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AntRedundAnt Jan 2014
love   apple   like   time   know   feel   heart   bed   little   life   home   red   boy   georgie   sleep   away   left   dear   ruth   gone   just   right   long   mind   hope   hair   mi   parts   say   fear   met   laugh   makes   sailing   make   tell   hands   day   poem   different   small   words   private   wish   legs   child   man   free   te   welcome   easy   apples   meteorite   smile   flower   want   way   arms   look   eyes   better   war   lie   good   thing   truly   teeth   passion   thought   work   seen   letters   friend   talk   brought   future   fingers   knew   imagination   sure   told   space   cold  la   mask   black   big   bite   age   size   shadow   petals   inane   stretchmarks   medic   we've   wouldn't   hear   tap   really   best   goes   face   gray   maybe   things   dream   tongue   forever   hate   set   room   death   need   truth   comes   night   lost   calves   pain   end   years   brings   touch   feet   blades   memories   new   core   times   dead   favorite   finally   minute   brain   hearts   getting   belly   far   rain   blue   knees   filled   stupid   woke   cream   fit   young   brown   se   fat   tan   cough   spoke   says   unlike   footprints   ******   rough   forward   buckle   blues   task   shoulder   grace   *******   reason   nostrils   firm   juice   palms   someday   mis   thumbs   screams   arguments   wobble   *****   elbows   *******   wrists   headaches   amo   pesky   ligaments   one-liners   thoughts   later   ash   clouds   lips   dreams   breath   mouth   hold   sense   taking   world   bit   speak   dance   gave   shall   ready   skin   air   single   breathe   button   peace   choices   hill   wrong   weak   close   use   quite   sky   phrase   darkness   justice   sound   unable   brave   holding   deep   grabbed   ****   try   building   paper   lunch   think   kind   stay   days   smooth   perfect   learned   care   fair   hard   grant   sweet   high   fruit   short   terms   kept   relationship   underneath   presence   water   looking   fool   sorrow   tree   second   delicate   nearly   happy   line   tall   tried   sad   satisfied   point   feels   falling   purpose   game   lazy   que   amor   agree   known   naught   loss   broke   failed   games   limp   grin   final   spring   act   south   flare   race   sake   car   large   wishes   neck   blink   knife   seeing   idea   steve   company   greens   spread   ship   lo   sally   sum   drowned   december   weep   sting   smiles   lessons   promises   successful   whistled   drowns   perfectly   pleasing   failure   brothers   cliche   harder   thirteen   ale   signs   limit   serenity   mundane   origin   chat   sapphires   handshakes   skinny   contagious   succeeding   super   refer   maturity   destination   civil   uncomfortable   collects   clack   liz   beatles   vez   attract   accomplishment   backside   throes   flaccid   audi   oneself   beastie   applesauce   naivete   bungalow   outie   there's   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means   mountain   boys   true   stars   learn   sliced   naive   decided   player   actually   reality   ease   music   hood   desperate   promise   wishing   begin   miss   caressing   moan   thighs   heard   pretty   emotion   figure   floor   exotic   sand   hits   angel   awake   dreaming   probably   wins   seek   stretch   loved   tears   heartbreak   punk   walking   piece   furniture   unreachable   roots   near   deserve   simple   cats   tail   precious   lovers   loves   mother   tongues   clueless   share   taken   yesterday   faith   freedom   ripe   cursed   running   yes   unknown   feeling   going   stairs   opposite   wonder   afloat   packed   bones   acting   playing   wind   passions   dismissed   hourglass   reached   stares   mouths   singing   shaped   trapped   toll   dies   rock   trunk   discovered   especially   dull   choice   awful   patient   great   indoors   attached   thread   shoulders   warms   bright   bring   ending   drowning   sadness   winter   baby   looked   cute   beating   tight   kids   crying   ran   intoxicating   growing   saying   opposites   melancholy   gives   follow   clearly   dove   tu   soon   entwined   juicy   drown   laid   took   moved   bear   anyways   shirt   negative   clean   guide   sore   location   faux   nodded   glance   caught   chances   week   started   today   obvious   sweat   ***   quiet   laughed   worry   round   ladies   mama   smack   goodbye   rising   sides   wished   beds   infinite   positive   scared   admittedly   mistakes   meal   common   rises   toes   bullets   bound   suited   birth   clothes   belt   pounds   ground   barren   sitting   table   woe   swimming   stick   deepest   motion   cleared   sing   angry   action   sons   smiled   bedroom   wall   wiped   grins   mad   july   store   road   snow   pulse   important   adventure   exactly   foundation   trap   colors   floors   neon   outside   language   summer   north   fifty   served   wavy   kick   raw   thirty   row   changed   hanging   lied   drenched   companion   begins   strength   flies   direction   okay   stories   inky   stubborn   cloud   track   described   lover   replaced   pit   packs   circling   honest   wage   dinner   slave   paradox   faking   screamed   lightning   exterior   stopping   complete   deal   rifle   dependent   gifts   dancer   vision   students   horror   punch   anymore   pack   sagging   folk   honestly   tearing   prepared   creatures   listening   rhythm   unique   roar   card   glass   stage   desert   offered   fought   suffer   awoke   master   eating   furnace   glad   choir   graceful   *****   treasure   ships   bark   musical   strand   bee   finished   pink   slink   stronger   disclose   gravity   schedule   march   medicine   hates   weird   brush   laughs   helped   june   pitched   dumped   tense   sin   withdrawn   stem   proved   whispered   anew   amazing   louder   english   knocked   chilly   boots   false   mistake   toffee   whistle   smirk   gas   poised   buttons   bet   necks   elate  vi   bleak   decades   intention   plane   swollen   unseemly   en   sir   creeping   tells   success   doth   ***   balance   ant   fourth   fits   matters   pan   shook   tingle   dusty   reaching   thanked   careers   pile   tempt   ix   xi   xii   xiii   moms   hushed   spears   twinkling   works   fairytale   double   fighter   shocked   barriers   boot   thanks   solitary   lesson   owned   systems   groan   weekend   tomatoes   cider   calculating   drawer   partially   handy   stumpy   album   appealing   pet   unfortunately   jokingly   hotel   teacher   tag   eighteen   leg   dash   peep   betwixt   swear   attempt   inescapable   venues   worker   suit   coughed   remembers   rhyme   listed   chatter   stuff   assist   blocks   sheen   stanzas   jobs   cleaned   handshake   natural   moi   fantasy   cheers   smaller   curl   nay   leaning   frequent   eggs   cuando   el   desayuno   tus   beige   imperfections   difficult   darlings   overcome   oranges   keys   newfound   fairly   occasions   stats   ponder   pools   ablaze   rushes   fret   quell   breads   progress   comfortable   settling   desks   tile   trails   rainy   homemade   stunned   cemetery   plus   ideas   avocados   bananas   apply   latch   rocky   digress   experiences   vacation   sanctuary   earlier   rocket   precise   various   author   pie   explosions   *******   lighter   matched   plunged   isaac   jefferson   abe   measured   saturday   claw   welcoming   gear   trained   suffocation   leapt   gap   lee   disturbed   es   thrill   alarming   grill   frankly   importantly   una   fray   candied   amalgamation   nasty   american   optimism   guns   craters   contracted   rampant   unattainable   spilled   courts   carrots   shuffled   combined   blonde   forgave   artillery   sandwich   comfier   limitation   personalities   friday   strongly   crude   banana   tennis   limits   quaking   recesses   loot   andromeda   shells   playful   luckily   area   upwards   flail   largest   sappy   freckles   biology   fruition   cases   overtook   pinks   instruments   brownies   birthmark   reinforce   laptop   pirates   blinks   frontier   forwards   resonate   capacity   mumbled   marched   scraping   prompts   multiply   haiku   football   como   function   unfeeling   eighty   backsides   prompt   raced   blare   likewise   pro   chrome   gran   pears   puede   corazon   elated   indecisive   basketball   burgundy   synonyms   braced   effeminate   mutually   duties   companies   honeymoon   flailing   patted   mayo   headon   pero   misma   marveled   aforementioned   abhors   forefront   hesitating   identical   creepy   possessive   screeched   gotcha   infidelity   friction   barrage   nonetheless   disparate   itchy   apex   gettysburg   lunchtime   pickup   muchas   then   and   trading   distinguishable   pitches   bunk   ven   ladylike   encompasses   diagrams   underlying   spaghetti   soccer   trashcan   papa   disarming   finalmente   clashed   rosie   smirks   snapshot   pug   songbird   spitfire   yanks   thankfully   mesa   flexing   virginia   effectively   variations   eclipses   tambien   outrun   incident   vitamin   willpower   underdog   hardboiled   miniscule   checkerboard   entrust   siento   heavyweight   davis   thyroid   foreshadowing   frances   heresy   starburst   deficiency   sawing   peruvian   leche   antithesis   villanelle   alliteration   hora   vivir   clacking   droopy   whizzed   britney   futbol   parameters   disney   mangos   disproportionate   orbiting   tanka   stubby   intro   listo   goldilocks   teamwork   pbj   exemplifies   rey   retainer   tenia   triples   espanol   estuvo   castillo   ferrying   suficiente   racecar   dorky   garganta   veo   julio   peripherals   labios   rojos   foreseeable   frito   groggily   venn   macbook   inanely   hubo   goofball   you've   she's   weren't   wasn't   we're   others'   you'll   should've   haven't   what's   you'd   they'd   man's   boys'   god's   woman's   fruit's   orion's   newton's   lincoln's   adam's   momma's   ******   jackson's   audis   dulces   disproportionately   charon's   deseos   avocadoes   hailey   eran   beatles'   ingles   he   she   it   rackets   --   hashtag   sixty-three   duct-tape   joysticks   sherman's   15   6th   32   500   7th   2013   extraño   barenaked   tamales   6-year-old   tierras   derpy   ewell   rom-com   themit's   adan   mudpits   puddlepits   war--hell   culp's   shitpits   completaron   chocolatada   levantanse   duraznos   n'sync   huevo   cholitos   levantaron   manzanas   endurece   wozniak's   dispara   nuez   open-endedness   innies   cankles   dunder-mifflin   tunks   buck-toothed   outies   grief-blown   a-gawking
I uploaded all of my past work onto the site already, so everything from here on out will be new and original. This is sort of an experimental idea of mine: take all the words hellopoetry has tracked for me, put it down as if it were a poem, and see how it flows. It actually kind of works sometimes, but I'm not sure. I'm sure it's mostly terrible, but I wanted to try it. Let me know what you think in the comments below!
We had wanted to leave our homes before six in the morning
but left late and lazy at ten or ten-thirty with hurried smirks
and heads turned to the road, West
driving out against the noonward horizon
and visions before us of the great up-and-over

and tired we were already of stiff-armed driving neurotics in Montreal
and monstrous foreheaded yellow bus drivers
ugly children with long middle fingers
and tired we were of breaking and being yelled at by beardless bums
but thought about the beards at home we loved
and gave a smile and a wave nonetheless

Who were sick and tired of driving by nine
but then had four more hours still
with half a tank
then a third of a tank
then a quarter of a tank
then no tank at all
except for the great artillery halt and discovery
of our tyre having only three quarters of its bolts

Saved by the local sobriety
and the mystic conscious kindness of the wise and the elderly
and the strangers: Autoshop Gale with her discount familiar kindness;
Hilda making ready supper and Ray like I’ve known you for years
that offered me tools whose functions I’ve never known
and a handshake goodbye

     and "yes we will say hello to your son in Alberta"
     and "yes we will continue safely"
     and "no you won’t see us in tomorrow’s paper"
     and tired I was of hearing about us in tomorrow’s paper

Who ended up on a road laughing deliverance
in Ralphton, a small town hunting lodge
full of flapjacks and a choir of chainsaws
with cheap tomato juice and eggs
but the four of us ended up paying for eight anyway

and these wooden alley cats were nothing but hounds
and the backwoods is where you’d find a cheap child's banjo
and cheap leather shoes and bear traps and rat traps
and the kinds of things you’d fall into face first

