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"blends" poems
Isn’t physically quick or agile. Disappears in libraries. Has been known to dissolve into the physical pages of books. Is good at tucking herself into the stacks and retreating to reading nooks. Blends in at coffee shops where her voice can be drowned out by the grinding and the steaming. Can become indistinguishable in the dark of theatres, in the quiet shuffle of art galleries, the finger-snapping of poetry readings, the hum and jostle of the Tube. Is indistinct. Adept at hiding in plain sight.
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Aug 5, 2015
Aug 5, 2015 at 9:05 PM UTC
Catch her if you can
Busted! Caught again In a battle for your brain Oh please, don't pretend The nights! And the scares Guilt built up inside your skull Oh please, let it end Curled, crying lies Awake! Inside his eyes, glossed In a withered glow Oh! It asks as he Blends into his wallpaper: "Oh please, where'd you go?" ~Humanity, I don't know~
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Jan 25, 2018
Jan 25, 2018 at 8:45 AM UTC
Unhinged Humanity
By rgpage The cool evening breeze filled with a scent of approaching rain. Caught by playful window shears as it passes through an open pane, to reach their   length and breadth toward the waiting bed. He was a lover of music and his woman, a passionate man with a sensitive heart. She was in love with the melodic way   his gentle fingers moved with sensual touch over her soft silk like skin of art. He started gently around her ears softly prying them open with the quiet richness of her melodies. Each note of his gentle kisses leading her to a sensual abyss, easing her down from the edge, controlling her descent, to her goal. Down the swirling dark and light blends of the music rendered from her soul. She was his instrument on which he placed his soft loving fingers, moving them effortlessly, caressing her most sensual delicate keys…Each body part smoothly rubbed added richness to her sensual sound driven by lust and loving trust.   Her ******* he fondled, licking and kissing, squeezing and rubbing. Silently giving thanks, to her creator for such an amazing instrument. Both of her hands with long slender fingers tangled in the long dark locks of his hair as she eases her maestro’s head up tighter against her soft beautiful mounds. The loving melody continues with his touch now joined with the sound of raindrops splashing into uncovered metal buckets and cans. The drops carried on the breeze through the playful dancing shears came through the other end as nothing more than refreshing cooling mist. Her body was his loving piano, and as with the 88 keys of his magnificent Baldwin, the sensual areas of her equally magnificent body, when properly stroked,  filled not  only the bedroom but the whole house with the most glorious ****** notes known to man.   After a while the symphonic ****** builds as he masterfully impales her with his instrument of love coming into constant contact with the one special key of keys. Its special sound as his strokes came harder and faster brought the whole master piece to a beautiful melodic end as the two lovers bath in the rain’s gentle mist…
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Aug 6, 2013
Aug 6, 2013 at 12:40 PM UTC
the pianist
By rgpage The cool evening breeze filled with a scent of approaching rain. Caught by playful window shears as it passes through an open pane, to reach their   length and breadth toward the waiting bed. He was a lover of music and his woman, a passionate man with a sensitive heart. She was in love with the melodic way   his gentle fingers moved with sensual touch over her soft silk like skin of art. He started gently around her ears softly prying them open with the quiet richness of her melodies. Each note of his gentle kisses leading her to a sensual abyss, easing her down from the edge, controlling her descent, to her goal. Down the swirling dark and light blends of the music rendered from her soul. She was his instrument on which he placed his soft loving fingers, moving them effortlessly, caressing her most sensual delicate keys…Each body part smoothly rubbed added richness to her sensual sound driven by lust and loving trust.   Her ******* he fondled, licking and kissing, squeezing and rubbing. Silently giving thanks, to her creator for such an amazing instrument. Both of her hands with long slender fingers tangled in the long dark locks of his hair as she eases her maestro’s head up tighter against her soft beautiful mounds. The loving melody continues with his touch now joined with the sound of raindrops splashing into uncovered metal buckets and cans. The drops carried on the breeze through the playful dancing shears came through the other end as nothing more than refreshing cooling mist. Her body was his loving piano, and as with the 88 keys of his magnificent Baldwin, the sensual areas of her equally magnificent body, when properly stroked,  filled not  only the bedroom but the whole house with the most glorious ****** notes known to man.   After a while the symphonic ****** builds as he masterfully impales her with his instrument of love coming into constant contact with the one special key of keys. Its special sound as his strokes came harder and faster brought the whole master piece to a beautiful melodic end as the two lovers bath in the rain’s gentle mist…
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32
How fortunate Our color blends unintentially, Wildly with thoughts bleeding outside the lines what have we started: again And again I stroke And again you absorb And again this easel-- summoned And again your vellum-- softened Perched on a stool, Vibrant as mangos --ripening I chose you, the spectrum Unknown to most The only museum I go to.
