THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

Aka
The Hang mans Rap     Ghost Town Version and Mix    

By, David John Clare

Take off this noose, Im on the loose, like a double deuce spruce-goose
Your gallows is to shallow for me, its only for your own in home abuse
Dont crush my hand, cuz you cant understand the plan
She and me need to be free, Mr. Law man
Shes not your daughter, dont doubt her, Ill dote her, Miss Senorina, with my *** gun
Give us water and feed, we're the Wild West creed, of a new century seed
So concede and give heed, were gone like a tumble-****, off to breed
Like a slow-blizzard-breeze, get on yours knees please, you cant seize these mysteries
Hangmans Rap, (its the hangmans rap)
Hangman Rap, its hangmans rap, likes a One-Eyed Jack
Hangman Rap, (the hangmans rap)
Hangmans Rap, its hangmans rap, likes a One-Eyed Jack yall
Im hanging out at the beech, far from your long arm reach, Ill be back cuz Im planning my attack, like a One Eyed Jack, Marlon Brando cant be catched, no deputy dog can claim my ******, so watch out when you fall thru own hatch
Ma Baker and sons, like the undertaker, are the new setting sun, movers and shakers
Annie get your gun, were on the run, get on your high horse, were born to run, break every law like a saloon-brawl, here come the Sheriff after us all y'all...
Hangmans Rap, (the hangmans rap)
Hangmans Rap, its hangmans rap, likes a One-Eyed Jack
Hangmans Rap, (the hangmans rap)
Hangman Rap, its hangmans rap, likes a One-Eyed Jack yall
(Marlin Brando cant be catched)
Loving like we cant be dead in a Western ghost-town, its all your head, give us this day our daily butter and bread, its like I said move slick or live in club Fed...

Gun powder blast, shattered glass, Im riding the range like a social-outcast, were on the run, having fun, you tub o-guts, Ill grab my scatter gun....  so hide the girls, Im heading for the hills, no thanks doc, I aint taking no pills, what you want from me? my whole life history? Or, a bottle of wine of Dubonnet on this Valentines Day, dont act stupid, go ask cupid to shoot you with his arrow in the court room with a Clarence Darrow, stay on the straight and narrow, its a harrowing call, to be a Too Tall Jones, outlaw yall
Hangmans Rap, (yeah, the hangmans rap)
Hangmans Rap, its hangman rap, likes a One-Eyed Jack
(Marlin Brando cant be catched)
Hangmans Rap, (the hangmans rap)
Hangmans Rap, it's  hangman rap, like a One-Eyed Jack yall

Heed to the call, the-call-of-the-wild, Im the blazing-trail child on the way to my home on the range, some think Im strange, no matter at all, Im the lonesome-ranger, trying to avoid all kindsa danger, thats all
Hangmans Rap, (tiss, the hangmans rap)
Hangmans Rap, its hangman rap, likes a One-Eyed Jack                                                             ­                                           
Hangman Rap, (oh, the hangmans rap)
Hangman Rap, its hangmans rap, like some **** One-Eyed Jack yall

So, get back from me, Im on a quest and where I go you cant plainly see I aint no toy, try to catch a glimpse of the real vision in me, ok cowboy?
Hangmans Rap, (yes, the hangmans rap)
Hangmans Rap, its hangmans rap, likes a One-Eyed Jack

Hangman Rap, (just, the hangmans rap)
Hangmans Rap, its hangmans rap, ****! a One-Eyed Jack yall

Im hanging out at the beach, far from your long arm reach, Ill be back cuz Im planning my attack, like a One Eyed Jack, Marlon Brando cant be catched
Hangmans Rap, (do the hangmans rap)
Hangmans Rap, its hangmans rap, likes a One-Eyed Jack
Hangmans Rap, (****, that hangmans rap)
Hangman Rap, its hangmans rap, likes a One-Eyed Jack yall

Take off this noose, Im on the loose, like a double deuce spruce-goose
dem gallows is to shallow for me, its only for your own in home use
Hangman Rap, (wo, the hangmans rap)
Hangmans Rap, its hangman rap, likes a One-Eyed Jack
Hangman Rap, (yeow, the hangmans rap)
Hangmans Rap, its hangmans rap, likes a One-Eyed Jack yall
There he go

D. Clare   Clairvoyant Music/BMI     copyright in Perpetuity      all rights reserved

Watching a classic
Casablanca Class I Fix
Trix cereal for adults
Goddess sundress
The class act you need to guess
Her fit* no-one would
know vibrant
Getting the OJ of the miracle
Sunbathing at the
     *Pinnacle

His skin news of the
Chronicle
The fix-up finale deeply
in her classic smile
Sunflowers of the sunray  
Tropicana class act deviant play

Quickdraw Gunfire
Her hot tango steps in action
Copacabana
Diamonds no chips
Big tips at the Gentleman
OH! Boy the cabana detention
Class I comes with affection
Kiss is not a kiss without a real scene

In action to miss a classic movie hit
Adventure Trips  flipping homes
In the classified newspaper middle section

She is the Classic with an illuminating passion

I the Classic one and he is
surfing the internet
So fit to be tied but casual love
She the same person wearing her
flip flops
******* off *Root beer float tops
The root of all evil
That She-devil Sire
Not the ordinary campfire

It takes a certain Class, I can fix peoples
problems  like great ***** of fire
We are not signs or perhaps it's in the signs
Emblems
Where you came from no problems
Take action get more satisfaction
Army grenade we are all
fighting in action
Action speaks louder than words
One of a kind the rare find
A classification of her mind
Understand each other
do the hiring
  Trump in action job firing

What drives us and gives us
gratification
We need to love what is above
our minds
I believe sometimes you don't have to be where the action is

The Rainman Rainforest Vacation
You are the I phone off
with the ringer
Classic type Class I
Our computer all rules
codes and passwords
The religious Pope up front
He's the  Marlon Brando waterfront
You have the polka dot bikini

Panera Sandwich Panini
Orange you glad its cantaloupe
He wants to elope
your classic smile
Exclamation point
At Times Square you could
lift her for miles

Whether we look modern
The technology is always out of reach foreign
Or wearing your heart in his heart
Your wiggle walk
The classic style to talk
Fifties **** smoke
Born to be wildlife everything
is on Castaway
Or layaway on hold

And he is athlete runner so hype
Everyone is busy on
Twitter or Skype
The Facebook and photos

Dorothy loves wizardly Oz and Toto
Were all together like
a congregation, not a citation
Living in the city paying rent
Another wicked concert event

How many times did you get that notification?
The auction house in action the bid five times
Those hot leads of crimes
Playing for a nickel heads up dimes
Class act Quarterback
Elephant treasure trunk
ten commandment
Class, I lady leading the way
Class, I fix the parliament
Her classic fifty style army dress in action
Her bullet lips caught quite an attraction

Feeling the comfort food
Mac and Cheese
Silly names those 
 Canadian A&W
ATM Class I
The French fries do or dies
Skinny He's the Ham Mac
You're the spicy Cajun
on the speaker Mic
What classifies everything in
our life
High stunts action cliff taking a dive
**** Bill he kills me all the time

That Buffalo Bill Chicken Mac
Bombastic not the
forever love classic
With a whole list dark Raven
Crystal rock Haven

Everything lately goes so fast
Getting in Saint Anthony fire
She is the livewire
The gunfire or the cease her fire
Out of money  honey bee
******* mansion multiplier
Everything you're
near his or hers
Wineglass stir me
like an amplifier
What happens to your
responsibilities running
racing your own time
The  Coffee man suitor
My Godly dictator
The saltwater taffy-like lava
Comic Disney Pixstar meet Daffy Duck
Or you overqualified being lied too
Oh! Chuck

Like a candle in the wind its in
the science hot steamy
romance engagement
What awaits things to come
getting blown away
It just like any other day

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

Winnie the Pooh is trying to think
As are Plato and Socrates
While The Little Rascals get rambunctious
And The Marx Brothers cause calamities
Jim Jones stirs the Kool-Aid
And Georgie Porgie makes his move
Bo Peep and Miss Muffett start to blush
Red Ridding hood just swoons
The Muffin Man does a deal
With Johnny Apple seed
These beings and people our real
In our Surreal Reality

******* lets the paint splatter
And Moses parts the sea
Belushi buys an eight-ball
Bruce is on trial for obscenity
Rorschach is on the case
Right behind Sherlock Holmes
John the baptist goes for a swim
Along with Brian Jones
Jack and Jill meet Hansel and Gretel
They're hungry, they're thirsty
These figments of imagination do exist
In our Surreal Reality

Rasputin was so evil
As bad as Captain Hook
Now was it ** Chi Minh or Nixon
Who said "I am not a crook?"
Mao Zedong looked at Stalin
With a shared murderous grin
Booth stormed the Ford theater
And shot President Lincoln
Kennedy and King we're both casualties
Of the process of the deciphering
Of our Surreal  Reality

Zeus said to Aphrodite
"Wow, you look real good tonight"
And Handel says "Hallelujah!"
As the Wright Brothers take flight
Baby Face Nelson
Teams up with Dillinger
Moe, Larry and Curly
Mengele, Mussolini and Adolf ******
Three bears, three little pigs
Along with three blind mice
Sit together, while Maurice Sendack
Cooks them chicken soup with rice
Charlie Bucket had a buy out
Wonka gave up his factory
Fiction or nonfiction it's all a apart
Of our Surreal Reality

Chicken Little tried his best
To warm The Little Red Hen
Of the sly trickster
They call Rumpelstiltskin
Rimbaud applauds Leonidas
And his 300's final stand
Da vinci  paved the way
For both Newton and Edison
Folklore and war heroes
And those with intellectual mentality
Are all just pieces
Of our Surreal Reality

Wee Willie Winkie's scream
Wakes up Rip Van Winkle
But not Sleeping Beauty who's been asleep for thirty years
But has no acquired a single wrinkle
Caligula has lost his mind
And Nero's lost his fiddle
What does Beethoven's hearing aid
Have to do the March Hare's riddle?
Abbie Hoffman fights for civil rights
Thomas Jefferson for democracy
Products of the conceptual
In our Surreal Reality

