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"bugles" poems
1445 Death is the supple Suitor That wins at last— It is a stealthy Wooing Conducted first By pallid innuendoes And dim approach But brave at last with Bugles And a bisected Coach It bears away in triumph To Troth unknown And Kindred as responsive As Porcelain.
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Death is the supple Suitor
At four, you took my hand and pulled me to your bed,                                                             your small form cuddling, curling, you urgently said, "Tell me… tell me a story! Story, make it long", I began to tell the story, the story of when you were born: Drums and bugles, bubbles and balloons, somersaulting clowns and calliope tunes, you came out to meet them, on the day that you were born, and they were there to greet you, through a January storm. Lions and gorillas marched to military airs, snowmen and snowwomen danced without a spring time care, somewhere in the harbor, a tugboat played a note, and all the while you smiled a smile, upon a birthday float. Just like a circus troupe, we formed a great parade, and sauntered to the birthing bed where your mother lay, she picked you up, she held you, as close as close can be, her hand in mine, she softly said, “Now... we are three.” Copyright © 2003 Gary Brocks
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Aug 27, 2018
Aug 27, 2018 at 9:31 PM UTC
TELL ME ABOUT WHEN I WAS BORN - FOR EMILY: PART 1, AT FOUR YEARS
1 Beat! beat! drums!—Blow! bugles! blow! Through the windows—through doors—burst like a ruthless force, Into the solemn church, and scatter the congregation; Into the school where the scholar is studying; Leave not the bridegroom quiet—no happiness must he have now with his bride; Nor the peaceful farmer any peace, plowing his field or gathering his grain; So fierce you whirr and pound, you drums—so shrill you bugles blow. 2 Beat! beat! drums!—Blow! bugles! blow! Over the traffic of cities—over the rumble of wheels in the streets: Are beds prepared for sleepers at night in the houses? No sleepers must sleep in those beds; No bargainers’ bargains by day—no brokers or speculators—Would they continue? Would the talkers be talking? would the singer attempt to sing? Would the lawyer rise in the court to state his case before the judge? Then rattle quicker, heavier drums—you bugles wilder blow. 3 Beat! beat! drums!—Blow! bugles! blow! Make no parley—stop for no expostulation; Mind not the timid—mind not the weeper or prayer; Mind not the old man beseeching the young man; Let not the child’s voice be heard, nor the mother’s entreaties; Make even the trestles to shake the dead, where they lie awaiting the hearses, So strong you thump, O terrible drums—so loud you bugles blow.
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Beat! Beat! Drums!
1634 Talk not to me of Summer Trees The foliage of the mind A Tabernacle is for Birds Of no corporeal kind And winds do go that way at noon To their Ethereal Homes Whose Bugles call the least of us To undepicted Realms
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Talk not to me of Summer Trees
Bid adieu, adieu, adieu, Bid adieu to girlish days, Happy Love is come to woo Thee and woo thy girlish ways— The zone that doth become thee fair, The snood upon thy yellow hair, When thou hast heard his name upon The bugles of the cherubim Begin thou softly to unzone Thy girlish ***** unto him And softly to undo the snood That is the sign of maidenhood.
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Bid Adieu to Maidenhood
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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Mannahatta
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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Bugles sang, saddening the evening air, And bugles answered, sorrowful to hear. Voices of boys were by the river-side. Sleep mothered them; and left the twilight sad. The shadow of the morrow weighed on men. Voices of old despondency resigned, Bowed by the shadow of the morrow, slept. ( ) dying tone Of receding voices that will not return. The wailing of the high far-travelling shells And the deep cursing of the provoking ( ) The monstrous anger of our taciturn guns. The majesty of the insults of their mouths.
