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"bayonet" poems
1227 My Triumph lasted till the Drums Had left the Dead alone And then I dropped my Victory And chastened stole along To where the finished Faces Conclusion turned on me And then I hated Glory And wished myself were They. What is to be is best descried When it has also been— Could Prospect taste of Retrospect The tyrannies of Men Were Tenderer—diviner The Transitive toward. A Bayonet’s contrition Is nothing to the Dead.
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My Triumph lasted till the Drums
White-furred hill flowers bow Gust-bent, Wet in April snow, Lavender beneath their Downy coats. Tender soldiers of spring Grasp wind-blown gravel steeps, Stand to beckon brown grass, Soft-call the life in sapless trees To ring with green again Against Old Bully Winter’s Blustering. Quaking aspens, Earliest to leaf in yellow-green, Curling grama grasses, Tough food for buffalo, Cannot boast first life each Montana spring; Only zombie-lichens, Rock-fast mosses Throw off winter’s death Before the crocus' rise. On eastern Montana hills No street-hemmed dandelions Colonize in chute-dropped ranks; No time-tamed tulips Live on wind-round knolls. Here, the yucca’s bayonet-sharp ****** Here, the wild onions’ scent-strong hold; But these arrive after early chill, Following the purple crocus on the hill.
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Jan 4, 2012
Jan 4, 2012 at 8:36 AM UTC
Prairie Crocus
Desire and All the sweet pulsing aches And gentle hurtings That were you, Are gone into the sullen dark. Now in the night you come unsmiling To lie with me A dull, cold, rigid bayonet On my hot-swollen, throbbing soul.
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Killed Paive--July 8--1918
**We are a funny lot As in, seriously… we delve into ‘funny’ a lot Very rarely does a day go by That I don’t come across something that cracks my funny bone… Or as a Kenyan would put it ‘makes me just die!’ Body bag The Kenyan This specimen of human is always quick and capable of ridiculing anyone’s apparent "swag" Everyone gets a turn here… so do not huff when you’re ‘it’ There must be a reason you joined this dissing game… this unique Kenyan version of ‘tag’ Just remember The rules are simple, really Keep it above the belt, unless upon exception... They also clearly allow one to feign concession Yes, these rules highly encourage strategic deception Kind of like what our politicians do before the main election But also if you paint a target on your back… you will get shot at... By everyone… and I mean everyone I haven’t seen anyone do that and elude the social media firing squad yet Computers and phones in this case, acting as the internet's version of the bayonet And watch closely if you’re ‘it’… for the inevitable, the friends that will stab you in the back It’s bound to happen, as much as this may **** The memes will come by the truck load… in what may seem like a self driven truck… With a life of its own Just ask Susan Mirfat The most recently owned! We’re a funny lot I tell you Loose cannons almost Our leaders’ shenanigans, our parents’ semantics and our own clownish antics… Prove that despite… How mature as a country we've become… We’re still all just a bunch of children, inside.**
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Feb 27, 2013
Feb 27, 2013 at 1:15 AM UTC
The Kenyan 'tag'...
**We are a funny lot As in, seriously… we delve into ‘funny’ a lot Very rarely does a day go by That I don’t come across something that cracks my funny bone… Or as a Kenyan would put it ‘makes me just die!’ Body bag The Kenyan This specimen of human is always quick and capable of ridiculing anyone’s apparent "swag" Everyone gets a turn here… so do not huff when you’re ‘it’ There must be a reason you joined this dissing game… this unique Kenyan version of ‘tag’ Just remember The rules are simple, really Keep it above the belt, unless upon exception... They also clearly allow one to feign concession Yes, these rules highly encourage strategic deception Kind of like what our politicians do before the main election But also if you paint a target on your back… you will get shot at... By everyone… and I mean everyone I haven’t seen anyone do that and elude the social media firing squad yet Computers and phones in this case, acting as the internet's version of the bayonet And watch closely if you’re ‘it’… for the inevitable, the friends that will stab you in the back It’s bound to happen, as much as this may **** The memes will come by the truck load… in what may seem like a self driven truck… With a life of its own Just ask Susan Mirfat The most recently owned! We’re a funny lot I tell you Loose cannons almost Our leaders’ shenanigans, our parents’ semantics and our own clownish antics… Prove that despite… How mature as a country we've become… We’re still all just a bunch of children, inside.**
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32
And in the whitest dark I Ask for only that To keep Me there, for just the span of Your snowglobe smile That aftershock nightlight in the Afternoon heat Wait for me there With your bayonet heart Hands Shoulders Beneath the powerline Wire, asleep but for me Awake but for The rest And doze after Half-light dreams and Headrush spotlights that Blur and Mar my Little love frame Bright night air, fill Every niche Till whole is all And all is this
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Nov 8, 2012
Nov 8, 2012 at 11:05 PM UTC
Untitled I
O make me a mask and a wall to shut from your spies Of the sharp, enamelled eyes and the spectacled claws **** and rebellion in the nurseries of my face, Gag of dumbstruck tree to block from bare enemies The bayonet tongue in this undefended prayerpiece, The present mouth, and the sweetly blown trumpet of lies, Shaped in old armour and oak the countenance of a dunce To shield the glistening brain and blunt the examiners, And a tear-stained widower grief drooped from the lashes To veil belladonna and let the dry eyes perceive Others betray the lamenting lies of their losses By the curve of the **** mouth or the laugh up the sleeve.
