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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
judy smith May 2015
Acara dalam rangka memperingati hari lahir (harlah) Ke-65 PW Fatayat NU itu diikuti hampir 38 peserta se-Jatim yang meliputi perwakilan seluruh pimpinan cabang Fatayat NU.

Hasil desain peserta diperagakan model andalan mereka. Tak kalah dengan model profesional, para model Fatayat NU ini juga tampak percaya diri berlenggak-lenggok di atas caltwalk.

Dalam lomba fashion show ini, peserta dari PC Fatayat Bojonegoro meraih juara pertama, sedangkan pemenang kedua diraih oleh peserta dari Nganjuk dan pemenang ketiga dari Fatayat Bangil.

Menurut desainer muslimah yang dinobatkan jadi juri lomba ini, Ana Farhasy, ada beberapa poin dimiliki peserta Bojonegoro sehingga meraih juara.

"Kendati bertemakan busana pesta muslimah, namun desainnya simpel dan elegan. Itu menjadi kelebihan sendiri daripada peserta lain yang banyak menonjolkan aksesoris sehingga tampak berlebihan," katanya.

Selain itu, peserta dari Bojonegoro menampilkan tema gold kayu jati. "Batik yang digunakan asli Bojonegoro," jelas Ana.

Sementara itu, Ketua Fatayat NU Jatim Hikmah Bafaqih mengatakan selain lomba fashion show, kegiatan lain juga digelar dalam rangkaian harlah Fatayat NU itu.

"Ada lomba menulis artikel, lomba menjadi presenter, dan bazar produk unggulan (handycraft) kreasi kader Fatayat di seluruh cabang Fatayat se-Jatim," katanya.

Ia menambahkan, puncak peringatan Harlah Fatayat NU dilaksanakan di kantor PWNU Jatim pada Minggu, 17 Mei 2015. Rencananya, acara puncak dihadiri Menpora Imam Nahrawi, Wagub Jatim Saifullah Yusuf, dan Ketua DPRD Jatim.

"Ketua Umum PP Fatayat NU Hajah Ida Fauziyah tidak bisa hadir karena berbarengan dengan acara prakongres Fatayat di Bandung," katanya.

Mbak Hikmah, sapaan akrabnya, mengemukakan tema yang diambil harlah kali ini adalah "Ikhtiar Fatayat NU menuju Indonesia Berkeadaban".

"Karenanya kita akan terus berusaha untuk melakukan berbagai karya nyata, tentu kita bangun ulang keadaban kita dengan Islam ahlussunnah wal jamaah atau yang kita kenal dengan Islam Nusantara," katanya.Read more here:www.marieaustralia.com/mermaid-trumpet-formal-dresses | www.marieaustralia.com/one-shoulder-formal-dresses
derek Feb 2016
Hindi mo siguro alam, pero matagal na akong nagagandahan sa iyo.
Hindi mo siguro alam, pero noong nagko-code ako,
lagi akong umaasa na ikaw ang titingin sa gawa ko.

Hindi ko gusto pumorma.
Gusto ko lang ipakita na tama ang aking gawa
kasi iniisip ko na kapag wala akong mali
matutuwa at magpapaunlak ka ng pagkatamis **** ngiti (yihee).

Kaso hindi ko alam kung bakit,
pero lagi ka na lang may nakikitang putik.
Kahit ilang lampaso ng tingin ang ginawa ko sa code ko
bago ko ipasa sa iyo,
may maisusulat ka pa rin na mali!

Anong klaseng mata ba ang mayroon ka?
Gusto ko magpakitang-gilas pero lagi mo akong natatabla.
“Labag sa standards ang code mo”,
“magdagdag ka pa ng test scenario”
kulang na lang yata ay sabihin mo sa akin
“sino ba ang nagturo sa iyo?”

May mga pagkakataon na gusto ko nang umuwi.
Pinapackage ko na ang mga code dahil ang lalim na ng gabi.
Kaso may makikita ka sa testing, “hmm, parang may mali”
Babagsak na lang ang balikat ko, sabay sabi, “ano?! uli?!”

Siyempre, may magagawa pa ba ako
kapag binanatan mo na ako ng ganito:
“pasensya na, pero abswelto sana tayo
“kung hindi ko lang sana napansin ang maling ito”.

WOW. EH, ‘DI. OKAY.

Pero hindi ko magawang magalit sa iyo.
Kasi alam ko gusto mo lang ay halos perpekto.
Ginagawa mo lang ang trabaho mo.
Pero utang na loob, pwede bang bukas na natin tapusin ito?