Berryman writes an ode
To Washington's wooden teeth
Manson speaks of Helter Skelter
Neruda damns the fruit company
Charles Schultz frames the story
And Seuss gives it rhyme
Some where far, far away
Taking place once upon a time
And the villagers all had omelettes
Thanks to clumsy Humpty Dumpty
It's all food for thought
In our Surreal Reality

Santa brings us presents
And Cupid bring us love
But we can never get back
The members of the 27 Club
Warhol makes his movies
And Buddha meditates
Joseph Smith reads the golden plates
Mohammed and Jesus save
Theses figures bring people hope
In life's dualities
Trusting faith
And our Surreal Reality


Han Solo is in carbon freeze
Don Juan's preoccupied
Sinbad sets his sails
Simple Simon didn't get his pie
Caesar looked at Brutus
Brutus looked at Saddam Hussein
Hussein looked at L. Ron Hubbard
Who prayed to Eloheim  
Dionysus can out drink us all
We cringe at Achilles fatality  
As Ra soars through the skies
Of our Surreal Reality

Aristotle says to Shakespeare
"Well Billy you old bard"
Frodo trades the ring of power
To Fidel Castro for a Babe Ruth Baseball card
Biggie and Tupac write their lyrics on paper
Ted Bundy is put in jail
They're making another skyscraper
For King Kong to scale
Hemingway is too far gone
Kant's take on morality
Einstein says it's all relative
In our Surreal Reality

Churchill said victory
John Lennon said peace
Judas gave back the silver
Then hung himself in a tree
Tojo and Kim Jong-il
Wanna be as cool as Brando and Dean
George Carlin warned us all
Now Hermes leaves the scene
So do the butcher, the baker and the candle stick maker
Followed by Old King Cole and his Fiddlers Three
As they make their way to find
A sense or Surreal Reality

Odysseus pines for Ithaca
Paul Bunyan chops the trees
The Jersey Devil has not been found
Noah herds the animals by twos not threes
Anubis wraps the mummies
And Augustus leads Rome
Bugs Bunny laughs with Pryor
All at the expense of Job
So what can we all make of this
Is this all actuality?
Symbolism or nonsense?
Realistic Surrealism or Surreal Realty?

How many times and on how many screens has JFK been assassinated? she asks a few minutes into the commute.

Someone has said that to me before, I say.

And I notice, now for the first time, even she is a rerun or a ghost
or an unfortunate reminder of the one who came before her,
from the artfully mismatched polish on her toenails to the way her wrists wrap around each other as she talks her quiet talk, her fingertips balancing her iPhone, which streams Jackie Then Kennedy scrambling toward the back of the Cadillac. Its the Zapruder footage in slow motion and somehow in HD, and she touches the thumbs up icon when the footage comes to a close.

Across from me sits a dead man. I'm sure of it—his death. He lounges in himself, his belly fat imperialistic in its expanse, moving beyond beltline and claiming a space all its own on the torn, blue cushioned seat. The dead man looks a bit like Marlon Brando, post-Tango in Paris, when the depression set in and with it the weight, but like Brando, there's still a cool magic in the deep lines of the dead man's forehead, something forlorn and knowing in the drag of his eyelids.

It's here that I remember I'm a writer. And moments like these, I'm supposed to render in belabored yet fragmented ways.

That's ego, she says, not looking up from her phone.

What's that? I say.

The way you pigeonhole me. Rerun, ghost, et cetera, she says. Maybe I've made love to a sad man like you before. Maybe you're a trigger for me. Maybe I know everyone you're going to be, everything you're going to say.  Like I was going to tell you these pants, these pants are lenin pants and I got them from Bali. And I didn't say it because I already knew your response.

Are they ethically made? we say smugly and simultaneously.

And the subway car does that screeching sound you hear in movies and the tunnels outside do that motion blur you see in movies and I try to kiss her but she says that uh-uh cowboy line you know from movies.

Brando had affairs, I say.

Kennedy had affairs, she says.

Have you ever had an affair?

It was exhausting, she says, the performance required. All the effort in your vocal affectations, those terrible 3 p.m. lunches, the pet names, your obligatory passion and one-liners, the secrecy for the sake of secrecy, the purchase and disposal of lingerie. If I could get the time back—

I'd spend it alone with a glass of red wine and a good book, we say.

GOD GOES FOR A WALK

God goes
for a walk.

it is the depths of Winter
but, at a whim

he makes it
...Spring.

Because.
He can.

I also, as it happens
have gone for a walk

& am surprised by
the sudden change of

the weather. . ?
...whatever!

He is wearing a yellow
gangster style fedora.

He looks like Marlon Brando
being The Godfather.

He sports the brightest of yellow
waistcoats

which compliments
the purple shirt...purple trousers.

He strides along with His
Paisley patterned  Parisian walking stick

whistling the music of
The Spheres.

The World bows
before him.

He is well pleased
with Himself, un-

-til: He encounters me
coming towards him

dressed in a gangster style
yellow fedora

the brightest of yellow waistcoats
not to mention the purple shirt...purple trousers.

I, also, possess
a Paisley patterned  Parisian walking stick.

We nod politely
saying nothing but...

He is miffed at me
wearing His outfit and

I also miffed at Him
wearing mine!

We pass each other
God & creature.

And God...**** if He doesn't
make it Winter

on the very next step.

He was always
a Jealous God.

On the waterfront, in a freight car-
Call it passion, call it desire.
Whatever it is that inspires-
That thing that wrings
One more day out.

What songs angels sing!
As they ferry souls along,
On flight, in wing
En route:
But the dead walk amongst the living, too,
And sometimes even angels get confused.

Poor, empty vassal

you could have been a flower that eats insects
or an insect that eats flowers

could have been a Bee
a Queen.

Could have been a poet
could have been a contender. (Marlon Brando)

i'm not someone who's all too willing to regurgitate
maxims...
it's quiet impossible to have to
vouch for so many observational (not objective,
really) truths...
   after all... the height of the maxim came
with (not Nietzsche) - came with
                       la Rochefoucauld...
                - chance and caprice rule the world
   - we are lazier in mind than (in) body...
to pick but a pair...
a western emphasis for all things
    a posteriori...
              to circumstance oneself in a stance:
akimbo...
or at least akin to Pontius Pilate having
nothing to do with the drilling in of mea culpa:
even for him... something about a lottery
of time and an inescapable round of chores...
that some things are certain is enough
to give a day one's privacy...
but everything else: so agitated and in the tier
of meaningful encounters...
always the "matter"...

unlike those ?? maxims -
which mostly dictate things with an a priori
tinge of "sentiment"...
a verb pure suppose: no prior encounter
like that one that i kept and figured:
keep the sponge of a brain suckling up to it:

the only way to aid the world
is to forget the world
and for the world to forget you -

                crazy for that chance: anon. as
being credited to me, though...
   there's another maxim, though,
i must ascribe it to Socrates because it's most
befitting...

some people live to eat...
others... eat to live...

that's a real conundrum for me...
well... why wouldn't it be?
     if i were to take into account something
archaic as the Pythagorean diet schematic...

god-like eating: vegetables,
                     spices, cereals, dry food...
although some distinctions
if eating meat pork > goat > offal >
mutton > beef...
spices are the extreme to beans
(although... a diet without fibre...
and "we" know that beans
are high in protein)
            dry food: well between
burnt offerings and something rotten...

i was surprised... given the status
of pork to the pagans...
then again: it's the most pristine creature
as it's wholly edible...
beside the oink and the hoofs...
and ol' porkies wouldn't survive in
a desert to begin with...
so i don't understand allah's "beef" with
this pristine creature...
child's play of talk...
      no mention of eating crab meat:
scavenger meat... yet most pristine...

yes... but it's a return from my little
hiatus in katakana, hiragana & hangul...
i'm tired of this custard brain splodge
of curating these symbols
of syllable encoding...

back to the atoms of Latin script...
that these letters are as they are...
mostly because
of the Greek eye...
imitation: the latin script doesn't
have names for its letters...
sing-along stipends (etc.)
no clearly defining A a a(lpha)
which denotes a name and a cipher
like a(lpha) male etc.

a "quicker" root: conserved time...
Hebrew, Phoenician, Greek, Latin...
chicken scratching later...
hopes to elevated to pelican... somewhat...

but still the maxim:
some people live to eat
while others eat to live...
it is a double-edged sword...
i can spot the obvious:
when and where people eat
to survive...
it's more important to eat...
than not to:
how this maxim deciphers fussy-eaters
among the Mandarin omnivores...
well...

but then there's also this attention
to detail surrounding:
some people live to eat:
so they will treat their food with
knowledge and tenderness...
that will make eating a pleasure...
who here might quest to make
the antonym of eating a pleasure...
a spell of diarrhoea, for example?
unless of course bombarded
with **** *** imagery:
one would have to quest to find pleasure
in easing out a loaf:
best in one piece...
  than have to imagine the same...
being reversed back into
one's "glory hole" with a pump action
of agitated vibrations...

and there i was thinking about
being in the possession
of a strap-on phallus made from
ice...
some people live to eat
whole others eat to live...

i thought it less to be in the category
of people who live to eat:
then i gave it some "thought"
and figured out...
the people that eat to live
are the ones that will not prepare
their own food...
oddly enough...

i too thought it was a sustenance
statement...
but given that ******* out
is hardly pleasurable...
chewing is hardly too...
digestion can put you to sleep...
preparation of food is most associated
with the sentiment: some live to eat...
it's not a statement of gluttony...

what's the best easy breakfast i could
think of, sparingly... today...
with revision?
when frying an egg
letting it fry just shy of completely
while dressing it with a slice
of chorizo and finishing it off
with a slice of cheese...
placing it on a toast...

   that i eat to live: well i'm not starving...
animals eat to live...
which is why they don't cook their food...
they eat it raw...
and some people have become
wild animal esque...
in the fast food joints...
lazily being... some people are fed...
to take care for what's to be eaten...
i love this maxim because
it's not so ****** obvious
as to why: some people live to eat...
that there's a concern for what is eaten...
you can't exactly expect yourself
to find substance in tree bark
and grass...