Who sauntered into a cafe in Massey
that just opened up two weeks previous
where the food was warm and made from home
and the owner who swore to high heaven
and piled her Sci-Fi collection to the ceiling
in forms of books and VHS

but Massey herself was drowned in a small town
where there was little history and heavy mist
and the museum was closed for renovations
and the stores were run by diplomats
or sleezebag no-cats
and there was one man who wouldn’t show us a room
because his baby sitter hadn’t come yet
but the babysitter showed up through the backdoor within seconds
though I hadn't seen another face

        and the room was a landfill
        and smelled of stale cat **** anyhow
        and the lobby stacked to the ceiling with empty beer box cans bottles
        and the taps ran cold yellow and hot black through spigots

but we would be staying down the street
at the inn of an East-Indian couple

who’s eyes were not dilated 
and the room smelled
lemon-scented

and kept on driving lovingly without a care in the world
but only one of us had his arms around a girl
and how lonely I felt driving with Jacob
in the fog of the Agawa pass;

following twin red eyes down a steep void mass
where the birch trees have no heads
and the marshes pool under the jagged foothills
that climb from the water above their necks

that form great behemoths
with great voices bellowing and faces chiselled hard looking down
and my own face turned upward toward the rain

Wheels turning on a black asphalt river running uphill around great Superior
that is the ocean that isn’t the ocean but is as big as the sea
and the cloud banks dig deep and terrible walls

and the sky ends five times before night truly falls
and the sun sets slower here than anywhere
but the sky was only two miles high and ten long anyway

The empty train tracks that seldom run
and some rails have been lifted out
with a handful of spikes that now lay dormant

and the hill sides start to resemble *******
or faces or the slow curving back of some great whale

-and those, who were finally stranded at four pumps
with none but the professional Jacob reading great biblical instructions at the nozzle
nowhere at midnight in a town surrounded

by moose roads
                             moose lanes
                                                     moose rivers
and everything mooses

ending up sleeping in the maw of a great white wolf inn
run by Julf or Wolf or John but was German nonetheless

and woke up with radios armed
and arms full
and coffee up to the teeth
with teeth chattering
and I swear to God I saw snowy peaks
but those came to me in waking dream:

"Mountains dressed in white canvas
gowns and me who placed
my hands upon their *******
that filled the sky"

Passing through a buffet of inns and motels
and spending our time unpacking and repacking
and talking about drinking and cheap sandwiches
but me not having a drink in eight days

and in one professional inn we received a professional scamming
and no we would not be staying here again
and what would a trip across the country be like
if there wasn’t one final royal scamming to be had

and dreams start to return to me from years of dreamless sleep:

and I dream of hers back home
and ribbons in a raven black lattice of hair
and Cassadaic exploits with soft but honest words

and being on time with the trains across the plains  
and the moon with a shower of prairie blonde
and one of my father with kind words
and my mother on a bicycle reassuring my every decision

Passing eventually through great plains of vast nothingness
but was disappointed in seeing that I could see
and that the rumours were false
and that nothingness really had a population
and that the great flat land has bumps and curves and etchings and textures too

beautiful bright golden yellow like sprawling fingers
white knuckled ablaze reaching up toward the sun
that in this world had only one sky that lasted a thousand years

and prairie driving lasts no more than a mountain peak
and points of ember that softly sigh with the one breath
of our cars windows that rushes by with gratitude for your smile

And who was caught up with the madness in the air
with big foaming cigarettes in mouths
who dragged and stuffed down those rolling fumes endlessly
while St. Jacob sang at the way stations and billboards and the radio
which was turned off

and me myself and I running our mouth like the coughing engine
chasing a highway babe known as the Lady Valkyrie out from Winnipeg
all the way to Saskatoon driving all day without ever slowing down
and eating up all our gas like pez and finally catching her;

      Valkyrie who taught me to drive fast
      and hovering 175 in slipstreams
      and flowing behind her like a great ghost Cassady ******* in dreamland Nebraska
      only 10 highway crossings counted from home.

Lady Valkyrie who took me West.
Lady Valkyrie who burst my wings into flame as I drew a close with the sun.
Lady Valkyrie who had me howl at slender moon;

     who formed as a snowflake
     in the light on the street
     and was gone by morning
     before I asked her name

and how are we?
and how many?

Even with old Tom devil singing stereo
and riding shotgun the entire trip from day one
singing about his pony, and his own personal flophouse circus,
and what was he building in there?

There is a fair amount of us here in these cars.
Finally at light’s end finding acquiescence in all things
and meeting with her eye one last time; flashed her a wink and there I was, gone.
Down the final highway crossing blowing wind and fancy and mouth puttering off
roaring laughter into the distance like some tremendous Phoenix.

Goodnight Lady Valkyrie.

The evening descends and turns into a sandwich hysteria
as we find ourselves riding between cities of transports
and that one mad man that passed us speeding crazy
and almost hit head-on with Him flowing East

and passed more and more until he was head of the line
but me driving mad lunacy followed his tail to the bumper
passing fifteen trucks total to find our other car
and felt the great turbine pull of acceleration that was not mine

mad-stacked behind two great beasts
and everyone thought us moon-crazy; Biblical Jake
and Mad Hair Me driving a thousand
eschewing great gusts of wind speed flying

Smashing into the great ephedrine sunset haze of Saskatoon
and hungry for food stuffed with the thoughts of bedsheets
off the highway immediately into the rotting liver of dark downtown
but was greeted by an open Hertz garage
with a five-piece fanfare brass barrage
William Tell and a Debussy Reverie
and found our way to bedsheets most comfortably

Driving out of Saskatoon feeling distance behind me.
Finding nothing but the dead and hollow corpses of roadside ventures;

more carcasses than cars
and one as big as a moose
and one as big as a bear
and no hairier

and driving out of sunshine plain reading comic book strip billboards
and trees start to build up momentum
and remembering our secret fungi in the glove compartment
that we drove three thousand kilometres without remembering

and we had a "Jesus Jacob, put it away brother"
and went screaming blinded by smoke and paranoia
and three swerves got us right
and we hugged the holy white line until twilight

And driving until the night again takes me foremast
and knows my secret fear in her *****
as the road turns into a lucid *** black and makes me dizzy
and every shadow is a moose and a wildcat and a billy goat
and some other car

and I find myself driving faster up this great slanderous waterfall until I meet eye
with another at a thousand feet horizontal

then two eyes

then a thousand wide-eyed peaks stretching faces upturned to the celestial black
with clouds laid flat as if some angel were sleeping ******* on a smokestack
and the mountains make themselves clear to me after waiting a lifetime for a glimpse
then they shy away behind some old lamppost and I don’t see them until tomorrow

and even tomorrow brings a greater distance with the sunlight dividing stone like 'The Ancient of Days'
and moving forward puts all into perspective

while false cabins give way
and the gas stations give way
and the last lamppost gives way
and its only distance now that will make you true
and make your peaks come alive

Like a bullrush, great grey slopes leap forth as if branded by fire
then the first peaks take me by surprise
and I’m told that these are nothing but children to their parents
and the roads curve into a gentle valley
and we’re in the feeding zone

behind the gates of some great geological zoo
watching these lumbering beasts
finishing up some great tribal *******
because tomorrow they will be shrunk
and tomorrow ever-after smaller

Nonetheless, breathless in turn I became
it began snowing and the pines took on a different shape
and the mountains became covered white
and great glaciers could be seen creeping
and tourists seen gawking at waterfalls and waterfowls
and fowl play between two stones a thousand miles high

climbing these Jasper slopes flying against wind and stone
and every creak lets out its gentle tone and soft moans
as these tyres rub flat against your back
your ancient skin your rock-hard bones

and this peak is that peak and it’s this one too
and that’s Temple, and that’s Whistler
and that’s Glasgow and that’s Whistler again
and those are the Three Sisters with ******* ablaze

and soft glowing haze your sun sets again among your peaks
and we wonder how all these caves formed
and marvelled at what the flood brought to your feet
as roads lay wasted by the roadside

in the epiphany of 3:00am realizing
that great Alta's straights and highway crossings
are formed in torturous mess from mines of 'Mt. Bleed'
and broken ribs and liver of crushed mountain passes
and the grey stones taxidermied and peeled off
and laid flat painted black and yellow;
the highways built from the insides
of the mountain shells

Who gave a “What now. New-Brunswick?”

and a “What now, Quebec, and Ontario, and Manitoba, and Saskatchewan";
**** fools clumsily dancing in the valleys; then the rolling hills; then the sea that was a lake
then the prairies and not yet the mountains;

running naked in formation with me at the lead
and running naked giving the finger to the moon
and the contrails, and every passing blur on the highway
dodging rocks, and sandbars
and the watchful eye of Mr. and Mrs. Law
and holes dug-up by prairie dogs
and watching with no music
as the family caravans drove on by

but drove off laughing every time until two got anxious for bed and slowed behind
while the rambling Jacob and I had to wait in the half-moon spectacle
of a black-tongue asphalt side-road hacking darts and watching for grizzlies
for the other two to finish up with their birthday *** exploits
though it was nobodies birthday

and then a timezone was between us
 and they were in the distant future
and nobodies birthday was in an hour from now

then everything was good
and everyone was satiated
then everything was a different time again
and I was running on no sleep or a lot of it
leaping backward in time every so often
like gaining a new day but losing space on the surface of your eye

but I stared up through curtains of starlight to mother moon
and wondered if you also stared
and was dumbfounded by the majesty of it all

and only one Caribou was seen the entire trip
and only one live animal, and some forsaken deer
and only a snake or a lonesome caterpillar could be seen crossing such highway straights
but the water more refreshing and brighter than steel
and glittered as if it were hiding some celestial gem
and great ravines and valleys flowed between everything
and I saw in my own eye prehistoric beasts roaming catastrophe upon these plains
but the peaks grew ever higher and I left the ground behind
Sugar and spice Jan 2017
Caught in the middle, push -pull-
ugh ! it's all the same.
I saw you grow into who you are.
Enraged as I am, I cannot begin to comprehend
why.
I called you Friend.
and yet You stand before me, careless.
Oh how the mighty have fallen,
how the noble have swindled.
it's a Shame really.
Betrayal is not a fit word to suit your heinous acts.
I trusted you- to think i even dared to.
the frustration, the rage; it boils so ravenously.
Going down with your ship once again,
to carry Your Fault.
a comfy front row seat on the S.S. Pessimism.
bring out the Artillery, this means war.

to stand up and see eye to eye with you,
or to take another blow, and swallow my hurt pride?
hurling at an insane speed flies your words against my now other wise
infuriated Spirt,
to dance with a tampered soul is unwise, my friend.
you looked at innocence, and treated it like a joke.
you go stain your hands with filth from god knows where
and then return arms wide open, " I have done no wrong," you say.
Guns At the ready and eyes Locked on you,
but now...
What to trust; to expect from you is just another step closer to
your lies.
so desperately do i want to help you.
I do. but i no longer can look at you the
same way.
Grenades in hand.

if you could be cold and heartless, then this should
be no problem for you sweetness.
come dance with the same bullets you fired at me.
Steady, Aim, Fire.

Dragging me down- i don't think so.
No.
Not this time.
the Abyss can expect other visitors.
Bring out the Artillery.
all because of You...
..Boom.
I had been recently gotten into nasty fight with a long time close friend.
i cared for them. still in shock it all happened the way it did.
It is said that all friends fight. But this ..is in a category allll by itself.
All armies are the same
Publicity is fame
Artillery makes the same old noise
Valor is an attribute of boys
Old soldiers all have tired eyes
All soldiers hear the same old lies
Dead bodies always have drawn flies
(As she is usually expressed with a Seraphim beside her.)