Ngayon, magsasampung taon na ako.
Matagal ka nang lumisan, pero ako pa rin ay nandito.
Naiintindihan ko na kung bakit sa trabaho nating ito,
kailangan matalim ang mga mata mo.

Dahil sa bandang huli..
Ang batik sa isang dahon,
ay batik sa buong puno.
I apologise if not everyone is going to relate that much to this poem. I am in the IT industry and peer review is part of our development process. I've had a small crush with this colleague of mine who used to work ALOT and has a strong sense of ownership of her work. I tried to impress her from time to time, but she has raised the bar so high that achieving this goal was next to impossible. I eventually gave up.

I would also like to think that at some point we still have developers in our organisation who had developed an infatuation towards their code reviewers, and I dedicate this poem to former, my fallen brethren, who failed to impress the latter.
At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.
Sally A Bayan Jul 2019
(for Mama <3 )

She wore her favorite red and beige
batik cotton dress, that morning,
while i,...wore old, faded clothes,
unfit to be worn outside the house,
my slippers, thinned by frequent use...
she would've admonished me,
had she noticed.

she never went out of the house
wearing crumpled attires......no missing
buttons or snaps...her collar was always
straight...stiff.....until she came home
from work at night...

as she grew older, she preferred more
comfortable clothes, like, cotton shirts  
and dresses....and how she favored
those with batik patterns...
even with her back bent a bit,
she still dressed up
with grace and confidence.
whatever the occasion was.

in her younger days, i felt sad
each morning when  she left for work...
with admiration, i followed her as she
walked away...as far as my eyes could reach...

these days, i am older...i still follow her,
as far as my mind could remember...


Sally

© Rosalia Rosario A. Bayan
---July 10, 2019
K Balachandran Jul 2014
A bedspread on which bold, red and blue
esoteric, Tantric, motifs embrace
copulating triangles, the ideogram of cosmos
batik printed in vermilion on it's center
is spread, right there on the play-field of cupid
where the confluence is to happen,
a transmitting point of fecund energies to infinity,
a point on the spring board to transcendence

Beloved, here in the holy fire, receive in ecstasy,
the sacrificial offering I bring from the
incessant Ganga of my lineage,

Shakti and Shiva come in for divine union,
together here on the mark beyond time and space.
right in the center is "THE BINDU" the mystical point
both culmination and beginning of the 'beyond'
passage from here  to timelessness of cosmos, we invoke.

Here Shakti is holy fire leaping up for Shiva's offering,
sublimated they fuse, may that be the seed for karmas lumenant.
Brent Kincaid Sep 2015
We were the ones,
Self-chosen ones,
And we had seen enough.
And we had heard enough
To be tired of the drama;
The games that our mamas
And our Papas played
The plans they laid
That so often did not work.
The pensions and the perks
That so often left them bitter
Mumbling curses about quitters
As they argued over parking spaces
And carefully averted their faces
When people were denied rights
Because they were not white
Or sometimes because Jews
And non-whites could not be
Members of their sororities
And country club amenities.

They demanded no dark skin
And objected to what we dressed in
And wanted us to cut our hair
And go find a decent job somewhere
To start an acceptable career
And get a decent nine to five
To work as long as we were alive.
We knew they were trying to protect
To drive us to the life they projected
That would help us get a salary
And develop the kind of misery
And sense of hopelessness;
The exact kind of mess
They were living
And they weren’t forgiving
When we rebelled and fought
And shunned the trinkets they bought
That they thought would tempt us
To buckle on the harness;
The long-term promise.

We rejected the temptation
To join the workaday nation
And get into the drinking
Nine-to-five way of thinking.
We swapped the whiskey
For something they found risky.
We smoked our marijuana
And talked about nirvana
In our love-beads and batik
We left family homes to seek
And ultimately to find friends
Who wanted the same ends
And would work with us,
And they would walk with us
To the love-ins and protests
And help us pen requests
For marches and gatherings
To demonstrate our misgivings
About who got what
And who did not
And how and when
And which were not seen as men.
But we saw poorly disguised slaves
We knew we wanted to save.

We were going to fix the world
So, we waded into insults hurled
And high-powered fire hoses.
They broke our arms and noses
And trod on our signs
And drew a line
Between us and the public.
We were criminals and suspects
In crimes they invented;
We patchouli oil scented
Hippies wearing Birkenstocks
Without any socks
And jeans with protest patches
Singing our snatches of songs
Like “We Shall Overcome Someday”.
They couldn’t hear a word we would say.
They just cursed us and objected
And made sure we were subjected
To as much stonewalling as the law
Could put up against us all.

