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"bunches" poems
The word, defining, muzzles; the drawn line Ousts mistier peers and thrives, murderous, In establishments which imagined lines Can only haunt. Sturdy as potatoes, Stones, without conscience, word and line endure, Given an inch. Not that they're gross (although Afterthought often would have them alter To delicacy, to poise) but that they Shortchange me continuously: whether More or other, they still dissatisfy. Unpoemed, unpictured, the potato Bunches its knobby browns on a vastly Superior page; the blunt stone also.
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17.8k
Poems, Potatoes
A coy fish in a pond with nowhere to swim nor splash. The clear water allowed him to see in all four directions, though there was nothing to catch the eye but four concrete walls and bunches of lily pads. A tiny spectator circled the grass surrounding the pond. She looked as though she were only 5 years old. A second later she was hastily ripping a lily pad from its roots. Upon discovering no magic beneath its belly, she dropped it and began on her way. The lifeless plant rested at the ponds edge for weeks before the wind carried it back to its place. It was somehow different now, wrinkled and stretched at the stem, though it floated uniform among the rest. The coy hid in the shadows created by the walls, and watched.
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Sep 4, 2014
Sep 4, 2014 at 4:36 PM UTC
Lily Pond
FOR WHAT ARE WORDS WORTH I wandered lonely through a crowd lost to myself now that I'd lost you gathering even your footsteps peeling your shadow from my wall remembering that lost last kiss did it have to end like this "...beside the lake, beneath the trees.... ...when all at once I saw a...." host of saffroned monks their robes " ...fluttering and dancing in the breeze..." and behind them bunches and bunches  of daffodils outside a florist chanting Hare Krishna in all their yellow voices delighting in their day and for a second I forgot my pain dancing across a zebra crossing with an old old woman and a little yapping dog.
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Aug 6, 2018
Aug 6, 2018 at 3:28 PM UTC
FOR WHAT ARE WORDS WORTH?
As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown. The grain has been gathered, wheat, barley and oats, cut and collected, sifted and sorted and put into store. Grown by God, and by man with machine and by effort of hand. Poppies and stalks now mark the spot, of the return for their labour. The wealth of the land. Birds follow the tractor, rising and falling, swirling and soaring they move like a cloud. The farmer is out and turning the stubble into the ground. Rooks and crows, gulls and wood pigeons, starlings and magpies follow him round. Hay long since mown is now bailed and in barns, or rolled up and bagged, ferments now in high silage towers. The countryside has yielded reward for all Adam’s toil. Work done in rhythm with the seasons, sowing, growing, reaping, ploughing and tilling the soil. Gathering goodness, from garden, and greenhouse, carrots and courgettes, tomatoes in bunches. Fresher than any you can get in the shops. Picking the bounty gleaned from the hedgerow. Rosehips and cobnuts, damsons and hops. Elder and sorrel, mushrooms and puffballs, sour green crab apples, and brambles in tangles. Sloes that were missed by the late winter frost. Not all are pleasant and some really can hurt you, pick only those that you know and trust. Take full advantage of God’s generosity, share it with gladness, with thanks, there is plenty for all. Sticky syrups and cider, wines, cordial and beer. Pies, puddings, sorbets and ice creams, jam, jelly, and chutney and enough pickles to last into next year. As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown.
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Oct 23, 2011
Oct 23, 2011 at 3:16 PM UTC
Harvest
As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown. The grain has been gathered, wheat, barley and oats, cut and collected, sifted and sorted and put into store. Grown by God, and by man with machine and by effort of hand. Poppies and stalks now mark the spot, of the return for their labour. The wealth of the land. Birds follow the tractor, rising and falling, swirling and soaring they move like a cloud. The farmer is out and turning the stubble into the ground. Rooks and crows, gulls and wood pigeons, starlings and magpies follow him round. Hay long since mown is now bailed and in barns, or rolled up and bagged, ferments now in high silage towers. The countryside has yielded reward for all Adam’s toil. Work done in rhythm with the seasons, sowing, growing, reaping, ploughing and tilling the soil. Gathering goodness, from garden, and greenhouse, carrots and courgettes, tomatoes in bunches. Fresher than any you can get in the shops. Picking the bounty gleaned from the hedgerow. Rosehips and cobnuts, damsons and hops. Elder and sorrel, mushrooms and puffballs, sour green crab apples, and brambles in tangles. Sloes that were missed by the late winter frost. Not all are pleasant and some really can hurt you, pick only those that you know and trust. Take full advantage of God’s generosity, share it with gladness, with thanks, there is plenty for all. Sticky syrups and cider, wines, cordial and beer. Pies, puddings, sorbets and ice creams, jam, jelly, and chutney and enough pickles to last into next year. As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown.
