"builders" poems
Before you criticize me too soon, I think you should spare some seconds and answer a simple question to yourself...
If Shahjahan loved Mumtaz Mahal so much, why he had a harem of wives to use at his own pleasure?
While I agree that the Taj Mahal is arguably the most extraordinarily beautiful monument in the world, I don't agree upon the fact that it was built as a tomb of love. It is just a symbol of madness if you asked me. An emperor's insecure feeling to get his name registered in the history books. While it may be one of the most beautiful architectural monument, it was built by over 20,000 architects, craftsmen, masons and engineers who took over 16 years to build the magnificent building.
He got this apparently high & prestigious monument of love built but everything that the Emperor did was not pleasant at all.
° The lavishly living Mughal Emperor spent all his - his subjects' money into building this monument of love instead of keeping his subjects well-fed.
° Mumtaz Mahal might have been the luckiest woman to have died and got such a marvelous building built as her mausoleum but she died giving birth to her & Shahjahan's 17th offspring and then Shahjahan who had uncountable other wives was inspired by her demise apparently to undertake what is termed as the biggest project in history build the costliest monument proclaiming his rule.
° The arrogant - falsely proud lover - Mughal emperor didn't know that what he thought to be looked at as the greatest symbol of love will be criticized by some poet in his own land nearly 375 years later. The insane Mughal Emperor got all the builders of the Taj Mahal's fingers cut-off of so that there could be no other Taj Mahal.
But Aurangzeb, his & Mumtaz Mahal's son overthrew his power when Shahjahan got older and locked him up in a jail at the other end of Yamuna river where the emperor then died a sad old lovelorn bedlamite person in prison. Aurangzeb was the exact opposite of his dad, he showed religious intolerance and his habits drove the empire towards its doom after his death.
But let me think this way; when I look at any picture of the Taj Mahal, what I get the first thing in mind is this: Such a CRAZY emperor who got such a beautiful monument of Egotism built!
May 7, 2013
May 7, 2013 at 11:23 AM UTC
Without consideration, without pity, without shame
they have built great and high walls around me.
And now I sit here and despair.
I think of nothing else: this fate gnaws at my mind;
for I had many things to do outside.
Ah why did I not pay attention when they were building the walls.
But I never heard any noise or sound of builders.
Imperceptibly they shut me from the outside world.
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You are a leader ship
how I know this?
cause I'm a leader ship too
I can see the sinuous fibre of your very being
take a look
I bet you can see it too
we are borne of the earth and the stars
borne in the wind
there are four cardinal directions, N E S W, do not forget about the intermediary
be an intermediary ~ who wants to be a cardinal?
we need our leader ships following their own true north
2D - 3D -- 4D --- 5D ---------------------------- >
following the wormholes ... the aether
following certain signs and symbols
trust in divine feminine ... .. . .. ... masculine divine in trust
trust in masculine divine ... .. . .. ... divine feminine in trust
" 'It's all this!' He wrapped his finger in his fist; the car hugged the line straight and true." ~ Kerouac
Ship builders choose their timber mindfully
Be mindful with your archetypes, Noah!
Sep 27, 2014
Sep 27, 2014 at 3:20 AM UTC
Lone leatherback cruises up from the deep, pausing on the fragile reef
to feast ancient eyes upon the show, a bright parade laid out below
butterfly couples paired for life, graceful angels in black and white stripe
brilliant clowns and their toxic lovers, a plodding gang of giant groupers
puffers bob like comic balloons, humble gobies on every menu
beaked parrotfish grinding the coral down, in the ears a constant sound
cowfish blowing puckered kisses, sea stars catching fishy wishes
white-tipped, hammerhead, tiger sharks, triggerfish mean bite worse than their bark
untamed unicorns too wild to ride, dogfish snapping, biting alongside
coral trout color-shifting fools, attracting ladies in dull-hued schools
**** headed wrasse rumbling through, thick lips mumbling go get a room
sea horses nod in labyrinth caves, razor-toothed eels lying in wait
if tentacled embrace should be your fate, nudibranchs will light the way
to a place of bliss, none of this can exist, without the builders
coral and algae bewildered, the ways of man egotistical
rising ocean temperatures, carbon emissions, and el Niño
victim of abundant greed, say goodbye to the Great Barrier Reef
so massive is this magical place, one can see it from outer space
astronauts witness its demise, ninety-percent barren, bleached bone white.
