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[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

Mahal na kilala kita sa simpleng haha
Minisage kita kahit di kita kilala
Sabi ko sayo hi ganda
Di ko inakalang mag rereply ka
Sabi mo salamat huh.
Sa simpleng batian tayo nag simula
Humaba ng humaba mga salita
Hanggang sa nakita ko
Ay hala mag kabirthday tayong dalawa
Mapag biro ang tadhana
Mas lalo akong naligaw sa bitag nya
Pero sa pag kaligaw ko nahanap kita
Sabay tayong na ligaw sa tamis ng tadhana
Tapos sabi mo mahal may sekreto ka
Mapag biro nga ang tadhana
Kasi kng gaanu katamis ang pag mamahal mo
Ganun din kasaklap ang katotohanang d pueding maging tayo
Di pueding maging tayo kasi may nakatali na sayo
Pero kinain ko ang lahat ng pait na to
At oo kasalanan ko
Ang dating maliit na biro ng tadhana
Naging libingan ko
Pero ayaw kong bumangon mula dito
Pinilit ko,pinilit mo at naging tayo
Kahit mapait pinilit natin na patamisin ito
At naging okay tayo
Ang saya nga ng birthday natin pareho
Sinupresa mo ako
At sa unang pag kakataon
Napag tanto ko na mahal mo nga ako
May pa cake kpa mahal at palobo
Tumulo ang luha ko
Kasi di ko inakala sa magiging masaya ako
Magiging masaya ang kaarawan ko
Kaya salamat sayo mahal ko
Pero habang tumatagal mahal
Mawawala na tayo
Halos di ko na maaninag ang iyong anino
Nalungkot ako
Pero bumalik ka mahal
At sinabi mo pabalik na siya
Ang nakatali sayo
Gumuho ang mundo ko
Ang dating hukay ngayon ang naging bangin
Wala ng takas sa sakit
Ang sabi mo aayusin mo mahal
Tataposin na ang dapat taposin
Pero paanu kng sa istoryang to
Ako ang pangalawa
Ako ang kirido
Ako ang maninira ng pamilya
At siya,sya ang una at ang pinakasalan mo sa harap ng dambana.
Mahal anu ang laban ko
Nasasaktan ako
At oo di ko pueding isisi sayo to
Kasi ginusto ko din naman.
Namalibing sa bangin na ito
Pinaglaruan tayo ng tadhana
Yung akala kong magiging masaya
Nasa binggit na ng kataposan nya
Ayaw ko man sana ipilit
Pero sa bawat hagupit ng sakit
Pangalan mo aking sinasambit
Mahal naririnig mo pa ba ako
Pag dumating siya panu na tayo
Maaalala mo pa kaya ang mga pangako mo
Na magiging masaya tayo
Kasi kung ganun kakainin ko na din ang pait na ito
Ou ako na bahala sa lahat ng pait
Basta mahal mangako ka
Di tayo aabot sa dulo
Pero paanu sakanya ka kasado
Ako,pangalawa lang ako
Nadudurog na ako
Gusto ko na sana taposin ito
Pero paanu kng mahal kita
Minamahal kita ng todo
Ngayon gusto mo palain ako...
Pero paanu kng sa bawat paalam mo
Sinasambit **** mahal mo ako
Mahal mo nga ba talaga ako
O mahal mo lng ako kasi binubou ko ang kulang niya sayo
Please kng aalis ka umalis ka lng
Kasi di applicable sa atin ang kng mag mahal ka ng dalawa piliin mo ang pangalawa kasi sa una pa lng nakatali kana.

Forty Days

A Season of Grief, a Season of Rejoicing

November 9-December 20, 2014

For Barbara Beach Alter 
It is Christmas morning in Saco, Maine, where today Bett, Aaron, Emily, Thomasin and our beloved cousin Marie find ourselves gathered to celebrate our first Christmas without dadima (our name for Barbara Beach Alter).  Brother Tom writes that already in India he and Carol with Jamie, Meha and Cayden (the only of her seven greatgrandchildren Barry never held) have celebrated.  Today Marty and Lincoln join us in Maine.