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24
Little Red Riding Hood walked through the woods Singing and swinging her bag of baked goods When out of the brush leapt a wolf with a smile And some florist’s advice for the innocent child. So off went the girl, picking bunches of daisies While Wolf raced ahead with a step none too lazy. Then at Grandmother’s door he knocked and said “Let me in dear Grandmother, it’s your little Red." So with grandmother’s blessing he let himself in And ate up the oldest of little Red’s kin. Then Little Red Riding Hood came through the door With nary a clue of what was in store. After noting her “grandmother’s” ears, nose, and teeth Into Wolf’s gullet she went with a shriek. As the transvestite wolf began snoring like thunder, Along came a huntsman, who cut his belly asunder. Out came Red Riding Hood, Grandmother too While Wolf, so oblivious, kept sleeping right through. With a few heavy stones, a needle and thread Wolf, far too full, finally woke then dropped dead. After a party of baked goods and wine, The huntsman gave Red a great wolf pelt so fine. “Thank you, dear huntsman,” said our little Red, “But I’d rather skin wolves on my lonesome instead. I know things now, of these beasts and their wiles I’ll give them a lesson, with blood and with style. Teach me to stalk, to chase and to shoot The best huntress I’ll be - and the cutest, to boot." The huntsman, he roared with his big booming laughter. In a voice that rose straight up to the rafters: “Why little girl, have you a taste for the hunt? You’re better off sewing, though I hate to be blunt.” But little Red pouted, and threatened to cry So the huntsman gave in, with a shrug and a sigh. The huntsman- he was a formidable teacher. Now Red lives in fear of no living creature. Today, when Red Riding Hood walks through the woods She carries bags of new, furry goods. And when out of the brush leaps a wolf with a smile, She smiles right back: “You’ve picked the wrong child."
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Jan 24, 2015
Jan 24, 2015 at 3:35 PM UTC
****** Red Riding Hood
Little Red Riding Hood walked through the woods Singing and swinging her bag of baked goods When out of the brush leapt a wolf with a smile And some florist’s advice for the innocent child. So off went the girl, picking bunches of daisies While Wolf raced ahead with a step none too lazy. Then at Grandmother’s door he knocked and said “Let me in dear Grandmother, it’s your little Red." So with grandmother’s blessing he let himself in And ate up the oldest of little Red’s kin. Then Little Red Riding Hood came through the door With nary a clue of what was in store. After noting her “grandmother’s” ears, nose, and teeth Into Wolf’s gullet she went with a shriek. As the transvestite wolf began snoring like thunder, Along came a huntsman, who cut his belly asunder. Out came Red Riding Hood, Grandmother too While Wolf, so oblivious, kept sleeping right through. With a few heavy stones, a needle and thread Wolf, far too full, finally woke then dropped dead. After a party of baked goods and wine, The huntsman gave Red a great wolf pelt so fine. “Thank you, dear huntsman,” said our little Red, “But I’d rather skin wolves on my lonesome instead. I know things now, of these beasts and their wiles I’ll give them a lesson, with blood and with style. Teach me to stalk, to chase and to shoot The best huntress I’ll be - and the cutest, to boot." The huntsman, he roared with his big booming laughter. In a voice that rose straight up to the rafters: “Why little girl, have you a taste for the hunt? You’re better off sewing, though I hate to be blunt.” But little Red pouted, and threatened to cry So the huntsman gave in, with a shrug and a sigh. The huntsman- he was a formidable teacher. Now Red lives in fear of no living creature. Today, when Red Riding Hood walks through the woods She carries bags of new, furry goods. And when out of the brush leaps a wolf with a smile, She smiles right back: “You’ve picked the wrong child."
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40
Saturday afternoon cycling up a 1in 6 hill then along the road toward the farmhouse you dismounted and laid your bike against the fence and waited to get your breath back the farmhouse door opened and Mrs Putt came out and said Jim and Pete are out I’m afraid her daughter Monica appeared by her side they’ve gone out with their older brother Monica said ok you said tell them I called sure I will Mrs Putt said I can go on a bike ride with you if you like Monica said Benedict won’t want to have you to drag along with him Mrs Putt said Monica pulled a face and pouted her lips I don’t mind you said better than riding alone well if you don’t mind Mrs Putt said mind you behave yourself young lady she said and went indoors and closed the door just get my bike Monica said and went back behind the farmhouse you looked around the farmhouse and the surrounding fields and trees and waited after a few moments she was back riding her bike toward you where we going? she asked lets go see the peacocks along Sedge lane you said and so you got on your bike and off you both rode she beside you in her summery dress and sandals with her brown hair tied in bunches you in jeans and open neck white shirt the sun bright and hot above you the birds flying and calling the clouds puffy and white I’ve always wanted to go bike riding with you Monica said but the boys don’t let me but I am now you nodded and smiled wondering Jim and Pete would say if they knew she’d got to go bike riding with you she chatted on about Elvis and the film in town and how she’d like to go but no one would take her and how her brothers teased her and her mother nagged her after a while you came to the peacocks in a wire cage by a large house just off the lane aren’t they beautiful? she said peering through the wire her fingers holding on to the cage standing beside you yes they are you said but of course the **** bird has the beauty the hen is just dull and ordinary odd that she said wonder why? don’t know you said I’m not dull and ordinary am I? she asked looking at you sideways on no you said you have your own beauty do I? yes you do and she blushed and looked away and the peacock called out and moved off opening its colourfulness and Monica did a twirl making the patterns move on her twirling dress.
