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Mateuš Conrad Mar 2019
.how did the political "debate" ever become surmount to include musicians? from what i've seen? of the KEXP radio session...  Ashish Vyas had the most fun from the session... i always admired the bass players more than those ****-offs running out of rhythm guitar sessions... bass, a tier above the drums... masturbator-grand-master-soloist... i guess this is one of those nights where i drink more than i write... elephant's ******* choking me to come... oh well... not even a Decalogue will save me... the political art is no art to begin with, curtains... all i'm seeing if curtains... and households filled with retired personel... and curtains... curtains but not blinds... it's abhorrent to have to listen to music with hushed bass guitar... notably metallica... apart from devil's dance and... where's the bass guitar? the rhythm guitar section overpowers the music... fine fine, have your solo *******, but don't silence the bass guitar with the rhythm guitar, i need to hear the drums translated via the bass guitar into the rhythm guitar... solo guitar and vocals all you want... it's like... the lessons to be learned from jazz, when all the fire prime instruments are allowed to solo... went, "missing"... i need the bass, man... frantic bass & drum genre type of music will not do lollipops for me... what was the alternative? dub-step? well... vex'd & distance... burial... who were the others? i don't remember... don't make me cite skrillex: white privelege man! yeah... at least with rabbit teeth missing, doing that well known party trick! i don't like bands that have a knack at an over-emphasis of the rhythm guitar, who neglect the bass guitar... it's so counter the jazz-inheritance... tool: grand bass, red hot chilli peppers, silverchair... i need that smoothing out layer of sound that manifests itself in a bass... a layer of sound just below the rhythm guitar and a tier above the base (not bass) of the african drum borrow... bāß... base (not bass)... yes, it's not supposed to look pretty: a phonetic antithesis... as most "things" in english...

             mind you... did i mention how heidegger
has a foot in the door?
       oh... i didn't? did i?
     the reflexive and the reflective quadratic...
the reflex of conscience "vs."
the reflectiveness of consciousness...
       heidegger:
                  language - only if speech has acquired
the highest univocity of the word does it become
strong for the hidden play of its essential
   multivocity (as withdrawn from all "logic"),
of which poets and thinkers alone are capable,
in their own respective modes and their own
directions of sovereignty.

  of the few lyrics i've entertained these passing
"days"?
             the black keys: lonely boy -
              i got a love that keeps me waiting...
borrowing from Kafka i guess:
      in that case, i’ll miss the thing by waiting for it.
   no?
   guess there's no "oops" where these words
come from...
              
    with the "passive" circumstance of the faculty
of memory...
                two tiers of memory:
the reflexive memory type,
the scholastic rubric type...
  1 x 4 = 4, a + b + a +c + u + s = instrument =
counting... etc.,
            that's the reflexive memory type...
a scholastic rubric...
      dyktando...
but memory also occupies
the reflective parameters...
          which involve personality...
a sort of memory dissociated from schooling,
and more, associated with:
disinhibiting any chances of succumbing
to dementia's grinding machine
of the mortal circus...

  the reflexive memory storage bank is
the buffer...
the "placebo": nay... the safety mechanism...
but... too much education,
too much pointless education,
and the erosion of the reflective memory
storage bank: this is not a buffer,
this is not a something equipped with
a "safety mechanism"...
        given that a self is perpetuated
within the confines of
a constant conflict with the "self"...
   a and italics / the and "ambiguity commas"...

well, there's always a place to start...
i find of like philosophy as being
a rigour associated with a satisfactory
form of vocab.,
       namely?
i can use the associated words bound
to a sentence with confidance...
unlike a ****** fiction writer,
sometimes dabbling into loan words
from a thesaurus, to, invoke:
an intelligence superiority...
  don't worry...
  when people lend themselves
to use a thesaurus, having exhausted
their adjective knowledge... it shows...

come on... a background in chemistry nouns?
3,5-methylhexane... you think?
that's the remains of a saxon past in english...
in chemistry...
germans spell like dr. faustus to begin with,
they, compound...
        the remains of a germanic past in
the current state of english shrapnel still
lives... in chemistry...
        hydrocarbons...
                  usually met with a hypen:
hydro-carbons...
       siebentausendzweihundertvierundfünfzig
(7,254)...
well, very german: what a waste of not employing
punctuation marks (', -) when it came
to the caterpillar 189, 819:
methionylthreonylthreonylglutaminylarginyl...isoleucine,

Me­thionylthreonylthreonylglutaminylarginyltyrosylglutamylserylleucy­lphenylalanylalanylglutaminylleucyllysylglutamylarginyllysylgluta­mylglycylalanylphenylalanylvalylprolylphenylalanylvalylthreonylle­ucylglycylaspartylprolylglycylisoleucylglutamylglutaminylserylleu­cyllysylisoleucylaspartylthreonylleucylisoleucylglutamylalanylgly­cylalanylaspartylalanylleucylglutamylleucylglycylisoleucylprolylp­henylalanylserylaspartylprolylleucylalanylaspartylglycylprolylthr­eonylisoleucylglutaminylasparaginylalanylthreonylleucyl arginylalanylphenylalanylalanylalanylglycylvalylthreonylprolylala­nylglutaminylcysteinylphenylalanylglutamylmethionylleucylalanylle­ucylisoleucylarginylglutaminyllysylhistidylprolylthreonylisoleucy­lprolylisoleucylglycylleucylleucylmethionyltyrosylalanylasparagin­ylleucylvalylphenylalanylasparaginyllysylglycylisoleucylaspartylg­lutamylphenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylv­alylglycylvalylaspartylserylvalylleucylvalylalanylaspartylvalylpr­olylvalylglutaminylglutamylserylalanylprolylphenylalanylarg inylglutaminylalanylalanylleucylarginylhistidylasparaginylvalylal­anylprolylisoleucylphenylalanylisoleuc…

or just read the end of james joyce's ulysses
or jean-paul sarte's iron in the soul...
you do have to insert shrapenl punctuation
into this word...

but these are the last remains of the english language
being associated with a germanic origin:
compounding words...
             esp. in chemistry...
                

as any drunk would state,
to suffice...

    what was it that the luftwaffe
prescribed for the night raids
on London?

   and what did isis fighters
be prescribed?

    amphetamines?
n'oh!
   (minus the extended omega:
oooooo enough time
for a katy perry song,
an afternoon shower,
a slap in the face,
and then a few punches,
hey, jerking off became
boring)...

   so the british,
and a few polacks doing their
r.a.f. bit beat the germans
because?
   oh... **** no...
they were ingesting
an impediment factor,
durg, ****,
drunk, numb-skulled...

    we're talking counter
measure to the "enchanced"
mensch...
    high on amphetamines...
insomniac, but still going...
i guess the loci of
the amphetamine adventure
had to relocate to the anti-ego
focus of the phallus
in the variation of viagara...

****...
i care more for my giggles
and a friar tuck physiognomy...
seriously...
   it's more important than mere
gymnastics of
a freudian "metaphor"...
  ha ha...
   i guess conversation is
also allowed...
   try keeping that up...
given that most men are
******* into a solipsism...

     date nights... m'ah ah ha ha ha...
i figured that i don't
need french intellectuals to
redefine absurdity,
or german philosophers
to "redefine" existentialism,
i just needed to leech
off an nativistic english
"public"...

                      what the ruling
class spews:
   i reinterpret...
                  simple, 1 + 1 = 2...
crux, numbers,
   bounce back...
echo...
     compliment to the language...
as i stood in the shower thinking...
well isn't modern gaming
slightly "ingenious"...
money piggy...

or... reversed...
    provided the unlimited time
of experience...
no constraints,
just a game within a game,
like sims 3: making a sim
play a video game...
wormhole paradox
      and a brain shattering moment,
a jolt,

         these modern "free" games?
well... at least if you
do not invest in them,
are... games mostly associated with
time...
time is the game...

   whoever gets ****** into
the money laundering schemes
of these games,
forgot to read the cheat walkthroughs
akin to final fantasy VII,
because of homework,
and... Saturday mornings.

   **** air guitar:
here's to air drumming to posit
a point...

          the allies drunk their pint
of whiskey, slightly debilitated,
without the circumstance of feeding
a feeling of superiority,
the germans over-inflated
their superiority complex with
amphetamines...

         ergo?
    i'm either proper drunk, or just plain dumb,
or... it's related to listen, repeat,
listen, repeat: katy perry
  (sucker for POP!)....

      never mind...

games used to be fun,
games used to lead to a completion,
tenchu, that was fun,
final fantasy VII...
but this current,
money-sucker of an experience?
well... sure...
now games have reached
an anti checkmate conundrum
which it is...
because, the games are "free"...

           apparently time,
is perceived as a non-commodity...
tell that to someone stuck
in traffic...
      time: the "elder" flimsy
              construct of relativism...

try not giggling
while exchanging whislting to
either the british grenadier march song,
and the french la marseillaise...

   it's like eating pork liver with onions
fry funny...
    or at least a stew of chicken
hearts... tight tender little *******...

but modern gaming is just that...
ingenious counter measure
to the old school variation
of gaming,
    games... without fiction,
games, without script...
    continued perpetuation
of engagement "syndrome"...

     thank god,
i'm pretty sure that if i went beyond
owning a PS1,
i wouldn't have spotted this,
and have a narrative subsequently,
for the worth any sort
of compromise...

ergo? i drink...
   eh... i need to dumb down...
it wouldn't be fair otherwise...
it's not so easy,
to acquire a culture,
a psychology,
a mentality,
   and then...
     to ****... (grimmace, burp,
         snigger) it all away...

**** me, the flute always
gets me...
          i mean...
every time i hear that flute...
my feet at rambling,
itching to tap along...

   well of course it wasn't
the ******* jazzy clarinet,
was it?!
  tell that to the broad
who perfect a *******...
see if she comes back
as smart,
as smart to comply with
the intricacies
of playing, the ******* clarinet.

p.s.
aud lang syne: the only song,
of all time...
shakespeare seems
pale by comparison,
"side-note"...

          broad vs. brode,
******* giggles in the afternoon.
Mari Gee Mar 2013
beats.
bass.
bass beats.
bass beat bass beat.
the bass beats along with my heart.
the beat baselining my emotions.
the bass beats my body against yours.
the bass beats me.
unrelenting
my emotions run wild

Am I in a club dancing to beats
or dancing while the club beats me?
beats. beats. beats me.
hypnotized by beats and bass
mind and body control
out of my own control
beat bass beat bass.
bass beat. beat. beat.
its beating me.
(edited version)
Mateuš Conrad Jan 2017
thankfully my nostalgia concerning the late
20the century, coincides with my youth,
i mean youth, and that i also mean
****** idealism, when women were phantoms
and could never be girlfriends or
widows, or tears shed at the grave,
or nothing needy, nothing clinging,
nothing resembling mussels...
         i have to admit, i got ***** the moment
i detached myself from thinking about god...
the third partisan of the a priori
implant dictated by time & space...
            i didn't only shove my genitals into
her genitals, i shoved my ego into her
concept of god... and i subsequently became
a dimmed version of st. augustine...
              because that part of me didn't exactly
make confetti from her reasoning....
shoom!
          scalped me and dragged about 1000
tumbleweeds in its travels...
             the grand point? i didn't see
   a hairdresser, for the next never ever...
unless they do trim ***** to coincide with
      funny tattoos...
                     i don't know... maybe i was really
ultra-idealistic about women before i lost
my virginity, that after i lost it, after i lost
the foremost grace, i didn't learn the gorilla
impetus to keep one... let alone a harem...
   women really were fun and beautiful and
mysterious when i had them in my head...
      after the fact that i learned too late that they
also took a ****, i couldn't believe it!
        me, adapting to this? this fog-smeared
creature? yes, i can see my nihilism,
                    i''ve been burning that amber light
of a litre of whiskey per night for quiet some time,
drop by Collier Row's Tesco and look at the c.c.t.v.,
but then i put on some creedance clearwater revival
(not cool, aha, used the whole name, right?
cooler me saying c.c.r.? bukowski, lebowski...
same ****, different cover) -
   but i really did experience love... i know... huh ha...
did i recover from it? i'd probably have
recovered from 20 ****** over-doses...
        she got married, obviously...
  because women, don't idealise men...
  unless they meet the criteria of what men are supposed
to own... man idealising woman is a woman per se...
woman idealising man is a man contra per se...
                     after all, a man idealises
thinking about a temp. storage space for his
*******...
              which later turns into offspring...
   any woman could agree to being part of that phlegm
and being content at housing those "lucky" offshoots
in her kangaroo rucksack...
           it's as ugly as European thinking is going
to get, it can't get more scientific than this...
   i really do need a square on a rectangular canvas
to prompt a generous conversation about redifing
the point: we're not going back to the Milan school of
oil on canvas... or Rembrandt...
      it's not happening.
so creedance clearwater revival and graveyard train...
how we have bass guitar, and it's nibbling,
just nibbling... just grooving...
                  more like stalking but keep in mind
nibbling... and the there's no rhythm guitar,
because the guitar is just making accents,
the guitar is just twitching... i can't believe how
un-jazz comprehensive modern music is...
                   rhythm doesn't belong to the guitar,
there shouldn't be a rhythm guitar...
rhythm is all bass and drums...
          and i say that: because i hate metallica and how
i can never hear the bass guitar when i listen to them...
no wonder the original bassist got scribbled off...
   i love bass, don't you love bass?
something has to overpower the strength of drums
in modern music, something has to restrain
drums... needs to set the soothing rhythm,
rhythm guitar can't do that, you need the bass
guitar... bass guitar is, quiet frankly,
the most underrated instrument in modern composition...
techno techno! bongo bongo parties of
               berlusconi... bongo bongo... hatchet plus!
yes... silvio... we have the guillotine around here
too... choppy waters... plenty of sharks...
   enough to take a bite, though.
   and i thought naked lunch was bad...
well, i didn't, i didn't even want to plagiarise the Tristian
Tzara bound to it, reminiscent of cabaret voltaire.
huh?   ah yes... creedence clearwater revival,
and the bass on graveyard train, like water coming
down from a leaking tap...
  tum dum doom ta dollop... and it sounds nothing
like that... but something to allow the guitar what
it does best, sure, it joins in the rhythm section at
the beginning of the track... but then the guitar
sets up a momentum of creating accents,
  no rhythm = no solo... accents...
   little licks of being there... very ******* jazzy...
my my, so jazzy... and that's the safe ground to have
in music, retaining the jazz...
             otherwise you get into territory akin to
classical music's anithesis... the opposite of classical
music is... earthquakes... techno techno... drum drum...
drum drum... drum, drum... drum drum drum...
classical music was all about breathing...
  césar franck's les éolides (the breezes) -
and the antithesis? techno techno... muffed up techno:
ambient music... refrigerator sounds...
muffer up drums...
               don't get me wrong, i do listen to
e.g. man with no name...
         but it's rare to hear the jazzy side of things...
  it's just such a waste to see the bass guitar
not used as it should be, i.e. being over-powered
by drums... and using so much rhythm with
a guitar... having the rhythm and the solo...
  like squeezing a pair of testicles of a celibate monk...
god, that hush hush: tone down, tone, tone down,
tone, down... down... down...
             pst... kaput....
                                      i really did start talking
about something else, didn't i?
                this is new... digression as a column of
rhetorical perfection... fair enough having the rhetorical
skills, talking persuasively (well, just lying)
    about the same topic... but find me the rhetorician
than utilises digression, and forgets his talking
because he's changing subjects without really
    categorising them as being different....
    it's a trance state akin to eastern meditative practices...
digression as the most pleasing form of rhetoric,
teachers' oratory technique... not politicians' oratory...
   i never understood why digression was
not the foremost element of rhetoric...
                    political rhetoric is always about
ensuring people remember something,
they never do...
                        politicians drill in the points...
   and for some reason, they never talk to rhetorical
perfection, i.e. being able to digress...
                the most persuasive rhetoric is the rhetoric
with digression at its core...
                       or at least that's how i learned
english from a scotsman...
                                just blah blah blah blah
and at some point, there always will come an aha!
which is the next best thing to an eureka.
Klvshp0et Feb 2016
****** and bass
****** and bass.
All she want in her face
is ****** and bass.