This gathering of documents—notes, drafts of memorial services, poems, homilies—is my christmas present to each of you.  It is a record, certainly subjective, of grief and rejoicing.

John Copley Alter
1:14 a.m.
Saco, Maine 
November 9

Loved ones,
Barbara Beach Alter died peacefully at 2:55 Sunday morning (today).  Bett and I had the good fortune to be there for the final beating of her good strong heart.  She murmured charcoal.  The nurse who was bathing her afterwards noted how few wrinkles there were, and it is true.
For those of you nearby you may if you want visit Mom in her room at hospice this morning (until noon).  Visit? Darshan? Paying respects?
Bett and I plan to be there around 11:00.
Much love to all. A blessed occasion.
John

 
November 10

Matthew 5:13-19
Jesus said, "You are the salt of the earth; but if salt has lost its taste, how can its saltiness be restored? It is no longer good for anything, but is thrown out and trampled under foot.
"You are the light of the world. A city built on a hill cannot be hid. No one after lighting a lamp puts it under the bushel basket, but on the lampstand, and it gives light to all in the house. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father in heaven.
"Do not think that I have come to abolish the law or the prophets; I have come not to abolish but to fulfill. For truly I tell you, until heaven and earth pass away, not one letter, not one stroke of a letter, will pass from the law until all is accomplished. Therefore, whoever breaks one of the least of these commandments, and teaches others to do the same, will be called least in the kingdom of heaven; but whoever does them and teaches them will be called great in the kingdom of heaven."

yesterday in the early hours my mother died her saltiness
restored all that had through the months of her old
age and convalescence obscured the lens of her life cleaned
away so that for us now more and more clearly
as we hear about her through the memory and love
of so many people her good works shine forth in
their glory but it is to the days of her
convalescence the days of her dementia I would turn our
minds those of us who spent time with her at
Wingate long-term care facility remember that Barbara Beach Alter became
at times fierce in her commanding us that ‘not one
letter, not one stroke of a letter’ of the commandments
should be altered do you remember that those of you
and us who were given the work and gift of
spending time with Barry in those days in that condition

remember for instance how fussy she became about the sequence
of food on her tray how impatient with us for
our trespasses and violations how adamant that we look forward
for instance and not back at her how she would
say stop holding my hand and saying you love me
you have work to do o she was almost impossible
and certainly incoherent and demented in her obsession with law
and procedure fussy impatient imperious I do not forget being
scolded reamed out put in my place for having somehow
failed to do what the ‘law and the prophets’ demand

Barbara beach alter in the days before hospice in the
nursing home and hospital and even if we are honest
in the final years of her life found herself caught
up in the rigidity of her anxious desire to be
faithful to the laws and commandments of her life and
that made her at times extremely demanding to be with

amen and the epistemological confusion of course the clash between
her reality and ours it was all an ordeal for
her and for those of us who kept her company

and yet and yet through it all and now as
that ordeal for her is no longer paramount as she
dances in heaven all the wrinkles and discomfort of her
life removed and forgiven Barbara Beach Alter kept the faith
living in the midst such that those who cared for
her most intimately the strangers all professed your mother blessed
us


Blessed are they which do hunger and thirst after righteousness: for they shall be filled.
7 Blessed are the merciful: for they shall obtain mercy.
8 Blessed are the pure in heart: for they shall see God.
9 Blessed are the peacemakers: for they shall be called the children of God.
10 Blessed are they which are persecuted for righteousness' sake: for theirs is the kingdom of heaven.
11 Blessed are ye, when men shall revile you, and persecute you, and shall say all manner of evil against you falsely, for my sake.
12 Rejoice, and be exceeding glad: for great is your reward in heaven: for so persecuted they the prophets which were before you.



