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"brazier" poems
Oh, will you ever return to me, My wild first force, will you return When the old madness comes to Blacken in me and to burn Slow in my brain like a slow fire In a blackened brazier - dull like a smear of blood, Humid and hot evil, slow-sweltering up in a flood! Oh, will you not come back, my fierce song? Jubilant and exultant, triumphing over the huge wrong of that slow fire of madness that feeds on me - the slow mad blood thick with its hate and evil, sweltering up in its flood! Oh! will you not purge it from me - my wild lost flame? Come and restore me, save me from the intolerable shame Of that huge eye that eats into my Naked body constantly And has no name, Gazing upon me from the immense and Cruel bareness of the sky That leaves no mercy of concealment That gives no promise of revealment And that drives us on forever with its lidless eye Across a huge and houseless level of a planetary vacancy Oh, wild song and fury, fire and flame, Lost magic of my youth return, defend me from this shame! And Oh! You golden vengeance of bright song Not cure but answer to earth's wrong
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22.8k
Last Poem
wind like a south wind carrying a plane south deposits him, beneficiary of a backwards current on a branch with nothing companionable in sight - no answer, no voice to answer, no voice, no alarm, no succor - just an afternoon and nothing pressing. No urgent business, maybe only the rigors of trying to prevent there being urgent business later. He's not all smooth. A little feather cowlicked on his narrow jaw, and I don't know how he bathes, what he eats, what he wants, who would want to eat him. I don't really understand anything that is going on around me. But look, I understand more than him:   the tree is dying. Oak wilt blew in from Canada, took a long time coming and finally cracked the veins and this one is all bad on the inside, a meal of corked-up flesh, big spongy patches and tainted roots at the search. (Amateur diagnosis. The tree is probably fine.) There is a similarity neither tree nor bird know about. Or his legs know it, and that message is stuck somewhere. Or he's afraid. The blighted oak is all fungus and refusal, and he: his skeleton is spun from delicate copper. If you open him up, he's like a penny - pretty, and useless in this economy. People and things always trying to get rid of him, and he's listening because he knows it, and he's singing because he knows it. Open the tree up and the whole food chain comes down with it. (Listen to your sweet flesh that wants to go on living.) It's not a curse, not specifically: just one fragile thing standing on another but - count mercies - too light to break it. A basic brazier licking behind a splash of yellow, he chirrups. His song comes from the throat. His song is about something he saw once. His song is unquestioned, muscle moving without will.   His plumage is mostly air   And the tree is anchored in the ground   by the very thing that chokes it, and we're all standing together: me, tree, bird. At least until I finish my sandwich, packing the greasy paper in a rectangle, with unquestioned neatness, and leave whistling.
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Aug 23, 2018
Aug 23, 2018 at 2:01 PM UTC
Birdness
wind like a south wind carrying a plane south deposits him, beneficiary of a backwards current on a branch with nothing companionable in sight - no answer, no voice to answer, no voice, no alarm, no succor - just an afternoon and nothing pressing. No urgent business, maybe only the rigors of trying to prevent there being urgent business later. He's not all smooth. A little feather cowlicked on his narrow jaw, and I don't know how he bathes, what he eats, what he wants, who would want to eat him. I don't really understand anything that is going on around me. But look, I understand more than him:   the tree is dying. Oak wilt blew in from Canada, took a long time coming and finally cracked the veins and this one is all bad on the inside, a meal of corked-up flesh, big spongy patches and tainted roots at the search. (Amateur diagnosis. The tree is probably fine.) There is a similarity neither tree nor bird know about. Or his legs know it, and that message is stuck somewhere. Or he's afraid. The blighted oak is all fungus and refusal, and he: his skeleton is spun from delicate copper. If you open him up, he's like a penny - pretty, and useless in this economy. People and things always trying to get rid of him, and he's listening because he knows it, and he's singing because he knows it. Open the tree up and the whole food chain comes down with it. (Listen to your sweet flesh that wants to go on living.) It's not a curse, not specifically: just one fragile thing standing on another but - count mercies - too light to break it. A basic brazier licking behind a splash of yellow, he chirrups. His song comes from the throat. His song is about something he saw once. His song is unquestioned, muscle moving without will.   His plumage is mostly air   And the tree is anchored in the ground   by the very thing that chokes it, and we're all standing together: me, tree, bird. At least until I finish my sandwich, packing the greasy paper in a rectangle, with unquestioned neatness, and leave whistling.