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But I Was Looking at the Permanent Stars
To talk to the menace of man To hear fast words belched out Like a drunkard holding His gun Time trickles tears Of the one's Left behind How beauty moves Is a mystery To minds unprepared for chance I hear year long struggles from bugles Laced In Gold And am very very bored There are times when I speak And I cannot recognize the voice Somewhere far off from me A woman pulls up her flowered shorts Was I there to pull them down? Or was I here? **** wednesday forgot its own name Distracted by the glare of the bad masses B's Expensive and ludicrous jewelry To take a moment is to take a slice of life Forgetting that you were once nothing And soon will be Nothing To fret the death of the ego the work the paint splattered soul dirt Chipped teeth line curb side markets With trinkets and hairy arm pits I destroyed a letter I wrote to myself today Because the nakedness of mine own soul Was to boring and dreary to read For now we are the waking still lives Of the art we all wished we could create So close so far so long so short Is our time here to giggle at the way a dog must walk When it is constipated Don't laugh at that because dog constipation Is a Very Serious Thing Regression in the Freudian sense croquet neck tie polar bears My mother named me after that But not before She shot the winning shot In her hometown Volleyball game Letters of three make me sneeze
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Jun 5, 2011
Jun 5, 2011 at 10:43 PM UTC
Letters of Three/Make Me Sneeze
After Midnight The narcissists fall After Midnight A new lyric calls After Midnight The bugles will blow After Midnight There’s more left to know After Midnight The lizards collect After Midnight All tales to reflect After Midnight The ticking won’t stop After Midnight The bottom has topped After Midnight A cancerous tome After Midnight Malignancy known After Midnight Betray and deceive After Midnight Alone in the siege After Midnight All footsteps fall deaf After Midnight Last palate uncleft After Midnight New story to front After Midnight A star for the dunce After Midnight The comets rebel After Midnight The coroners yell After Midnight A suit made of steel After Midnight Its melting reveals After Midnight The plain and the slack After Midnight There’s no turning back After Midnight A sacred oath sworn After Midnight All memory forlorn After Midnight The wheels bend and turn After Midnight Lost vision relearns After Midnight False birth is stillborn After Midnight Old vestments are torn After Midnight The here and the now After Midnight That one sacred cow After Midnight Past-Future unseen After Midnight —new eyes that believe (Villanova Pennsylvania: March, 2015)
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Feb 27, 2018
Feb 27, 2018 at 12:01 PM UTC
After Midnight
Come on down to Louisville, Kentucky For the Fastest Two Minutes In Sports The first Saturday in May is Kentucky Derby time It's the end of a two week celebration; the best of times The runners race that takes a lap around the track Thunder over Louisville has fireworks and planes fly past There is a balloon glow and steamboat race Where else can you go for a time so great Now it is race day; an all day party The insane gather in the infield and they can get naughty You have celebrities, mint juleps and crazy hats The Kentucky Derby is where it's at The beautiful horses parade around The bugles sounds and  My Old Kentucky Home plays The excitement peaks; it's time for the race Dreams of the Triple Crown; the Kentucky Derby is the first leg The Run For The Roses; someone's dream starts today
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May 3, 2014
May 3, 2014 at 10:28 AM UTC
Kentucky Derby
What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells; Nor any voice of mourning save the choirs, – The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds
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Anthem Of Doomed Youth
All sounds have been as music to my listening: Pacific lamentations of slow bells, The crunch of boots on blue snow rosy-glistening, Shuffle of autumn leaves; and all farewells: Bugles that sadden all the evening air, And country bells clamouring their last appeals Before [the] music of the evening prayer; Bridges, sonorous under carriage wheels. Gurgle of sluicing surge through hollow rocks, The gluttonous lapping of the waves on weeds, Whisper of grass; the myriad-tinkling flocks, The warbling drawl of flutes and shepherds' reeds. The orchestral noises of October nights Blowing ( ) symphonetic storms Of startled clarions ( ) Drums, rumbling and rolling thunderous and ( ). Thrilling of throstles in the keen blue dawn, Bees fumbling and fuming over sainfoin-fields.
