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"barnacles" poems
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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8.2k
Rhapsody On A Windy Night
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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78
I fear. I fission. I flow. like a sponge, I become aqueous when wiping blood or saliva. like a finger, I lose myself in rings of prints. I am the ography of space loosely tied to the end of a carrot. detach me from ice and I float to the other side of the island. I wave at ships passing night or day, captains drunk or sober, buoys clean or covered in mucky **** save me. I am losing my mind on these stairs crawling the ceiling, these riches made of paper, these children using liters of glue to stick themselves to each other. everyone is stuck. everyone is covered in barnacles. everyone is design on my pine tree’s needled hooves. a horse gallops four at a time. they name it “power” for the dreams it has of stormy women.
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Jul 12, 2017
Jul 12, 2017 at 9:13 AM UTC
magnolia
Sometimes i wish i could write poems with all the similes clinging to your thoughts like barnacles. And describe people with metaphors that wrap around the actual meaning like weeds grow on to other, more pretty plants. It would be nice if i could use edgy things like cigarette butts, half filled bottles of beer, and lipstick stained papers with a number jotted down to describe mundane things like sadness and fear, although lipstick stains and cigarette butts do leave an awfully mundane stench behind.
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Oct 15, 2013
Oct 15, 2013 at 5:20 PM UTC
lipstick stains and cigarette butts
city in the shadow of a mountain like denver on vacation shady and deep flowing down like the river seeking centre houses cling to the crags like barnacles inverted ship cavity jutting out of the rainforest paradise of truants and travellers eternally in transit to islands and misfit fringes, cold floors and warm couches and displaced ***** enthusiasts sailors without floatation treading land and bills and PTA meetings cast off travellers on their way to golden gates or northern lights rivers under troubled bridges fish suffocating underwater living on the refuse of the nuclear generation transmuting the lead into sustainable energy recycling the atmosphere into breathable air apathetic anarchists return from extremity living on the dole or working for the man we are building something greater than this
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Apr 12, 2014
Apr 12, 2014 at 12:31 PM UTC
bridges
Haw! Rush to the brink of it all and bloop! They who went first nod along knowing the same the same song before it went dark and light combust, on the shore there was a shadow standing thus. Hurry to the buoy and rippttt! Frosty whirls consume like cream over coffee beans when it the only the sweet crystals that remain at the bottom of the mug. One two three and freeeee! Now see that treasure chest folded in ivy and barnacles still green in stench but precious for it is now hollow and willing to be full.
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Nov 8, 2012
Nov 8, 2012 at 4:31 AM UTC
Learning to Swim
the darkest of my fantasies whisper Your body is a scuba suit insist i breath with your ******* through your mouth dive deep into claustrophobic waters, sink heavy to the rock bottom where we petrify by gorgans gaze i know we'll turn to stone because, of course, the gorgans can't resist gazing at You nobody can resist gazing at You, land or sea. Our permanent legacy, lost under layers of life barnacles clinging, moss burying Our chimera god/snake skin i am without Your oxygen when breathing would terrorize the wind where words belong still, my forked tongue writes i'm a theif to say i only want You to be happy when i had You, it was still selfish the revolving doors of pain and perseverance more time invested in us then money invested in the Pills that kept me from killing You out of habit You begged me to beat You it's been seven hands dealt rubbing my 5 o'clock sandpaper chin on the tarot card of death my tolerance for vacancy a brownish red stain i've only the thin line of medication between necrophilia and sociopathy i want to lay with You at the bottom of the sea **the Pills... where are... please no, God. The Voice,            run!          get out!** *I would gladly go to prison to **** your lifeless body. I would gladly **** Myself in the afterglow of your affection. there is only one true Sin, Objectification. I indulge relapse in every memory, find your shed snake skin pull it on, like your ******* how disturbed I've become with you gone* how selfish of you of course "I" blames You when the Pills dull i indulge by studying Your location i know where You escape too i want to go there does that scare You? i want to bump into You apoligise for what i want "want" as a word is like plexi-glass, or kevlar standing between Us keeping the bullet safe. i want a hard impact in a school hallway where we drop all our Books and look up and You see my ghost, that would be enough for Me i want the impact to hurt. i want the tumbling of all our Book's i want the messy hair and ripped knees, then Our eyes to meet and linger I want to watch the fear fill you. i want to sit there, watching. petrify from parcel tongues as i gaze at Your gorgon body shedding skin if i shed my snakeskin, maybe i'll see You i can't leave this Poem i can't leave this Poem yet i won't leave this Poem please kick me out Poem Poem end Me .. end . I ..