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Apr 7, 2013
Apr 7, 2013 at 2:42 PM UTC
HER OWN KIND OF BEAUTY.
Saturday afternoon cycling up a 1in 6 hill then along the road toward the farmhouse you dismounted and laid your bike against the fence and waited to get your breath back the farmhouse door opened and Mrs Putt came out and said Jim and Pete are out I’m afraid her daughter Monica appeared by her side they’ve gone out with their older brother Monica said ok you said tell them I called sure I will Mrs Putt said I can go on a bike ride with you if you like Monica said Benedict won’t want to have you to drag along with him Mrs Putt said Monica pulled a face and pouted her lips I don’t mind you said better than riding alone well if you don’t mind Mrs Putt said mind you behave yourself young lady she said and went indoors and closed the door just get my bike Monica said and went back behind the farmhouse you looked around the farmhouse and the surrounding fields and trees and waited after a few moments she was back riding her bike toward you where we going? she asked lets go see the peacocks along Sedge lane you said and so you got on your bike and off you both rode she beside you in her summery dress and sandals with her brown hair tied in bunches you in jeans and open neck white shirt the sun bright and hot above you the birds flying and calling the clouds puffy and white I’ve always wanted to go bike riding with you Monica said but the boys don’t let me but I am now you nodded and smiled wondering Jim and Pete would say if they knew she’d got to go bike riding with you she chatted on about Elvis and the film in town and how she’d like to go but no one would take her and how her brothers teased her and her mother nagged her after a while you came to the peacocks in a wire cage by a large house just off the lane aren’t they beautiful? she said peering through the wire her fingers holding on to the cage standing beside you yes they are you said but of course the **** bird has the beauty the hen is just dull and ordinary odd that she said wonder why? don’t know you said I’m not dull and ordinary am I? she asked looking at you sideways on no you said you have your own beauty do I? yes you do and she blushed and looked away and the peacock called out and moved off opening its colourfulness and Monica did a twirl making the patterns move on her twirling dress.
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136
plants do not require papers that state from where they came they are caught and pulled by the bite of birds, seduced by the between-legs of bees, seized on the legs of the wind and animals by thistles and burrs and the blessed are pollinated by the hummingbird I do not know where I came from (really?) (really.) or where nature and nurture intertwine within me, precarious balance from discipline and my genes I twist bunches of grass between my fingers, feeling the good in a strain racked on top of white bones, pushing sheets of freckled skin out, spreading cancerous aluminums under my arms because an artificial flower smells better during *** than human sweat, what a pity, we are unable to reveal with the bursts of Walt Whitman (!) in our own organic mechanism's ability to produce salt. The ultimate flavor. I grin. Inhaling deeply while alone and unwashed, Whitman would've been into it. Maybe I can find someone into it too. Someone who'll read me Henry Miller. But instead I'll wear expensive perfume. I grin, again. Sardonically. And I've been told I have a beautiful smile. I should, that smile cost blood and five grand for something cosmetic and quirky, train-tracks over teeth, I now stain yellow with obsolete cigarettes. I wait in the tropical heat, languishing while I bake, a freckle factory and tan--adrift--awash with memories recalled by the smell of green and the fearful hum of bees. Why did I start smoking again? I look at the red hummingbird feeder, and wish I could trade standing still as a hummingbird, I lie and say I cannot wait.
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Jun 23, 2013
Jun 23, 2013 at 5:16 PM UTC
Stand Still Like a Hummingbird
plants do not require papers that state from where they came they are caught and pulled by the bite of birds, seduced by the between-legs of bees, seized on the legs of the wind and animals by thistles and burrs and the blessed are pollinated by the hummingbird I do not know where I came from (really?) (really.) or where nature and nurture intertwine within me, precarious balance from discipline and my genes I twist bunches of grass between my fingers, feeling the good in a strain racked on top of white bones, pushing sheets of freckled skin out, spreading cancerous aluminums under my arms because an artificial flower smells better during *** than human sweat, what a pity, we are unable to reveal with the bursts of Walt Whitman (!) in our own organic mechanism's ability to produce salt. The ultimate flavor. I grin. Inhaling deeply while alone and unwashed, Whitman would've been into it. Maybe I can find someone into it too. Someone who'll read me Henry Miller. But instead I'll wear expensive perfume. I grin, again. Sardonically. And I've been told I have a beautiful smile. I should, that smile cost blood and five grand for something cosmetic and quirky, train-tracks over teeth, I now stain yellow with obsolete cigarettes. I wait in the tropical heat, languishing while I bake, a freckle factory and tan--adrift--awash with memories recalled by the smell of green and the fearful hum of bees. Why did I start smoking again? I look at the red hummingbird feeder, and wish I could trade standing still as a hummingbird, I lie and say I cannot wait.