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50
The snowflake is castellated cold, Of chill crenellations and turnings narrow. Court of pie-powders and gray-skied brazier smoke, Of inner mazework dimmed to ****** holes, Or the hooded machicolations from tower spire Of oily darkness and arrowslits of Greek fire. — The snowflake is Medieval reliquary, The frozen skull of rain and blood clear of sin, Wind-captive with its prayer of quiet On quietest lips, close to wine and sacrament. Or the chapel and its waxen paramours Of incorrupt body and candlelight upon the moors. — The snowflake is the mighty frozen spark, Fire-forged and ironwrought, Under the eye of Hephaestus, Blacksmith of sorrow’s wind.
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May 11, 2019
May 11, 2019 at 7:47 PM UTC
Two Truths of the Snowflake... and a Lie
# Floating brazier spews electric amber waves as a setting sun radiates on the ceiling a shadow of a ship coquettishly sways while in the center charybdis begins swilling another message, another missed call another debt collector and his esurient talk watch the ship begin to swirl, this scene so banal amber feathered tawny eyed peacock continues furtively to scroll her story and shoe shop crowded room with a panel onstage reality and fantasy evaporate and fall as a single raindrop drown in the muck, don't know how to disengage and to stay in the sway of fantasy. #
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Sep 28, 2018
Sep 28, 2018 at 9:41 AM UTC
Chemical Compliance Conference
In the orange cream dying sun's half light swaddled by blankets wrapped in ***** clothes I open my lips wanting your taste eye to eye, mons ***** warm fragrance To offer myself and soul over completely When we were young did you ever think we'd drown in the ocean of flesh between legs? She smiled brightly, made noises overjoyed much more than confused, though that's not the story now, is it? In an instant passion rises up with steam gone again before I wipe the mirror and brush my teeth, and once again I see blackened debris, they're rotting out from misspoke verbs All that's sweet now is the imagining of diabetic what once was Two closed eyes reach back with a breathy sigh withheld truths and well meant half lies, cannot inspire lift again that left me, but that doesn't stop the faithful Has the tide this whole time been sending waves of false hope, on which I'm floating? Daydreaming, heating oil, she wants dinner, and I hunger for satisfaction in new pictures A hand for a finger, a tongue from both mouths comforting by grabbing hungrily until heads get thrown back, abs tighten when pressed to relax, on the rack stretched but both floating Why does she want to drink my blood? I don't ask just imbibe in return Those days are long gone Times when the worst thoughts could not undo whatever flicker remains in the waning brazier's ember
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Mar 23, 2017
Mar 23, 2017 at 7:43 AM UTC
Songs About the Aching Ocean
You make it in your mess-tin by the brazier's rosy gleam; You watch it cloud, then settle amber clear; You lift it with your bay'nit, and you sniff the fragrant steam; The very breath of it is ripe with cheer. You're awful cold and ***** and a-cursin' of your lot; You scoff the blushin' 'alf of it, so rich and rippin' 'ot; It bucks you up like anythink, just seems to touch the spot: God bless the man that first discovered Tea! Since I came out to fight in France, which ain't the other day, I think I've drunk enough to float a barge; All kinds of fancy foreign dope, from caffy and doo lay, To *** they serves you out before a charge. In back rooms of estaminays I've gurgled pints of cham; I've swilled down mugs of cider till I've felt a bloomin' dam; But 'struth! they all ain't in it with the vintage of Assam: God bless the man that first invented Tea! I think them lazy lumps o' gods wot kips on asphodel Swigs nectar that's a flavour of Oolong; I only wish them sons o' guns a-grillin' down in 'ell Could 'ave their daily ration of Suchong. Hurrah! I'm off to battle, which is 'ell and 'eaven too; And if I don't give some poor bloke a sexton's job to do, To-night, by Fritz's campfire, won't I 'ave a gorgeous brew (For fightin' mustn't interfere with Tea). To-night we'll all be tellin' of the Boches that we slew, As we drink the giddy victory in Tea.
