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"armada" poems
So, this is what it feels like, to be buried under heaps of leaves, trapped like gold in a treasure chest living in the hold of the Galleons of the Spanish Armada, lost at sea, in the frozen crevices of the Atlantic. Yet... I'm still free like air-- **sweet, beautiful, fresh air**-- who filter through the cracks and holes. Nothing's changed, I am still Me.
0
Jan 8, 2015
Jan 8, 2015 at 1:29 PM UTC
Mountains
Men and women are equal None are above the other In rights and respect Equal Men have strength yes Yet it's women who endure Men and women Both are intelligent As their brains made of the same matter Biologically here equality stands firm Differences of course are there Yet minuscule Appearances cast aside Only  few can be observed Women and men Both are sensitive and feel Yet where women show it; display Men conceal; pretend not to feel Society kills In tactics and ideas Is where our message ends For  too often  it's said to Disregard the thoughts of women Too  dumb and feeble minded to be  Of Value and interest Yet where there's Winston Churchill The mastermind of Britain There's  also Elizabeth the 1st The queen who beat the Spanish Armada Hence with logics like this Any notion of ****** inferiority** Can be easily dismissed As utterly ridiculous.
0
Jul 28, 2015
Jul 28, 2015 at 12:28 PM UTC
Equality
Blink and a star is on its way to sleep, I'm standing so close to Jupiter, I can feel its winds sweep me off my feet, I'm an astronaut without a name, I'm an astronaut without a name. Consider this, I'm away on a cruise to Saturn's ring tonight. Consider this, The Sun's so far, it's so cold, I can't feel the light, You penetrate my gravity armour, You strike me with your black hole armada. Neptune looks so lonely at night, She longs for Venus but she's so far away, Four hours at the speed of light, But she's bound by the chains of gravity, She's bound by the chain's of gravity. Consider this, I'm a million asteroids left alone in the emptiness, Consider this, I reach out for the blue but I burn in the atmosphere, Your skies have set me on fire, Burning in the flames of your desire. The birth of a star painted in a supernova, The glowing halo of a mothership, Is all that was left over. They reach out for the sun, They reach out for the sun. Consider this, They don't have big black eyes like Mother told us. Consider this, They look like him and her we spoke to on the bus. But you flew your guns at them, You rushed your bombs at them. It was on the news that she brought down the aliens, They looked like me and you but she went after them, But nobody could be found on the ship that brought them here, The red lights on Mars they felt was safer than this fear, And yet she found one of them, The one who saved them all, The one who chose to stay, And take the fall. The unnamed astronaut. The unnamed astronaut.
0
Jul 21, 2013
Jul 21, 2013 at 5:52 AM UTC
Astronaut
Blink and a star is on its way to sleep, I'm standing so close to Jupiter, I can feel its winds sweep me off my feet, I'm an astronaut without a name, I'm an astronaut without a name. Consider this, I'm away on a cruise to Saturn's ring tonight. Consider this, The Sun's so far, it's so cold, I can't feel the light, You penetrate my gravity armour, You strike me with your black hole armada. Neptune looks so lonely at night, She longs for Venus but she's so far away, Four hours at the speed of light, But she's bound by the chains of gravity, She's bound by the chain's of gravity. Consider this, I'm a million asteroids left alone in the emptiness, Consider this, I reach out for the blue but I burn in the atmosphere, Your skies have set me on fire, Burning in the flames of your desire. The birth of a star painted in a supernova, The glowing halo of a mothership, Is all that was left over. They reach out for the sun, They reach out for the sun. Consider this, They don't have big black eyes like Mother told us. Consider this, They look like him and her we spoke to on the bus. But you flew your guns at them, You rushed your bombs at them. It was on the news that she brought down the aliens, They looked like me and you but she went after them, But nobody could be found on the ship that brought them here, The red lights on Mars they felt was safer than this fear, And yet she found one of them, The one who saved them all, The one who chose to stay, And take the fall. The unnamed astronaut. The unnamed astronaut.