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27
“I Love You Bunches and Bunches” In 2007, on Christmas Day, my brother told me “I love you bunches and bunches” and sent me on my way. He died three days later of mesothelioma/cancer of the lung. He was not very old at all, only 53 years young. I was standing in his doorway and turned to say “good-bye”, as I had done so many times in the past. He said “Hey”, looked at me over his glasses, smiled and said “I love you bunches and bunches” I never thought those words to me would be his last. I told him “I love you bunches and bunches too” trying to hold back my tears. All the while, I was trying to hurry out the door before he saw in my eyes all my fears. Eight years later when mom followed my brother, those words too were the last ones we spoke to one another. Two days before she passed, she told me she was ready and that she “just wanted it to be over.” All I could do was look at her lovingly, nod my understanding and tell her that I love her. Even though the child in me wanted to scream “No God, please do not take my mother!” I knew she wanted to go, as she was never the same after the death of my brother. They say burying a child is the hardest thing to bear. After my brother passed away, something in my mom was just no longer there. My sister and I hoped that our mom would snap out of it and come back. We never understood what it was our brother had that somehow we lacked. I have always thought that when I lost my brother, I also lost my mom the same day. She just never had any more interest in me or my sister’s lives in quite the same way. Life had no meaning for our mother no matter what we said or tried. It was like that for eight more years until the day she died. She is with my brother now in Heaven and I am glad she is no longer in pain. I guess with him she is basking in sunlight but down here with us, it was always just rain. “I love you bunches and bunches” was the last thing I told my mom as I blew her a kiss from the door. She smiled at me and said, “I love you bunches and bunches” and would never to me say anything more.
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Feb 13, 2016
Feb 13, 2016 at 8:08 PM UTC
"I Love You Bunches and Bunches"
“I Love You Bunches and Bunches” In 2007, on Christmas Day, my brother told me “I love you bunches and bunches” and sent me on my way. He died three days later of mesothelioma/cancer of the lung. He was not very old at all, only 53 years young. I was standing in his doorway and turned to say “good-bye”, as I had done so many times in the past. He said “Hey”, looked at me over his glasses, smiled and said “I love you bunches and bunches” I never thought those words to me would be his last. I told him “I love you bunches and bunches too” trying to hold back my tears. All the while, I was trying to hurry out the door before he saw in my eyes all my fears. Eight years later when mom followed my brother, those words too were the last ones we spoke to one another. Two days before she passed, she told me she was ready and that she “just wanted it to be over.” All I could do was look at her lovingly, nod my understanding and tell her that I love her. Even though the child in me wanted to scream “No God, please do not take my mother!” I knew she wanted to go, as she was never the same after the death of my brother. They say burying a child is the hardest thing to bear. After my brother passed away, something in my mom was just no longer there. My sister and I hoped that our mom would snap out of it and come back. We never understood what it was our brother had that somehow we lacked. I have always thought that when I lost my brother, I also lost my mom the same day. She just never had any more interest in me or my sister’s lives in quite the same way. Life had no meaning for our mother no matter what we said or tried. It was like that for eight more years until the day she died. She is with my brother now in Heaven and I am glad she is no longer in pain. I guess with him she is basking in sunlight but down here with us, it was always just rain. “I love you bunches and bunches” was the last thing I told my mom as I blew her a kiss from the door. She smiled at me and said, “I love you bunches and bunches” and would never to me say anything more.
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26
She's wrapped herself on the wall With her fragrant pink flowers In bunches of disheveled disarray And when the summer wind blows It sends a gentle floral shower Of blossoms and scents my way At night, under the moon and stars I inhale her. With her I love to be And though I dally and play with words There can never be a poem as she.
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Apr 23, 2018
Apr 23, 2018 at 11:39 AM UTC
Madhumalati
BOX cars run by a mile long. And I wonder what they say to each other When they stop a mile long on a sidetrack. Maybe their chatter goes: I came from Fargo with a load of wheat up to the danger line. I came from Omaha with a load of shorthorns and they splintered my boards. I came from Detroit heavy with a load of flivvers. I carried apples from the Hood river last year and this year bunches of bananas from Florida; they look for me with watermelons from Mississippi next year. Hammers and shovels of work gangs sleep in shop corners when the dark stars come on the sky and the night watchmen walk and look. Then the hammer heads talk to the handles, then the scoops of the shovels talk, how the day's work nicked and trimmed them, how they swung and lifted all day, how the hands of the work gangs smelled of hope. In the night of the dark stars when the curve of the sky is a work gang handle, in the night on the mile long sidetracks, in the night where the hammers and shovels sleep in corners, the night watchmen stuff their pipes with dreams- and sometimes they doze and don't care for nothin', and sometimes they search their heads for meanings, stories, stars. The stuff of it runs like this: A long way we come; a long way to go; long rests and long deep sniffs for our lungs on the way. Sleep is a belonging of all; even if all songs are old songs and the singing heart is snuffed out like a switchman's lantern with the oil gone, even if we forget our names and houses in the finish, the secret of sleep is left us, sleep belongs to all, sleep is the first and last and best of all. People singing; people with song mouths connecting with song hearts; people who must sing or die; people whose song hearts break if there is no song mouth; these are my people.
