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"caked" poems
Lambs that learn to walk in snow When their bleating clouds the air Meet a vast unwelcome, know Nothing but a sunless glare. Newly stumbling to and fro All they find, outside the fold, Is a wretched width of cold. As they wait beside the ewe, Her fleeces wetly caked, there lies Hidden round them, waiting too, Earth's immeasureable surprise. They could not grasp it if they knew, What so soon will wake and grow Utterly unlike the snow.
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32.1k
First Sight
Paint me in any colour you want, you wish for Draw any outline you visualize. This will fade, Falling victim to the seasons. A masterpiece Within itself, the intricacy of the strokes Shall be hidden by the next masterpiece That will take its place. The unsung, the Unheard are the ones who draw this, day And night. Going unnoticed, no one stops to Consider the combinations, the contrasts, Its various interpretations, almost like Those of a Rubik's Cube. Layer, upon caked layer, depicts violence, Craves freedom, breathes anonymity and Displays inspiration.
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Aug 6, 2012
Aug 6, 2012 at 7:59 AM UTC
Graffiti
There used to be a bottle on the wall. It was very green. I'm sure it was the loneliest green bottle that I had ever seen It used to sit on the wall all day and all night And every day, when I looked out of the window, it was always in my line of sight Then one day, a cat came along. Something was going to happen; I could tell The cat then accidentally nudged it and off the wall, it fell When it had fallen off the wall it had dropped with a very loud sound. There were all these little pieces of the green bottle all over the ground Then the cat yelped and I knew it had gotten hurt I could quite obviously see its paws were caked in blood and dirt The bottle wasn't harmful in the beginning it did not look the slightest bit treacherous but after a nudge in the wrong direction it became very dangerous Now I look back at you smiling next to me on the big armchair Your fingers running through your soft locks of hair. You remind me a lot of that green bottle. In the beginning, you were harmless you were all sorts of fun. Now you hurt me. Could you tell me why as I don't quite know what I've done
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Jun 5, 2019
Jun 5, 2019 at 4:34 PM UTC
Green bottle
Sandwiched in layers of liquid crystal display, Encased in vats of plastic,                                                        we Voyaging in data-spheres, plumes of digital play. Mindless,          In the soup of silicone,                                                          all Myth-makers,          Pouring over electro-spawned          networks,                                                          fall Workers,           In the buzz of bits and bytes, of           megabytes and terabytes,                                                          down Everyone           Far from the wood, the brine, the           mud that caked us,           In tighter and tighter           digitised  projections,                                                          click! ‘Like me’, ‘Share me’, ‘Leave your comments.’ Messages smoothed out in polymers, Beyond reproductions of ourselves,                            enter: Deeper, delving in the mire of dream-conscious, Now a waking voice,           Hardened, digitised, recorded in           bubbles, in drives, in clouds:                          Numb numbers of numbers numb,                           mirror.           A platform slotted home: The motherboard!           To record the echo in the hollow           of our Being.
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Sep 30, 2017
Sep 30, 2017 at 10:44 AM UTC
Silicone Souls
Sandwiched in layers of liquid crystal display, Encased in vats of plastic,                                                        we Voyaging in data-spheres, plumes of digital play. Mindless,          In the soup of silicone,                                                          all Myth-makers,          Pouring over electro-spawned          networks,                                                          fall Workers,           In the buzz of bits and bytes, of           megabytes and terabytes,                                                          down Everyone           Far from the wood, the brine, the           mud that caked us,           In tighter and tighter           digitised  projections,                                                          click! ‘Like me’, ‘Share me’, ‘Leave your comments.’ Messages smoothed out in polymers, Beyond reproductions of ourselves,                            enter: Deeper, delving in the mire of dream-conscious, Now a waking voice,           Hardened, digitised, recorded in           bubbles, in drives, in clouds:                          Numb numbers of numbers numb,                           mirror.           A platform slotted home: The motherboard!           To record the echo in the hollow           of our Being.