We were going to fix the world,
And we got LBJ on our side, like Jack
He went on the attack
And changed things for the better
Still not to the letter of the law
But a bit more spirit
Began to exist in it
Because blacks were acknowledged
And could finally go to college
In white schools
Adhering to the rules
The bigots had always ignored.
And unlike before, the police
Actually kept the peace
Unless it involved demonstrations
Against the crimes of our nation
Against another nation
That never attacked us
Never even threatened us.
These protest made us criminals
And that is what the cops thought of us.

Yes, by the time Nixon was going
After everyone began knowing
What a rat he was and because
He got caught, we saw
Him get on the copter and leave
And without a thought to grieve
We wanted our country to cease
Being some kind of insane police
In an Asian country few of us knew.
To stop what they put our troops through
And bring the people back here
So they could end the killing and fear
That our country was generating.
The debating was through
And the country started anew
By ending that situation.
Peace descended on the nation
And we took credit.
We did do some of it.
Then, we quit.

We started small companies
Selling handmade gifts and soaps
Not becoming the dopes
We fought our parents not to be
But more the people we ought to be
Living in hippie enclaves
That turned into yuppie enclaves
And we got fatter.
But that didn’t matter.
We had our memories
And we had our old war stories
Of marching, and protesting
And they were interesting enough
That we lost the will to be tough
And let the objections slide
And hid inside our mini-farms
And ignored when people were harmed
By many of the same atrocities
That fueled our animosities
Just a generation before.
We decided it was not our war
And sat on our hands.
And drifted like the sands.
‘There were noises up in the attic
When I arose today, Maureen,
Have you been storing your batik
Up on the shelves, for the shelves aren’t clean!
I said you shouldn’t go prying there,
There is nothing up there to see,
Just things I cast from a hazy past
Before your marriage to me.’

‘I keep all my art and craft downstairs
In the cupboard, next to the door,
You’ve watched me folding my batik there
So what would you ask me for?’
‘I only wondered,’ her husband said,
‘Those scrabbles, they could have been rats,
More reason never to venture there…’
‘I’ll bring in the neighbours cats!’

She smiled, and blew him a kiss just then,
They hadn’t been married long,
They’d worked together for six long months
When she only knew him as John.
But after the office party, and
That cupboard, under the stairs,
A half a jug of Bacardi, and
They knew, the future was theirs.

She heard the scrabbling overhead
On a Sunday, lying in,
And what seemed like a rattle of chains
Though she thought, it couldn’t have been.
John Dean was out at the supermart
So she scrambled out of bed,
Pulled down the ladder and mounted it
To the attic, overhead.

The hatch slid back from a faulty catch
And she peered, up into the gloom,
There were spiders webs and rusty beds,
And dust, in that grim old room,
She saw what looked like a cabin trunk,
Padlocked, and covered in chain,
And another trunk with an open lid…
She climbed down the ladder again.

At lunch, she mentioned the sounds she’d heard
And she watched her husband’s face,
He seemed quite distant, then perturbed,
Got up and began to pace.
‘You haven’t been up in the loft, Maureen,
That attic is out of bounds!’
‘Well listen to you, the stern John Dean!
How do you think that sounds?’

They didn’t talk for another day
But her anger was aroused,
While he went up to the attic twice,
Mad at the scene he’d caused.
‘I didn’t mean it like that,’ he said,
It’s just that it’s full of dirt.’
But she shrugged off his excuses, she
Was playing at being hurt.

She searched the house for the padlock key
That had locked the trunk in chain,
Then finally found it on his ring,
And slipped it off again.
She waited until the coast was clear
With John Dean not around,
Climbed the ladder and opened the trunk
With the key that she had found.

Just as she went to raise the lid
His head appeared in the hatch,
‘Sorry it’s come to this, our kid,
You’re about to meet your match.’
The lid went up and she looked aghast
At the woman, speared with a knife,
‘Maureen, please meet Deborah Dean,
She was my former wife.’

She pulled the knife from the woman’s throat
And she pointed the blade at him,
‘Don’t think you’ll ever do that to me,’
Her voice was dour and grim.
‘That open trunk is your future home,’
He said as he locked the hatch,
‘You’ll jump right in and you’ll close the lid
When you hear the giant rats!’

David Lewis Paget
kalopsia Nov 2013
"In our old attic
I saw a basket made of batik
It was covered with dust
But inside it reminded me the past

I saw our old Polaroid photos
It is our couple mementos
Some pictures' ink already faded
But for me our memories never ended

And I miss you, your warm hugs
Baking you brownie in a mug
I miss seeing your funny sinister smile
And now I can't even see it for awhile

It was hard to describe what I have been through the years,
Every day I was in tears
From you, I wanted to hear
That "I love you, my dear."

