He is the sort who seems well cast
As the Grim Reaper’s right-hand man:
Hulking, deliberative in movement and thought alike,
Generally doing the heavy lifting of the direct route to the afterlife
With a grim solemnity not shared by the funeral directors
In whose service he lifts, wrangles, and grunts
(They are, to be fair, not the black-hatted, pale-complected ghouls
Littering Dickensian tales or Monty Python sketches;
They are businessman, Rotarians, purveyors of cheerful websites
And nine-year-old giggle-worthy sponsorships of Little League teams)
Performing his duties wordlessly, monotonously
Sparing no time for idle chat or frivolity
(Though on one occasion, when Lew Jackson from over in St. Mary’s
Brought in a women that he’d known as a girl,
A girl who had found time under the bleachers for everyone but him,
And had turned that gift into two stories of gabled comfort
Plus a membership at the Elk County Country Club;
He’d looked at the box and sighed Well, this is a bit of a surprise.
I’d always had her burnin’ up somewhere else.)

Crematory Lenny is a fisherman, his normal haunts
Some shady bank on the Clarion’s East Branch,
Or one of the sturdier railroad trestles just outside town
(The trains not having run through Montmorenci Falls in his memory)
Though if there is a Sunday where his ministrations are not required,
He will drive up to the Kinzua Dam,
Sometimes eschewing pole and tackle altogether,
Choosing to simply wade into the silence of the reservoir.
He is strictly a catch-and-release fisherman,
Even returning sunnys and chubs best simply thrown on the creekside
(Good stream management and all that)
Back to the water, freely admitting that, in culinary terms,
Perch, trout, and bass are simply take-it-or-leave-it propositions.
Sometimes, though, he will foul hook one,
Or come upon some fish deeply scarred or tumor-ridden,
And he will reach into coat or pants pocket
To remove the garden ***** he never travels without,
Proceeding to dig a small hole, just so wide and so deep,
To serve as a final piscine resting place.
He would not, indeed could not, begin to explain
The whys and wherefores of these internments,
Being a virtual Caiban if matters stray from the weather and shop-talk,
Nor does he pause to ruminate upon the dearly departed,
Simply casting once more in stealth and silence,
With no sound save the whizzing whisper of the drag, the brief plop
As the lure breaks the surface.

His final passage
all it took
to get this girl
to read the book
he'd asked her twice
before he died
she said she'd started it
but lied

His point was made
she'd do her best
fulfill this day
his last request
for now, what's sure
she's hanging on
to every word
because he's gone

and once aboard
she's hauled to sea
no pleasure cruise
but misery
she stands her watch
from noon till nine
he drinks his scotch
she sips her wine

He holds the course
and surely keeps
the surging seas
from where she sleeps
and once her grieving
eases some
she's finds his voice
a comfort from

the memories
she reads his words
through tear filled eyes
her ears have heard
and now she enters
into his
her mind alive
with images

of life beyond
this mortal soul
of turquoise seas
and sandy shoal
she mulls each chapter
of this book
and smells the sea
and baits the hook

and climbs the mast
up to top
unties the sails
and let's them drop
and pulled into uncertainty
the ship sails through
calamity
but never does
she doubt the man
who said he could
she knows he can

and reading on
she comes to see
the trip was really
meant to be
for all her days
she's been alone
sometimes by choice
though seeds were sown

but landing here
on troubled water
no one found
his only daughter
and left to find
her own way home
to settle down
or wait and roam

she's simply learned
to stay afloat
while others love
and others dote
on children born
to entertain
she'd prayed for babies
but got rain

the wind kicks up
her heart still bleeding
blames herself
for never heeding
youthful dreams
for fear of failing
SUDDENLY
she's out here sailing!

now rising from
the galley door
the smell of fresh
baked bread and more-
sea-salt blends
with airborne yeast
and draws her down
to taste the feast

she swings the rope
from deck to ladder
there's her Dad
a little fatter
the captain calls
all hands on deck
a storm is brewing
still they check

to see what's cooking
time to eat
for work requires
mortal meat
and in the middle
of the story
here's her father's
pride and glory

pictures taped
upon the wall
his two best girls
and that's not all
a golden key
on nail in teak
she'll watch him knead
while floorboards creak

she stands beside
and learns his ways
for he was gone
most of her days
out to sea to make a living
and mama said
he's always giving

now she listens as he praying
for wife and child
what's this he's saying?
"Bless them both
while I'm away,
lead them safely
through the day"

while fishermen
have dropped their nets
he speaks of losses
and regrets
that one small daughter
missed her dad
he never knew
just what he had

and once again
the ride resumes
across a sea
of oil plumes
and men are hardly
scarce she finds
her father's story
now unwinds

he fought this battle
with his crew
while stirring up
a *** of stew
his Guif, the sea,
was once so clear
he loved to fish
and held it dear

the tales within
this mariner's log
Would pull her head
out of the fog
he's taught her how
to sail the sea
to feel the wind
which sets her free

from thinking it's
about the past
to taking hold
of things which last
and using what's
inside of you
to break the cycle
cook the stew

to forge ahead
and let it go
you must read on
or never know
now seeing that
his book will end
she slows her eyes
and takes his pen

and writes a note
on every page
attempting to now
quell the rage
for how could he
who claimed to love
allow her pain
to rise above

the peaceful calm
she's found within
his final passage
'tis a sin
and still, one day
he shouts "LAND **!'
the end approaches
heart in tow

she will not greet
the writer's end
nor leave this place
of make-pretend
She will not listen
anymore
but drops her anchor
just off shore

and won't accept
the last surprise
but stills his voice
and shuts his eyes
she fights against
the frothy foam
while bailing water
from her own

she cannot bear
to lose him twice
his loving presence
his sound advice
on written pages
this the book
about his life
at sea
the cook

for days to come
the text will sit
with marker near
the end of it
for this her only
comfort now
to know he waits
for her somehow

and days will come
and days will turn
to weeks, then months
a year to burn
the only way
for this old lass
to ever move
beyond the pass

to go and read
the final pages
put to rest
her rock of ages
to do the only
thing she can
to free herself
from limbo land

She finds the book
upon her shelf
and opening
it for herself
She'll read the words
the man had written
years before
when he was smitten

on that page
and by his hand
a blessing that
he'd always planned
to read her on
her wedding day
the daughter he
would give away

"Be sure to love
the one you're with,
and this my girl
your wedding gift"
and tucked within
the jacket there
a little clipping
of her hair

a poem she'd done
when she was nine
and two more things
within the spine
a lock box number
and that key
this man, he loved
a mystery...

.@>@>@>@>@>@>@>@>@>@>@>@>@>@>@>@>@>@>@>@>@>@

Today she rides
upon the seas
and sails around
the Florida Keys
she drops her anchor
swims to shore
the waves won't scare her
anymore

and just last year
she met a guy
a salty sailor
with just one eye
he'd seen the movie
lived the book
this, not the ending
just the hook.