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I Know the Music
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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Jun 17, 2016
Jun 17, 2016 at 8:54 AM UTC
Louis MacNeice (1907-1963)
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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for the ladies who liquid lunch <> the finest young women of the wild west, (the best of course just might be in Texas) don’t always get educated in the things best, no private schools, so somethings sometimes, like the upscale training of the taste buds, must be learned on the job, training the palate, by growing up, self+taught, thank god, yes! <> your salty taste reminds me of ruffled potato chips, bugles, beef jerky and your very own brand of loving tears it’s true you know, impossible to eat just one, which is why my tonguing of your body parts, is unceasingly seizing I will always be found attached unbreakably, to your moving image, moving inside of me so sweet your salt, it’s your story, your flavored lives living on in poems unnamed, to disguise but the authorship of whom, in body, in mind, so obvious, cause in all your poems is a tangy salty impossible to eat just one **** <> p.s. you tease me mean, cowman, bbq and béarnaise, sassafras and edible petals, molasses and kosher salt, ingredient combination which of course you just made up, so I show my appreciation biting your arm so my permanent teeth marks, will remind me, and you too, just how salty biting Texas heifers who can or cannot be salt cured when it’s their turn to write some real good tasting poetry **** back for more already? ****
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Jul 15, 2019
Jul 15, 2019 at 2:54 PM UTC
(F, 21) your salty taste
In 1814 we took a little trip Along with Colonel Jackson down the mighty Mississipp' We took a little bacon and we took a little beans And we caught the ****** British in the town of New Orleans We fired our guns and the British kept a coming There wasn't nigh as many as there was a while ago We fired once more and they began to running Down the Mississippi to the Gulf of Mexico We looked down the river and we seen the British come And there must have been a hundred of them beating on the drums They stepped so high and they made their bugles ring We stood behind our cotton bales and didn't say a thing Old Hickory said we could take 'em by suprise If we didn't fire a musket 'til we looked 'em in the eyes We held our fire 'til we seen their faces well We opened up our squirrel guns and really gave 'em Well they ran through the briars and they ran through the brambles And they ran through the bushes where the rabbits couldn't go They ran so fast the hounds couldn't catch 'em On down the Mississippi to the Gulf of Mexico We fired our cannon 'til the barrel melted down Then we grabbed an alligator and we fought another round We filled his head with cannonballs and powdered his behind And when we touched the powder off the gator lost his mind
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Jun 17, 2015
Jun 17, 2015 at 11:23 AM UTC
The Battle Of New Orleans
What have I done for you, England, my England? What is there I would not do, England, my own? With your glorious eyes austere, As the Lord were walking near, Whispering terrible things and dear As the Song on your bugles blown, England-- Round the world on your bugles blown! Where shall the watchful sun, England, my England, Match the master-work you've done, England, my own? When shall he rejoice agen Such a breed of mighty men As come forward, one to ten, To the Song on your bugles blown, England-- Down the years on your bugles blown? Ever the faith endures, England, my England:-- 'Take and break us: we are yours, England, my own! Life is good, and joy runs high Between English earth and sky: Death is death; but we shall die To the Song on your bugles blown, England-- To the stars on your bugles blown!' They call you proud and hard, England, my England: You with worlds to watch and ward, England, my own! You whose mail'd hand keeps the keys Of such teeming destinies, You could know nor dread nor ease Were the Song on your bugles blown, England, Round the Pit on your bugles blown! Mother of Ships whose might, England, my England, Is the fierce old Sea's delight, England, my own, Chosen daughter of the Lord, Spouse-in-Chief of the ancient Sword, There 's the menace of the Word In the Song on your bugles blown, England-- Out of heaven on your bugles blown!