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2.2k
A *** Of Tea
This wild night, gathering the washing as if it were flowers animal vines twisting over the line and slapping my face lightly, soundless merriment in the gesticulations of shirtsleeves, I recall out of my joy a night of misery walking in the dark and the wind over broken earth, halfmade foundations and unfinished drainage trenches and the spaced-out circles of glaring light marking streets that were to be walking with you but so far from you, and now alone in October's first decision towards winter, so close to you-- my arms full of playful rebellious linen, a freighter going down-river two blocks away, outward bound, the green wolf-eyes of the Harborside Terminal glittering on the Jersey shore, and a train somewhere under ground bringing you towards me to our new living-place from which we can see a river and its traffic (the Hudson and the hidden river, who can say which it is we see, we see something of both. Or who can say the crippled broom-vendor yesterday, who passed just as we needed a new broom, was not one of the Hidden Ones?) Crates of fruit are unloading across the street on the cobbles, and a brazier flaring to warm the men and burn trash. He wished us luck when we bought the broom. But not luck brought us here. By design clean air and cold wind polish the river lights, by design we are to live now in a new place.
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2.1k
From the Roof
5am wakes a blinding bright orange sun Standing out against the pale grey sky. Below, a cityscape of grey. No cars and few people move this early. Portland, like most of us, is having a foggy morning. Two bodies fade to color on a rooftop. Their crusty eyes Crack to vibrant orange light, Half expecting search helicopters Or seagulls pecking at their limbs. Praying, for ravens. They only find each other. A beach towel beneath them Half a bottle of ***** beside them Next to their backpack and undergarmets. It almost resembles a prayer circle. Kicked blanket at their feet, Brazier overhead, Belt and trinkets to the side. Lord knows what they were summoning last night. They sure as hell can't remember. They only remember touch and smell, Light lavender hips, Big Bourbon chest, Fingers tracing artwork in the dark Admiring both Memories and their permenance. Unfortunately, This wasn't permenant. After they climb down it's He to a hospital. She to a husband and child. The orange sun coo'd too early. Just two hours of freedom Before the goodbyes and consequences. A short glimpse of another world. Hoping for closure. One step forward. Three steps back. When their bodies left the rooftop. They held hands.
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Jul 11, 2015
Jul 11, 2015 at 2:02 PM UTC
Foggy Morning
Oh goddess Let me kneel before thee in supplication Arms outstretched the temple's forbidden smoke burning in the brazier is your perfume How may I best worship thee? In the summer we shall paint your alabaster idol Her lids be the color of bruised fruit She is nameless in our tongue but the people called the Greeks name her Aphrodite The farmers pray to you for wet summers the masters beg you let them cling the dregs plead for full bellies They do not know you They do not commune with you in your temple and yet they have the audacity to lament when you turn your face from them What brings the rain and corn Is sacrifice and devotion it is the doorway you enter through But even that is meaningless for your beauty is a mask and you are not your face or your idol behind it is your divine truth, secrets lie there gods demand beauty in spirit so if they be hideous to mortal sight they will still be beautiful to Aphrodite So bring the oil cloying to pillars our garlands touch our forehead to the cold stone and lift our spirits to meet your painted own
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Dec 25, 2014
Dec 25, 2014 at 1:47 PM UTC
oh goddess
It is forbidden to eat To eat the fruit of love In the garden of Human Woman plucks it from the tree The tree of ignorance And gives it to Man Man realizes they are clothed And is embarresed he connot Make her drop her brazier They fall into love And shall forever dwell In paradise near to God But        In paradise there groweth        Another strange fruit        And a strange snake
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Apr 17, 2016
Apr 17, 2016 at 11:50 AM UTC
Forbidden Fruit
The red and blue berry's juice stained her fingers and palms with a purple mix and dripping lips a sweet suckling on strawberry delight as i crave fondly the lips that bite. Again the tease so tediously forgotten, not issued purposefully, I ask a question out of turn, then you face the window, hand on elbow and hand on berry berry to lip, rubbing stain dripping stain down cheek then collarbone. The sun seeps in to the tiled room, orange with early-night sun-dropping light. Fruit sweet on ******* perked sticky juices staining brazier shirt: black, no stain visible yet holding stains in her memory. summer nights where black was popular, and so was kissing in the playground tubes. After dark, when the sky turned deep blue, she ran to find friends, and found trouble instead. Under a river's bridge, with mud soaking flip flops and toes then ankles, pushed against a rock and wall, hip thrusting toward a desire for the action, but not the person with lips stuck to hers in his own fit of lust, denim cutting back pulses and immediate desires. Trapped under the doomed wall of blue. *** stains like blueberry stains soak into denim or shirts and will not be removed by detergent or brain-washing.