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Jun 20, 2016
Jun 20, 2016 at 11:55 AM UTC
Watercolour Muse
Myself caught in the heatwave sunlight, brown eyes furrowed in the sun, scarf loose on my neck/ the transcendental Denpasar morning-birds are playing their melodies in my head still, three years post-Indonesia.         All of my soul to India now,         sky the pink of painted elephants         on Jaipur dawning,         my afterlife was somewhere here         perhaps two generations ago, chances are.                Vijay Raghav Rao and Alla Rakha                playing the Tabla/via earphones/treading the                Funary Box City (Kashi) future Spring                hands held together keeping calm pace.                Looking about, my twenty-two year old face catches humid wind S I L V E R S H O P tattered bike leaning on the gated guest house entrance      PERENNIAL AZURE SHIVA SITS CROSS LEGGED/      COBRA NECKLACE IMITIATONS ON THE GODDESS THROAT/      MEDITATING SHIVA/ dulled from years and corrosion. Brahmin center of the market street flapping it's tail, sweat beads from my forehead bleeding to oily pavement. At last the months have come for the river Ganges, April penumbra/savage thunderclap while school children uplifting the heart                  AND MIND are ROARING in their laughter the CONTINENTAL DISCORD OF JOY sleeping with their eyes open while others are too tired for the Earth. Sidney Bechet floating swan songs during the black hour cremations/ “Bechet Creole Blues” CATERWAUL IN THAT              VOID THE METAMORPHOSIS OF DEATH/ LUNACY OF LIFE                      (I've arrived at the simultaneous crossroads                                                         of both) searing flesh in open air pyramids/ Manikarnika Ghat, Asia  F           L          O          W           S through dreams like inevitable prophecy and as ash blends with stars the CITY seems fulfilled and mystifying in it's                       (((((RESPLENDENCE)))))
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Jun 24, 2015
Jun 24, 2015 at 3:40 PM UTC
Self-Made Prophecies (Of Varanasi)
Myself caught in the heatwave sunlight, brown eyes furrowed in the sun, scarf loose on my neck/ the transcendental Denpasar morning-birds are playing their melodies in my head still, three years post-Indonesia.         All of my soul to India now,         sky the pink of painted elephants         on Jaipur dawning,         my afterlife was somewhere here         perhaps two generations ago, chances are.                Vijay Raghav Rao and Alla Rakha                playing the Tabla/via earphones/treading the                Funary Box City (Kashi) future Spring                hands held together keeping calm pace.                Looking about, my twenty-two year old face catches humid wind S I L V E R S H O P tattered bike leaning on the gated guest house entrance      PERENNIAL AZURE SHIVA SITS CROSS LEGGED/      COBRA NECKLACE IMITIATONS ON THE GODDESS THROAT/      MEDITATING SHIVA/ dulled from years and corrosion. Brahmin center of the market street flapping it's tail, sweat beads from my forehead bleeding to oily pavement. At last the months have come for the river Ganges, April penumbra/savage thunderclap while school children uplifting the heart                  AND MIND are ROARING in their laughter the CONTINENTAL DISCORD OF JOY sleeping with their eyes open while others are too tired for the Earth. Sidney Bechet floating swan songs during the black hour cremations/ “Bechet Creole Blues” CATERWAUL IN THAT              VOID THE METAMORPHOSIS OF DEATH/ LUNACY OF LIFE                      (I've arrived at the simultaneous crossroads                                                         of both) searing flesh in open air pyramids/ Manikarnika Ghat, Asia  F           L          O          W           S through dreams like inevitable prophecy and as ash blends with stars the CITY seems fulfilled and mystifying in it's                       (((((RESPLENDENCE)))))
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65
first I smell myself. the deep bass tonality of my musk, hot, creamy, sweetness unique, of coffee and creamy, my owned sweat oiled secretions massaged into her skin emplaced by vigorous parts rubbing and tongue caressing, under the fading shadows of my glancing, desirous admirings then I smell herself. sinking sunset glimpses of last nights parfume parfait, scattered in random strategic locations architecturally planned, some flavors come over me like modest waves, others spelunking found in crevices, cracks and caves, where humans tread in guileless search of guiltless pleasure then I smell our sharings. lemon and thyme, paprika, sea salt and pepper, a basted rub laid upon animal skin consuming, and consumed, the vinaigrette balsamic and California yellow raisins, pine nuts, decorating leaves of red soil spinach