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3.6k
Work Gangs
BOX cars run by a mile long. And I wonder what they say to each other When they stop a mile long on a sidetrack. Maybe their chatter goes: I came from Fargo with a load of wheat up to the danger line. I came from Omaha with a load of shorthorns and they splintered my boards. I came from Detroit heavy with a load of flivvers. I carried apples from the Hood river last year and this year bunches of bananas from Florida; they look for me with watermelons from Mississippi next year. Hammers and shovels of work gangs sleep in shop corners when the dark stars come on the sky and the night watchmen walk and look. Then the hammer heads talk to the handles, then the scoops of the shovels talk, how the day's work nicked and trimmed them, how they swung and lifted all day, how the hands of the work gangs smelled of hope. In the night of the dark stars when the curve of the sky is a work gang handle, in the night on the mile long sidetracks, in the night where the hammers and shovels sleep in corners, the night watchmen stuff their pipes with dreams- and sometimes they doze and don't care for nothin', and sometimes they search their heads for meanings, stories, stars. The stuff of it runs like this: A long way we come; a long way to go; long rests and long deep sniffs for our lungs on the way. Sleep is a belonging of all; even if all songs are old songs and the singing heart is snuffed out like a switchman's lantern with the oil gone, even if we forget our names and houses in the finish, the secret of sleep is left us, sleep belongs to all, sleep is the first and last and best of all. People singing; people with song mouths connecting with song hearts; people who must sing or die; people whose song hearts break if there is no song mouth; these are my people.
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29
ebony colored skin and chocolate eyes hair like spirals and coils dripping down a face so sculpted it seemed crafted by the gods themselves her hips spread and attached to a thin waist and lipids gathered in thick bunches below them she eyes her features in a mirror and grows in a sense of loss an innaccurate feeling, but she gets it anyway why? when she was 5 years old she went to school with her hair out of braids, curls voluted she was ecstatic to share it with her friends but, they just laughed and pointed and her teacher scolded her and tried to tame it down with vicious twists when she was 11 years old she went to school excited she was ecstatic to see the boy with ivory skin that she liked but, he whispered about her and a girl told her that he didnt like her because she was too “black” on her 17th birthday she gathered up all of her courage and stood up for herself when another girl with eggshell colored skin told her that she was inferior and belonged as a slave and people told her to stop overreacting and her teacher kicked her out for being violent so she went home let a stream of tears loose and finally told herself that they were all right she lost every shred of self worth that’s why.
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Jan 24, 2018
Jan 24, 2018 at 7:37 PM UTC
ebony girls
My stomach turned upside down and inside and out It felt like toxins but in a good way see I burnt away a layer of my skin it was itching me it was dry it made me fell disgusting I looked at myself and all I could see was this skin looked like it was dipped in toxic But a cure came around it came in bunches or a single pack its sizes ranged from big to small the cure surrounded me it held me tight it kept telling me to let the skin go but I didn't know who I was with out it But the cure showed me who I was with it and as I let the toxic skin fall I felt toxins in the air it was clean it was fresh and I was unaware this was what it was like to be free
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Mar 19, 2015
Mar 19, 2015 at 7:50 PM UTC
Toxic
The silver Birch trees flaunt Their glitz as I  Stroll through  Deep pearl  And sand Pebbles Gorgeous green Mansions swirl Around and Blackbirds pick Seeds from  The posy bunches And sparkled Grass. I pass a  Pink butterfly house  With large Daisy  Heads protruding from The diamond fencing. The next house, a rather Pretentious 'Cordillera', Sounds like a disease. A farm gate shields  4 by 4s and I'm  Now passing the weird House with the crocodile And gorilla and  Coloured Cow  And dog statues. Coming to the End of the lane Of silver I pass 'Lane end' Cottage with its viney Stature and freshly  Manicured front lawn.  High cube hedges forming  A pathway to the porch. In The final  Mansion if Nosy passers Have a peek you Can see a  Swimming pool, Fluffy Towels draped over The Silver pool chairs. Flitting to  The end of the  Dappled birches, Approaches A wide country green Covered in bunting Bathed in buttercups.