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Apr 15, 2013
Apr 15, 2013 at 11:10 PM UTC
Juice stain, berry blue.
Psychotic break stole Sound mind with a dream Escaped from the hole Left by heart's loss. Paste and paper seams Meant to give gloss To facades distressed Unravel in time And a life, no less, Is bound to come loose When built on old lies. Lost to reality In a new delusion I watched a poor fool, Arms flapping wildly Certain they were afire Set to flame by the embers Of that brazier Lit a life time ago, Left hidden in past Still aglow, Time's slow drip Yet unable To put the coals to rest. From poets, Madman learns, Salving fresh burns With quenching words, Delighting in their Cooling flow, A newfound remedy For a primal malady. Babbling in swatches, Speaking of things That aren't there But maybe were. Then lighting more matches, Lest the glow extinguish Its delirious illusions Ease smoldering anguish, But leave the room too cold
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Nov 14, 2009
Nov 14, 2009 at 4:21 PM UTC
A Poet's Inspiration
Begging he falls to her gun, He ran so long but now he's rung, She creeps up their bone flower, But he died in this burning tower, Her eyes break through dam cement, Metal gowns the skeletal present, This kiss will drop the brazier, Third degree suits together they peel, He felt reaction to pins, She cried during the operation, He'll spin her to the ground, She screams when she's straight anyhow. The boy who ran to the subway, He left his girl at their wake that day, Take care till the day she leaves, The last Fall leaf is gone in the Spring.
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Aug 2, 2010
Aug 2, 2010 at 9:18 AM UTC
Two Young Cadavers
your constant, unending noise i rebuke thee, 'fuck off!', beautiful mind strangled into crude curses profane in nature, rituals of execration in the dead of night and stillborn morning, lit by a brazier of an ungodly hued red, as you roar like thunder into delicate ears. 'please be quiet' i petition to the wailing angels stabbing at my eardrums with harpy claws, rip my brain to shreds in echoes of outraged confusion 'tearin' out your hair like a banshee' LEAVE ME ALONE
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Nov 25, 2020
Nov 25, 2020 at 6:52 PM UTC
Noise
'Dutch Bakery' in purpled-neon, lights of the cross-street behind slink outward vis reflection projected unto Liquor Plus, Empire Theatre. Kind and married-typical common law couple with a fellow looking feel-low sits with pack atop his lap, tapping bottom, fidgeting leg. His partner whispers 'shall we go for coffee?' and he seems a little fizzled to respond with 'yes, ha ha, yes!' They all look tired on the bus and I'm wired on the bus, a psychoactive passion for coffee in all forms the general complicit in my make-up brazier. The fuzzy-muffled image in the dark beyond the moving windows are like ground-level star-scapes hopping from eye-to-eye. No one here can see they're part of the greatest story ever told. Part Ten I etch unto a sketch upon a smartphone, I won't forget this moment and neither will the world. All of them I love, they love me back in some corrupted way. Won't admit the night is bright with kisses and arms up past the hemisphere. Noting every quick fix is a way of ****** Brooklyn ****** 'MOI-da,' counting ways to be defunct. It's a long day every day, some days are handfuls and others vast oceans wherever. Spliced and shared between the masses, each mass correct of parts who think the masses are a giant individual with a fluctuating waistline depending on the era. You can't help but come and ask yourself, 'whatever became of me? whatever began in hoping? whoever saw land in site?' before the histories rot in landfills, nothin more than sun-drenched wood-sheets, sketched-out symbols on a saw. and this, and this, and this and this, my friends, is how the story told itself again again again again again.