Well meaning readers! you that come as friends
And catch the precious name this piece pretends;
Make not too much haste to admire
That fair-cheeked fallacy of fire.
That is a Seraphim, they say
And this the great Teresia.
Readers, be rul’d by me; and make
Here a well-plac’d and wise mistake
You must transpose the picture quite,
And spell it wrong to read it right;
Read him for her, and her for him;
And call the saint the Seraphim.

Painter, what did’st thou understand
To put her dart into his hand!
See, even the years and size of him
Shows this the mother Seraphim.
This is the mistress flame; and duteous he
Her happy fireworks, here comes down to see.
O most poor-spirited of men!
Had thy cold pencil kist her pen
Thou couldst not so unkindly err
To show us this faint shade for her.
Why man, this speaks pure mortal frame;
And mocks with female frost love’s manly flame.
One would suspect, thou meant’st to paint
Some weak, inferior, woman saint.
But had thy pale-fac’d purple took
Fire from the burning cheeks of that bright book
Thou wouldst on her have leapt up all
That could be found seraphical;
Whate’er this youth of fire wears fair,
Rosy fingers, radiant hair,
Glowing cheek, and glistering wings,
All those fair and flagrant things,
But before all, that fiery dart
Had fill’d the hand of this great heart.

Do then as equal right requires,
Since his the blushes be, and hers the fires,
Resume and rectify thy rude design;
Undress thy Seraphim into mine.
Redeem this injury of thy art;
Give him the veil, give her the dart.

Give him the veil; that he may cover
The red cheeks of a rivall’d lover.
Asham’d that our world, now, can show
Nests of new Seraphims here below.

Give her the dart for it is she
(Fair youth) shoots both thy shaft and thee.
Say, all ye wise and well-pierc’d hearts
That live and die amidst her darts,
What is’t your tasteful spirits do prove
In that rare life of her, and love?
Say and bear witness. Sends she not
A Seraphim at every shot?
What magazines of immortal arms there shine!
Heav’n’s great artillery in each love-spun line.
Give then the dart to her who gives the flame;
Give him the veil, who kindly takes the shame.

But if it be the frequent fate
Of worst faults to be fortunate;
If all’s prescription; and proud wrong
Hearkens not to an humble song;
For all the gallantry of him,
Give me the suff’ring Seraphim.
His be the bravery of all those bright things,
The glowing cheeks, the glistering wings;
The rosy hand, the radiant dart;
Leave her alone, the Flaming Heart.

Leave her that; and thou shalt leave her
Not one loose shaft but love’s whole quiver.
For in love’s field was never found
A nobler weapon than a wound.
Love’s passives are his activ’st part.
The wounded is the wounding heart.
O heart! the equal poise of love’s both parts
Big alike with wound and darts.
Live in these conquering leaves; live all the same;
And walk through all tongues one triumphant flame.
Live here, great heart; and love and die and ****;
And bleed and wound; and yield and conquer still.
Let this immortal life where’er it comes
Walk in a crowd of loves and martyrdoms.
Let mystic deaths wait on’t; and wise souls be
The love-slain witnesses of this life of thee.
O sweet incendiary! show here thy art,
Upon this carcass of a hard, cold heart,
Let all thy scatter’d shafts of light, that play
Among the leaves of thy large books of day,
Combined against this breast at once break in
And take away from me my self and sin,
This gracious robbery shall thy bounty be;
And my best fortunes such fair spoils of me.
O thou undaunted daughter of desires!
By all thy dow’r of lights and fires;
By all the eagle in thee, all the dove;
By all thy lives and deaths of love;
By thy large draughts of intellectual day,
And by thy thirsts of love more large than they;
By all thy brim-fill’d bowls of fierce desire
By the last morning’s draught of liquid fire;
By the full kingdom of that final kiss
That seiz’d thy parting soul, and seal’d thee his;
By all the heav’ns thou hast in him
(Fair sister of the Seraphim!)
By all of him we have in thee;
Leave nothing of my self in me.
Let me so read thy life, that I
Unto all life of mine may die.
Surrender this dusty heart of mine
I have chased the height of my beliefs
As my lips have been colored purple
I exposed my sharp scars
Capturing spirits  in my pockets
Years of a souless sound
Battles against a noose
My mind has begun to decease
Bottles pose as my friends
The artillery of this difficult fight
As I  sleep on the currents of frozen ground
Perching on the plank
Crimson  blood in the air
The ocean of brick bones that fade
Fighting this war in vain
Still sober but its a constant battle out on that plank.
Brent Kincaid Sep 2018
Nobody marching toward us
Their guns making us die.
No tanks are come clanking
No bombers in the sky.
But our Congress and generals
When oil or bases seem needed;
We appear armed and threatening
Peace and love talk not heeded.

No country has attacked us
With troops and lethal artillery.
But our leaders expect us to
Go open up their arteries
And **** their women and children
And laugh while they all die
And we are expected to do this
And never think to ask why.

It’s almost like big companies
Were sad when WW2 ended
So they started attacking countries
We really should have befriended.
We let Russia have free reign
To **** and ****** and steal
Almost as if their aggression
Wasn’t really true or even real.

We looked around and made them,
Those evil old warlike excuses,
That some country threatened freedom
And we pretended they weren’t ruses.
We attacked Korea and Vietnam
We were just supposed to observe
That they were yellow people there
And think they got what they deserved.

We didn’t stop there, as Reagan took
A duly elected leader and put him in jail.
If any country did that to our country
The conservatives would howl and rail.
Then the Bushes tried their best to take
Iraq to steal their oil and punish them
And created an era of stronger hatred
And anti-American outrage and mayhem.

No foreign country has attacked America;
So, the point bears repeating once again.
We need to stop acting like bullies here
And start acting like decent statesmen
And women who have the bigger picture;
The growth of peace in our battered world
So, other countries will not take their guns
And shoot our flag when it’s unfurled.
Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.
Del Maximo May 2010
October 11, 1944
mission Mt. Cauala
deep in the Appennines
veils of midnight
curtains of torrential rain
her rivers rise to block our way
the Vezza roaring like thunder
brilliant, blinding lightning baffling
stealing all sense of proportion
torn up roads like chasms tripping
dropped equipment lost in mud
visibility at absolute zero
feeling forward for each step
the man in front of you disappears in darkness
as each man to the rear gets lost
this blackness of night had not been foreseen
lightning flashes strobe the mountains above
thunder explodes like artillery fire
completely soaked soldiers stumble around
some find an abandoned shack
shelter near the Sera
rest until daybreak

as we enter Seravezza
our regimental commander cautions
the entire town under enemy eyes
scoping our every move
enemy machine guns sweep streets
heavy artillery regularly rakes buildings
some of our men already wounded
reconnaissance and plan of attack
Company I right, L center, K left
by 2310 the last man slips
into Sera’s icy waters
then climbs necessity’s ladders
built to negotiate the steep Rocky Ridge
jagged, knife-like edges rip clothing and tear flesh
as men try to find footing in blackness
chaos in the ranks
platoons and squads scattering
leaders have no way of knowing
if men are turning back
getting spattered by enemy machine guns
or losing their footing and lives
to the rocks below
calling out to each other
pinpoints our positions to enemy ears
drawing more accurate fire
by 0730 we are all atop the mountain
the German counter attack begins the day
fanatically, despite our heavy fire
they keep coming from three directions
expected flank from 1st Battalion does not arrive
still, German mortar fire and grenades
cannot dislodge our men
despite dwindling ammunition
we hold our position
BAR’s, Silver Stars and concussion grenades

a dozen volunteer for ammunition supply detail
as we approach the hill
a machine gun rakes our position
manned by two, our fire takes out one
the other carries him away
onward to hill’s base
progress paused by tremendous barrage
we crouch for a time before continuing
half way up we’re met
with more mortars and machine guns
shrapnel flying hot
burning into clothes and skin
the smell of gunpowder and cordite
burning into memory
our ammunition mission fails
forcing return to base of hill
with men from rifle companies following
at 1600 our own heavy artillery barrage falls short
striking entrenched remnants of companies K and L
this friendly fire is too much for tired men to take
they withdraw at opportunity’s first chance

darkness falls
soldiers roaming aimlessly
battle’s horror in shocked eyes
efforts made to gather wounded
seventy casualties in just one day
scores with battle shock and fatigue
but numbers never quantify
suffering, broken spirit and loss of life
trained men and officers killed
unhappy AWOLs and disciplinaries
find themselves as front line replacements
inexperienced men growling greatly
morale tanks

The battle of Seravezza crushed 3rd Battalion
despite several efforts
we were never able to take control
the Germans repelled every attack
soldiers were angered by impossible tasks
seemingly sent on suicide situations
we knew they knew where we were
we knew we were to face heavy bombardment
we knew we were without sufficient firepower or manpower
command knew we were out gunned
in the end
the Germans controlled the mountain
© May 27, 2010

adapted with permission from the book:
Black Warriors:  The Buffalo Soldiers of WWII
Memoirs of the Only ***** Infantry Division to Fight in Europe
by Ivan J. Houston, with Gordon Cohn
Aroused and angry,
I thought to beat the alarum, and urge relentless war;
But soon my fingers fail’d me, my face droop’d, and I resign’d myself,
To sit by the wounded and soothe them, or silently watch the dead.

1

First, O songs, for a prelude,
Lightly strike on the stretch’d tympanum, pride and joy in my city,
How she led the rest to arms—how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!)
How you sprang! how you threw off the costumes of peace with indifferent hand;
How your soft opera-music changed, and the drum and fife were heard in their stead;
How you led to the war, (that shall serve for our prelude, songs of soldiers,)
How Manhattan drum-taps led.

2

Forty years had I in my city seen soldiers parading;
Forty years as a pageant—till unawares, the Lady of this teeming and turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her—suddenly,
At dead of night, at news from the south,
Incens’d, struck with clench’d hand the pavement.

A shock electric—the night sustain’d it;
Till with ominous hum, our hive at day-break pour’d out its myriads.

From the houses then, and the workshops, and through all the doorways,
Leapt they tumultuous—and lo! Manhattan arming.

3

To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, (the trowel, the jack-plane, the blacksmith’s hammer, tost aside with precipitation;)
The lawyer leaving his office, and arming—the judge leaving the court;
The driver deserting his wagon in the street, jumping down, throwing the reins abruptly down on the horses’ backs;
The salesman leaving the store—the boss, book-keeper, porter, all leaving;
Squads gather everywhere by common consent, and arm;
The new recruits, even boys—the old men show them how to wear their accoutrements—they buckle the straps carefully;
Outdoors arming—indoors arming—the flash of the musket-barrels;
The white tents cluster in camps—the arm’d sentries around—the sunrise cannon, and again at sunset;
Arm’d regiments arrive every day, pass through the city, and embark from the wharves;
(How good they look, as they ***** down to the river, sweaty, with their guns on their shoulders!
How I love them! how I could hug them, with their brown faces, and their clothes and knapsacks cover’d with dust!)
The blood of the city up—arm’d! arm’d! the cry everywhere;
The flags flung out from the steeples of churches, and from all the public buildings and stores;
The tearful parting—the mother kisses her son—the son kisses his mother;
(Loth is the mother to part—yet not a word does she speak to detain him;)
The tumultuous escort—the ranks of policemen preceding, clearing the way;
The unpent enthusiasm—the wild cheers of the crowd for their favorites;
The artillery—the silent cannons, bright as gold, drawn along, rumble lightly over the stones;
(Silent cannons—soon to cease your silence!
Soon, unlimber’d, to begin the red business;)
All the mutter of preparation—all the determin’d arming;
The hospital service—the lint, bandages, and medicines;
The women volunteering for nurses—the work begun for, in earnest—no mere parade now;
War! an arm’d race is advancing!—the welcome for battle—no turning away;
War! be it weeks, months, or years—an arm’d race is advancing to welcome it.