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O Make Me A Mask
1. There was the tremor of leaves, a rustle of bayonet grass parried the multihued calm of dawn's smeared light. "This is what we trained for," the captain said. We hunkered behind stacked bags of sand. 2. Filigreed shafts of light pierce the bullet perforated leaf canopy, bellowed yells punctuate the swirl and buffet of turbulent air: “Contact”,  “2 O’Clock”, “Incoming”, “ "Moving”, “Reloading”, “Ammo”. 3. Fingers twitch, the grit of soil twisted through their grip; moon slashed carcasses glint, spent shells, Earth exhales a vermillion mist, rising, echoless, in this cathedral of leaves.
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Sep 28, 2018
Sep 28, 2018 at 1:19 AM UTC
REQUIEM
He tosses in his sleep He never gets a good night's rest He tosses in his sleep He never gets a good night's rest His mind is tired but can't control what's in his chest She tosses in her sleep Dreaming of a better place She tosses in her sleep Dreaming of a better place She gave up looking and now she's got tears on her face He wears a cigarette She wears a bayonet He drives a beater and she drives a swift Corvette He's not a cheater and she's one he won't forget He's got a plan But doesn't know how to start He's got a plan But doesn't know how to start He's too young to understand the language of his heart She's got a picture But hasn't developed it yet She's got a picture But hasn't developed it yet All she sees is a silent silhouette He wears a cigarette She wears a bayonet He drives a beater and she drives a swift Corvette He's not a cheater and she's one he won't forget He wrote his name and number On the missionary of his hotel He wrote his name and number On the missionary of his hotel As he laid it down he felt his heart begin to swell She called him up And they talked over a drink or two She called him up And they talked over a drink or two Now all their reservations are made for two
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May 8, 2016
May 8, 2016 at 1:11 AM UTC
A Long Short Story
This isn’t the first Saturday night , When your muse will gently kiss a faded parchment , And give birth to verses That will keep me awake all night. This isn’t the first Saturday night , When I will spill more ink than a wounded soldier , Writing his last letter back home , From the treacherous trenches Of scarlet love. But then the trenches I sought refuge in, Are more treacherous than the rusted bayonet , With which he will script , The final chapters of his life . And yet like him , If there’s one thing I have come to believe in , Then it’s this : There is more comfort , In believing , In an unshakable absolute , Than there is in hiding , Beneath the mills of woolen warmth. And There is more naked grief , In letting your dreams , Be hinged to uncertainties, Than there is in daring , To brave the winter without your warmth. And yet you wonder? Why I detest absolutes, Which need a blanket of uncertainties , To survive the chill of a Saturday night , A night which as it drags on, Like a frozen Nicholas sleigh , Seems to mock every fiber of hope in my being , Fibers that I unravelled to adorn The dwelling of My absolute. This isn’t the first Saturday Night when the tale will remain incomplete Without that innocent question I crave to answer For you are my absolute , Uncertainty.
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Dec 27, 2014
Dec 27, 2014 at 11:54 AM UTC
This isn’t the first Saturday night .
The art of the geniuses is packed like overstuffed crayons in the alleyways of my city. That one is picking his nose. There is the bench-sleeper. Here comes the nomad with the stroller. I watch them carefully like a soldier on an ambush, bayonet at the ready, a little drunk on self-worth. They approach and I pause. I put the camera to my face and press the shutter. Turning to me their eyes beam sorrow. The nose picker slept alone last night, the nomad is still lost. In black and white they will forever navigate the crawl spaces of my mainframe.