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May 11, 2014
May 11, 2014 at 12:46 AM UTC
'it's a long gone story, truth be told'
'Dutch Bakery' in purpled-neon, lights of the cross-street behind slink outward vis reflection projected unto Liquor Plus, Empire Theatre. Kind and married-typical common law couple with a fellow looking feel-low sits with pack atop his lap, tapping bottom, fidgeting leg. His partner whispers 'shall we go for coffee?' and he seems a little fizzled to respond with 'yes, ha ha, yes!' They all look tired on the bus and I'm wired on the bus, a psychoactive passion for coffee in all forms the general complicit in my make-up brazier. The fuzzy-muffled image in the dark beyond the moving windows are like ground-level star-scapes hopping from eye-to-eye. No one here can see they're part of the greatest story ever told. Part Ten I etch unto a sketch upon a smartphone, I won't forget this moment and neither will the world. All of them I love, they love me back in some corrupted way. Won't admit the night is bright with kisses and arms up past the hemisphere. Noting every quick fix is a way of ****** Brooklyn ****** 'MOI-da,' counting ways to be defunct. It's a long day every day, some days are handfuls and others vast oceans wherever. Spliced and shared between the masses, each mass correct of parts who think the masses are a giant individual with a fluctuating waistline depending on the era. You can't help but come and ask yourself, 'whatever became of me? whatever began in hoping? whoever saw land in site?' before the histories rot in landfills, nothin more than sun-drenched wood-sheets, sketched-out symbols on a saw. and this, and this, and this and this, my friends, is how the story told itself again again again again again.
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9
The heart is a warm brazier, When full of love & happiness. The heart is a cold freezer, When full of hatred & sadness. The heart is a happy place, When full of loyalty & trust. The heart is a sadder place, When full of deceit & mistrust. The heart is a hotter oven, When full of hottest feelings. The heart is a colder pole, When full of negative emotions.
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Oct 10, 2016
Oct 10, 2016 at 1:09 AM UTC
The Heart Is A
she was a woman in every way: petty, conniving, back-stabbing, the sort of girl who cared when somebody wore the same dress, a person who rants endless and then complains about those who voice an opinion, she's had dozens of men caught in her web (but has only slept with two of them), she reveals just enough skin to entice but never enough to satisfy, she is smart, she is desirable, and she thrives on being needed too many times I'd let myself get involved with her she'd spend weeks, winking and nudging, sending every signal that this time she was going to bite back, and that's why she enjoyed it even more when she flipped the switch and went cold forever (at least until she decided to play with me again) she cares if she was the first to hear that song, it matters that she doesn't ever really care, everyone else is worse than her (in all the ways she can think of), and time and time again I've let her get a hold of me, **** me dry, and leave me for dead she's a queen amongst spiders, a rattlesnake in brazier, god of hate and deception, ignorant of her own ignorance, the center of her own convoluted universe she's wrong in nearly every way but, god, she turns me on.