and spicy arugula, word salads, so miraculously ingenious, you swear off eating flesh then I smell our combinations. the air conditioned atmosphere that blends us properly chilled, the olive oils pressed from two colored differing skins, the mortal and pestle finely grinding our own fresh crumbled dirt, appearing in places where dirt is wet panko crumbs encrusting us, our combined liquidity, shaken and stirred, drying in martini tandem it is 8:17am and this recipe of reciprocity, at its most pungent peaking, for soon raining waterfalls of potable city water and the sophistry of French soap, the pseudoscience of modern chemical shampoo, together erasing, scrubbing away this poems aromatherapy tapestry, your perplexed complexing nostrils will mock you once more, for ever disbelieving, thinking you could no longer write of only love poetry that crested high above the trite Friday, March 29 2019
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Mar 29, 2019
Mar 29, 2019 at 8:40 AM UTC
The Aroma of Us
first I smell myself. the deep bass tonality of my musk, hot, creamy, sweetness unique, of coffee and creamy, my owned sweat oiled secretions massaged into her skin emplaced by vigorous parts rubbing and tongue caressing, under the fading shadows of my glancing, desirous admirings then I smell herself. sinking sunset glimpses of last nights parfume parfait, scattered in random strategic locations architecturally planned, some flavors come over me like modest waves, others spelunking found in crevices, cracks and caves, where humans tread in guileless search of guiltless pleasure then I smell our sharings. lemon and thyme, paprika, sea salt and pepper, a basted rub laid upon animal skin consuming, and consumed, the vinaigrette balsamic and California yellow raisins, pine nuts, decorating leaves of red soil spinach and spicy arugula, word salads, so miraculously ingenious, you swear off eating flesh then I smell our combinations. the air conditioned atmosphere that blends us properly chilled, the olive oils pressed from two colored differing skins, the mortal and pestle finely grinding our own fresh crumbled dirt, appearing in places where dirt is wet panko crumbs encrusting us, our combined liquidity, shaken and stirred, drying in martini tandem it is 8:17am and this recipe of reciprocity, at its most pungent peaking, for soon raining waterfalls of potable city water and the sophistry of French soap, the pseudoscience of modern chemical shampoo, together erasing, scrubbing away this poems aromatherapy tapestry, your perplexed complexing nostrils will mock you once more, for ever disbelieving, thinking you could no longer write of only love poetry that crested high above the trite Friday, March 29 2019
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34
My balance is often complicated by the complex complications of construed situations. The uncensored limitations, the spiteful aggravation; they think these are indications that I should melt with temptation through my frustration. But if you felt my vibration, it would send you to the sky, where I am stationed. I could never be what you want me to be in your dreams, it seems that the seams to my soul are more than what you see them to be. You don't see me. I became transparent, hold me to the light for my transparency to be clear to read. Clarity will arrive here when your conscience calls and you appear. My heart blends in the healing water that has a hallow father. He is the fire that breeds these things that allow me to bleed and be these words that you see. My balance is often complicated but I have never once waited to be rejuvenated. The light of the moon illuminated my sight through my doom. I dance with the stars and i hope we all meet soon, so that we can bloom as these words fill up the space in this 4 cornered room. -L.G
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Oct 26, 2014
Oct 26, 2014 at 8:06 AM UTC
Complicated Balance
I can write of Manila at night like the greats do of Paris. Not Manila in the morning, for it matters then, but Manila at night where it doesn't matter if it is new or old or if you are rich or poor, because it all blends into the moonlit darkness and that is when Manila becomes like a love letter. It may be Cebu that I love, but it is Manila that captivates me. To the farmer, who left Manila for America to escape the war, and returned to see only a burned down church. To the young boy, a hundred years later, who does not see the church, but sees the romance of a concrete city. And to the ill man sitting on the corner of a street in Ermita, who has seen more of life and Manila than any of us ever will or ever can or ever want to. To the jazz bars tucked deep in Quezon where the music is sweetest, and to the congregation of poets who meet at their secret place in Makati on sacred nights to talk of the country they write for. Manila does not end. But Manila is no moveable feast- it is a grand mystery that is far too heavy to take with you. Paris was loved because it was easy to love. The same way Florence was loved because it was easy to. Manila is far too rough to make for easy loving, but the beauty is there for everyone but the blind to see, and even then it is there for the blind to feel. One just has to try hard enough. It is what Manila represents, for it represents not the American dream, but the Filipino ambition to create their own. It does not become a question of how can you. It never will. It is a question of how can you not be romantic of Manila?