This Polaroid photos, I will keep
In my heart, very deep.
'Till we meet again, my dear'
Maybe not today nor in a year.
But please promise me you'll always be here."
Marissa Cooper Jun 2013
Black windowpanes
Single yellow candle
Abandoned lighthouse
On an empty island
The kain batik waves
In the seven pm heat
But words have never switched
Between stranger’s lips
Except casual mouthfuls
Of how many sugars
To take
His folded sleeves
Show a mess
Of watercolor etching
On his bare back
Spread by forgotten strokes
And careless promises
That lingers through morning
At night the ink leaks free
His back a still canvas
Filling with nicotine
And ketamine dreams
And missed yellow brick roads
Right before the light goes out
Tomorrow he will wake
With the colors in
Once more
Kain batik is a Malaysian dyed cloth. Although, it is a Malay textile art, men and women of all races use the material as casual lounge wear or during special occasions. Depending on the design and quality.
Julianna Eisner Mar 2014
Patterns form across convex corneas
Geometric portraits of tangram animals
Hexagonal-faced lions
Triangular-trunked elephants
etc.
Tessellations of
anagrams
Draped over rods like Batik fabric smoothed over king-sized beds
Calculating Bayesian probability on fingertips
rote
styles
Whispering, "Carry the 1!" to columns of 100s
with a remainder? Try again.
Plot Cartesian coordinates with mechanical pencils
click! click! click!
Crying, "Awwwww.....
                                  you
                                        sunk
                                                my
                                                     battleship!"
Voice  over: "You sunk his battleship!"
Marissa Cooper May 2013
Ibu
as a bundle of batik cloth
you carried me
slung across your shoulders
a mess of curls and hungry crying
you sing me words I don’t understand

after the rain
you sweep the fallen leaves
with one arm against your back
and the weight of shadows you could not leave
at home

sleepy faced in a bowl of morning cereal
your fingers braid my bed head
with bright blue ribbons
that intertwine our worlds together
and then apart

red faced
shoes unlaced
i stumble through the door
tripping on sentences
you say nothing
but tuck me in

back in her homeland
she left her two children
only to gain two more
and when i leave for snow this August
i will be leaving not just one mother
but two
'Ibu' means mother in Malay.
Lucy Tonic Nov 2011
One nation under god
Father grasps the shoulder of the son
Who listens to American music
They're growing beets in the garden
One nation under water
Trance grabs the shoulders of the sun
Who glistens over drunk, dazed revelers
They're growing cancer in the eye
Drink a beer, wear a silk batik
Drive a truck, and keep your mystique
They're just tools to use
In the long walk of
Finding the real thing
And if you do, be sure to
Inject it intravenously
(Just kidding)
EssEss Jan 2019
Landing in Bali, you are greeted by the hot and humid weather,
Tourists throng from world over, going hither and thither,
The colorful atmosphere on arrival is a prelude to fun that is in store in this haven,
As excited visitors hop into taxis and head to hotels to which they are driven

The island is famous for it's yoga and meditation retreats,
Also for the vast number of two-wheelers plying on narrow streets,
The landscape greenery is so lush and refreshing as you drive through,
That the reason it is called "paradise on earth" so easily strikes you

The multitude of handcrafts on display at roadsides is such an unique feature,
The variety of intricate stone carvings is as diverse as the mind can conjure,
You cannot but admire the skill and patience of artisans working countless hours,
Carving out majestic designs in stone, wowing buyers to say "this is ours"

At other roadsides are displayed stunning hand blown slumped glass bowls on driftwood,
Each uniquely hand crafted for the specific end use that you decide if you could,
Molten glass takes on wood, creating a wonderful terrain for flowers, floating candles and an endless wish list,
The finished products are a touch exotic, making them must-have mementos for the visiting tourist

The famed rice terraces stretching across the countryside are so ethereal,
The manner in which farmers came up with this ingenious concept appears so surreal,
Steep mountains and deep gorges that were a topographic deterrent to cultivate rice,
Circumvented through creation of gorgeous terraces for water sharing, as if in a trice

Kopi Luwak coffee is one of the most expensive coffees in the world,
It is a Bali specialty with an interesting history that one gets to be told,
Free sampling of eight teas and coffees of different unique flavors at the coffee farm is on offer,
A must-have experience with the scenic splendor of rice fields below, on which views don't differ

Batik is considered the original Indonesian textile which has a worldwide reputation,
Visiting a Batik factory to whet the curiosity requires a bit of determination,
Such is the wide array of colorful floral and geometric design motifs seen on display,
That one cannot resist the temptation to splurge on shopping, before deciding to walk away