It’s not My will, but Thy will,
Let Me die on the cross for their sins,
And My blood pave way to eternity;
Yet My Soul is sorrowful unto death.
Abba, take away this cup from Me;
Yet if it’s Thy will, and not My will.
Father, Thy promise Thou made with the serpent
That Thou would put enmity ‘twixt him and a woman,
And I should bruise his head;
Nevertheless he should bruise My heel.
For this is Thy eternal promise for man
Who been formed in Thy image;
But been smashed himself with the deceiver.
Flesh is weak and tempting;
Yet the spirit is willing and godly,
For Me too passed thro’ the way of the tempter;
Yet cursed him with Thy Eternal Word.
Unfelt agony runs into My soul,
When I bear the sins of the world,
And who on earth knows it,
Except Thou and Me, Who are ONE?
Do men know Me, Who is in Thee,
And Thou in Me, hath stripped off Glory
And hath become a servant to them,
And made in their likeness with all humbleness
Carrying the cross of shame and abuse?
My sweat is as it were great drops of blood
And Gethesmene I pray turns red.
Who knows but Thou ought ought to reveal
That My blood be shed on the cross
Which is the symbol of the new covenant?
Father, in the beginning I AM,
And all things made by Me and for Me
Who hath come unto earth as the Light,
And I AM Thy Glory, full of grace and Truth.
My Father, here come My betrayer,
For his time hath come to strike Me
As he has to bruise My heel,
And I should then bruise his head,
For it’s Thy Eternal plan of mystery.
Here comes he with the spirit of darkness
Carrying lanterns and torches and weapons
Of unrighteousness and ungodliness.
Father, let Me finish Thy work,
But strengthen Me with Thy Spirit.
Now the betrayer hath sneaked  unto me.
Look, he kisses Me amidst the mob.
Am I his beloved for his kiss?
Yet he is My beloved.
He hath dipped himself in My cup of blood.
It’s Judas kiss bought for thirty silver.
He hath sold his soul to the roaring lion
Which devours the sons of Adam.
I made Judas My apostle;
But he  made himself the liar’s instrument.
The night I am put in chains in the realm of darkness
And I am left alone with none to share mine.
Where are My apostles, My disciples?
I remember Peter’s words
That he said he would go with Me,
And I know the rooster should crow
After his denial of Me thrice to go.
He is a mere man who knows not
That things written be accomplished in Me.
They drag Me, kick Me with their boots of sins,
I am chained by their unrighteousness,
And am whipped by their blasphemy of My Father,
For when I am rejected My Father is rejected
As My Father and I are ONE,
And who hath seen Me hath seen My Father.
My people spit on Me all the way
Where blood from My body sheds.
The thorny whips tear My flesh;
Yet I rejoice in My Father’s will,
But their sins sadden My soul.
I am dragged unto the high priests
Who’ve been awaiting My trial.
Even My disciples have forsaken,
And left Me alone, but My Father in Me.
Am I held ‘midst people of the law
Which was the schoolmaster awhile
Until I finish it with My blood.
Their trial with Me hath begun with bitterness.
And Peter is seen with a mob at the fire.
False witnesses spewed on Me, yet contrary,
Whose arrows stuck on My statement
That I will destroy the temple,
And in three days I will build one.
Behold, And they’re spiritually blind and deaf.
They spit on Me blindfolding My eyes,
And play prophecy of hide and seek.
Each spit on Me is a sin of  theirs
And their hurt in not on My body but soul.
They kick Me with their boots with spikes,
And the unrighteousness of My people bruises.
My soul bleeds not of Me but of their doom.
The father of lies mocks at My Eternal plan.
The liar can bruise but My heel,
And his head is already beneath My heel.
My people strike Me with the palms,
And they slap on  My cheek with prophecy;
Yet I hold peace to defeat the liar.
No man is found to paint the pallor on My face.
I am denied thrice as of My mysterious plan.
I am tried till the sun sinks at the horizon,
And I become the laughing-stock of My people.
I thirst, but not a drop of water I ’m offered,
Where found midst earthly meals the disciples of the liar.
To liars My Truth seems blasphemy
For professing themselves to be wise and godly,
They’ve turned scoffers strolling in lusts.
I’m ‘gainst the mighty liars,
Who’ve forgotten I AM Almighty
Having denied the Power of the Most High
Whose Eternal plan of salvation is for them
Whose trial against Me is vain;
Yet satan in disguise kicks My heel.
My angels were struck in pride in Heaven,
And so were drained off into hell
With their filth and lust in darkness.
They spit on Me Who is the Lamb.
The trial ‘ere Pilate take its roots,
And no roots of earth are of Mine,
For My Father breaks off every branch
That beareth no fruit in Me.
For they wear attires of pomp and pride
With no clothes of righteousness.
Hidden in the mask of flattery
Pilate hath no way to mark justice;
Yet it hath been the Eternal plan of salvation
In Me Who is the Lamb of sacrifice.
Who knows My kingdom is not of this world?
I’ve come down to speak the Truth
That hath made the governor question Me:
‘What is Truth?’
And who believes I AM the Way, the Truth and the Life?
For all have eaten the forbidden fruit
Which hath set free the son of peridition
Who is the father of lies of all ages.
And Pilate sets free a convict as is the custom
Which hath a way in the Passover.
Truth sets free the blessed souls from Death;
But falsehood sets free sinners from Life.
I’m whipped in flesh to bleed;
But I  am whipped in spirit by their sins.
I’ crowned with thorns and twigs:
The metaphors of sins and iniquities.
They throw around Me a purple robe
And cry against Me in sarcasm
That I would live long as the King of the Jews
Whose minds are darkened by worldly wisdom,
For My kingdom is not of this world.
They slap Me on the cheek with arrogance,
I remember Judas’ kiss on the same cheek
Who hath drowned in the lust of silver.
I make neither complaint nor not of repulsiveness,
For it’s My Father’s will to bear the cross.
Back to the porch of the palace
I’m made the season with withering leaves.
Their crown and robe on Mine are their hypocrisy
Who cried against Me riding on a colt.  
Their crown and robe on Mine are their hypocrisy
Who carried against Me riding on a colt,
They threw their cloaks of praise and shouts
Across the way I trotted upon on the colt,
They laid branches cut from trees,
And I knew they were clothed with filthy attires.
Their praises and shouts now turned to curses  and abuses.
I’m now thrown into the hands of disciples of the liar
Who is a like a roaring lion to devour.
Their faulty law plays in their hands
And laughs at My Father’s Rock of Salvation.
But I laugh at the liar’s defeated victory on Me,
For in My resurrection Death hath no victory.
Who knows death took its roots since first transgression
In Eden with the consumption of the Forbidden Fruit;
Yet in Me Life is sealed in Him to Eternity?
I’ve longed for Judas’ godly sorrow like the prodigal son,
But he was bitten by the serpent on the Tree
Where the betrayer tasted the Fruit and died.
He took himself to the tree of death
For the taste of the Fruit turned bitter to him.
Power of this world hath blinded Pilate’s conscience
Whose power hath been predicted over Me
With My self-will hidden in the Most High.
The Eternal plan of salvation hath tied Pilate.
Who washed himself in his self-righteousness
And throws Me out for want of  pomp and pride.
Now I’m in the arms of thorns and bushes
Laden with the cross of the world set out;
Yet My journey thro’ human darkness is for a while,
For the Reward of Eternity is awaiting Me
And the ones who are rooted in Me.
Each whip lashed on Me is the multiple sins of the world,
And the spikes of the whips tear My flesh,
And I bleed with the agony of lost souls,
Whom I’ve made for Glory with My Father.
Behold! A toll strikes this hour
When I hear the hellish roar at a distance,
And I know the traitor hath flung the silver
Which have no price for his destiny.
I shed tears for him but he’s lost
For his death is certain in My Eternal Plan,
And who could change it but Me;
Yet it’s all My plan of mystery in the Father?
They hit Me with a stick o’er the head,
And mock lat Me saying ‘Long live the King of Jews.’
A scepter of stick ****** into My palms,
A game of mockery is played  ‘gainst Me;
Yet I am as innocent as a lamb led to the slaughter,
As writ in the Scriptures with the design of My Father:
I’m oppressed, and afflicted down to death on earth;
Yet I open not My mouth to charge complaints,
I’m brought as a lamb to the slaughter,
And as a sheep before her shearer is dumb.
All the way I’m kicked to fall on the stony path.
Look! My knees bruised and torn for you,
Still are there moments of repentance from hypocrisy.
**! Here am I fallen on the thorny twigs.
Behold! My clothes are torn with blood flowing out.
They tilt Me with their pompous boots.
I try to lift Myself but laden with the cross.
Pity of sacrcasm plays in their hearts
And in turn a man from Cyrene is laid with the cross.
I carry the sins of the world for crucifixion;
But he’s made to carry the wooden cross behind Me.
Is it My Word that says unto you:
‘Take up your cross everyday and follow Me?’
Nay, but to forsake the world of sins
Be My doctrine with the love of My Father.
You cannot carry the cross I bear;
Yet you can carry yours beside Me.
Shouts of abuses thunder into My heart
Amidst the cry of lamentation across the way.
They hook Me up with scornful epithets
And the liar of the world bruised My heel;
Yet I walk the path of obedience to physical death
That My death on the cross shows Way to Eternity.
I hear the cry of My people,
Why do they cry with wailing?
Do they mourn over My trial on earth
Or o’er their sinful attires.?
Who knows, but I know?
They shed tears of emotions,
And who knows their sins crucify Me?
Behold! I hear the Nightingale’s song ‘cross the stormy breeze.
Is it the song of melody unto My people
For they murmur Nature too mocks at My trial?
But I know My creations are under My power.
They’ve painted the day’s sky with glooms
As their pilgrimage on earth smeared with sins.
Back on Me the cross is ****** and I’m knocked down,
And My face dashes ‘gainst rocks on the way.
The spiky rocks tear My skin to bleed,
I bleed and bleed till the last drop.
Little children kiss My bleeding cheeks
And they take the mark of My sacrifice.
The sun soars higher and higher
And each phase of My journey is of My Father’s plan.
I scale ‘gainst the steep hillock with lashes on My back.
The fiendish serpent laughs at Me,
And strolls with the exotic steps drowned in hellish dirt.
And I know he bruises MY HEEL:
But he ‘knows’ not I’ll bruise his head.
My disciples walk apart with arms tied,
For none can break the design of My Father.
The sun strikes the altitude and I reach the slaughter.
They drag Me unto the ‘place of the skull’.
Who’ve thought I would sleep ‘neath the grave
Which hath no future for death is once for all.
Their conscience is buried in darkness by the liar,
Like dried-up springs and clouds blown along by a storm,
Their thoughts and deeds lie in vain of glory,
All bundled in filthy rags of lusts,
Whose promise of freedom is spoken by the father of this world,
The mighty trap hidden with baits of freedom of slavery.
Who knows but My Father of My destruction of the Temple;
Yet be rebuilt in three days in glory?
Behold! They strip off My clothes to naked.
The serpent sneaks onto the Forbidden Tree
With a cynical comedy of errors;
Yet it bruises My heel with its bitten fang.
My Father drove out Adam and Eve from Eden
Who had turned unholy committed themselves to the liar.
Now the liar, he thinks, drives Me out into the grave.
But I will destroy him with My dazzling presence.
My garments  they part and share ‘mongst themselves,
And My robe made of single piece of woven cloth
With no seam found in it, thrown at dice.
Do they know it’s of the Scriptures foretold?
They lay Me on the cross down on the earth.
I recall My infancy couched on the manger:
How I was cared and nurtured by My human parents.
I was in the safe arms from bitter cold;
But now I lie sans comfort and in blood.
My arms are stretched across to be nailed,
Lost of strength My legs are pulled along.
My people watch the gory sight of crucifixion.
They nail My palms and feet ruthlessly.
How I healed My people from diseases
How I fed My people from starvation!
How I walked to listen to My people’s sorrows!
But they watch Me now lying on the cross.
Do they know of My death on the cross?
The nails are pierced deep into veins and nerves,
Streams of blood flow down unto My people;
But they kick My blood splashed ‘cross My face.
Unfelt agony and untold miseries crushed My spirit,
For they repent not of their sins but die
Forsaking My Father’s promise unto those who believe Me.
When nails are pierced Mine My Father strengthens Me.
I bear the pain for the promise of My Father.
They raise Me nailed on the cross.
Curses and abuses lashed on Me,
And they shout they’ve cut the root of the tree.
Alas! They do not know what  they do;
Yet My Eternal Plan of  these shall happen.  
I look at My disciples at the Cross
Whose darkened hearts I perceive.
Full of heaviness with a doubting hope
Of what will happen to Me and them.
They’re petals turned pale in the evening,
They’re the garden of Fall with no fruits bearing,
Like distant stars with faded light they look
My people fling upon Me mockery:
‘He saved others; let Him save Himself
Who claimed the Son of God!’
Not to save Myself is My advent to the world;
But it’s My Father's Eternal Design in Me
That salvation is for mankind in My Father’s likeness.
It’s written above My head of the Kingship:
‘This is the King of the Jews’
Who know not of My Eternal Kingship,
Not of this world, but of the Heaven.
Behold! The criminal on My left hurls at Me:
‘Are You the Anointed One?  Save Thyself and us!
Is he the son of Cain who turned a fugitive?
Is it not like “am I my brother’s keeper?
The convict on My right is another prodigal son
Whose sorrow of his filthy rags turns his blessed.
‘Lord! Remember me in Your Kingdom!’
My promise unto him hath crowned his a hope of glory:
‘This day shall you be with Me in Paradise.’
It is the prime of the day with beams of fire splashed across:
The sun is in its meridian lashing unforgiving rays.
Behold! The sun is darkened by the clouds of glooms,
It’s day but turns night as a premonition
What happens to the creation in My Day in Glory.
The temple of the city trembles at My Word’
And the curtain is torn in the middle,
Yea, Moses’ law turns unto rags with no price,
For I make the New and Eternal Law of love in Me.
Nightly day survives until My Last Cry’
Troubled with the heaviness of My people’s sins:
‘My God, My God, why have You forsaken Me?
‘Yet it’s finished. Thy work on earth is done,
Father, here I commend My spirit unto Thee’.