All she wanna do
is **** ******
kiss *******
and listen to Future.
**** that's why
I won't pursue her.
Love and the essence of life
don't get through to her.
She is an addict.
Running from life
and abusing ****
to get away from it.
So much beauty and potential
but he she wanna be a dumb *****.
She wanna be that *****
or some *****
that gotta man that's rich
and follow the crowd.
Blowin loud.
Poopin xans
and sippin lean.
She ain't never seen
a trap but
She listens to Future
and shes stumblin.
Choppin it the **** up
and mumblin.
Lickin her lips and giggling
because my sub in the trunk
is tickling her pearl tongue
and both lungs.
We are both young
but that's no reason
to act so dumb
and walk around all numb.
When I kick her some philosophy
she doesn't care
all she can think about
is her on top of me.
All in her soul.
All in her face.

****** and bass.
****** and bass.
All she want in her face
is ****** and bass.

All she wanna do
is **** ******
kiss *******
and listen to Future.
The Promethazine King.
The codeine connoisseur.
You can't be a loser
if you wanna get
through to her.  
She needs your dollar signs
and expensive ****
before you even see the ****
or a *** or an *** cheek.
She's fine as hell but
If you ask me
she ain't no Ashley
from Fresh Prince.
She's nasty.  
Freaky and far from innocent.
She wants it blasted
in her face
until she can't see straight.
She wants the force from the back
till she feel it
in her stomach and her back.
She listens to Future
but I'm no codeine cowboy.
She's mistaken me for him
because I'm
as fresh as an altoid
and my eyes are as low as
the unemployment rate.
I set the bait
and there is the prey.
Now she is
all in my face.

****** and bass.
****** and bass.
All she want in her face
is ****** and bass.
Mateuš Conrad Mar 2022
title: copepod
body:
blister-whale:
somewhat: 2. 502 bad gateway give-away


i have to admit, i took a hiatus from listening to
Marilyn Manson... by chance i came across
a review of... either Born Villain or the Pale Emperor...
clearly: i wasn't paying attention...
ever since i missed the chance to go to a concert
when he was touring the Holywood album...
that same year Mudvayne were touring with L.D. 50...
i switched off after their debut...
i switched off from the music of my youth in general...
went down several rabbit holes...
notably medieval music - blues - jazz -
                      some extra-curriculum classical....
but the artist ages... well... so does his audience...
i don't even remember when i started writing:
let alone posting dotty-doodles on this platform:
i had only one focus... for all the ills that the internet
enhanced... revealed when it comes to the interaction
of people: sure... the older generations found it
convenient to shop... to do banking... to book plane
tickets... but for us younger folk... the ones born
into the years prior to the inception of the internet...
this was our time to build up an underground
of communication... for me? what better way to bypass
the gatekeepers, the publishers...
having amassed some readership... 44 thousand on just
one poem? hmm... let me spell it out: 44,000...
if i were to write it out in matchsticks, i.e. |||||||||| = 10...
what is 44,000 of those pretty stacks of arithmetic?
let me see what 100 looks like...
|||||||||||||||||||||||||||||||||||||||||||
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what about a thousand?
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                                                  = 1000...
now... i know what 44 thousand looks like... roughly...
how many spectators were there at Wembley...
for the woman's F.A. cup final?
                                        let's say... 41K...
now multiply that space of matchsticks by... 44...
but this is only one poem... i have... thousands of poems...
some are still stashed on my facebook page:
or rather lost on my timeline...
           mind you: i haven't performed any of them...
why? they don't rhyme: for starters...
i like listening to people sing Aud Lang Syne
on new year's eve... and even Shakespeare can't
beat that... Shakespeare's words were never put
to music... and they won't be...
sure... great meter blah blah... but you can't sing
Shakespeare... so there goes the baby...
with the bathtub and the water out of yer
******* window...
                            i'm more a composer than a performer...
i'm more a composer than a performer
therefore not an entertainer...
i gave myself this: jinx... the moment i start
performing... is the moment i stop composing...
i'll just be regurgitating the very few poems
that might be left in my repertoire like...
Ginsberg... having to recite Howl ad nauseam...
me? i'm sort of in the mindset: plough along...
let's not beat around the bush...
   for all the ills of the internet... there's one good...
the possibility to bypass gatekeepers...
publishers... no one would touch my ****...
and yet: they are printing tabloid spew...
           sorry... tabloid *****...
                they are printing propaganda left right
and centre... my work would be... obscure...
revealed: ha ha... perhaps after my death...
let the people judge for themselves...
                     i'm not saying it's Shakespeare...
god forbid writing that stuffy ****...
                             it's contemporary... i don't even think
i'd allow myself to belong to a movement
akin to post-modernism...
   hell: if **** comes naturally... it comes...
if it doesn't... well... i usually need to do something...
ha ha: "cope"... do some cooking, do some cleaning,
do some gardening... so some ironing of the shirts...
go to my part-time job... wait a year until i'll ask
for references and then apply for a job as a teacher...
or take the current route and become a security guard...
which route would allow me to write, more?
probably the latter... then again... experience
as a security guard... could come in handy...
on a curriculum vitae... when it comes to crowd control...
in a classroom of kids...
    but i really don't want to teach chemistry...
i'd love to teach English...
                   - but don't get me wrong.... some artists /
bands got the mix right... they understood
that there needed to be a prominence of the BASS guitar...
Metallica sure as **** didn't catch up...
pretty much all those kinds of bands didn't...
barely audible... well... with the exception of
the intro on Devil's Dance... but then the bass disappears
into inaudibility...
it's like a post-jazz hybrid... in rock music...
the rhythm guitar and all that is considered "melody"
can sort of *******... let's just leave in the screetching
accents of the guitar... keep the vocals...
but... but... let the bass guitar exfoliate...
   and... let the drums compliment it...
    no no... the drums are no longer the building block...
the bass guitar comes first...
  it's a bit like borrowing from opera...
    bass is the baritone... rhythm / solo guitar the soprano...
yada-yada-blah-blah some minutes later...
songs like the Gardener from Born Villain and
Third Day of a Seven Day Binge from the Pale Emperor...
if you listen to them... you can truly... truly: groove...
you can't stop nodding, can't stop swaying...
you start thinking: how is it that pigeons don't
get headaches? i guess they must be listening to cosmic
music only pigeons can hear... like those dog whistle
scenarios... humans can't hear it...
but since... all birds descended from dinosaurs...
they strut... nodding... head-banging... some ancient
music of the cosmos: ergo? no head-ache...
hmm... and this writing coming from a guy who
drinks like a pirate... and is waiting to do psychedelic
drugs if... he might enter the confines of dementia...
oh yeah: i'm keeping that option open...
should i start to slip up... on my pedantic spelling
and punctuation... i'm ******* off to Amsterdam
to a brothel and some magic mushrooms... ****...
i'll need to get a bus out of Amsterdam and find some
forest... something scenic... mind you:
the Netherlands are not that scenic... flat... upon flat...
upon flat... although... that's the jist of things you see
from the motorway when going through...
i'm sure i could find some beautiful spots to trip...
  should the worst come...
but the artists i was fond of listening to in my youth
have finally caught up with what i was thinking:
where, the ****, is, the BASS?
       ****** music jerking off the solo guitar...
no, please... and all that rhythm guitar...
   challenge the drum & bass crowd...
that sputnik crowd of... turning African drumming
into... a stampede of hyenas on amphetamines...
    boomboomboomboomboomboomboom...
mind-blowing load of headache....
the bass guitar can do two things...
it can set the rhythm... it can set the beat...
but it can also can create an undercurrent of a melody...
oh ****... that's three things...
   early Marilyn Manson did respect the bass playing
of Twiggy Ramirez... but... there was still the guitar-maker
melody overload...
the mature artist... given songs like: the Gardener
and Third Day of a Seven Day Binge...
respects the bass guitar... it comes so gloriously to the fore...
something a band like Metallica can never
accomplish... or Led Zeppelin... all those 1970s greats...
those bands had the bass guitar pop up...
in a segment of a song... NIB? by black sabbath?
and then... disappear... don't undermine the Leviathan...
this rock fusion with post-jazz...
oh of course... there's no section in this music...
whereby each instrument takes a chance to solo...
there's no need... everything is just ******* dandy
as it stands...
             - and where would i be... the internet is evil!
ooh: boogie-woogie! sure... people are acting
like ****-storm brainiac... brainiack... brainiak...
   brainiaq...      just four of the possible aesthetic questions
regarding the spelling of: Otto Binder...
not that i'm a massive comic book fan...
well... if you get a chance to meet Declan Tan...
Declan... yeah... for my birthday he gave me a copy
of... Batman vs. Alien... no wait... it was Batman/Aliens...
published in 1997... i think Declan liked me...
i sort of think i liked Declan...
                      the first time i tasted chicken soup that
wasn't Slavic born... with sweetcorn...
(ISBN 1-56971-305-7)...
sure... it's evil... people ghosting each other...
dark-web ******* inner circles etc., the silk road...
hmm... ghosting... poor Jeminah...
how many times did i play roulette... cycling down
Mawney Road in the past... 3 weeks?
not that often... i tried at least once a week...
not that i'm stalking... but it's a decent route...
it's all downhill... and chances of cycling onto sharpnel
is limited... mind you... never... ever...
cycle into the London borrough of Barking & Dagenham...
chances of getting a flat tire... esp. if you're cycling
on 23cm wide tires of a road bicycle?
no brainer...
   before pulling into Mawney Road... i was...
blinded by a sunset... idiot me forgot to wear his sunglasses...
but i stared at the ***** with eyes wide open
waiting for white phosphorus to start pouring
from under my eyelids...
   oh... i'll be looking at you... until the point
where i see you for what you really are:
but you're never really that when you're at sunset...
or sunrise... it's only at your zenith when...
staring long enough at you... exposes you as this
pulverising... vibrating mirror of fluorescence...
sort of silver... sort of white... but not when you're
coming down from your zenith... you're still blinding...
  - only a day prior i thought i saw Frankie...
Friendrich... her son... getting on the bus...
from a 5-a-side football centre off Eastern Avenue...
turned out it wasn't him:
no, it couldn't be him... over-protective mother
would never allow her son to take the bus on his own...
plus... the kid is supposed to be an actor...
she's milking him... "apparently"... he's into bedroom fun
on a games console... you couldn't find him
climbing trees or playing sports... a *****... basically...
the only sport he might have heard of...
is... boxing... to defend him mother from abusive
boyfriends... where: he'd always lose...
- i was waiting for this moment...
the sun blinded me gloriously...
   as i cycled down Mawney Road...
that's the thing about meeting Jeminah... her dog...
i had these self--inflicted knuckle wounds
from putting out cigarette butts on them...
her dog... oh man... her dog loved me...
he really quickened the healing process...
he licked and licked and licked... and licked...
the scabs off... to the point where i started bleeding again...
looking at my knuckles...
nothing prettier in the world... no tattoo could
compensate them...
so as i was cycling down Mawney Road...
who do i see? the over-existed dog... barking... chewing air...
i see the dog first... the dog sees me first...
i later make out that... glorious colour of her hair...
that darkened ginger that's mingling with oak-cask
auburn... i put on my most impressive frown...
i don't look her in the face... mind you:
everything's ******* fluorescent before me
having been blinded by the sun just minutes prior...
i'm not stalking... she was the one that invited me
back to her home twice... yeah... i know where she lives...
that's when i had that mad moment
of leaving her flowers on the porch...
and a Valentine's card through her letter-box...
o.k.: fair enough... that's borderline creepy...
what isn't... with modern woman and feminism?
          a simple boy can't offer up simple love...
i learned from my supervisor...
the daughter of my neighbour that she's no longer
working for the company...
SLANDER... in H'america you can go to court
for that sort of ****... false-accusation, no?
that's what happens...
when a devil tries to outsmart a devil...
the latter devil pushes on... with gifts... with niceties...
the former devil has no option but to retreat...
to its own, former: hellhole... bog...
imagining someone i wanted to love...
stomach pains... mistaking them for butterflies...
single mum, dating much younger men...
or dating men who were big on *******...
former ex-boyfriend women beaters who ran her
into bad credit rating... with... debt...
i know of the mistakes i've made...
   two... in my early twenties... that's why the rest of
my twenties are a blur... that's why only now
i've reemerged as this extroverted silent type...
in my mid-30s... having plans...
   i wouldn't call it: ******* away my youth...
i'd call it... sorry... what? no, sorry... i was sort of absent...
probably alone in the forest... probably at night...
problem being... she can block me on whatsapp...
she block me on the internet...
       hmm... small world... a very small world...
she'll have to move... or commando the minutes she takes
her dog for a walk... the ******* dog licked my scabs / wounds
clean... he has my blood in his veins...
if he sees me... he's going to bark in my direction...
ghost me, *****? in the good old days...
the claustrophobia of a little city where i was born...
my parents lived... let's say... 600 metres apart...
but it took... being jointly invited to a wedding of fellow friends
that brought them together...
Jeminah can't ghost me... like she could forget about
all those guys she flicked left on
when we worked together on a shift on Tinder...
you can't shake off locality...
i'm practically her neighbour... in terms of of how
globalism comes across... what? i'm not allowed to cycle
down this street? she's not even living on the street i'm cycling
down... she's living on the cul de sac...
but i'm not paying for... the debt her ex...
whatever he was racked up in retaliation...
what a pretty face... what pretty hair: hair that i'd give
up drinking whiskey for... it's almost the same colour...
just keeping to the foundation
of routine... i like that street... cycling down it...
if she has any complaints... she better take out
the scab tissue of my DNA from her dog's gob...
but dogs don't simply: forget who they endear...
with affection... the internet distance conundrum
is not going to work on me... the only way she's going
to ghost me... proper... is moving somewhere else...
small world... small town... in the vicinity of Collier Row...
obviously i'm not going to bother her...
god forbid... i have Khedra to mind...
the ******* that gets all the *** that no man
rarely does... and has to text me: come over...
i need you... yeah... that type...
i cycled past with a frown... i just spotted the dog...
ooh... right... well... i know who's behind that dog...
yep... a flicker of dark ginger: disguised brunette...
yeah... that's Jeminah...
but this is counter to how the internet works...
no? in a cosmopolitan setting?
she can't exactly ghost me...
  sure... she can block me... on whatsapp...
   from a ****-show she herself orchestrated... why?
because she didn't have the confidence to compliment
me, directly... she had to: slander me...
she became one of those... idiotic... sappers...
she self-sabotaged herself... notably? after i pushed forward...
with... wine, cake and flowers...
she became a self-saboteur...
   like i said to one of the other girls: lies don't walk on
stilts... lies have short legs...
just wait... see... i've been alone long enough to know...
certain little, ******... analogies?! behavioural patterns
of blah-b'ah black sheep...
             now... i'm waiting for the crescendo...
there's no denying it... i do drink...
   but... allowing women this "sixth sense" of sniffing out
alcohol on... a person you just met...
accusing them of drinking on the job?
i know the territory... my grandmother had the same
sixth sense... when she turned my grandfather into
an alcoholic... he finally broke down and threw her
through a glass door...
        me? ******* prostitutes?! i'm trying to escape that
headache... keeping it sorted behind a... paywall...
   first comes the payment...
i'm not landing on something that's... ahem... "free"...
- it is a big deal! you slander someone
and in H'america you can be taken to court!
i do drink, heavily... but when i'm working...
i half my intake if not third it...
      i wash, i pamper myself... i end up sober on the shift...
at the London Stadium people either take
selfies with me or give me sweets...
i'm a sucker for pop music and... gelatine infused sweets...
i can't refuse them... chocolate can simply not
exist... but... give me a bag of Haribo...
esp. those sour-sweet types... i can't help myself...
i just have to eat them...
- but, this is... a 2nd Jeminah Revelation...
she... she can't swipe left on me... on Tinder...
i'm not on Tinder: never have...
    i'm almost her neighbour if i take out the bicycle...
i can be round her house in a matter of minutes...
London, even Greater London... has... shrunk... for her...
she can block me on an APP-lication...
but she can't... block me... cycling down a road
she takes her dog for a walk...
               i wonder how this dynamic will work out...
on her mind... i was waiting for this moment...
you can't just... ghost me... when i'm living: locally...
sure... you can... "ghost" me... but... that implies:
you have to move... i'm not moving...
i'm rooted... i haven't been this rooted in a long time...
funny how that works...
whatever it is that works... bicycle breaks...
the wheels... the moon and the tides...
that sure as **** works...
the sun and photosynthesis... that also works...
but... the interaction between women
and men, these days?
sure as ****: it's not working...
  which is, rather... a crying shame...
do we really have to go into interracial territory
for it to work?
personally? i don't feel like it...
    no, not really...
                  whoever takes over...
oh... i'm pretty sure the current white overlords
are planning an ultra-coup-uprising of
being the chosen typos...
               whatever...
                i have lost interest in this world...
from about... 2 years ago?
yeah... the world is sort of automated for me...
i lost interest in it...
the whole matter of the "pandemic"... sort of desensitized
toward any sort of attitude toward Ukraine...
i sort... hmm... ahem... don't care...
Ukrainians celebrated the invasion of Poland
by the Nazis during World War II...
if i'm not directly involved: invoked...
i'm going to play the "solipsist" / pacifist card...
the Pontius Pilate poker...
               i'm out... i was already out...
i just don't want to be involved...
                         is that somehow a Buddhist monk
"sentimentality"?
             to hell with Buddhism...
                         1960s cultural appropriate import...
i'm yet to be rid of the **** Christianity that
turned European barbarism into European
secularism.
Mateuš Conrad Mar 2017
by now i'm adamant at not finding a
publisher...
    what i call step higher
than writing and putting
it into my drawer...
by the way, who wants to
live a publishing furore that
only prescribes autobiographies
of footballers?!
   who?! the masses? the masses
will always do!
                 i'm drunk
and have a glum expression on my
(oink) face...
    piglets coming...
      i will own a michel de montaigne
and never read all of it...
       i guess darwinism is an answer...
literary selection comes with
the package...
             as does that question:
what's normal?
                    it's hard to base a heart
on it, more like facing up to a head
and still not knowing...
if we go through all the rubric of
existence we only arrive at:
the english were right... everyone else
was wrong... and to be frank?
i'd love to senda hundred zeppelins
in the direction where the saxons
succumbed to celt blood...
              what pretty songs...
a bit like unlearning that time when
ulysses asked wax to drip into his ears
while his men took to rigour and oar....
    hard to be the *****-man...
celt girls are pretty, don't get me wrong,
but i prefer to locate my own drinking spree;
celt men love their fantasy of a russian
oligarch princess... i had one for 5 months;
didn't bother settling down with her for life,
hence my ars poesis.
all the regrets you could figure out and master...
i have my drinking habits ready,
i didn't mind to write a moby ****
   or reymont's trilogy of the peasants
either... the glass if full: the gob is empty...
           the bed feels unslept in at 3 o'clock in
the afternoon, the cats are busy sharpening autism
in the garden...
         imitation:
feed it enough words so it becomes
fat?
    perfect excuse for a waterfall...
waking up i thought about the irony of
metallica losing its bassist in a car accident...
doesn't the rhythm section explain it?
isn't metallica the band that hates
bass?
                 it does have bass as intro...
devil's dance is probably the best insurance
leveraged song to example,
a few others fall into place,
but the rhythm guitar overtake the need for
bass, therefore the hush...
   yet there's this overpowering of drum,
i'm ego tripping with this music,
i want to hear bass prescribe the rhythm
and isn't it the case that those watchful of
ensuring rhythm make up too many rhymes?
rhyme | rhythm...
                  i need music to replicate
4 dwarfs *******...
bass, solo guitar and vocal, rhythm guitar
and drums...
alternatively bass, vocals, rhythm & solo guitar,
drums...
      4 oompa loompas prancing on the stage
and the maggot-pit of being part of the audience...
and that divergence spectrum akin to
a micro- / tele-        scope.
             you feeling the itch? my scalp is itchy,
i'm getting these thoughts and can't resort to
a pgf. file encoding... and i can't talk about it in
jpeg. like some god-horrid pic of your
former boyfriend's psychopathy of sending a ****-pick...
how about i take you to the zoo
and we watch penguins bathing?
     kowalski?!                                   hoy!
nugget fidgety crackers of concern,
    scheming critters that need you to invent toothpicks
that people, can suddenly become...
        you want a viking wielding an axe
on the opposite side to face that resonates as crux
comb-over... you don't want the pettiest of
the pettiest pickpocketers that steal from the dead...
you never take that to the plateau of nationhood,
that **** is inherent in singled-out individuals...
i am drunk, and i think i'm being lazy
with spelling... god help me...
      i'd freak out if i had a bukowski tactic
to back me up... dyslexics are apparently very good
with numbers... but they rarely tell you that they are,
good with numbers...
metallica is not too keen on bass: ba ba ***...
based on the concept of a hearing-aid;
you sometimes sop over the idea that it is there
at the beginning of a song... and then it: disappears!
magic... like the story of the original bassist for the band,
who died...
             maybe that's the reason that bass
is missing in all their works after his death, like some
sort of reperation currancy that extends into "the next life".
i want bass man... i really want bass to give it
proper polyphony, to give it layers...
but then again you can train an orangutan
to prance about on stage, crouching tiger farting monkey
look on his face;
  and all in all, the drunken humour i'll
never get to say at a party, if ever a party to attend, or if ever
needing to be funny.
i am starting to see the joke:
start slim,
  end:
                                                                                                   fat.
OnlyEggy Feb 2012
Story time children
gather 'round
for the tale of the man
consumed by sound