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England, My England
--To M. M. M'B. Above the Crags that fade and gloom Starts the bare knee of Arthur's Seat; Ridged high against the evening bloom, The Old Town rises, street on street; With lamps bejewelled, straight ahead, Like rampired walls the houses lean, All spired and domed and turreted, Sheer to the valley's darkling green; Ranged in mysterious disarray, The Castle, menacing and austere, Looms through the lingering last of day; And in the silver dusk you hear, Reverberated from crag and scar, Bold bugles blowing points of war.
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From A Window In Princes Street
On the idle hill of summer, Sleepy with the flow of streams, Far I hear the steady drummer Drumming like a noise in dreams. Far and near and low and louder On the roads of earth go by, Dear to friends and food for powder, Soldiers marching, all to die. East and west on fields forgotten Bleach the bones of comrades slain, Lovely lads and dead and rotten; None that go return again. Far the calling bugles hollo, High the screaming fife replies, Gay the files of scarlet follow: Woman bore me, I will rise.
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On The Idle Hill Of Summer
FIVE geese deploy mysteriously. Onward proudly with flagstaffs, Hearses with silver bugles, Bushels of plum-blossoms dropping For ten mystic web-feet- Each his own drum-major, Each charged with the honor Of the ancient goose nation, Each with a nose-length surpassing The nose-lengths of rival nations. Somberly, slowly, unimpeachably, Five geese deploy mysteriously.
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Bas-Relief
On the idle hill of summer, Sleepy with the flow of streams, Far I hear the steady drummer Drumming like a noise in dreams. Far and near and low and louder On the roads of earth go by, Dear to friends and food for powder, Soldiers marching, all to die. East and west on fields forgotten Bleach the bones of comrades slain, Lovely lads and dead and rotten; None that go return again. Far the calling bugles hollo, High the screaming fife replies, Gay the files of scarlet follow: Woman bore me, I will rise.
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A Shropshire Lad XXXV: On the idle hill of summer
“The sound that pours from the fingertips awakens clouds of cells far inside the body” Robert Bly 1926- You could say that the sound that tips deep cells are waking heralds with bugles divine revolution You could say that the sound that echoes from spirals gossamers emeralds’ scintillant light You could say that the sound that squishes from mangoes is luscious and opulent tripping with pearls You could say that the sound that slumbers in harp strings howls round the polar bear’s tumaceous couch You could say that the sound that tremors from tadpoles triggers eruptions of undersea mountains You could say that the sound that sits on the windowsill on Arcturus flickers as icicle fire You could say that the sound that bounces off drumskins loosens the shackles of acuate cacti You could say that the sound that shivers off rainbows silkens red poppies at sunstrike unpacking You could say that the sound that rumbles round moonrocks passes on purple to stillness of shadows You could say that the sound that echoes cicadas crackles through canyons of memory rising You could say that the sound that gallops through nightmares shrinks in the face of the falcons glissade You could say that the sound that is diatomaceous tangles up synapses sparking at random You could say that the sound of deep cells awakening &n
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Jan 20, 2013
Jan 20, 2013 at 4:57 AM UTC
EVOCATION
The fire for learning Plato’s philosophies and the history hidden behind the Iron Curtain had burned us out. We were restless, sleepy and thirsty. Mischievous by nature, we were sick of going nowhere. The blooms of the red schizanthus and yellow calla lilly’s against the sun blazened sky bid us farewell as we traveled west toward the city of emerald raindrops. After all, freedom was only one tank of gasoline, two Red Bulls, a bag of bugles, a handful of mixed CD’s and four hours away. We were going to lose ourselves. Plummeted forward by the up down, up down rollercoaster of the seaside landscape our faces shine brighter than ever because we find ourselves in rainy day adventures Pike’s Place Market found us braving the stench of tuna, bass, salmon and sushi for crepes and chai. Strawberry, vanilla and salmon crepes made by the man with skin the color of milky chocolate and a foreign accent that we lusted after because we’d never heard it before. We weren’t running away from home but instead were living in African slums where the skin comes smooth like milk and the music has a character, full of power and pride, of its own. Wandering the drenched streets where downpours don’t stop the salesmen. The sax player and the bread maker still ask us if we’d like a sample. Rain is no matter. Coveting warmth from the storm we find a steel slab of a parking garage downtown where mirrors on elevator ceilings occupy our time and attention until security shooed us. Shiny objects attract the shadows on the walls who proceed to make funny faces. Watching America’s sport in cheap seats with over-priced beer and nachos helps us remember our roots and value tradition a little more. It draws us closer to home where any storm can be weathered. The drive home after a surprising win and spirited riot is quiet. The crisp night air and booming bass free our minds of the mischief caused as we chatter ourselves voiceless away from the emerald raindrops.