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37
Faking Bad In anticipation of my Evaluation to be declared Non Compos Mentos I slept under a bridge For three days "Getting into character," But on the morning of My intake interview My hair fell perfectly, I mean I looked like A ******* rock star. College girls on the bus Were giving me their Numbers and my skin, Which I'd purposely sunburnt And caked in the finest filth, Glowed like an Australian Chippendale dancer named Weegie And even the female Assisstant D.A. Who had busted me for vagrancy Waved her ******* from The third story building Of the Courthouse. No matter how much I Tried to speak gibberish Poetry and philosophical Tracts spewed from my mouth. Shuffling past the park I beat eight Grand Masters At chess on move 1 Inadvertently I solved The Phi Epsilom Theorem By kicking stones Into an algorythym. When I arrived they didn't Make me wait at all. My caseworker giggled like A schoolgirl while I told her Each day was like an endless shift In a Chinese fish- gutting Sweatshop and every one of my fellow Employees was motivationalist Richard Simmons. She ungirdled her enormous **** and as they spilled Like fishguts onto the desk She began to howl **** me, **** me, oh **** Me right here in Front of the open window On State Street as everyone Watches me ******* the strongest, Healthiest, smartest, most popular, Well-adjusted man in the world. The rest of the examination was Also a success. But as I left the Mental HealthCenter feeling marvelous I accidentally bumped An old woman with the door: "Watch out you manic-depressive Schizoid with Socially Avoidant Features klutz." -Thomas L. Vaultonburg
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Aug 11, 2015
Aug 11, 2015 at 5:05 PM UTC
Faking Bad (Outsider Poetry)
Faking Bad In anticipation of my Evaluation to be declared Non Compos Mentos I slept under a bridge For three days "Getting into character," But on the morning of My intake interview My hair fell perfectly, I mean I looked like A ******* rock star. College girls on the bus Were giving me their Numbers and my skin, Which I'd purposely sunburnt And caked in the finest filth, Glowed like an Australian Chippendale dancer named Weegie And even the female Assisstant D.A. Who had busted me for vagrancy Waved her ******* from The third story building Of the Courthouse. No matter how much I Tried to speak gibberish Poetry and philosophical Tracts spewed from my mouth. Shuffling past the park I beat eight Grand Masters At chess on move 1 Inadvertently I solved The Phi Epsilom Theorem By kicking stones Into an algorythym. When I arrived they didn't Make me wait at all. My caseworker giggled like A schoolgirl while I told her Each day was like an endless shift In a Chinese fish- gutting Sweatshop and every one of my fellow Employees was motivationalist Richard Simmons. She ungirdled her enormous **** and as they spilled Like fishguts onto the desk She began to howl **** me, **** me, oh **** Me right here in Front of the open window On State Street as everyone Watches me ******* the strongest, Healthiest, smartest, most popular, Well-adjusted man in the world. The rest of the examination was Also a success. But as I left the Mental HealthCenter feeling marvelous I accidentally bumped An old woman with the door: "Watch out you manic-depressive Schizoid with Socially Avoidant Features klutz." -Thomas L. Vaultonburg
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66
Mu chocolate milk has been removed My parents are so hard to fool! They saw my mostly chocolate milk The bottom caked in choco-silt And now my happy wants to wilt Goodbye my tasty chocolate milk!