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Sep 21, 2018
Sep 21, 2018 at 11:24 PM UTC
How can you not be romantic of Manila?
I can write of Manila at night like the greats do of Paris. Not Manila in the morning, for it matters then, but Manila at night where it doesn't matter if it is new or old or if you are rich or poor, because it all blends into the moonlit darkness and that is when Manila becomes like a love letter. It may be Cebu that I love, but it is Manila that captivates me. To the farmer, who left Manila for America to escape the war, and returned to see only a burned down church. To the young boy, a hundred years later, who does not see the church, but sees the romance of a concrete city. And to the ill man sitting on the corner of a street in Ermita, who has seen more of life and Manila than any of us ever will or ever can or ever want to. To the jazz bars tucked deep in Quezon where the music is sweetest, and to the congregation of poets who meet at their secret place in Makati on sacred nights to talk of the country they write for. Manila does not end. But Manila is no moveable feast- it is a grand mystery that is far too heavy to take with you. Paris was loved because it was easy to love. The same way Florence was loved because it was easy to. Manila is far too rough to make for easy loving, but the beauty is there for everyone but the blind to see, and even then it is there for the blind to feel. One just has to try hard enough. It is what Manila represents, for it represents not the American dream, but the Filipino ambition to create their own. It does not become a question of how can you. It never will. It is a question of how can you not be romantic of Manila?
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3
A little white fluff on a green stem. The green stem blends with the surrounding grass. When I wanted my dreams to come true my eight year old breath would blow the white fluff. The sun would make the flurries sparkle and dance in the summer breeze. It truly was magical. I believed in fairies and wizards. I remember the day my uncle got upset because I blew magic all over his perfectly green lawn. My uncle informed me that apparently the fluff was a **** not magic at all. There is an innocence to not knowing. The part of me that believed in magic and princesses disappeared. I guess people have two choices in life They can see a **** Or they can see magic.
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Apr 20, 2017
Apr 20, 2017 at 4:55 AM UTC
dandelion
by rgpage in times long past young lovers dashed to reach their secret space. to kiss and ***** and plan and hope their future's goals are placed. never mind their path be lined with unknown strife and pain. their love is strong they'll carry on with carefree youthful gain. they don't see their life to be past cupid's hot embrace. as hot breath blends with kiss' deep young lovers start their chase. young love is hot and secrets not shall block their youthful nest. when young men dare and young girls share young lovers start their quest. its saturday night, dad's packard's right with half a tank of gas. with comb to hair in the bathroom mirror he's thinking 'bout his lass. its only been a week gone past his greatest dream came true. he staked his claim, with hopes on high and pinned his Peggy Sue. they talked of passages young men take to cross that great divide. to walk the way of their father's and yes to take a bride. in the grown up world so long past school the grown ups just don't see. teen love is true and made to last the way it was meant to be. he got on base with his varsity pin, the base is numbered two. this place before he'd never been he hardly knew what to do. his body went through changes great his thoughts a swirling brook. he cupped his prize with shaky hand when before he could only look. tonight's the night he's waited for yes perhaps go all the way. to walk with those who've beat love's quest to become a man this day. the time is ripe as is the night it's planned in every way. she won't resist his manly charms WHAT MONTHLY FRIEND? how long does she plan to stay? and what's her visit to do with us away from the lights of the city? who is this friend to ruin this night? his plans be dashed more the pity.