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Jun 5, 2013
Jun 5, 2013 at 12:47 AM UTC
Street Photography
EMPTY battlefields keep their phantoms. Grass crawls over old gun wheels And a nodding Canada thistle flings a purple Into the summer's southwest wind, Wrapping a root in the rust of a bayonet, Reaching a blossom in rust of shrapnel.
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New Feet
I was sent to work at the old Repat. It was forty years since the war, Those ancient diggers would sit and swear At the pain of the limbs they wore, The wounds would open as years went by, They’d come for another slice, That war was never over for them, And morphine was paradise. I saw one veteran struggle and curse As he ripped at the buckles and straps, The new prosthesis had rubbed him raw As his knee began to relapse. He tore the leg from his wounded stump Sat on his bed, and roared, Then swung the article over his head And flung it across the ward. The others had ducked as the leg took off And bounced off the opposite wall, ‘I’ll have to report you,’ the nurse exclaimed, ‘It’s a good leg, after all!’ ‘You wear it then,’ was the man’s response, ‘For it’s driving me insane, What would you know of Flanders Fields? You wouldn’t deal with the pain!’ My job was to settle and calm him down So I asked him about his leg, ‘When and where did you lose it, Dig?’ The veteran tossed his head. ‘You’ve heard of a place called Flanders Fields Where the bullets came in like hail? Well, I was there with the Anzac’s, son, At a place called Passchendaele.’ ‘Our Generals were trying to ****** us, I swear, on my mother’s head, They kept on sending us over the top Until half of the men were dead. The German gunners would enfilade As we struggled against the mud, I’ll never forget the battlefield, It was spattered with bones and blood. They’d send artillery shells across At the height of a soldier’s knee, We’d watch them come as they parted the grass, They were Grasscutters, you see! Well, I was running with bayonet fixed And praying for God’s good grace, When suddenly I was lying there, I’d tumbled, flat on my face.’ ‘It’s strange that I never felt a thing, When the Grasscutter got me, It took a while ‘til I saw my leg Was gone, from under the knee. But that was the end of the war for me, The end of the life I’d known, I spent some time back in Blighty, then I came on a ship, back home.’ I never chided those men in there Though they’d curse and swear, and roar, For every man was a hero where They'd trudged in mud through the war. That Repat. job was a fill-in job And I left, still young and hale, But I never forgot the Grasscutter Or the man from Passchendaele. David Lewis Paget
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Mar 13, 2014
Mar 13, 2014 at 5:39 AM UTC
Grasscutters
I was sent to work at the old Repat. It was forty years since the war, Those ancient diggers would sit and swear At the pain of the limbs they wore, The wounds would open as years went by, They’d come for another slice, That war was never over for them, And morphine was paradise. I saw one veteran struggle and curse As he ripped at the buckles and straps, The new prosthesis had rubbed him raw As his knee began to relapse. He tore the leg from his wounded stump Sat on his bed, and roared, Then swung the article over his head And flung it across the ward. The others had ducked as the leg took off And bounced off the opposite wall, ‘I’ll have to report you,’ the nurse exclaimed, ‘It’s a good leg, after all!’ ‘You wear it then,’ was the man’s response, ‘For it’s driving me insane, What would you know of Flanders Fields? You wouldn’t deal with the pain!’ My job was to settle and calm him down So I asked him about his leg, ‘When and where did you lose it, Dig?’ The veteran tossed his head. ‘You’ve heard of a place called Flanders Fields Where the bullets came in like hail? Well, I was there with the Anzac’s, son, At a place called Passchendaele.’ ‘Our Generals were trying to ****** us, I swear, on my mother’s head, They kept on sending us over the top Until half of the men were dead. The German gunners would enfilade As we struggled against the mud, I’ll never forget the battlefield, It was spattered with bones and blood. They’d send artillery shells across At the height of a soldier’s knee, We’d watch them come as they parted the grass, They were Grasscutters, you see! Well, I was running with bayonet fixed And praying for God’s good grace, When suddenly I was lying there, I’d tumbled, flat on my face.’ ‘It’s strange that I never felt a thing, When the Grasscutter got me, It took a while ‘til I saw my leg Was gone, from under the knee. But that was the end of the war for me, The end of the life I’d known, I spent some time back in Blighty, then I came on a ship, back home.’ I never chided those men in there Though they’d curse and swear, and roar, For every man was a hero where They'd trudged in mud through the war. That Repat. job was a fill-in job And I left, still young and hale, But I never forgot the Grasscutter Or the man from Passchendaele. David Lewis Paget