to eat to live is out of desperation...
to live to eat comes from
something more aesthetic than...
       previously thought...
not to the extent of treating food as some
Cezanne - humble origins more, please...
rustic - yes... that's another word for it!

i came across this thought as i came across
a memory of her...
it's a real shame... really...
i was so young then...
she was so young then...
i was 21 she was 19...
   a weird year where i suddenly had
attention of a few girls...
but this one in particular...
what sort of girl proposes to a guy
and choses an engagement ring...
the sort of girl that subsequently
gives it back...
because - well where's Edinburgh
and where's London...
but it's not like she would go down south
with me... she went all the way west
with a previous boyfriend...
from Novosibirsk to St. Petersburg...
then again prior bf had a daddy well
situated and i'm still equivalent
to being a carpenter's son...
  
     out of no less... when the heliocentric
revolution happened...
and geocentric us-and-us-alone
and wish the gods real...
the gynocentrism prevailed as did...
           hypergamy -
                       it's no shock it's nothing new
it's like there was no Copernican
adventure to begin with...
since... everything on earth stayed:
pretty much the same...
now there are only about 3 million
a posteriori walking abortions that
could have taken place
but since... the argument came from:
use... the ****** had to be...
used... and there was all the free time...
and everyone else was doing it...
but not these sons are placebo solipsists
and they have to sort of:
give back the existential tax
of having a life on loan...

            hello... world...
but god the *** was good...
   the most thrill from the memory was...
eating her out like i might
divulge - burrow my face in
greasy beef... i would like a comparison
with oysters or... eating flowers...
but that was the best part...
oral *** and a little ******* sgt. pepper
of the index middle and thumb
working with my thumb to grease
myself up before the whole hallelujah
of the genitals in symphony...

i've been to several brothels and
about a dozen ****** and...
well... well...
                 it's not the same when
one of you is faking payment
and the payment is not as clear
as literally for an hour...
she stayed in my flat rent free...
etc.

          my youth... and she...
oh... plus the chance conversation about
liking Milan Kundera's
the unbearable likeness of being...
although i doubt she read it...
she was most concerned with swans...
i remembered swans from the film adaptation
more than from the book...
then again: memory is a fickle creature...
even now as i'm enjoying
this little cameo project of existentialism
(i.e. memory) -
well... i don't exactly have a choice
in what i can and cannot remember...
beside the anti-dyslexic / numeral-savvy
2 + 2 and a + b + s + o + l + u + t + e...

when she broke up with me
she had this way of insinuating i'd miss
the *** with: when we had ***
and listened to music
the dandy warhols' good morning:
play it when you're missing the "****"...
sure as ****
when i think about eating chicken
meat off the bone...
esp. at the tenderness of the chicken
neck with all the intricacies
of suckling and "plucking"...
i do think about...
a fleshy fruit that i cannot nibble...
or eat...

well that was me zenith of ****** endeavours:
i must adored the heart
of the **** i was eating out
since her onomatopoeia of sorts
is still ringing in my ear:
along with her face in cubist contortions:
i still haven't found relief in
having been pleasured:
some variation of an agony of a martyr
having given pleasure:

not state-holding of a saint's repertoire...
but as i now look it...
a life of restraint:
beside the prostitutes and the brothels:
hell... even the Teutonic Knights
had a brothel in their citadel...
if only i were as willing as
to give my heart up...
to weave in
     a sacrament of giving her a pink
rose... no...
i didn't come across something
just as good:
and this "just as good" is too firmly
lodged in my memory-cinema
for me to blink away from it...
i count myself lucky...
how pristine it all was...

a good shaking of the bag
and out popped out a ****'s depth
enough of wriggling for me
to not appeal to some
*****-envy buckle... after that i grew
a beard and forgot to want to play
the fiddle...
but it was a must, something necessary...
me writing about it now, a decade later
might appear as a vanity project...
then again: i wasn't as busy...
she took off and became
"devoted" twice...
the 2nd time a failure the third i'm still
praying for the poor buck to not
buckle...
i mean: she can boast that she drove
one boy mad...
but what a strange man he came out
to be...
a half-baked loaf of bread: with
teeth for a crust...

summa summarum: it was worth it...
i was ruining my time
in bed, of late...
i came across a ref. to the Noyades...
which was of "concern" for me...
but i also came across an entry: GENUG

the last words spoken...
by certain people of "concern"...
kant (genug) - enough...
              agrippina (nero's mother) -
smite my womb...
thomas hobbes - a great leap in the dark;

if i were the latter i'd also like
to reiterate: into the dark...
unless it be the already sentencing of:
a dark of night...
i find nothing universal in the day
but at least by night
i would simply imply:
beside the darkening mechanisation
of life by toil of body
and the fickleness of mind...
ah... pedantry and chastisement
of self-
(yes... prefixing attachment ready)
for whatever requires
automation and scythe...
and rude workings of
   a digestive system...

besides... there's an easier demand
of argument to be met:
some people live to ****...
others **** to live...
i never liked the Anglophonic line
or argumentation from existentialism:
for the masses from within Darwinism
solves all little interludes...
how it's necessary to equate everything
with squared root of ape...

it can't be this whole narrative...
even the ancient pagan had knowledge
of: **** similis...
i'm still searching for this...
vanguard hope of **** sapiens...
i'm yet to find one...
esp. one with strict etymological
obligations that can distinguish
a word like Slav from Slave...
a Germ from..          -an...
mute from niemy... chwek... etc.

this narrative though: concerning genes:
genes are blind like atoms of sodium are
unless pushed out
from extremes of hereditary cul de sacs
of non-replica...
lineage of cancerous-growth-prone-examples...
etc.
but why oh why...
have this baggage of concerns...
these atomic-attachments:
this hiding of hearth...
it's not predicate of genius...
vain hope bound to horoscopic tension
to spit out a desirable temperament
of a man?

character is all Lego...
crafted from both an a priori and an a posteriori
and an a- priori and: summa posteriori
litany of shelved secrecies...
(a-? without)

each time i return to this little scrap:
this little memory of her...
i also return to myself...
what an idealistic ****-lord
of presence i was...
i was the sort of guy that could buy
a girl oysters for a single date...
well... given the "nature" of life...
the "narrative"...

i will relinquish my fascination with
the eastern arts...
the katakana, the hiragana, the hangul...
when someone teases me
wrong... as i show them...

the cedilla in C and the greek
sigma
  i.e. ç
         i.e. there are many sigmas...
there are... satires...
    there are... all opera is tragedy...
there are loan-words! even in english!
sights to see
  si(gh)t?... ******* surds...
   (g)nome... diaGnostic...
                  (k)night... night, nought...
GH & proud...
   it's almost my...
  meine besitzen zunge, das ich liebe
     so viel...

watch the zeppelins rain down blitzkrieg
in slow-motion while
the Danube rummages with
flow vs. tide... and Birmingham is
without tide... and everything else
is everything else with a spare
tire of metaphor...

- some people eat to live...
while other live to eat...
            i much prefer to cook my own food...
i take pride in owning an arsenal
of spices...
along with a black cardamom
that's the equivalent of a
Laphroaig glug...
  since mead: was yet to be
a drank mythological concern for truths...

oh this little vanity project that it
is... when i loved...
when i was in love...
  when i wasn't this beastly secured
in things that would either blush
or frown at things upkept
in the cosmopolitan lineage
of affairs...
  "conversation":
  that it was Paris and me and
these two Catelonian girls went
to the grave of "desperate Michael"...
well, no... who was it...
it wasn't Bill Murray...
the doors' frontman...

        such a revealing proximity
of: my given names i most associate
with...
   konrad von wallenrode...
konrad of masovia...
  mateusz: tax-collector...
       40 ******* months
itching before what remained
Giza... and that's before the dwarf
Napoleon shifted rules of rank...

it was a great ****...
i still love the idea we didn't become
so bored as to be bored
with orthodoxy that we might
have to delve into
****... *** toys...
or... i would love to have
donned a latex gimp... open mouth...
hell... all that gwory hole-ing a limited
status of halo...
i retracted my ambitions...
didn't... i?

i didn't find replacements...
physicality strict-dentures of: failure count?
i made my metaphysical investment?
didn't i...

two weeks without walking...
chant des templiers...
i "thought" myself more a Hospitalier(s)
son in bud...
salve regina...
two weeks without walking
i "decide" to write...
it's not enough:
memory
overcomes me...

the best **** i've had and it's not
something i want
to remember for a *******...
mind you i found alternatives...
donning my hair long enough
and a new found riddle in
a beard...
and a Turk that dealt in
Caucasian memorabilia..
of living extensions...
               you see...
a visit to the barber with overgrown
bush...
of hair and stubble...
became more frankly... pleasurable...
than... what was to be done
with...

         that statue by
            apollonius of athens...
i ****** off to Bronzino's
   venus, cupid, folly & time:
beside the cupping of the breast
the teasing tenderness of the ******
prone tongues...
all ***** on silent mode...
or at least only gesticulating
at marble statues in the process
of being erected:
without promise of a public
ordeal to overthrow (the publics)
Punic details of slou... slow...
slouch... and brittle... karma: wood...

toward an excruciation of justified
meaning: this arrangement of lettering:
how feeble and toothpick prone
this brittle groove & ground...
my harvest of dislodged ease...
sensibly: antithesis grammatical pseudo...
sssssssssssss
side-winding... slithering...
side-accost...
***-seer-Saracen...

          becau­se of some pope
with a name like Urban...
              a finicky genesis...
             from memory
a white serpent of light
   in a crest of illuminate azure
giving border upon the Firth of Forth...
when two creasing crows
staged themselves
on the pinnacle of the Old College,
Edinburgh...
the nights were aflame with
youth...
the nights were... gott-gegeben...

miraculous? no!
    just aided by a stealth variation
and with life...
this mediocre surmounted...