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43
The Syrian process is a serial problem When the disenfranchised Cause a landslide Of historical hatred The key that ignites Business and commerce Wildfire hearts And boiling skin The harsh outbreak of deadly cholera The blockade of the forceful armada The coalition forces Run wild like horses The bombs keep falling The people cry The engine keeps stalling The car dies The white phosphorus Brought by the white prosperous Can burn to the bone And wounds can ignite up to three days later But the people of Raqqa Are used to reigniting scars They're used to searing flesh That melts like tar Where this will go No one knows how far Machines must be sustained Hearts will be untamed Lives constantly rearranged A human rights activist attempts to send a report What he's witnessed in Raqqa Injustices; perceived and objective But Hellfire Turns the Internet cafe Into a senseless violence display The dirt, blood, and bodies Mixed and spread like the art That was ignored to lead to this quagmire Whether this calamity started At the Melian dialogue Or a market diagram Or a martyr's diatribe What we need now is an m.d. to suture the wounds But who will save us? When noble protectors are blown up And the reigniting scars scorch the hands that heal
0
Jun 12, 2017
Jun 12, 2017 at 7:48 PM UTC
Ignition
The Pigeon Gent, He woos and coos around the river bent. Pursues his muse with artful dance and skillful prance, With inflated neck and ruffled plumage, until his energy or luck is spent. He then resides by ebbing tides to ponder on his next advance. "Now Now", "Whats This" the gent exclaims, A shadow looming from the skies. With ***** and claps he glides and lands with  full surprise, He spies the intruder, "A fellow Brooder". Pigeon gent cant believe his eyes. Pigeon Gent cannot believe the sauce, The scurge seems intent on taking his prize by force. At once he knows he must respond, And force this illbread vagabond to abscond. At once chest puffed and muscles flexed, With wild eyes he jabs and pecks. To teach this ruffian respect, So on his actions he may later reflect. He stands his ground both large and proud, To make example of this foul winged burglar from the clouds. "You insult me sir" he shouts aloud, To make his intentions clear for all the crowd. For several rounds they fight and scuffle. With intruder retreating, feathers ruffled. Then bested suiter fairly parted, The quarrel ends as fast as started. The vanquished victor displays and grooms, As peace and honour now resumes. Soon the ripples upset the green, An armada of ducks come on the scene. Alerted by the heightend coos, They race to see what act insues. The mighty mallards, Kings of the river, None contest their right of way. Their ways of conduct such generous givers. Majestic river royalty, the law is always what they say. On bank or shallow pebbled river they have always been, They love to feed and breed amongst the river scene. There royal cape made up of browny reds and shimmering greens, reflects and intejects on mirrored water skies and evergreens. To their mates for life and lady lovers, The mallard gent is like no others. Such loyalties are seldom seen, In modern times and different dreams. Fine and lean with striking features, Best examples of river teachers. But at any moment no matter how abrubt, A river duel may easily erupt. Battle can ensue and rage, As both apponents approach and engage. For they mate for life as duck and wife, A rarity in any age or life.
0
Sep 2, 2018
Sep 2, 2018 at 1:38 PM UTC
The Pigeon Gent
The Pigeon Gent, He woos and coos around the river bent. Pursues his muse with artful dance and skillful prance, With inflated neck and ruffled plumage, until his energy or luck is spent. He then resides by ebbing tides to ponder on his next advance. "Now Now", "Whats This" the gent exclaims, A shadow looming from the skies. With ***** and claps he glides and lands with  full surprise, He spies the intruder, "A fellow Brooder". Pigeon gent cant believe his eyes. Pigeon Gent cannot believe the sauce, The scurge seems intent on taking his prize by force. At once he knows he must respond, And force this illbread vagabond to abscond. At once chest puffed and muscles flexed, With wild eyes he jabs and pecks. To teach this ruffian respect, So on his actions he may later reflect. He stands his ground both large and proud, To make example of this foul winged burglar from the clouds. "You insult me sir" he shouts aloud, To make his intentions clear for all the crowd. For several rounds they fight and scuffle. With intruder retreating, feathers ruffled. Then bested suiter fairly parted, The quarrel ends as fast as started. The vanquished victor displays and grooms, As peace and honour now resumes. Soon the ripples upset the green, An armada of ducks come on the scene. Alerted by the heightend coos, They race to see what act insues. The mighty mallards, Kings of the river, None contest their right of way. Their ways of conduct such generous givers. Majestic river royalty, the law is always what they say. On bank or shallow pebbled river they have always been, They love to feed and breed amongst the river scene. There royal cape made up of browny reds and shimmering greens, reflects and intejects on mirrored water skies and evergreens. To their mates for life and lady lovers, The mallard gent is like no others. Such loyalties are seldom seen, In modern times and different dreams. Fine and lean with striking features, Best examples of river teachers. But at any moment no matter how abrubt, A river duel may easily erupt. Battle can ensue and rage, As both apponents approach and engage. For they mate for life as duck and wife, A rarity in any age or life.
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52
"My daughter, when you grow up (enough) to be able to brandish self-sovereignty tempered by self-discipline I only hope that if and when you may choose to try whatever drugs may appeal to you you are least fortunate enough to have access to clean ones and a safe enough and comfortable enough environment in which to study your interrelationship with them, intellectually, physiologically, psychologically, spiritually, and socially, but not necessarily in that order. I won't tell you what to do, but my advice is this: Don't eat yellow snow: don't snort yellow coke. If you're gonna poison yourself, poison yourself with the good **** If you want to see whats up with something, be certain your sample size is representative. That's just good Science. No one likes a false statistic except those in power who wish to remain in power so maintain thy power to wield thy freedom of choice armed with an arsenal of personal experiences sailing with an armada of accurate information upon the high seas of this uncertain but certainly beautiful Life, but be prepared to accept the consequences. That's just responsibility. That alone oughtta put you well ahead of the curve."