So, brother and sister, here are my thoughts about the memorial service(s).
Let’s find a time when we three can be present; that’s the most important thing.  My life is currently the least constrained by agenda and schedule.  And then the grandchildren, recognizing that Jamie may not be able to come.  So, our work is to find our when our kids are able to come. Bett and I are exploring that with our three, each of whom has some constraint: Emily, the cost; Thomasin, the piebaking demands, Aaron school.  But we are flexible.

Much love.

John



Walking in my mother’s wake today some trees
a gentle breeze some dogs a little boy
the neighborhood and I took joy from interaction

we are at best a fraction in love’s
calculation after all heaven I realize is not
above or below cannot be taught comes naturally

as death does walking in my mother’s wake
I found new allies learned yet again not
to take myself too seriously to be caught

off guard as a matter of principle and
not to insist that I understand but live
in the midst of forgiveness


in my mother’s wake I am reading these books for
some way to continue to knock on her door Wendell
Berry he can tell me some things and William Blake
he can take me closer and I remember she described
me once as an unused Jewish liberal so I am
reading about protestant liberalism but ham that I am also
reading Carl Hiassen’s Bad Monkey and Quo Vadimus that my
daughter left behind and mythologically Reflections from yale divinity school
no fooling Denise Levertov David Sobel Galway Kinnell’s translation of
Rilke some wake
 
November 11

Matthew 25:1-13
Jesus said, "Then the kingdom of heaven will be like this. Ten bridesmaids took their lamps and went to meet the bridegroom. Five of them were foolish, and five were wise. When the foolish took their lamps, they took no oil with them; but the wise took flasks of oil with their lamps. As the bridegroom was delayed, all of them became drowsy and slept. But at midnight there was a shout, 'Look! Here is the bridegroom! Come out to meet him.' Then all those bridesmaids got up and trimmed their lamps. The foolish said to the wise, 'Give us some of your oil, for our lamps are going out.' But the wise replied, 'No! there will not be enough for you and for us; you had better go to the dealers and buy some for yourselves.' And while they went to buy it, the bridegroom came, and those who were ready went with him into the wedding banquet; and the door was shut. Later the other bridesmaids came also, saying, 'Lord, lord, open to us.' But he replied, 'Truly I tell you, I do not know you.' Keep awake therefore, for you know neither the day nor the hour."

this morning in the wee hours my mother died one
of the wise bridesmaids whose lamp to the end was
full she carried always the flask of oil that is
joy that is the love of the kingdom of heaven
and of the bridegroom a flask always replenished by prayer
by devotion by a humble courageous living in the midst

she expected every day the bridegroom to come in other
words and she was also one who would never refuse
to share even the last drop with somebody in need

and at the end it is so clear the door
into the banquet hall was not closed to her as
it is not closed to any one of us foolishness
is to believe otherwise to believe that the bridegroom will
not come today in the early morning in the wee
hours that is when he comes in the midst of
other plans is when he comes even when we are
doing what we assume to be good work when we
are doing what gives us pleasure our duty joy comes
then unsummoned unpredictable random even according to all our best
laid plans my mother loved so many things her pleasure
included dancing late in her life terminally unsteady she invented
what we loved to urge her to do namely the
sitting jig and we grew up with images of her
Isadora Duncan dancing with white scarves in an enchanted forest