She loves it
when we go fishing,
enjoys all of the activities,
spearing & angling,
gathering & netting,
anything to get
down on the shore.
Her boy in the boat
always bounces,
craves more of my dangling.
She's a looker,
baits my hook just right,
I don't fight her
& it ain't no shrimp.
Nooooo,
no wimp here,
I always use my big long pole
looking for her sweet fishing-hole.
When I finally get there,
find the right spot,
I scrape her scales
from every conceivable angle
to uncover her tasty pearl.
I give her a whirl,
shuck the shell out of her
as she squeezes me hard
with her tight mussel,
ready to receive my roe,
a splish,
a splash,
a huge shot
of my hot cocktail sauce,
curling her toes.

My mind to frolic, with words of Frost
Slides between and then is lost

Drifting ‘round to fellows long
My thirst is deep; desires strong

Filled with all that Maya says
Flits in and out my meddling head

And ah, when Pablo speaks of love
My heart's aflutter with pure white doves

Around the beat, who else but Poe
A deep dark place I've come to know

I stop to ponder the words worth
As if I've nursed them from their birth

I settle to hear the rambling brook
Where Gwendolyn baits my eager hook

Then ‘long comes Oscar, running wild
I listen like an eager child

When Langston paints his colored hues
His canvas fills my point of view

Not just the finest spinning me
To this state of flux and reverie

For verses drift from near and far
Forever reaching for the stars

Feeding on the gentle night
I languish in the word's delight

Finding rhyme from ‘neath the skin
The place where passion's settled in

To fill my cup, appease my soul
Till hunger's sated, fat and whole

The empty space behind my eyes
Is filled with life's sweet lullabies

And when at last, I lay to rest
I'm filled with cadence of the best

Write What You Know

I am standing in front of another writing class From my mouth, the mouth of all English teachers, comes, “Write what you know,” and the carefully tied fly whips itself out onto the surface of the classroom and lies there, waiting for a nibble or a strike. My students, fresh from fields and country roads and long hours alone on the prairies, stare back like ancient trout, converged at this bend in the river. No one moves a pencil; no one rises to even tap the bait. Silence is broken by the sound of the General Electric clock over my head marking the flow of time and water and life.

Whoever put a 15 inch clock on the wall above and behind the teacher knew something about sadism. Students mark their breathing in second hand sweeps, while I wait for that first hand to rise like a fish, foolishly deciding to catch one last fly for the evening…my bait, tied carefully to invisible nylon leader guaranteed to withstand the assault of five pound monster brown trout. Patiently I stand by the edge of the stream, my feet just barely touching the water line.

“Mr. Bouchard? What if I don’t have anything to write about?” a querulous voice trembles. Shimmers of water-light ripple through the pond-room. I see the other trout-children move ever so slightly, turning in the water thick air toward the question-tap.

“Patience,” I think…and clear my throat. “Good question,” I say. “What do you know that you would want to write about? What stories do you have to tell that others would like to hear?” I let the current move the fly a little deeper over the waiting trout.

And there I miss the first strike of the day.

“Nothing. I got nothing,” grumbles Charlie. “I don’t go nowhere. I don’t do nuthin’ but work and stay at home.”

“Yah. Pretty much says it all right there,” chimes in his best friend Tad. The other fish start to turn away from the prompt/bait. I can see they are thinking of going into deeper water.

Quickly changing tactics, I turn and grab a broken piece of chalk…not much, but enough. I scratch out two words: ‘episodic memory.’ Turning to the class, I say quickly, “What do you remember about 9/11? Take a minute and think about 9/11. Where were you? What were you doing? Who was with you? What time of day was it? What did you feel?”

The class is interested in the bait change up. I can see their trout bodies, speckled with brown dots, turning toward my new presentation. Gills are fanning in and out a little quicker than before.

A hand shoots up. Mary says, “I was on my way to school, and the bus driver yelled at us all to be quiet because something was going on with World Trade Center.” A couple of her friends nod their heads, eyes looking up and back, into the past. Images were coming into focus.

Jose blurts out, “My mom was on the way to New York that morning. She was waiting at the airport. We were all worried about her.”

Now we’re getting somewhere, I tell myself. “So, Jose, can you remember exactly what you were doing when you first found out about the planes hitting the building? Where were you? What were you doing?”

“I had just eaten…Cheerios…yeah, it was Cheerios!” he says. “I was making sure my books were in my backpack, and the news came on over the Morning Show. I remember I stopped and just stood there like I was frozen. It was a couple of hours before we knew she was okay, but her plane was grounded so she couldn’t go to New York.”

The rest of the class murmurs. The beautiful fish begin to move as one toward the bait.

I nudge. “What did you see? What did you hear? What did you feel? What did you smell? Who was there with you? Take a minute and write that down.”

Pencils scratch on cheap paper. The sound of the clock hum recedes. Time slows as currents of thought push the humming motor down. The stream slows and the water surface becomes glassy.

Two minutes pass. No one says anything.

I break the silence. “This is episodic memory. When huge events take place in our lives…events that mean something very important to us, or that are swift and exciting, sometimes too wonderful or too terrible to understand or to survive…at that instant…those events are stored in our minds almost like living, high definition videos. We can remember these episodes with all five senses. We remember what we were doing, what we were eating, who was with us, where we were, sights, sounds, smells, feelings…they’re all there in our episodic memories.”

I have their attention. The hook is set. Some pencils even scratch “episodic memory” on paper. I push on.

“We all have collective episodic memory. 9/11 is a good example. You all have some collective memory of that day when terrorists flew two airplanes into the twin towers in New York City.”

I take a breath. “Now comes the reason for my teaching you about episodic memory. We all have personal events stored in episodic memory as well. Each of us has his or her personal memories, forever burned into the hard drives of our minds. When we pull up these memories, they are there in true color, full sound, and clear vision. We can see, taste, touch, hear and smell those memories clearly. That’s what I mean when I say, ‘write what you know.’

It’s illegal to fly fish with multiple baits on one line in Montana, not that I am coordinated enough to keep 15 grey wolf flies separate and in the air on the end of 30 feet of fly line anyway. In my mind, I imagine those flies stinging the water and 15 fish leaping to snag them. The class is moving mentally toward episodic events.

The fly fisherman lives for that leaping catch, when the world explodes with the splashing surge of trout beauty and fierce battle. The teacher lives and breathes the exhalations of “AHA!” as students capture concepts and come to life.

Fifteen memories, brilliant as shattering crystal catching sunlight, explode in fifteen minds…and then the trouble comes. I have been here before and move quickly to head off a possible flight to deep waters.

“Class! I need you to hold your thoughts for just a minute.”

“Some of us in this room just experienced memories of wonderful events: winning shots at ball games, good news of brothers or sisters coming home from war, first kisses … and some of us are experiencing terrible events, reliving them over right here in this room. I know that happens. It happens to me. The problem is…not all episodic memories should be shared with everyone.”