It all started with the turn
of a stereo ****
and a CD of a step left dubbed
that allowed the bass to explode
in the place
in the face
of a man innocent to the sub

When he awoke, slightly dazed
bass in his ears
eyes slightly glazed
he listened closely, intently
and was amazed

at the length of the drop
and the strength of the bass
tried to cover ears to make it stop
but found broken wrists rapping
tapping
to the beat, bass, and pounding space

heart attack, heart attacked
by bass and beat and beat and beating
of feet as they started to move
fleeing, fleeting, as they started to groove

Shocked by the abuse his brain was taking
he didn't think of stopping the movements
his body started making
hips popping, arms locking,
twisting, contorting, spastic
as his body was dropping

And as the bass rocked, so did his mind
each length had resistance dropping
each bump of bass had adrenaline pumping
jumping
coursing, pushing the drug through veins, so right
making him feel so, so light
despite

the heaviness his chest felt
keys on keyboards run, leaving him winded
lungs on fire, ready to implode
and when he couldn't take any more
the music silenced, rescinded

Lying broken on the floor
he begged and begged for
the speakers to speak no more
but as his shaken voice left his mouth
his fingers did reach
and with an addictive touch
and he knew what the rest of the night held in store
(AIP)
Slap da bass right up mon.
Slap da bass down low now.
Bump ya sweet ting a little closa.
I just wanna get to know ya.

Gettin' all blem on ya vibes.
You gettin' knocked down by mine.
Bend down, turn 'round, back it up right.
Wanna puff what I'm puffin' all night.

Me nose burns with wit smoke.
Me body's empty, waiting for ya touch.
The bass is slammin' in me ear drums.
The bass slappin' makes me face numb.

Beat poundin' as I slide over
Boombastic rydems like no otha'.
You da noicest ting I ever did see.
Lemme take ya home. Slap da bass wit me.

*Slap it riiiiiight up
Slap dat ******* bass, all up in my face, you tasteful patty-licker.
Mateuš Conrad Aug 2018
.i'm not here for the people, i'm here for the language, having observed it degenerate into modern hieroglyphics of emoji, and the acronym standard of american English... i'm here... for the language... the people? well... they're the people, and will always remain, what they always were... collateral... i can't speak for the organic product of what i am an inorganic byproduct of... why would there ever be a Hegelian dialectic to begin with? rather than a dichotomy? wasn't Kant the one to come up with a priori (thesis) and the a posteriori (antithesis) dynamism? no? then i guess i'm illiterate! must be! otherwise, how so?  i can't exactly command my a priori, given, with some "wonderful" a posteriori substitute of the global individualist! this urban Frankenstein! maybe the English speaker can... but i can't... given they allowed themselves the travesty of grammatical profanity... it's almost a shame, that the asylums closed down... when is cushioned room when you need one? oh... right... denial for the cases equivalent to jimmy salive... you attack grammar?! you attack us all... there's not qualification standards required... not all of us are required to have status as English language teachers... some of us? are just generically frustrated!

would i extinguish
cigarettes into my knuckles?

well... i was trying to
spot bone,..

but the real reason?
ha ha!

i was attempting to
count the number of eyes
on a tarantula.

not a funny joke?
i get it...
   i wasn't aiming for funny...

ever watch the grooving
bopping along,
seduced by the rhythm
bass player in a band?

you'd thin it was the drummer...
turns out?!
the intermediating
   focus....
   bass is all rhythm...
there's no such thing
as a rhythm guitar section,...

hardly any drums in
a classical music composition...
bass...
the subversive underlying
principality
of the fiasco...
the...
                          Pandemonium!

set your eyes on the bassist's groove...
pursed lips...
mm hmm ya ha...
           the *******
blood suckling artery
with not need for metaphor
presence of a band...

bass... bass... bass...;
hence the missing E i guess;
was, and always will be:
the base and bait
for listening to 20th century music...

whiskey lime & pepsi?
***** lemon & pepsi?
can't tell the difference,
both sound equally promising...

it pains me, to agitate a drummer's heart,
imitating a beat
without any drumming equipment...
bopping along, sly, shy,
and sometimes awry, fired up...
        
there were a few things i'd love
to have become,
a prof. cyclist doing the tour de france....
a vet practitioner...
    among others...
   what did i become?
a mediocre poet...
       a spewer of words
rather than their instigator...

had i ever the ability to write
pop **** jargon of
lost and wishing for awaiting loves...
i'd **** one of those
housewife harlequin novels!

alas... not to be, not to be...
     guess i tapped into Russian funk...
that Russian ex-girlfriend?
apparently she likes my writing,
she said: you should get published...
i did... little as **** did that do to
me in securing a stature of possible
fatherhood and a Tolstoy town-house
in the middle of St. Petersburg...

    i wasn't a priori to fiddle that
******* out into a castrated bull
******* an ****** with no *****
but pure muscle tension
of the phallus...

   wait... you never ****** off
as a man, prior to producing *****?
feel sorry for you...
guess the whole abortion debate
is killing you...
          you know...
  that's almost equivalent to theft...
what happens on the throne of thrones
and is dumped into a tissue?
ditto, i.e. remains there...

       thieving *****...
                  huh?!
                    **** it... do the Islamic take
on thieves...
ensure all the western men have
their ******* arms cut off...
to stop the thieving with
western culture jurisprudence
in-acting transgression
of transcending the allowance of
abortion, and...
enforcing...
                whatever the ****
fatherhood means...
when?
     a women proposes to you...
and then decides to throw away her
engagement ring, she, herself, chose...

as if... she never had the notion
of being young and being poor...
**** me! she forgot the beautiful part
of the equation!
  i liked her doughnut over-sized nose...
i loved to teasingly bite it
during *******!