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Aug 1, 2012
Aug 1, 2012 at 8:22 PM UTC
H
Lift up to fire keeping the brazier alight Independence I rack myself Selfishness I rack myself Pride I rack myself I rend the insides of viscera in the name of Who finishes my sentences Bring back the heartache to windy peaks to sing he hasn't left for anywhere but for the topside into life
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Nov 26, 2014
Nov 26, 2014 at 12:51 AM UTC
Dispel and Divine: "Pilgrimage"
Each water drops Marks the passing Of a mind strengthened By the knowledge Of Death If we were not born To die Life would Not be life The air would Not taste as sweet The water As cool The changing of seasons As glorious Who put me here? Who controls these Thoughts within My brain? Who am I in the world? Who am I to the streets With her battered ***** covered Cobble stones? Shattered bottles Lining the seams of her brazier... Now that sight Has shackled me With their vices And my body grows Weaker as time passes I show signs of an age I feel has passed me by The stinking dead were Once frightfully alive I see their faces In their gravestones A reflection that one day Will be All to Familiar
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Apr 23, 2012
Apr 23, 2012 at 4:06 AM UTC
Gravestone Familiarity
Incense & music candle light & stained glass these my religion the church of the senses my only existence lost in the sweet jangle of the swinging brazier prayer forming in the air real & tangible as a ghost coiling & uncoiling like a snake made of smoke wrapping itself around the choir's sweet voices love to see the words clothed in smelly smoke ascend the perfumed air building a stairway of music made suddenly visible reaching for a Heaven even then I knew did not exist glorying only in the make believe the theatre of the self.
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May 6, 2015
May 6, 2015 at 5:48 PM UTC
THEATRE OF THE SELF
I’d always wanted a castle, so I bought one in the Spring. It wasn’t much of a castle, Overgrown with everything, Ivy covered the castle walls There were trees on the battlements, And bushes grew in the courtyard, But I bought the place for cents. They said it hadn’t been lived in since The days of Charles the First, And Cromwell’s troops had reduced it with A mighty cannon burst. The gatehouse lay in a ruin where The Army stormed inside, And hunted down the defenders there Who, to a man, had died. The women, hid in the kitchen there, Eventually were caught, The older ones had their throats cut, But the young ones kept for sport, And Lady May in her boudoir, she Was seized by a Captain Clyne, Who dragged her out by her hair, and said, ‘Not this one, she’ll be mine!’ He ripped and clawed at her bodice till She was exposed to view, She screamed that he was an animal, ‘I’ll never lie with you!’ He laughed and shackled her hands and feet And he took his wicked will, She sobbed to say he would have to pay For the ****** blood he’d spilled. ‘I’ll hunt you down like the cur you are, I will follow you through time, My downline will seek yours to **** For vengeance will be mine.’ He laughed, but fate, it had lain in wait When a pile of shattered stones, That hung so perilous by the gate Had crushed his evil bones. I took delight in the story when I purchased this ancient pile, And sat in the ancient boudoir where I was pensive, for a while. So this was the place that it happened, Just above a flagstoned stair, The **** of an ancient beauty, that Had seeped in the walls in there. It took some months to clean up the place Ripping out each bush and tree, Till Castle Krake was taking shape And making a home for me. I slept up there in the boudoir During those long, cold winter nights, With only a blazing brazier And a sputtering torch for lights. One night I heard a commotion, it Was down by the Castle Keep, A sound, a clashing of soldiers, I woke from a shallow sleep. And then was a woman sobbing, It echoed within the walls, For soon she screamed, ‘I will hunt you down,’ As I lay there, quite appalled. Since then, there have been accidents Of masonry falls and such, The brazier set my bed alight I escaped by just a touch, It’s all to do with that Captain Clyne And the curse of Lady May, For Captain Clyne’s in my mother’s line So I don’t feel safe today. David Lewis Paget
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May 5, 2017
May 5, 2017 at 9:51 PM UTC
Castle Krake