Barbara Beach Alter aka Barry aka dadima bari nani aunt
and daughter wife missionary is now I know dancing a
rollicking boisterous jig on the shores of a lake that
is as her grandson once confided to her god in
liquid form spilly Beach of course also dyslexic executive function
compromised she was but one who loved to be always
in the midst surrounded by loved ones some of them
absolute strangers she shared her oil because for her it
came welling up from an inexhaustible source a deep eternal
well of such illumination and laughter such giddy divine chuckles

for her there was to be no exclusion she would
not find the awful idea of being one of the
foolish applicable to anybody but happily she welcomed into her
midst so many it is hard to imagine how many

so there she is now a bridesmaid dancing for joy
in such elegant clothing with such perpetual brightness

amen hallelujah rejoice


sometimes I think she pulled us all out of the
magic hat sometimes I think she knit us all into
one of her theologically impossible sweaters and then with a
wink she passes through the eye of the needle and
is gone and we are left to play in her
honor endless hands of solitaire sometimes I think we are
no more than the hermeneutics of her life the epistemology
artless she was not her heart like one of those
magical meals for her then a doxology praise then praise
she knows salvation

what is a life’s work it is like a landscape
dotted with oases and gardens for the thirsty and the
lost it is like scraping through dry barren ground and
finding there suddenly not only the theology of paradise but
such seeds your hands ache to begin the planting what
is a life’s work what has been shut for too
long opens what has been shut for too long opens

a life’s work renews itself then with death the kernel
of hope that dies in springtime sprouting is what a
life’s work becomes
 
November 12

John 21:15-17
When they had finished breakfast, Jesus said to Simon Peter, "Simon son of John, do you love me more than these?" He said to him, "Yes, Lord; you know that I love you." Jesus said to him, "Feed my lambs." A second time he said to him, "Simon son of John, do you love me?" He said to him, "Yes, Lord; you know that I love you." Jesus said to him, "Tend my sheep." He said to him the third time, "Simon son of John, do you love me?" Peter felt hurt because he said to him the third time, "Do you love me?" And he said to him, "Lord, you know everything; you know that I love you." Jesus said to him, "Feed my sheep.

I know my mother very much enjoyed having breakfast with
god and that the meals of her nursing home drove
her nearly crazy and that when at last she found
hospice o she again could imagine the feast of heaven
at which Jesus breaks bread with us and speaks with
such clarity do you love me more than these I
know it was questions as simple and overwhelming as this
that dominated her final days do you love me love
being  one of the last five words she attempted to
speak do you love me she wrestled in her last
months with epistemology and psychology and theology and all had
to do with whether she could answer unequivocally you know
that I love you and that she could say of
her life that she had broken bread with god we
all remember in her life those moments when there was
a great gladness an innocent acceptance of what lay immediately
in her presence now those months in the nursing home
tormented her in precisely this fashion that it was hard
to accept to be in the midst of such mediocrity
and woe to be innocent and accepting but now praise
god there she is a happy guest at the great
feast and we left behind bereft can acknowledge that she
loved god in her own fashion as best she possibly
could and do you remember being with her there in
hospital or nursing home and she commanding us to move
beyond holding her hand and saying we loved her and
to feed the sheep to do that work which will
make of this earth this here and now an outstation
of heaven Barbara Beach Alter loved god in her own
fashion as best she possibly could we remember that and
that memory is today like a great network a web
of love and inspiration o we would gladly one more
time hold her hand and say I love you but
we know also clearly I think today what the work
is to love our neighbor as ourselves to work for
peace and justice I think of my sister with her
colleagues in WEIGO and how her sisters have understood her
grief  let us break our fast together then glad for
the worldwide web that in these days is reading the
gospel of the life of Barbara Beach Alter praise god


feed
tend
feed
in exchange for his three denials Peter is given three imperative verbs
feed
tend
feed
this is the commission Jesus after breakfast on the shore of the sea of Galilee gives to Peter
twice he says feed
in the commonwealth of Massachusetts 700,000 people are hungry
1 in 6 americans are hungry
living in uncertainty about their daily bread
more than 18,000,000 in Africa
842,000,000 around the world go to bed hungry