      **** me... that contorted
face, Francis Bacon-esque
in the mirror doing *******?

      mmmmmmmmmmmmmmmm...

look here: FULL MOON ALL OVER
MY FACE...

         there's no revenge ****
in this scenario...
                
  hey! resurrect the Bastille!
and i'll be the second Marquis de Sade
screaming the revolutionaries!
YOU FORGOT THE JUICE!
the juice?!
YEAH! THE MOLOTOV COCKTAILS!

                anarchy...

       what order is there to speak of?
when grammar is secondarily dictated,
outside of the teaching profession?
     these people are teaching me language,
or secondarily indoctrinating
me into the abuse of language -
with political bull's diarrhea?

   can't have one and the other...
   you attack grammar?
        everyone restricted to a grammatical
conventionality, will...
spank you with a naked russian saber...
   i'm not here for playing
unorthodox language games
outside of crossword puzzles
i don't entertain having the capacity
to solve...

               you play your game...
i'll play mine...
i have the integrity of the English
language at stake...
   not this post-colonialist quasi-English
*******!
Why I’m not “All About that Bass”
So I’m in my car cruising down i-49
When I hear a song with a kickin-baseline
I'm all about that bass,bout that bass no treble, i'm all about that bass
I'm bringing ***** back go ahead and tell them

STOP
Excuse me?
When did ***** leave?
How did ***** get there?
Was ***** on vacation?
Where they at tho?
Yeah my moma she told me don’t worry about your size*

But not because in a patriarchal society I am valued  for my ratio

Of hips to thighs as handle bars for my man to

“keep me grounded”

But because I was beautiful anyway

I am not the number sewn into society like the waistband of my jeans

I am the number of times I look into the mirror and say “hey ****”

And if society is too lazy to know that beneath  these eyes but above these hips

And behind this full chest theres a heart

Lets be real

Were not going to blame Meagan trainer

She probably didn’t even write this song
but why are we idolizing these who only look to sexulize the femaile body instead of holding us to
a higher standard

and just think

you are perfect, thank you pink

we can be stronger, thank you Kelly

And no matter what we are beautiful, thank you christina

Why aren't these the women we are idolizing?

Because according to hot 107.9 its all about the *****

I am not something you can put into a box something you can stereotype

Just because i have big thighs and a ***** to match doesn't mean i want it to be pointed out

or catcalled every chance there is.

my body your body everyones body is their own

and deserves to be treated like its own perfect stronger more beautiful self.
i am strong

i am perfect

i am beautiful

my hips don't belong to you

my ***** does not belong to you

i do not belong to you

And thats why im not all about that bass
Arlene Corwin Dec 2020
Bass Deluxe: Ron Mathewson

Bass stands against a wall.
A singing, dear, expensive bass
Unused and tall,
Its agoraphobic player on a chair he calls his ‘throne’,
Alone, with daily cigarettes,
Watching TV, living in, on the touring pasts.
Half understanding - just half understanding
How great and talented he was.
Perfect recall, perfect pitch
All he broods about is what he’s done -
What was attained long, long, long, gone.

Life’s contradictions:
Great gifts. great restrictions.
One feels the ache of disappointment:
Talent that resigns from life with that great depot of accomplishment,
Finely filed on disc and film.
Not to be bettered, that bass with its singing-ness.
Like men of genius gifts and neuroses,
Ron’s bass was divine, a mine of nuances,
Shades, silken tones, harmonies endless.
That sensitive ear!  What chords he would hear!
Phrases he’d play on!
A multi-boxed crayon.
He could pluck, he could bow .
Did his intellect know why, what, how?
He just did it!

The box of wine, that pack of smokes.
The emails, phone calls, stockpile of anecdotes;
Remembered peers, recalled remarks,
The names of tunes leaving their marK;
The taste and technique, the recall
Combined, his all.

Yet all that one can say
Is that one of the ‘chosen few’
A treasured, master jazz bass player
Lived his last day
On a Thursday, 3rd December, 2020.

Bass Deluxe: Ron Mathewson 12.9.2020 Vaguely About Music II; Birth, Death & In Between III; Special People, Special Occasions; Arlene Nover Corwin
Mateuš Conrad Jan 2017
i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c
Mateuš Conrad Mar 2019
genesis: it could have been dinosaur jr.,
or blind melon,
or for that matter: nirvana...
punk: whoosh!
scalped me...
                to the point where i wasn't
able to tell the difference between
a skin-head or a mohawk...
i'd still watch the back to the future
trilogy many more times
thanstar wars...
   because that's just what you did...
prog. rock revision?
a bit hard to revise the king crimson
debute...
but tool managed it...
   forever and through to this day,
and a tomorrow,
i will keep my respects to bands
than respect the bass guitar...
      metallica?
i must be tone-deaf...
sure, you sometimes hear the bass
guitar, but most of the time?
no, nope, can't hear ****...
        did drums and rhythm guitar
just gobble down the bass guitar?
late punk, pop even,
akin to early offspring?
or, rubric grunge,
   starting ground?
   pearl jam, vs. or vitalogy?
your pick...
                            yield...
and memories of 1998...
a year... or just a year prior...
fiddling with a daewoo
t.v.,
fidgeting, while getting reception
of a news channel,
that broadcasted the death
of boris yeltsin...
   it's not exactly nostalgia...
if the years you're making references
of, you were alive in...
how's that nostalgia...
         nostalgia is either
nietzsche or hölderlin referencing
ancient greece...
   **** me and **** all
that ancient theatre...
               polite society my ***...
more like:
of those who would later
encourage dyslexia...
   maybe i was never gen X...
punk hard-on
    cut-off the phallus,
replace it with a gyrating *****...
   of my youth?
   well... inclinations
surrounding depeche mode...
vs. the cure...
the earliest fathomable example
of precursor-goth...
but, me? mostly grunge...
red mosquisto by pearl jam...
   subsequently:
- nothingman
- indifference
    - rats
- red mosquito (****, i already mentioned
that song)
      - and some other,
out of the oeuvre...
   stray dogs, strangest tribe...

you know how long it took
me to find a radio station
that i finally bound myself
to not mind?
  20 ******* years...
go figure...

             but all the bands who
recongnised the bass guitar,
didn't fall foul with the rhythm
guitar,
  and the jerking off of
the solo: ***-ar?
         nice verberation...
the over-layer of the subtle rhythm
to the otherwise crass
expression of drums...
it's like some of these rock
bands, never bothered to listen
to the famous five of the jazz quintet
standard...

    you need bass man,
you can't over-compensate
with rhythm guitars, solos,
and vocals...
drums is not some background
noise,
and bass?
        bass smooths over
the drums...
rhythm guitar, solo,
and vocals are just additions,
to what desires a common
thread architecture of
substance...

        perfect example, again,
metallica:
you know how hard it is...
to pick up a bass guitar presence
in that band?
you'd have top, topping
being the deaf Beethoven...

now you can ask:
why would i write, something akin
to this?
   i've seen enough of masks,
to know what's genuine,
and what is merely façade...
   perfect, me? b'ah ha ha ha!
   yeah... like, maybe tomorrow,
in a decade's passing,
but not really...

             pristine people,
are only pristine,
depending on how they use
cutlery, or are able to fold
a napkin...
      flying a ******* kite is not
going to cut the basics of:
deviating from said *******...

any pervading allowance
of i.q. leaves you with one option,
to trust, always, and everyone,
until the one incident,
which makes you, subsequently,
trusting no one,
                   and never again...

i can only reason with honesty,
on an unsuspecting crowd...
the rest...
    settle for comment sections,
for sycophantic measures
of debate...
   i'm not better...
              only that...
              i know there's something
better to be had,
from this, allocated
meagre experience,
                     to begin with...
for one...
i do not understand the concept
of stray cats...
stray dogs: that, i can underatand
as a paradox, given their ontological
aherence...
but cats?
        cats are not exactly adherent
creatures...
       you must have seriously
treated a cat like ****,
                if they "became", stray.

i sometimes wish i could lie,
but then i wouldn't be drinking,
and if i weren't drinking...
wasting, so much time,
on a lie...
                 while succumbing
to an errosion of imagination,
for fakery?
personally? i rather drink...
and blah blah my way through
to the next day.
Mateuš Conrad Jun 2017
oh god, what a deer of a girl, i walked into the antechamber of a supermarket, soaking wet from the rain, and she walks from the opposite direction, looking lost. i enter the supermarket proper, buy my **** (*** & ms. pepsi), and as i leave, she's stranded in the antechamber, secluded, standing in the corner, just by the doors... she came to a supermarket, but wasn't intending to buy something, anything... i don't know whether i'm over-stating a case of paranoia, or just plain suspicion, with regards to the event taking place... but **** me... better suspect some ulterior motive with regards to what just happened, than try to extend a terrorist attack narrative.