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Dec 2, 2011
Dec 2, 2011 at 11:44 AM UTC
50's romeo
by rgpage in times long past young lovers dashed to reach their secret space. to kiss and ***** and plan and hope their future's goals are placed. never mind their path be lined with unknown strife and pain. their love is strong they'll carry on with carefree youthful gain. they don't see their life to be past cupid's hot embrace. as hot breath blends with kiss' deep young lovers start their chase. young love is hot and secrets not shall block their youthful nest. when young men dare and young girls share young lovers start their quest. its saturday night, dad's packard's right with half a tank of gas. with comb to hair in the bathroom mirror he's thinking 'bout his lass. its only been a week gone past his greatest dream came true. he staked his claim, with hopes on high and pinned his Peggy Sue. they talked of passages young men take to cross that great divide. to walk the way of their father's and yes to take a bride. in the grown up world so long past school the grown ups just don't see. teen love is true and made to last the way it was meant to be. he got on base with his varsity pin, the base is numbered two. this place before he'd never been he hardly knew what to do. his body went through changes great his thoughts a swirling brook. he cupped his prize with shaky hand when before he could only look. tonight's the night he's waited for yes perhaps go all the way. to walk with those who've beat love's quest to become a man this day. the time is ripe as is the night it's planned in every way. she won't resist his manly charms WHAT MONTHLY FRIEND? how long does she plan to stay? and what's her visit to do with us away from the lights of the city? who is this friend to ruin this night? his plans be dashed more the pity.
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55
The fox runs alongside the astronaut, who looks at a picture frame. Around the fox’s neck, a white bandana. There, on the spooky moon, his only company is the fox colored aluminum. The aluminum fur of the fox blends into the moonscape. The ship is empty aside from them and the spooky remanence of the rest of the crew. As the lone astronaut works to return home, his only comfort being the bandana and the picture frame. The frame that holds a photo of a woman, standing before the ship of aluminum. Tied around her hair, the bandana which has since been given to the fox. The memories it brings ever haunting the astronaut making the moon ever more spooky. The spooky feeling is not eased by the frame as the remains of passed astronauts are trapped in this aluminum ship, the lone survivors being the man and the fox. He keeps his thoughts on the bandana. Her bandana, given to him on a dark and spooky day, which he then gave to the fox so he may pretend the woman in the frame isn’t millions of miles away from them. A fox of aluminum and a lonely astronaut. The astronaut chooses to focus on returning to the woman without her bandana. He works tirelessly to get the aluminum rocket ship off the spooky and desolate moon, and back to earth, to see the woman in the frame. By his side on this barren rock, looking up at him, stands the fox. The astronaut refuses to let the spooky atmosphere deter him from his goal of returning the bandana to the woman in the frame, ever thankful for the company of the aluminum fox.
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Oct 30, 2020
Oct 30, 2020 at 11:03 AM UTC
The Spooky moon with the Astronaut's Frame and the Aluminum Fox's Bandana.