4

Mannahatta a-march!—and it’s O to sing it well!
It’s O for a manly life in the camp!
And the sturdy artillery!
The guns, bright as gold—the work for giants—to serve well the guns:
Unlimber them! no more, as the past forty years, for salutes for courtesies merely;
Put in something else now besides powder and wadding.

5

And you, Lady of Ships! you Mannahatta!
Old matron of this proud, friendly, turbulent city!
Often in peace and wealth you were pensive, or covertly frown’d amid all your children;
But now you smile with joy, exulting old Mannahatta!
Rob Sandman May 2016
Playin' games.
=============
Jay Text Sandman aka Skitz Text

Set the timer click click now the clock is tick tockin'.
I came to play the game. Like a KNIK KNAK knockin'.
Your rhyme flow is slow you know like PLAYDOUGH.
I gobble up fine rhymes like a HUNGRY HIPPO.
Like SUBBUTEO I kick it.
Shruggin' off your challenge like BUCKAROO kickin'..
..up ****. I sunk your BATTLESHIP.
You played out your game of CHARADES. That's it.
I dig deep in me rhyme dictionary.
You scrawl on the the wall like palsy PICTIONARY.
Not strugglin'. I'm jugglin' the rhymes in me head.
Slam dunk. KERPLUNK. Nuff said.
No, never. No way. Who am I kiddin'?
You know I got the rhymes. And I got the rhythm.
I confess. Like a game of CHESS.
Checkmate. No debate. Not a pretty pawn missin'. *  

It’s the end of the games like RIP,
I Multikill MC’s like COD,
Keep your mind on your MINECRAFT can’t catch me,
Cause Skitz is EC's Artillery,
droppin bombs watch the FALLOUT or you’re Dogmeat
FAR CRY from the old days of CRT
So your attempt is DOOMed best clear the room,
SWAT’s get Swatted Mic shotgun BOOM!,
Blast backdraft will destroy your CIV,
No cheat codes PAC em up MAN time to give,
RESPEC- to the PORTAL gun hangin’ on me hip,
You’ve got HALF a LIFE left faster than NO CLIP
But I said no cheatin’ Hackers get Hacked up,
No Multiplayer,cause you’ve no backup,
I’m glorying in the games we play,
Checkmate VS XBOX  pass to Jay.


Chorus
Not mentionin' names. We're playin' games.
Energetic and poetic and it's Jay to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

When I flex it's hectic. Like SCALEXTRIC.
Switch lanes to PERFECTION.
I've a MONOPOLY in this game.
Don't pass go. Go straight to jail.
You fall like DOMINOES. I leap like a salmon.
Tisk tisk. Big RISK. Now I have BACKGAMMON.
Stamina. A steady hand OPERATION.
Ace up me sleeve and I'm just playin' PATIENCE.
Got me POKERface on.
Read 'em and weep as the game plays on.
I got a dead mans hand but I animate the mic.
BULLDOGS charge. You know I'll reach the other side.
Back to me den.
Repeat after me like SIMON SAYS.
RED ROVER, RED ROVER. I call Jay over.
You think it's over ?
No my friend. *  

Not mentionin' names. We're playin' games.
Energetic and poetic Schizophrenic to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

This Steam Machine is heatin' up a treat
So don’t be TEKKEN the ****,just feel the beat,
This KOMBAT’s MORTAL to enemies,
But it’s a full HEALTH PACK to Fans of E.C.,
So OverClock your CPU,
get your Soundcard Jumpin like chimps in SIM ZOO,
drop DICE on ICE from here to Timbuktoo,
STREET FIGHTER’s and Writers BIOSHOCKin' you


Not mentionin' names. We're playin' games.
Energetic and poetic Schizophrenic to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

I SPY with my little eye.
Somethin' beginnin' with J. I let fly.
As your JENGA tower wobbles.
I smile. You drop tiles. Dropped your poxy box of SCRABBLE.
Look out. That could spell disaster.
Triple word score as the rhymes rip past ya. Blast ya.
Quick out the trap like The Flash playin' SNAP.
Check the lyrical master. *
As the Dungeon Dragon spreads his wings-lets fly
playin' the game the pied piper pies,
catch you rats in me MOUSETRAP its a snap,
"cause I wrote the rhymes that broke the bulls back"
I'm the KING OF THE HILL I got ya QUICKSCOPIN'
in THE SHADOWS OF MORDOR prayin' and hopin'
for a hero like MARIO to bust you loose,
Jay's SNAKE'n' up the LADDER time to twist the noose


Not mentionin' names. We're playin' games.
Energetic and poetic E.C. to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

What ya think ?              
Me rhymes kink, bend and fold like TWISTER.
A wicked rhythm like DOUBLE DUTCH. Skip, skip.
Like EVEL KNIEVEL. Flywheel spinnin'.
Rev it up. Dump the clutch.        
See me grinnin'. Knockin' down the pin and..
SPIROGRAPH lines in me rhyme. I'm spinnin..
..out of control. You can't cope with me GYROSCOPE.
I bring you back to the beginnin'.*

Not mentionin' names. We're playin' games.
Energetic and poetic E.C. to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.
Jay came up with this idea and tried to mention as many games we played as kids as he could fit in,when  he invited me onto the track I went more down the PC/Console game route,
let us know how many we missed!.
spysgrandson Mar 2012
Goodbye Charlie, Hello Vietnam.

Nineteen. I was ten and nine. Two A.M. Landed in some muggy, putrid place. Between honor and complete disgrace. Smelled like that for sure.  Issued tools of our trade. Heard the true sound of “rockets red glare”. Had us hunkering in bunkers all night. ******* in our helmets. Holding our ears. ****, the first night. Welcome to Vee-et-nam.

Morning. Sunshine and quiet. Except the rap from old timers. “Newbies“. New jungle fatigues. Newbies. New M-16. Clean boots. All day the old timers, telling each other how these newbies had their cherry popped. First night in country and the biggest *** mortar attack they had ever seen. Heard. Heard, I said. Yeah. What newbie? Now you have heard the real rockets’ red glare. That’s what you heard, Newbie.

I get it. Newbies are ****. We are **** and they aren’t going to waste a breath telling us anything. Watch. Watch and learn. I hope. Lines. Lines to get our teeth rinsed with fluoride. Lines. To chow. To get more shots. To in country orientation. Lines. Memorize lines. Lines to get ammo. Lines to get orders.

No line at the outhouse. Gray three seater. Heat roasting our ****. Old timer kicked the planks before he sat down beside me in the stench. I asked the question but only with my eyes. Kick the planks before you sit down so rats won’t bite your ***** off. Kick the planks to scare off the rats. Rats. The size of possum. Not an exaggeration. Possum rats. Rat possums. Who the hell knew? Just kick the planks. Save your *****.

More lines. Then darkness. Then more booms. Not incoming. Our own. 1-5-5s. Learn the difference newbie so you don’t crap your drawers for nothing. That’s the boys in that artillery firebase keeping Charlie awake for the night. Returning the favor. Charlie. Sounds like a name you would call someone who was a buddy doesn’t it? Charlie. Victor Charlie. V C. ***** Charlie. **** Charlie. Charlie this and Charlie that. Oh, Charlie would eat that rat.

My first duty. Guarding Charlie. Prisoner with leg blown off at the knee in our clean smelling dispensary. Hands strapped to bed rails. MP and I assigned night shift. Keep each other awake . Looked at Charlie. Charlie looked at me. Smirk. Then spit. Landed on my boot. My newbie boot. Not a newbie boot anymore. Charlie squirms. Spits again and misses. MP gets up and threatens to bash Charlie in Charlie’s little head. Medic comes and gives squirming, smirking, spitting Charlie shot of good drugs. Charlie doesn’t spit on medic. Charlie gets drowsy. I get drowsy. MP falls asleep. I stand up. Newbie afraid to fall asleep on guard duty. I wake the MP before shift change. Charlie is up. Smirk, smirk. Thus spoke Charlie. The only conversation I ever had with Charlie.

Medic says Charlie getting on a bird to someplace. Can’t remember where. Anyplace.   Charlie leaving and me staying. Ain’t that a hoot--all it cost him was a boot. Envy is a word I learned that day. Cost him part of a leg medic says when I tell him I wish I was Charlie just then. Had heard tales about people shooting off their toes to get out of the ‘nam. “**** tales” I would call them, since I heard so many in those gray crappers. Rats. Possum rats and your *****. ***** or a limb? Did I really want to be him? I don’t really remember. I didn’t want to be there--somewhere between honor and complete disgrace. Bye Charlie. Hello Vietnam.
mostly true story from a while ago--the only short story I have posted here
Take the knapsacks
and the utensils and washtubs
and the books of the Koran
and the army fatigues
and the tall tales and the torn soul
and whatever's left, bread or meat,
and kids running around like chickens in the village.
How many children do you have?
How many children did you have?
It's hard to keep tabs on kids in a situation like this.
Not like in the old country
in the shade of the mosque and the fig tree,
when the children the children would be shooed outside by day
and put to bed at night.
Put whatever isn't fragile into sacks,
clothes and blankets and bedding and diapers
and something for a souvenir
like a shiny artillery shell perhaps,
or some kind of useful tool,
and the babies with rheumy eyes
and the R.P.G. kids.
We want to see you in the water, sailing aimlessly
with no harbor and no shore.
You won't be accepted anywhere
You are banished human beings.
You are people who don't count
You are people who aren't needed
You are a pinch of lice
stinging and itching
to madness.


Translated from the original Hebrew by Karen Alkalay-Gut.
Ian Cairns Jul 2015
White man got degrees
White man studies rap albums on weekends
White man still dreams on the hardwood
White man Steph Curry and Larry Bird in his head
White man be both- no problem
White man been hurt before
White man wears braces on both ankles
White man pick a new pair up whenever
White man down each aisle twice
White man throws the receipts away every time

White man left home this one time
White man always trying to help
White man night off whenever he wants
White man swears and means it
White man perpetual grin
White man still here
White man gets louder and swears no one hears him
White man silence still got a few words in it
White man says sorry sometimes, but
White man forgives himself always

White man ten ten year plans
White man why not more?
White man white lies
White man be a boy when he wants
White man lies face down when he chooses
White man love guns- need none though
He brings bigger weapons every time he leaves the house
This poem is after a poem done by Jon Sands, who followed similar patterns from Angel Nafis and Terrance Hayes.

Here is a link to Jon/Angel's version-- https://youtu.be/5lZ-GpHOhEk
Nat Lipstadt Aug 2016
quite recently, I received an extraordinary complimentary message to one of my poems, from a comrade in arms, dare I call him friend, that cored, scored me.  I post it below.  Not from braggadocio, or vanity, venal poetry sins.  But, it could not stand orphaned,
unrequited and unreciprocated,
for that would be a sin of even greater magnitude,

ingratitude

<>

this poem begins unique,
am struggling with a problem previously
unknown, never before even
close encountered

how do I commence?

poet wonders repeatedly,
a tune on the not-so-natty brain,
set on the machine's "repeat"setting,
this problematical for de minimus - 25 hour day,
this scribbler, this constant nibbler
on the Graham crackers life bestows,
befuddled muddled
for

this is never an issue,
it's the windup, the shutdown,
knowing when enough is enough,
that is the sorest point of his
elongated, can't shut up skill set

it cannot stand, it cannot just hang,
it needs a rabbinical wise,
responsible responsum,
a simple
thank you
holy, holy, holy
insufficient

these words, an almost wet smackdown,
catch me exposed, crossing Sixth Avenue,
against oncoming traffic (naturally),
while on cell phone bad boy,
doing his three R's,#
reading, writing & errrrr, deleting,
(yeah, yeah, I know, I know)
amidst my multiplicity of incoming artillery shells of
automobiles and messages,
this one,
seizing me up, me like a screeching,
near dying engine, broke from being oil-less,
nearly dropping my two large
20 oz. McDonald's coffees which easy
could flood this four lane
thoroughfare

you want to write like this,
are you mad, man?

all I ever es-say is what I see,
throwing in a rhyme or two,
a pinch of a fancy word to impress the
hoi polloi, and plenty salty sweet
to provocate a sensory ah ha
confusion

sir, why write like me,
when you pen this?