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my dear Cosette, why did you fall? why didn’t you pick yourself back up? I saw you on the battle lines red shemagh tied about your neck I saw the bayonet pierce your breast to match your red your man’s clothes why do we disguise ourselves, Cosette? why don’t women make history? why can’t a woman take a bullet? my dear Cosette, we fall on words on chisels on the battle lines sometimes we don’t get back up sometimes we die before we are dead my dear Cosette, I watched you bleed I heard you scream blue ****** you were my sister and I was the sculptor to capture the peace of death on your face my dear Cosette, I watched you die now rise to the battle lines rise with your head high let me resurrect you with my hands
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Mar 13, 2016
Mar 13, 2016 at 4:26 PM UTC
Camille meets Cosette on the battle lines
Laughter & glitter Sunshining through straight white teeth – voice unheard of With a smile to make any man slither over Cutting soft stomachs open Driving out with sticks and leaves and rocks And leaving me with the tab How like them to err for the sake of error Terrible and true Acuity bound It’s feeding time at the zoo & There’s no one to take this noose off around my neck We were swimming in the gulf when she asked Why create when there’s so much to destroy? My hands their play things too Toys ordained from disdain sustained By tight men in tight suits Watching us from Ivory Towers What a relief & the power trips of the circus beneath them Reaching out with viral irony I scream Out to the heavens heaven doesn’t take collect calls & here she is connecting souls to mates Correcting hate and abating disgrace worldwide Webs intangible but thought to be hooked To the hearts that spun them Free flowing love & peace to cut my noose hung from The sycamore tree As for me what more could please Disease eradicated People educated Our lives illustrated not by blood off a bayonet But by regret eliminated Fat cats in high homes with low self esteem would seem Just as happy to see her redacted from the text books Crooked lies straightened & the sad thing is they Trick us fine serfs to mitigate others in their organized ignorance Leaving us in the dark to elbow for clues Groping the dust blind & Hurting ourselves with ***** fingernails scratching She shouts like a car crash & Everyone’s at the scene drawn to attention By flashing red & blue Cashing their moral chips for a peepshow Their smiles use less muscles than frowns but take twice the effort Affecting deflections of accusations People listen & how couldn’t they? Her words lifting chins like a rope over a branch But this time the tree’s on fire The Tower’s burning & she’s cutting all the safety nets Like she cut the rope off around my neck
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Mar 20, 2013
Mar 20, 2013 at 1:28 AM UTC
Sycamore
Laughter & glitter Sunshining through straight white teeth – voice unheard of With a smile to make any man slither over Cutting soft stomachs open Driving out with sticks and leaves and rocks And leaving me with the tab How like them to err for the sake of error Terrible and true Acuity bound It’s feeding time at the zoo & There’s no one to take this noose off around my neck We were swimming in the gulf when she asked Why create when there’s so much to destroy? My hands their play things too Toys ordained from disdain sustained By tight men in tight suits Watching us from Ivory Towers What a relief & the power trips of the circus beneath them Reaching out with viral irony I scream Out to the heavens heaven doesn’t take collect calls & here she is connecting souls to mates Correcting hate and abating disgrace worldwide Webs intangible but thought to be hooked To the hearts that spun them Free flowing love & peace to cut my noose hung from The sycamore tree As for me what more could please Disease eradicated People educated Our lives illustrated not by blood off a bayonet But by regret eliminated Fat cats in high homes with low self esteem would seem Just as happy to see her redacted from the text books Crooked lies straightened & the sad thing is they Trick us fine serfs to mitigate others in their organized ignorance Leaving us in the dark to elbow for clues Groping the dust blind & Hurting ourselves with ***** fingernails scratching She shouts like a car crash & Everyone’s at the scene drawn to attention By flashing red & blue Cashing their moral chips for a peepshow Their smiles use less muscles than frowns but take twice the effort Affecting deflections of accusations People listen & how couldn’t they? Her words lifting chins like a rope over a branch But this time the tree’s on fire The Tower’s burning & she’s cutting all the safety nets Like she cut the rope off around my neck
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50