and the holy trinity of bass players in my generation's
            repertoire?
             **** going back to *john paul james
,
        or paul mccartney, or roger waters...
           metallica gave us these three idol-worthy
bassists, after that accident that killed off their original
bassist, and they hushed the bass guitar,
           to the point that there were only two layers
of rhythm in, pretty much all of metallica's songs:
rhythm guitar & drums...
           i've lost respect for bands than don't allow
the subtle sound of bass guitar to be heard...
     it's a bit like abandoning the evolution from jazz...
in jazz... each instrument was allowed a solo,
to set apart the rhythm, and move toward each
of the instruments present a solo...
                 it's not exactly a philosophy of chaos...
    but at least jazz was fair...
                                            you could get to nibble
on each instrument in the band;
   and thank **** it wasn't supposed to be organised,
but could break away and compose it's own
"15 minutes" of fame;
   and i always respected bassists more than i'd ever
care to worship jimi hendrix or jimmy page...
  only three names stand out...
   michael peter balzary (red hot chili peppers),
                                         justin chancellor (tool),
and last, but not least
tim commerford (rage against the machine / audioslave);
can be ****** admiring those ***-licking
     solo-guitarists sometimes, esp. with these three guys;
i lost my respect for metallica...
           i can't hear the mediating layer of rhythm
   of a bass guitar, that could reconcile rhythm guitar
and drums... i have no respect for bands that do not
respect bass guitar; sure, it was a tragedy that the original
bassist died in sweden, but come on!
                   in the album st. anger... you disrespected
bass, that you made the drums... too crass!
if there's a psychology with regard to music?
   the bass guitar is the subconscious...
         the drums are consciousness,
    vita cor meum deus rhythmus - rhythm is the life
                               of my god's heart...
and rhythm / solo guitars? that's the unconscious...
      i know, "paradoxical" placing the drums
as the conscious element in musicology.
like know just time mind life feel world lost say we're things think love there's does people night away way thought got words long reality want better left make end eyes day man human dark experience remember really right death memory going place high good live city thoughts soul meaning great pain home sky believe shall change living oh fall light choice god consciousness existence years cause hard feeling thinking fear times 'cause dreams ask alive heart need past felt days dream sensation truth true use power knowledge wrong stars understand baby tell state thing face wave broken old you'll wave new broken nature you'll **** mental look far ah drug moment best ago air lose sleep dare try leave beautiful blue born lives escape sublime doesn't body dawn friends waiting feels young daze game control perception gone story mean sun head given writing act difference reason poetry philosophy psyche little trying touch deep greatest wonder choose drugs exist we'll moments score hold play 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asleep course skies crime surely grow depression write loose fair ecstasy knew dreaming humanity waves share taken simply faith playing sands view fix winter afraid began wise welcome comprehension sought late big zero table says bliss changed repetition everybody blame unto maze understanding mr explore states ignore addiction venture define teenage american humans billion she's wasn't 'til sonder walk smile tonight speak dance skin blood breathe fears illuminate worse peace girl crave easily emotions feelings **** having force ways lets catch meet hair doors worlds hearts destroy heard walking near hurricane wisdom lights second suicide ignorance fresh waking sadness grand happiness appear rising scared save join adventure neon outside alike liberty particles wonderful compounds killed somebody grace merely closer company desert master twisted realm respect trance ridiculous *** exile pondering noble dangerous absurd nation progress culture contradiction perceive irish urban phenomena cyberspace scoreboard psi ain't you'd mydriasis entheogenesis **** ones taste throw watch painting room alas lay history spend apart sea staring poet fact cut smell happened admit river wasted brought leaves making answer sorry glow learned decided grasp breeze bed begin pretty floor lived sole sand cure awake sight tears barely kept running safe roam willing prefer mist heads asked prose wandering sounds imagine looked hour growing recognize soon falls mirror treat ***** brother climb hero problems granted digital proud changes birth quest age spring aware doing witness names amazed ****** despite takes condition intoxication level beginning worked pupils decision object insanity rhythm medium quality weather physical false process strife individual journey doth code effects abandoned channel judge notions moral swear experienced greater chain natural thunderous cleanse determine shivering hallowed plus reckon caused adolescence media superposition addict connection indigo ethics survived definition reasoning internet feedback vibrancy serotonin cyclone hacker sardonic surreality virtuality here's he's sunyata temporality ******'s empathos apotheotelos flash shining green forever anger carry son moon selfish written supposed feed ya quite loop hooked pure feet hole paper flag sick voice burning attention fly utter wicked tremble endless form infinity talking piece shores verse chest rules food placed plan hallelujah called gun fading drinking emotional measure inspiration suffering belong west read sly instead bear erase furious shame conclusion drunk roll ******* depressed calls taught died defined tire everyday answers sacred acknowledge speaks perfection games ground spoke stood motion sway keeping pretend hell movement magic park key spin kick sake jump hanging animal begins orange streetlights fade crazy honest warp puppet chained survive apathy chains claim prey science diamonds begging grip tale hang powerful wonderland heal dealing plant twice painful daylight mastery desires recall school conviction miracle yearn empyreal weekend actual court value chalk hurts humankind rabbit eggs potential offers temporary pupil atlas nostalgia serenity happens yearning ponder hypothesis worthy witnessed ideas azure tools alpha curiosity consume singularity typhoon revelation stimulant liberate application projection criminals communication throes fraternity enables actuality starshine ethos apotheosis sardonicism aren't mind's teleology empatheon entheos hear mydriatic transcendention fight tear ash minutes wanna taking nights forgot tales lest desire lust darkest single shine slow allow destruction money comes anxiety contemplate nostalgic offer continue happen ink brings brave created holding create thunder produce talk sail philosopher creating distant illuminating drive dancing ease wishing higher pass excuse figure essence angel hopes child ahead sigh using door vast loves awaits strong tornado ok sorrow immortal ghosts certain remains stained insane reached lot discovered plain poison streets killing ending tried session vs poor woke stare watching grass slick emptiness falling box painter series children virtues awareness clean rolling reach advice heavens rend half cherish bay started relax focus laughed ashamed fiend melody drop exhale void occurs beneath win chose robes thrall shield ended sons normal sunrise road forged onward burden actions unlike colors curious street observe chosen silence shades returns technology race vengeance swept bag civilization strive reconcile trouble cloud described replaced substances whilst finding euphoria dear chemistry events deal message eternal masses beliefs vision apparent honestly dr seeing idea domain soar books frames rule law pleasures eat dread bare blaze raise compassion kindness wandered objects expressed sin declare mistake smoking drum heavenly honor lands fountain renew happening aspect gotten issues divinity teach matters pills goal follows significant job romantic gazed envelope elements identity group sell foolish lucid dimensions brothers owe education november difficult recognition express properties glitter considering illusion appreciate discover resonance derived transcendental buzz notion risk scares riot rainy teaching drizzle direct experiences elation normality quote evolution versus lamplight method reflective endeavour cloth eats teenagers eventually haul club result relative breed threat subjective concerning solstice interpretations allows rational ultimately basis aligned numbness hypocrite charade morality dope chaser continuum undead exploits aeons research freeman appropriate ion ****** teachings dilation binge beatific intuitive transcendent escapism psychedelia metaphysical beta untitled mescaline otherworldly dreampt contextual experiential symbiosis codex dissociation cybernetic weren't life's let's mirror's well-being any-more entheogenic junkiedom signifiers mescalito zero-summing won't 'pataphysics window million pair logic alright whisper stone walls notice fun picture lips whispering dying wanting hands pull remained pieces poems built push house choices united turns blessed lucky drifted sane demons demon external slowly worst angels town needs needed drifting watched abyss crimson liquid arch planes add souls questions leads flicker thousand swallow note strings player despair offering realms drift caressing enter gentle closed bodies letter beat gorgeous indescribable smiling laughing probably pick grown shade precious shooting background yesterday woman ocean sober lead clothed ghost flows turned conscience alphabet contain spun luck atmosphere vagabond completely surprise rock creed drawn book autumn rays spinning bottle early regrets lake kids sad acceptance stuck melancholy formed slip draw clearly scars collapse del sit satisfied jungle realized bunch favourite laid fit breaks notes plans anyways spoken produced echoes den trees steps ugly cover explained glance stole gazing current raised travel scratch haunts played women apathetic conquest naught goodbye midnight asking passed waste loss fallen rapture absolute positive walked mistakes lately bound patience nurture fog stranger men wants prevent forfeit asks arose easy quick sing allowed prove pitch mad closest deeply tides praying root poets sentence pulse nightmare deem coffee commit golden insert mock innocent whispers offend low tea strength captured attack stories baseline joint innocence neural chemicals plains blanket dripping reflect blink concepts psychosis plucked tidal radiance roar bathed wonders thrown moves suffer unspoken exists glad shroud plunge scorn bane asunder enslaved harvest possibly fail allure drank danger unsaid veil gravity assume sum receive bloom reveal odd whispered likes news fractured wisely gathered seraphim intention wrought plane weeks mere haunting aspects ha distance hungry eternally swaying eden foretold breach advance pains balance design event forgive significance confidence error alter paying unreality cost chronology thoroughly resembles vivid steal poetic illegal understands maelstrom temples amidst perpetual lesson pathos behold reborn produces scale heaviness ascend talked **** forsake valuable andor relinquish dismiss usually kid nervous sort fierce disguise demands abandon encourage avoid minor relentless identify loneliness web alchemy cosmic rhyme coil suffered basking dropped standard spark mates hearth swore steam myth native wonderfully occasionally solace ventures determination galaxy opportunity justify political prophecy steadfast healthy forsaken chapter facebook worried ex struggle shatter gentleman including convinced profit comfortable twine deity responsible adrift sage fortune immortality theft damage examine deliverance ultimate immersion response access test physics magnitude occur member relation acts theme signal shivers mire coin planet anybody vicious nirvana pendent applause glimmering benediction consuming glint refrain renewal myths manifest nocturnal reflections limitations teenager naturally material matrix columbine giveth inseparable singular proving lifestyle coherence humane ideals starlight sincerely prudence underworld infamous perspective presented pretends excitation viewed regard enhanced zen reverence arcadia theory realization typing construct statement subjugated exploration vote hazy reaper **** streetlight artificial trespass definitive device exceed complex finality surreal petrol proposition inspiring totality originally recurring narcotic cometh juxtaposition reckoning represent inability proclamation syntax continuity nevermind avoidance irrelevant veracious arcadian commence rumination aesthetics ubiquitous nonetheless variable exploit experiencing underlying villain cola rictus ketamine corporeal electronic graciously input cannabis manifestation comprised socially proportionate insofar ethical hedonism junkies vicissitudes cognitive determining psychiatrist palindrome lucidity remix reduction dissociative reclamation detract aer enhancement intoxicants qualia world's shouldn't wouldn't other's nothing's man's summer's today's who'd everybody's y'all 'the all's t'was ethereality thought's drug's noumenon skystruck shroom alexithymia transhuman you- -the in-between self-sufficiency -one zed's 15 11 liminality immanence adrenergic symbionts sublimeoblivious medina's buckfast psychonautes determinative serotonergic psychedelos skyglow cyclica 5-ht2a noumena pharmahuasca jeans role proper loud aching grows concrete cruel strains conversation ill paint wet couple calling mouth kiss senses case keeper torn pause middle setting whats pulling bone reminds likely remind wrath karma reading sunlight prone ***** phrase enemy familiar levels careful source adolescent small straight driving courage rush flaw suppose starting deny stayed weary worship trust turbulent troubled letting absence leaving wearing college proclaim spirits gather ear lady hey garden boys winning alcohol pay foolishly banish song cross encounters plays belonging famous shift burst alice tunes hood flickers glimpse gleam fleeting grant ride deja vu anticipation spot switch boyfriend order faded wrapped definitely short fish beach clock older dusted block station anchor longest deserve passing mark awhile lovers muse ache island totally existing comfort pride phone greek apollo bleeding unknown psychic powder remembrance tree train helps painted gambling tide tired acting blow build apologies silver fabric especially suspense band cascade flawless heat hunger nearly numb bread bright minus wide looks differently dive beating veins settle turning couch holds saying impression suspension meaningless plastic rich pointless occupied brief tiger sticks stones mask cake bitter concentrate drown forbidden shell dry walks unless regardless moved type shirt lone burns songs negative momentary staying police swing unseen ability analysis worries determined dreamt sink hopelessly chances abuse palm week existed ignorant blind dice sheep agree joke spy spill odds immeasurable *** pushing wanderlust softly midst presents blade guided ripped round ball lovely rhythms beats cars glaze wash fates evening vein gloss juvenile sides faces graces month circular rung wheel rises permeates father supreme portal liked rip fades october sitting grin showing surrounded explored opened confused wall quietly deftly scene sighs lingering radio altered evaporated suns dreamed vibration important appetite exactly devil inhabiting brains ordinary beckons constant local organic soothing linger meditation moonlight lads height ethereal simplicity kinda cigarette suggest violence blew bombs arise trips predict surface guy movements grey car stepped large bank forward landed lied ancient purely crash direction inspired release warned melodic rhythmic telling mysticism blues riddle blur floating drama neck lover nerve poisonous glare factory wage character suburbia escaped gates suspended followed pierced hall marks ruled influence functioning contained losing stopping effect electronica relate fed temper facts dependent malleable convey bent delve horror wolves won lacking certainly fooled temple oblivious watches extension molecular random subtlety rem price sear covers truths judging stage frost conditions victory millennium realised confront trickster eve daughter defines awoke terror remembere
Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
Mateuš Conrad Apr 2019
.i don't know any other music genre, where the bass is left alone, left exfoliating married to the drums, and the guitar? there's no such a thing as a rhythm guitar section in blues... the guitar is consrtantly married to solo... to a sense of orthography... best represented by ´ (the acute accent) without an o: to cream out a "hidden" u, i.e.: ó... or a cedilla (¸) bound to a c: ç to form the greek sigma (ς) - e.g. garçon... waiter, waiter: i'll just wait... that's how i see the blues guitar... the rhythm guitar isn't there, the bass is married to the drums... but the blues guitar keeps the rhythm in a "funny" way... pair up john lee ****** with lightnin' hopkins (on the piano)... and you... keep rhythm, by working solo accents into the rhythm set by the bass and drums... you rhythm by a continous sparring with the solo - you solo by ensuring your remain in the confines of chord, or something much -esque to a chord... milk, cream & alcohol... again and again: the blues... oh my dear the blues... where the rhythm of the guitar is kept with constant soloing... sometimes engaging with the bass and the drums for a reference check of rhythm... but mostly: solo the whole **** through... but it's not the sort of soloing associated with hair metal of the 1980s jerking-off for performance art piquance... sometimes the solos come in the form of chords... it's like i said already... layers:

         waiter -   garçon
                                 and garcon
                                               (¸)

blues guitar? the latter...
                                             solo accents...
rhythm of syllables: gar-çon
                              but mostly gar-con
                                                         ­  (¸)
since the bass and drums rhythm section
is so perfected in the blues,
the guitar is allowed to do what the hands
want owned by the devil...
        a thorough solo to keep the rhythm...
the one genre of music
where the solo works like a rhythm...
     instead of that in between section
of showing off
between verse chorus verse chorus solo chorus
standard of rock...

     another freedom given to the blues guitar?
the rhythm set by the vocals,
of repeating lyrics...
hell... if someone is going to sing
and play at the same time...
                  why explore lyrics as some sort
of narrative... ping-pong along
with the freedom of the itchy fingers...
by having no real verse,
and no real chorus...
                just a steadied momentum...
        and you really need to drink to appreciate
the blues...
                   just like all the hippies
will tell you that dropping acid enchances your
chances of enjoying the 13th floor elevators
or jefferson airplane...
              i don't know which is better these days:
jazz or blues?
sure as **** not rap...
                       and they say the slave trade
was all bad... sorry...
      without these west africans budding
in h'america... i'd still have a clarinet shoved
up my ***... or folk songs...
                  or mozart's woodwind imitating...
or vivaldi's *******' worth of spring...
yes, and we all know that Idi Amin was white...
wasn't he? who died peacefully while
under asylum in saudi arabia...
           Idi Amin was white! oh come on!
he was the last king of sctoland!
              on a side:
   they were picking cotton...
             well... at least they weren't working
the ******* coalmines... where they now?

ever watch that video
of milo
  yiannopolous:
       congresswoman
ilhan omar
           (d-mn)
       addresses
david horowitz's west
coast retreat?

where is the old milo
gone to?
anyone pick
up on the heavy breathing?

there's the stag ***
of only 2 years prior?
he's not here...

         i was never into making
videos,
only because i just liked
those japanese godzilla
movies from the late 80s...

and i'm still a sucker
for modern pop,
currently?
           mabel - don't call me up...
huge, huge sucker
for the expected reaction
to pop music...
synch. vocals and
a very limited circumstance
of lyrical poverty...

sucker... might as well
don a dunce hat...
elsewhere,
on the ibernian peninsula
it's also called
a *capirote
...
and **** gets freaky...

i agree...
the northern crusades,
the polacks became christened
in 962...
   the teutonic knights
were ready
to explore lithuania...
we were about to allign
ourselves with them,
ergo: defend them...

            the concept
of reconquista came after
the crusades...
         i'm pretty sure it came
after...
           jihad is reconquista...
worded differently...
   is it? the crusades were one
thing...
     jihad = reconquista...
         the current form of jihad?
it's like crusading...
     to claim a jihad is to claim
reclaiming lost lands,
there must be some muslim genius
who could come up with
a counter term to jihad:
the jihad on the offensive...
rather than on the defensive...
we need some muslim genius
to come up with a conquering
ideology of islam...
   umayyad script...

i'm reading into the video
and i'm like:
is he angry...
       or is he simply scared?
all that heavy breathing...
maybe it's both?
   do i "think" about
throwing him from
a roof... are you sane?
as they say:
in a mad mad world,
the only sane people
                    are the madmen...