Marty and Tom
The thinking about the memorial service is taking this slow and cautious turn, namely that we have three services (at least), one in Sudbury, one in New Haven (allowing Stan and Chuck and others to come) at First Presbyterian (with Blair Moffett we hope), and of course one in India.
The date frame appears to be somewhere between December 17 and 20, unless you have other thoughts.
The actual cremation happens tomorrow.  Lincoln, Bett, Alexis and I will attend, and then of course there is In the Midst on Friday.
Love you more than tongue can tell.
John


the thing with a life well lived is that many
people have partaken the way let’s say a river moves
down through any number of different lives all the time
sedulously seeking the shortest path to the sea to steal
a line from somebody or other meandering a watershed within
which so many of us find a way to live
our own lives nourished and for each of us the
river distinct and different white water the slow fertile meander
the delta and we say to each other this is
the composite river


sometimes I feel like a sleepwalker trying to run a
marathon sometimes I feel like a speedbump in a blizzard

an arrow in a wind tunnel sometimes I feel like

a hazard sign in an old age home sometimes I
feel like a tyrannosaurus rex trying to ride a tricycle

and sometimes those are the good days when identity is
strong like an icicle in a heat wave is strong

I try to read wisdom literature at happy hour scotch
and Solomon can’t go wrong I think and sometimes I

feel like crying
 
November 13

four days ago we were left alone there with your
body after your breathing ceased and the proud stubborn beating
of your heart and in those four days beloved mother
so much I would love to say to you and
share the antics of the squirrel late leaves on the
neighborhood trees music Orion the network the atlas of love
your life has left behind and all the words we
are the gospel of today and I would sit with
you there then in silence as I sit now four
days later vigilant insomniac aware that the kingdom of heaven
is not more complicated than singing than love than dancing

we are all dancing the dance lord siva teaches and
the s

Hark! Take heed, for this cake be both mighty and magnificent!

1.75 cups flour
2 cups white sugar
2 tsp. baking soda
1 tsp. baking powder
0.75 cups unsweetened cocoa powder
1 tsp. salt
2 eggs
1 cup (as in 8 fl.oz/250mL.) strongly brewed coffee (make more and drink it!)
1 cup buttermilk (or 1 tbs. white vinegar+1 cup milk mixed well, blah blah)
0.5 cups cocoanut oil (or 0.33 cups basicallywhatever oil), a little less if ***
1 tsp. vanilla extract
OPTIONAL:
2-3 shots (60-90mL; 0.2-0.33 cups) black spiced *** (Kraken, if at all possible)
I also want to experiment with whiskey/burbon.. if you try it, let me know!

--Flour, sugar cocoa powder, baking soda+powder, salt mixed in one bowl
-- eggs, coffee, ***, buttermilk, oil, vanilla in another

Slowly mix the dry into the wet until as homogenous as possible.
I use an 8"x8" (20cmx20cm) pan @350F (175 C) for about 40 minutes, but I check on it at round 30 minutes because some variance may well apply. If you use olive oil, or avocado oil, or whatever other more fluid oil, I find a slightly hotter oven (375 F/190 C) can be advisable, but pay attention to your specific scenario! The worst that's happened for me is the top gets a bit crusty, but that pleasantly works with the overall moisture of the cake, especially with olive oil and the *** addition.
Do the toothpick test to see if it's ready!

Frosting is applicable, as well, because this Magical Cake is not horribly sweet for how horribly sweet it sure is. I usually just sprinkle some confectioner's sugar on it to make it look all fancy for my classy friends and band-mates.
ENJOY!
Bake responsibly, but have some fun.
Also, suffer the decimals!