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Jan 8, 2016
Jan 8, 2016 at 3:30 PM UTC
Self-Sovereignty
Above the earth and below the sun, Exhaled from volcanoes long ago. Stately as the ships of the Spanish Armada, Sailing the horizon graceful and slow. Bearer of ambrosia that innervates the earth, Harvester of water and what the winds blow. Ageless and formless, taking every shape Suggestive to reason of what we do not know.
0
Mar 16, 2012
Mar 16, 2012 at 7:49 AM UTC
Clouds
after some grey days comes the sun    summer heat spectacle on the Seine to commemorate "La Route de l'Armada" a fleet for tourists that never was yet nice to watch    nevertheless with fireworks    & stately masts sails folded orderly decks scrubbed the crews all smiles ready to answer    all the children's questions in between gray & inaccessible some men-of-war of more contemporary make among them    somewhat tarnished one single ship that really carried allied soldiers in its sightless hull on that gray morning and suddenly    if only for a moment you smell the sweat    of fearful courage hear ammunition    click into magazines the waves break dull with hollow sound amidst the crashes    of firework artillery that splits the waters upward from the ground
0
Mar 11, 2015
Mar 11, 2015 at 7:27 PM UTC
libération
I can't quite wrap it around my head **** polishing hobgoblin Gobbling hot fudge banana split sundaes topped with ***** cherry toppings What I'm looking for Just on the tip of my tongue Just the tip I can almost put my finger in it *On it Oops! A slip of the lips Verbally retching Wretched word ***** Armed with an armada of double entendres Sensationally double penetrating your ear canals!
0
Jan 17, 2014
Jan 17, 2014 at 7:57 PM UTC
Crescendoing Innuendo
did you, even now, hope to shut your eyes to so huge a crime, my treacherous one, to think you could stilly withdraw from my kingdom? did our love not once hold you? our ardent vows? or even I, Dido, preparing to succumb barbaric death? how could you, callous you!, take wing to prepare your fleet in winter —i’m sure to run aground— when Boreas thrashes against the heavens? but, if you weren’t pursuing unfamiliar soil or incited to father a distant nation, if ancient Ilium sturdily grimed through the war, would you keep piercing the wave-washed oceans in your armada? why do you elude me; is it because i have acceded irreality? am i worthless, now?—i implore you! by these tears, and your troth, by our wedding vows, and this oath before ***** we began: if i deserve anything good from you, or if you think, i was good enough for you; pity this household decaying before us! it was once yours, too. and if my prayers are still yours, gut them from my mind! for now the Libyans and Numidians hate me! dear Tyre is virulent! as my honour and once-righteous stature has vanished, just as i was about to touch my constellated infamy. for what destiny, my foreign one, do you set me aside; ever-knowing my imminent death? seeing that only your name endures from this union, why do i bother to keep living? am i waiting for my brother, Pygmalion, to destroy my Carthage’s walls, or a Gætulian Iarbus to make me his concubine? if only you gave me a son, a little Æneas to play in my courts, a boy to remind me of you; only then, perhaps, would i not be so utterly violated, and consumed.
0
Nov 7, 2014
Nov 7, 2014 at 1:06 PM UTC
quis fallere possit amantem?
did you, even now, hope to shut your eyes to so huge a crime, my treacherous one, to think you could stilly withdraw from my kingdom? did our love not once hold you? our ardent vows? or even I, Dido, preparing to succumb barbaric death? how could you, callous you!, take wing to prepare your fleet in winter —i’m sure to run aground— when Boreas thrashes against the heavens? but, if you weren’t pursuing unfamiliar soil or incited to father a distant nation, if ancient Ilium sturdily grimed through the war, would you keep piercing the wave-washed oceans in your armada? why do you elude me; is it because i have acceded irreality? am i worthless, now?—i implore you! by these tears, and your troth, by our wedding vows, and this oath before ***** we began: if i deserve anything good from you, or if you think, i was good enough for you; pity this household decaying before us! it was once yours, too. and if my prayers are still yours, gut them from my mind! for now the Libyans and Numidians hate me! dear Tyre is virulent! as my honour and once-righteous stature has vanished, just as i was about to touch my constellated infamy. for what destiny, my foreign one, do you set me aside; ever-knowing my imminent death? seeing that only your name endures from this union, why do i bother to keep living? am i waiting for my brother, Pygmalion, to destroy my Carthage’s walls, or a Gætulian Iarbus to make me his concubine? if only you gave me a son, a little Æneas to play in my courts, a boy to remind me of you; only then, perhaps, would i not be so utterly violated, and consumed.