The fox runs alongside the astronaut, who looks at a picture frame. Around the fox’s neck, a white bandana. There, on the spooky moon, his only company is the fox colored aluminum. The aluminum fur of the fox blends into the moonscape. The ship is empty aside from them and the spooky remanence of the rest of the crew. As the lone astronaut works to return home, his only comfort being the bandana and the picture frame. The frame that holds a photo of a woman, standing before the ship of aluminum. Tied around her hair, the bandana which has since been given to the fox. The memories it brings ever haunting the astronaut making the moon ever more spooky. The spooky feeling is not eased by the frame as the remains of passed astronauts are trapped in this aluminum ship, the lone survivors being the man and the fox. He keeps his thoughts on the bandana. Her bandana, given to him on a dark and spooky day, which he then gave to the fox so he may pretend the woman in the frame isn’t millions of miles away from them. A fox of aluminum and a lonely astronaut. The astronaut chooses to focus on returning to the woman without her bandana. He works tirelessly to get the aluminum rocket ship off the spooky and desolate moon, and back to earth, to see the woman in the frame. By his side on this barren rock, looking up at him, stands the fox. The astronaut refuses to let the spooky atmosphere deter him from his goal of returning the bandana to the woman in the frame, ever thankful for the company of the aluminum fox.
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39
It must be buried under the skin, what makes your body tremble. What makes your taste consistent, just here for me to use. You came on bended broken knees, spread on top of a rustled bed. You left with empty breaths, blushing sweat, and blends of regret. Your smile speaks so well of you, but your dignity hides it under covers. With a twinkle in your eye, and a flicker of your smile. Gave me battered pleas, just to have you pleased. Crude interpretation of sounds and breaths, Legs loose with a rug dress. Working record rhythms of nervous lips, heavy syllables swaying off those hips. Your hands and wrists like chords, pressed around my skull and neck, mangling hair and skin with defect. And that? That is the steadfast scar I have, from loving you. Although love doesn't pass through here anymore.
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May 20, 2011
May 20, 2011 at 8:34 PM UTC
Steadfast Scar
that familiar look in your eyes that wakens my passion in watching your pupils grow- dilating into the shape of my world in your eyes i hide in your shadow i find comfort untouched by a warmth that blends with your soul i am weakend by those big brown eyes the ones that could show me all there is to feel & i don't ever want to live to see them shed a tear
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Feb 26, 2014
Feb 26, 2014 at 7:54 PM UTC
Songs of Innocence
They're burning the stubbles of yesteryear's fields Before ploughing. Walls of fire around every farm. Smoke blends with the smell of pig's furtilizing manure, And whenever my nose wrinkles up I remember my father's words: *It's the result of millennia of agricultural tradition. It's the smell of money. It's the smell of soil to bread. It's the smell of something far more important Than nasal comfort.* He had me at -Where he should have said- Organic.
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Apr 26, 2014
Apr 26, 2014 at 10:30 AM UTC
Of Fire and Feaces
Creeping up the steps of the building, She holds her breath. The building stares at her with massive, polished eyes, Eyes of judgement, Daring her to enter it's realm of formality, It's realm of order and conduct. She holds her breath. A chill passes through her when she sees the others. Dressed to impress, Traveling in packs, like wolves of the wild. And completely unaware of everything. They have attended a private performance, Put on by the people, They immerse themselves with, surround themselves with. She holds her breath. The walls beckon her in, soak her in. And she blends into them like a chameleon. Invisible. She holds her breath. Traveling soundlessly, with soft footsteps that don't echo along the hallow halls, Making her way to her destination, She holds her breath. The door moans as it opens to reveal what lays behind. Disappointment, dismay, disillusions, Dread. She holds her breath.