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May 24, 2014
May 24, 2014 at 11:54 AM UTC
My walk
In early, or late spring the daffodils appear, to enchant us stems are firm, while holding clusters of bloom. they enhance our views...our spirits, arraying our horizons, with fresh hope fresh perspectives never giving space to doom. daffodils are offered, not singly, but in bunches, just like the way a mother gives herself, never just a piece, she  reaches out with her hand when in fact, she has offered her whole body always...with open arms. Most times, she wears lively colors of white, yellow, gold, and green, whatever the season, whatever circumstances she may face her smile, her warmth, are the most colorful parts of her being There is a lilt in her eyes, in her actions...in her songs...in her words in her dance...as she does her chores such a miracle, all these graces, she offers On a sunny and windy day a mother is like those dancing daffodils on the hills and wayside staying strong enough, while swaying...to the winds of life not to fall down...or be blown away, she may be silenced by frustration and worries but never surrenders to ensuing hardships just choosing to be quiet...seeming dormant. She is both a bulb...and an all-season root crop, stuffed with needed energy quiet underneath when the cold season comes but never dead...never fallen always gathering, saving strength, for when a storm in life comes not one to mope...but one to ease ...like a healing balm. A mother is a rare kind of a daffodil one that gleams with bright lights, and bold colors all year round...through all kinds of weather. Sally Copyright May 8, 2016 Rosalia Rosario A. Bayan
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May 7, 2016
May 7, 2016 at 8:27 PM UTC
DAFFODILS
In early, or late spring the daffodils appear, to enchant us stems are firm, while holding clusters of bloom. they enhance our views...our spirits, arraying our horizons, with fresh hope fresh perspectives never giving space to doom. daffodils are offered, not singly, but in bunches, just like the way a mother gives herself, never just a piece, she  reaches out with her hand when in fact, she has offered her whole body always...with open arms. Most times, she wears lively colors of white, yellow, gold, and green, whatever the season, whatever circumstances she may face her smile, her warmth, are the most colorful parts of her being There is a lilt in her eyes, in her actions...in her songs...in her words in her dance...as she does her chores such a miracle, all these graces, she offers On a sunny and windy day a mother is like those dancing daffodils on the hills and wayside staying strong enough, while swaying...to the winds of life not to fall down...or be blown away, she may be silenced by frustration and worries but never surrenders to ensuing hardships just choosing to be quiet...seeming dormant. She is both a bulb...and an all-season root crop, stuffed with needed energy quiet underneath when the cold season comes but never dead...never fallen always gathering, saving strength, for when a storm in life comes not one to mope...but one to ease ...like a healing balm. A mother is a rare kind of a daffodil one that gleams with bright lights, and bold colors all year round...through all kinds of weather. Sally Copyright May 8, 2016 Rosalia Rosario A. Bayan
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50
No clouds at all, winter, spring, summer or fall, Tells the weather watcher no change at all, Cirrus my friend with a fair weather bent, Your swirls, streaks and curls, so very high, when there are just a few of you, goodness is nigh, but when you gaggle in bunches and take and curl your lip to show your ornery sides and swirl in the cold, I am told through the white and cold grey, BLIZZARD!                               get in doors or receive a frosty reception.
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Aug 19, 2013
Aug 19, 2013 at 10:47 PM UTC
Foretelling - Cirrus Clouds
This is the machine. Tucked under necklaces, poppies and daffodils calligraphic fingertip Xs hurry across pockets. Thursday morning job postings markers on construction paper windows exhausted by making parts. Keep weddings in thunderstorms to hide the sound of windmills in chests, bittersweet directions to ticking clockwork. Carbonated water can’t convince summer to stay, musical breaths and tulip footsteps remind me of the gears in my knees. Always buy wallets used daylily bank notes folded into stairwells, the heels of my socks. Blue collars in ochre wheelbarrows soaking next to the white ones. We are quiet machines. With cogs in our wrists battery powered bone and sinew. Baby’s breath white in our hair, tiny bunches piled into collar bones or concave stomachs. You have stars in your hair whispering in manufactured voices to pull out your eyelashes. Consumed by the concept of concepts on ravine park benches, marred with newspaper labyrinths smelling of rolled up sleeves. Hand held gummy bears prompt me to check my fluid levels, bubbly orchids in my left palm. Sugar intakes and patterned pants hide homemade pulses. This is the machine.
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Jun 1, 2013
Jun 1, 2013 at 12:14 PM UTC
This is the machine
bottlerocket, ski click & shoot. [empress impressed.] petrol souls drift the skin & aetherous of our holy mother lake midday. by alpine, lymph node, spine of glimmering fish; i never truly thought that love could destroy. [to display the paradise boon and boom salute.] her knife atop the stump. * yon machines construct art-form of reservoir (yon being short for yonder), knee-boarder-boy wake to wake, he wags his tail when he dreams. [lakeside.] tribal the beach: a family drunk on juiceboxes. rolling rocks. tall boys & boulders/ bountiful canyon kids with their beautiful gasping dogs. ****** knee **** and gallop at the foot of a mountain/mound & sugar ants stomped, longing to empire. mom bunches her fists into sand of stolen crag, listening closely for her childhood in the whistle of a casio conch. margaritaville will do. [to **** or kiss beetles.] kiss; the bitty prince. maintain a steady alliance with all lifeforms and flora. life is programmed as thus; algorithm of love. bright honeydew soaked slabs of wood, or plank, tabletop treatise. wet pile of seeds. young small birds hoard seeds for winter; teeter into spring; & upon summer find solace in swift slip-n-slide daylights.