I’d always wanted a castle, so I bought one in the Spring. It wasn’t much of a castle, Overgrown with everything, Ivy covered the castle walls There were trees on the battlements, And bushes grew in the courtyard, But I bought the place for cents. They said it hadn’t been lived in since The days of Charles the First, And Cromwell’s troops had reduced it with A mighty cannon burst. The gatehouse lay in a ruin where The Army stormed inside, And hunted down the defenders there Who, to a man, had died. The women, hid in the kitchen there, Eventually were caught, The older ones had their throats cut, But the young ones kept for sport, And Lady May in her boudoir, she Was seized by a Captain Clyne, Who dragged her out by her hair, and said, ‘Not this one, she’ll be mine!’ He ripped and clawed at her bodice till She was exposed to view, She screamed that he was an animal, ‘I’ll never lie with you!’ He laughed and shackled her hands and feet And he took his wicked will, She sobbed to say he would have to pay For the ****** blood he’d spilled. ‘I’ll hunt you down like the cur you are, I will follow you through time, My downline will seek yours to **** For vengeance will be mine.’ He laughed, but fate, it had lain in wait When a pile of shattered stones, That hung so perilous by the gate Had crushed his evil bones. I took delight in the story when I purchased this ancient pile, And sat in the ancient boudoir where I was pensive, for a while. So this was the place that it happened, Just above a flagstoned stair, The **** of an ancient beauty, that Had seeped in the walls in there. It took some months to clean up the place Ripping out each bush and tree, Till Castle Krake was taking shape And making a home for me. I slept up there in the boudoir During those long, cold winter nights, With only a blazing brazier And a sputtering torch for lights. One night I heard a commotion, it Was down by the Castle Keep, A sound, a clashing of soldiers, I woke from a shallow sleep. And then was a woman sobbing, It echoed within the walls, For soon she screamed, ‘I will hunt you down,’ As I lay there, quite appalled. Since then, there have been accidents Of masonry falls and such, The brazier set my bed alight I escaped by just a touch, It’s all to do with that Captain Clyne And the curse of Lady May, For Captain Clyne’s in my mother’s line So I don’t feel safe today. David Lewis Paget
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73
dollar bill for whinnie but save the rest for me god you are so ****** in terms of company toast me golden brown don't burn me here but dont turn it down that is my greatest fear hands made of leather we keep together tight and if we share sack'd feather we'll make it through the night maybe i'm a nando and you are cheeky too maybe i'm a rando a fool i am for you strike me like mike stroke bow wows career in the end he was like a hippies brazier words of our fathers shooting like stars if we were like others we wouldn't go far happiness in latex depression in socks swollen in *** haplessness mocks
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Jul 22, 2017
Jul 22, 2017 at 10:59 AM UTC
bunches
Academia took my soul and perversely undressed my mind into something sublime Though this process can't repeat what it grew, to a rapacious savage that eclipses knowledge beyond this place we call time... The King has arisen to the throne of Babel ready to reign with steadfast diligence and eloquent soliloquies... Though having more degrees than a Russian protractor, wrought with angst of slaying the dragon of ***** filled seas, trumping the very ***** that actors hold with a certain pedigree... Let my words hold you and console your soul that yearns for the feeling was once lost ascribed on a pamphlet of bedrock you call Imamate objectivity... I'm back like Wayne's Brazier hook ready to cling to the cleavage of life, the breast of Mother Earth, the ****** of human essence, that milk of restoration... Back to advance the front through side to side oceanic flows that puts the rhythm in your left thigh, and the blues on ya right....is THAT alright like F. Love say.... I say...what a momentous occasion...the intellectual liquidity that ebbs and flows through uncertainty... The compass that was once West turns Eastward ready to rangel the stallions of the heartland, into the sunset, though my sun hasn't risen just yet... Bartender, start my tab, I'm just getting started to pontificate confessions of a prolific "poetender"...
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Jun 16, 2017
Jun 16, 2017 at 2:31 AM UTC
Ascended Return
This thing called life. The peak of it comes with loving, as if a young fleeting spirit took over. Young love appears to be a construction of symmetrical bricks of multi-colours. Maybe these bricks are meant to be sparkling diamonds, indestructible. Tempting, inviting, expensive. Perhaps, they're made of coal instead. Smouldering on a barbecue. Or possibly melting tarmac in a brazier. Destined to fill fractured cracks. When love breaks down again. And then and only then a realisation dawns. Nothing matters more than friendship. Stashed the past love memories in the old bedside cabinet. Get rid of the weight of regret round my neck. An expanse of smile as a new age dawns. The clocks roll backwards and you roll forward. The autumn heads of falling sunflowers, seemingly nodding respect and goodbye to you. Mourning you no more my only ever love. (C) Livvi
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Oct 24, 2014
Oct 24, 2014 at 5:24 PM UTC
KNOWING ME, KNOWING YOU