The class is silent. A couple of eyes are red and I can see where tears are beginning to form. Someone is recalling a fumbled tackle and the agony of sounding jeers. Another is re-living the scratchy beard and sour breath of a father as he crosses all lines of decency and honor with a child. I can almost hear skidding tires and feel exploding airbags as three minds simultaneously re-experience crashes…. The silent sounds of slaps and screams, of joyous and sarcastic laughter, of tearful farewells and exuberant reunions fill the air, bubbles releasing in the moving water of the classroom.

And then, the bell rings. “Take your ideas with you and write about what you know! I’ll see you Wednesday,” I yell.

Fifty minutes. The fishing is good. I reel in the fly, check the hook, and wait for next fish to come downstream.

I feel the need,
the need to cast and wind;
for the fish to feed,
and bite upon my line.

From the tiniest of perch,
to biggest largemouth bass;
as long as my line will lurch,
each time I make a cast.

Crank baits, worms or spinners,
I really just don't care;
as long as I catch dinner,
and a few more for fun to spare.

It was a mere young woman, who lived by the sea,
Her house was on the shore, occupied by her family;
The house of a fisherman, that was so tall and slender,
Was built on an island, opposite to her.

It was a starry evening when they both met each other,
When fisherman put some baits on water,
He saw a woman drowning in the sea;
She was caught by his baits accidentally.

The fisherman came to save her;
Brought her at home and gave her anything he can offer.
There they started knowing each other;
Laughing and talking while watching the moon together.

As the moonlight flashed at each other’s eyes,
It showed feelings which suddenly arise.
A feeling pierced sharply like dart
Was the love felt strongly by their heart.

Then the sun rose and ended their beautiful night,
Woman needs to go home and leave his sight.
Poor little fisherman can’t defy;
Hugged the woman and kissed her goodbye.

Months have passed but fisherman was still in woman’s mind.
She love him and it’s difficult to hide,
So she went to the opposite island to see him,
And found fisherman and his wife and child with him.

The woman stepped back and went to the shore;
She drowned herself for life’s not good anymore,
But someone stopped her and grabbed her.
It was fisherman who gladly said “You came back” and pulled her out of the water.

Out spoke the woman, --”You’re now married, so let me die!”
“What? I’m not married, you’re telling a lie!”
“I went to your house and I saw you with your wife and child!”
“That’s my twin brother”, then the fisherman smiled.

Now, it’s the fisherman and the woman living by the sea,
In an island where they both dwell happily.
With the moon above, they exchanged their vows so quiet,
On a lo

The antique shop,
a cauldron where memories
from far and near boil and froth,
where chronological order
didn't matter, time stood still,
part real, as much magic,
different lives from distant lands and time
rolled in to one.
Here they met, by chance,a man
and a mysterious woman,with an eye for unusual,
among what was  on display were
things a conman would seek
and also favorite stuff fit for  kings,
artifacts and articles they must have used
or hankered after.

Past uses these museum pieces
as baits for us, secretly preparing us
to surrender before future,
unkind and rude in mind;
he changed roles as both con and king,
there was a constant yes,
she was the mate in each
he couldn't take  eyes  off her,
and she asked what he looks for,

"The famous ****** quilt,
that was to be mine twice before,
I missed making it mine,
narrowly every time"
He wondered how did he
make up that story so quick.
"I can take you to the quilt,
but it isn't here" she said
not a bit  hesitant
He was flabbergasted by
the turn of events,as if
a hidden scripted move shows the way
They left by her car,
she was eloquent about
the effects of the ****** quilt.

As they stood near the ****** quilt,
in this room he thought was part
of an antique shop, the place looked deserted,
and her eyes shone when she suggestively said
"Want to test the effect? Don't be disappointed"
It wasn't. How could one  imagine, that
the quilt can be so voluptuous.

That secret shook him out of his shell,
she had  nothing to do  with antique of any kind,
just another visitor like him, and the quilt
was an ingenious plot she hatched
in keeping with my sudden flourish,
the quilt, was a new addition in her bed
patch worked in silk, light weight,
it wasn't a blanket, but ****** in its very touch
it was them, the moment of adventure they found
had brought the rapture,who would regret?

When I Was Small, I Grew
by Michael R. Burch

When I was small,
God held me in thrall:
Yes, He was my All
but my spirit was crushed.

As I grew older
my passions grew bolder
even as Christ grew colder.
My distraught mother blushed:

what was I thinking,
with feral lust stinking?
If I saw a girl winking
my face, heated, flushed.

“Go see the pastor!”
Mom screamed. A disaster.
I whacked away faster,
hellbound, yet nonplused.

Whips! Chains! *******!
Sweet, sweet, my Elation!
With each new sensation,
blue blood groinward rushed.

Did God disapprove?
Was Christ not behooved?
At least I was moved
by my hellish lust.

Does God judge human beings for the ****** desires he presumably gave them? Is the purpose of religion called Christianity to torture us for being human with human lust, passion, and desire? At puberty do the gates of hell and damnation swing wide open for us? Keywords/Tags: God, religion, Christ, Christianity, lust, passion, desire, hell, damnation, puberty, mrbigrew mrbgrew



Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

I came up with this epigram after reading the Bible from cover to cover at age eleven.



who, US?
by michael r. burch

jesus was born
a palestinian child
where there's no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of "no Room! "
and Puritanical scorn...

under Herod, Trump, Bibi
their fates are the same —
the slouching Beast mauls them
and WE have no shame...

"who's to blame? "

In the poem "US" means both the United States and "us" the people of the world, wherever we live. The name "jesus" is uncapitalized while "Room" is capitalized because it seems many evangelical Christians are more concerned about land and not sharing it with the less fortunate, than the teachings of Jesus Christ. Also, Jesus and his parents were refugees for whom there was "no Room" to be found. What would Jesus think of Christian scorn for the less fortunate, one wonders? What would Jesus think of people adopting his name for their religion, then voting for someone like Trump, as four out of five evangelical Christians did, according to exit polls? Keywords/Tags: Jesus Christ, children, abuse, hypocrisy, Christian, Christianity, religion, USA, racism



A Child's Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don't bring me toys, or games, or candy...
just... Santa, please...
I'm on my knees! ...
please don't let Jesus torture Gandhi!



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he'll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



***** Nilly

for the Demiurge, aka Yahweh/Jehovah

Isn't it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn't it silly, ***** Nilly?

Isn't it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life's a pickle, dilly.
Isn't it silly, ***** Nilly?

Isn't it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you'll not act illy.
Isn't it silly, ***** Nilly?



Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.



no foothold
by michael r. burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see...



pretty pickle
by michael r. burch

u'd blaspheme if u could
because ur God's no good,
but of course u cant:
ur just a lowly ant
(or so u were told by a Hierophant) .



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He's lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that's His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he's a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man's Ego, precipitous Peak! ,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.

Originally published by The Chimaera and Lucid Rhythms



Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.



I've got Jesus's face on a wallet insert
by Michael R. Burch

for the Religious Right

I've got Jesus's face on a wallet insert
and "Hell is for Queers" on the back of my shirt.
And I uphold the Law,
for Grace has a Flaw:
the Church must have someone to drag through the dirt.

I've got ten thousand reasons why Hell must exist,
and you're at the top of my fast-swelling list!
You're nothing like me,
so God must agree
and slam down the Hammer with His Loving Fist!

For what are the chances that God has a plan
to save everyone: even Boy George and Wham! ?
Eternal fell torture
in Hell's pressure scorcher
will separate **** from Man.

I'm glad I'm redeemed, ecstatic you're not.
Did Christ die for sinners? Perish the thought!
The "good news" is this:
soon my Vengeance is His! ,
for you're not the lost sheep He sought.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
"little ones to him belong"
but if they use their dongs, so long!
yes, jesus hates me!
yes, jesus baits me!
yes, he berates me!
Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
yes, jesus fleeces!
yes, he deceases
the bunny and the rhesus
because he's mad at you!

jesus hates me—christ who died
so i might be crucified:
'cause if i use my **** or brain,
that will drive the "lord" insane!
yes, jesus hates me!
yes, jesus baits me!
yes, he berates me!
Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first Priests tell me "look above, "
that christ's the lamb and god's the dove,
but then They sentence me to Hell
for using my big brain too well
and understanding half the Bible
(if god is love) is clearly libel.
yes, jesus hates me!
yes, jesus baits me!
yes, he berates me!
Church libel tells me so!



lust
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled...

but the black-robed Priest
who called me the least
of all god's creation
then spoke for the Beast:

he called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne'er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
"the ***** jezebel."

my sweet passions condemned
by ungenerous men?
and she so devout
she exclaimed, "yay, aye-men! "...

together we learned why Religion is hell.



Tillage
by Michael R. Burch

What stirs within me
is no great welling
straining to flood forth,
but an emptiness
waiting to be filled.

I am not an orchard
ready to be harvested,
but a field
rough and barren
waiting to be tilled.



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love’s wild insurrection
yield no certainty of a resurrection.

Man’s tried them both, has added tears,
chants, dances, drugs, séances, tombs’
white alabaster prayer-rooms, wombs

where dead men’s frozen genes convene ...
there is no answer—death is death.
So bury your son, and save your breath.

Or emulate earth’s “highest species”—
write a few strange poems and odd treatises.



Listen
by Immanuel A. Michael (an alias of Michael R. Burch)

1.
Listen to me now
and heed my voice;
I am a madman, alone,
screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black
and white is white
and in between lies gray,
I have no choice.

A madman does not choose his words;
they come to him:
the moon's illuminations,
intimations of the wind,
and he must speak.