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Nov 3, 2012
Nov 3, 2012 at 6:56 PM UTC
Don't Breathe
Scarborough circa 1989 Jacqui in the night of the instant sunrise Raises the morning on her shoulders Swelling between tears and laughter She melts words into meaning and gambles on intuition and power Jacqui in the night of the instant sunrise looking back and looking forward finds the dawn most appealing and issues commands and warnings to all those with the inner strength to heed them Jacqui in the night of the instant sunrise smiles, and the strength of metal and the purest of beauty are forged anew Into the eyes of this miraculous woman I enter a new beginning where wisdom lives, and moves, behind her horizons Jacqui in the night of the instant sunrise becomes the centre where all truths are issued passage and all lies are refused Jacqui in the night of the instant sunrise blends courage and compassion into hues of fine precision and automatic weapons Jacqui in the night of the instant sunrise spreads warmth like a familiar blanket and moves the day by her power just as it moves her. James H. Webb
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Jul 13, 2014
Jul 13, 2014 at 12:02 AM UTC
Jacqui in the Night of the Instant Sunrise
Our blood is golden wine, I’ve been told to try sweeter blends. My cups lay in my favorite number but the unknown in my shadow still stand. Inside could be my salty songs for a memory that never ends. I pull you down underwater to see just how far you can be from the sand. Eyes wide open to the flame of your being; It’s confidence and conflict that drag me out of my stalemate. A torch to gaze upon something I know to be worth seeing. Whether together or apart we still crawl the same trail to feel and be something great. The oleander and roses course through our veins like the wax that holds together our armor. We’re meant to grow our vines past the heavens. That’s the place that holds serenity and storms that you never have to barter; Where admiration never leads to lessons. To be strong through our valleys when we feel like we’ll never climb back up. In this garden is the place where I can accept your oceans dichotomy. No matter how many wands, no matter how many cups; I’ll accept it completely but of course cautiously. All the eyes can see all the burning in my hands. What could be sparked by nature feels easier to light on my own. Is it gasoline I smell on demand Or has the apple already grown?
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Jun 19, 2022
Jun 19, 2022 at 12:24 AM UTC
Eden with Everything
Life could be easy - Oh, no please me I got it good We **** around - I **** her down She takes my wood like she should Wild, yeah - Styled, yeah Loud while she wears my crown and I ain't coming down again Till the ******* *** blends Make her bend - I know no end Notice noted we ascend I know she know we more than friends I ride her like a ******* benz ******* find it all the while I ain't stopping till the bed breaks I smash the whole cake Legs shake on my dinner plate - We hit it so hard - never going to stop All in the cards - never going to drop it She's in the cockpit - locked it, popped it Launched my rocket - oh my goddess I'll be back in couple of days Riding that wave - we give and we take it All of this time she's slaying my **** Hard as brick - I'm all the way the way in it Living in sin one hand on her neck We ******* she bucking I'm ******* her next She want it so bad she tear up my back I handle that *** I'm on the attack Bust in a magnum busting my cap Busting from ******* call it a wrap I'm up in lab we doing the bad Yeah, I'm finishing last
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Jul 24, 2018
Jul 24, 2018 at 9:59 PM UTC
I_Finish_Last
This girl whom they thought Was always whole, Giving smiles and laughters And of love was full She blends her blues With the night's darkness Called the meteors for wishing Wandered the unknown farthest. Another day Tomorrow a sunrise Time to put on the mask Give them a show Fake a smile.
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Aug 27, 2014
Aug 27, 2014 at 8:40 AM UTC
Smile
Listen to the slivering  paths of the Autumn breeze The coming velvety skies drenched in ink reflecting silver stars Wave goodbyes to the elusive flawed brown stone with pensive eyes A heart will gasp years ahead for callousness past shown now in tears Remember those golden sunsets for now woeful days are never azure Watery eyes and wrinkled mask lament a time you could have shared A King's ransom at your feet twined with an  honest heart assured Hear the whisperings of the mockingbirds and muted cold choruses Rainbow starlights betrays pots of gold hidden never to be found Maidens dance retro and the harpist pluck for painters with brushes By sunkissed shores blends of contrasts joyous in customary ponds Smiles pure from honeyed caves same when as waxed spears plunges Save me a place in the delights of Troy and tell Helen to send a sound Bring me home to peace and love, rescue me from lions in golden cages [email protected].
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Sep 18, 2018
Sep 18, 2018 at 11:09 PM UTC
Always Clear Skies and Minds.....