"yet all of this could
just as easily be,
the sum of two,
grateful hearts in equal parts,
the beat of two in rhythm thrum,
march in time upon one drum"
^

which pretty much says
what needs saying
all in one perfect stanza humming

but this note, is so far,
way deficient,
a mockery of what the situation requires and is deserving,
so multiple lovely muses redirect me
back to my email,
where I find this waiting,
in repose, this prose,
perfect

A compliment is a complement—
this I know, just as the clock
will always strike midnight
and history repeats. This is how
I can wake up the next morning
and love the world again.
^^

blossoming notion, this is but a complement,
where the line dotted allows free passage
from reader to poet, from poet to poet,
permitting the peaking reciprocity of completion,
and this complement
I accept, unashamedly, profoundly
for this is my 1/1,
for to make a whole, we still require
numerator, denominator,
of equal value

on this basis,
and this basis alone,
I accept your words

when prowling scowling late at night,
or early sun rising, old bones enthroned
in my Adirondack dis-comforter,
will come a-sneaking, a-peaking,
nobody-around-real quiet like,
for another look-see at this kookery,
in my solitary poet's by-the-bay nookery,

the thought comes,
maybe it's time to lay that pen down,
the Israelites have crossed that Red Sea,
dry and on their way to a land of promises,
when sure enough my coffee mug
spills onto an ant hill hard by the beach,
and oops, soiling the soil,
the Lesser Antillean inhabitants making an unholy ruckus,
and oops, ther goes another rubber plant, high hopes, poem aborning,^^^

but sir, be advised,
your excess foolishness is warming,
but we cannot without each other,
march to one drum,
our steps surely mismatched,
it is the reciprocity of
complementary numerical worthies that unites the fractions of us
into a singletary winter pea,
a whole of us,
in order to
"let us love the world again"
yes, a true 'story'
<>
#reading, writing and 'rithmetic
-----------
"some time back
this notion became clear to me.
have wanted to say it since;
this, your words, the perfect segue.

i have come to love
the style of your writing,
so much so as to adopt it,
as my own, though perhaps
in my own tone, voice, and
life experience.

much of how i write today,
I attribute to your influence...
no kidding, no hyperbole,
no gush, no mush, just truth.

whomever taught or influenced you
is to be admired most,
for in the style
i see most encapsulated by yours
is a conveyance that goes
well beyond words,
well beyond mere ideas...
it incorporates heart and emotion,
and more so,
the heart behind the heart,
in a way rather uncommon
to most poetry."^

S. Reimer
"After-math"
<>
^^ "On Being Told I Look Like FLOTUS, New Year’s Eve Party 2014"
by January Gill O’Neil

<>

^^^ https://www.youtube.com/watch?v=S94Bh3Qez9o
Ivan Brooks Sr Aug 2018
If I can't stand and say something
About injustice, hunger and poverty,
I can at least do one special thing,
I can write a very beautiful poetry.

If I can't fight modern-day slavery,
I can write and bring awareness.
My pen is like a mighty artillery
That can help stop this wickedness.

If my frame is short for me to be seen,
My mind is loud enough to be heard.
It can take me places I've never been
And give me a shelter and my bread.

If I don't have fine clothes and jewelry,
I have deep wisdom and intelligence.
That enables me to write good poetry
Capable of taking me out of decadence.

If I don't have fine cars and houses,
I have from Jah a blessed assurance.
And peace inaccessible by noises,
So I say thanks for life and Providence.

©IvanBrooksPoetry
22/8/2018
This is one of those special pieces I can't really say much about..All i say is a big thanks to the universe for the inspiration.
Crystal Erickson Dec 2014
I am not what I used to be
So now in the shadow of unspoken events
Everything whimsical is leaving
Words fill my head, they fragment like artillery shells
they tare through it forcing irreparable damage.
Time has accelerated
Born out of the absence of light
Shaped by my own hands
Justly worthy to be referenced and adored
I re-encounter what my elation briefly with held
The thirst for the dangerous
Obliterate the incomprehensible crowding thoughts
The stampede within my head
The mayhem of the many visions
Lock them down, all that fracture within my head
Inexplicable wanderings of mindful musings
Spontaneous perceptions
Shadow of foe
Encircling their fears with distractions
Pulsing in endless repetitions
I am the one whose throat is stripped bare.
I am the one who has not spoken in years
A distant moon to sense

© Crystal Erickson
Steve Page Nov 2018
This isn't about front lines and deep mud,
it's not about sacrifice and bands of brotherhood.

It's not calling for silence or for national pride,
it's not about cenotaphs and those left behind.

No, this a thank you to one Ernest Page,
Gunner Sergeant, Royal Field Artillery, 182nd Brigade.

Thank you for ducking, thank you for dodging,
thank you for lasting, thank you for living.

Thanks for returning back home to Brockley.
Thanks for asking Gran and building a family.

Thank you for dad and for little Aunt Betty,
for Pam and for Pete and for cousins aplenty.

Thanks for Rose Cottage, for trips round the lake,
thanks for loud laughter and sleepy eyed late

mugs of hot chocolate and medeira cake slabs.
Thanks for my sisters, thanks again for my dad.

Thank you for surviving, and all that implies.
I owe you it all, I owe you this life.
I have my grandad's WW1 French English 'conversation book'. I have his stirrups too. He died when i was in my teens. I remember his cigars and his smile.
Drake Brayer Jul 2016
The violet sky was burning
An aura of deadly white
Myriad of colours churning
Among the silent lights

The sky awash with violence
The sounds of shattered steel
The terror of eternal silence
Was burned into my ears

The sound of grinding iron
The whistling of fallen shells
The blare of air-raid sirens
The cacophony suddenly fell

The death of sound was violent
It's melody so suddenly hushed
The music of war was silenced
Though its tempo remained untouched
SURETICE TONGUE Aug 2018
Desktop In The Charismatic
THEOLOGIAN ESSENCE <believingvirtue@gmail.com>

BONE  STIRS ....'

ASSEMBLIONAIRE BEYOND MAGICIAN WOLVES

INVISIBLE GRAND OUTPOURING AMNESTY SURROUNDS....'



Desktop In The Charismatic

Dream into refuge all plantation

Dream into cog all wheel

Dream into bracing all consultative

Dream into rocking all regent

Dream into preferable all chariots

Dream into luxurious all absorbs

Dream into contagious all enthusiasm

Dream into communal all welding

Dream into universal all anatomy

Dream into reality all rings

Dream into searchingly all mysteries

Dream into artillery all mechanisms

Dream into colony all proportions

Dream into miracle all compositions

Dream into artistry all pursuit

Dream into alliance all admiral company

Dream into fragrance all  new extensions

Dream into vast volume habitation all invests

Dream into carrying  devotion all per excellence

Dream into grace-going all shepherd rewarding

Dream into oasis all resuming acquaintance

Dream into cross over  all answering wonder.



Your Invades-Of-Veins,

SURETICE TONGUE

Email: believingvirtue@gmail.com





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Desktop In The Charismatic
SAMUEL DAVID <believingvirtue@gmail.com>

11/9/17

to hydee1982

Desktop In The Charismatic

Dream into refuge all plantation

Dream into cog all wheel

Dream into bracing all consultative

Dream into rocking all regent

Dream into preferable all chariots

Dream into luxurious all absorbs

Dream into contagious all enthusiasm

Dream into communal all welding

Dream into universal all anatomy

Dream into reality all rings

Dream into searchingly all mysteries

Dream into artillery all mechanisms

Dream into colony all proportions

Dream into miracle all compositions

Dream into artistry all pursuit

Dream into alliance all admiral company

Dream into fragrance all  new extensions

Dream into vast volume habitation all invests

Dream into carrying  devotion all per excellence

Dream into grace-going all shepherd rewarding

Dream into oasis all resuming acquaintance

Dream into cross over  all answering wonder.



Your Invades-Of-Veins,

Samuel-David O. Armstrong

Email: believingvirtue@gmail.com

+2348131914240



Click here to Reply or Forward
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Scene I


Rodolfo Graizani is seen sat in his new office in Addis Ababa .
A messenger salutes and hands him over a telegraph  letter saying " it is from Benito Mussolini."
Graizani reads the message loud

Dude,
We have done
Things good!
Hurrah at long last,
Using banned
Poisonous gas,
Ancient Ethiopia
We have subdued.

For our damaged moral,
We nurse after
The battle of Adwa,
The aforementioned news
Will be a nourishing food.
Slavish obedience
To fascism
In Ethiopia
We shall advance
Be firm
In our iron grip stance.

Hurrah, Ethiopia
Will be Italian
Infuse that
We can
With the dictates
Of  the gun.

(Graiziani stands up and walks in the room with a jubilant mood while the messenger watches him wide-eyed.)

Yes our subjects,
Ethiopians, serfdom
We shall teach
Hence summoning
Addis’ residents
Tomorrow
I have to make
A grand speech.
And also
I will
Coax priests
Slavish obedience to us
To subtly preach.

When our subjects lose
Their identity
We shall
Enjoy liberty
To siphon their wealth
Or property,
Also as a tactic,
Among citizens,
We should promote disparity.


Messenger what can you say?
Tomorrow will be my day!

(Messenger putting both hands on his head)

Good God
But I’m afraid
You may not do that
Unless every nation-loving
Ethiopian
You behead.

Be it luring them with a gold
Or threatening them with a sword
Unflinchingly, religious leaders
Will prefer to be a sod.
They will call down
On you a curse
If you try
To desecrate
Their abode,(Pope Petros)
You see
Preachers and the laity
Have a genuine faith
In God.
Also to
Fight back
They are bold.

(Graiziani pointing his finger towards the messenger)

Get out
Me don’t try
To flout!

Rather, let me practice presentation
To grab the audience’s attention.

Tomorrow putting on my uniform,
Bedecked with medals,
This message
I will drive home
Also the video footage
I will send to
Musoloni in Rome!

 Scene II
(Grizani dances into a podium. A messenger asks congregants to stand up for a tumultuous applause)

On nationalistic bombast
We have set a ban
Like it or not
Ethiopia is Italian
By the virtue of the gun.

(Among the congregants stands up a hoary-headed man)

We are citizens
Born free
Yield shall not we
To your crazy decree
Haven’t you read
How Emperor Twedros II
Lodged a bullet
Into his head?
Not to surrender!
Why don’t you look
After he fought hard
Why his life into his hand
He took.

How do you try
To subjugate
A nation,
With freedom that surfed
The tide of time to date?

(Angry Graziani answers)

How do you fail to realize
In the meantime Italy
Will help you
To civilize?

(Two two young adults(Moges Asgedom/Abrham Deboche) threw bombs )

Swish blast
Swish blast

Graiziani realized
How the breath
That could be his last,
Drew close fast.

To Graiziani
After it became stark
He narrowly escaped
A bomb attack
And his speech of
Subjugation
In Ethiopia is
An empty talk,
Still on the floor
He ordered attack.

 Scen III
(In front of the Yekatit 12 Martyr’s monument a small kid asks his father how Ethiopians regained their independence after the massacre ordered by  Griziani, who  soon after surviving the bomb attack, gave instruction for a cold blood retaliation.