But listen to me now,
and if you hear
the tolling of the judgment bell,
and if its tone is clear,
then do not tarry,
but listen,
or cut off your ears,
for I Am weary.

I desire mercy, not sacrifice.



Love is her Belief and her Commandment
by Michael R. Burch

for Beth

Love is her belief and her commandment;
in restless dreams at night, she dreams of Love;
and Love is her desire and her purpose;
and everywhere she goes, she sings of Love.

There is a tomb in Palestine: for others
the chance to stake their claims (the Chosen Ones),
but in her eyes, it’s Love’s most hallowed chancel
where Love was resurrected, where one comes
in wondering awe to dream of resurrection
to blissful realms, where Love reigns over all
with tenderness, with infinite affection.

While some may mock her faith, still others wonder
because they see the rare state of her soul,
and there are rumors: when she prays the heavens
illume more brightly, as if saints concur
who keep a constant vigil over her.

And once she prayed beside a dying woman:
the heavens opened and the angels came
in the form of long-departed friends and loved ones,
to comfort and encourage. I believe
not in her God, but always in her Love.



You Never Listened
by Michael R. Burch

You never listened,
though each night the rain
wove its patterns again
and trembled and glistened . . .

You were not watching,
though each night the stars
shone, brightening the tears
in her eyes palely fetching . . .

You paid love no notice,
though she lay in my arms
as the stars rose in swarms
like a legion of poets,

as the lightning recited
its opus before us,
and the hills boomed the chorus,
all strangely delighted . . .



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.

Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

I dedicated this poem to the love of my life, but you are welcome to dedicate it to the love of yours, if you like it. The opening lines were inspired by a famous love poem by e. e. cummings. I went through a "cummings phase" around age 15 and wrote a number of poems "under the influence."



The One and Only
by Michael R. Burch

for Beth

If anyone ever loved me,
It was you.

If anyone ever cared
beyond mere things declared;
if anyone ever knew ...
My darling, it was you.

If anyone ever touched
my beating heart as it flew,
it was you,
and only you.



Of Civilization and Disenchantment
by Michael R. Burch

for Anaïs Vionet

Suddenly uncomfortable
to stay at my grandfather’s house—
actually his third new wife’s,
in her daughter’s bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas ...

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser’s fertile delta,
lands at the beginning of a new time and “civilization.”

Leaving behind sixty miles of unbroken cemetery,
Alexander’s corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

"Memphis shall be waste and desolate,
without an inhabitant."
Or so the people dreamed, in chains.



Fascination with Light
by Michael R. Burch

for Anaïs Vionet

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,
where it hovers, unsure,
sullen, shy or demure,
in the margins of night,
a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato
and flutters and drifts on in dark aimless flight.
And yet it returns
to the flame, its delight,
as long as it burns.



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!

Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.

Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.

Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.



****** Analysis
by Michael R. Burch

This is not what I need . . .
analysis,
paralysis,
as though I were a seed
to be planted,
supported
with a stick and some string
until I emerge.
Your words
are not water. I need something
more nourishing,
like cherishing,
something essential, like love
so that when I climb
out of the lime
and the mulch. When I shove
myself up
from the muck . . .
we can ****.



Impotent
by Michael R. Burch

Tonight my pen
is barren
of passion, spent of poetry.

I hear your name
upon the rain
and yet it cannot comfort me.

I feel the pain
of dreams that wane,
of poems that falter, losing force.

I write again
words without end,
but I cannot control their course . . .

Tonight my pen
is sullen
and wants no more of poetry.

I hear your voice
as if a choice,
but how can I respond, or flee?

I feel a flame
I cannot name
that sends me searching for a word,

but there is none
not over-done,
unless it's one I never heard.

I believe this poem was written in my early twenties, around 1980.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle's spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume...

Love's Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines...

Love cannot be contained, like Southern nights:
the constellations' dying mysteries,
the fireflies that hum to light, each tree's
resplendent autumn cape, a genteel sight...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.

Published by The Lyric, Contemporary Sonnet, The Eclectic Muse, Better Than Starbucks, The Chained Muse, Setu (India) , Victorian Violet Press, A Long Story Short, Glass Facets of Poetry, Docster, Trinacria, PS: It's Poetry (anthology), and in a Czech translation by Vaclav ZJ Pinkava



Our English Rose
by Michael R. Burch

for Christine Ena Burch

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This is my loose translation/interpretation of a Sappho epigram.



teacher
by michael r. burch, age 17

teacher, take a look at my life,
for it has just begun
and u think that i am “misinformed”
merely because i'm young;

but the truth is often hidden
(what lies lurk behind ur eyes?)
and maybe Puff can tell u
where the Dragon flies.

teacher, take a look at my life:
urs is a dull-edged knife
(the white-hot blade long blunted).
now ur as cold as ice.

still, when u come to class,
act like u know it all,
for if u show insecurity,
surely wee will folderol.

I wrote "teacher" after hearing the song "Old Man" by Neil Young. "Wee" is a pun, not a typo.



These are my translations of Holocaust poems by Ber Horvitz (also known as Ber Horowitz); his bio follows the poems.

Der Himmel
"The Heavens"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

These skies
are leaden, heavy, gray ...
I long for a pair
of deep blue eyes.

The birds have fled
far overseas;
"Tomorrow I’ll migrate too,"
I said ...

These gloomy autumn days
it rains and rains.
Woe to the bird
Who remains ...



Doctorn
"Doctors"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Early this morning I bandaged
the lilac tree outside my house;
I took thin branches that had broken away
and patched their wounds with clay.

My mother stood there watering
her window-level flower bed;
The morning sun, quite motherly,
kissed us both on our heads!

What a joy, my child, to heal!
Finished doctoring, or not?
The eggs are nicely poached
And the milk's a-boil in the ***.



Broit
“Bread”
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Night. Exhaustion. Heavy stillness. Why?
On the hard uncomfortable floor the exhausted people lie.

Flung everywhere, scattered over the broken theater floor,
the exhausted people sleep. Night. Late. Too tired to snore.

At midnight a little boy cries wildly into the gloom:
"Mommy, I’m afraid! Let’s go home!”

His mother, reawakened into this frightful place,
presses her frightened child even closer to her breast …

"If you cry, I’ll leave you here, all alone!
A little boy must sleep ... this, now, is our new home.”

Night. Exhaustion. Heavy stillness all around,
exhausted people sleeping on the hard ground.



"My Lament"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Nothingness enveloped me
as tender green toadstools
lie blanketed by snow
with its thick, heavy prayer shawl …
After that, nothing could hurt me …



Ber Horvitz aka Ber Horowitz (1895-1942): Born to village people in the woods of Maidan in the West Carpathians, Horowitz showed art talent early on. He went to gymnazie in Stanislavov, then served in the Austrian army during WWI, where he was a medic to Italian prisoners of war. He studied medicine in Vienna and was published in many Yiddish newspapers. Fluent in several languages, he translated Polish and Ukrainian to Yiddish. He also wrote poetry in Yiddish. A victim of the Holocaust, he was murdered in 1942 by the Nazis.



Departed
by Michael R. Burch

Christ, how I miss you! ,
though your parting kiss is still warm on my lips.
Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.
You left me today...
and each word left unspoken now whispers regrets.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.
This is an early poem of mine, written as a teenager.



This Distance Between Us
by Michael R. Burch

This distance between us,
this vast gulf of remembrance
void of understanding,
sets us apart.

You are so far,
lost child,
weeping for consolation,
so dear to my heart.

Once near to my heart,
though seldom to touch,
now you are foreign,
now you grow faint...

like the wayward light of a vagabond star—
obscure, enigmatic.
Is the reveling gypsy
becoming a saint?

Now loneliness,
a broad expanse
—barren, forbidding—
whispers my name.

I, too, am a traveler
down this dark path,
unsure of the footing,
cursing the rain.

I, too, have felt pain,
pain and the ache of passion unfulfilled,
remorse, grief, and all the terrors
of the night.

And how very black
and how bleak my despair...
O, where are you, where are you
shining tonight?



Confession
by Michael R. Burch

What shall I say to you, to confess,
words? Words that can never express
anything close to what I feel?

For words that seem tangible, real,
when I think them
become vaguely surreal when I put ink to them.

And words that I thought that I knew,
like "love" and "devotion"
never ring true.

While "passion"
sounds strangely like the latest fashion
or a perfume.

NOTE: At the time I wrote this poem, a perfume named Passion was in fashion.



Consequence
by Michael R. Burch

They are fresh-faced,
not innocent, but perhaps not yet jaded,
oblivious to time and death,
of each counted breath
in the pendulum's sway
falling unheeded.

They are bright, undissuaded
by foreign tongues,
by sepulchers empty and waiting,
by sarcophagi of ancient kings,
by proclamations,
by rituals of scalpels and rings.

They are sworn, they are fated
to misadventure and grief;
but they revel in life
till the sun falls, receding
into silent halls
to torrents of inconsequential tears...
... to brief tragedies of tears
when they consider this: No one else sees.
But I know.
We all know.
We all know the consequence
of being so young.



Cycles
by Michael R. Burch

I see his eyes caress my daughter's *******
through her thin cotton dress,
and how an indiscreet strap of her white bra
holds his bald fingers
in fumbling mammalian awe...

And I remember long cycles into the bruised dusk
of a distant park,
hot blushes,
wild, disembodied rushes of blood,
portentous intrusions of lips, tongues and fingers...
and now in him the memory of me lingers
like something thought rancid,
proved rotten.

