UTC
A description of events, catharsis
Only imitation of daylight touches me. New air finds yellow skin through vents in the window, or else in the brief presentation of my bowed head each time I succumb to nicotine and black lung. It is a depression of inactivity, not worth the document. These daydream catacombs afford me translucent substance of consciousness, and untraceable, numinous identity, so that with each day I can be spun-out again. The only reality in which I engage is that of words, words, words – meandering delights of categorising all fear into known terms. Lo, how the quantum world beholds this emptiness. Great depths of solidity, Mother Earth's mantle - tectonic collisions of Biblical tirade, of all shield, political firewall and bloodshed; discarded in the nothingness of the atom. These ****** words too, will offer no quantum relief. Each thought lives brilliantly, but in a moment, and words, words, words, are but the thunder that follows.
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Jan 30, 2014
Jan 30, 2014 at 12:07 PM UTC
Quantum Depression
summer winds scattering, soft tissue, forty pieces torn with a ruler, smudged and marked. tearing the words, categorising, knowing it is all worth it in the end. you would be surprised. sbm.
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Jun 5, 2013
Jun 5, 2013 at 12:31 AM UTC
:: tearing paper ::
Todays a day I wont remember, Tommorows probably the same. Memories burn, Remembering not what you want, But what you think you want. Sorting, categorising, In my mind. Who knows what has happened in my life? Who knows what's happened in todays tommorow? Yesterdays a day I dont remember; Full of fear and sin. Sin a word I always have destested. You believe in God. I never did. As a young child always questioning, What is this all about? Heaven and Hell are both the same. Invented by them, It gives them hope you see I guess I understand, But the word is just another I hate, I guess I understand.
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Aug 19, 2019
Aug 19, 2019 at 8:12 PM UTC
Todays Sins