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Jul 17, 2018
Jul 17, 2018 at 8:17 AM UTC
the darkest of my fantasies whisper your body is a scuba suit a.k.a. this is why You have therapy / obsession is why i have therapy / let's acknowledge the stalker thoughts to **** the stalker thoughts
the darkest of my fantasies whisper Your body is a scuba suit insist i breath with your ******* through your mouth dive deep into claustrophobic waters, sink heavy to the rock bottom where we petrify by gorgans gaze i know we'll turn to stone because, of course, the gorgans can't resist gazing at You nobody can resist gazing at You, land or sea. Our permanent legacy, lost under layers of life barnacles clinging, moss burying Our chimera god/snake skin i am without Your oxygen when breathing would terrorize the wind where words belong still, my forked tongue writes i'm a theif to say i only want You to be happy when i had You, it was still selfish the revolving doors of pain and perseverance more time invested in us then money invested in the Pills that kept me from killing You out of habit You begged me to beat You it's been seven hands dealt rubbing my 5 o'clock sandpaper chin on the tarot card of death my tolerance for vacancy a brownish red stain i've only the thin line of medication between necrophilia and sociopathy i want to lay with You at the bottom of the sea **the Pills... where are... please no, God. The Voice,            run!          get out!** *I would gladly go to prison to **** your lifeless body. I would gladly **** Myself in the afterglow of your affection. there is only one true Sin, Objectification. I indulge relapse in every memory, find your shed snake skin pull it on, like your ******* how disturbed I've become with you gone* how selfish of you of course "I" blames You when the Pills dull i indulge by studying Your location i know where You escape too i want to go there does that scare You? i want to bump into You apoligise for what i want "want" as a word is like plexi-glass, or kevlar standing between Us keeping the bullet safe. i want a hard impact in a school hallway where we drop all our Books and look up and You see my ghost, that would be enough for Me i want the impact to hurt. i want the tumbling of all our Book's i want the messy hair and ripped knees, then Our eyes to meet and linger I want to watch the fear fill you. i want to sit there, watching. petrify from parcel tongues as i gaze at Your gorgon body shedding skin if i shed my snakeskin, maybe i'll see You i can't leave this Poem i can't leave this Poem yet i won't leave this Poem please kick me out Poem Poem end Me .. end . I ..
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86
At the end of the pier you could look out to sea Listening to the swell flap on the rusty cast iron Of geometrical supports. Barnacles clung, sealed like gold nuggets And in the distance the slow **** of a tanker. The wind would whisk around the terminal Throwing hair to the sky Floating chandelier skirts tipped Revealing best underwear. And the clock sang its time to the birds. Over both sides were fishing rod rows Their owners sitting on canvas stools Above seagulls nibbled the air for food scraps And beneath strong swimmers bobbed Watching children skim pebbles in the waves. Love Mary xxxx
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Apr 28, 2018
Apr 28, 2018 at 10:34 AM UTC
Totland Pier
I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green **** hung down. While his gills were breathing in the terrible oxygen --the frightening gills, fresh and crisp with blood, that can cut so badly-- I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. --It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip --if you could call it a lip grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels--until everything was rainbow, rainbow, rainbow! And I let the fish go.