talk about memes finally
coming across "genetic"
mutation...
                why are all the "liberals"
and "progressives"
so surprised by mutation
creeping into memes?
doesn't that usually happen
with genes?
so... what's with all the outrage...
if memes exist outside
of the biological reality
of genes,
then... surely,
any counter-thought
from the est. order is equivalent
to a mutation, isn't it?

               so... what's the outrage
about?
    well if genes are going
to by hijacked by a mutation,
why would memes be immune
to a mutation,
akin to the o.k. hand sign?
you want a script?
i learned this at primary school,
but you need two hands
in tow:

   (right hand RH,
left hand LH,
   thumb TH
         index I
      ******* MF
        ring finger RF
pinky P)...

and now the motion

   RH (I + MF hand down) slap on the
the LH palm of the open hand...
   RH (I + MF hand up) slap
on the LH palm of the open hand...
RH (I + MF
               V shaped insertion
of the V shape into the LH's
side)
      clenched fist of RH slammed
on the open palm of the LH...
clenched RH with an extended TH
poiting toward caesar's favour
in the coliseum (thumb's up)
moving away from the LH open
palm...

   translation?
   why, don't, you, ****, off...
primary school,
some of the kid's parents
must have taught them this sequence
when their children told them
that some foreigner ******
was attending primary school
with them...

                   poor milo though...
notably in that video...
           he's either really angry...
or he's ******* himself...

i'm still left with this sign language...
i don't even know if it's correct...
a kevin spacey "conundrum"...
i'm not exactly going to, *******,
am i?
                knitting and picking
points of criticism...
   made easy:
   no niqab, no turban,
   no copper skin,
             no black skin...
no wonder my fellow countrymen
are leaving
with a massive F          and a U
from this island...
                    good for them...
if i was sane enough,
i'd also leave...
      but given that i'm also a dual-citizen...
well...
         milk the ***** for
her last worth...
    this language...
                    the people are another story,
but my lover affair with
this language is exactly
this.
like know just time mind feel life world say people things lost we're does love think there's away long way thought night got words want better day human left right remember man dark end reality memory experience going make really eyes place 'cause good death tell great feeling soul home high consciousness live pain thoughts fear understand fall thing city sky believe god meaning thinking lose change oh felt hard ask heart times years shall need past light living existence choice use dreams power days cause poetry talking state we'll alive knowledge **** true moment little hope old wrong mental stars wave ago gone broken look brain dream far given truth feels head you'll best sensation baby try leave forget young sleep face stop escape blue dare drug lives wish doesn't drugs work earth new acid game nature bad sublime gods break beautiful ah writing hold born trying coming friends hold writing ah space daze burn body reason rain real moments wonder music memories exist psyche control waiting dawn future act philosophy word choose emotion lies deep one's difference self score truly perception actually finally what's story sure spent play happy greatest help start used lie took listen touch run belief fool glass hurt we've gaze goes cold set seek they're yes information anymore longing lonely qualia social land water afraid kind getting came dead hit present keeps gotta pleasure reflection free rave line held pray path sense art black half-light wake question quiet remain longer pill stay course open ego matter places worth lack horizon saw dusk beauty hand makes energy looking gonna data told seeking die **** seen subtle bit caught venturous means freedom yeah divine eternity empathy later rise perfect minds edge comprehend spiritual write couldn't evil care ashes summer knew turn content context accept existential white red sound chance who's consider hide judgement friend 'til realize dimension cast gave tripping praise health la enjoy search universe winter broke empyrean gain family personal spirit flowing wanted point poem lying wander loved wind knowing sleeping rest stuff doubt flow began embrace months knows discovery society hate aeon darkness chemical surely searching meant oneself infinite share forgotten fell late person religious conscious *** you've teenage blame eye instead different clear bring follow known decide forth strange cool stand we'd miss psychedelic passion today wasn't language catch purpose patterns tonight subject madness temporal ready simple sanity asked entheon absurdia entactus psychedelics metaphysics humans particle unto skies inside arms drink smoke bass youth breath listening close depths intangible expression mortal nostalgia practice return loose maybe dancing shadows king war answers morning silent dust ****** party generation near judge define asleep quite machine lines moving learn hath fate ate crowd standing haze guess brought certain fair read ways hours irish scared fine reckon possible ain't year psychedelion ******* apotheon substance isn't study bliss selfish ends warm dopamine explain fix addiction culture respect wisdom calm hurricane problem contradiction heaven forlorn vain gold sweet hidden effort fast she's breaking changed engine faith dance maze alas girl sigma watch grand heavy justice wait tried doors appear phenomena definitions somebody ignore feelings process sonder cybran soft depression chasing taken throw answer action relief having wandering compounds quantum necessary effects empathion ethos begin everybody rising clouds emotions indigo falls ecstasy fresh american walking glow outside speak force grow physical says view voice happiness shame sought age understanding lay individual billion explore crave pretty lights comprehension tears big sands crime waves taught forever venture adolescence welcome humanity comes zero storm wise claim swear sounds pass **** met he's internet mr table company repetition heard playing ***** mirror lets awake sorry doing dreaming states pondering ridiculous simply greater heal hear natural mydriasis mydriatic substances fades asking measure worse scoreboard destroy erase blood leaves worlds abandoned skin twisted walk grace smile fading illuminate hearts bed food ignorance admit drunk spring exile apart killed talk master meet waking chose neon adventure join **** mist aren't breathe psi laughing feet river trance wonderful floor hair desire breeze birth desert fade looked urban continue nation probably second belong willing alike criminals progress cyberspace sole survive names pills fears beginning digital you'd sadness easily depressed perceive surreality poets merely remains sober closer prose fact growing died save insanity defined session soon realm empyreal taste suicide science skins quality peace raise ashamed azure quit yearn piece notions absurd noble liberty entheogenesis reckoning feedback particles object reconcile baseline chain sardonic false weather hallowed intoxication wasted ******'s here's express cover green witness anger treat sacred pure cure ethics code objects level happen room addict smell fun climb pupils mere ok quest roam park meaningless form hour reasoning cyclone laugh nostalgic inspiration takes attention drop written sigh hole statement sand keeping thunderous sight despite grasp lived called drinking west heads spoke daylight staring song calls hell shivering kept recognize granted weekend problems decided aware happened hacker forgive sea key single moral sway definition caused connection channel difficult media strife dangerous ones cleanse imagine running utter ground spend vibrancy trees changes rhythm everyday group deal foolish hurts anxiety painting proud brother crazy amazed value temporality decision journey spinning making ha acknowledge learned scars apotheosis sort serotonin poet safe experienced potential lucky sunyata condition poor witnessed history doth barely pretend taking hero superposition plus suffering prefer offer won't medium empathos essence events reflect apotheotelos actual determine house issues worked begging virtuality swore gleaming sly gentleman wicked abyss feed lands tea moon miracle honest streetlights tale lust nights early chained allow placed life's actions emotional plant plan drizzle speaks spin hypocrite conviction watching rules jump application chains forged angel fail reflections lot illuminating flag grip fly sick wonderfully create freeman shine job supposed eggs draw pupil dripping tremble mescaline singularity subjective darkens alpha needed atlas orange discover rabbit warp joint wonderland perfection ponder souls silence ahead roll magic ease bag sorrow escapism sake chest magnitude chaser cloud infinity replaced revelation survived vs carry yearning school slip games begins curiosity heavens powerful typhoon furious theory hypothesis apathy serenity mind's marks window humankind cybernetic fraternity liberate cut movement excuse stopped thunder tire apparent mastery occurs motion paper masses throes falling race hanging bear follows sardonicism endless burning idea ideas burden court ya verse consume kick method stood temporary flash realized eat kindness occur advice shades properties shores hang shining ink rolling minutes street deem tools autumn empatheon entheos reach echoes remix diamonds gets worthy identity thoroughly stuck happens recall conclusion choices fiend dealing finding gun son stimulant experiencing depth twice starshine whilst chosen thereof hooked confused enables painful desires serotonergic teleology prey loop wishing relation neural animal hallelujah ultimately projection communication actuality significant experiences remind transcendention notion proposition works illusion puppet offers chalk series occasion calling degrees ended sin figure slick ending ash sentence glance rend november eve drum rainy destruction romantic drawn shadow observe ghosts bodies wandered atmosphere box familiar children honor road serve beliefs strong avoid lessons returns poison relax exhale whispered intention liquid stare dope needs ****** smoking club relative glitter reached fractured stones junkiedom aspect ketamine heavenly scares domain excess robes vast euphoria grass thrall elation buzz renew dr waste let's morality wanna bottle immortal owe intuitive wouldn't teachings transcendent nocturnal education eternal divinity drive aligned illegal lamplight sell sail insomnia curious beatific seeing insane continuum kiss beta void soar roar fog basis **** town cost regrets appropriate brave threat using emptiness fountain short stole shield riot shade ghost numbness stained steam dreampt october ion derived hazy money message sing quote metaphysical scene swept plain colors nirvana alright unlike dear low teens nonetheless pick considering teenagers beneath door electronic kids build pulse teaching kid mistake teach tear contextual political civilization vision dissociation completely tells normal nevermind raised brings laughed melody spot streets holding coffee praying violence appreciate vengeance law trust exploits slowly trouble mirror's refrain compassion eats recognition discovered blaze otherworldly pieces darkest angst brothers sit win buckfast vicious binge breaks undead forgot demands able notice lucid dimensions evolution sunrise plans philosopher killing produce working cloth produced painter gazing favourite track bunch haul arrives started chemistry prevent awaits definitive strive versus rule dread bare slow stayed onward altered helps lifestyle losing followed woke fight event innocence charade child ventures higher y'all acceptance pay any-more bay vicissitudes codex cannabis pleasures planes doses awareness steal beat zero-summing narcotic lest strength matters reading easy sons drift solstice half formed normality weren't hungry hopes declare research tales envelope regret tired breed release honestly haven't it'll blow entheogenic stories amidst insofar technology direct binary pushing gotten patience danger symbiosis dilation gleam untitled risk remembering aeons contemplate suppose allows goal certainly virtues well-being popular regard result tornado mescalito usually distant creating skyglow behold manifest psychedelia representation endeavour excitation transcendental resonance odd growth hedonism possibly focus proper assert formation described interpretations reflective determination rational consuming cherish expressed pathos psychoactive eventually significance dissociative strings author experiential specific oxytocin loves glimpse frames loneliness elements created 'pataphysics craft betrayal typical built wall wonders concerning critique signifiers books failing assume effect 'auld subject-object lethe scorn wants shroud understands enhanced ascend tides finality collapse lake reclamation beach proclamation justify junkies hood teen streetlight caressing lips other's comprised harvest midnight blink aching lesson responsible native fortune mistakes nurture grown healthy test mock especially badly boring walked gorgeous innocent villain giveth benediction stone rictus nightmare skystruck insignificance struck **** nothing's thrown unspoken den shatter loss subjugated angels myth fallen demon temples reborn irrelevant thousand clothed plains whispering insert telling everybody's ultimate expand immortality small rapture bound dry comedown starlight whispers contained watched attack mechanism questions palindrome perpetual surreal theme perspective bane heathen basking singular physics sighs rhyme deity sincerely goodbye fit asunder naught comfort adrift -the radiance plunge rock planet twine applause current enhancement zen profit terrible ill weary leaving fierce alchemy luck speed opportunity men arose prophecy steadfast captured sage demand weird estates gathered distance all's foretold sold wrath kinda relentless advance coil anybody columbine ocean drown spoken ancient eden wet blessed crimson concepts yesterday evening deeply whisper flicker enter book apathetic streetlamps trespass spun turned clean underworld disguise viewed despair tunes melancholy reverence unsaid noise o' groups turning swallow dropped lead confident veracious offend talked switch teenager shouldn't paying allure variable humane inspiring ex 11 matrix flickers offering receive signal news chant exhaustion access background commence summer's arcadia deja vu complex realization vivid stick sublimeoblivious deliverance belonging creed symbionts pendent sane smiling rumination plane glint resembles conversation web corporeal solace theft burned they'll sensations shivers satisfied enslaved mire comfortable shattered arch medina's fragmented plead achieve woman stage swaying dismiss entire numb lord type chapter infamous conquest aspects proving leads bloom floating precipitation artificial renewal spill beating midst petrol mad hands exploit movements examine women sublimation occurred eternally notes dizziness perceptive guys haunts spark poems poetic pull remained gazed vagabond presented blanket cried stranger glad lucidity turns sum details pour valuable exceed represent surprise continuity occasionally relinquish gravity likes weeks wrought gathering entirely reaper rays aging root laid balance four-twenty provide double-edged ceased exploration mates world's walls alteration faces breach million grey tidal unknown price absolute garden haunting train jungle aloud allowed habits closed syntax difficulty alter scratch glimmering drifting quenched explained forfeit in-between clearly ideals ubiquitous chemicals happening abandon supreme drifted soothing reveal alcohol stimulants psychonautes indescribable conscience closest dying andor travel gentle foodstuffs tree worried demons pair recognise inability ensure including hey graciously prove logic rhetoric 15 galaxy lately hearth ethereality forsake wanting steps memorable 'round player moves del you- encourage finished suspect frequently intoxicants acts aer veil qualities animals remembered karma kissed burying shooting bold scattered input howling design forsaken banish seraphim wide cola united democracy meandering -one zed's hot commit self-sufficiency thought's psychosis flows unreality immersion aesthetics realms struggle wisely immanence absolutely member add writings coin avoidance naturally boys inseparable standard convinced concerns passed prudence quick external suffer choosing produces letter proclaimed myths pains shroom bright absurdity awhile prospect sad distribution recreation responsibly ghb adrenergic minor neurotransmission cyclica lonesome foolishness cometh 5-ht2a beings golden pitch cathinone suggest conclude cognitive motions ethical condensate precious abuse compound underlying adult bask push damage attachment originally determinative heaviness concept facts today's regress detract step ugly absence cosmic note imagination psychedelos noumena noumenon reader haunt determining error questioning habit measured limitations manifestation learning arcadian joke hallucinogens material diethylamide mysterious exists 'twas response proportionate quantized nervous anyways identify qualify device analysis moderate moderation alterations accompanying totality fascinated gradually 'the represented brief juxtaposition played t'was resides tribe stead vote period liminality delete recurring mirror-neurons alexithymia craic ar positive drank maelstrom pharmahuasca wondered reflecting lovely facebook typing quale implicit dispute occurring fallacy treasure exactly reduction distinction discussion man's construct couple contain lovers failed confidence writer's integrity worst psychiatrist sesh rare chronology scale drug's definitely title sesh-heads who'd asks unable tomorrow plucked picture alphabet named coherence task pretends inevitable contemporary trips graces wrote entertain vice elicit psychoactives feens conform deface replace grin h-bomb atomic bleeding 20 bloodless unequalibrium following quench hunger bent euphoric display interstellar vertigo influence waited sunlight explored paradise soaring faded sitting unafraid aqua tinted source itches optional differently stem rich greed forbidden negative privacy react earned ails charity gift couch courage endlessly fascinating boyfriend phrase movies hopelessly loud admission inherent hypocrites intoned devil laconic sinful vein surrounded movie contempla
Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
Dallas Phoenix Apr 2015
Her tone,
Crispy like new pair of headphones,
Screams when I finger down her *G string
,
Love hearing her moan,
Get over here and lay on my lap,
One hand down your neck while the other's ready to smack,
She's a brand new model,
My pick up line was immaculate,
Coke bottle modelling body,
Fuzz pedal throttled and jacked you in,
You fret all day and no one to hammer your strings,
******* Brew in Chili Peppers but I'm willing to make you Cream,
So lay across my leg and let me do the rest,
All that phat bass and no one to properly make you wet,
Rubbing across your curves making sure your knobs are turned,
Steel strings tight and ready to give this spanking you deserve,
Tease and deceive till your ready to sing,
Slip my fingers down your A and I'm ready to B,
Playing your scales,
Hitting that tail,
Your mahogany curves scrumptious as hell,
Maybe I'll stand up and ****** my hips,
Into that back of that phat bass while loving the notes you hit,
Strap you on because the way I like to hit it is hard,
Octaves ****** and quiver on my fingers,
Your heart,
The shape of that wide, seductive and sumptuous ***,
All that bass you have can make any guy..........
A cardinal sings-
Its own melody drags it down, preventing flight
A bass filled tune that echoes in a cage of bone