*Combat.... though morbid in nature, there is a sense of beauty.... for example - the bullet and it's chamber the slickness of steel, and the power of the trigger which together correlates the symphony of motion from the time the trigger is pulled, to the daunting escape of a bullet, and then finally to the *********** of it's victim..... Quite morbid... yet hauntingly beautiful..... Then come's the bullets quintessential cohorts The Chemical and The Armored Car (a Tank) The brutal barrage of steel cartage crashing into unstable masonry then the soothing smog of golden mustard gas... The echoed shrieks, the violent shakes, the ****** eyes and mucus filled noses whose violent episodes finally conclude when the eyes of death stare back at them... Quite morbid.... yet hauntingly beautiful.... The finally... how can we forget the noble foot soldier? his footsteps, silent to the earth.... out of the hysteria and chaos two men, two weapons, and a whirlwind of emotion nationalistic pride, paranoid fear, and scattered tranquility... A sign, as is to say.... "I don't want to fight, but I have to..." Which all correlates in the ****** of the bayonet a twinkle of blood, and then finally the gentle weeps... Quite morbid.... yet hauntingly beautiful....*
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Jun 5, 2016
Jun 5, 2016 at 9:36 PM UTC
The Beauty Of Combat
In Silence The English ex SAS Special Forces member went to the Ukraine to fight. He travelled light and took just a small back pack and a head full of skills. A gun was a gun and a bayonet a bayonet. He was trained to use most things as weapon especially military articles. He decided to go to the Ukraine after the Russians invaded proper in early 2022. The Ukrainian Army took him to a holding facility where they vetted him. This took three days. Included was basic close combat skills and weapons use. He excelled and was given a job, being sent to a forward artillery position with a dozen other foreign troops to protect it. The SAS man was in charge and most men and the single girl spoke English. All understood military commands and signals. All were veterans from either conscript or professional armies. Each was here for their own reasons and all disliked either what Russia had done or Russians themselves. The English SAS member had killed several Muslim terrorists from Daesh and al Qaeda in Iraq and Afghanistan. Now he looked forward to fighting and killing some Russians, officers if possible. After being in the Ukraine six days he was on the front line leading his first patrol. This was better than being a bouncer in a Manchester night club! The SAS guy ordered his men to only use bayonets as they silently crept to a Russian fox hole a mile away. He wanted blood and the rush of combat, of killing. There was the trench and a single sentry, asleep. He would knife him himself. Then his squad would ****** the rest and take back any weapons, maps or documents. He spoke four languages including Russian. Any Intel was good for his bosses though. Here we go! There’s the sleeping sentry. Gently now, he must die in silence…
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Mar 20, 2022
Mar 20, 2022 at 5:33 PM UTC
In Silence
In Silence The English ex SAS Special Forces member went to the Ukraine to fight. He travelled light and took just a small back pack and a head full of skills. A gun was a gun and a bayonet a bayonet. He was trained to use most things as weapon especially military articles. He decided to go to the Ukraine after the Russians invaded proper in early 2022. The Ukrainian Army took him to a holding facility where they vetted him. This took three days. Included was basic close combat skills and weapons use. He excelled and was given a job, being sent to a forward artillery position with a dozen other foreign troops to protect it. The SAS man was in charge and most men and the single girl spoke English. All understood military commands and signals. All were veterans from either conscript or professional armies. Each was here for their own reasons and all disliked either what Russia had done or Russians themselves. The English SAS member had killed several Muslim terrorists from Daesh and al Qaeda in Iraq and Afghanistan. Now he looked forward to fighting and killing some Russians, officers if possible. After being in the Ukraine six days he was on the front line leading his first patrol. This was better than being a bouncer in a Manchester night club! The SAS guy ordered his men to only use bayonets as they silently crept to a Russian fox hole a mile away. He wanted blood and the rush of combat, of killing. There was the trench and a single sentry, asleep. He would knife him himself. Then his squad would ****** the rest and take back any weapons, maps or documents. He spoke four languages including Russian. Any Intel was good for his bosses though. Here we go! There’s the sleeping sentry. Gently now, he must die in silence…