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Nov 25, 2014
Nov 25, 2014 at 5:57 PM UTC
Chocolate Milk (Part 2)
Inspired by a vintage ****** postcard from the 1920s - 30s: The Muse sits resplendent caressed in sepia tones and pastel cream gilded with the glaze of a bygone era her silk Charleston negligee worn proud like a vintage ornament perched on an aesthetically pleasing shapely pert insolent ***** blossomed with tiny beads of sweat the heat of such anticipation entices the pearls of the ****** to pamper and pleasure their perversions etched as if in a radiance of candlelight the flickering limbs pulse their bloom nimble fingers of dancing shadows cupping the feline curves of a chaise longue the purposefully out of place set piece the fantasy of a gentleman's reading room caked in casked sherry and Nat Sherman cigar infused aromas her elegant pose sumptuous reclining elbow length satin gloves sensually wrapped in wanton desire two fingers clasp a Sorbranie Black Russian smoked like a sultry gypsy with a fervent demeanour from a silver opera cigarette holder beckoning with the cats eyes of mischief over Pinced nez eyeglasses with a fascination imbibed in the praxis of passion the peach skin of refulgent youth directs the viewer downwards, slowly survey each contour of olive skin and stroke every hidden cleft of fabric to glimpse the nubile thighs of grace leading the eye to the arch of an ankle slipped like a fitted glove nestled in the cleavage of her calf and the chastity of future wonderment the forgotten photograph captures a period in time the memories of the muse now in motionless existence a demure allure forever frozen once lost, but now never forgotten
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Dec 1, 2012
Dec 1, 2012 at 2:40 AM UTC
Decadence of a Muse
Inspired by a vintage ****** postcard from the 1920s - 30s: The Muse sits resplendent caressed in sepia tones and pastel cream gilded with the glaze of a bygone era her silk Charleston negligee worn proud like a vintage ornament perched on an aesthetically pleasing shapely pert insolent ***** blossomed with tiny beads of sweat the heat of such anticipation entices the pearls of the ****** to pamper and pleasure their perversions etched as if in a radiance of candlelight the flickering limbs pulse their bloom nimble fingers of dancing shadows cupping the feline curves of a chaise longue the purposefully out of place set piece the fantasy of a gentleman's reading room caked in casked sherry and Nat Sherman cigar infused aromas her elegant pose sumptuous reclining elbow length satin gloves sensually wrapped in wanton desire two fingers clasp a Sorbranie Black Russian smoked like a sultry gypsy with a fervent demeanour from a silver opera cigarette holder beckoning with the cats eyes of mischief over Pinced nez eyeglasses with a fascination imbibed in the praxis of passion the peach skin of refulgent youth directs the viewer downwards, slowly survey each contour of olive skin and stroke every hidden cleft of fabric to glimpse the nubile thighs of grace leading the eye to the arch of an ankle slipped like a fitted glove nestled in the cleavage of her calf and the chastity of future wonderment the forgotten photograph captures a period in time the memories of the muse now in motionless existence a demure allure forever frozen once lost, but now never forgotten
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47
they stained the back deck today (with a hard to match 7 periwinkle) 400 square feet of knotted pine (in a striking rivet sequence) red ant drivers (who can forget those little ****** caked fir needles & feather cone bug hologram & cedar moss graffiti crack & cut joist wheel rut & pick pike stain (s) sow bugs electric blower purple fueled washer missing foul bits and two of its former pins somewhere near the erratic 9th stroke the side kick (and his sloppy dullard) fell sadly in a cacophony of sick laughter anxious peckers, poinsettias, grub box, rail stems lacewings (ladylike in their task), third door down windows old ergonomic chairs (so highly touted in the checkout isle at Lowes) all for not, I guess ~ seems they never reviewed the Homestead Manual on Fine Deck Painting ~
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Jan 21, 2017
Jan 21, 2017 at 3:55 PM UTC
The Homestead Manual on Fine Deck Painting
just when the dust settles round my lust and the thud of despair hits bottom just as I flail and swim in this blood-caked,          soulless earth soup of the lost abyss of unbirth   you plunge my wilderness charred with remains from hellfire and we breathe                  halos   our bones lighted sticks, colors rising in angel arcs Your rib cage is open for my tremulous offering as my lips imprint a crimson O upon the earthquake of your chest I am still down with the                            earthworms wrist **** sopped                     by soil arteries, bashed split to the root by verbal hurts in a sliding psyche of oil yet here you are suturing wounds with whiplash kisses saltlick moans in my throat You wrap me in gauze through the imprint of your eyes turn my cuts into fresh brook gaze upon my deepest darkness like goddess worship shrine my **** is a funnel for your whipped light sacrifice ****** prayer skinned to the core all layers exposed your lips slick with the drip of my bliss, deep juice of freshly-caught jungle hum all is bared we stop at nothing paint our tongues with tears adorn the face of death with ripe guava and, as you scream my name into a blown glass whisper my soft fruit falls into the heat of           your palm somewhere in distance a         moon explodes
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Mar 2, 2019
Mar 2, 2019 at 11:42 AM UTC
offering
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble. Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine. Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet? Camille: Foolish man. My feet are broken. I walk over you on stumps. Camille leaves for England. Rodin follows. Camille: You are boring. Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me? Camille: I love another. Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius! Camille: You’re right. You are a genius. Rodin: Shall I write us up a contract? Camille: As long as you don’t touch me. Camille and Rodin return to Paris separately. Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers. Camille: You will not love another? You will spurn all but my art? Rodin: I will. And you will marry me in return. Camille: … Rodin: Is there something wrong, my love? Camille: Can you not see I am being facetious? Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs. Camille: Learn how to breathe without me. Camille exits. Rodin crumples at the feet of Eternelle Idole. Rodin: What have I done wrong? Camille re-enters, her hands caked in clay. Camille: A bird in the hand is worth two in the bush. Rodin: Shall I get the handcuffs? Camille: No. The lion’s cage. Strong tides and wet fuchsias. Camille enters the cage forever.