Sinner What have I done to my world? Egrets Pelicans Whales Are you diving into the plume A 10 mile depth of black hell? Are you in another dimension now? Have you given up on this world of Easy living? I am guilty. I work too much and care less As one superficial lifestyle Blends into the other Money seems like security blanket It is Not. My land is covered in a part of me that dies As the sea spits up the overdose of Consumerism. Each time I feel the powerlessness of hope fade I take my plastic water bottle and throw it into a Bin labeled RECYCLE… HA! Plastic OIL OIL OIL… PLASTIC ******* Hell, I bet oil is in my food chain somewhere A box that makes it easy to cook in A packing tool to deliver me the goods OIL OIL OIL Saturated Guilt I feel like a harlot A sinner A part of something I cannot stop I don’t want my world to look like this Stop Me. From the desire for convenience Let me take living down a notch or two Let me see with a part of me that is lost THIS IS A CRY IN (the sledge of redemption) I remember my body gave me another chance When I filled it with poisons that made me feel good (you know what they are) Will you do the same? Oh heavenly body that holds my own. Can you ever forgive me? Linaji
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Jan 7, 2012
Jan 7, 2012 at 1:02 PM UTC
Sinner
I stood on the ledge of my sleepy blue sorrow back from the edge, guess I'll see you tomorrow can't lie, not the first time I'm thinking of you but the night bugs are out, life's distractions will do I looked to the west as the day slowly faydeedid turned up the volume of cricket and katydid rhythm rubs life in the darkness outside steer clear of the blue light or get yourself fried With the zapper you took out the skeeters and flies while spiders and ants faced the raider's demise yellow jackets and wasps, you chased from their hives, but these night bugs are here for the rest of our lives bittersweet bugs for the rest of our lives Back in the house now, I roll down the screen protecting myself from the lurking unseen from the critters, which drawn by the lure of the light make feast in their famine on food, flesh and fright we handle the things that intrude in our spaces the bugs in the dark and the unwanted faces we roll down the screens and we listen to voices those sweet summer sounds, and this night bug rejoices With the zapper you took out the skeeters and flies while spiders and ants faced the raider's demise yellow jackets and wasps, you chased from their hives, but these night bugs are here for the rest of our lives too many months have passed without hearing the music which blends with the night bugs I'm fearing I nearly lost hope for those sounds in my life but these night bugs revive good ol' summertime strife bittersweet bugs, for the rest of my life Stood on the ledge of my sleepy blue sorrow back from the edge, guess I'll see you tomorrow
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Dec 30, 2015
Dec 30, 2015 at 1:14 PM UTC
night bugs
I stood on the ledge of my sleepy blue sorrow back from the edge, guess I'll see you tomorrow can't lie, not the first time I'm thinking of you but the night bugs are out, life's distractions will do I looked to the west as the day slowly faydeedid turned up the volume of cricket and katydid rhythm rubs life in the darkness outside steer clear of the blue light or get yourself fried With the zapper you took out the skeeters and flies while spiders and ants faced the raider's demise yellow jackets and wasps, you chased from their hives, but these night bugs are here for the rest of our lives bittersweet bugs for the rest of our lives Back in the house now, I roll down the screen protecting myself from the lurking unseen from the critters, which drawn by the lure of the light make feast in their famine on food, flesh and fright we handle the things that intrude in our spaces the bugs in the dark and the unwanted faces we roll down the screens and we listen to voices those sweet summer sounds, and this night bug rejoices With the zapper you took out the skeeters and flies while spiders and ants faced the raider's demise yellow jackets and wasps, you chased from their hives, but these night bugs are here for the rest of our lives too many months have passed without hearing the music which blends with the night bugs I'm fearing I nearly lost hope for those sounds in my life but these night bugs revive good ol' summertime strife bittersweet bugs, for the rest of my life Stood on the ledge of my sleepy blue sorrow back from the edge, guess I'll see you tomorrow
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32
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jackfruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyedhouse you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslavened his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfill my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jackfruit leaves. (Trans from Malayalam by Ra Sh)
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Nov 3, 2013
Nov 3, 2013 at 10:04 AM UTC
Painter girl, You with the lambs
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jackfruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyedhouse you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslavened his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfill my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jackfruit leaves. (Trans from Malayalam by Ra Sh)
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82
Underneath a silhouette of stars We confer futuristic forecasts your skin blends with the ivory outline of the constellation that envelopes our bodies. Heard was the echo of such an ever so pleasant sound ‘twas the rustling of sheets to the rhythm of the rain
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May 30, 2012
May 30, 2012 at 2:52 PM UTC
Zodiac Tableau