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48
I hear a whisper on a spirits curve In vast isolation's of exaggerated stresses Become touched with fire My mind adrift with a beautiful squandering Of inclusion which acquires an uncanny capacity To breed, to reproduce to have floatations Such flotillas of words that sail across my horizon An armada of silent sound for such as is their rebirth These whispered words that dot my waves And leave my lashes blinking at their boldness For they are the words, they are, they are the words
0
Aug 28, 2012
Aug 28, 2012 at 8:01 PM UTC
The Words
She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Her hair was plastered to her face, Her scarf, enveloping her like a python. Hot, salty tears ran down her cheeks. She held out her arms to me. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Bolting the doors with an anxious expression, I pulled her close to me and whispered in her ear. Bullets of tears pelted my shoulder, I held on tight. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. The soothing, hot sponge tingled her tender skin, The alcohol attacked like an armada of nettles. The hands of the sobbing carcass violently shook, Droplets of red ink soiled my hands. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Bandaged up - the wound was blinded, A mummified image. I gave a watery smile and she was guided along towards the path of the shining star; She rested, and I never let go of her hand. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Lei era al sicuro ©Maniba Kiani , 28/11/13
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Jan 23, 2014
Jan 23, 2014 at 4:02 PM UTC
Lei era al sicuro
ALERTS TO FINANCIAL AND MILITARY THREATS IN 2012 EUROPE By John Cleese (British writer, actor and tall person): The English are feeling the pinch in relation to recent events in Syria and have therefore raised their security level from "Miffed" to "Peeved." Soon, though, security levels may be raised yet again to "Irritated" or even "A Bit Cross." The English have not been "A Bit Cross" since the blitz in 1940 when tea supplies nearly ran out. Terrorists have been re-categorized from "Tiresome" to "A ****** Nuisance." The last time the British issued a ****** Nuisance" warning level was in 1588, when threatened by the Spanish Armada. The Scots have raised their threat level from ****** Off" to "Let's get the ******** They don't have any other levels. This is the reason they have been used on the front line of the British army for the last 300 years. The French government announced yesterday that it has raised its terror alert level from "Run" to "Hide." The only two higher levels in France are "Collaborate" and "Surrender." The rise was precipitated by a recent fire that destroyed France 's white flag factory, effectively paralyzing the country's military capability. Italy has increased the alert level from "Shout Loudly and Excitedly" to "Elaborate Military Posturing." Two more levels remain: "Ineffective Combat Operations" and "Change Sides." The Germans have increased their alert state from "Disdainful Arrogance" to "Dress in Uniform and Sing Marching Songs." They also have two higher levels: "Invade a Neighbor" and "Lose." Belgians, on the other hand, are all on holiday as usual; the only threat they are worried about is NATO pulling out of Brussels. The Spanish are all excited to see their new submarines ready to deploy. These beautifully designed subs have glass bottoms so the new Spanish navy can get a really good look at the old Spanish navy. Australia , meanwhile, has raised its security level from "No worries" to "She'll be alright, Mate." Two more escalation levels remain: ****** I think we'll need to cancel the barbie this weekend!" and "The barbie is cancelled." So far no situation has ever warranted use of the last final escalation level. A final thought -" Greece is collapsing, the Iranians are getting aggressive, and Rome is in disarray. Welcome back to 430 BC."
0
Jul 10, 2012
Jul 10, 2012 at 3:22 PM UTC
Hilarious Piece by John Cleese
ALERTS TO FINANCIAL AND MILITARY THREATS IN 2012 EUROPE By John Cleese (British writer, actor and tall person): The English are feeling the pinch in relation to recent events in Syria and have therefore raised their security level from "Miffed" to "Peeved." Soon, though, security levels may be raised yet again to "Irritated" or even "A Bit Cross." The English have not been "A Bit Cross" since the blitz in 1940 when tea supplies nearly ran out. Terrorists have been re-categorized from "Tiresome" to "A ****** Nuisance." The last time the British issued a ****** Nuisance" warning level was in 1588, when threatened by the Spanish Armada. The Scots have raised their threat level from ****** Off" to "Let's get the ******** They don't have any other levels. This is the reason they have been used on the front line of the British army for the last 300 years. The French government announced yesterday that it has raised its terror alert level from "Run" to "Hide." The only two higher levels in France are "Collaborate" and "Surrender." The rise was precipitated by a recent fire that destroyed France 's white flag factory, effectively paralyzing the country's military capability. Italy has increased the alert level from "Shout Loudly and Excitedly" to "Elaborate Military Posturing." Two more levels remain: "Ineffective Combat Operations" and "Change Sides." The Germans have increased their alert state from "Disdainful Arrogance" to "Dress in Uniform and Sing Marching Songs." They also have two higher levels: "Invade a Neighbor" and "Lose." Belgians, on the other hand, are all on holiday as usual; the only threat they are worried about is NATO pulling out of Brussels. The Spanish are all excited to see their new submarines ready to deploy. These beautifully designed subs have glass bottoms so the new Spanish navy can get a really good look at the old Spanish navy. Australia , meanwhile, has raised its security level from "No worries" to "She'll be alright, Mate." Two more escalation levels remain: ****** I think we'll need to cancel the barbie this weekend!" and "The barbie is cancelled." So far no situation has ever warranted use of the last final escalation level. A final thought -" Greece is collapsing, the Iranians are getting aggressive, and Rome is in disarray. Welcome back to 430 BC."