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4.2k
The Fish
I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green **** hung down. While his gills were breathing in the terrible oxygen --the frightening gills, fresh and crisp with blood, that can cut so badly-- I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. --It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip --if you could call it a lip grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels--until everything was rainbow, rainbow, rainbow! And I let the fish go.
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76
_[northern hemisphere: on a beach above the 50th latitude at the end of winter]_ _(Winter-export)_, the beach frosted by fingers of polar constellations. It’s too cold to walk without huddling, but we do it nonetheless, because we only have one more night together. Your frothy hydro-rhythm spears into pith, irradiance; I breathe again, deeply. _(Thick lips; quick still-hunt.)_ I rivet fronds of dependence into the seams of your boreal palms, never planning to return the floating colony of barnacles I promised I’d throw back; you, never planning to catch the sun bored through salt spray, clasping crisp foreheads, stitching on glistered lips and froze-shut lashes. And on a day when you didn’t rise early enough, I was left out in the water until my chest was steeped deep in ice over the thought of losing you. _(Glimmering isle)_; my hair disheveled in sea-foam. Annular light. You pushed me in, and I relented. My isotherm sent chthonically. But you, in your legendary mantle, adapted my eyes to see the light hidden deep within your belt; such pinks and fuchsias I have never seen before, suddenly inverted. At absolute velocity, I cut my foot on sea-glass, bleeding blueshift, aligning to the colours of the zenith. You take me back to the starry house and we struggle with your parallax, a nadir inseminated on the celestial pole. _(Parsecs quaking.)_ You whisper, I’ll heal you. I’ll heal you, only if you let me. Only if… you let me…  Over and over and over until it’s as mundane as the crashing coast, and unrivaled, I concede to everything and wake up deep in redshift, the whole universe escaping, warmth-ribbons suffocating the abyss: without you, alone on the ecliptic at last. In the spring-sinking, you order me a silver sword, sharp in starlight; to remember you. You stand a guardian, beyond the sun, flinging tiny ice-hot rocks _(freighting gemstones)_; King of the Heavens. I submerge myself into the bathic depths, skulking in aestival despair, as you trade the night for day. Little do you know, my resurgence is also in your hands. _[i watched Orion slip from view every night this spring. No doubt he’ll return next winter... it’s sad losing a friend like that, for so long]_
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May 25, 2014
May 25, 2014 at 3:07 AM UTC
orion
_[northern hemisphere: on a beach above the 50th latitude at the end of winter]_ _(Winter-export)_, the beach frosted by fingers of polar constellations. It’s too cold to walk without huddling, but we do it nonetheless, because we only have one more night together. Your frothy hydro-rhythm spears into pith, irradiance; I breathe again, deeply. _(Thick lips; quick still-hunt.)_ I rivet fronds of dependence into the seams of your boreal palms, never planning to return the floating colony of barnacles I promised I’d throw back; you, never planning to catch the sun bored through salt spray, clasping crisp foreheads, stitching on glistered lips and froze-shut lashes. And on a day when you didn’t rise early enough, I was left out in the water until my chest was steeped deep in ice over the thought of losing you. _(Glimmering isle)_; my hair disheveled in sea-foam. Annular light. You pushed me in, and I relented. My isotherm sent chthonically. But you, in your legendary mantle, adapted my eyes to see the light hidden deep within your belt; such pinks and fuchsias I have never seen before, suddenly inverted. At absolute velocity, I cut my foot on sea-glass, bleeding blueshift, aligning to the colours of the zenith. You take me back to the starry house and we struggle with your parallax, a nadir inseminated on the celestial pole. _(Parsecs quaking.)_ You whisper, I’ll heal you. I’ll heal you, only if you let me. Only if… you let me…  Over and over and over until it’s as mundane as the crashing coast, and unrivaled, I concede to everything and wake up deep in redshift, the whole universe escaping, warmth-ribbons suffocating the abyss: without you, alone on the ecliptic at last. In the spring-sinking, you order me a silver sword, sharp in starlight; to remember you. You stand a guardian, beyond the sun, flinging tiny ice-hot rocks _(freighting gemstones)_; King of the Heavens. I submerge myself into the bathic depths, skulking in aestival despair, as you trade the night for day. Little do you know, my resurgence is also in your hands. _[i watched Orion slip from view every night this spring. No doubt he’ll return next winter... it’s sad losing a friend like that, for so long]_