The father dressing the hair of his child and looking him said patriots that  ambushed at the valleys and mountains of Ethiopia vowed to fight out invaders. They succeeded in doing so after a five year occupation of Ethiopia)

Waging a Guerilla fight
Shortly we shall gain our right
"Aiming from a tree high
We have patriots
That hit fighters’ jets on a dark sky!"(Patriot Belaye Zeleke)

“ As hitting a nail on the head
We have fighters
That pierces through
A tight tread.”           (Patroit HaileMariam Mamo)

“In the nook and cranny
And every gorge
We will wage
Many heroic fight
Enemies from
Our soil to dislodge”(Geresu Dukie/Jagama Kelo/Abbebe W/Aregai/Omer Semeter/Balcha Abanefeso...)

“We have heroes smart
With an artillery missile
That pierces artillery apart!” (Patroit Bekle Weya)///
Base d ON A TRUE STORY (1929 Ethiopian calendar + 8 GC)
Isaac Spencer Nov 2017
I dismiss the attention nobody pays,
To the way I stay in games for days,
They say "You're wasting your time away",
But I'll play till I hit the grave,

Cause,

One more level, another point, another match,
Double ****, triple ****, don't crash,
Every day, getting better, no sweat,
Zero deaths, forty kills, no regret,

Top tier, s rank, winning streak,
Don't lose, don't die, not weak,
Can't miss, gotta win, don't quit,
Flanking, execution, legit,

We've got Contacts, reload,
Spawn traps, implode,
Bringing heavy artillery,
This is the Gamer's Creed.
Racquel Davis Jul 2014
First, I claim my land and choose my artillery for
Paper and for pen.
Before going into battle, my men are prepped with
The message and plot.
On my claimed land I lay bricks and marble of
Rhythm and theme.
Now, my land is ready to hold life in
Imagery and in style.
Finally, I build a fortress there in the reader’s own mind.

©Copyright 2014 Written and Edited by Racquel Davis
Updated 11/23/16
st64 May 2013
Three-legged spider on a ***** tile
Eyeball rolls, clean in hand
Massive metal door opens, up top a hill
Graveyard of ever-ringing cells.

What's real creepy to you?

Enclose the city, lock us out ..for good
Condemned as doomed, living dead
Big guns survive in metallic domes
See the crass ******* shoot us down!

Wanna talk about what's creepy, huh?

Plunderers now lay down new laws
Can't fight the sick, red sway
Random acts of violence bay
Armoured eyes see all from lofty towers.

Creepy autocrats hide the truth, right?

No soaring when blood runs rivers
Tripping over rotting corpses
Decaying stench of hope dying
Help will come, we must believe!

Do you believe lies to your face?

Infrastructure's down, no services
Power's out, no more flushing
Car carcasses aflame on every corner, yet
How come big brother's eyes still move?

Are the gullible ones really stupid and feeble?

Sun shines, but nothing grows
Rain seeps red away into sewers
Crops of twisted metal, hoards of guns
Skeletal trees adorn our landscape.

Why hold askance your glance skyward?

The gates will open to let us in
Surely, they witness our hardship!
There must exist a life beyond this strife
Uproar, bombard, gas, artillery....then no more....

Can you ever cease to have temerity?

In face of adversity, calamity and injustice
We should NEVER cease to be exasperated!
Hope must prevail; faith must live;
Thoughts expressed; love and respect must survive.

Can you afford your spirit just to let go....?

Think about it. Creepy autocrats eternally rank ...

Chronically..........Insidious
Repressively........Deleterious
Egotistically.........Inadequate
Eruptively............Odious
Pretentiously.......Tedious
Yucky...................****!


S T, 31 May 2013
Down with those who think they can control people; fed up with ...systems!
Written in Jan 2013.

Inspired (partly) by movie "Doomsday".



sub-entry:

'fool'

don'tcha go tryna control me, sucker
I'm-a kick yer *** fer you, fool!


(need I say more? lol)
We yelled and staggered on
We stumbled and many fell
Detained in the perplexity
No respite as danger pursued
The ordeal ensued when
In the midst of clout struggle
The insurgents took up weaponry
Determined to surmount a dictator
That morning bewilderment originated
Helter-skelter we escaped for safety
Sad enough bullets out ran some
Especially as cross fires existed
We saw our Kinsmen reach for the ground
As though caught only with fatigue
But bullets indeed penetrated some
They lay motionless as we lurched on
Struggling to God knows where,
We knew not our course
No worst thing existed for us
Like the cross fires we were trapped in.
One by one we began to die that day
Randomly death swallowed us up,
While power mongers persisted
Fired projectiles missed targets for us.
We ran frantically in seek for safety
Recognizing us as restless victims,
The insurgents mercilessly began to
Extinct us with great delight
‘No one is surviving the assault
What do I do?’ I pondered hastily
‘Shall we all face our demise this way?
No, I’ll live’ I determined
Kinsmen had long fallen to rise no more
This fact gave me impetus to survive
To live and tell the story of the cross fires
History of the fallen most be told to posterity
Inspiration came to me at once
I unyieldingly fell down as one lifeless
Spilled, oozing blood entwined me
The killers shoot till no one stood
Everyone lay motionless in a stack
I lived however not too sure yet
The cross fires persisted for long
That at one point I envied my kinsmen
Finally, calm was reluctantly returning
The government militia advanced
The insurgents had not a choice
But to retreat in dread of superior artillery
We had unfortunately advanced towards
The insurgents that we became the target
Of the artillery that was meant to shield us
Blames on the wrong tactics by the militia
Abounded as calm was retained in days
But I had a story to tell of the cross fires.
Maggie Emmett Nov 2015
For nine days the artillery barrage
rained down on us
that June of summer in the Somme
machine gunners like me waited
in our concrete bunkers deep in the earth

When the shelling stopped
we rushed to the surface
and began our job of mowing down
the slow walking British Infantry
stoically advancing as if in another war
in another time where they might choose
to die bravely and with honour
a hero fighting for his life
his king and country

But here he dies unknown
by the chance turning of my gun
in his direction at that one moment
and the random number of bullets
left to fire.



© M.L.Emmett
Read at a show at the Art Gallery of South Australia for an exhibition of the etchings of Otto Dix
I'm a Kool g rockin' coogis poppin' coochies
Haters get murked like Colhese my rap lease
Debutin' numero uno the heavy weight sumo  
Born on Jupiter raised on Earth my heart's colder than Pluto
Mic judo flows stickin' of ya corticals
Check me in the articles I be the broken particle
Of the universal ya need rehearsal **** goin' commerical
I lay raps like a hearse flow for rappers funeral
I a criminal none keep gats by the abdominal rhymin' phenomenal the mighty Apollo
Blazin' my cocoa flippin' crime like Bardellino
One luv to my nino got it locked like a Vegas casino
We checkin' ya dough at the front door so stop ya show
Fronting and stunting once my nines get the hunting
Bullets spikin' like kickers punting raw taunting
Game hungriest similiar to the lochness
Mon-star far from subpar rhymes ride bizzare
A pharcyde takin' ya into a spiritual homicide converged to the angelic hide


Still a crime shame all of 'em say the same
Thing flexin' diamonds on they pinky rings yet another sad soul that sings sub siblings
To the underworld debators contract initiator so you can create a
Pace between the stage and the audience face
**** that rather keep a gat tucked in the front or the back
With wisdom to rack
Imagine that fools breakin' for stats? see where my heart at?
Diggin' reachin' into the minds of the youth with the brutal truths
Chippin' my tooth
From killin' booths once I plot ya will ya loose
bringin' the ghetto blues and cruising *****
Still a sober jealous God am I call me Jehovah
Tactics of a Cobra one strike it's over
Venomous ridiculous hataz so conspicuous
Hatin' us only to anger my artillery surplus and who bust?
More rounds than Matt Dillion coatin' ya brains
With my lyrical penicillin stealin'
Back the spotlight
Catch the bright sunshine that stares into my mind
A Pharoah prophecy laid in the back of me
Head til I touch my final resting bed I'll embed
The realist **** ya ever heard shooting a bird
To all my enemies I blast at 'em with as the bullets herd
Michael R Burch Nov 2020
My most popular poems on the Internet

A number of my poems and translations have gone viral, according to Google, and some have been copied onto hundreds to thousands of web pages. That’s a lot of cutting and pasting! The results below are the results returned by Google at the time I did the searches.



This original epigram returns more than 37,000 results:

Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



This Sappho translation has more than 3,500 results:

Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



This Sappho translation has more than 1,700 results:

Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



This Bertolt Brecht translation has more than 1,500 results:

The Burning of the Books
by Bertolt Brecht
loose translation/interpretation by Michael R. Burch

When the Regime
commanded the unlawful books to be burned,
teams of dull oxen hauled huge cartloads to the bonfires.

Then a banished writer, one of the best,
scanning the list of excommunicated texts,
became enraged: he’d been excluded!

He rushed to his desk, full of contemptuous wrath,
to write fiery letters to the incompetents in power―
Burn me! he wrote with his blazing pen―
Haven’t I always reported the truth?
Now here you are, treating me like a liar!
Burn me!



This poem returns nearly 1,500 results for the first line:

Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
which finality swept into a corner, where it lies
in dust and cobwebs and silence.

NOTE: This is, I think, the first poem I wrote which didn’t rhyme, and the only one for quite some time. I consider one of the best of my early poems; it was written in my late teens.



This original poem has over 1,300 results:

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

This may be the first poem I wrote. I read the Bible from cover to cover at age 11, and it was a traumatic experience. But I can’t remember if I wrote the epigram then, or came up with it later. In any case, it was probably written between age 11 and 13, or thereabouts.



My translation of Robert Burns’ “To a Mouse” returns over 1,300 results. It’s a bit long for this page but can be found online with a Google search like: Michael R. Burch Robert Burns translations.



This Glaucus translation returns more than 1,000 results:

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
―Michael R. Burch, after Glaucus



This Yamaguchi Seishi translation returns over 1,000 results:

Grasses wilt:
the braking locomotive
grinds to a halt
―Yamaguchi Seishi, loose translation by Michael R. Burch



This original poem has more than 1,000 results:

Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her Tears...

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza and the Nakba. The word Nakba is Arabic for "Catastrophe."



This poem won a big Penguin Books (UK) Valentine poetry contest and returns over 800 results for the first line:

Mother’s Smile
by Michael R. Burch

for my mother, Christine Ena Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



This original epigram returns over 750 results:

Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



This William Dunbar translation has more than 700 results:

Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



This Sappho translation has over 700 results:

Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



This original poem has over 700 results for the first line:

Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm―I hope you hear it.

Much love I bring―I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



My Plato translation (or “take” on Plato) has over 650 results:

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
―Michael R. Burch, after Plato



This translation of a Middle English poem has more than 500 results:

How Long the Night
(anonymous Middle English poem, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



This original epigram returns over 500 results for the first line:

Here and Hereafter aka Saving Graces
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.

I have dedicated the epigram above to the so-called Religious Right and Moral Majority.



These Einstein limericks have over 500 results:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!

Asstronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!

Relative to Whom?
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows *****-nilly
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!



This poem has over 500 results:

Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?

What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?

What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing...
mournful, and distant.

How pitiful our "effort,"
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



This Matsuo Basho haiku translation has nearly 500 results:

The first soft snow:
leaves of the awed jonquil
bow low
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This Matsuo Basho haiku translation has more than 400 results:

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This original Holocaust poem returns over 400 results:

Auschwitz Rose
by Michael R. Burch

There is a Rose at Auschwitz, in the briar,
a rose like Sharon's, lovely as her name.
The world forgot her, and is not the same.
I still love her and extend this sacred fire
to keep her memory exalted flame
unmolested by the thistles and the nettles.

On Auschwitz now the reddening sunset settles!
They sleep alike―diminutive and tall,
the innocent, the "surgeons." Sleeping, all.

Red oxides of her blood, bright crimson petals,
if accidents of coloration, gall
my heart no less. Amid thick weeds and muck
there lies a rose man's crackling lightning struck:
the only Rose I ever longed to pluck.
Soon I'll bed there and bid the world "Good Luck."