Every day it cries
A hot spring that reflects its color
Streaming onto the rest of the massive prison

A grey man
Older than the prison, as old as the cardinal
Asks “Why do you cry in your lonesome, tender bird?"

The cardinal sings-
Its own melody deepens its intake of air
With a bass filled tune it says: “Because I am alone."
Read more of my works on www.brixartanart.tumblr.com
Lauren Nicole Apr 2011
Static...

A snap.

A low and slow wuub wuub wuub

In the distance

And a faint note arising

Slowly but surely,

Turns to a chord

And then moves to make a melody

Neatly rested in the hills

Of the constant wuub wuub wuub

Then I hear a gliding crescendo...

And

The bass. It pounds. Every blast. Like bombs.

I can feel my stomach wriggle

I can feel the power through

Oh god it's empowering

Like sweet, sweet *******

Oh, feel the air

The bass. Constantly pushes. Makes waves. In the air.

It is solid around me

I feel the music

But I live for the bass
The front man does the singing
The drummer provides the beat
Then there is the lead guitarist
Still the band is incomplete.
There is a certain member
Who we often underrate
He's there in the background
The one who plays the bass
Sometimes he goes unnoticed
By the audience and the crowds
And can easily be forgotten
As the rest all play out loud
But he holds the band together
The band should all be proud.
If it wasn't for the bass player
They would be gone like a passing cloud.
People often fail to realise that in most cases the bass guitarist is the structure and holds the band together.
Lark Train May 2016
I fear the bass and treble.
The Stuka's nasal voice ringing out.
The tremulous earth beneath two treads.
The planet itself was set to tremble.

I fear the detonation.
A whistle in the darkness.
Harmonizing bass and treble.
Imminent inflammation.

I fear the bass and treble.
Mateuš Conrad Aug 2017
once upon a time, my english teacher (a pict), blamed english soap opera (namely eastenders), for his students treating books like bricks, or at least door stoppers.

yep, and the most entertaining drama
i've seen unfold, was between my
neighbour's dog, and my pavarotti's
worth of a cat: every time it rains
and his meowing, i'm an inch's worth
close to phoning *amnesty international

on grounds of: human abuse...
hate this ginger ****, this castrated frankenstein
monstrosity meowing all the time...
it almost feels like i guillotined his
******* + testicles off, even though
i'm the ******* of pedigree annoyance
tactics...
   but, really? it must be the jazz pedigree
in me, transitioning from classical music
that really, gets me,
i hate bands that disrespect bass guitarists...
i'm either sly, or pedantic, or simply
nerdy...
       i don't like bands that forget bass guitars,
i like to think of them as a buffer criterium
segregating rhythm guitar and the drums,
bass guitars allow a harmony,
listen to enough jazz, and you'll know -
i like, and i also don't like bands like
metallica... i must be deaf...
   i must have had a mumbai elephant stamp
on my trombone's worth of owing an ear,
but i can't hear drums...
        so i must be deaf...
   i know the bass is there,
but it's subtle... too subtle for my liking,
it might be a guilt-ridden thing,
having lost cliff burton...
    but i have to be a bit deaf guarding a reminder...
i have no respect for bands that
hide the bass, and bask in rhythm guitars
and drums...
              sorry, but bass guitar is a crucial
mediatory medium of what comes after:
either solo guitar or the already apparent
"stage fright" of vocal exfoliation...
and that's truly the case, the most "soap opera"
i've seen these days, was staged
by my ginger-ninja and my neighbour's *****...
when people become too docile to become
interesting or entertaining,
you revise yourself using animals
as a blank slate...
         and i must be deaf,
   i can't hear any bass guitar on the majority
of metallica's songs...
       devil's dance is besides the point,
being stated;
    just call me deaf and we'll be ripping
                   a dollar bill to the hush of: evens.
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Michael Pham Feb 2018
he and i met up at my place
and chilled and talked for a bit.
i began to feel warmth as i listened to his voice,
then looked at his smile,
his eyes,
his dimple on his cheek.
i gave him his gift:
a t-shirt from his favorite band and album.
he said thank you as he continued smiling,
and it made me feel warmer than i was before.

moments later,
we walked to the green line.
i was going to take him to
one of my favorite coffee shops in the west loop.
he told me that we would probably be late to get in.
the coffee shop closes at 5 while
we got on the train at around 3:40.
i told him that we were gonna make it.
i was surprised i would be the optimistic one
since i was a huge load of a pessimist from the past week.
luckily, we got to the coffeeshop an hour before it closed.
he ordered a cappuccino,
i ordered myself a hot chocolate.
we then grabbed our drinks and found a table
in a faraway corner near the restrooms
and began our conversation from there.
it was a nice one and i still felt the same amount of warmth
as i looked and listened to him.
i knew that he had a girlfriend
and that i shouldn't keep my hopes up,
but ****, is he a gem.
i just couldn't help myself.
i was also kind of surprised how we kept looking at each other
in the eyes for long periods of time.
don't know if that's a sign or anything, but, it would be frequent.

an hour later, we decided to head out to my place again.
i took some pictures of him outside the coffeeshop
with my 35mm camera and laughed when i
saw a customer almost photobombing my photo
through the window.
minutes passed and we were already back at the green line,
waiting for the train to arrive.
the sunset was so amazing,
but seeing the view of him made it better.

we made it back to my place
and relaxed for a bit once again.
he remembered that he saw a bass guitar
leaning against the wall and asked
if he can play it.
it wasn't mine but i asked one of my roommates
if he can play it and he said as long as he knows
how to set it up.
he, of course, knew since he plays bass himself.

i heard the notes he played and i began to feel mesmerized
with every note that he played.
although his rhythm was a bit off since he
wasn't used to my roommate's bass,
he was still pretty good.
the low frequencies coming from the bass amplifier
softly vibrated my ears as i was hypnotized by
his fingers moving as he presses on each fret.
i guess the vibrations made me feel a bit warm, too.

the day finally ends as i was about to walk him out of my dorm.
when we got to the front door and before he left,
he said thanks again for the gift.
and then he hugged me.
he hugged me.
i finally felt his warmth for a second or two.
it was a friendly hug, but, it still felt nice.

i remember him saying it would be cool if he can hang
every other weekend when i'm free.
i'm gonna keep that promise for sure.
i really like this guy that i've met in college and have known for six months. and even if he has a girlfriend and says he's straight, he would just give me mixed signals whenever we see each other or go outside our school campus in which we did twice now. i really hope he doesn't see this or know this website exists, but either way, i had a really good time with this guy and that he made my weekend so much better.
Will Mercier Aug 2012
Am     E    G
Turn   it   down.
           Am      E             G
There's no time to clown around.
Em                     G
Don't spill any beer,
        Em                             G             (G string bass note, and  strummed chord x3)
And pass another can over here.
      
Am        E            G
Make   Up  Your mind.  
Am.          E            G
Do.. you want to find God?
Em                 G
I've seen his face
       Em                                    G.                        (­G string bass note, and  strummed chord x3)
He's breathing hard, like a runner in a race.

Am        E            G
Turn     off    the light
Am      E                G
Its       time to say goodnight.
    Em                     G
The roads are all clear,
             Em                       G    (G string bass note, and  strummed chord x3)
And we haven't got a care.

C.            G
Get.....  Ready...
        C              ­     G
And pack... your bags...
             C                  G
You're in.... for the best trip...
C              G    (G string bass note, and  strummed chord x3)
Of...your life.

Am      E              G
I......   can't go on this way
Am            E          G
Each and every ******* day
Em                             G
I think I need some-one
            Em                              G   (G string bass note, and  strummed chord x3)
To help show.. me... the way
I wrote this when I was sixteen,  so the vocal may seem odd for me. Since someone reached out and showed me the way already. It is one of the first songs I ever wrote, when I first learned these rudimentary chords. The new layout makes it ten times harder to post songs. Putting in periods, and capitalizing...Since when do poems require periods, and capitals at the start of a line?
Peace and Love,

Will
Micah Fagre Oct 2014
the planets. the peaches.
pruned. picked. for the reaches.
the centuries. a second to the eternities.
you can have it. say laugh when. you hear the jazz note.
the voice of all that i spoke. the saxophone.
like dialing digits of truth. on the telephone.
come on. say one and two. up and down. the diversity in one single crown.
upon the ears of sound. it's the heart's listening device. toss it like rice.
at a wedding. human genes get paired up. and twisted.
so simple. it comes in flavors of licorice. red and black.
off and on. check the track. when the needle skips.
we find all these differences.
let me bring it back. for diversity.
zeroes and ones. spread the spectrum. across high and low frequencies.
it's so easy. let the record speak. can you stay on beat.
the principles of the high. the sincerity of the meek.
whatever lies between. is one or the other. blended across the centuries.
and all mothers. give birth to the last. man to the first.
follow that. discussion of high low.
mid ranges get blown. saxophone pace the flow. get pricked by the tweeters.
soul from the bass feeders. save the appetite. for the words that i write.
and then speak. you you. not me. splitting hairs. atoms. quarks. and light.
beams. like a smile. across a broad spectrum. either off. always on.
high low. then get gone.
Mateuš Conrad Jul 2016
some of the poems i read i'm afraid of, someone crude would call them mediocre, but i don't have a heart for such words, i'm afraid of them for a simple reason: they're so fragile - it's like handling porcelain with these miner's doughnut hands and thick hotdog fingers, you really don't know what to do with such poems, it's the body undressed, covered in goosebumps and very little else.

sure, you can experience love, the love that's
you and her back in Eden,
maddened, raw, you can experience that,
but such love exists between a boy who
has two years past the teens, and a girl
in her teens, the boy had to invest almost
the same amounts of slush puppy **** as she,
music wise, literature wise, ideals upon ideals,
love is idealised, *** is perfected,
you'll end up gravitating to other people's
expression whether true or fictional,
akin to *kisses sweeter than wine
,
stop draggin' my heart around,
fade to black, it's all there, bloodhound
soppy eyes - a variation of some sort of psychic
awakening in alter-psychosis - the variation of
a juggernaut moving about, it's love pristine,
not the love we call petting and paying the bills,
it's a butterfly's wing caressing your ear
while it flutters - it doesn't last once truths
enter and realities condense to custard -
the paint dries on the wall, the Antarctic tundra
freezes and polar bears start hunting (well, you
could call them loan sharks if you wanted) -
when Adam's tonic turns into Sioux's anodyne -
Apache Sioux knew the deal, while others
use the anodyne for parties and uninhibited social
interactions, others sedate - a good enough
reason to forget that ol' wives tale of: better have
love and lost than not have loved at all -
yes, it's there, a bit like first impressions of
a poem for dada day at the place, april 1, 1958,
poems tell a different story, novels tell a different story,
movies tell a different story, asylum Hollywood
captures the imagination, but not necessarily the memory,
music tells a different story - and all converge and
diverge within geometry of circa - so love, mm,
barefooted going to the mosque for curry at the height,
scuttling like a **** head down Nicholson St. (Edinburgh),
past the music shop where once it was all smiles
and approving gestures while buying an album,
what was it? reggae k.k.k., ah right, steel pulse!
handsworth revolution - the same shop months later,
the same attendant of the pulse of music - the words
'if you want to find love, go to Germany', me guess that's
'cos of the accent, he Scot and me chameleon -
Heraclitus knew this flux, changes and changes -
all that and the creeping to the zenith before tumbling
into Milton's opening of satanic inquiry via
fleetwood mac's the chain - bass guitar the real star,
mirage of former glories of solo guitars - bass guitar
the conductor of rhythm - and in so writing, a fly
attracted to my "idle" hands - as they say, the devil
makes work of idle hands - the bass sets the rhythm,
the drums hush for a moment so the bass can be
protruding - great admiration for bands that allow
the bass a ray of sunshine - tool, schism; so yeah,
you can experience this fable of ancient greek
hierarchy - lovers poets prophets - but you have to
invest prior, and by way of chance you might -
slush puppy pop and ideals and ideals and ideals -
i could have went to Bristol, Warwick, Cardiff or Brighton,
instead, thanks to Mr. Thomas Boon'tss (wet snare tss,
sweat from a drummer, instigator of poet in me,
the observer, the shut-up guy, played a jailor in an adaptation
of the Merchant of Venice - skylock shy, frozen in
the reminder on v.h.s.) off to Haggis-land we went,
and found love there, and found inspiration,
and found an iron maiden for our head there too,
and found madness with a keen eye for tomorrow.
Ken Pepiton Dec 2018
Taken, gotten, or made, the point of anything
can pierce through everything…

slow
Slow think,
make real

re-al-ize
what fighting for life is…
this is the only
try,
it is not a test.