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36
*Intricately laid by a master mason centuries ago, the cobbles have become shiny and worn through use. If we listen closely at the  echoes contained within, what would we hear? The din of old, the clatter of hooves, the patois of tradesmen, the fisher wives bellows? Or, just life as it was, moving along at a pace we today find slow? The sun beats down on the Spanish stone, firing them hot and languid, pace has slowed, need has slowed, greed has slowed. Dusty cobbles leading to cool houses, siesta has called and all obey. The midday sun beats down, only tourists looking for quaint shops remain, decrying the heat, ready to swoon. Sweat drips onto the dusty cobbles, and is soon boiled away. Blood has dripped on these cobbles, human and beasts. Only to be scrubbed by the crow black crones that sit and watch the day. Afternoon lull, boats bobbing slowly up and down, babies rocked by a quiet lullaby. The sun lowers bathing the cobbles in a pink, orange glow, quiet now, Spain is sleeping, forgetting her past, the Moors are long gone, the Armada been and gone, bullfights are frowned upon, their Kings and Dictator laid to rest, only foolish tourists throng the dusty cobbles, oblivious to their history, looking for that awful gift. Spain's pain is echoed in her cobbles, few hear it, but know this, if you listen you'll hear the heat, the pain, civil war, pride and flamenco feet*.
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Jul 3, 2014
Jul 3, 2014 at 10:55 AM UTC
Dusty cobblestones
Deep ridge, deplete elitists. Gold flows, layers, Dbridge, enriched tone, gates golden, heavenly. San Francisco, incomplete, switch robes. Can't be beat, Klitchschos, barking up the wrong tree, rich tones. Switch flows, risk it, rich tea, gifted. Unwritten, no gimmicks, smooth months, pale ale Guiness. Wrap presents, gift wrapped, signed sealed delivered. Dispatched, Spit fires, spit facts, die for the art. Mismatched. Calamity believe, nose dive. Kamikaze. No harder, fuel, nose powder. White knight in shing armour. 1688, Spanish Armada. Cut sharp like barber, bananas, permanent like markers, malleable like lava, pop like cava. Polova. Inscribe minds, magna carter. Magnificent bars, gold tales told. Slaves sold, reigns over. Cold shoulder, rainbow coloured mistakes, shoulders shudder, steer clear brother, execute rudder. Destitute, Scuppered. Destination under breath muttered. Spread like wildfire, butters, blindman, blackout, blinds again, shutters. Dunces, run **** Jump **** loose lips, loosing grip. Tip of the iceberg. Tip of the tongue, no nice words. Stigmata. Godfather, go harder for our forefathers. The time is ours.
0
Apr 26, 2015
Apr 26, 2015 at 4:35 AM UTC
Strictly Speaking Strictly Kamikaze
The white sparrows are luxuriating in the furrows of glory, bringing diamond sheaves of beauty in the marrow of a golden morning. Every leaf turning a golden flower with jewelry petals in explosion of beauty in transcendence of the sun of incandence! Harvest in rushing armada, riding on wings of ginomous glory. It's a bountiful spring with colorful opulence in overflow of wonders, burying the venomous autumn in flaming death!
0
Jun 7, 2019
Jun 7, 2019 at 5:23 AM UTC
GOLDEN HARVEST
Femenina, pero sin excesos, que fluya la luz de sus ojos pero sin apagar los neones de MONSANTO, luz biodegradable pero agradable al tacto. Libre y Natural, como un sombrero. Mezcla sutil de lana y jacquard. Silueta relajada a la altura del ***** como una virgen romana, y un concierto de colores húmedos según va cayendo la tarde Muy casual a partir de los labios y un lindo ABCdario entre las piernas. Transmisión sin pausa, dejando un eco al volver a casa, sin caer en brazos de una sonrisa armada hasta los dientes. El color blanco es su aliado y los pájaros pintados en el jardín de sus sueños, en las manos, la imprescindible lencería de una imaginación sin prisas, y la siempre impredecible pasión en su fresquito pequeño, aroma a alba con un poco de opio en los cristales. Un look de muerte para terminar con el ideal de hombre, todo sin dejar de ofrecer la cara oculta de su luna, un poco descabellada al caminar por el Mercado dejando claro que su hogar no se marchita. El éxito como una póliza de seguros guardado a la altura de su láctea paradoja. Y de vez en vez mostrar la plantación de flores cultivadas por la maniquí secreta que en ASIA o en los fiordos del alma, arde. Sin dejar oír nunca un si te quiero que no sea el fru fru de su trastienda, seda y sede de coral ***** y una navajita para degollar pecado como peces sin dejar de ser sofisticada con los dedos y una delicadez a prueba de balas. Es lo que se va llevar en las Avenidas de este Otoño. Y un cielo en rama para amar un poco.
