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Ari Feb 2010
there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia
My best Ginsberg impression.
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Tyrus Jun 2017
I walk a path paved in penciled graffiti,
Where outlined music notes
Amuse my anecdotes,
I walk with break beats in my blood,
With brain waves pounding bass drums,
I got liquid
808 fingertips
And lips
Malted with crossfade grins
To spin surges of synergy
Out of bottled up battles,
Even my baby rattles
Used to shake with rhythm.

Wars
Should pause for music.

The power of harmonic symphony
Just pimping me,
Creeping up through cracked sidewalks,
Wrapping shadows around legs,
Up hips to necks
As it grabs,
Just pimping me,
A dance floor ***** with
Peace in and of mind,
In circles of 32
Note by note,
That lump of emotion
In my throat
Could choke,
With neon freedom.

Maybe it’s a pipe dream,
That we could put down the guns
And rave to the drums,
That even silencers will be silent,
And the smell of gunpowder
Will squander for an hour,
That there will be a day with no death,
A day free of neurotic nail biting mothers
Holding their breath,
That their children will walk our land again,
A day that suicide bombs
Won’t detonate,
That cries of loss and sadness
Won’t resonate,
A day that we won’t decimate,
Our own race,
The human race

Maybe it’s a pipe dream,
But that’s my pipe dream.

I’ve spanned seas to see,
That music brings harmony,
I’ve danced along
An African diplomat named Ife,
Which means love,
A Polish carpenter named Sebastian,
Which means dignity,
A Vietnamese banker named Ly,
Which means Lion,
And collectively,
We,
We're individuals,
Smiling to that same pumping beat,
That,
Breakbeat,
That brain wave pounding bass drum,
That strum laced
With a graceful hum,
Making our race numb,
There was no color,
There was no history
Because my history
Won’t dictate me,
Not that it's non-existent,
Not that I’m resistant
To believe that people hate
Because of the past,
But I understand personalities,
And believe
Everyone deserves a fair shot
At being an individual

Everyone deserves that music,
Everyone deserves to have
That path paved in penciled graffiti,
Where outlined music notes,
Amuse their anecdotes,
Everyone deserves to feel
Breakbeats in their blood,
And brain waves pounding bass drums,
Those liquid
808 fingertips
And lips
Malted with crossfade grins
That spin surges of synergy,
Everyone deserves what we have to offer,
Everyone deserves,
To dance to their own breakbeat
Of peace
I didn't do the things in the 6th stanza, but you know what point i was trying to get across
Nat Lipstadt Nov 2013
methinks thou confuseth
thy heart's impatient beating
with the tremulous and sonorous
summation of the immeasurable
wail of clocks ticking, begging,
listen!

these wondrous matches glorious
arranged in heaven,
where weighty watches
and yellowed human calendars
long ago dismissed, irrelevant,
discarded.

marked full well,
they did
upon thy heart,
when as babe
you drew first breath.
when thou will receive
love's bounty,
nothing more and nothing
less.

heavenly their watchfulness eternal,
impatience does not grant favour
to love long lasting,
ever true,
even if struck anew
with first impatient glance,
for much thought and endeavor,
masterfully planned,
thy turn scheduled,
recorded, awaiting only
for inevitable
discovery.

for though the streams of spring
rush full fleshed,
swollen forward,
thy truest love is
best read in the
gentle constance of
a gentle lake's
modest waves lapping,
like a beloved's
best ring finger
stroking thy cheek
in one continuous
caressing.

need not thou lament,
nor groan
with impatient travail,
fare thee well,
for the sails,
the course inexorable,
the destination prescribed,
foretold and heralded
upon the flags of thy eyes,
the banner of thy words,
that rest prepared upon
thy fullest and hungry
lips.

chance is but a
secondary miscreant,
whose role is but as narrator.

let's him speak infrequent,
but when comes his time
to conduct his sale,
well behooves you to
listen to that littlest of voices
you so oft disregard,
victim of your willful
fears!

the time, the play, the locale
all matched and set,
now we await only
your demonstration and forbearance
to honest augur the
greatest courage
to speak the hardest phrase
e're spoke:

I love thee more than myself.