Apr 27, 2016
Apr 27, 2016 at 1:58 PM UTC
The builders of Stonehenge
Were pelvicly challenged
So they erected a monument
In such a way
That it could be interpreted
As a displacement activity.
And the rest as they say
Is pre-history.
Mar 28, 2014
Mar 28, 2014 at 4:36 PM UTC
☮ ☮ ☮
**Society needs more Social Justice.
Humanity needs peaceworkers.**
Peace and Social Justice must be promoted aggressively. There are inequities that must be addressed. Power is not equally distributed. Neither are resources or wealth. Neither are poetic gifts or vision equitably distributed. Unearned privilege is rampant. Poetry must confront this global crisis of capitalist exploitation and manipulation. Poetry must speak to the masses. Poetry must radicalize and inform consciousness to new levels of social change. Marginalized citizens must be empowered. All ****** gender-based, racial, religious, age-based, homophobic, xenophobic, and gynophobic bigots must be brought to see in a new way through our poetry. Community building and local empowerment are of the order. Our poetry must be global in scope – yet rooted and grounded in local community empowerment. Selfless acts of service to promote and increase Social Justice are needed. Lives selflessly devoted to establishing social justice are called for. Our poetic lives must be laid on the altar of the dis-enfranchised and unrepresented. We, as consciously aware poets, must advocate and speak out for those who have no voice.
We, as poets, must, through stirring words of Social Justice, embody through our radical verses the burning hope of a just and sustainable future. This future must become increasingly collective as formerly marginalized consumers become empowered community-builders – through our poetry. As poets of the sustainable future we will empower and inform. Our poetry must collectivize, entitle and enslave. We must speak with ONE VOICE: the voice of change and social justice. Our words will rise with healing in their wings and lift whole communities from despair to radicalized self-awareness in communities filled with strident, intolerant and maniacal practitioners of PEACE & SOCIAL JUSTICE. All poets who do not lay their entire creative and lyrical selves on the altar of struggle to bring CHANGE and SOCIAL JUSTICE will be LIQUIDATED by our own EMPOWERED POETRY. IN THE END WE WILL WRITE A PURE POETRY OF SOCIAL CHANGE, ALL IN CAPS, AND THIS POETRY OF SOCIAL JUSTICE AND EMPOWERMENT WILL BE READ OVER THE GRAVES OF ALL SELL-OUT, CORPORATE, FASCIST, SNITCHING, SELFISH, UNEMPOWERED AND UNEMPOWERING TRAITORS AND ENEMIES OF SOCIAL JUSTICE. IN THE END THERE WILL BE NO PUNCTUATION OR EVEN WORDS ONLY PURE IMAGES OF CHANGE + VISIONARY COLLABORATION IN SOCIAL TRANSFORMATION/MAYBE SLASH MARKS/OKAY MAYBE EXCLAMATION POINTS TOO BUT ONLY THOSE !
WHY? BECAUSE THE ONLY GOOD POET IS A LIVING POET WHO HAS LIQUIDATED EVERY FALSE POET NOT COMMITTED TO THE STRUGGLE FOR SOCIAL JUSTICE !
LONG LIVE POETRY IN ACTION THROUGH CHANGE!
WRITE/SPEAK/AGITATE
FOR SOCIAL JUSTICE & EMPOWERMENT !
**POETRY IS STRUGGLE☻
STRUGGLE IS CHANGE☻
CHANGE REQUIRES SOCIAL JUSTICE☻
SOCIAL JUSTICE BRINGS PEACE☻
PEACE BRINGS WAR☻
WAR BRINGS CONFUSION & DEATH☻**
(SO DON’T BE CONFUSED)
Sep 9, 2015
Sep 9, 2015 at 9:03 PM UTC
The flag, a white crescent and single star
on a field of crimson — kırmızı, not just 'red' —
tells of Islam. The men drinking beer and rakı
at pavement tables, even in Ramadan,
and the short-skirted, bare-armed girls,
parading with bare-faced confidence,
tell of other influences;
but at the appointed hour we hear the call to prayer
from the marble minaret, a slim finger
pointing to the sky beside shining domes
reflecting the vault of heaven.
At five a.m. we hear it faintly through hotel double-glazing,
or at sunset, as a peaceful accompaniment to the spectacle,
and we remember where we are.