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Mar 20, 2016
Mar 20, 2016 at 12:40 PM UTC
Camille and Rodin play la passion
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble. Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine. Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet? Camille: Foolish man. My feet are broken. I walk over you on stumps. Camille leaves for England. Rodin follows. Camille: You are boring. Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me? Camille: I love another. Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius! Camille: You’re right. You are a genius. Rodin: Shall I write us up a contract? Camille: As long as you don’t touch me. Camille and Rodin return to Paris separately. Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers. Camille: You will not love another? You will spurn all but my art? Rodin: I will. And you will marry me in return. Camille: … Rodin: Is there something wrong, my love? Camille: Can you not see I am being facetious? Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs. Camille: Learn how to breathe without me. Camille exits. Rodin crumples at the feet of Eternelle Idole. Rodin: What have I done wrong? Camille re-enters, her hands caked in clay. Camille: A bird in the hand is worth two in the bush. Rodin: Shall I get the handcuffs? Camille: No. The lion’s cage. Strong tides and wet fuchsias. Camille enters the cage forever.
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Not only sands and gravels Were once more on their travels, But gulping muddy gallons Great boulders off their balance Bumped heads together dully And started down the gully. Whole capes caked off in slices. I felt my standpoint shaken In the universal crisis. But with one step backward taken I saved myself from going. A world torn loose went by me. Then the rain stopped and the blowing, And the sun came out to dry me.
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6.7k
One Step Backward Taken
I remember the restaurant, The one Grandpa Had brought us to – Window panes in patriotism And pancakes atop, “America,” The world revolved, “America,” And how we’d made it “Home” – So came the syrup, destiny And fervor caked powder plate. He knew of my toil, ills, and tolls Pandered atop horizons Hindered Mao and red As we sat near dawn over coffee And something south of Conspiracy – opposite my dream And collusion to **** said Destiny, But it was still, “his America,” not mine and he’d Sleep when I wouldn’t. So it pained me, resonant a twitch Within this small inch of Remnant family, to tell him, “We’re going back, We’re leaving tomorrow,” And, “I don’t know when I’ll be Home,” gramps, “I don’t know if I’ll ever be home,” And he’d say prior ever’d silent – “Good luck sleeping on that one, Son,” I just know he would.