0
Sep 15, 2014
Sep 15, 2014 at 11:12 AM UTC
VUELVE LA MUJER AUTENTICA (titulo de un articulo sobre la moda)
Femenina, pero sin excesos, que fluya la luz de sus ojos pero sin apagar los neones de MONSANTO, luz biodegradable pero agradable al tacto. Libre y Natural, como un sombrero. Mezcla sutil de lana y jacquard. Silueta relajada a la altura del ***** como una virgen romana, y un concierto de colores húmedos según va cayendo la tarde Muy casual a partir de los labios y un lindo ABCdario entre las piernas. Transmisión sin pausa, dejando un eco al volver a casa, sin caer en brazos de una sonrisa armada hasta los dientes. El color blanco es su aliado y los pájaros pintados en el jardín de sus sueños, en las manos, la imprescindible lencería de una imaginación sin prisas, y la siempre impredecible pasión en su fresquito pequeño, aroma a alba con un poco de opio en los cristales. Un look de muerte para terminar con el ideal de hombre, todo sin dejar de ofrecer la cara oculta de su luna, un poco descabellada al caminar por el Mercado dejando claro que su hogar no se marchita. El éxito como una póliza de seguros guardado a la altura de su láctea paradoja. Y de vez en vez mostrar la plantación de flores cultivadas por la maniquí secreta que en ASIA o en los fiordos del alma, arde. Sin dejar oír nunca un si te quiero que no sea el fru fru de su trastienda, seda y sede de coral ***** y una navajita para degollar pecado como peces sin dejar de ser sofisticada con los dedos y una delicadez a prueba de balas. Es lo que se va llevar en las Avenidas de este Otoño. Y un cielo en rama para amar un poco.
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41
¿Por qué tocas mi pecho nuevamente? Llegas, silenciosa, secreta, armada, tal los guerreros a una ciudad dormida; quemas mi lengua con tus labios, pulpo, y despiertas los furores, los goces, y esta angustia sin fin que enciende lo que toca y engendra en cada cosa una avidez sombría. El mundo cede y se desploma como metal al fuego. Entre mis ruinas me levanto, solo, desnudo, despojado, sobre la roca inmensa del silencio, como un solitario combatiente contra invisibles huestes. Verdad abrasadora, ¿a qué me empujas? No quiero tu verdad, tu insensata pregunta. ¿A qué esta lucha estéril? No es el hombre criatura capaz de contenerte, avidez que sólo en la sed se sacia, llama que todos los labios consume, espíritu que no vive en ninguna forma mas hace arder todas las formas con un secreto fuego indestructible. Pero insistes, lágrima escarnecida, y alzas en mí tu imperio desolado. Subes desde lo más hondo de mí, desde el centro innombrable de mi ser, ejército, marea. Creces, tu sed me ahoga, expulsando, tiránica, aquello que no cede a tu espada frenética. Ya sólo tú me habitas, tú, sin nombre, furiosa sustancia, avidez subterránea, delirante. Golpean mi pecho tus fantasmas, despiertas a mi tacto, hielas mi frente y haces proféticos mis ojos. Percibo el mundo y te toco, sustancia intocable, unidad de mi alma y de mi cuerpo, y contemplo el combate que combato y mis bodas de tierra. Nublan mis ojos imágenes opuestas, y a las mismas imágenes otras, más profundas, las niegan, ardiente balbuceo, aguas que anega un agua más oculta y densa. En su húmeda tiniebla vida y muerte, quietud y movimiento, son lo mismo. Insiste, vencedora, porque tan sólo existo porque existes, y mi boca y mi lengua se formaron para decir tan sólo tu existencia y tus secretas sílabas, palabra impalpable y despótica, sustancia de mi alma. Eres tan sólo un sueño, pero en ti sueña el mundo y su mudez habla con tus palabras. Rozo al tocar tu pecho la eléctrica frontera de la vida, la tiniebla de sangre donde pacta la boca cruel y enamorada, ávida aún de destruir lo que ama y revivir lo que destruye, con el mundo, impasible y siempre idéntico a sí mismo, porque no se detiene en ninguna forma ni se demora sobre lo que engendra. Llévame, solitaria, llévame entre los sueños, llévame, madre mía, despiértame del todo, hazme soñar tu sueño, unta mis ojos con aceite, para que al conocerte me conozca.