This translation of a Holocaust poem has nearly 300 results:

Speechless
by Ko Un
translation by Michael R. Burch

At Auschwitz
piles of glasses,
mountains of shoes...
returning, we stared out different windows.






Keywords/Tags: Michael Burch, popular, most popular, poems, epigrams, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo


//bookmark//

This original poem, which has become popular at Halloween, has nearly 3,000 results for the fifth line:

White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



This original poem returns nearly 1,500 results:

Safe Harbor
by Michael R. Burch

for Kevin N. Roberts
The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times




This translation of the oldest extant English poem has over 1,250 results:

Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



This Faiz Ahmed Faiz translation has over 1,000 results:

Last Night
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your memory stole into my heart—
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...


This light verse response to Philip Larkin’s “Aubade” has nearly 1,000 results:

Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea
boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.
And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

Originally published by Light Quarterly



This love poem has nearly 1,000 results:

don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.



This original Hiroshima poem has nearly 800 results:

Lucifer, to the Enola Gay
by Michael R. Burch

Go then,
and give them my meaning
so that their teeming
streets
become my city.
Bring back a pretty
flower—
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.
There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all
its pale forms sublime,
still
Death will never be holy again.

Published by Romantics Quarterly, Penny Dreadful and Poetry Life & Times



This epigram has over 600 results for the first line:
Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



This prayer poem has over 600 results and has been set to music and performed at a charity benefit for hurricane victims:

I Pray Tonight
by Michael R. Burch

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



This original poem has nearly 600 results:

Like Angels, Winged
by Michael R. Burch

Like angels—winged,
shimmering, misunderstood—
they flit beyond our understanding
being neither evil, nor good.

They are as they are ...
and we are their lovers, their prey;
they seek us out when the moon is full;
they dream of us by day.

Their eyes—hypnotic, alluring—
trap ours with their strange appeal
till like flame-drawn moths, we gather ...
to see, to touch, to feel.

And in their arms, enchanted,
we feel their lips, grown old,
till with their gorging kisses
we warm them, growing cold.



This original poem has over 500 results:

Distances
by Michael R. Burch

Moonbeams on water —
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.



This original poem has over 500 results:

***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



This epigram/joke has over 400 results:

Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.―Michael R. Burch



This **** Baudelaire translation has become popular with **** stars, escort sites and dating services, and has more than 400 results:

Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings—
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



This original poem has over 400 results:

What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.



This original poem I wrote as a teenager has almost 400 results:

The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.
Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

This is one of my early poems ; I believe it was probably written during my first two years in college, making me 18 or 19 at the time.



This original poem has more than 300 results:

Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...
what do we know of love,
or duty?



This original poem has more than 300 results:

escape!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



This Matsuo Basho haiku translation has more than 300 results:

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



This haiku translation has more than 300 results:

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation/interpretation by Michael R. Burch



This translation of an Anacreon epigram has over 300 results:

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Anacreon, loose translation/interpretation by Michael R. Burch



This 9–11 poem has over 300 results:

Charon 2001
by Michael R. Burch

I, too, have stood—paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea



This “almost” limerick has over 300 results:

Caveat Spender
by Michael R. Burch

It’s better not to speculate
"continually" on who is great.
Though relentless awe’s
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.



This little poetic snapshot has over 300 results:
Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund...
she might have stepped out of a Rubens.



This vampire poem, popular at Halloween, has nearly 300 results:

Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs―white―baring,
revealing her lust,
and her eyes, pale, staring...



This Fukuda Chiyo-ni haiku translation has nearly 300 results:

Ah butterfly!
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation/interpretation by Michael R. Burch



This translation of the Palestinian poet Fadwa Tuqan has over 300 results:

Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.
Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



This translation of a poem by the Kurdish poet Kajal Ahmad has over 300 results:

Mirror
by Kajal Ahmad, a Kurdish poet
loose translation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



This original poem has over 300 results:

Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .
once starlight
languished
in your hair . . .
a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .
unleash
the torrent
of your hair . . .
and show me
once again—
how rare.



This original poem, popular at Valentine’s Day, has nearly 300 results:

Let Me Give Her Diamonds
by Michael R. Burch

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



This original poem has nearly 300 results:

Fascination with Light
by Michael R. Burch

for Anaïs Vionet

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,
where it hovers, unsure,
sullen, shy or demure,
in the margins of night,
a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato
and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

This Vera Pavlova translation has over 250 results:

Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



These Holocaust poem translations of Miklos Radnoti have over 200 results each:

Postcard 1
by Miklós Radnóti
loose translation by Michael R. Burch

Out of Bulgaria, the great wild roar of the artillery thunders,
resounds on the mountain ridges, rebounds, then ebbs into silence
while here men, beasts, wagons and imagination all steadily increase;
the road whinnies and bucks, neighing; the maned sky gallops;
and you are eternally with me, love, constant amid all the chaos,
glowing within my conscience―incandescent, intense.
Somewhere within me, dear, you abide forever―
still, motionless, mute, like an angel stunned to silence by death
or a beetle hiding in the heart of a rotting tree.



Postcard 2
by Miklós Radnóti
written October 6, 1944 near Crvenka, Serbia
loose translation by Michael R. Burch

A few miles away they're incinerating
the haystacks and the houses,
while squatting here on the fringe of this pleasant meadow,
the shell-shocked peasants sit quietly smoking their pipes.
Now, here, stepping into this still pond, the little shepherd girl
sets the silver water a-ripple
while, leaning over to drink, her flocculent sheep
seem to swim like drifting clouds.



Postcard 3
by Miklós Radnóti
loose translation by Michael R. Burch

The oxen dribble ****** spittle;
the men pass blood in their ****.
Our stinking regiment halts, a horde of perspiring savages,
adding our aroma to death's repulsive stench.



Postcard 4
by Miklós Radnóti
loose translation by Michael R. Burch

I toppled beside him―his body already taut,
tight as a string just before it snaps,
shot in the back of the head.
"This is how you’ll end too; just lie quietly here,"
I whispered to myself, patience blossoming from dread.
"Der springt noch auf," the voice above me jeered;
I could only dimly hear
through the congealing blood slowly sealing my ear.

This was his final poem, written October 31, 1944 near Szentkirályszabadja, Hungary. "Der springt noch auf" means something like "That one is still twitching."



This poetic tribute to Muhammad Ali has over 250 results:

Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image—BOLD.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina



This poem about US involvement in an ongoing Holocaust has over 200 results:

who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same —
the slouching Beast mauls them
and WE have no shame:
“who’s to blame?”



This Ō no Yasumaro translation has over 200 results:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
―Ō no Yasumaro (circa 711), loose translation/interpretation by Michael R. Burch



These Sappho translations have over 200 results:

Sappho, fragment 156
loose translation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.



Sappho, fragment 58
loose translation/interpretation by Michael R. Burch

Pain
drains
me
to
the
last
drop
.



This Parmenio translation has over 200 results:

Be ashamed, O mountains and seas,
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
—Michael R. Burch, after Parmenio



This original epigram has over 200 results:

Love is either wholly folly,
or fully holy.
—Michael R. Burch



Other poems, epigrams and translations with more than 100 results:



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.
Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



Nun Fun Undone
by Michael R. Burch

Abbesses’
recesses
are not for excesses!



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



I, Too, Have a Dream
by Michael R. Burch writing as “The Child Poets of Gaza”

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
by Michael R. Burch  writing as “The Child Poets of Gaza”

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



Multiplication, Tabled
by Michael R. Burch

(for the Religious Right)

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, translation by Michael R. Burch



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.

And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.

Suddenly, unthinkably, here he is,
taking my place.



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.



Wulf and Eadwacer
ancient Old English (Anglo-Saxon) poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

My clan's curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we're on another.
His island's a fortress, fastened by fens. (fastened=secured)
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My hopes pursued Wulf like panting hounds,
but whenever it rained—how I wept!
the boldest cur clutched me in his paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.
Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.

Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” — W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars—the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.
The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.
I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.



Observance
by Michael R. Burch

Here the hills are old and rolling
casually in their old age;
on the horizon youthful mountains
bathe themselves in windblown fountains . . .

By dying leaves and falling raindrops,
I have traced time's starts and stops,
and I have known the years to pass
almost unnoticed, whispering through treetops . . .

For here the valleys fill with sunlight
to the brim, then empty again,
and it seems that only I notice
how the years flood out, and in . . .

This is an early poem that made me feel like a “real poet.” I remember writing it in the break room of the McDonald's where I worked as a high school student. I believe that was at age 17.



Discrimination
by Michael R. Burch

The meter I had sought to find, perplexed,
was ripped from books of "verse" that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed—
why should such tattered artistry be banned?
I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs ...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse "expensive prose."

Originally published by The Chariton Review



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city extend
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command
here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience
and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and nominated for the Pushcart Prize


Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...
... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...
... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...
... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...
... that led up to the Fortress in the trees
will not support our weight, but on our knees ...
... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...
... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...



At Wilfred Owen’s Grave
by Michael R. Burch

A week before the Armistice, you died.
They did not keep your heart like Livingstone’s,
then plant your bones near Shakespeare’s. So you lie
between two privates, sacrificed like Christ
to politics, your poetry unknown
except for that brief flurry’s: thirteen months
with Gaukroger beside you in the trench,
dismembered, as you babbled, as the stench
of gangrene filled your nostrils, till you clenched
your broken heart together and the fist
began to pulse with life, so close to death.
Or was it at Craiglockhart, in the care
of “ergotherapists” that you sensed life
is only in the work, and made despair
a thing that Yeats despised, but also breath,
a mouthful’s merest air, inspired less
than wrested from you, and which we confess
we only vaguely breathe: the troubled air
that even Sassoon failed to share, because
a man in pieces is not healed by gauze,
and breath’s transparent, unless we believe
the words are true despite their lack of weight
and float to us like chlorine—scalding eyes,
and lungs, and hearts. Your words revealed the fate
of boys who retched up life here, gagged on lies.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day
while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.
Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.
Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

Originally published by Southwest Review



At Once
by Michael R. Burch

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.
Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.
Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.
And yet she would care,
and pour out her essence ...
and yet—there was more!
I awoke from long darkness,
and yet—she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.

Published by The Lyric, Romantics Quarterly and Grassroots Poetry



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.
Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.
Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.
What I found, I found lost in her face
while yielding all my virtue to her grace.

Originally published by Romantics Quarterly as “A Dying Fall”



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true . . .
but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.
They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope . . .
You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,
their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

Originally published by Grand Little Things



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.
Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.
Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!
Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.
Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.
Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.


II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,
or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall
and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.


III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.
Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.


IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...
If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.
So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.


Translations with more than 100 results and/or a high number of page views:

“Wulf and Eadwacer” translation
“Deor’s Lament” translation
“The Wife’s Lament” translation
“Whoso List to Hunt” by Sir Thomas Wyatt, translation
“The Eager Traveler” by Ahmad Faraz, translation
“Herbsttag” (“Autumn Day”) by Rainer Maria Rilke, translation
“Archaischer Torso Apollos” (“Archaic Torso of Apollo”) by Rainer Maria Rilke, translation
“Komm, Du” (“Come, You”) by Rainer Maria Rilke, translation
“Der Panther” (“The Panther”) by Rainer Maria Rilke, translation
“Liebes-Lied” (“Love Song”) by Rainer Maria Rilke, translation
“Das Lied des Bettlers” (“The Beggar’s Song”) by Rainer Maria Rilke, translation
Original poems with more than 100 results:
“Water and Gold”
“See”
“The Folly of Wisdom”
“The Effects of Memory”
“Finally to Burn: the Fall and Resurrection of Icarus”




Dream of Infinity
by Michael R. Burch

Have you tasted the bitterness of tears of despair?
Have you watched the sun sink through such pale, balmless air
that your soul sought its shell like a crab on a beach,
then scuttled inside to be safe, out of reach?

Might I lift you tonight from earth’s wreckage and damage
on these waves gently rising to pay the moon homage?
Or better, perhaps, let me say that I, too,
have dreamed of infinity... windswept and blue.