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Jun 29, 2015
Jun 29, 2015 at 9:39 AM UTC
One patriot on a platter, the other on a plank
So much depends on a yellow Bulldozer Caked with mud Beside thoughts of payday
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Jan 20, 2015
Jan 20, 2015 at 4:03 PM UTC
Red Wheelbarrow (industrial apocalypse version)
Lips to the end of the chamber Finger on the carburetor In, ex, in hale Heat beneath my nose Even with eyes closed Feel the radiation Orange ember Melt crystals At the edge of its embrace Black chalk Caked layers Scrape, melt, smoke again Mother nature keep on givin' Help this man keep on livin'
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Jun 3, 2014
Jun 3, 2014 at 12:50 AM UTC
o2for
Folds of water Layers of dirt Bubbling foam A vast body wrapping itself around the Earth Schools of life Clumps of Color This is where it thrives The souls of creatures A potpourri of lives The might of the ocean The strength of the Sea No one can match No one could hardly believe its ability to devour kingdoms Engulf islands and make them its own Drag them down Yank them by their legs, shatter their bones Drag them down Til they ultimately can descend no more I can almost hear the primordial sea deity bellow With a voice so deep It shocks, explores and shakes your soul An immense Deep bass tone. It strikes more than just a powerful chord “Come back to me” “Return to your mother’s womb, down here, down low” “You belong to me, my right, my property!” “Return to the world below.” “Come back home.” Under the Sea What's deep beneath? The iridescent water The clouds of foam Conquered by monsters? Down there, Do sirens roam? We aren't aware We do not know Enigmatic waves Rows of fossils Caked in dirt A haven for aquatic raves A museum holding remnants telling the story of the Mother Earth This is the Sea Take a swim sometime and feel its rhythm Listen to its story Flow with the sea’s entrancing beat I have faith and I believe That the sea is a world of its own Accentuated sometimes by its powerful voice or melodious hum No less mighty than the world above. Let's keep this beautiful wet world untouched to keep it as it is, the world we love ©SHREYA DRISTI
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Nov 22, 2015
Nov 22, 2015 at 12:59 AM UTC
The Sea
Folds of water Layers of dirt Bubbling foam A vast body wrapping itself around the Earth Schools of life Clumps of Color This is where it thrives The souls of creatures A potpourri of lives The might of the ocean The strength of the Sea No one can match No one could hardly believe its ability to devour kingdoms Engulf islands and make them its own Drag them down Yank them by their legs, shatter their bones Drag them down Til they ultimately can descend no more I can almost hear the primordial sea deity bellow With a voice so deep It shocks, explores and shakes your soul An immense Deep bass tone. It strikes more than just a powerful chord “Come back to me” “Return to your mother’s womb, down here, down low” “You belong to me, my right, my property!” “Return to the world below.” “Come back home.” Under the Sea What's deep beneath? The iridescent water The clouds of foam Conquered by monsters? Down there, Do sirens roam? We aren't aware We do not know Enigmatic waves Rows of fossils Caked in dirt A haven for aquatic raves A museum holding remnants telling the story of the Mother Earth This is the Sea Take a swim sometime and feel its rhythm Listen to its story Flow with the sea’s entrancing beat I have faith and I believe That the sea is a world of its own Accentuated sometimes by its powerful voice or melodious hum No less mighty than the world above. Let's keep this beautiful wet world untouched to keep it as it is, the world we love ©SHREYA DRISTI
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59
Something awful happened late last night, And here I lie awake at six AM Upon the sand of Santa Monica. The cars drive by, but I don’t notice them. I used up all my gas to get away From the ****** pond on my bathroom rug. It’s more than bleach can handle and I’m scared That I’ve found a more seductive drug. Fish intestines line the pier and I Feel no misery for gutless souls. The rocks are caked in birdshit, kelp and shells And, as if in mourning, the cormorant calls. Upon the rusty handrails, seagulls gossip Just like feathered girls with brains, persisting To trumpet my depravity in savage squawks, And to harass the rest of us for existing. The white-wimpled, cruel, sadistic nuns Choose an injured sea lion as their prey. Cowardly, they flee at his sharp barks– It’s guts that will decide who wins today. ***** creep over the brown-furred body. Fighting for its life, it bites the shell And kills its fellow lifeform.  When given The chance, I’ll defend myself as well.
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Aug 24, 2012
Aug 24, 2012 at 1:50 AM UTC
Feather and Fang: A Study in Humanity
Old fellow old fellow where for art thou old fellow I'm in t'shed wi whippet and tin bath his filthy from his walk on t'crags you should ha seen him what a laugh chasing through t'mud a plastic bag Oh Fred you said it were too wet to go a walking on t' pit top your boots are caked in mud I'll bet oh I bet thy breath sticks high of pop Quiet woman can you not see I'm as sober as a judge so get yer back to makin t'tea as I wash off me boots of sludge She is the moan this northern lass that makes me old heart flutter but just one more word of disrespect and I'll head in there and nut her He is the pain makes me old heart ache and the one that brings me t'laughter but I'll **** him soon as look at him if he don't respect that I'm a grafter Teas on t'table drippings hot there's fresh bread in the oven by heck lass that there's real class I love yer, yers a good un So no Romeo nor Juliet just honest homely folk whom now the worth of mother earth and the value of a joke Let's leave em be in kitchen warm wi the humblest of fayre for Yorkshire folk are t'salt of earth and I know coz I live there.