pointer: when is... "it", i.e.:
enough is enough vs.
enough is "it"?
  i'm hardly poignancy prone
to state the difference, proper...
i've levitated toward slouch
for a week or so...
i find not pleasure in writing:
not as much as i arrived at
finding it, once more:
in walking...
boyo... you should have seen
me gear up to a bicycle...

         god what time it was to be gladly
*******!
to be so Darwinistically excated
with purpose!
but also so blind... so unhappy!
no wonder i had to fathom
a retraction: this everyday
into day-by-day...
und grey-labour & tedium &
"good"...
        
but it wasn't a waisting
of a "crown"...
i didn't live up to the expectations of:
the greatest ***** that ever
"lived"...
i wouldn't have...
lived to spar with agony aunt
commentary...
i would be the least believed *******
child of variation of
a prosthetic progeny of "sowing":
all gladly encountered metaphors...
some as ugly as necessarily ugly to breed...
most high i.q. is bred out
and is left to individualistic chancing
of revision...

then again: there's no revision...
the one who i lost my virginity with...
i "tried" to get in touch with her...
5 loads in the basin later...
she's an insomniac of reproduction...
of course she was all defensive...
when i asked her why she was so sad:
five daughters: no son...
she put it down on exhausted from...
she didn't notice i was making
a henry VIII remark...

i can't and therefore will not wish it upon
myself:
merry me: marry me i too were
that father when je suis and hey zeus
asked upon the crucifix dangling:
father...
yes... perpetual bachelor, i...
entombed existentially: no escapee
planning: processed...
            
      alles ist gott: und nothing too...
  my words: before i die...
i'm sure i'll be drunk as a saber
with blood not spilt...
as heavily worked
as a currency of horse
currently on display in the fields
where i walk...
ditto grazing and ditto:
  grass-heaping chewing-heave
          anecdotal.

before the "prized ******* bull" &
entourage of fizzing waters started to throttle
any further mentioning of
libido limbo:
        that's the scarcity of my
****** ambitions...
   mind you: i'm glad i suckled on that
wet oyster pouch before
i was sent back to the "gulag"
of skeleton teasing an imitation hollow...
before the kama sutra provision
***** envy might have taken over...

very impossibly: it's a conundrum
of reiteration of sort
that's not worth more erosion
of memory since it doesn't rhyme...
i wouldn't have lived
enough of the already given
"this" if i haven't thought about "that"...

today i found some compensation
for years drilling ego into abstract
and smiling at nothing
and all things / manners of ape:
everclear's debute e.p.
        marylin manson's holywood...

i still want that king crimson debut
vinyl to adorn my loan space
of a room of a life...
because i have to hide all that jazzy *******
on the side...

stone temple pilots -
that album with the song: art school girlfriend...
anything more -esque to capture
the sentiments of pulp and that
other song: wickerman...
for d'ah bass...

   impossibly delightful to heave
a wounding of a lung with
a morning's daily brief of
harking up excess phlegm
stuck to the wall...
how there's a heart and i call it
a sparrow and how it flusters
and flutter with a difficulty
when i've presented it with
a caging like so...

             Baltic sushi: which involves...
primarily... soaked herring in
spirit vinegar...
with mustard seeds...
bay leaf... allspice... onions & garlic...
tender... fish meat...
curated by curing
by acid alone rather than heat...
evil in the beans: perhaps too much
"roughage" / fibre...
but a constipation of world renown
for 3 days solid...

because of the full-english-fry-up...
which makes you wonder
how it can be served thrice
in a day
if one's lazy about "details":
the same quote revised...
some people live to eat...
while other eat to live...

it's not a statement of gluttony...
it's... some people will eat anything...
while others will tend to curate
what they eat to make
expensive remarks on what's
allowed to expand and what has to...
inevitably... shrink into non alias
null alias nil alias shrugging feline...
bothersome quick-essential...
practice of dangling a kite...
toward (rather than against) the wind...

GLAYVA - a liquer...
          ****... a... liqueur - a L'CUR
   a lee cwuer...
         velsh?!
               simply *******...
          a li'kwer... ditto ditto this that
and anything in between...
i'm rehashing a fancy for sleeping
with a foreign body in the same
bed i leave open to satire: tomb...
begins with cat...
given all my whimsical demands
and idiosyncratic scrutiny+plural..
highten-ed
                what first was a believable
oyster gorge and...
floral patterns agitated:
pound upon pound of flesh...

no... impossible...
some people live to eat
while other eat to live:
statement of not so desperate times...
perhaps...
if necessary i might nibble on
some grasshoppers...
or any insects fried...
but the statement alludes
to... some people will eat anything...
it's not a statement of / for gluttonous
mishandling of...
some people live to eat:
nutritionists...
the statement is clearly abstract towing
so it expand with each reitertion
as any maxim given enough
mantra status...

said true: but prior to...
blindly-being-followed...
it can revise itself...

        rekindle: ashes and all manners of
said... truant...
         bigger no  bigger than
a hyphen interjection within
the confines of conjunction:
Big-Giza... troublesome 1st and omega
sentencing... echoes of melancholy
in a rush to satiate
forests turning into bureaucratic
pyre structures...

      these burning effigies of time
best wasted... off what was readily available:
scrutiny at best:
all that surfaced was to heave...
an amalgamation of prods, touching,
prodding... juxtaposing junctions...
hinterland of diacritical marker demands...
something "Ukrainian"...

something Moldova-esque... old haunts
older grievances...
newly arrived at carpets with
them being cleaned...
a grandfather most impressionable:
death so last random
that it could only have leverage
with(in) the cofines of
a stomach confined to:
squid ink squirt...

misunderstood lyrics...
slipknot's eyeless...
               i heard...
   you can't see California without
Marlon Brando's eyes...
you can't see California without
Marlon Brando's eyes...
you can't see California without
Marlon Brando's eyes...
you can't see California without
Marlon Brando's eyes...

i'm pretty sure that's not Tsar: i.e.
"it"... yeah... that one...
bothersome brother at the till
of a brothel... less chasing chequers
at the hyper-inflated curiosity of need
of a supermarket...
till... cashier... sooner me dead there
with a death prior...
how ignited in the case:
most futile...
not ignited by some plumber credentials
etc.
stash of leftovers...
basin of sudokus...
              crazing over scalp shaves
rite of bone...
"my" kindred... touch-tease a halving of
bone of Iowa...
riddle this scuttle of nuance...

this leftover cold sure: beef
i heaved for a closure for:
the innocent expanse for furthering of "love":
what was made edible..
what was kept indigestible...
this riddle of words...
              these words half kept
as w(h)iddle...
    beg....       big...      Giz'ah...
sigh of relief or give one's purpose...
vowel-catching... within the confines
of sighs... otherwise
the exclamation markings...
letter to the "bone"...
                   hardly anything of note
ex the Iberian peninsula...
a Hebrew would know...

       thank you gimp suited &
boot licking worth maggot spew....
i have outlived my purpose of riddle...
i'm hardly going to appease
the throng of "doubt"
when it comes to clinging to something
"bilateral":
queasy without dizzy...

what's that?
qu-easy
  vs. -izzy..
                        forget it...
letters like lumberjack praise of
pork,,
something to market: sizzle...
gimp suits and all things best kept
tinged with... bride... horror...
my bride.., not some angry african
who-man'ood...
   conservative little hooded
monsters prior to the Levant practice of
the snippet...
skin left so bare...
the eagerly waiting *****
of whitey...
angry baking half angry "noir"..
the women the challenge...

i pretend to dance before mirrors...
my elongation of the hand
looks more like a crab
than what i want it to depict:
i.e. a spider...
the 2oth century is a house
of haunting:
it's not a circa... esp. one might
wish to be born in...

that there was ever an "expectation"
and it allowed itself
a summary... with excuses...
if we are all...
pointing & turning...
the Polacks were not given... TS...

Her fourteen days $?..........&

And what? And I am losing
some attachments
And____
is this our way
We should say is this my end today
My salvation
(Losing) wed long train
of thought
(Religion)

One day before
She screams!!
Such finesse of refinement
We all fall down 
Like children
of the **** torment
Statues the transformation
so real
Carve the deal on the 13th

Like the Gal Friday
battle Tut
masked out the
Halloween taking
out their spleen

Statuette Tut of
the jurisdiction
The fourteen karat teen
gold doesn't put a hold on me

How our minds
became off-set

My blocks are the key
to his heart mindset
The trade of the marks
her freedom
Her lips
quite a
surgery can blow
those bricks
down like a bullet

How it out knocks singing
over again
we all fall down
like ashes remain

Oh! Gee  V for Victorious Glee

How he couldn't pass
this
opportunity
deliciousness,
divineness
because of me,
there I went to the silent hill
The tranquil of quietness
Her weapon
the bullet dress - --
The coffee in the
King Tut shape
The curvy glass

Like a desert storm fires
Going First class

Not a block party second in mind
          "He" King Glee
Behind her walls, he reconstructs
Cheers of joy bullets one of a kind
Like a setup ploy
Her body fine weight
of gold
Eyes almond he's my candy
Second chances of joy
Her third timeless so hot
Is "She"
He's trying to nourish her heart

"With Glee"

Those love instructions
Like a bullet for me?