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La poesía
¿Por qué tocas mi pecho nuevamente? Llegas, silenciosa, secreta, armada, tal los guerreros a una ciudad dormida; quemas mi lengua con tus labios, pulpo, y despiertas los furores, los goces, y esta angustia sin fin que enciende lo que toca y engendra en cada cosa una avidez sombría. El mundo cede y se desploma como metal al fuego. Entre mis ruinas me levanto, solo, desnudo, despojado, sobre la roca inmensa del silencio, como un solitario combatiente contra invisibles huestes. Verdad abrasadora, ¿a qué me empujas? No quiero tu verdad, tu insensata pregunta. ¿A qué esta lucha estéril? No es el hombre criatura capaz de contenerte, avidez que sólo en la sed se sacia, llama que todos los labios consume, espíritu que no vive en ninguna forma mas hace arder todas las formas con un secreto fuego indestructible. Pero insistes, lágrima escarnecida, y alzas en mí tu imperio desolado. Subes desde lo más hondo de mí, desde el centro innombrable de mi ser, ejército, marea. Creces, tu sed me ahoga, expulsando, tiránica, aquello que no cede a tu espada frenética. Ya sólo tú me habitas, tú, sin nombre, furiosa sustancia, avidez subterránea, delirante. Golpean mi pecho tus fantasmas, despiertas a mi tacto, hielas mi frente y haces proféticos mis ojos. Percibo el mundo y te toco, sustancia intocable, unidad de mi alma y de mi cuerpo, y contemplo el combate que combato y mis bodas de tierra. Nublan mis ojos imágenes opuestas, y a las mismas imágenes otras, más profundas, las niegan, ardiente balbuceo, aguas que anega un agua más oculta y densa. En su húmeda tiniebla vida y muerte, quietud y movimiento, son lo mismo. Insiste, vencedora, porque tan sólo existo porque existes, y mi boca y mi lengua se formaron para decir tan sólo tu existencia y tus secretas sílabas, palabra impalpable y despótica, sustancia de mi alma. Eres tan sólo un sueño, pero en ti sueña el mundo y su mudez habla con tus palabras. Rozo al tocar tu pecho la eléctrica frontera de la vida, la tiniebla de sangre donde pacta la boca cruel y enamorada, ávida aún de destruir lo que ama y revivir lo que destruye, con el mundo, impasible y siempre idéntico a sí mismo, porque no se detiene en ninguna forma ni se demora sobre lo que engendra. Llévame, solitaria, llévame entre los sueños, llévame, madre mía, despiértame del todo, hazme soñar tu sueño, unta mis ojos con aceite, para que al conocerte me conozca.
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It was time till now indifferently writing my destiny, But now it's me who determines all of it as its owner, Yes I am the draftsman in-charge of my destiny now. Yes I am the boss of my own destiny from now on, I realize that this is my life and I will draft it now, Dear time accept my apologies for belittling you. Also, I have a beautiful objective in my life now, But she's not just an objective - she's the co-owner, We shall both sail peacefully in this armada of love.
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Nov 22, 2014
Nov 22, 2014 at 10:22 PM UTC
Draftsman
Yesterday I walked to the end of Filey Brigg The sea was brown to landward blue to seaward The tide was coming in as I reached the end The two seas sloshed at each other across the limestone slabs   Yesterday I walked on a long curving stretch of beach The sand was almost dry under my walking boots The tide had left a golden arc for kite-running children The sea was a patchwork of shadows flecked white in the wind   Yesterday I sat in the sun and briefly sketched The sky was a vast armada of clouds sailing the troposphere The sun primed their canvas sails every shade of white The wind rose and fell in waves of moor-scented air       Yesterday I brought my lover here through time and space The woldland was every green in Hockney's paint box The trees stood in distant lines still waiting for their leaves The breeze ruffled her delicate hair kissed her freckled cheek
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Oct 6, 2012
Oct 6, 2012 at 12:18 AM UTC
Filey Brigg
Predecessor of the morning hour Bleeding through the gilded fringes that hang aloft in the wood Breeze withheld its embraced dower Humid casements held where I stood The singeing lash did not come Caged o’er the ridge Melancholia, and the sky did shun Ebon armada sent all the cavalry Halberdiers and lancers, to contend a bitter rivalry The brooding cataract washed And I could only run Towards pale shades and curtain rods Towards uncertain suns On the backs of Titans, the shoulder of Atlas my flight took rest Before I, the ashen dome expands. As though at my behest And through the slaughter, the fray(!) A presence of the light of day Through the flush pillars And fell beasts of rain The bones of its enemies Could be seen Naked, exposed by eye so tiny and wan Dispersed, did they Frightened by valor of dawn
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Sep 12, 2013
Sep 12, 2013 at 4:24 PM UTC
Valleys of Rivers in the Sky
The day you leave daisies in my pocket is the first time I wore proper pajamas. Right-handed scissors paint with matching lip gloss, attempting to stick words together. My hands lay limply next to a wine glass containing nothing but grape juice, unhappy compromises. Everything felt pinched and blue. Last night I decided to write stories on my skin with little holes in the paper, nineteen socks under my bed. I tried to remember the rain, why it was lovely. I ended up with wet shoes, the smell of deserted food court and secrets billowing from cigarette stubs. Arizona breezes carry the taste of hushed whispers, making phone calls in the place of poetry. The idea of pheasants, tiny wrists black ink crisscrossing, hurried ‘X’s overlapping. Flowers grow from stagnant air Minted antibiotic breaths. Heart monitors printed in newspapers, your armada of pre-sharpened pencils accidentally drip into coffee mugs. Autopsies knit together, authors of the curve of your spine. You keep myths in glass jars with intricate wire lids. Why do we question the recipe for battle scars?