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Nov 19, 2012
Nov 19, 2012 at 6:20 AM UTC
If Shakespeare lived in Yorkshire
I grew up with the silly idea That boys would write poetry For the girl in the back of the coffeeshop. It’s far from romantic The countless times I’ve walked that road, Entered that C- bakery, And rested my elbows on a wobbly table. Once, I twisted my ankle, Caked my jeans in mud and embarrassment. Another time, I fell in a puddle. Nobody helped me up or dried me off. Hundreds of dollars wasted on cheap coffee That only kept me up long enough To realise how low I was. I wrote poems for boys in the coffeeshop, Adam and all the rest. They didn’t write any for me.
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Aug 21, 2015
Aug 21, 2015 at 5:11 PM UTC
Boys Don't Write Poetry for Coffeeshop Girls
I Some day I will go to Aarhus To see his peat-brown head, The mild pods of his eye-lids, His pointed skin cap. In the flat country near by Where they dug him out, His last gruel of winter seeds Caked in his stomach, Naked except for The cap, noose and girdle, I will stand a long time. Bridegroom to the goddess, She tightened her torc on him And opened her fen, Those dark juices working Him to a saint's kept body, Trove of the turfcutters' Honeycombed workings. Now his stained face Reposes at Aarhus. II I could risk blasphemy, Consecrate the cauldron bog Our holy ground and pray Him to make germinate The scattered, ambushed Flesh of labourers, Stockinged corpses Laid out in the farmyards, Tell-tale skin and teeth Flecking the sleepers Of four young brothers, trailed For miles along the lines. III Something of his sad freedom As he rode the tumbril Should come to me, driving, Saying the names Tollund, Grauballe, Nebelgard, Watching the pointing hands Of country people, Not knowing their tongue. Out here in Jutland In the old man-killing parishes I will feel lost, Unhappy and at home.
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4.5k
The Tollund Man
He looked at her, Her hands were caked with black inks, Filled with words she will never utter through her mouth, How effortlessly she twists her hair into messy bun, How she never ever wears make-up, Daring enough not to conceal her beautiful imperfections, How she clung books tightly to her chest, Like a shield defensing her, And how she walks confidently, yet stares on the ground afraid to have any eye contact, I can't help but get attracted more and more by her quirkiness, Every ******* time she passes by me.
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Mar 10, 2015
Mar 10, 2015 at 3:09 PM UTC
Quirky yet Fascinating
;fear We felt it, with our hands pressed tightly against our child-chests. Boom Boom Boom. It sounded nothing like a heartbeat, But explosions being let off in the distance. And it smelt nothing like fear, It smelt like sweat and dried ***** caked onto torn pajama pants. We grew to know the insides of our mouths, with our soft gums clutched between our teeth - We learned that our voices were safer kept stowed away there. We picked at their hands like we picked at our scabs, Because pulling off healing skin, felt like pulling off a rooted burn, And prying off desperate fingers from off our bones, Meant prying off something that terrified us. This was our strength; This was our paralysis. We felt it, with our ears pushed against the door, Please Please Please It sounded nothing like a pleading mother But warm air, creeping through vents with a sudden force. And it smelt nothing like fear, It smelt of fresh blood, kissing the lips of a weeping woman. We worshipped knives like they worshiped our baby-soft skin, Because cutting open ourselves meant cutting out what they left inside, And watching the filth flee down our wrists, down our knees, Felt like draining water Out of a clogged tub. It felt nothing life fear It smelt nothing like decay It was a continual clutch of the knife against their throats This one's for you, daddy
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Feb 6, 2018