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Aug 9, 2010
Aug 9, 2010 at 9:26 PM UTC
Rainy Day Adventures
The fire for learning Plato’s philosophies and the history hidden behind the Iron Curtain had burned us out. We were restless, sleepy and thirsty. Mischievous by nature, we were sick of going nowhere. The blooms of the red schizanthus and yellow calla lilly’s against the sun blazened sky bid us farewell as we traveled west toward the city of emerald raindrops. After all, freedom was only one tank of gasoline, two Red Bulls, a bag of bugles, a handful of mixed CD’s and four hours away. We were going to lose ourselves. Plummeted forward by the up down, up down rollercoaster of the seaside landscape our faces shine brighter than ever because we find ourselves in rainy day adventures Pike’s Place Market found us braving the stench of tuna, bass, salmon and sushi for crepes and chai. Strawberry, vanilla and salmon crepes made by the man with skin the color of milky chocolate and a foreign accent that we lusted after because we’d never heard it before. We weren’t running away from home but instead were living in African slums where the skin comes smooth like milk and the music has a character, full of power and pride, of its own. Wandering the drenched streets where downpours don’t stop the salesmen. The sax player and the bread maker still ask us if we’d like a sample. Rain is no matter. Coveting warmth from the storm we find a steel slab of a parking garage downtown where mirrors on elevator ceilings occupy our time and attention until security shooed us. Shiny objects attract the shadows on the walls who proceed to make funny faces. Watching America’s sport in cheap seats with over-priced beer and nachos helps us remember our roots and value tradition a little more. It draws us closer to home where any storm can be weathered. The drive home after a surprising win and spirited riot is quiet. The crisp night air and booming bass free our minds of the mischief caused as we chatter ourselves voiceless away from the emerald raindrops.
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26
From opposite sides of the valley, in straight rows marching, the brave lads came on, flags unfurled and fluttering, as bugles and drums did sound, The cannons roared and smoke did shroud the grassy killing field, The boys cut down like summer wheat in heaps upon the ground. Their Uniforms of Blue or Grey becoming all the same, turned to crimson Red upon that lurid blood soaked field.
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May 27, 2019
May 27, 2019 at 2:35 PM UTC
Summer Wheat
Says Pat to his mother, "It looks strange to see Brothers fighting in such a queer manner. But I'll fight till I die, if I never get killed, For America's bright, starry banner." The night before battle and all through the camp the soldiers lay close in their quarters The were thinking no doubt of their lives ones at home Mothers, wives, children, and daughters There was a blade in the east who sat all alone, singing a song so gaily Twas honest Pat Murphy of the irish brigade Singing o shattered shillelagh Unto the bugles call, did poor Patty wake To give the rebel satisfaction The Devils drummer beat a tune That called the boys to action The Day after battle the dead lied in heaps Pat Murphy lay bleeding and gory Caught in the gut by an enemies ball It ended his passion for glory And all around camp, not a sound to be heard No song of the land of shillelagh His letters unread, from the family of dear Patrick Murphy And far in the east say a dashing young blade Who went by Pat Murphy Singing a song of old Irelands cause The song of the shattered shillelagh
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Jun 5, 2014
Jun 5, 2014 at 9:43 PM UTC
pat Murphy of the irish brigade