for whence
can only be,
when thou breakbeat
the chains accursedly nominated as
Me First.

shout the key out loud
In the hour, nay, the instance,
thy first believe,
then long life and long love
can then
and
only then
commence.
This always happens when I hear Shakespeare. Good news is football is but 90 minutes away,
and my sanity foregone and my poetry tablet full, the only words yet unspoken will be
yes! or goddamit.
Daniel James Sep 2011
i like to see the way you
like to lay in your books,
the class that borrows you
and lets you take it home.

life moves like a chess queen,
instantly
                  i pray
to hold you too tight some days.

they are -
and their presence
that shakes the air
was thick

with a bass

thump with the

breakbeat bump

into the kind of other skyness,

then suddenly
I was surrounded by razors
shaving off one breath at a time
a loom and singing wood winds over and
Something broke my grasp, running away
from these bad memories.

the young morning wind asked me for my name today

I whispered it was a secret.
Blake Bourland Nov 2010
******* man
intrinsic blue flame jet set smoke and green neon light smacked right into the main cable.
Thick liquid bass thump with the breakbeat bump
in sight and sound of tasted color.
Makes a meandering soul to twist
and twilight the highlight of the lowest man to find.
Pounded feet on cracked side street
****** that sell out the unrelented love.
When one starts another mixed in to beat match strike and spark
to set it off.
Down the highway flyway light streaked past in transient sound
of the spatial distorted.
Become the freak high sung from these beats
spilled down from heaven in this divine golden potion.
From oblivion to the tree tops on a flow of
Liquid
Candy
Motion.
The door is open. 
Leave it open. 
This door is shut. Do not open it. Leave it shut. 

Not this one, but the next one. The next right turn. 
Make the next right turn. 

Instructions not packaged. How to care for this new incomplete stranger. 

Monarch butterfly. Teardrop firefly. Three tin passerbys. 

The center for new age trauma victims. 

Lifting skirts. 

No I used to lift skirts. 

Bring me down. 

Triumph. 

The softness of her antlers leaves me confused and shaking. 

Bone and then praise. 

Supper and ritualized masculinity. 

A spot on the wall, no more spit on my face. 

Soon my blood vessels will burst and my jowls will sag. 

The paragraph starting here. But I am here. And back again. 

To say whoever finds him here. 
Anything medical related. 
And it is so sad. 

Am I dodging the blows?
Or moving swiftly between?

She gives praise to the glasses. And the rash grows, drugging with nothing sacred. 

All of this son could have been avoided. 

Oh, a horn in the distance. It is too late. 

Come now ye polished hoods of chrome. Parade along the city's skirt. 

Erosion, under humanity's weight stands strong. 

A breakbeat. Appearance of stereo but we are just in mono.
Tragedy.
Shawn Dec 2010
your breath is the,
whisper,
of a higher being,
teaching me of
happiness unknown,

the pounding of my chest,
is the breakbeat,
of joy, in tune with,
ecstasy and unlimited desire,

lying awake, no
need for sleep, energy
renewed, by running
fingers through
your hair...

(lost in the black,
I've no need for them back...)

thirst for water, is satiated
by lips, so soft, your sweat,
sticks, to my soul,
your tears, when happy,
are my oasis, when sad,
reveal, an unknown drive...

I could dive into your
smile, springboard
off your perfection,
splash, in a beauty,
that I certainly don't deserve,

I could bask in your
intelligence, eloquence
and charm, never worried,
of the consequences
of their strength...

I would confine myself,
to rigid structures/rhyme schemes,
if it meant that I could keep you,
in my dreams...

I could love you for,
eternity,
reciprocated, I will,
you're all i want to see, breathe,
drink and feel...
Copyright SMK, 2007.
Batchelor Apr 2020
Hold on tight, to my breakbeat heartbeat.
It's the final chapter for this book.
The book between us.


Bend in the breeze, to the wind of change.
Let the fingers trace runes once again.
Ignite the same feelings, gone but not forgotten.


These feelings, sieved and strung out.
Like an irregular heartbeat.
Barely hanging in there, with chaos ruling it.
Time for change.
Tears for fears, years for leers exchanged together, a mutual dead love.

July 2017.

— The End —