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3
Barnacles begin their lives as free-swimming larvae, ebbing and flowing with the tide.   Most are eaten, some wash ashore, a few survive long enough to attach with freakishly strong glue their minute larvae heads to a final rock- strewn home. There they spend the rest of their lives with feathery feet poking out of a hardened shell, filtering the sea for whatever happens to come within reach. Why the barnacle starts out free and ends up bonded to some god-forsaken rock to alternately dry out and be fed at the whim of the tide is just one of life's many small mysteries. While barnacles are meant to lead a primarily static life human beings are not. We are meant to flow to settle and ground, uproot and travel to seek to speak well and listen better to find meaningful answers. We always have the choice to let go of whatever safe, high ground we're frantically clinging to though it will mean not knowing where we'll ultimately wash ashore. Letting go can feel like being caught in a rip current.   What I know about rip currents: They pluck hapless beachgoers from shore and pull them out to the ocean deep.   If you're caught in one and try swimming back to blessed land you won't make any headway. Eventually you'll grow tired and drown. The only way to survive is to stroke like mad in a totally counterintuitive direction parallel to the solid ground you desperately want to reach until you're out of the narrow river ******* you out to sea. I've decided to unglue my little larvae head from its rocky, self-imposed, falsely-safe perch. Let the current carry me where my feet no longer touch the known. It's up to me to swim in the right direction until I'm free.
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Oct 29, 2015
Oct 29, 2015 at 9:47 AM UTC
Barnacles and Rip Tides
Barnacles begin their lives as free-swimming larvae, ebbing and flowing with the tide.   Most are eaten, some wash ashore, a few survive long enough to attach with freakishly strong glue their minute larvae heads to a final rock- strewn home. There they spend the rest of their lives with feathery feet poking out of a hardened shell, filtering the sea for whatever happens to come within reach. Why the barnacle starts out free and ends up bonded to some god-forsaken rock to alternately dry out and be fed at the whim of the tide is just one of life's many small mysteries. While barnacles are meant to lead a primarily static life human beings are not. We are meant to flow to settle and ground, uproot and travel to seek to speak well and listen better to find meaningful answers. We always have the choice to let go of whatever safe, high ground we're frantically clinging to though it will mean not knowing where we'll ultimately wash ashore. Letting go can feel like being caught in a rip current.   What I know about rip currents: They pluck hapless beachgoers from shore and pull them out to the ocean deep.   If you're caught in one and try swimming back to blessed land you won't make any headway. Eventually you'll grow tired and drown. The only way to survive is to stroke like mad in a totally counterintuitive direction parallel to the solid ground you desperately want to reach until you're out of the narrow river ******* you out to sea. I've decided to unglue my little larvae head from its rocky, self-imposed, falsely-safe perch. Let the current carry me where my feet no longer touch the known. It's up to me to swim in the right direction until I'm free.
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32
Blue is not sure where to find the propeller. The motor boat sent to scotch the shimmer. The waves break inside a jar, and the little pieces are swept up by the wind and made into mist. The Jar is shaken, the titanic sinks, and the seagulls peck at our eyes. Covered in barnacles, the new-found fish men wander onto the sand and get coated, as in cornmeal, ready to fry. Infatuated and floundering they wander to water again. Drinking death hand over fist, they ring themselves out with simply a twist. The fish flap their fins so forcefully; trying to be flying to a sea called the sky. With a crumbled-ed crust they say, “motherboat or bust”, but the navigation of aviation is a compilation of great frustration for fishes whose function is on boats, wrapped up in those silly greatcoats. Yet they made it, or so they claim, and with only one flounder or flunder who had made a blunder to blame. If only old skipper had been a bit quicker, he wouldn't have had such a queer story to claim.