But especially at the midday hour,
when the voice of the muezzin echoes
over noisy street or market,
and from another minaret and another
the duet becomes a trio, a quartet
of different melodies, out of tune
with each other but never discordant
(in these tones the word has no meaning),
the faithful are reminded, however busy they may be,
that their God requires something of them.
Then, entering the cool calm of the mosque,
entering the quiet forest of pillars,
feeling through the soles of our bare feet
marble polished by the tread
of generations of worshippers,
fine-grained wood,
the rich softness of crimson carpet,
we luxuriate in the textures as they combine
with the formal floral patterns of the tiles,
the ornate calligraphy of the inscriptions,
the rich colours of the glass,
and we realise that the builders of these mosques
knew what they were doing, so many years ago,
how peace can enter the soul
through the senses.
Aug 6, 2016
Aug 6, 2016 at 11:43 AM UTC
This harbour was made by art and force.
And called Kingstown and afterwards Dun Laoghaire.
And holds the sea behind its barrier
less than five miles from my house.
Lord be with us say the makers of a nation.
Lord look down say the builders of a harbour.
They came and cut a shape out of ocean
and left stone to close around their labour.
Officers and their wives promenaded
on this spot once and saw with their own eyes
the opulent horizon and obedient skies
which nine tenths of the law provided.
And frigates with thirty-six guns, cruising
the outer edges of influence, could idle
and enter here and catch the tide of
empire and arrogance and the Irish Sea rising
and rising through a century of storms
and cormorants and moonlight the whole length of this coast,
while an ocean forgot an empire and the armed
ships under it changed: to slime **** and cold salt and rust.
City of shadows and of the gradual
capitulations to the last invader
this is the final one: signed in water
and witnessed in granite and ugly bronze and gun-metal.
And by me. I am your citizen: composed of
your fictions, your compromise, I am
a part of your story and its outcome.
And ready to record its contradictions.
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We, the people of this country, in your eyes are:
babblers, bachelors, bafflers, baiters, barkers,
beakers, beaters, brawlers, blamers, beggars,
bloaters, bloopers, bombers, boozers, blunders,
bruisers, bafflers, bluffers, burglars and burners.
That's why you feel compelled to keep your foot on our heads
keep us down, put us down, push us down
subjugate us, belittle us, berate us.
We, the people of this country, in our eyes are:
butlers, bouncers, bakers, buyers, barbers,
cake-makers, delivery-takers, cocktail-shakers,
taxi drivers, cancer survivors, employers and hirers,
music makers, entertainers, window washers, foster takers,
plasterers, carpenters, scaffolders, sparks and builders,
boxers, carers, coaches, tailors, shoe makers,
designers, illustrators, multi-language facilitators,
dog walkers, dog trainers, bikers and cycle couriers,
doctors and nurses and all the emergency services.
We are the People, the reason you are where you are now
you sometimes forget that we exist as people, somehow
locked in your ivory towers with gold plated showers
and MP expenses and investment banker pretenses
this is not theater, its real life drama, its not just a bluff
its time to stand up
and say enough is enough.
Jun 27, 2014
Jun 27, 2014 at 9:54 AM UTC
All are architects of Fate,
Working in these walls of Time;
Some with massive deeds and great,
Some with ornaments of rhyme.
Nothing useless is, or low;
Each thing in its place is best;
And what seems but idle show
Strengthens and supports the rest.
For the structure that we raise,
Time is with materials filled;
Our to-days and yesterdays
Are the blocks with which we build.
Truly shape and fashion these;
Leave no yawning gaps between;
Think not, because no man sees,
Such things will remain unseen.
In the elder days of Art,
Builders wrought with greatest care
Each minute and unseen part;
For the Gods see everywhere.
Let us do out work as well,
Both the unseen and the seen;
Make the house, where Gods may dwell,
Beautiful, entire, and clean.
Else our lives are incomplete,
Standing in these walls of Time,
Broken stairways, where the feet
Stumble as they seek to climb.
Build to-day, then, strong and sure,
With a firm and ample base;
And ascending and secure
Shall to-morrow find its place.
Thus alone can we attain
To those turrets, where the eye
Sees the world as one vast plain,
And one boundless reach of sky.