The King Oh! Gee

The Queen you
had to see
Like the golf clubs to putter set
The ball whole cup
The whole process stayed put
She was so enticed by his
bungee climbing
Seeing his first shot shooting
wasn't a star

The bricks to the end of the war
Judy the Star was Garland found
a different  time of Era la boom
reborn lady Liza Minnelli

The Empire of the Tut
(Bali Island Hut)
Her best to the
last stone paver layers
Like a Tut mortal dreamers
On her deck Golden Egg cards
King on top of the Queen
blocks bam the bomb ticks
The Joker having his last laugh
The war of fidelity like a plaque
of immortals
"And Please God' let it be over

You're my lucky star
No matter where you are
The ancient portal sip of wine
"All Glee" smile to trust
Come attached with loads of funds
His attache case modernly- eyes dim
Cashed into her twilight blank stare
Head over heels digging underneath her
gold - heavy heart and mind spins
into a migraine

His prayers are working
constructing a force
Something is emerging
racing for hearts
Engaging the space of valuable
objects of time

  We heard of the
one-day creation
the mysterious temple
Kinksters my heroes our fellowman
To the hipbone, those hipsters stick
  together to hustle

She is trying harder to please him
The gold to be seized
Thousand times over
to build
a form of loves the golden touch

The building could collapse
Heart together can relapse
If her love doesn't stand tall
The darkness can come to her eyes
The death of cards handed
like her corpse flying bullets

Such a massive stone block
She loved to be entertained
Let me make you walk my path
Solid as a rock

Like the Sun Gods map like the
Egyptian cat tongue
The strange pharaohs ancient
stolen identity
Layers and layers
Trumpet tower Presidential
Her bullet racer tulips
Lips bloom with gravity
900 feet getting a grip confidential

The ruins the strange existence
every time will there be next time
The new technology reveals
more secrets one bullet at a time
A silver bullet doesn't
compare to her myths Antionette


Her Anniversary all in gold,
to be or not to be
The silver award bullets
His mighty treasure
for poems of the sonnet

The largest space to build
in Egypt
Look up its a plane
King Tut bird
Super bullet giant beams
Going once or twice
70 Ladybird feet
Pharaoh timeline
so many wives

The column layering
checkerboard
She the sweeter cake
Had life sliced itself

Her layers the feed
of his smorgasbord
The name Ramesses 11
To reveal the evidence
stolen identities this
wasn't the (Providence)
Laying bricks in
my stone bed
Like a heart of stone

Building a gold his
mind like a block-freeze
It will take lifetimes
Marlon "Brando"
The commando of the waterfront
try to be upfront
It felt like a hard cement

Two bricks intellectual speaking
The goldrush her heart racing the
bullet of time
So thick-headed 
The Queen just sit
beheaded

The golden bond have
  guns will travel I Glee I pads
  The speed of bullets meet
my heroes what lads
The kingdom was
holding women
Joy to the
tacky glue magnet

Not the carnival of
cotton candy soft gold
The King got his ladies like
The Funhouse King Tut
no detention to have
Like the speed of lightning
never to hold
More love to build intermission
The kings only private
Gold VIP Theatre

All smiles the build-up
   Another mysterious setup palace
Those bricks of brown
warmth orange-reds of fire leaves
Falling over her milestone of
Mink hair
the fairytale of
Rumpelstiltskin
 Are we in to know
  what really clicks

More layer and layers of her
goldilocks of hair 
 stronger than any bricks

(In some semblance of order)

(1967 to 1975)

kittens
carpet burns
fear
WGN presents “One-Eyed Jacks” starring Marlon Brando
my grandmother’s basement
slaps from my mother
fear
kicks from my father
fear
Nerf basketball
10CC “I'm Not in Love”
fear

(1976 to 1980)

sunny, cool, fall days
the woods on Sundays
tall green grass
raised red seams on a baseball
fear
Tickle Pink wine
the smell of hashish
the buzz of high tension wires
Stroh's beer, pull tab tall boys
the woods at night
the breeze through the car window
her breath in my ear
fear

(1981 to 1988)

“Footloose” starring Kevin Bacon
Michelob Light in bottles
extra spicy guacamole
fear
“Members Only” black jacket
para mutual wagering
*******
4 seam fastball
fear
the garlic taste of Dimethyl Sulfoxide (DMSO)
a 91 mph fastball
Feldene dissolved in Dimethyl Sulfoxide and applied to my skin via a tongue depressor
my 93.5 mph fastball
the roar of the crowd
fear
October
the swirling light and sound of a west Texas freight train at night in fog
Jesus Christ
fear

(1989 to 1999)

the anticipation of child #1
the birth of child #2
6 hours of uninterrupted sleep after child #3
an 8mm obstructed kidney stone
fear
morphine
fear
Vicodin
fear
sunny, cool, fall days
“The Road Less Traveled” by M Scott Peck
hydrocodone
fear
the woods in fall
thunder
******
fear
the woods in winter
the rumble of Niagara Falls
******
fear
Oxycontin
shame
******
fear
“Ruthless Trust” by Brennan Manning
the woods in spring
The Stanley Cup
fear

(2000 to 2004)

detox
nostalgia of my youth
photos of my children as children
hydrocodone
detox
fear
Jose Cuervo silver tequila
sunny, cool, spring days
Major League Baseball opening day
Jose Cuervo Gold tequila
fear
Chinaco Reposado tequila
the stench of pavement
Gran Patron tequila
the heat of pavement
Herradura Anejo tequila
detox
hydrocodone
fear
Marca Negra Mezcal
detox
AA meetings
Oxycontin
fear
Alice in Chains “Down in a Hole”
detox
nostalgia for opiates
fear

(2005 to 2007)

AA meetings
Camel 99's
her infidelity
fear
photos of my children as children
Camel 99's
the sweet, sweet voice of Martin Sexton
AA meetings
shame
regret
fear
Suboxone
regret
shame
fear

(2008 to 2010)

the tenderness of your touch
a king size memory foam mattress
the tenderness of your touch
Amerique Verte Absinthe
fear
discussions with the dead
the tenderness of your touch
Ray Lamontagne “Winter Birds”
the tenderness of your touch
ablution by Amerique Verte Absinthe
fear
visions of the dead
fear
visits from the dead

(2011 to 2014)

their forgiveness
AA meetings
Camel 99's
my inability to sleep
fear
www.hellopoetry.com
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
fear
Centenario Reposado tequila
regret
Tramadol in large amounts
regret
thoughts of you leaving me
thoughts of me being left alone
thoughts of you being left alone
regret

nothing
nothing
nothing

the words I have just written

darkness

fear

"I watched a snail crawl along the edge of a straight razor.
That's my dream. It's my nightmare. Crawling, slithering,
along the edge of a straight razor … and surviving."
–  Col. Kurtz, Apocalypse Now
~

Remember
the golden age, Wally ***?
And the songs
my mother taught me?

We sang about what was.
Or might never be.

Like permanency.
Distinction comes
out of stiff and frozen silences.
Take it with
a spoonful of disdain.
Take it in the eye.
Actors are like breakfast cereals.
They're obvious
and according to taste.
I stopped needing them
long ago.

Beautiful
Tallulah.
Beautiful,
"less to this than
meets the eye"
Tallulah,
dismiss me,
that I may be free
to find Tennessee.

Open windows
and closing doors.
Always a breeze,
but never a way out.
Right on cue
the cards shuffle.

Butter and cotton *****,
tricks of the trade.
I mumble to be heard.
I am legend
to disciples
of the Method.

I wear my friends to bed,
burn them like newspaper.
They call me "Bud"
—cigarettes at dawn
after devouring the night.
And now my song ebbs,
as the stylus hits the leadout groove.

Tomorrow, I'll be better.
Today, I'm just me.

Tracy Batman

Give me one reason,
and I’ll turn back around,
almost past The Point of No Return,
and see no point in turning back now,

like Tracy Chapman or Bruce Wayne Batman,
or Tracy Morgan or Morgan The Captain,

or better yet a Spacey Captain or a spacey Batman,
just not a Kevin Spacey because we all know what happened,
oh no no fake strangers only straight facts fam,
you see I see the whole thing through I’m not a flash in the pan scam,

I’m beginning till end from lights camera action to it’s a wrap man,

gone till November,
leaving on a jet plane to Denver,
more Tracy Chapman than Tracy Morgan,
more Jon Wayne than Jon Denver,

more Honcho than Jon Doe,
more Pronto than Macho,
more Brando than Tonto,
full throttle no point in turning back now,

wow,

only time I feel alive is when I almost die,
we do like vroom vroom we do we don’t try,
no need to try to live that life when you really live that life,
why sail the high seas when you can reach Heaven and fly,

living The Life of Lives,
living the Dream of Dreams,
and you’re looking at me,
like “What do you mean?”,

I mean,
for real,
for really real,
how do you really feel?

It’s 2018,
and this feels like a Sci-Fi flic,
one where we’re an Army of One,
about to deploy and I feel sick,

see every Moon has it’s dark side,
every man has something to hide,
like Nazis with a secret base on the moon,
in a film from 2012 set in 2018 entitled Iron Sky,

but instead of Pink Floyd everything’s Purple Noise,
this is the year after the Artist Formally Named Prince finally died,

and cryptos were raised from the dead like a horror story,
Tales From The Crypto or better yet Tales From The Darkside,
saw a drawing at an art exhibit in Phoenix called Sad Pony,
it was sad because it was a unicorn without a horn so the spark had died,

and now he appeared alive,
even though when you look close you see the spark has disappeared from his eyes,

and he knows he has to escape before this city gets the only thing he has left,
which is the Soul he holds dear as he marches through the pain and the fears,
and he’s ready to go already but doesn’t want to leave you behind,
so before he goes he turns on his toes and asks you one thing just to be clear,

“Are you ready to get out of here?”

Give me one reason,
and I’ll turn back around,
almost past The Point of No Return,
and see no point in turning back now,

like Tracy Chapman or Bruce Wayne Batman,
gone till November leaving on a jet plane to Denver,
more Tracy Chapman than Tracy Morgan,
more Jon Wayne than Jon Denver,

more Honcho than Jon Doe,
more Pronto than Macho,
more Brando than Tonto,
full throttle no point in turning back now…

∆ LaLux ∆

2/5/18

Just think how perfect it all seems.
Examine, if you will, Plants.
If you won’t, “****-You.”
I am not your Cabaret floorshow.
Shall we begin again?
Examine the Plant Kingdom.
And let’s focus on Water—H2O for
You of the Walking/Talking Chemistry Set—
Water: a precise, covalent compound.
And what does it take?
A ***** molecule of hydrogen,
Pulling a 3-way with some pathetic,
Starved for affection,
Me-so-lonely
Me-so-***** atom of
Oxygen.
The rest—as they say--is History.
(CUE my readers—
My sweet, effervescent readers—
They come chiming in,
Avenging my Line 3 *******:
“No, Joe, the rest is actually Chemistry.”)
Although I may lack respect for my readers,
I am certainly not dealing with idiots.
This is Interactive Poetry, Kemosabe:
Life lyrics for the Chorus,
Of thee I sing.
Of thee I am one.
But I digress.