Feb 6, 2018 at 9:42 PM UTC
;peur
My childhood was alluring days, I miss those days in many ways. I was so adorable on those days And delightful like sun rays, When I was a child, My heart was painted with full of colours And filled with beautiful imagination. The whole world was like a pearl to me. It was the most happiest days of past. But I miss those days in many ways. I played with my childhood friends and brothers. I played with different types of toys and flowers. They are like my lovers. My life filled with happiness and joy. Those days was heaven for me. First day my mother left her hand, She went away with a crying face It broke my heart in many ways. It was the first step to my kinder garten. It was a new atmosphere for me. I cried and played with ***** mud And mud caked to my new shoes. I miss all the fun and beauty of my eyes. In my childhood i wished for many things. Now I wish ,I want my funniest childhood days. I realise they were the big things to me. All are going through many stages in life. The day I found my little tricycle in the backyard. My mind run backward fastly. Like a super car and all my memories shuffled, Until I reach the memories of evergreen childhood. Childhood is the best or world to all. Everyone want to be a child atleast one day. I want back my lamp, To remove the darkness of world. Music is inside in everyone's heart, But It won't show out in some case. Like childhood memories are inside us, But still it keep fade in our heart. Never stop playing, screeming, laughing, It will carry your childhood with you. We never and ever become older, We all have an endless breathing and stages. It can't take back and go back. Look the world with child eye. It seems more beautiful than anything. Reminiscence of childhood were the dreams That stayed with you after you woke. Childhood is being carefully held like a glass. My anguish wishes to be a youngster, I want my souvenir back and Blow it Up into a bubble and live inside it forever. ?
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Dec 30, 2016
Dec 30, 2016 at 8:42 AM UTC
Childhood days
My childhood was alluring days, I miss those days in many ways. I was so adorable on those days And delightful like sun rays, When I was a child, My heart was painted with full of colours And filled with beautiful imagination. The whole world was like a pearl to me. It was the most happiest days of past. But I miss those days in many ways. I played with my childhood friends and brothers. I played with different types of toys and flowers. They are like my lovers. My life filled with happiness and joy. Those days was heaven for me. First day my mother left her hand, She went away with a crying face It broke my heart in many ways. It was the first step to my kinder garten. It was a new atmosphere for me. I cried and played with ***** mud And mud caked to my new shoes. I miss all the fun and beauty of my eyes. In my childhood i wished for many things. Now I wish ,I want my funniest childhood days. I realise they were the big things to me. All are going through many stages in life. The day I found my little tricycle in the backyard. My mind run backward fastly. Like a super car and all my memories shuffled, Until I reach the memories of evergreen childhood. Childhood is the best or world to all. Everyone want to be a child atleast one day. I want back my lamp, To remove the darkness of world. Music is inside in everyone's heart, But It won't show out in some case. Like childhood memories are inside us, But still it keep fade in our heart. Never stop playing, screeming, laughing, It will carry your childhood with you. We never and ever become older, We all have an endless breathing and stages. It can't take back and go back. Look the world with child eye. It seems more beautiful than anything. Reminiscence of childhood were the dreams That stayed with you after you woke. Childhood is being carefully held like a glass. My anguish wishes to be a youngster, I want my souvenir back and Blow it Up into a bubble and live inside it forever. ?