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Oct 25, 2014
Oct 25, 2014 at 2:10 PM UTC
Odd, eh? Sea...
There I was dangling off the edge of life by a thread, Barnacles growing in my bed, Walking around with lead shoes, Always wearing Navy Blue contacts. Out of nowhere something fast, Picked me up and upward blast, Bucking, hurtling into the sapphire sky, Dancing rainbow fairies around us. I feel the pixie ..... dust I revel in the lust I grow in the fertile trust This must be Hero Love
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Oct 10, 2017
Oct 10, 2017 at 6:54 AM UTC
Hero Love
when you start feeling as if just being you     is not enough ,.. when you see the sunlight slipping away sliding into the ocean and the outbound tide     is pulling strong ,..    gravity throbs downward ― you see it's weight groan pacing in lonely eyes, you feel it's burden bear down on a wayfaring stranger    wandering away alone ,.. wondering what went wrong stalled by a riverside frozen in time ; walking on slippery rocks and fallen stars, searching for peace along the meandering shoreline the waterfall surrenders a river's silent lament ; the storm gales' surge stirs the urge for moving on a heart broken knows how fickle tides change which way the wind blows ,.. which way the rain      comes falling down ― watershed moments undulating serpentine rivers, unbridled terrain waters veritably cascading  beyond blurred latitudes, uninhibitedly drifting      in shapeless symmetry ― a deep ocean rises with the calling tide's murmur,   the shorebirds linger ; hole up with the peace of the unsullied sands at the sea stained       tide-mark ― barnacles cling to the pulse of the tidal sway where starfish hold on to    slippery rocks ,.. being enough to while away just a little bit longer ― to simply let it all be and wholly wash out in the water waiting for the tide change, to swallow whole the rivers stagnant flow, immersing     the stars in swirling silence ― in the unrestrained     rhythm and the sea ...
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Oct 25, 2017
Oct 25, 2017 at 11:01 AM UTC
Slip Slidin' Away
Barnacles crunch like fast food under your sneakers, my gnawed-on boots. We pass over cat-eyed shards of glass still spicy with beer bubbles and still fizzy with teen rebellion; It molds like an infection here. In a town nicknamed "Little Norway." ~ This place hoards candy-colored suburbia in its pockets. Houses like skittles weigh down its pants and it belches out tourist traps weaker than expired pepsi, yet it still manages these moments where I can trot by your gazelle legs and blast Julie Andrew's confidence. And I want to heap myself on the oyster shells, say STOP Put this moment in a snowglobe, sigh into it before we move on, do anything before the wind whips it away. Etch it into your hand if you have to. But breeze dimples the water like a golf ball and rips at the seams of the shore. Please don't forget me when you leave.
0
Mar 6, 2012
Mar 6, 2012 at 1:20 AM UTC
It's safe to say we talk about Everything
~~~ out of an arid ocean You came up hoary with barnacles grey with skin a spray of stars erupted startled . awash against its own night and down again You go to know the mating of tendrils the killing planes of seashores the antiquities of the sun were we there once? in the phosphor seasons we played with You as You are even then so self contained we found no need to surrender to the patient winds of change now You echo in strange meridians storming Your gusts in far off topography Your great tail sings its starlight way homing to its thunder ~~~ they came oh, yes, they came to harvest Your virtues their decks slick with Your blood crimson stains ugly with lucre their forest of masts peopled by Your ghosts sing ! O leviathan ! sing lift Your voice and bellow to us of Your lost pods Your wonderful oceans Your salty maternity *Your song is heard by GOD* (c) soulsurvivor
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Nov 5, 2014
Nov 5, 2014 at 6:04 AM UTC
leviathan . inspired by Pablo Neruda
Stranded the shore the loneliest row boat. Laid on the shore as if a grounded whale carcass collecting barnacles. No rescuers ro save this noble beast. The tide may come and take it home. Depending on the time of tide. The setting sun brings with it relief. Cooler in a peaceful air. A lonely gentlemen elderly in years. Walking his chocolate labrador, Charlie, stumbles across an old wooden rotting oar. Was going to sling it back into the sea. Further along the shore he spies a lonesome row boat. A perfect pair.. Row boat and oar reunited. (c)Livvi MMXV Watch this space...part two to follow.