The subject was Water.
Water gets ****** up—&
That has got to feel really good—
Into a vast & elaborate network,
Dispensing itself, climbing to
Leaf-height by mid-morning,
Given that big, white-hot bocce ball in the sky
First warming, then igniting a thousand-million
Stoma/Stomata: Choose One.

Difference Between Stoma & Stomata: Stoma and stomata are similar words, so it's easy to get the two confused. The difference between them is easy to remember, however, as stomata is  just the plural for stoma. A plant uses its stomata to take in and release gases, according to EOEarth.org.... More »

Verdant Stomata?
Sounds like an Italian Pizza Queen,
As defined by Rhode Islanders,
According to Ronnie Conheim,
A crony of my early 20s,
Who has dis-appeared off the
****-cheeks of our planet.
Again, I digress.

LEAVES: the passion pit of our
Randy **** atmosphere.
Manufacturing oxygen for those
On the CO2 side of the equation,
Whatever that means.
Leaves: a reciprocal source & target.
For those of us in these parts who
Exhale carbon dioxide.
And just so we get this straight:
We are the Plant Kingdom’s archenemy,
Their bête noire, their Lex Luther incarnate,
Anathema, slugging & wheezing its way,
Through an eternally ebonic Worm Hole.

Plants & Animals:
These two would **** us both off.
So an ecological truce gets hammered out,
“The Paris Agreement on Climate Change,”
They are calling it, perhaps the most profound
Meeting of the Earth’s collected minds.
EV-VAH, in History or Chemistry . . .
(CUE BRANDO, Sky Masterson,
Guys & Dolls: “YEAH, CHEMISTRY!”
A shrewdly negotiated fairy tale,
With fine print out the yin-yang,
Explaining why only 144 of the 197
Parties to the convention have
Ratified (what rats do when organized?)
Ratified a document fatter than Manhattan’s
White page telephone book:
Behold BTW a species of literature,
Beginning to resemble a dead carcass,
Nearly an anachronism for a once
Vast & potent paper publishing industry.

Plant & Animals: these two
Will **** each other.
The Peace: a fragile trip wire.
The Accord?
A case of hyped ecological stagecraft,
The threshold celebration
Staged in--of all places—
Marrakech, Morocco:
The Hashish Capital of the Eastern Hemisphere.

Marrakesh Express - Wikipedia
https://en.wikipedia.org/wiki/Marrakesh_Express“Marrakesh Express” is a song written by Graham Nash and Performed by the band Crosby, Stills and Nash (CSN). It was first released in May of 1969 on the...

C.S.N Marrakech Express-YouTube/www.youtube.com/watch?
v=0AkYLtegF1MDec 14, 2009 ... Crosby, Stills, Nash & Young – Marrakesh Express (Live at Farm Aid 2000) - Duration: 3:56. Farm Aid 36,976 views · 3:56. CSN - Crosby, Stills...
(www.ads-right-in-******* poem.com)

That’s right! The poet finally figuring out
What it takes to avoid dying diseased &
Psychotic in the gutter.)
THAT’S RIGHT: $$$$ SELL ADS $$$$
RIGHT IN THE $KA-CHING$
MIDDLE OF THE ******* POEM!)

The Big Picture?
Plants & Animals:
These two will **** us all off.
And we'll watch the whole thing on Reality TV.

Those hours of joy in which you raised our spirit
The homage you gave your love to our devoted merit

Bring back my memories of your lovely April prime
Happy your tail wagg'd to thy golden time.

Of your winter days I hope our kindness made them sweet
Your years with us, our family, believe my tears were our treat.

If now upon this day harden minds do still not believe
Perfect ceremony of truths of sadness ****'d death does weave

How, not only once, that worship you gave to us, in your merry way
Jan 3rd, a devout soul, companion'd friend, died in our hearts today.

She chokes on her apple turnover
Leaving a cloud of powdered sugar
That would stop Marlon Brando in his tracks.
Instead of cleaning up the dust,
She starts to swirl her fingers around in it
Until various shapes start to emerge.

She says it doesn't feel like there are clouds in the sky anymore
That maybe it's because she hasn't been keeping her chin up enough,
Admitting that optimism never quite suited her.
So instead, she says she'll make her own patterns
And test out realism for a while
Since she figures that realism is the only mindset that
Allows her something tangible to hold onto
When she's drowning in a false sense of security.