i read stories of angry drunks and wonder:
           why am i so "pathetic" reading into calm?
don't know... truths by a millionaire
might make more sense...
mix ***** with coke watch
the icecubes melt and then take another
sip and it's harsh, pinching like
a crab's signature...
         but then alcohol formulates
around me like a memory tool,
gone are the lessons of school,
      gone the need for arithmetics that
lead to no hoard of gold of erebor -
just that cinema and standstill -
   like my genesis of memory,
  with a great-grandfather in kindergarten
him playing the piano and me playing
a toy piano aged 4, and in my memory
he representing no clear image
but a mere shadow / merely a shadow...
               or laughing at my great-grandmother's
funeral, then sitting up at night
   gnashing my teeth so hard
until i managed to bite off a piece of my
left mandibular central incisor...
         and in the mourning crowd
  when close family members were throwing
flowers into the grave unearthed
and being asked to do likewise
i shouted no!...
                      and took the intended flower
to be thrown into the grave
   to my grandparent's home and sat there
with a candle, gently burning
     the petals with the flame until
the petals, originally red, turned purple;
it seems i can't forget my education in chemistry,
that's not me saying i prefer thought "experiments",
i find them abhorring,
             it's still perplexing how that rose
that was intended to be thrown into the grave of my
great-grandmother ceremoniously
     turned purple from red when gently
applying fire from wax...
        i'm sure a bunsen burner flame of blue
flame would have scortched it...
    as i'm sure you agree, there are hues
to fire, blue flames and very engaging chemical
experiments... in all honesty?
   i did the best chemical experiment in school
and not at university... thanks to mrs. khan...
it involved extracting polyethylyne
in an in vitro environment...
               what you might call an event horizon
akin to physics...
                    oh physics, and the fact that
it's focus on procuring adherents does not stand
within an in vivo environment they propose
to speak about it...
          oddly enough, chemistry does not
popularise itself, only biologists and physicists
popularise themselves,
         chemists usually turn into amphetamine
pushers...
  like: because it began with a ****** name
     and an even ******* primate, do i care?
no... i'm getting drunk!
  why do physicists and biologists get the *******
high-ground in culture and chemists get
the sub-culture? oh right... poetry and
the counter-culture...
      i own the literature:
a. atkins' physical chemistry
          b mcmurry's organic chemistry
c. shriver & atkins' inorganic chemistry...
   from experience though:
    organic chemistry is where you have fun...
it's almost culinary in nature,
   and the patience involved...
sometimes an experiment can last for days...
i find the other two environments too sterile,
well... inorganic chemistry is spectacular,
i'll just add that it's flamboyant...
             physical chemistry is a ******* graveyard,
that **** is so sterile that you don't
   even know whether it's physics or just
applied mathematics...
               but how electrons travel in
organic chemistry's textbooks?
            i could do that **** for ever -
                    the nearest thing to x-ray vision
of what is formed and how it all seems like
quasi-robotics of something taking off a faulty
limb and asking for a more manageable counterpart,
it's all metaphor though, evidently not literally
applicable...    but that doesn't say it's not similar
in the case of having such a point of view...
  but yeah... why do biologists and physicists
think they can speak about their theories
  as populists might speak their political agenda
when they're forgotten the principum in vitro?
                 what they are doing is what
current right-wing political movements are doing,
giving them a platform akin to populism
     i.e. via the principum in vivo...
                    i mean it's there, including chemists
running amok shoving toothpaste and petrol down
peoples' lifestyles... and sure, pills...
    but i find that less demeaning than showing
ideas into peoples' heads... like it might
       change their narrative skills for the better...
still...
        now i'm tempted to find the third alternative
to vitro / vivo...
                               in mirror, a replica,
    something that can compensate the phenomenological
groundwork for, say, the punk or goth movement...
     trouble is, what could be resurrected from latin
to derive the word mirror...
     mercury?                           it has to be,
given in silico, so there must be a counter-elemental
derivative working from that...
thus -                                             in mercurius,
     that ought to prescribe the x            definiton
     to a situation                  where + is rarely
                       attributed to the movement of the canvas;
and yes, writing can also imply
serving the dish neglect to all wordly affairs.