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Jun 18, 2015
Jun 18, 2015 at 5:26 AM UTC
ABANDONED BOAT
I am a Harbor Moss-covered barnacles govern my legs, and my back is drenched in fog. My wooden walkways creak, and the wind makes me groan with loneliness; but life stirs underneath, in waves. Ships arrive at the worst hour, full of regrets and suspicions, and aches and envies, and troubles and fears. I welcome angry sailors, the worst of all mankind, to drink at my tavern, and dangle their feet off my docks, and stare at the sea. They look east by southeast, north by northwest, to home, where only memories return. Some men are bustling airports; they welcome millions a day, and millions a night, see them off to other skies and do it over again. But I am a jealous Harbor. I keep my vessels with me forever. I guard them with an icy peace. And relish in the slap of the sea. And bathe in the salt of the wind.
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Feb 17, 2018
Feb 17, 2018 at 8:30 PM UTC
I am a Harbor
I fell in the sea and it was made of love And the love became the taste Of saltwater on her neck And she taught me to dive With my eyes wide open Looking through the water at the sun Breaking the surface. "It's like just like dying," she said. And I heard "diving" Because it was like diving But it was also unlike diving And so it didn't seem a silly thing to say Though all the things she said Like them fishes in a sea of love Hooked by a line at night That came out of a boat And made us shure That the unsaid things Were both unsaid Were silly. I forgot my shoes. We made love between the boats Gently pulling ourselves along the rope From one wine dark evening To the sunlit morning below... And even my lips Remind me of her Waking so close Her eyes could touch mine Nice dream Like the lift of sunrise Between us And the need of nothing else But these warm shivers and... Blistering Barnacles! I just fell in the sea And it was made of love.
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Sep 26, 2012
Sep 26, 2012 at 7:06 PM UTC
Making Love
Red faced and wasted I saw you naked And fell in love With your ancient body Gone is the impulse to run And all i can do now Is to write simply Lies and truth Mixed together Like oil and vinegar We are fumigating Our own bodies Remove these carbon copies And quietly daydream About the faces of lost Summer lovers Fundraisers say goodbye To yesterday's vacations Just as we long to cry We catch ourselves Smiling for a moment What do the turtles wish to communicate Are we awake in our shells Or have we fallen into the spell of limitation Consternation and ************ Facts and figures receive their adulation While we attract only tender triangulations Please finish up your investigation I blame you for instigating this comedy A catalyst of abomination and dichotomy Which followed me into retirement Let's give banquets back to the government And return to ancient lands Devoted to camels and drunken apologies It's apocryphal Pornographic phantasmagoria Fantastic fan-fictions Describing sacredly sadistic rituals Glorious duality Radically alters our expectations Yet manages to satisfy your frustrations In dissimilar situations We liberate our agitation and consternation Over magazines and barnacles We are more conspicuous Than an empty gap in the sky Made by two constellations Taking a long vacation Intrepid sailors raise their sails And navigate by stars and compasses Renaissance dancers are porous instigators They initiate our imitations We dream of political sovereignty To remediate these tragedies I breathe warfare and cleanse the air Of apathetic non-negotiaters Harboring criminals like butterflies Sometimes the means do justify your eyes Targets never argue And bullets never lie Finances and fiancées Certainly have some value Yet we underrate our skies Miles of lost continents Drift out from your skin We begin an embargo Hoping in the future we will win Metaphysical furniture Effects the state of mind you're in The record players turned down But you heat me up to begin
0
May 24, 2019
May 24, 2019 at 4:05 PM UTC
in memoriam