Qui su l'arida schiena
Del formidabil monte
Sterminator Vesevo,
La qual null'altro allegra arbor né fiore,
Tuoi cespi solitari intorno spargi,
Odorata ginestra,
Contenta dei deserti. Anco ti vidi
Dè tuoi steli abbellir l'erme contrade
Che cingon la cittade
La qual fu donna dè mortali un tempo,
E del perduto impero
Par che col grave e taciturno aspetto
Faccian fede e ricordo al passeggero.
Or ti riveggo in questo suol, di tristi
Lochi e dal mondo abbandonati amante,
E d'afflitte fortune ognor compagna.
Questi campi cosparsi
Di ceneri infeconde, e ricoperti
Dell'impietrata lava,
Che sotto i passi al peregrin risona;
Dove s'annida e si contorce al sole
La serpe, e dove al noto
Cavernoso covil torna il coniglio;
Fur liete ville e colti,
E biondeggiàr di spiche, e risonaro
Di muggito d'armenti;
Fur giardini e palagi,
Agli ozi dè potenti
Gradito ospizio; e fur città famose
Che coi torrenti suoi l'altero monte
Dall'ignea bocca fulminando oppresse
Con gli abitanti insieme. Or tutto intorno
Una ruina involve,
Dove tu siedi, o fior gentile, e quasi
I danni altrui commiserando, al cielo
Di dolcissimo odor mandi un profumo,
Che il deserto consola. A queste piagge
Venga colui che d'esaltar con lode
Il nostro stato ha in uso, e vegga quanto
È il gener nostro in cura
All'amante natura. E la possanza
Qui con giusta misura
Anco estimar potrà dell'uman seme,
Cui la dura nutrice, ov'ei men teme,
Con lieve moto in un momento annulla
In parte, e può con moti
Poco men lievi ancor subitamente
Annichilare in tutto.
Dipinte in queste rive
Son dell'umana gente
Le magnifiche sorti e progressive .
Qui mira e qui ti specchia,
Secol superbo e sciocco,
Che il calle insino allora
Dal risorto pensier segnato innanti
Abbandonasti, e volti addietro i passi,
Del ritornar ti vanti,
E procedere il chiami.
Al tuo pargoleggiar gl'ingegni tutti,
Di cui lor sorte rea padre ti fece,
Vanno adulando, ancora
Ch'a ludibrio talora
T'abbian fra sé. Non io
Con tal vergogna scenderò sotterra;
Ma il disprezzo piuttosto che si serra
Di te nel petto mio,
Mostrato avrò quanto si possa aperto:
Ben ch'io sappia che obblio
Preme chi troppo all'età propria increbbe.
Di questo mal, che teco
Mi fia comune, assai finor mi rido.
Libertà vai sognando, e servo a un tempo
Vuoi di novo il pensiero,
Sol per cui risorgemmo
Della barbarie in parte, e per cui solo
Si cresce in civiltà, che sola in meglio
Guida i pubblici fati.
Così ti spiacque il vero
Dell'aspra sorte e del depresso loco
Che natura ci diè. Per questo il tergo
Vigliaccamente rivolgesti al lume
Che il fè palese: e, fuggitivo, appelli
Vil chi lui segue, e solo
Magnanimo colui
Che sé schernendo o gli altri, astuto o folle,
Fin sopra gli astri il mortal grado estolle.
Uom di povero stato e membra inferme
Che sia dell'alma generoso ed alto,
Non chiama sé né stima
Ricco d'or né gagliardo,
E di splendida vita o di valente
Persona infra la gente
Non fa risibil mostra;
Ma sé di forza e di tesor mendico
Lascia parer senza vergogna, e noma
Parlando, apertamente, e di sue cose
Fa stima al vero uguale.
Magnanimo animale
Non credo io già, ma stolto,
Quel che nato a perir, nutrito in pene,
Dice, a goder son fatto,
E di fetido orgoglio
Empie le carte, eccelsi fati e nove
Felicità, quali il ciel tutto ignora,
Non pur quest'orbe, promettendo in terra
A popoli che un'onda
Di mar commosso, un fiato
D'aura maligna, un sotterraneo crollo
Distrugge sì, che avanza
A gran pena di lor la rimembranza.
Nobil natura è quella
Che a sollevar s'ardisce
Gli occhi mortali incontra
Al comun fato, e che con franca lingua,
Nulla al ver detraendo,
Confessa il mal che ci fu dato in sorte,
E il basso stato e frale;
Quella che grande e forte
Mostra sé nel soffrir, né gli odii e l'ire
Fraterne, ancor più gravi
D'ogni altro danno, accresce
Alle miserie sue, l'uomo incolpando
Del suo dolor, ma dà la colpa a quella
Che veramente è rea, che dè mortali
Madre è di parto e di voler matrigna.
Costei chiama inimica; e incontro a questa
Congiunta esser pensando,
Siccome è il vero, ed ordinata in pria
L'umana compagnia,
Tutti fra sé confederati estima
Gli uomini, e tutti abbraccia
Con vero amor, porgendo
Valida e pronta ed aspettando aita
Negli alterni perigli e nelle angosce
Della guerra comune. Ed alle offese
Dell'uomo armar la destra, e laccio porre
Al vicino ed inciampo,
Stolto crede così qual fora in campo
Cinto d'oste contraria, in sul più vivo
Incalzar degli assalti,
Gl'inimici obbliando, acerbe gare
Imprender con gli amici,
E sparger fuga e fulminar col brando
Infra i propri guerrieri.
Così fatti pensieri
Quando fien, come fur, palesi al volgo,
E quell'orror che primo
Contra l'empia natura
Strinse i mortali in social catena,
Fia ricondotto in parte
Da verace saper, l'onesto e il retto
Conversar cittadino,
E giustizia e pietade, altra radice
Avranno allor che non superbe fole,
Ove fondata probità del volgo
Così star suole in piede
Quale star può quel ch'ha in error la sede.
Sovente in queste rive,
Che, desolate, a bruno
Veste il flutto indurato, e par che ondeggi,
Seggo la notte; e su la mesta landa
In purissimo azzurro
Veggo dall'alto fiammeggiar le stelle,
Cui di lontan fa specchio
Il mare, e tutto di scintille in giro
Per lo vòto seren brillare il mondo.
E poi che gli occhi a quelle luci appunto,
Ch'a lor sembrano un punto,
E sono immense, in guisa
Che un punto a petto a lor son terra e mare
Veracemente; a cui
L'uomo non pur, ma questo
Globo ove l'uomo è nulla,
Sconosciuto è del tutto; e quando miro
Quegli ancor più senz'alcun fin remoti
Nodi quasi di stelle,
Ch'a noi paion qual nebbia, a cui non l'uomo
E non la terra sol, ma tutte in uno,
Del numero infinite e della mole,
Con l'aureo sole insiem, le nostre stelle
O sono ignote, o così paion come
Essi alla terra, un punto
Di luce nebulosa; al pensier mio
Che sembri allora, o prole
Dell'uomo? E rimembrando
Il tuo stato quaggiù, di cui fa segno
Il suol ch'io premo; e poi dall'altra parte,
Che te signora e fine
Credi tu data al Tutto, e quante volte
Favoleggiar ti piacque, in questo oscuro
Granel di sabbia, il qual di terra ha nome,
Per tua cagion, dell'universe cose
Scender gli autori, e conversar sovente
Cò tuoi piacevolmente, e che i derisi
Sogni rinnovellando, ai saggi insulta
Fin la presente età, che in conoscenza
Ed in civil costume
Sembra tutte avanzar; qual moto allora,
Mortal prole infelice, o qual pensiero
Verso te finalmente il cor m'assale?
Non so se il riso o la pietà prevale.
Come d'arbor cadendo un picciol pomo,
Cui là nel tardo autunno
Maturità senz'altra forza atterra,
D'un popol di formiche i dolci alberghi,
Cavati in molle gleba
Con gran lavoro, e l'opre
E le ricchezze che adunate a prova
Con lungo affaticar l'assidua gente
Avea provvidamente al tempo estivo,
Schiaccia, diserta e copre
In un punto; così d'alto piombando,
Dall'utero tonante
Scagliata al ciel profondo,
Di ceneri e di pomici e di sassi
Notte e ruina, infusa
Di bollenti ruscelli
O pel montano fianco
Furiosa tra l'erba
Di liquefatti massi
E di metalli e d'infocata arena
Scendendo immensa piena,
Le cittadi che il mar là su l'estremo
Lido aspergea, confuse
E infranse e ricoperse
In pochi istanti: onde su quelle or pasce
La capra, e città nove
Sorgon dall'altra banda, a cui sgabello
Son le sepolte, e le prostrate mura
L'arduo monte al suo piè quasi calpesta.
Non ha natura al seme
Dell'uom più stima o cura
Che alla formica: e se più rara in quello
Che nell'altra è la strage,
Non avvien ciò d'altronde
Fuor che l'uom sue prosapie ha men feconde.
Ben mille ed ottocento
Anni varcàr poi che spariro, oppressi
Dall'ignea forza, i popolati seggi,
E il villanello intento
Ai vigneti, che a stento in questi campi
Nutre la morta zolla e incenerita,
Ancor leva lo sguardo
Sospettoso alla vetta
Fatal, che nulla mai fatta più mite
Ancor siede tremenda, ancor minaccia
A lui strage ed ai figli ed agli averi
Lor poverelli. E spesso
Il meschino in sul tetto
Dell'ostel villereccio, alla vagante
Aura giacendo tutta notte insonne,
E balzando più volte, esplora il corso
Del temuto bollor, che si riversa
Dall'inesausto grembo
Su l'arenoso dorso, a cui riluce
Di Capri la marina
E di Napoli il porto e Mergellina.
E se appressar lo vede, o se nel cupo
Del domestico pozzo ode mai l'acqua
Fervendo gorgogliar, desta i figliuoli,
Desta la moglie in fretta, e via, con quanto
Di lor cose rapir posson, fuggendo,
Vede lontan l'usato
Suo nido, e il picciol campo,
Che gli fu dalla fame unico schermo,
Preda al flutto rovente,
Che crepitando giunge, e inesorato
Durabilmente sovra quei si spiega.
Torna al celeste raggio
Dopo l'antica obblivion l'estinta
Pompei, come sepolto
Scheletro, cui di terra
Avarizia o pietà rende all'aperto;
E dal deserto foro
Diritto infra le file
Dei mozzi colonnati il peregrino
Lunge contempla il bipartito giogo
E la cresta fumante,
Che alla sparsa ruina ancor minaccia.
E nell'orror della secreta notte
Per li vacui teatri,
Per li templi deformi e per le rotte
Case, ove i parti il pipistrello asconde,
Come sinistra face
Che per vòti palagi atra s'aggiri,
Corre il baglior della funerea lava,
Che di lontan per l'ombre
Rosseggia e i lochi intorno intorno tinge.
Così, dell'uomo ignara e dell'etadi
Ch'ei chiama antiche, e del seguir che fanno
Dopo gli avi i nepoti,
Sta natura ognor verde, anzi procede
Per sì lungo cammino
Che sembra star. Caggiono i regni intanto,
Passan genti e linguaggi: ella nol vede:
E l'uom d'eternità s'arroga il vanto.
E tu, lenta ginestra,
Che di selve odorate
Queste campagne dispogliate adorni,
Anche tu presto alla crudel possanza
Soccomberai del sotterraneo foco,
Che ritornando al loco
Già noto, stenderà l'avaro lembo
Su tue molli foreste. E piegherai
Sotto il fascio mortal non renitente
Il tuo capo innocente:
Ma non piegato insino allora indarno
Codardamente supplicando innanzi
Al futuro oppressor; ma non eretto
Con forsennato orgoglio inver le stelle,
Né sul deserto, dove
E la sede e i natali
Non per voler ma per fortuna avesti;
Ma più saggia, ma tanto
Meno inferma dell'uom, quanto le frali
Tue stirpi non credesti
O dal fato o da te fatte immortali.

I shot Marlon Brando in his head
Shot Marlon Brando Dead, Dead, Dead

whistle, call out,
bait me in,
i'm super ******* cool,
i can't forgive,
what i can't forget,
whistle, call out,
the neurons fire mad,
the adrenaline screams,
grinding teeth,
i'm super ******* cool,
whistle, call out,
taunt, bait,
think of your throat,
of your crippled arrogance,
listen,
i'd love to spill your blood,
i'd love to make you hate every breath,
but i'm super ******* cool,
so i'll watch from afar
as you spill your own,
going mad at the lack
of a response,
at the lack of an ally,
i don't have time to
pretend,
to be bait,
to be horned,
to get drawn in and *******,
i'm brando in a white t-shirt,
i'm fonzie decked in leather,
and you're a summer *****
whose season is in passing.

once a collage
hung on a wide white wall  
with monochrome photos of  
all creatures great and small  

Dali juxtaposed with Doris Day,
LBJ atop JFK, and Joe DiMaggio,
grinning Frankenstein and frowning
Frank Sinatra, not far below

Hemingway, Groucho Marx, Marlon Brando  
occupying three of four corners, the bottom right
a curious cat, in stretched repose

dead center, a cracked crucifix
and four Beatles all, Paul the biggest
with the cross crowning his frame    

a Corvette,
and Stalin in his tomb  
were also given ample room,
on this black and white piece of art  
as were *******, with cap,
Jimi Hendrix with axe  

another three score
and a couple more, completed
this cacophony of sight, but absent
were J. Bieber, Beyonce, any of the Simpsons
of Fox fame, revealing the artist of this gray masterpiece  
was blissfully blind to cyber sacrilege,
Steve Job’s toys, and the lost soul
of Lindsey Lohan

Like coffee in the morning
I grew used to you somehow
It started bitter and without warning
  it is ending that way now

Like Gene Kelly or Sinatra
You have Marlon Brando class
Went to pop music from the opera
Now I cant stop thinking about ***

Like two stings out of tune
We always seem to clash
Bring your beauty to the room
Where the music doesn't match

Art is ever changing: lke w/e idc
People rearranging: Thrz no bEutY Ne wer3
(Jaha baha LOL
They prolly tlk like diz N h3L7 )

Seems so long ago, but I could never forget you
I was Marlon Brando, you were my biggest fan
I never knew your name, to me you were beauty
I wanted you so bad, I wanted more than I could have
You told me you were a dreamer, look at the world out there
There’s people with broken hearts, Marlon I’m scared
You told me you were a wondering heart, but you’ve become a little stuck
So I kiss the cross around my neck and whisper, lord wish me luck
If I could tell you tonight, that your world would be fine
All the problems I’d take from your shoulders, and make them all mine

Took me by the hand, I placed a ring on your finger
Girl I can write love songs all night long, but I ain’t no singer
Then you look in my eyes, tell me you’ll never forget me
I am Marlon Brando, you’re my biggest fan
And all those nights we shared, honey like I was the only one
And all those nights we laughed, where have those nights gone
Cigarette smoke lingers, wine stains on the floor
Our arguments still drift through the air, my heads pressed against the door

And when I look at you, I still see
The woman so long ago, that wanted me
Somewhere beneath all the heartbreak, crossed words we said
I’ll hold on to you tightly girl, your heart’s not getting broken yet
I was Marlon Brando, you were my biggest fan
But without you by my side girl, I’m just an ordinary man
You told me you’re just an ordinary girl
I’m your biggest fan

metal music, notably a genre most effective
at brain massaging, or easing
a headache... pardon me, though,
through all the screaming i am sure
I misheard something, notably on
<slipknot's> eyeless...
    not that i'll actually check the lyrics,
but I'm pretty sure they're not:

    you can't see California without
Marlon Brando's eyes...

there goes playing music backwards
trying to find devilish messages
in the godfathers of the 70s,
   there it goes, out the window
with the piano and the pianist still
playing it (yes, the piano) -

you can't see California without
Marlon Brando's eyes...

    it would make sense, coming from
a bunch of Iowans;
as I'm sure that some would call
that masochism, id est:
      easing a headache, conjured by
a strained bladder from
          a decent night's sleep...
   massaging the brain with
         music by a cohort of banshees;

hell, whatever the original lyrics,
you can't see California without
Marlon Brando's eyes sounds a lot better.