This poem was originally published by TC Broadsheet Verses. I was paid a whopping $10, my first cash payment. It was subsequently published by Piedmont Literary Review, Penny Dreadful, the Net Poetry and Art Competition, Songs of Innocence, Poetry Life & Times, Better Than Starbucks and The Chained Muse.



we did not Dye in vain!
by Michael R. Burch

from “songs of the sea snails”

though i’m just a slimy crawler,
my lineage is proud:
my forebears gave their lives
(oh, let the trumps blare loud!)
so purple-mantled Royals
might stand out in a crowd.

i salute you, fellow loyals,
who labor without scruple
as your incomes fall
while deficits quadruple
to swaddle unjust Lords
in bright imperial purple!

Notes: In ancient times the purple dye produced from the secretions of purpura mollusks (sea snails) was known as “Tyrian purple,” “royal purple” and “imperial purple.” It was greatly prized in antiquity, and was very expensive according to the historian Theopompus: “Purple for dyes fetched its weight in silver at Colophon.” Thus, purple-dyed fabrics became status symbols, and laws often prevented commoners from possessing them. The production of Tyrian purple was tightly controlled in Byzantium, where the imperial court restricted its use to the coloring of imperial silks. A child born to the reigning emperor was literally porphyrogenitos ("born to the purple") because the imperial birthing apartment was walled in porphyry, a purple-hued rock, and draped with purple silks. Royal babies were swaddled in purple; we know this because the iconodules, who disagreed with the emperor Constantine about the veneration of images, accused him of defecating on his imperial purple swaddling clothes!



Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Originally published by Romantics Quarterly



To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?



NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch



This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch



To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



She Always Grew Roses
by Michael R. Burch

for my grandmother, Lillian Lee

Tell us, heart, what the season discloses.
“Too little loved by the ego in its poses,
she always grew roses.”

What the heart would embrace, the ego opposes,
fritters away, and sometimes bulldozes.
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she loved nonetheless, as her legacy discloses—
she always grew roses.”

How does one repent when regret discomposes?
When the shadow of guilt, at last, interposes?
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she continued to love, as her handiwork shows us,
and she always grew roses.”

Too little, too late, the grieved heart imposes
its too-patient will as the opened book recloses.
Tell us, heart, what the season discloses.
“She always grew roses.”

The opened-then-closed book is a picture album. The season is late fall because it was in my autumn years that I realized I had written poems for everyone in my family except Grandma Lee. Hopefully it is never too late to repent and correct an old wrong.



Little Sparrow
by Michael R. Burch

for my petite grandmother, Christine Ena Hurt, who couldn’t carry a note, but sang her heart out with great joy, accompanied, I have no doubt, by angels

“In praise of Love and Life we bring
this sacramental offering.”
Little sparrow of a woman, sing!

What did she have? Hardly a thing.
A roof, plain food, and a tiny gold ring.
Yet, “In praise of Love and Life we bring

this sacramental offering.”
“Hosanna!” angel choirs ring.
Little sparrow of a woman, sing!

Whence comes this praise, as angels sing
to her tuneless voice? What of Death’s sting?
Yet, “In praise of Love and Life we bring

this sacramental offering.”
Let others have their stoles and bling.
Little sparrow of a woman, sing!

“In praise of Love and Life we bring
this sacramental offering
as the harps of beaming angels ring.
Little sparrow of a woman, sing!”



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.



Geraldine in her pj's
by Michael R. Burch

for Geraldine A. V. Hughes

Geraldine in her pj's
checks her security relays,
sits down armed with a skillet,
mutters, "Intruder? I'll **** it!"
Then, as satellites wink high above,
she turns to her poets with love.



Rag Doll
by Michael R. Burch, age 17

On an angry sea a rag doll is tossed
back and forth between cruel waves
that have marred her easy beauty
and ripped away her clothes.
And her arms, once smoothly tanned,
are gashed and torn and peeling
as she dances to the waters’
rockings and reelings.
     She’s a rag doll now,
     a toy of the sea,
     and never before
     has she been so free,
     or so uneasy.

She’s slammed by the hammering waves,
the flesh shorn away from her bones,
and her silent lips must long to scream,
and her corpse must long to find its home.
     For she’s a rag doll now,
     at the mercy of all
     the sea’s relentless power,
     cruelly being ravaged
     with every passing hour.

Her eyes are gone; her lips are swollen
shut to the pounding waves
whose waters reached out to fill her mouth
with puddles of agony.
Her limbs are limp; her skull is crushed;
her hair hangs like seaweed
in trailing tendrils draped across
a never-ending sea.
     For she’s a rag doll now,
     a worn-out toy
     with which the waves will play
     ten thousand thoughtless games
     until her bed is made.



Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!

Keywords/Tags: Michael Burch, popular, most popular, best poems, viral poems, poetry, poetic expression, epigrams, epitaph, translation, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo, international, mrbpop, mrbbest, mrbest
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Wesley Han Jan 2015
The boom of artillery roars in my ears.
A deadly projectile whooshes over my head,
Slamming into the luckless soul behind me,
And heavy feet beat out a rhythmless tattoo.

Men - are they warriors, soldiers?  Gladiators?
They shout encouragement to their comrades,
And screech obscenities at their adversaries.
Reduced to savages, they are consumed by bloodlust.

Something lands nearby.  
It strikes the ground, bounces, rolls to my feet.
“Get it!” someone cries out desperately.
A grenade?  I lunge, lift it up, hurl it away.

The battle rages on, the artillery still booms,
Men still shout.  I want to run, to hide,
But I can only wait for it all to end
When basketball ends at 12:35.
A little phys-ed inspired piece I wrote a few years ago.
Simpleton Jul 2014
A day will certainly come
As sure as we breathe
When our creator will ask of us
What we did to aid the oppressed

On that day
As surely as who created you
Created me too
It will not be about religion but humanity

When carefully planned and organised jets
Launched rockets
To bomb populated refugee camps
Schools and apartment blocks

At a defenceless opposition
Without an air force or navy
Heavy weapons or artillery
Command or armour

That's not war
It's ******
It's cold blooded massacre

As a woman shot in the stomach
Gives birth to a cold blue baby
And a world across oceans changes channels tuning in to the next world cup champion

It was never about taking sides
Israel vs Palestine
There is a truth
To which we must remove the blindfold of ignorance

Searching for a voice of right
Amongst the cries of pain hatred and anger
The sign in a city
Where there is too much to see

Finding peace amongst people who are not ours
Because I see hypocrisy of nations
Who stand for human rights
But only when the human shares a matching ideology

I see hypocrisy amongst media
Where a million wounds and shades of blood
Are inked into black and white letters
Today I read 'An Israelian was killed whilst a dozen Palestinians died'

They turned humans into numbers
Quantitative data
They couldn't possibly de-sensitize it any further
I mean look at the verbs in which they phrased that  

I see hypocrisy amongst Muslims
Who stand equal and united
Yet they too turn backs when the interest is not beneficial
And the pitiful nation falls divided

Whether it is a prayer
A strike, a boycott or vigil
A protest or petition
Maybe even a donation

There's a thousand ways to help
But very few who do
So what did you do?
Was it out of sight out of mind for you?
I was sent to work at the old Repat.
It was forty years since the war,
Those ancient diggers would sit and swear
At the pain of the limbs they wore,
The wounds would open as years went by,
They’d come for another slice,
That war was never over for them,
And morphine was paradise.

I saw one veteran struggle and curse
As he ripped at the buckles and straps,
The new prosthesis had rubbed him raw
As his knee began to relapse.
He tore the leg from his wounded stump
Sat on his bed, and roared,
Then swung the article over his head
And flung it across the ward.

The others had ducked as the leg took off
And bounced off the opposite wall,
‘I’ll have to report you,’ the nurse exclaimed,
‘It’s a good leg, after all!’
‘You wear it then,’ was the man’s response,
‘For it’s driving me insane,
What would you know of Flanders Fields?
You wouldn’t deal with the pain!’

My job was to settle and calm him down
So I asked him about his leg,
‘When and where did you lose it, Dig?’
The veteran tossed his head.
‘You’ve heard of a place called Flanders Fields
Where the bullets came in like hail?
Well, I was there with the Anzac’s, son,
At a place called Passchendaele.’

‘Our Generals were trying to ****** us,
I swear, on my mother’s head,
They kept on sending us over the top
Until half of the men were dead.
The German gunners would enfilade
As we struggled against the mud,
I’ll never forget the battlefield,
It was spattered with bones and blood.

They’d send artillery shells across
At the height of a soldier’s knee,
We’d watch them come as they parted the grass,
They were Grasscutters, you see!
Well, I was running with bayonet fixed
And praying for God’s good grace,
When suddenly I was lying there,
I’d tumbled, flat on my face.’

‘It’s strange that I never felt a thing,
When the Grasscutter got me,
It took a while ‘til I saw my leg
Was gone, from under the knee.
But that was the end of the war for me,
The end of the life I’d known,
I spent some time back in Blighty, then
I came on a ship, back home.’

I never chided those men in there
Though they’d curse and swear, and roar,
For every man was a hero where
They'd trudged in mud through the war.
That Repat. job was a fill-in job
And I left, still young and hale,
But I never forgot the Grasscutter
Or the man from Passchendaele.

David Lewis Paget
Clifford Smith Aug 2015
Suited up as I try to maintain
In this ground cracking weather.
Heavy bags on my back
And artillery in my hands.
Goggles dusty
From the blistering sand
That slice my face like razors
With every gust of wind.
The scorching temperature
Is on hell and every breath
I take is so dry that my tongue's stiff.
One canteen,  a few packs of food,  
And a mission to complete.
My boots are laced,  
With my feet feeling like people
Trapped in a burning building.
The further I go the more my body
Feels like it's being cremated.
I must reach my destination....
As helicopters pass through
Dropping explosives the size of a
Small child with the impact of
Several meteors hitting the earth.
Running like a track meet and
Maneuvering like a game of Dodgeball.
Gunfire,  bodies,  and thick smoke
As I bypass fallen aircrafts.
Approaching my target which
Will be my final destination.
BOOM! I found myself airborne to
Only hit the ground in unconsciousness.
BEEEEP! Is all I hear as I try to get
Up and regain consciousness.
Just a little over a hundred yards to
Go with a blurred vision
Feels like a lifetime.
As I'm reaching my target with
Bullets whistling pass my ears....
It's time. I set up my shot....
I hold my breath
Heart pounding with adrenaline
I'm studying
I'm focused
I'm ready....
POW! As my 50 caliber jerks
Back into my shoulder kicking
The dirt off the ground like a horse
At the Kentucky Derby.
MISSION COMPLETE!
As I'm going home with a bad case
Of paranoia and a Metal of honor...
I still have disastrous flashbacks
And ****** nightmares.
But....Nothing compares to that
STORM in the DESERT.
I have never been in the service but I can only imagine what those guys who have been go through. #R.I.P. To all fallen soldiers that fought for our country bravely. #SALUTE
after some grey days
comes the sun
   summer heat
spectacle on the Seine

to commemorate

"La Route de l'Armada"
a fleet for tourists
that never was

yet nice to watch
   nevertheless
with fireworks
   & stately masts
sails folded orderly
decks scrubbed
the crews all smiles
ready to answer
   all the children's questions

in between
gray & inaccessible
some men-of-war
of more contemporary make

among them
   somewhat tarnished
one single ship
that really carried
allied soldiers
in its sightless hull
on that gray morning

and suddenly
   if only for a moment
you smell the sweat
   of fearful courage
hear ammunition
   click into magazines
the waves break dull
with hollow sound
amidst the crashes
   of firework artillery
that splits the waters
upward from the ground
This is about a show of ships commemorating, sort of,  the landing of the Allies on D-Day in World War II on the coast of France

— The End —