I see Another again—hard, staring, and silent—
though long-ago forgotten...

And I remember conjectures of ***** lines,
brief flashes of white down bleacher stairs,
coarse patches of hair glimpsed in bathroom mirrors,
all the odd, questioning stares...

Yes, I remember it all now,
and I shoo them away,
willing them not to play too long or too hard
in the back yard—
with a long, ineffectual stare
that years from now, he may suddenly remember.



Dancer
by Michael R. Burch

You will never change;
you range,
investing passion in the night,

waltzing through
a blinding blue,
immaculate and fabled light.

Do not despair
or wonder where
the others of your race have fled.

They left you here
to gin and beer
and won't return till you are bled

of fantasy
and piety,
of brewing passion like champagne,

of storming through
without a clue,
but finding answers fall like rain.

They left.
You laughed,
but now you sigh

for ages,
stages
slipping by.

You pause;
applause
is all you hear.

You dance,
askance,
as drunkards cheer.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots' soirees,
hearts barricaded, wise...
and then... annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns' indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood's salt libations...

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Dark Twin
by Michael R. Burch

You come to me
out of the sun —
my dark twin, unreal...

And you are always near
although I cannot touch you;
although I trample you, you cannot feel...

And we cannot be parted,
nor can we ever meet
except at the feet.



Damp Days
by Michael R. Burch

These are damp days,
and the earth is slick and vile
with the smell of month-old mud.

And yet it seldom rains;
a never-ending drizzle
drenches spring's bright buds
till they droop as though in death.

Now Time
drags out His endless hours
as though to bore to tears
His fretting, edgy servants
through the sheer length of His days
and slow passage of His years.

Damp days are His domain.

Irritation
grinds the ravaged nerves
and grips tight the gorging brain
which fills itself, through sense,
with vast seas of soggy clay
while the temples throb in pain
at the thought of more damp days.

I believe I wrote the first version of this poem around age 16, or so.



Fairest Diana
by Michael R. Burch

Fairest Diana, princess of dreams,
born to be loved and yet distant and lone,
why did you linger—so solemn, so lovely—
an orchid ablaze in a crevice of stone?

Was not your heart meant for tenderest passions?
Surely your lips―for wild kisses, not vows!
Why then did you languish, though lustrous, becoming
a pearl of enchantment cast before sows?

Fairest Diana, as fragile as lilac,
as willful as rainfall, as true as the rose;
how did a stanza of silver-bright verse
come to be bound in a book of dull prose?



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



Disconcerted
by Michael R. Burch

Meg, my sweet,
fresh as a daisy,
when I'm with you
my heart beats like crazy
& my future gets hazy...



130 Refuted
by Michael R. Burch

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
— Shakespeare, Sonnet 130

Seas that sparkle in the sun
without its light would have no beauty;
but the light within your eyes
is theirs alone; it owes no duty.
And their flame, not half as bright,
is meant for me, and brings delight.

Coral formed beneath the sea,
though scarlet-tendriled, cannot warm me;
while your lips, not half so red,
just touching mine, at once inflame me.
And the searing flames your lips arouse
fathomless oceans fail to douse.

Bright roses' brief affairs, declared
when winter comes, will wither quickly.
Your cheeks, though paler when compared
with them? —more lasting, never prickly.
And your cheeks, so dear and warm,
far vaster treasures, need no thorns.

Originally published by Romantics Quarterly. I wrote this poem as a teenager, after reading Shakespeare's sonnet 130 and having "issues" with it.



In this Ordinary Swoon
by Michael R. Burch

In this ordinary swoon
as I pass from life to death,
I feel no heat from the cold, pale moon;
I feel no sympathy for breath.

Who I am and why I came,
I do not know; nor does it matter.
The end of every man’s the same
and every god’s as mad as a hatter.

I do not fear the letting go;
I only fear the clinging on
to hope when there’s no hope, although
I lift my face to the blazing sun

and feel the greater intensity
of the wilder inferno within me.



Second Sight
by Michael R. Burch

I never touched you—
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then—

eternally present
and Sovereign.



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?

Light verse and nonsense verse …

Less Heroic Couplets: Mini-Ode to Stamina
by Michael R. Burch

When you’ve given so much
that I can’t bear your touch,
then from a safe distance
let me admire your persistence.



The Trouble with Elephants: a Word to the Wise
by Michael R. Burch

An elephant never forgets
which is why they don’t make the best pets:
Jumbo may well out-live you,
but he’ll never forgive you
so you may as well save your regrets!



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.



Trump’s real goals are obvious
and yet millions of Americans remain oblivious.
—Michael R. Burch



Cover Girl
by Michael R. Burch

Cunning
at sunning
and dunning,
the stunning
young woman’s in the running
to be found **** on the cover
of some patronizing lover.

In this case the cover is a bed cover, where the enterprising young mistress is about to be covered herself.



First Base Freeze
by Michael R. Burch

I find your love unappealing
(no, make that appalling)
because you prefer kissing
then stalling.



Paradoxical Ode to Antinatalism
by Michael R. Burch

A stay on love
would end death’s hateful sway,
someday.

A stay on love
would thus BE love,
I say.

Be true to love
and thus end death’s
fell sway!



Antinatalist Poems

Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



Bittersight
by Michael R. Burch

for Abu al-Ala Al-Ma'arri, an ancient antinatalist poet

To be plagued with sight
in the Land of the Blind,
—to know birth is death
and that Death is kind—
is to be flogged like Eve
(stripped, sentenced and fined)
because evil is “good”
as some “god” has defined.



veni, vidi, etc.
by Michael R. Burch

the last will and testament of a preemie, from “Songs of the Antinatalist”

i came, i saw, i figured
it was better to be transfigured,
so rather than cross my Rubicon
i fled to the Great Beyond.
i bequeath my remains, so small,
to Brutus, et al.



Lighten your tread:
The ground beneath your feet is composed of the dead.

Walk slowly here and always take great pains
Not to trample some departed saint's remains.

And happiest here is the hermit with no hand
In making sons, who dies a childless man.

Abu al-Ala Al-Ma'arri (973-1057), antinatalist Shyari
loose translation by Michael R. Burch



There were antinatalist notes in Homer, around 3,000 years ago...

For the gods have decreed that unfortunate mortals must suffer, while they remain sorrowless. — Homer, loose translation by Michael R. Burch

It is best not to be born or, having been born, to pass on as swiftly as possible.—attributed to Homer, loose translation by Michael R. Burch

One of the first great voices to directly question whether human being should give birth was that of Sophocles, around 2,500 years ago...

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles, loose translation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, loose translation/interpretation by Michael R. Burch

Keywords/Tags: birth, control, procreation, childbearing, children,  antinatalist, antinatalism, contraception



Yasna 28, Verse 6
by Zarathustra (Zoroaster)
loose translation/interpretation by Michael R. Burch

Lead us to pure thought and truth
by your sacred word and long-enduring assistance,
O, eternal Giver of the gifts of righteousness.

O, wise Lord, grant us spiritual strength and joy;
help us overcome our enemies’ enmity!

Translator’s Note: The Gathas consist of 17 hymns believed to have been composed by Zoroaster, also known as Zarathustra, Zarathushtra Spitama or Ashu Zarathushtra.



Less Heroic Couplets: Funding Fundamentals
by Michael R. Burch

"I found out that I was a Christian for revenue only and I could not bear the thought of that, it was so ignoble." — Mark Twain

Making sense from nonsense is quite sensible! Suppose
you’re running low on moolah, need some cash to paint your toes ...
Just invent a new religion; claim it saves lost souls from hell;
have the converts write you checks; take major debit cards as well;
take MasterCard and Visa and good-as-gold Amex;
hell, lend and charge them interest, whether payday loan or flex.
Thus out of perfect nonsense, glittery ores of this great mine,
you’ll earn an easy living and your toes will truly shine!



Less Heroic Couplets: Crop Duster
by Michael R. Burch

We are dust and to dust we must return ...
but why, then, life’s pointless sojourn?



Less Heroic Couplets: Shady Sadie
by Michael R. Burch

A randy young dandy named Sadie
loves ***, but her horse neighs “She’s shady!”



The couplet above is based on the limerick below:

Shady Sadie
by Michael R. Burch

A randy young dandy named Sadie
loves ***, but in forms fancied shady.
(I cannot, of course,
involve her poor horse,
but it’s safe to infer she’s no lady!)



Less Heroic Couplets: Just Desserts
by Michael R. Burch

“The West Antarctic ice sheet
might not need a huge nudge
to budge.”

And if it does budge,
denialist fudge
may force us to trudge
neck-deep in sludge!

The first stanza is a quote by paleoclimatologist Jeremy Shakun in Science magazine.



The Limerick as Parody

Marvell-Less (I)
by Michael R. Burch

Mr. Marvell was ill-named? Inform us!
Alas, his crude writings deform us:
for when trying to bed
chaste virgins, he led
off with his iron ***** ginormous!



Marvell-Less (II)
by Michael R. Burch

Andrew Marvell was far less than Marvellous;
indeed, he was cold, bold, unchivalrous:
for when trying to bed
chased/chaste virgins, he led
off with his iron ***** ginormous!

When reading the second version of the poem, the reader can select “chased” or “chaste” or read them together, quickly.



I Learned Too Late
by Michael R. Burch

“Show, don’t tell!”

I learned too late that poetry has rules,
although they may be rules for greater fools.