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Apr 24, 2013
Apr 24, 2013 at 10:28 AM UTC
Battle scars
These special summer afternoons have no time markers, no human dividers, no watches watching or clocks clocking, just grins and smiles, divining the divide, painting lovely the one canyon of humanity and nature attending to each other These summer afternoons have no time markers, but drift perfectly sequentially from sun to nap to black striped grilled franks, and red watermelon, orange cantaloupe, cold coronas, and desserts of indeterminate beach walks, and quiet talks These summer afternoons are as close as I remember, what it was like to be seven or eight, years of age, knowing only carefree summer months that were carelessly treasured, thinking there is always another, looking forward to tomorrow to do nothing in exactly, happily, the same way innocently I am an adult and that means, cares are ever present, ever fair or fear not,, they lurk and attack the goalie, with noisy or subtle unrelenting attacks but as I overlook the waters, scenario soul gentling me under the cooling coverlet of the perfect breeze and what lurks is the moment the eyes and heart are fulfilled, satisfied by what they see The bay, dotted with the boat traffic not too much, but just interesting, a right tiny armada to entertain, all of us, inattentively observing the submerging descent of summer daytime friends, and I think of you only, at this perfect second and I am besotted with grief and guilt why can I not grant you the moment, that I desperate wish to share my arm is not, not, careless slung, but grasping firm with squeezes tight, finger under chin chucking, come friend be with me, and for just this moment your anti-toil tool here, your plight beyond my comprehension, though I live a life on the unknown edge, what matters is the relativity of us, and I relate to your weariness, I weep with desperate knowledge transporting you here is still an impossibility though my eyes see glory, though my heart cannot refuse the scene's peace invading me, it is not fair, it is not fair and I want you to have this more than me so I can keep it too until then it is a glaze, surfacing the coating, that is me but substance is untouched until this guilt morphs into a shared pleasure
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Jul 4, 2014
Jul 4, 2014 at 4:36 AM UTC
Guilt - These special summer afternoons
These special summer afternoons have no time markers, no human dividers, no watches watching or clocks clocking, just grins and smiles, divining the divide, painting lovely the one canyon of humanity and nature attending to each other These summer afternoons have no time markers, but drift perfectly sequentially from sun to nap to black striped grilled franks, and red watermelon, orange cantaloupe, cold coronas, and desserts of indeterminate beach walks, and quiet talks These summer afternoons are as close as I remember, what it was like to be seven or eight, years of age, knowing only carefree summer months that were carelessly treasured, thinking there is always another, looking forward to tomorrow to do nothing in exactly, happily, the same way innocently I am an adult and that means, cares are ever present, ever fair or fear not,, they lurk and attack the goalie, with noisy or subtle unrelenting attacks but as I overlook the waters, scenario soul gentling me under the cooling coverlet of the perfect breeze and what lurks is the moment the eyes and heart are fulfilled, satisfied by what they see The bay, dotted with the boat traffic not too much, but just interesting, a right tiny armada to entertain, all of us, inattentively observing the submerging descent of summer daytime friends, and I think of you only, at this perfect second and I am besotted with grief and guilt why can I not grant you the moment, that I desperate wish to share my arm is not, not, careless slung, but grasping firm with squeezes tight, finger under chin chucking, come friend be with me, and for just this moment your anti-toil tool here, your plight beyond my comprehension, though I live a life on the unknown edge, what matters is the relativity of us, and I relate to your weariness, I weep with desperate knowledge transporting you here is still an impossibility though my eyes see glory, though my heart cannot refuse the scene's peace invading me, it is not fair, it is not fair and I want you to have this more than me so I can keep it too until then it is a glaze, surfacing the coating, that is me but substance is untouched until this guilt morphs into a shared pleasure
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99
Not what you think, The shrinks, the drugs Wore out, me and them, Now we just exchange regards, Used crying towels All agreed, So much the better For me and the State Nobody's fault, These fault lines, Run so ******* deep, From California to New Caledonia Where I've gone to hide from Lunacies, visionaries, one pill cures-all-defeats Laugh tracks and reruns, Death defying boring English documentaries On gardening and milking cows, Video cassettes, lunettes The Internet, Might as well do it almost all The conclusion reached, Strained from an armada of words, Tankers, tugs, cruise tours, Man o' Wars, Totals cannot be reach, Too many words, Saying the same but different, Saying the sane but different, Saying you sunk to the bottom, only up, the only autoroute Almost laughable, Heal thyself, The End, So here I am Twixt any two continents, A continental on a rock island Far from mon pays natal, Here, I am unnoticed Midst the stones of Noumea, Talking to myself, one last time, Hoping for kind words en Anglais , Pourquoi pas? This then the conclusion, Strained from a life diluted, Writing Poetry in English, Looking for just a few-more words, Kind, gentil, let me try this Genre, Why not? Heal Thyself The conclusion, strained March 2014
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Mar 9, 2014
Mar 9, 2014 at 8:50 AM UTC
The Conclusion, Strained