5.6k
Maverick ex-cop (Green Beret /Navy Seal /SAS/Ranger)
Twiddle of the fingers to crack a 64 bit hexadecimal code
Shot but can still beat up bad people and run
15 people firing automatic weapons and they all miss
Database that searches the planets population in 2 seconds
And has photos of their children and plans of their building
Regardless of the crime scene sample, always a rare element that pinpoints location
Car chase where a truck can keep up with a Ducati motorbike
Organisations that only employ attractive people in lead roles
Ugly people are tech specialists sometimes allowed to be ‘quirky’
Even the uglies are attractive people disguised with glasses and bad hairstyles
‘I dream of genie’ gendre were they flirt but never get it on, unless it’s a hospital series
Watchable, funny programs that always succumb to sloppy sentimentality
High schools complete with intolerance, marginalisation, bullying, and hell on earth,
The most disturbing and darkest crime sent to titillate mid evening family viewing
Endless humiliation for fatties, chefs, performers, builders, restaurateurs, and troubled teens
Dysfunctional law enforcement agencies that never work together under any circumstances
Enough, if we need this thick coating of unreality, perhaps its time to switch off?
Feb 23, 2013
Feb 23, 2013 at 5:34 PM UTC
I miss my childhood everyday
This missing increases day by day
I miss those days of happiness
which were full of joy and naughtiness
I miss my grandpa's magnificent love
I miss my grandma's food serve
I miss my village and my darling home
Now I am sad and alone
I was used to go garden daily evening
where I see the day changing
I play their with my friends
who were perfect in that and were legends
I miss stealing of mango from trees
I miss those mountainy friendly trees
I miss play of hide and seek
we hide on guava's great peak
I miss my fields and ponds
I miss that sweet smell of my lands
I miss the scolds of elders
I miss my village builders
I miss my grandpa's old shoulders
I miss my village's brave soldiers
I miss my cow's sweet milk
I miss my cranky and playful tricks
No one can return my childhood
And that hunt for fruits in woods
I have left my childhood very far
But I need life like that with no bar
I am hungry for that love of village
my hunger becomes more with age
In this world of stress and worries
I want back my childhood glories
Life is such a name
That plays with everyone, a different game
But in every game there is some hopeful ray
I miss my childhood everyday.
(27 march 2010, Lucknow)
Sep 15, 2012
Sep 15, 2012 at 6:28 PM UTC
Where does the spark and infatuation from the beginning go?
It’s crazy how quickly you can go from being excited to talk to a person to feeling like you’re forcing the conversation. The quality time you spend with each other turns into “I was busy” and the consistent communication becomes “I don’t know”. When does “I hate to see you leave” turn into “It hurts too much to stay?”
Could it be because we’re all guilty of taking things for granted? Maybe we think love is something which will appear whenever it is convenient, or maybe we don’t realize how important it is to keep a good thing going. Maybe we think happiness is something that just finds us, instead of being something we must work for. And maybe that’s why we end up doing or saying something we shouldn’t have, and regret our actions later. It’s amazing how fast things change…
You go from laughing about anything to arguing about everything. You go through the motions, wondering if they’re real, if they really do care, or if they’re going to run when it turns rough. It’s so scary. You want to give more of yourself to somebody but it’s hard so these days because you just never know if you’ll get anything back. Don’t we all deserve a bit of love? Love is not something just to be taken, it’s to be given as well. You think you have it all sorted. That they will come around sooner or later. That they will realize what they are doing will only wreck the relationship beyond repair.
You do little things, you stay consistent, but somehow it just doesn’t add up. Maybe the problem is that we except the love to be magical before we become magicians. Or could it be that we’re all just better breakers than builders? We’d rather have feelings we can throw away and ‘love’ that’s disposable.
We grew up reading tales like Cinderella, Snow White, Sleeping Beauty etc, which lead us to believe that the path of love is a bed of roses, without the thorns. Or blame it on the overdose of the too-good-to-be-true love stories we encounter in films and read in novels. Happily ever after is a myth. And Happily Married is the biggest oxymoron ever.
Reality is rough. You only want what’s easy and that’s why what you get never lasts. Everybody wants to be fought for but nobody is willing to fight. Is this fair? She loves butterflies but she avoids beginnings because she hates to start over. He’s tired but he’s so used to the chase that he’s scared to stop running.
Makes you wonder… Is love really hard, or are people just difficult?
Jul 7, 2014
Jul 7, 2014 at 12:35 PM UTC
Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten.
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.
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The cranes flew and the city grew and what did I do?
put my head in the sand,
so I could no longer see the change that was happening all around me.
A land fit for heroes,city tycoons and wannabe Nero's and now't left in the stew *** for me or for you lot,
and how do you feel about that?