.
Her hair rushes like rain
As my eyes turn to stone,
Her beauty, it has no fame,
Like Brando is one great poet,
And Shakespeare, so underrated,
Her lips are like undiscovered flowers,
Opening into a mythic forest untrammeled,
Like footsteps reeling after light from beyond,
Her voice babbles as water caressing mute stones.

I've got a confession

What's my lesson?

Marlin Brando
Flounders
Off the coast

Who can boast?

The host

Steal the roast
And walk away
without even a ******* toast

O patria mia, vedo le mura e gli archi
E le colonne e i simulacri e l'erme
Torri degli avi nostri,
Ma la la gloria non vedo,
Non vedo il lauro e il ferro ond'eran carchi
I nostri padri antichi. Or fatta inerme
Nuda la fronte e nudo il petto mostri,
Oimè quante ferite,
Che lívidor, che sangue! Oh qual ti veggio,
Formesissima donna!
Io chiedo al cielo e al mondo: dite dite;
Chi la ridusse a tale? E questo è peggio,
Che di catene ha carche ambe le braccia,
Sì che sparte le chiome e senza velo
Siede in terra negletta e sconsolata,
Nascondendo la faccia
Tra le ginocchia, e piange.
Piangi, che ben hai donde, Italia mia,
Le genti a vincer nata
E nella fausta sorte e nella ria.
Se fosser gli occhi tuoi due fonti vive,
Mai non potrebbe il pianto
Adeguarsi al tuo danno ed allo scorno;
Che fosti donna, or sei povera ancella.
Chi di te parla o scrive,
Che, rimembrando il tuo passato vanto,
Non dica: già fu grande, or non è quella?
Perché, perché? Dov'è la forza antica?
Dove l'armi e il valore e la costanza?
Chi ti discinse il brando?
Chi ti tradì? Qual arte o qual fatica
0 qual tanta possanza,
Valse a spogliarti il manto e l'auree bende?
Come cadesti o quando
Da tanta altezza in così basso loco?
Nessun pugna per te? Non ti difende
Nessun dè tuoi? L'armi, qua l'armi: ío solo
Combatterà, procomberò sol io.
Dammi, o ciel, che sia foco
Agl'italici petti il sangue mio.
Dove sono i tuoi figli?. Odo suon d'armi
E di carri e di voci e di timballi
In estranie contrade
Pugnano i tuoi figliuoli.
Attendi, Italia, attendi. Io veggio, o parmi,
Un fluttuar di fanti e di cavalli,
E fumo e polve, e luccicar di *****
Come tra nebbia lampi.
Nè ti conforti e i tremebondi lumi
Piegar non soffri al dubitoso evento?
A che pugna in quei campi
L'itata gioventude? 0 numi, o numi
Pugnan per altra terra itali acciari.
Oh misero colui che in guerra è spento,
Non per li patrii lidi e per la pia
Consorte e i figli cari, Ma da nemici altrui
Per altra gente, e non può dir morendo
Alma terra natia,
La vita che mi desti ecco ti rendo.
Oh venturose e care e benedette
L'antiche età, che a morte
Per la patria correan le genti a squadre
E voi sempre onorate e gloriose,
0 tessaliche strette,
Dove la Persia e il fato assai men forte
Fu di poch'alme franche e generose!
Lo credo che le piante e i sassi e l'onda
E le montagne vostre al passeggere
Con indistinta voce
Narrin siccome tutta quella sponda
Coprir le invitte schiere
Dè corpi ch'alla Grecia eran devoti.
Allor, vile e feroce,
Serse per l'Ellesponto si fuggia,
Fatto ludibrio agli ultimi nepoti;
E sul colle d'Antela, ove morendo
Si sottrasse da morte il santo stuolo,
Simonide salia,
Guardando l'etra e la marina e il suolo.
E di lacrime sparso ambe le guance,
E il petto ansante, e vacillante il piede,
Toglicasi in man la lira:
Beatissimi voi,
Ch'offriste il petto alle nemiche lance
Per amor di costei ch'al Sol vi diede;
Voi che la Grecia cole, e il mondo ammira
Nell'armi e nè perigli
Qual tanto amor le giovanette menti,
Qual nell'acerbo fato amor vi trasse?
Come si lieta, o figli,
L'ora estrema vi parve, onde ridenti
Correste al passo lacrimoso e, duro?
Parea ch'a danza e non a morte andasse
Ciascun dè vostri, o a splendido convito:
Ma v'attendea lo scuro
Tartaro, e l'ond'a morta;
Nè le spose vi foro o i figli accanto
Quando su l'aspro lito
Senza baci moriste e senza pianto.
Ma non senza dè Persi orrida pena
Ed immortale angoscia.
Come lion di tori entro una mandra
Or salta a quello in tergo e sì gli scava
Con le zanne la schiena,
Or questo fianco addenta or quella coscia;
Tal fra le Perse torme infuriava
L'ira dè greci petti e la virtute.
Vè cavalli supini e cavalieri;
Vedi intralciare ai vinti
La fuga i carri e le tende cadute,
E correr frà primieri
Pallido e scapigliato esso tiranno;
vè come infusi e tintí
Del barbarico sangue i greci eroi,
Cagione ai Persi d'infinito affanno,
A poco a poco vinti dalle piaghe,
L'un sopra l'altro cade. Oh viva, oh viva:
Beatissimi voi
Mentre nel mondo si favelli o scriva.
Prima divelte, in mar precipitando,
Spente nell'imo strideran le stelle,
Che la memoria e il vostro
Amor trascorra o scemi.
La vostra tomba è un'ara; e qua mostrando
Verran le madri ai parvoli le belle
Orme dei vostro sangue. Ecco io mi prostro,
0 benedetti, al suolo,
E bacio questi sassi e queste zolle,
Che fien lodate e chiare eternamente
Dall'uno all'altro polo.
Deh foss'io pur con voi qui sotto, e molle
Fosse del sangue mio quest'alma terra.
Che se il fato è diverso, e non consente
Ch'io per la Grecia i mororibondi lumi
Chiuda prostrato in guerra,
Così la vereconda
Fama del vostro vate appo i futuri
Possa, volendo i numi,
Tanto durar quanto la, vostra duri.

You are clawed at him like a

Red hot
Las Vegas Jack-***
Lobster
"Persuasive Mentor"
Sling-shot
Underlie Supervisor
Skin softer He's Mr.
Softee

He molded me
to build me
Not to love me
So planned to
Deceive me
Fish desires
Mermaids
Flirt their tails
underwater
emails

Like the Greek word

"Synecdoche" we call

French hot bread
Brioche
His mustache
Underlie
Attache case

You're over his
Head

"Now" face to face

Fly••• First- Love- Yourself

Why? W- wait like H 4 hell
Y- Yell!!

Who's going to tell

I was head clicked
heels
Watered down
my shrimp

Enjoy your now
"Big Gulp'
Help wanted

He got me under

his skin
Pulp Fiction
The rain in Spain
stays
manly
in the lie diction

Wha?ever he got to me

So erotically smooth skin

The next of kin

Aromantic overly
romantic
Like the
Interstellar

It felt like
Marlon Brando
Ditto
Hello!

A= hot brandy with

Stella
waterfront

Being upfront skin kissed

The espresso I got you intense
dark under the mood weather
Cold-Hot-Mood swings she got

what life can bring better
Menopause or Men on pause

Am I hooked?
Another eye
full look
The more
four more

I got to you I see
It comes in three's to
die for the need
I say more

That part of you
bare-mitten
So smitten

The skin chilled fire fit


Moms scent and you felt her

touching you her mind
and yours

Cut out hearts
Red Riding hood
Grandmas out of bed
What was said
Tough skin what
big brown eyes
Looking mad
That's what U got blowing
in the wind
on her skin to begone
Girl is gone
One call Jailbird


Our eyes leave the world
blind but speak more words

you opened up the blinds

Hot desired I got you, babe,

How in a spiritual sense

Was this in your character

by the quintessence


Or always a coincidence

You were being raised

Why is life so much to crave

Like your the side order
and he she and fee fi fun


The main entrance
Starfish dish the
Goddess sun
Undertaste
The dinner mint
gave her refreshing
rush

Fifty times being burned

Over just a bite on my neck

of French fries

Not so overly touched by your lies

But you do have amazing eyes

Traveling through a skin-tight

maze the light fixture retracing

How tough skinned you are

I got to give you some credit

This is not the website

How you read into me

Like "Reddit"
I got it

So many time you have

done it lies

I never planned to get

you under my skin
Who wants to die

*** rebound always
Goodbye

Those fifties those dames

hot club smoking and
jamming

But feeling the tightrope
Fishnet
hooked
Supernatural spooked

I don't see you smiling

I couldn't breathe I felt

like choking

The devil own scripture

Our eyes perceive as the spies of

Boom explosion the hunger gets

intense face to face

Like we are the
TV on a binge

You cannot tune us but the
hot flame

can never tame us

Embedded by what we see

And touch-Oh! Me
U-C who would want to
go through this
2 B Me
Waiting for something
Like the Freebird I am
the Robin

How the earth confines us

Who is the one who

got something on us

Somes deep feelings

The Cole Porter

I got you under my skin

Someone on the pull
arouses

But he knows your
pleasure but where is the
promises
On the premises
He stacked her roses

One smell he got
The words spelled on U

He said with an
Under__line

" My Rose"
  Underlie
  My skin
  Smells brilliantly
  Like the eye of an
  Apple pie