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Even to an untrained eye One can spot layers of foundation Caked into her face Is she a victim Of some historical imperative? Is she caged In some arbitrary matrix? Some fun-house of mirrors While a mustachioed ringleader Overcharges, shouting “Come one, come all, bedazzled spectator Behold, the distorted woman Transmogrifying before your eyes!” Or maybe she’s just vain Or betwixt the two Somewhere, a boy drops a sixpence It rattles in the dusky jar As he enters the dark show
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Dec 4, 2016
Dec 4, 2016 at 8:51 PM UTC
She wears too much makeup
Grime-caked fingers digging into An infant’s innocent eye sockets The chubby little **** shouldn’t be wearing that locket No tears run their course down its soft, pink epidermis But one could bottle up The slightly thinning blood Into a small Thermos I told that **** to get an abortion My ******* ***** deserves better than her I can’t stand the scent of baby lotion I’ll go fishing with its flesh as lure ‘Cause I’m pro-choice Yeah, I’m pro-choice ‘Cause I’m pro-choice Yeah, I’m pro-choice The wailing, ****** howl dies down When the child’s trachea is crushed By some hand-me-down, rusted hammer That turns its body to mush One could still see the baby’s frozen face Open-mouthed and purple-blue Spinning around the unwashed blender With the previous night’s food I told you to get a simple abortion My ******* ***** deserves better than you You better coat your putrid *** in baby lotion And have some mouthwash ready, too ‘Cause I’m pro-choice Yeah, I’m pro-choice ‘Cause I’m pro-choice Yeah, I’m pro-choice
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Mar 12, 2010
Mar 12, 2010 at 8:48 PM UTC
Pro-Choice
On the west side of Starlite Dr., just inside of Kingfisher -- before the welcome sign, stood a Wal-Mart. Underneath dim lot lamps, dry oil caked the cracked pavement. Crickets hopped over cricket corpses. Two employees took turns lighting new cigarettes with the still-hot embers of old cigarettes. There were six sedans, two pickups, and three semi-trucks outside the store. 2 a.m. Parked car. I noticed an effulgent memorial on the fringe. Subject unclear from a distance, but statue certain; gleam of bronze certain. Followed the black chain-framed path to a lemon brick-backed display: Sam Walton Hometown Kingfisher And there you stood, Sam. With a bobble of a bronze head, gorilla arms, and some charcoal canine frozen mid-pant to your side-- Beams of light shining into your carved eyes, yellowed grass at your feet. And I wonder, Did you feel cruel? Beginning as a Five and Dime, then turning into the great killer of Five and Dimes. Sitting at a table telling all your friends, they could watch you eat. Too forward, too soon. You being dead and all. To be fair, I've got that ambition too, Sam. The kind that leaves you lonely. The kind that leaves you in the back booth of a diner. The kind that makes the dunces conspire. Yeah, there are very few differences between you and me. Those being I'm not a cartoon statue, crickets aren't crawling on my face, big-bellied tourists don't pose and snap photos at my place, I'm mortal, and you're the other one. Looked around. Stood in front of you. Stared in the direction your obsidian eyes stared. You overlooked the traffic. And though Target gets all the hot, middle-aged women and fiery college kids, you get the pleasure of watching real folks leave. The tobacco chewers, the moms of six, the grease monkeys, the third grade teachers; the grandparents all simmer and meld by traffic stop. It seems fitting for you, Sam. Watching over us, your consumers.
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Sep 22, 2012
Sep 22, 2012 at 10:18 PM UTC
Sam Walton
On the west side of Starlite Dr., just inside of Kingfisher -- before the welcome sign, stood a Wal-Mart. Underneath dim lot lamps, dry oil caked the cracked pavement. Crickets hopped over cricket corpses. Two employees took turns lighting new cigarettes with the still-hot embers of old cigarettes. There were six sedans, two pickups, and three semi-trucks outside the store. 2 a.m. Parked car. I noticed an effulgent memorial on the fringe. Subject unclear from a distance, but statue certain; gleam of bronze certain. Followed the black chain-framed path to a lemon brick-backed display: Sam Walton Hometown Kingfisher And there you stood, Sam. With a bobble of a bronze head, gorilla arms, and some charcoal canine frozen mid-pant to your side-- Beams of light shining into your carved eyes, yellowed grass at your feet. And I wonder, Did you feel cruel? Beginning as a Five and Dime, then turning into the great killer of Five and Dimes. Sitting at a table telling all your friends, they could watch you eat. Too forward, too soon. You being dead and all. To be fair, I've got that ambition too, Sam. The kind that leaves you lonely. The kind that leaves you in the back booth of a diner. The kind that makes the dunces conspire. Yeah, there are very few differences between you and me. Those being I'm not a cartoon statue, crickets aren't crawling on my face, big-bellied tourists don't pose and snap photos at my place, I'm mortal, and you're the other one. Looked around. Stood in front of you. Stared in the direction your obsidian eyes stared. You overlooked the traffic. And though Target gets all the hot, middle-aged women and fiery college kids, you get the pleasure of watching real folks leave. The tobacco chewers, the moms of six, the grease monkeys, the third grade teachers; the grandparents all simmer and meld by traffic stop. It seems fitting for you, Sam. Watching over us, your consumers.
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