Take your time, use it wisely,
if that means anything.
Wise, I meant.
No offence, if wise is anathema to your kind,
die,
die if I knocked the reason for being right
outa you,
did you hear cognitive dissonance?
did it sound like
this. LOUD?
listen,
rolling rolling rolling
crash crumble rolled in nurse rime frosted
fables of monsters and maids
Thor, witharoar likka Lion King?

or the light brigade,
CHARGE?

thunder words from lost generations of
reasonless riddles for children,

Why did Peter Pumpkin-eater have a wife, but
couldn't keep her here?
Was that okeh? Oh, wait.
Ah, I see, I say,
they never tell that whole story any more.

Know why? They forgot it. In the war.

Duck'n'cover,no
crying, how long?
When begins forever? Did no one tell you, child?

Taken or made, the point of anything
can pierce through everything
like it was nothing, given
enough pre-sure-sup
poser-power

War, as a game, has a reason.

Battle, hitting, slapping

stop touch, stop now slap
slap back

or cry
oh no no ma

waddayahsay?  A theist or atheist
who started this war?

space case, or
lover of wisdom, met on the road
to Emmaus, discussing Wiles's proof
firming Fermi's connection to the matter of fear,
3, 2, 1

Kaboom, but with a whump you feel in your teeth

1, 2, 3 Fermat's last theorem ,
easy as pi an no re me

ABC to
Michael Jackson to
Howard Bloom because he

inadvertently, began
an-ionic converstatic re-vibe time warp
meme,
which vibe, started the legendary Sixties. I was alive.
Radioman,
a sixty cycle white-noise humm heard every where these days

There was a gospel song, "Turn Your Radio On".
my theme, open the window in the top of your head,
as it were,
a new,
as new as

a novel-state of water, H three Ohs, re-al-ity ification,
Ah, a shared Oh, I remember now, how this works…

like a poem

at the edge of a water vapor bubble in a boiling body of water,
at the edge of the bubble, water becomes a wall of water,
not vapor, not flowing liquid,

but a wall, insulating the vapor in pressing opposing force
to permit, from permission,
meaning with a message same as the message,

is that the right word? per-mission-grant, is power given,
agency,
that idea….
wait for the sign….?

By sharing an ion ic bond as a quest to make a point
for a free story to go,
the question marks you. Let the snake dance.

Press your point,

whetted edge,

slice through ties holding worthless axioms
with withered dendrites dangling disconnected
in participles
unfired for centuries muttering,
enchanting, enthralling enchained melodies
of ambitious syllables vying for idle minds
to rope in,
unbranded, wild
bucking ideas,
whip-twig, slap-face,
tanglewood  thicket, catclaw and mesquite,
willow,

wait.
And the old man remembered the willow whistle,
so He asked Grandfather,
How is such a whistle made?
And when he knew,
he made one.

A willow whistle with two notes,
like an Oscar Meir Wiener one.

-- and that was a different time
I got lost here, bucked up…
maybe
--- listen, way back--- we-ain't whistlin' Dixie---
we ain't marchin', as t' war.

D'thet mean some sign to pro-phet -ic take?
Tophet?
Ancient cannon fodder shield walls,
a moaning
Pro-phy-lactic warning of the danger of not
knowing exactly
what a war is for?

Get back on,
relieved of any idle baggage words believed
to mean other than I say.

Nullify
Idle words with cultural meanings from
what you thought you knew when you feared hell.

Loose
those peer-locked memes
made of meaninglessness, per se,

shaped and molded into fashions
of expression, once needles and awls,
now, dull as tinker's damns for swearing,
with any effect.

But tools, none the less, a stitch in time took a tool.
An awl or a needle, and a thread, thick or thin,
dependin' on the mendin' needed
to redeem an idle word,
its meaning all bloodied with the tyranny of time.

An awl or a needle,
a tool for a task, mending a tear
where curses, never meant, spent
the entire dark ages, lying, lying, lying

powerless, pointless aimless, proverbial proverbial proverbial
verbiage, vaneless shafts launched at unseen marks,
signs, as it were, a spark,
triggers,
rumored since the sixties,
the first sixties, when Cain killed Able.
Howard Bloom was but a mere gleam
in our mito-mother's eye,
but, no doubt,

his role is real,
in loosing the forces Ferlinghetti locked in
City Lights mystery of secret meanings room,
which un
mystified and blew away upon opening
the door to
meanings mapped on
scrolls rolling and unrolling
idle ideas,
rites of passage, as it were,
Pre-bat-bar-mitz vah
as a fashion
like VBS,

to tickle little minds and make em wiggle.
MEMEMEME, I did it,
mea culpa,

the holy place
Here we are…

On Vacation, leave a message.
-----

See, wee hairs in your ears wiggle, making,
signaling, the need

to scratch that itch, that itching hearing feeling ear… hear that

don't scratch, listen

listen

60 cycle humm, steady, bass, but no thump whumpwhump;
soft, deeep.
ooooooooo or mmmmmmmm or in betwixt, steady thrumm
hear another, and another… sixty in a second,

one in every million ambits twisting,
threading qubits, radiating signals in the field
wireless, blue-tooth... satellite...

can you feel that?

hummmms, all around us, since the womb.
We are not the children of the greatest generation,

We are the children of the last generation of
**** sapiens sapiens non-augmentable-us.

We, the augmented, recycled ideas,
possessing
minds of Adamkind,

is that a secret or a sacred?
Is this
a new thing, an
unknown unknown known known now?

Ah,
novelty.

Whose is fear? Who was afraid of Virginia Wolf?

Should I remain in fear of her now, if I knew why then?
God would know such answers.
Proving my imagined AI guides are not God,
but lesser beings,

haps I recall.
I defined these things,
these thoughts that shape themselves,
forming words and phrases
I saw
shiny. Crow-like,
gleams seen, captured and claimed mine,
I tucked them away,
a sign in a thought in an imagined image made 4
real once more, to be seen from the shore,
new land new world
a fourth for some, a fifth or more for others...

haps happen, I'm not sure how,

Born or emerged, as a bubble, what do you say?

Reserve judgment.
Grant me your grace for now, until you solve my riddle.

Ah, the old way.
Right. Which way,  'ere, 'ear
and do we roll the rock with silent haitch or harsh, shhh

someone's waking up,
a bit grumpy,
don't you dare oppose me in this, the kid is certainly my son

Michael went stark raving mad when I told him, Billie Jean knew better all along...
the link, axiomatic,
the fatherless child has been claimed

hence, the thread to Howard Bloom, meme-ic,
meme-ic, like the Roadrunner,

but with the real Coyote, as the hero in this bit of
whatever, such meandering maundified maun maund  
mound

wind blown crystal silicon dunes
mounded up to that point where granulated
beens and dones

begin to slide at an angle,
a ***** deter-mind by the weight of the rock

We made it.
I know where this is.

This is a novel that has Sisyphus being happy
as the main premise behind the idea of anyone ever being
able, en abled, or un-dis-abled or un-dis-enabled,
if one of those is right,

Sisyphus being happy
is the main premise behind
the idea of anyone ever being glücklich,
happy, blessed, lucky.

How happy is your ever after?
When did forever begin?

"A man is as happy as he makes up his mind to be"
Abe Lincoln, is said to have said,
after the seance, maybe.

You push on, dear reader, make some sense
re-ligare or relegare, but take a stitch,

pull-tight,
do what works the first time as far as it goes, and try each, as needed,
it may be that we invented this test.
To make us think it is a test,
to sort ourselves out.

Get back on,

see who went crazy and who found the thread, if the same thread
this is that, right,
the same train of thought,
the same idea
spirit wind
sign
?
A snake facing west standing tippy-tail on a singularity;
a point in time?

Why are you reading this?
Curiosity Shoppes trade in interesting, alluring, click-bait

Pay attention, watch, you shall see

imagine this is the dream,
the stream, the flow, the current, the cream

in a dime coffee at the drug store on the corner

the rounded-corner, in a square-cornered town,
the most right corner of the twelve that quarter what it was

Punctuate, wait, imagine you read ancient Hebrew or Greek and there
are no dyer diacritical's who can twist one's
end tensions into knots

dread extensions, we could sell those,
is that an idea? did somebody
sell white folks dread extensions and black folk dolly pardon wigs?

Did that happen the real real?

-----
Battlefield Earth, oshit
scientology ology ology ology

allaye allaye outs in free

WE we wee every we you imagine you are good in, we

We have a war to win again, we heroes rolling from your
myths of Sisyphus torn from minds trampled
in the mud beyond the Rhine,

Mushrooms. magi are aware, you are aware, of course,
this course includes Basic Mycelium Net Adaptation or Augmentation
BMNAA, eh? So you know.

Camus and many of his ilk were ill-treated, the questions
they asked were memorized, maybe in our cribs ala
Brave New World.

We are all Alphas, always were, of course, you know.

Shall we imagine

more? Re-legare, eh, sistere. Point .(Back to the top.)

or agree? Make peace.
Practice, like Eazy-Bake,
the cook must swallow the first bite. May the best cook win.
A continuing examination of opposing forces when good is the goal, who could be against that? The old word war is festering, inflaming evil to start a try, therefore,  I whet the edge and swing wide
Megan Jan 2013
The bass makes me weak.

                                      All I knew
                         was that I wanted to know
                                 e v e r y t h i n g

                   about you.

Caress the inner corners of your mind, with mine.

Hold your hand
               as if to learn
                      something new
                                        about myself.

Second period— I only knew what I had heard—

you smiled, eyes twinkled, brown met blue.

Never had I been so grateful for assigned seating.

                                                       ­                               You never
                                                           ­                              would have chosen
                                                                                                                                     me.

Our whispers became muddled by “shhs”
as others tried to hear the teacher
over our l a u g h t e r

this was my favorite part of                                              us.

But here I am
                   in over my head,
out of my league.

I can’t remember ever not wanting

                                                        ­                        you.

But there you are,
                    sharing your heart with her.

I thought that year would never end.


I never left your side.
We talked every night.
I hope you don’t  mind,

                      I

f
   e
   l
l

                     for you.

I’m sorry I’m so inconvenient.
I tried to be what you needed.
You only wanted a close friend.

They say,
that a girl and a guy cannot stay friends because one will eventually fall for the other.

“Eventually” came quick with you.


The bass makes me weak.

You were the
f
i
r
s
to break down
           the walls
                         I cowered behind.
unclog the arteries
                                                       of my
                                                   w i l l
                                           and
                                   beg me into
                                   e
                                    i
                         ­          n
                                   g
You tricked me into believing I was worth knowing.

We fit like two words in a crossword puzzle—

not obvious at first but it makes sense in the end.

You know me better than I know myself.
                     I have dreams
                                                          ­                         that play
                                                            ­                hopscotch
                                       ­                         on the corners of my mouth,
                                                          ­                  when they see you

they float.

                                                         ­           when you smile

they fly kites.

The bass makes me weak.

I almost lost you, twice.
Due to
           tripped up tongues,
                              too much waiting,
                                                & “friends.”


You can’t use that you never knew as an excuse.

The bass makes me weak.
You never even gave me a chance.
The bass makes me weak.
You
make
me.

the distance between you and I was
                          the distance of our proximity to
                          our emotions—

                                       I was too close.

You fall for girls who don’t want you

I’ve convinced myself that’s why you haven’t fallen for me.
CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
Megan Feb 2013
The bass was here.

I remember
late nights,
phone pressed against my cheek.
Your whispers lit my soul and I awoke.
I saw myself in your smile,
heard my voice in your heartbeat—

but found the strength on my own.
I needed to believe you.
You liked being needed.

But here I am,
digging up flowers
amidst headstones— I couldn’t let this rest.

But there you are,
a wandering tourist just looking for a home.
And I, a speed bump.
You tripped—
while trying to catch the Sun.

I’m sorry my attractions weren’t worth capturing.
You were too scared to use the camera slung around your neck—
what if you dropped it?
Well, it broke anyway.

I gave you too long to be honest & overstayed my welcome.

The bass was here.

We live in different worlds, but found each other in our past.
You liked Woodrow Wilson,
                                                             I should have known it wouldn’t work out.
I found myself in poetry
                                              

                               you taught me that.
Couldn’t you see I was new at this?

You didn’t want to repeat history—

you never gave me a chance.

Time tables turned— turn tables over time.
You twisted your essence to fit my definition—
                                                               you

                                                               loved
                                                            

                                                                how

                                                                 this

                                                                 felt.
To finally be on the other side.

The bass was here.

Your lies became the music I danced to, alone in my room
I loved how we sounded together.
But I never listened to the lyrics
space,

                                     time,


less.
The bass was here.
I didn’t mean to make you leave.
The base was here.
You
were
here.

Word is bond, but your words
left me bonded. Blinded.
Like my horoscope— I used to believe in you.

[Hi(s]tory) changed when the planets aligned and she became
i
l
   l
     u
       m
          i
            n
              a
                t
                  e
                    d.
His home.


History still repeats for me.

Distance played a part in this equation—
       you never let yourself get close.

But you got close enough to save me.

The bass was is here.
It just sounds different now.
Julian Jun 2018
The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!

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