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What is the point in Poignancy? *Fragment, you tell me. Another one in paragraph three.* What do words matter? I have spelled love with Lilacs instead of an “L” I have drawn the curve of my “O” with the chill of a Sweeping breeze. A “V” can only appear as the violet of a sparkling sky, or I will be unable to read it, and every “E” will amount to nothing more than emptiness if the voice it has been given does not epitomize song. *Comma-splice, Replace it with a semicolon.* I am trying live freely. I want to breathe in color, to inhale an orange Savannah sky And exhale green which shows through the translucent dew of grass. *Unnecessary use of description. Limit it, Lidiah. Limit it.* My fingers itch with the ferocity of A vengeful army. They are waiting to trample pages with The lead of my pencil, the bayonet of a Revolutionary-War-era rifle. The word limit sounds like tragedy. A single word that can somehow act as a precursor, To the death of passion. Your words have put you in a box. People always say “Actions speak louder than words.” In a way that is true. But I also know it to be a tremendous piece of fiction. *Lidiah, Please watch your run-ons.* Why can our words and our actions not be the same thing? Isn’t the act of speaking, the act of raising your voice, the act of being heard, isn’t that an action? *Lidiah, how many times do I have to remind you? Clarification throughout.* Why have we decided that our words Mean nothing more than stepping stones on the road to action? When did we decide that our voices which rise like clarion calls, forever instilling our promises, are to be left on silent? Precious jewels set into rings. Poison in a water tank. *Lidiah, what you say is irrelevant if your MLA bibliography isn’t in alphabetical order.* Our words are our actions. They mean the same. Words are the distinctions of our beliefs Illustrations of our personas They are not mosquitos to be slapped away and forgotten. *Lidiah, paragraph five is too long. Stop rambling. Be concise.* Please tell me, what is the point of being concise? *Lidiah, stop rambling.* Why do we let justification equate to useless rambling? *Lidiah, you have to detach yourself from the narrative.* Feelings mean more than a couple of sentences. More than a good or a bad. A mad or a sad. Comma-splice What about ferocity? Never end with a preposition. What about passion? Replace this with a conjunctive adverb. What about the discernable strife that follows even indifference? What about that? *Lidiah, what is the point of Poignancy?* What are we without it? What does the human soul matter if we have forsaken the parts of ourselves that remind us of what a soul is for? *Lidiah, you will never be heard if you do not learn to follow the rules*.
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Mar 4, 2018
Mar 4, 2018 at 1:04 AM UTC
The Point of Poignancy
What is the point in Poignancy? *Fragment, you tell me. Another one in paragraph three.* What do words matter? I have spelled love with Lilacs instead of an “L” I have drawn the curve of my “O” with the chill of a Sweeping breeze. A “V” can only appear as the violet of a sparkling sky, or I will be unable to read it, and every “E” will amount to nothing more than emptiness if the voice it has been given does not epitomize song. *Comma-splice, Replace it with a semicolon.* I am trying live freely. I want to breathe in color, to inhale an orange Savannah sky And exhale green which shows through the translucent dew of grass. *Unnecessary use of description. Limit it, Lidiah. Limit it.* My fingers itch with the ferocity of A vengeful army. They are waiting to trample pages with The lead of my pencil, the bayonet of a Revolutionary-War-era rifle. The word limit sounds like tragedy. A single word that can somehow act as a precursor, To the death of passion. Your words have put you in a box. People always say “Actions speak louder than words.” In a way that is true. But I also know it to be a tremendous piece of fiction. *Lidiah, Please watch your run-ons.* Why can our words and our actions not be the same thing? Isn’t the act of speaking, the act of raising your voice, the act of being heard, isn’t that an action? *Lidiah, how many times do I have to remind you? Clarification throughout.* Why have we decided that our words Mean nothing more than stepping stones on the road to action? When did we decide that our voices which rise like clarion calls, forever instilling our promises, are to be left on silent? Precious jewels set into rings. Poison in a water tank. *Lidiah, what you say is irrelevant if your MLA bibliography isn’t in alphabetical order.* Our words are our actions. They mean the same. Words are the distinctions of our beliefs Illustrations of our personas They are not mosquitos to be slapped away and forgotten. *Lidiah, paragraph five is too long. Stop rambling. Be concise.* Please tell me, what is the point of being concise? *Lidiah, stop rambling.* Why do we let justification equate to useless rambling? *Lidiah, you have to detach yourself from the narrative.* Feelings mean more than a couple of sentences. More than a good or a bad. A mad or a sad. Comma-splice What about ferocity? Never end with a preposition. What about passion? Replace this with a conjunctive adverb. What about the discernable strife that follows even indifference? What about that? *Lidiah, what is the point of Poignancy?* What are we without it? What does the human soul matter if we have forsaken the parts of ourselves that remind us of what a soul is for? *Lidiah, you will never be heard if you do not learn to follow the rules*.