More money than sense and scant recompense for the builders who toil,who make the monsters that rise and eat up the soil, despoiling the land,more heads in the sand but holding out hands for that scant recompense.
Reconciling the bile in their throats with those city gent suits in their trilby's and coats and soldiering on until the earth is all gone.
A legacy indeed for them who would scramble in scrub land and grow things to feed the dysfunction of family,
what seeds we have sown,how defectively grown we've become and all for the buildings that greedily search out the sun,
somewhere up in the heights.
Oct 13, 2013
Oct 13, 2013 at 5:06 AM UTC
So many stones have been thrown at me,
That I'm not frightened of them anymore,
And the pit has become a solid tower,
Tall among tall towers.
I thank the builders,
May care and sadness pass them by.
From here I'll see the sunrise earlier,
Here the sun's last ray rejoices.
And into the windows of my room
The northern breezes often fly.
And from my hand a dove eats grains of wheat...
As for my unfinished page,
The Muse's tawny hand, divinely calm
And delicate, will finish it.
3.9k
Losing a tail
Is like losing a rudder
Like losing a ballast
Stability must be found elsewhere
As a quadruped there are four points of contact
A biped has only two
How do we replace that stability?
With aspiration
~ Extinct ~
**** erectus*
and
**** neanderthalensis*
~ Extant ~
Hominids
Great Apes
Primarily lumbering along on all fours
Quadrupedal
Except Us
**** sapiens*
What mechanism allowed for bipeds?
Natural selection?
Or a naturally selected collective vision
Through collective perspiration
Art is used to mine dream-time
Inspiring the masons among us
The art is the plan
The architecture is built upon
And the builders perspiration
Leads to the built environment
How do you cap it?
Egyptians used a capstone
Aspiration
Leading to
Inspiration
Leading to
Perspiration
Leading to
A
Spire
Naturally
Oct 24, 2014
Oct 24, 2014 at 3:58 AM UTC
Heavily loaded my heart is.
Full of love and wonders untold.
Overflowing with passion.
Soaked in affection immeasurable.
Dripping tender gentleness.
Longing for just a response.
Fair damsel of motherland.
Displayed for you did I.
The shape of my heart.
Let you in the secret chambers.
And you turn your back.
As if nothing happened.
Who?
Who then beauties of the land?
Who shall I give?
Who will have this precious stone?
The one the builders rejected.
Throw the jewel to the dogs.
Because my child refused.
Or else anyone;
Where will I take this love?
Jun 23, 2012
Jun 23, 2012 at 5:16 AM UTC
Pure whey protein tub.
Lets make boys body builders.
Gym memberships rise.
The mating dance changed
My testicles move a train.
Will you be my wife?
Nov 16, 2013
Nov 16, 2013 at 12:57 AM UTC
befriended by the builders
a building site next door
they gave her little jobs to do
although she's only four
when friday came,they even gave
her wages for the week
foreman smiled at sophie's joy
and tweaked her rosie cheek
off she went, to spend her pay
there was no way of stopping
a working girl with hard earned cash
so mummy took her shopping
hello mr sweetshop man
i've got cash to spend
been grafting with my muckers
an real job,....not pretend
are you working monday?
he passed her pick and mix
aye! if those wankers from jewson
bring the ******* bricks
Mar 26, 2010
Mar 26, 2010 at 4:05 PM UTC
I’m thinking of the faded checkered pattern that has been
smoothed away by time on the dark cloth seats of a Nissan Pathfinder
driving down Ryan Road on a hot day in June.
My mother, in the front seat, singing along to a Spice Girls cassette.
I’m thinking: red, plastic, crab-shaped sandbox and
McDonald’s Happy Meal toys.
I’m thinking: light princess pink, seafoam green, and robin’s egg blue.
I’m thinking of a framed cheetah cross stitch, hanging on the wall of what
used to be our bedroom at my grandparent’s house.
I’m thinking: Barbie doll houses and Hot Wheels and a cul-de-sac at
the end of the street.
The sweet smell of cigar smoke. The ice cold splash of the garden hose. The pop of a bubble. The sting of soap in the eye. Dreams by The Cranberries. As Long as You Love Me by The Backstreet Boys. A HelloKitty boombox slowly spitting out vapor when the deck builders hit a power line while digging. The deer in the backyard looking for corn. The faded wood of a playset that was never really played on.