In any case, by dodging rules and schools,
I avoided useless duels.

I learned too late that sentiment is bad—
that Blake and Keats and Plath had all been had.

In any case, by following my heart,
I learned to walk apart.

I learned too late that “telling” is a crime.
Did Shakespeare know? Is Milton doing time?

In any case, by telling, I admit:
I think such rules are ****.



Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...
But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



Limericks

There once was a poet from Tennessee
who was known to indulge in straight Hennessey
for his heart had been broken
and cruelly ripped open
by an ice-hoarding Dame of Paree.
—Michael R. Burch

A coquettish young lady of France
longed to have ***** men in her pants,
but in lieu of real joys
she settled for boys,
then berated her lack of romance.
—Michael R. Burch

A virginal lady of France
longed to have a ménage in her pants
but in lieu of real boys
she settled for toys
& painted pinkies to make her bits dance.
—Michael R. Burch

There was a young lady of France
Who’d let cute boys root in her pants:
Where they'd give her the finger
And she'd let them linger
because that's the point of romance!
—Michael R. Burch

A germane young German, a dame
with a quite unpronounceable name,
gave me a kiss;
I lectured her, "Miss,
we haven't been intro'd, for shame!"
—Michael R. Burch

A germane young German, a dame
with a quite unpronounceable name,
Frenched me a kiss;
I admonished her, "Miss,
you’ve left me twice tongue-tied, for shame!"
—Michael R. Burch

A germane young German, a dame
with a quite unpronounceable name,
French-kissed me and left my lips lame.
I lectured her, "Miss,
That's a premature kiss!
We haven't been intro'd, for shame!"
—Michael R. Burch

Although I prefer
onions
to bunions,
I still primarily defer
to legal ******.
—Michael R. Burch

Cancun Cruz
by Michael R. Burch

There once was a senator, Cruz,
whose whole life was one pus-oozing schmooze.
When Trump called his wife ugly,
Cruz brown-nosed him smugly,
then went on a sweet Cancún cruise!

Anchors Aweigh!
by Michael R. Burch

There once was an anchor babe, Cruz,
whose deployment was Castro’s bold ruse.
Now the revenge of Fidel
has worked out quite well
as Cruz missiles launch from his caboose!

Canadian Cruz
by Michael R. Burch

There was a Canadian, Cruz,
an anchor babe with a bold ruse:
he’d take Texas first
and then do his worst
to infect the whole world with his views.

Keywords/Tags: light verse, nonsense verse, doggerel, limerick, humor, humorous verse, light poetry



Remembering Not to Call
by Michael R. Burch

a villanelle permitting mourning, for my mother, Christine Ena Burch

The hardest thing of all,
after telling her everything,
is remembering not to call.

Now the phone hanging on the wall
will never announce her ring:
the hardest thing of all

for children, however tall.
And the hardest thing this spring
will be remembering not to call

the one who was everything.
That the songbirds will nevermore sing
is the hardest thing of all

for those who once listened, in thrall,
and welcomed the message they bring,
since they won’t remember to call.

And the hardest thing this fall
will be a number with no one to ring.
No, the hardest thing of all
is remembering not to call.



Final Lullaby
by Michael R. Burch

for my mother, Christine Ena Burch

Sleep peacefully—for now your suffering’s over.

Sleep peacefully—immune to all distress,
like pebbles unaware of raging waves.

Sleep peacefully—like fields of fragrant clover
unmoved by any motion of the wind.

Sleep peacefully—like clouds untouched by earthquakes.

Sleep peacefully—like stars that never blink
and have no thoughts at all, nor need to think.

Sleep peacefully—in your eternal vault,
immaculate, past perfect, without fault.



Published as the collection "When I Was Small, I Grew"

Dapping on the surface
Trailing a wake of
Rehashed hard luck stories
Mis-spent dreams and
Might have beens
Heedless that he is out-depthed
He holds to his line
And works the bar

Tied by a master
Plumage plucked to order
Starling blue, sparrow dun
Two fine threads
Gold and black
Crosswound, tied off
Sealed with honeywax -
Stealthy weapon of deception

He feels the shifting currents
He reads the weather-gauge
Spring tide, autumn flood
Both echo in his veins
Gnarly and half-sodden
The old fly baits his game
Past his best, yes - but
Potent all the same

*The fish are wary
But the fly is patient

Under the murky water of consciousness,

there are one or more, even a shoal of fish.

On the bank,I sit, a  brooding moon on it, reflects,

looks like it swims in the sins of clouds,

My fish-line and hook lay limp on the grass bank,

I've to catch the fish,the line is strong, baits ready,

But I am enamored by the moon's reflected glory

on the water,a lover of the moon, I'd love to catch

as much fish,without breaking the watery moon.

To forgo the love of illusions,keep focused and wait.

deep inside one has to decide,what to seek from life

whether to walk the hard path where  wisdom trees line up,

or heartily be regaled by the pyrotechnics of apparitions.

The Iron Horse can still saddle this Coach,
Whose Extract nourishes the Children he trains:
One the Golden Girl; The Other a Hodge,
Transpose to the Miracle-Boy remains
Two-Scores-and-Four his Dedication baits,
Like Tunes based to emasculate them both
Here in the Pillow-Jungle Success does wait
Bending limbs into Sport; Then promotes their Growth
What Circus! Said the Lame Artist envine
Yet in Prayer begs him to join the Fray
He looked at his Pearls; And saw that they Shine
Which, suspend, trained his Boon-Dogs to obey.
Hence, to Devotion his Shoes retire
Partner and Career; In Big Thanks suspire.

AssembleD to dissemble
Congregated to prevaricate
Misleading all misdeeds
Associates to discriminate

When nobles are ignoble
And hit us with a low ball
That baits and switches
And then laughs at us all
Applauding each other
And singing their own praises
Then giving themselves huge
Unconscionably large raises
It means we have lost sight
Of the hows and the whys;
That we are being defeated
By the Tower Of Lies.

Misleading all misdeeds
Associates to discriminate
Assembled to dissemble
Congregated to prevaricate

A subterfuge centrifuge
Spinning out stories for dunces;
Fables and mythology
For addicts to mystery
Fools playing wild hunches,
This is Vegas for the mad
A sad Monte Carlo atmosphere
Worsening every year.
An oven for a coven,
A sick secretive collective,
Of selected dark intentions;
This is no place for the wise.
Never unseated or defeated
Those in the Tower Of Lies

Assembled to dissemble
Congregated to prevaricate
Misleading all misdeeds
Associates to discriminate

Freedom …
It’s just a line.
Dominion Dominates.
The Republic baits the hooks with choice then
Casts the lines to catch those brave enough to bite.
We have all bitten.
Hook line and sinker.
Sink or swim is irrelevant because out of the water
We are out of our element.
Placed in a new environment with the worm of freedom in our bellies we are blissful.
Yet, we cannot breathe. Short of air, yet without a care the worm provides the mirage we need.
We fall prey to our captors with ease, as we delve deeper and deeper into slumber.
Fortune crushes the brave, as we ate the line with the bait essential to our life.
Caught in our own folly of freedom flayed with knives the worm is gone.
Bought and sold in markets kept fresh on ice for those who caught us then
We are cooked or fried in order to keep the fishermen alive.  
Freedom after all…
It was just a line.

“Thank You for Being
Such a Valued Customer”

From the Satellite Provider

And, oh! Have we got a deal for you!
We looted a channel, we’ve raised your rates
We know you’ve paid, but you’re still overdue
We teased you with some weekend movie baits
Which ought to be included anyway
We’re the worst service in history’s annals
We fu(dge) your contract almost every day

And

We want you to buy even more channels!

her eyes whisper
"step closer"
lips tease
this Mr. Freeze
with barely a graze
leavin the lion in a daze
as the gazelle
walks away
knowing well
her smell
and gait
and the subtle look
has her man on the hook
and salivatin
in anticipation
for the meal at hand
he holds her hand
and whips her around
grabs her close
her smile is wide
and intoxicating
windows to the soul
send sensual vibes
to his very core
she kisses him
his body tenses and relaxes
all at once
i couldn't get this high
wit a thousand blunts
thunder in my ears
lightning in my skin
and fire in my being
i blink
and all of a sudden
the nymph
is like a glimpse
and barely there
i still smell sweetness
and feel soft hair
i walk a little further
she's there and looking back
with the most mischievous
display of teeth
and twinkle in her eye
i smile and give a sigh
tonight she simply baits her catch
another night perhaps.

Wah would I have never to see her again
Wah did I do to her  bleeding heart once then
Wah was it I did and yet did not too say so well
Wah was it and who's cast under who's casted spells
Wah baits and switches me quick in such which-eries
Wah was it unexpectedly now and then again again
Wah a pet up set up upset and talking is cheaper
Wah and phoning is phony for nothing dear
Wah more is dear more than riding her
Wah heart in arms eyes and all
Wah woman woman woe
Wah woe pony quake
Wah ride or earth
Wah shatters
Wah Q
              U
                  A
                       K      S
                           E

When I look to the night sky

When I look to the night sky
Leaving the panic world behind
In the dominion of starry nigh
I travel to the galaxies so high

Stars are dim in the moon light
Goddess Moon is on the throne
Her majesty is on the height
And the surrounding glows bright

Every star has its cosmic world
Too different than the earth
Which looks pensive and absurd?
As no groans and pains are heard

All are busy in their specific role
And they never fatigue
To locate their concerned goal
Neither they stay nor they stroll

I was in the romantic shroud
But the groans of my world
Explodes the balmy veil of cloud
When someone calls my name aloud



To a Butterfly

O' short lived butterfly
Ye live forever in the dale of beauty
Spreading about the rainbow of colours
Thy honeydew makes saline moments
Of the spectator, sweet and manna
When thy reflection in his eyes
Gets a forever protection…
Monarch like expedition do you make
From country to country
Crossing the boarders of brooks
Meadows, deserts and spiky paths
And occupy the states of gloomy hearts
Diurnal ye are as a man
But stop! There's a wide gulf
Ye console the weary heart in the long run
He grants weary heart to the consoled one



Materialism….