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Sep 27, 2015
Sep 27, 2015 at 7:35 AM UTC
algorithm of love
My name is bill, no capitalization, required, the Writer will be ill, soon, once he gets me, or my friends in the mail, my cousin e bill. Won’t be far behind, a marvel of technology! I am famed and legendary, but be wary, we attack in groups and bunches and don’t rely on hunches that you settled with us. We don’t make a fuss or a muss, we will cut off your cable, and internet, see? Hydro and Natural Gas you can ill afford to miss, we do pay dates, instead of play dates. So if you don’t pay up we are through with you, hope you can find your self in the dark, call us and we will talk until your cell phone loses power or they drop your call from their towering collection. So with affection, from us named bill, make a plan and a will, to pay us on time, after all it is your dime, until it is ours, all ours. You can take that to the bank, but we will do it for you too! Save you the trip... signed the bills P.S.(we were going to list a few, but we don’t name names, we just collect Presidents and Prime Ministers, they may be dead or royalty, but they are acceptable to faceless nameless ones,called bill(s), Thanks!) ©DWE042013
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Apr 23, 2013
Apr 23, 2013 at 10:41 PM UTC
What is in a name (unofficial Ode to bill)
Eskimos have a Gazillion words for snow. We have teraflop words for coffee. Wikipedia it! But don't get distracted by the Tales. Recounted stories of empires held together by zeitgeist brand, a belief, a set of ritual, buying in bulk, a role of thumb, opposable heuristics. They've clustered history in bunches like expanding matter, as if it matters who was king or Augustus. Empires & civilization held colloidal by the quirks of geology and brand feeding food-forward with ritualistic sacrifice in Megazillion iterations. From Fertile crescent to Nile Valley silicon, when we bind ourselves to brand, and move in belief, secure in synchronized stability, then comes the rubric cubes miraculously built high upon slave backs, holding pyramidal server tombs.
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Jul 24, 2013
Jul 24, 2013 at 9:14 PM UTC
Eskimos have a Gazillion words for snow
Baby, you are the nerd to my candy box The Captain Crunch to my honey bunches of oats You are the Hawkeye To my black widow The chocolate to my Vanilla Together we make the perfect swirly Hehe Arent we just Cornier Then Kanas in August?
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Jun 17, 2014
Jun 17, 2014 at 9:33 AM UTC
Nerd To My Candy Box
In a tiny allotment right next to the zoo A miniature jungle was planted and grew The flora was dense and the air became hot But confined to a tidy rectangular plot An unthinkable duo of creatures converged And it's said that a spanking new species emerged For a curious beast was reportedly seen Roaming and munching on anything green Make haste! Away! It's the Buffagorilla! A shredder of lettuce and cereal killer With hooves at the front and hands at the rear The Buffagorilla is near! It shambles about at the darkest of hours On hedges it crunches and bunches of flowers On daffolil bulbs and petunia petals With hearty aplomb on a cluster of nettles Covertly perusing with maximum hush It can wander through gardens disguised as a bush No carrot or parsnip is safe in its bed And the marrows are quaking in vegetable dread Depart! Retreat! It's the Buffagorilla! The broccoli butcher and vegetable killer With ape like features and horns of a steer The Buffagorilla is near! So if you hear a mention of butternut theft Or notice a garden, all bare and bereft Insure your potatoes for damage and loss Give the salad a purely precautionary toss For a creature is roaming the byway and track With its legs at the front and its arms at the back And it might be your gooseberries or chervil he spies So I beg you take heed as I once more advise Be gone! Take flight! It's the Buffagorilla! The strawberry napper and cucumber killer Just hide in your cellar and steer well clear The Buffagorilla is near!