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1511 My country need not change her gown, Her triple suit as sweet As when ’twas cut at Lexington, And first pronounced “a fit.” Great Britain disapproves, “the stars”; Disparagement discreet,— There’s something in their attitude That taunts her bayonet.
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My country need not change her gown
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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Jun 17, 2016
Jun 17, 2016 at 8:54 AM UTC
Louis MacNeice (1907-1963)
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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46
Let the boy try along this bayonet-blade How cold steel is, and keen with hunger of blood; Blue with all malice, like a madman's flash; And thinly drawn with famishing for flesh. Lend him to stroke these blind, blunt bullet-leads Which long to nuzzle in the hearts of lads, Or give him cartridges of fine zinc teeth, Sharp with the sharpness of grief and death. For his teeth seem for laughing round an apple. There lurk no claws behind his fingers supple; And God will grow no talons at his heels, Nor antlers through the thickness of his curls.
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Arms and the Boy
"Thus fought the heroes, tranquil their admirable hearts, violent their swords, resigned to **** and to die." – Jorge Louis Borges, The Garden of Forking Paths stoic labyrinthine sparrow-bone; there is a slalom down your gullet, bayonet curled around your neck, you have a beak, you are lusty-smooth, have rubble for skin, an emaciated infinity: everything is fractal so eat your words they are you are your rusty toenails every footstep is a holocaust there’s genocide under your neurons, watch them flex and shiver. you have soft plastic lips, there is a vacuum in your gullet, a box cutter carving through your adam’s apple: epileptics are just indecisive, when they seize hold their tongues they are their words you are a god are oppenheimer and shiva, pick favorites it doesn’t matter it doesn’t matter it doesn’t matter flex and shimmer we are just neurons flatlines are not ghoulish nooses, paraplegics are just cowards, move with conviction each step is a genocide, you have wooden teeth and woolen wings, thrashes are a velveteen sunset an edible fog, your stomach is a stomach do not eat the fog just know that someday it will **** you softly and swiftly. it doesn’t matter it doesn’t matter: infinity is not recursive alive is not our default state once is the only route blood makes the blade holy if you cut me i will bleed, i won't blame you just know you were only ever that very moment.
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May 2, 2013
May 2, 2013 at 1:17 AM UTC
Ashgrove
*step this side.. no, you.. that side! in a line, in a line.. quiet now – get ready for fire.. no miss! please line up the children in neat rows, get them ready…………………..* 1. eyes are misted over – something happened in the gap hooking-up strangely with estranged sons lost in custodial-wrangles alienated values; family-core defunct like a super-shiny apple with putrescent-flesh long-beard wants a son after so many daughters, sits unwashed in the smoke gender-penalty –  sorry, sister.. you chose the wrong straw you remain in that cage till we say come out 2. bread-basket filled with stealth-grenades rights and benefits squirm in slick-oil of rules peasant skirting the limits of the city; even rats fare better cloak of goat-skin, the shield hides serpents beneath the hunter will aim for the head, land in the centre..                            yet an inch or two too high sentry, close the gates and bar the window-frames! 3. inadvertent greed and control; aggressive power news-man dies for feed that’s untrue, anyway picture-man twists an image to suit the viewer all kinds of lines disappear so quick – ****** jokes, theatre, life, even poems and if you’ve never had the sad combo of sick and homeless,                                                                            famished and cold,                                                                            tired with sores oh, war will be courteous enough to bring you all these, on a platter and more.. *there is no border when we all roam in hunger and in fear like the orphans in crowded-camps high-rankers sit far away.. ominously "well-off"                                                chew on hard-cheese                                                gulp down red wine but the throat still feels parched, and that bayonet is too short its fear will kick in.. on a day least anticipated would you be shocked if it is a child who will drive that wedge-stick home?* st – 14 march 2014
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Mar 14, 2014
Mar 14, 2014 at 9:26 AM UTC
The Border