He is not just a countryman of mine
Even we have a same boundary line
But many years turned into history
Our looks remain a part of mystery


Hunter…

To brothel Cyprian goes
And priest to the Church
What's there for them
They are in search

Tis' a Chance that evaluates

In the game of luck and doom
There is crash there is boom
Some win without action
Some actions lack reaction
Some fall in exertion
Some succeed in desertion
Some defeat in holding seat
Some triumph in their beat
Tis' a chance that evaluates
Success and defeat are just baits

And gusts a wind that never sleeps
When at the pond arrives a breathless boy,
Knees kneel within the reeds and muck
To glimpse distorted carp beneath.
He counts his boundless hunter's luck
As shiftless as a seaweed wreath,
Then baits the wand that bears his angler's ploy,
And gusts discern he plays for keeps.
This boy roguish

As fish are coy.
And silent in the swaying deeps
The drifting dance of carps who dream and wish
Is ceased by ripples from a splash --
Refractions of the surface shake
As sinks an enigmatic flash:
Allure from realms beyond the lake.
The one that hungers proves the bravest fish,
And silent, at the lure he leaps.

Bravery

Casting lines
dropping jigs
some of them tipped with pig

Chicken liver
on the river
channel, Blues or yellow cats

Texas Rig
rattle Trap
pull out that hot spot map

Spinner baits
attracting blades
casting lures in the shade

Spin cast
snoopy pole
custom rod, medium fast

Crappie and largemouth
catfishing in the south
lakes or rivers, even streams
sometimes of the gulf we dream

Finger mullet on the line
waiting on the drag to whine
sharks or rays, even trout,
man that what it's all about

Whiting or croaker
let's go catch some Redfish
or salmon for the smoker

Northern pike and walleyes
white bass and panfish
fishing under blue skies

Bring a rod and a reel
tackle box and cold beer
at the lake its the deal

Cast and wind
catch and clean
fried blackened or steamed

Ring ring, screamed the teens phone,
Ding ****, cried the bell,
No ones answered a door for a friend,
Since the great wifi curtain fell,
Pay no attention to what you can be,
A wonderful world awaits,
Ran by blood and money,
Oh! The beauty of business baits,
The one true God,
the almighty dollar,
Dethrones that fraud.
And silences a Hollar.
Why feed the hungry,
When you can feed yourself,
Why give clean water,
When you can stock your shelf?

Well maybe I'm just tired,
Of always making excuses,
And maybe im just sick,
Of the horrible things we do,
I want a world desired,
Otherwise we're all useless.
I've given up on the *****.
That claims he wants what's best for you.

2am and he asks if I want to ****
With no attempt to butter me up

I tell him it all depends on time
It's funny, he doesn't ask to be mine

He tells me he has all the time in the world
I start to wonder if I'm that kind of girl

I tell him not to waste his gas
I guess he thinks I'm a great piece of ***

He baits me with promises of fun
Yet he doesn't try to convince me that he's the one

I tell him that I'm going to bed
He's not getting into my head

He says we'll talk another day
Only if I want it that way

I love it when he asks if I want to **** and smoke
It makes me feel special . . . or like the **** of a joke

ten men fishing
on auckland wharf
all with thin fibreglass rods
just that exact distance
(made in china)
all watching each others baits
bobbing in the silver sheen
no one watching his own sinker
bobbing

one twitches down the line
a reel swishes
reeling in
nine men watching intently now

20 cm struggling catch
not much, so back it goes.
a bronze whaler
slinking slowly
under twenty pairs of dangling feet
decides
the distance was too much
to crunch a man for snack

quietly slinks
to the opposite shore
where she senses
feet splashing on a shallow beach.

primitive.

© Marshall Gass. All rights reserved, 3 months ago

- See more at: http://allpoetry.com/poem/11438556-the-fishermen-on-the-wharf-by-Marshall-Gass#sthash.HWKsl­wYM.dpuf

boasting of the god of love's attentions,
this magicweaver lures her prey--
conjures forth her whim
seeking quench of fickle thirst within
attempting avenues of guile
numerously failed, and baits another heart
to suit her object's mate,
whose favors hail from Shiva
unto dominion everywhere,
  except at forest hut where Rama--
with Sita --honeymoons in exile
having snapped the cosmic dancer's massive bow
to win her for his wife, yet bound
by family word to wilderness
  in elder-shade of mystic eagle
guarded by their builder,
brother Lakshmana, in whose absence Kamavalli comes
to woo the godlike archer for her own.

little bells on anklets ring--
from creeper snagged
as if in venery yearning,
urgent vines would find their way to rest on skin
and squeeze in verdant rooting underform
prancing by, playfully demure
to enter subdued greenery
of Panchvati's gated yard
to catch the stoic Rama's eye
in invitation flashing for his gaze:
a sculptured form of flawless grace
nubile teeth shining from the forest dark,
a smile unassuming of callipygean sway
beneath the flitting lashes of her iris' swell

baffled there he stirs to praise her openly
as perfect--
despite his inner-goddess-for-a-wife he keeps inside--
with tripping words
welcomes and blesses this new girl,
exalting her with blushing queries,
sylvan surging rush to know
interrogate her mystery,
rapt in wide-eyed wonder verging beatific breath--
but learning of her lineage...
begins to plot their deaths.

banter light,
flirtations with a hidden, cosmic weight to pun against,
his praise asserts its hold
pretending bachelorhood;
his kindly, transauthentic voice resists
and in a sympathetic, skillful tone, promulgates
a drama to entice her eager mind--
ironic fancies of domestic bliss
flow from Rama, subtle jests
become her plight obsessing
into darkness embered with her lust
to truly claim him as her love,
her grandiosity defused in simple
entertainment quipping of their castes
and then with sudden burst entranced in luminescent rays of stunning rustic glow
from cottage comes his wife to claim her presence known.

the blow is dealt: Manmatha lays Kamavalli's fate: to self-disintegrate

jealousy to deafen gods, in cave retreat
to nurse her spite, surrounded in a dance
of serpent flails to sate her woe,
and only feed in ouroboros knotslip pulse
a lump-filled throat of gulping incite forward zest salacious
pungent flare of earth identity of fang and blood
the cry to shudder down a wolfine howl
in blast of animal, from screaming womanhood
the swoon precipitate-- vast height, abysmal fall
on being spurned by one who led her on
into delusion wrapped in sham an alter self
she met in bed a thousand cravings razing sanity
into a hate for moon, for elements themselves,
railing at Manmatha's haze infernal globe within and out
projecting Rama's face transfixing her inept
in wracking convulse whine of every cell,
her being sweating out imagined arms,
palms of his to cup her, lift from hellish pit of stifled longing never known 'til volcanically regrown--
in new love's throws an innocence of honest
selfhood found in him, bizarrely enemied in Lila's
killing spree of ego-dolls of lotus costume tracing all
searching through his fresh phantasm for her quelling salve
his diamond ******* targets for her soul
his broadness engirthing her to moan until her last in ecstasy
unknown asura-brew untold invented only now forever lost,
the moment fondled vastly gone,
his chest but gossamer instead of flesh
the emerald shoulder glimmer fake
the boundless confidence exuded in his
tender skin's encapsulated sinew strength
merely thought on causing pelvic quake
repeating there an apparition for her nearly endless letting out
he comes for her a demon double of her making
demi-god creator-demon vision for her writhing,
abandoned to the ambrosia torment he provides
wailing at the cavern sky her prison boudoir den
enscaled with slither pile coat of snakes, masturbatory wake of swooning still again

through to dawn..
in which psychotic break decides:
Soorpanaka births herself anew--
possession of her goal, or suicide.
the dewy spectra shines reflection of the choice;
rave committal forms its mould--
exhaustion hatches colorspray of plots,
braving mutilation to abduct,
lies and bribes surmounting each before
in ****** propositions to her ever widened bed,
else demonic armies loosed,
infatuate Ravana's heart
with illusory snare of golden Sita's rumored wares
to get her man alone and hew derision
with her desperate charm, by cantrip or war
spawned from deeper lairs of a broken,
fallacious heart, toward matrimony
or destruction bent













.

I'm conflicted by addictions
Choices to be made
Some come with restrictions
The piper must be paid

A small drink after dinner
A smoke out in the yard
Conflicted by addictions
The choices are quite hard

Temptation's round the corner
It's where ever you may look
You're a small fish in the ocean
And the devil baits the hook

Choices are wide open
There are many to be made
But, no matter your direction
The piper must be paid

Compulsive interactions
May drive the train you ride
The devil's the conductor
And he's there right by your side

The devil's in the details
And one day the bill is due
You have to pay the piper
For the choices made by you

He doesn't want your money
He hooked you, that's his goal
Your addictive interactions
Cost you dearly with your soul