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Nov 20, 2013
Nov 20, 2013 at 7:07 PM UTC
The Buffagorilla
In a tiny allotment right next to the zoo A miniature jungle was planted and grew The flora was dense and the air became hot But confined to a tidy rectangular plot An unthinkable duo of creatures converged And it's said that a spanking new species emerged For a curious beast was reportedly seen Roaming and munching on anything green Make haste! Away! It's the Buffagorilla! A shredder of lettuce and cereal killer With hooves at the front and hands at the rear The Buffagorilla is near! It shambles about at the darkest of hours On hedges it crunches and bunches of flowers On daffolil bulbs and petunia petals With hearty aplomb on a cluster of nettles Covertly perusing with maximum hush It can wander through gardens disguised as a bush No carrot or parsnip is safe in its bed And the marrows are quaking in vegetable dread Depart! Retreat! It's the Buffagorilla! The broccoli butcher and vegetable killer With ape like features and horns of a steer The Buffagorilla is near! So if you hear a mention of butternut theft Or notice a garden, all bare and bereft Insure your potatoes for damage and loss Give the salad a purely precautionary toss For a creature is roaming the byway and track With its legs at the front and its arms at the back And it might be your gooseberries or chervil he spies So I beg you take heed as I once more advise Be gone! Take flight! It's the Buffagorilla! The strawberry napper and cucumber killer Just hide in your cellar and steer well clear The Buffagorilla is near!
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Oh Joy, Oh Great Heavens Above, How I like to lingeringly slaver o'er The fartleberries hanging humunguously Out of your **** cleft like bunches of mouldering grapes, And to gaze upon the lusciously stale shitstains Decorating your hirsute ********** You so rarely wash and your dumps are omnipotent And you are too mean to buy any **** wipes. You moan quite loudly in colonic ecstacy As I plumb the Stygian depths of your sit-upon place, My nose diving daintily like a woodpecker's beak Smeared with poo-bits, seeking Nirvana In your ****** paradise, brown love-tunnel Serenaded by the poets since Time began! Nowhere in all the Hershey Universe can there be A pongier rimmee than you, O unshaven beauty of mine! My probing tongue is covered with nutty brown paste, Your sweet excremental delight makes me drool In joy, as I personhandle myself "down there"; Ignoring the most elemental rules of hygiene. But sadly there is a fly in the ointment Indeed a whole ******* barrelful of them: Not only will I get a very nasty E-coli infection But I'll have bad breath tomorrow at chapel.
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Mar 11, 2015
Mar 11, 2015 at 1:45 PM UTC
Cheeks
our fruiterer is a riddling prankster who jumps up from every corner and tray and stacks, with any old silly riddle (1) “Looking at apples, eh?” he approaches Sandy *“What did the apple say to the bug? Oh – stop bugging me!”* And he laughs at his own humor (or lack of it) while severe Sandy rotates an apple in her left palm and he ventures to the next vulnerable customer, who is me “How, my dear man,” he proceeds to ask “do you fix a broken tomato?” I shake my head, bewildered and he unpacks his own riddle: “Tomato paste!” And he roars with laughter his chilli-sharp eyes pointed at his next customer (2) And off he goes with his riddles – with his booming voice, no pause and wrapping his answers in cracking laughs He jumps to an old man and he says: *“Why, do tell me, do bananas never feel lonely?”* “Cos they always come in bunches” And the young couple he regales with: *“Why did the tomato go out with the prune? Oh, come on…simply cos he couldn’t find a date!”* And to an old woman he says in  near-Oedipus style: *“What did the Dad Tomato tell his Kid Tomato? Ketchup!”* And as in a light musical he turns about and whoever he finds he unleashes his final: *“How do you fix a cracked pumpkin? Easy peasy – you use a pumpkin patch!”* Ah, our fruiterer is a riddling prankster who jumps up from every corner and tray and stacks, with any old silly riddle
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Jul 11, 2013
Jul 11, 2013 at 7:44 AM UTC
the riddling fruiterer
as the bus pulls along the lazy river on Main, a slouching mind and pressed cheek is a swimmer, dipping toes and meanwhile the gentle murmur of pool-goers living inaudibly, like hunched bunches in shawls of shade (interrupted only by the occasional l-urch) nodding, nodding off and on and off and into the water, the swimmer slips in ... Here, it is heaven on earth an oasis ... and the mind swims ever so far ever so deep ... i wonder... ... and outside a boy, barefoot runs upstream a shimmering second an apparition of summer? and out of sight
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Aug 13, 2018
Aug 13, 2018 at 10:45 PM UTC
The View from the Lazy River
I ASKED the Mayor of Gary about the 12-hour day and the 7-day week. And the Mayor of Gary answered more workmen steal time on the job in Gary than any other place in the United States. "Go into the plants and you will see men sitting around doing nothing-machinery does everything," said the Mayor of Gary when I asked him about the 12-hour day and the 7-day week. And he wore cool cream pants, the Mayor of Gary, and white shoes, and a barber had fixed him up with a shampoo and a shave and he was easy and imperturbable though the government weather bureau thermometer said 96 and children were soaking their heads at bubbling fountains on the street corners. And I said good-by to the Mayor of Gary and I went out from the city hall and turned the corner into Broadway. And I saw workmen wearing leather shoes scruffed with fire and cinders, and pitted with little holes from running molten steel, And some had bunches of specialized muscles around their shoulder blades hard as pig iron, muscles of their fore-arms were sheet steel and they looked to me like men who had been somewhere.Gary, Indiana, 1915.
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The Mayor of Gary