Some of the most mystical waterfalls in the world can be seen in Bali,
Many of them are hidden in the backdrop of rice fields and mountainous valleys,
Reaching dizzy heights that seemingly merge with treetops, make the views gorgeous and enchanting,
Waterfalls vie with one other in visual splendor, making it appear that nothing is found wanting

The majority of Balinese identify themselves with the Hindu religion,
Taking pride in their identity, prevalent over centuries in the region,
Numerous Hindu temples spread across the island is therefore not surprising,
Most with a history of their own, necessitating a visit to the more enterprising

Yoga, meditation and wellness retreats are spread all over the island in natural and exotic settings,
Surrounding jungles, waterfalls and trickling waters of rivers lend an ambience that feels so settling,
Massage treatments, spas and water healing sessions also facilitate visitors' well-being,
Such programs assist in mastering the body, mind and clarify life's purpose among other mundane things
Connor May 2017
I

****** fire
   Scattered with
salt of sacred youth
  
   Split & dislocation, your empire light
          (A memory/reproached by vines)

          Replaced by hills of small cosmic stones
formed like a scream in the sand

  Pagodas wrinkle beneath
The sunset's ardent temper
                   (nobody can escape the smoke)

Mothers give up their daughters

Heroes are marked by volcanic glaciers

Anthills are suffocated softly and without sound

Death has taken up other hobbies

Cheeks resemble the shade of a dream

I am greeted by your wolf of absence
it's hairs are thick and knotted

whimpering
(a shadow)
of what it once was

The toothroot maw of distant islands
tremble as a foreign vessel
curves around the bend of florid pine

Sails be blessed
              & branded with
                     symbols of balance
                    
Islands echoing polyrythm

    (Small stone houses, ritualistic, romanced by careful horns)

The old are tempted by decorative
horses crafted of leaves which dance and
enliven
                 the warming sea
                
Ladies dressed in Batik patterns
     carve quietly at shopsigns to capture their stale glow
    
I realize now the black underbelly of May

I see
Performances of it's ancient verse in all
who bear children

     All who practice with the weapons of abuse
          & the perfumes of mortal love

In thought
and acknowledgment

(Accompanied by tenderness & pull of lavender in a basket)

II

I have been taught to no longer fear alive

(alive) at the will of taxicabs

Of eyes which haunt the heart/

   (tears)
            
  The strangeness of
  mental carousels/
              
Rapid entanglement/
          
(death)
  
          Palaces conjured by the Sun/
          
Basement conversation/

Iron candy that worships your body/

/////

An ever present sound of black
        
           The black of love &

  nightfall in yearning

Where the Northern sky
dies with adoration,
swallowed by an
orchard's olive skin

       (A wine for exchanging poetry)

& like a static Summer unrehearsed with cathedral orchestrals

Or willow's wind flowing in through my bedroom

I will miss the black animal's fur,
of the silk you covered me with
in my sleep

(midnight shelter)

III

Lamenting with another woman
for another time
devoted yet fractured

A landscape scar
for Springs Bengal hunger

paused
on a door as wide as the mirrored
cavern where promises were forged &
betrayed,

what happened to the Tsunami which drowned your past?

IV

On the truth of time gone by
I wake with the burden of
every season
& you remain even still

You are the day's end
Megan Sherman Feb 2017
O Avon, swell meandering home
You caress my feet with silken kisses
Round your banks I wistful roam
Enamoured of thy babbling blisses
Awed by beauty of the gloam
It envelops me in tender thrills
Inspired to transcribe it in to tome
In words suffice to inspire chills
Sweetest treasures consist in stream
O loot of the aquatic
That floats like dream upon a beam
The river an element of nature's batik
Imbued with blisses deep, supreme
I wade akimbo to the flow
The awe of Earth from you I glean
You have me rapt in throe
You are the path my heart pursues
It's righteous, truest course
Quelling fear and pain and blues
From thy splendid source
Whenever my sullied spirit rues
My strategy is this
I turn to you to soothe, amuse
To get my fill of bliss
Beyond horizon, thou spread to sea
In unchartered motion
A sea that sparkles iridescently
In strange colours of the ocean
I bask in your waters respendently
Loving their commotion
And honour them devotionally
O Avon, you leave me insatiated.
kelly rai Mar 2018
Resting on my mother's lap
I trace
The batik flowers
Swirling in a psychedelic haze.
Of rich greens and mellow reds.
Her voice humming the afternoon away,
The only place i feel safe.
Best place to sleep.

— The End —