*step this side.. no, you.. that side! in a line, in a line.. quiet now – get ready for fire.. no miss! please line up the children in neat rows, get them ready…………………..* 1. eyes are misted over – something happened in the gap hooking-up strangely with estranged sons lost in custodial-wrangles alienated values; family-core defunct like a super-shiny apple with putrescent-flesh long-beard wants a son after so many daughters, sits unwashed in the smoke gender-penalty –  sorry, sister.. you chose the wrong straw you remain in that cage till we say come out 2. bread-basket filled with stealth-grenades rights and benefits squirm in slick-oil of rules peasant skirting the limits of the city; even rats fare better cloak of goat-skin, the shield hides serpents beneath the hunter will aim for the head, land in the centre..                            yet an inch or two too high sentry, close the gates and bar the window-frames! 3. inadvertent greed and control; aggressive power news-man dies for feed that’s untrue, anyway picture-man twists an image to suit the viewer all kinds of lines disappear so quick – ****** jokes, theatre, life, even poems and if you’ve never had the sad combo of sick and homeless,                                                                            famished and cold,                                                                            tired with sores oh, war will be courteous enough to bring you all these, on a platter and more.. *there is no border when we all roam in hunger and in fear like the orphans in crowded-camps high-rankers sit far away.. ominously "well-off"                                                chew on hard-cheese                                                gulp down red wine but the throat still feels parched, and that bayonet is too short its fear will kick in.. on a day least anticipated would you be shocked if it is a child who will drive that wedge-stick home?* st – 14 march 2014
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39
The mist hung heavy in the air Touching lightly on marsh grasses It was almost like a London fog And as thick as cold molasses Beneath the mist in hiding Decomposing in the night Were the results of one more battle Awaiting dawns early light The Union and The Rebels Fighting for what they believe And soon, these victims kin folk Will learn their fate and will then grieve Cannon, gun and bayonet Were the weapons for the **** You couldn't see the bodies Through the mist from on the hill Amongst the dead one soldier Died from a shot that came behind His head was gaping open He was shot by his own kind The armies both died facing The direction of attack Except for this one soldier Who was taken from the back A coward's lot is hellfire And so it will be for Will May He was shot by his own brother As he turned and ran away The mist hung heavy in the air Touching lightly on marsh grasses It was almost like a London fog And as thick as cold molasses
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Jul 21, 2013
Jul 21, 2013 at 4:25 PM UTC
The Mist Hung Heavy
*A pack of cigarettes, some gum, some condoms, and $50 were stuffed into his cargo pocket, in his left hand a 9 millimeter, 10 rounds in the clip he spotted a dead Vietcong..... Yellow and scrawny.... a bullet through his right eye his brains seeping out of his skull.... A little girl, walking down the dirt field road a rice bowl in her right hand, a bayonet in the left, it was covered in blood Up the road, he spotted a fire, the sounds of AK-47's whipping through the wind a pile of bodies stuffed on top of each other Ears and fingers wrapped around bare skinned necks the smell of rotten flesh.... To the south, a ********** high heel boots, lace ******* and a mini skirt, unkempt hair, pitch-black red lipstick and hazel colored eyes $50 for a ******* $75 for a ******* $100 for one hours and $200 for two condoms still stuffed in the cargo pocket A back alley, a sloppy ******* the ****** broke..... The gum is still wrapped in foil, unwrapped, slowly chewed, sweet then bitter the roar of helicopters and the blast of grenades American flags ripped and set on fire A single bullet, a silent gasp.....*
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Jun 5, 2016
Jun 5, 2016 at 2:52 PM UTC
Cambodia
The power of the “Bonnie Prince” had broke and fled away. William, Duke of Cumberland, at Culloden field held sway. His juniors came and asked the Duke about the  wounded men. A playing card he then held up on which two words were written” “NO Quarter” said the playing card thus was the order given. They wasted not one bullet for a wounded, dying man. By sword, by knife, by bayonet The English played their hand. Charles Edward Stuart fled the field when, clearly, all was lost. (He never had a kingdom but at least he had a horse.) He fled up to the Hebrides where , despite a huge reward, No Scottish Laird betrayed the man who was their Sovereign Lord. The butcher of Culloden made the Scottish Highlands pay: Women ***** crops destroyed, the livestock borne away. He never caught his cousin Charles though he came close at Skye: The bonnie prince, dressed as a maid, sailed by him on the sly. The Jacobites were finished men and nevermore would rise. Their cause died on Culloden field back there in Forty Five’ For over two centuries Scotland has been held against her will as part of the United Kingdom, but she soon may regain her freedom and self Government.
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Feb 2, 2012
Feb 2, 2012 at 9:14 PM UTC
Nine of Diamonds