Red faced and wasted I saw you naked And fell in love With your ancient body Gone is the impulse to run And all i can do now Is to write simply Lies and truth Mixed together Like oil and vinegar We are fumigating Our own bodies Remove these carbon copies And quietly daydream About the faces of lost Summer lovers Fundraisers say goodbye To yesterday's vacations Just as we long to cry We catch ourselves Smiling for a moment What do the turtles wish to communicate Are we awake in our shells Or have we fallen into the spell of limitation Consternation and ************ Facts and figures receive their adulation While we attract only tender triangulations Please finish up your investigation I blame you for instigating this comedy A catalyst of abomination and dichotomy Which followed me into retirement Let's give banquets back to the government And return to ancient lands Devoted to camels and drunken apologies It's apocryphal Pornographic phantasmagoria Fantastic fan-fictions Describing sacredly sadistic rituals Glorious duality Radically alters our expectations Yet manages to satisfy your frustrations In dissimilar situations We liberate our agitation and consternation Over magazines and barnacles We are more conspicuous Than an empty gap in the sky Made by two constellations Taking a long vacation Intrepid sailors raise their sails And navigate by stars and compasses Renaissance dancers are porous instigators They initiate our imitations We dream of political sovereignty To remediate these tragedies I breathe warfare and cleanse the air Of apathetic non-negotiaters Harboring criminals like butterflies Sometimes the means do justify your eyes Targets never argue And bullets never lie Finances and fiancées Certainly have some value Yet we underrate our skies Miles of lost continents Drift out from your skin We begin an embargo Hoping in the future we will win Metaphysical furniture Effects the state of mind you're in The record players turned down But you heat me up to begin
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71
Too much alone Too much afraid Too much unknown Too much paid To let us go By the way For no show So they say Could I tell you a story Ole storyteller Like bees buzzing flowers With some honey on hive's mind It's a modern tale That has sat sail All sewn up At a rate of knots That black book Bought with blood money Dares to say it holds a name Spar - with these throat barnacles (Alternately feeding and fighting With their feet) bowsprit [bee block] know your ropes, carried away deep six It's a thieves cat o nine tales Captain of chewing the fat Or combing the cat I've never seen (one) better Dunnage topping a tonnage From that trusty barrage I'm everything on top and nothing handy An eye splice on a short rope Given and giving leeway Haven't got a clew for true whence such hails from ... So... She measures faces with her heart and hands And a camera lens for a few
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Jul 27, 2015
Jul 27, 2015 at 2:29 PM UTC
doppelgängers gangplank
The tide pulls in and sine waves intersect, surf scalloping and cresting, small, breeding pearly foam into sea breeze. Your breath pulls in, skin washing over collarbones, ribs expanding to swallow oceans–– another kind of wave. I feel my soul swell and fall into place. The tide makes eddies–– gulls cleave shimmering half-circles in the air, partition wind with meat, voices. Sand swirls around my feet and is dragged out to sea–– Your skin makes eddies. Conversations sink like round stones and your toes open wide, sweeping arcs in the sand. My heart beats just over three times. The sea feeds trillions. Ships wreck and barnacles forge their homes, and fish school in Fermat spirals. Plankton absorb sunlight and divide exponentially. Your liver feeds trillions. Arms envelope me and nestle into the hollow under my spine–– I press my lips against your sternum, starving. The sea pulls out. The moon's orbit decays four centimeters every year–– the disparity destroys worlds. Your breath pulls out. I cup sea glass and small, smooth shells, my footprints forming acute angles to yours–– this disparity destroys worlds.