My father: sitting alone on a splintered bench by the firepit at the edge of the woods, empty beer cans at his feet, chain smoking cigarettes, and humming along to a song that is stuck—forever stuck—on the tip of my tongue.
I do not know if this happened. I cannot ask him.
(I’m not sure if I would want to ask him.)
But I can make an educated inference that that line of
fiction is really nonfiction.
A memory that feels like a phantom limb.
Sounds like the sharp crinkle of static.
Covered in a gossamer, dreamlike haze.
There is a distinct otherness to this memory, to who
I think I was before the trauma.
We are two different people. A yin and a yang. A day and a night.
The hermit crab is soft beneath its hard shell.
The asbestos is not apparent within the insulation.
You cannot see the lead in the paint.
The mold inside the fruit.
May 5, 2021
May 5, 2021 at 2:46 AM UTC
Wind swept
Wild places the grass it puts on a veritable orchestra of movement as it undulates to the power of the breeze that passes
Mountain meadows splashed with a profusion of flowers they jiggle as if there tickled about something or other
The crest of the hill bordered with trees sloping down the hill children are running reminiscent of Jack and Jill
This utopia of nature sets aside the hurly burly the curvature of the hills still the wind hold the sun just right you it invites
Cross these pasture lands the feeding ground of many cattle and sheep the pride of the farmer who keeps
Inexorably bound by breed and creed for centuries this way of life flourishes among these native grasses
Tender shoots these roots give of their riches the sun and rain gives them a time to reign with joy all reaps
Pleasure in the walk letting fingers glide over the heads of tall grasses the silent telling of harmony filled poise
Future generations will be brought to these shadowed grounds they too will by their lives express and know contentment
Hourly they hold in sod that has known the breath of time as it has passed time and time again it enlivens breaks fourth
Sturdy and resplendent it shows all its dependability the same respect settlers knew is found the builders of this continent
Long shadows grow upon earths shoulders she knows the good and the bad but through resilience remains unconquered
The distant mountain stands eternal guard, it affects rainfall, mutes the winds force guarantying a peaceful valley
Perpetuity is taught in this land tomorrows unfold from days gone by with regularity they build and keep the way open
Stewardship the blessed hope working in harmony with all that surrounds at days end this will be the final sum and tally
The herdsman knows the time he invests it well always with broad vision does he act in this wisdom all will be victorious
Jan 1, 2012
Jan 1, 2012 at 8:45 PM UTC
Its the squeeze, the wall builders
who would have you defined, boxed
wrapped in a pink bow, more often,
handcuffs or chains
when you refuse to conform.
Feb 27, 2016
Feb 27, 2016 at 9:22 AM UTC
About a mile out of town
Past the village in the mist
Sits a tiny Country Church
Not found on any list
It's for Catholic and Baptist
It's for Protestant and Jew
It's doors are always open
This church is here for you
The town is near two hundred
The Church a few years more
There are tales about this building
That are part of local lore
The church is small in stature
But large in who it serves
It's a place to go and worship
It's a place to calm your nerves
The pews are hard and narrow
Carved by hand you see
One has crumbled through the years
So in all there's thirty three
Seventeen pews on the left side
Sixteen on the right
Hand carved with love by someone
And all are painted white
At Easter and at Christmas
The Church is full as it should be
And as one of those who enter
I say, it's something you should see
The pews seem so much whiter
When the voices sing so loud
If it could be witnessed by it's builders
I know they would be proud
There are carvings in the church pews
Left by many through out time
On the second one in on the left
Is my brothers name and mine
The pews are worn in places
They've supported many souls
Who have come in here for comfort
They have come to be made whole
The one pew that is broken
Was fixed but once more broke
It was decided then to leave it
By the elders, local folk
The minister in charge then
Stood and told those who were there
"To fix what keeps on breaking"
"Wastes time, we could better share"
"Besides, look all around you"
"The pews, there's thirty three"
"To you, it should hold meaning"
"Think hard, and you will see"
"Remember, Christ our Saviour"
"Think of his age on his last day"
"Thirty three, that is the number"
"Now, think on that next time you pray"
"The Church pew that is broken"
"Can't be fixed, so let it be"
"It's as though it was intended"
"To help give strength to you and me"
The Church out in the Country
Will stand longer than me
And will witness many Christmas'
From church pews ...all thirty three.
Dec 24, 2018
Dec 24, 2018 at 10:49 AM UTC