0
Dec 20, 2012
Dec 20, 2012 at 11:20 PM UTC
Simple Harmonic Motion
Life's Predispositions In the chapel of his soul and in the steeple of his mind votive candles burn, bright and iridescent, perpetual, red, yellow, green and blue. He sits in there, a chapel for one, in a mist of confusion, in a mess, searching for answers, as his life is waning, escaping, like an Autumn wind blowing the pages of his life ... stillness, of bookmarks, still on page one, he hatched, once. All around him, dark, and cold, like a winter chill, snow banks withdrawing, his sad existence. Still he looks up to Jesus on the cross. Warmth. In the chapel of his soul and in the steeple of his mind votive candles burn, large, bright and iridescent, perpetual, another rainbow stretching it's arcs for him. He backs away. He bemoans life, small, it's endowments on him. His parent's mistake on a dark, eerie loveless night... and their cutting words "You were a mistake," words that grew on him, like barnacles clinging to him, eating away his buoyancy, like a ship sinking. In the birth of another spring, flowers blossoms, rivers gushing down mountains and mountains of pollination, life, he has a lone branch waiting ... somewhere. Such stillness. Such stigmatization from his parents loveless past. A mistake they conceded. It had an effect on him, darker than the blackest sheep that he was. What predispositions. When the summer harvests arrive, fields smiling their wares, he scowled he scowled the corn, subsistence, life, the changing seasons, his short change of life. Rainbows. Why are the birds singing to me? Why? The voices in his head chirping, continuing. What message thou bring to an orphan? Still he looks up to Jesus on the cross. Warmth. His eyes squint. Dad, mom. And whispers words that don't need to be said, closure. Logan Robertson 6/01/17
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Jun 1, 2017
Jun 1, 2017 at 4:16 PM UTC
Life's Predispositions
Life's Predispositions In the chapel of his soul and in the steeple of his mind votive candles burn, bright and iridescent, perpetual, red, yellow, green and blue. He sits in there, a chapel for one, in a mist of confusion, in a mess, searching for answers, as his life is waning, escaping, like an Autumn wind blowing the pages of his life ... stillness, of bookmarks, still on page one, he hatched, once. All around him, dark, and cold, like a winter chill, snow banks withdrawing, his sad existence. Still he looks up to Jesus on the cross. Warmth. In the chapel of his soul and in the steeple of his mind votive candles burn, large, bright and iridescent, perpetual, another rainbow stretching it's arcs for him. He backs away. He bemoans life, small, it's endowments on him. His parent's mistake on a dark, eerie loveless night... and their cutting words "You were a mistake," words that grew on him, like barnacles clinging to him, eating away his buoyancy, like a ship sinking. In the birth of another spring, flowers blossoms, rivers gushing down mountains and mountains of pollination, life, he has a lone branch waiting ... somewhere. Such stillness. Such stigmatization from his parents loveless past. A mistake they conceded. It had an effect on him, darker than the blackest sheep that he was. What predispositions. When the summer harvests arrive, fields smiling their wares, he scowled he scowled the corn, subsistence, life, the changing seasons, his short change of life. Rainbows. Why are the birds singing to me? Why? The voices in his head chirping, continuing. What message thou bring to an orphan? Still he looks up to Jesus on the cross. Warmth. His eyes squint. Dad, mom. And whispers words that don't need to be said, closure. Logan Robertson 6/01/17
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102
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
0
May 25, 2010
May 25, 2010 at 8:20 PM UTC
My Life as Heiress to Your Throne, Darling
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
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46
Pan by Michael R. Burch ... Among the shadows of the groaning elms, amid the darkening oaks, we fled ourselves ... ... Once there were paths that led to coracles that clung to piers like loosening barnacles ... ... where we cannot return, because we lost the pebbles and the playthings, and the moss ... ... hangs weeping gently downward, maidens’ hair who never were enchanted, and the stairs ... ... that led up to the Fortress in the trees will not support our weight, but on our knees ... ... we still might fit inside those splendid hours of damsels in distress, of rustic towers ... ... of voices of the wolves’ tormented howls that died, and live in dreams’ soft, windy vowels ... Published by The Chariton Review Keywords/Tags: Childhood, dreams, enchanted, stairs, fortress, trees, damsels, maidens, towers, wolves, howls, oaks, elms, paths, pebbles, playthings, toys, moss
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Mar 19, 2020
Mar 19, 2020 at 1:47 AM UTC
Pan