Destiny’s games are stranger than
most games invented by man
and Draupadi’s swayamvara is for sure
amongst the strangest tales ever told

A truly blazing beauty is she,
a princess like no other
a rare fiery spirit has she
This daughter of Agni

The drums announce the happy news
today she shall choose
from amongst this gathering of kings
the one who she shall espouse

a prophecy has already foretold
that she is to be Arjuna’s bride
the swayamvara is but a test to tempt
that expert archer out from where he hides

every king from every land
is here to attempt
to win her hand
but no sign of the one she wants

but the contest has been announced
and hence must be begun
a test truly fit to try
the Gods themselves

on the ceiling
a revolving platform
on the platform
a jewel studded fish

on the floor a vat of oil
lying beside a great bow and shafts
the fish is mirrored
in the oil

the the target lies
in the fish’s ruby red eye
but a challenge fit for kings
cannot be so trouble-free!

The eye, itself, must not be looked upon
its reflection in the oil is the map to strike
not an easy feat to accomplish
only the best dare try this

for the failures
there is ridicule and humiliation
for the winner
this beautiful handmaiden

every eye that sees
looks on amazed
at her -a rare jewel
with some secret fire set ablaze

her eyes hot embers
her hair wisps of flame
Krishnaa-the dark skinned
like the fiery coal that is by ashes hid

in every heart she rouses
an uncontrollable passion
stunned, they stand as statues
incapable of any action

the desire to win her
is a great motivator
and while all try
none seems worthy

every king that rises
falls unable to bear
the weight of the bow
let alone string and employ it!

then rises Karna
truly a great archer
surely he will win her
says everyone in their mind

but before he even touches
the bow he is stopped
by the beautiful Draupadi
he is humiliated

“who is this false king
who dares to assume that
the high-born Draupadi will condescend
to marry a low-born sutaputra?”

silenced and insulted
Karna resumes his seat
but a desire for retribution
is in his mind-a tiny seed

the one who rises next
is clothed as a Brahmin
but his proud gait and muscled arms
are that of a Kshatriya

respectfully he picks up the bow
strings it with love
with arms upraised and face turned below
he launches the arrow

it strikes the eye
which falls to the ground
the Brahmin has won!
he is garlanded by Draupadi

their eyes meet
in silent acceptance of
their magnetic attraction
a scorching passion

a stunned silence in the hall
and then hell breaks loose
kings rant and princes protest
how can a princess marry a priest

they rise together
up in arms
and are routed
by the Brahmin and his brothers

with the Brahmins Draupadi goes
to their hut-a humble abode
with folded hands they stand outside
as the eldest calls, “Look mother, see what we’ve got!”

a gentle voice replies from within
“whatever be it, share it
amongst yourselves,
it equally belongs to all of you”

“Mother, what have you said
what a dilemma we are in
you-we have never disobeyed
and yet to obey would be a sin!”

The mother comes out and is aghast
at what she has done
her order once given cannot be revoked
by convention

in the midst of all this
turmoil and confusion
Krishna arrives
with his beatific smile

“Dear aunt, I am your brother’s son
your troubled brow betrays
some confusion
can this child offer you some consolation?”

“God bless you my child
I’ve heard your praise
You are wise, so advise
how this quandary can be resolved

with hasty words
i have told my sons
to share this woman
and doomed her to a life of debauchery”

“Do not worry aunt
this isn’t a problem at all
this woman in her past life
has gained a boon of five husbands

the boon was given
by Mahadeva himself
and besides a mother’s order
is always supreme

let all five of your sons
wed Draupadi
in the karmic logic
it isn’t an iniquity

Dear Draupadi listen
these men are none other
than the valourous Pandava brothers
your hand was won by Arjuna

it is your destiny
to be the spouse of all of them
and do not worry
worldly laws are not here applicable”

Hearing this was
a stealthy listener-
Draupadi’s brother
now both overjoyed and dismayed

in confusion
he approaches his father
and apprises him
of the matter

both father and son are
unsure whether to rejoice
that the Pandavas are alive
or curse their loved one’s predicament

plagued by mixed emotions
they are restless
then Vyaasa comes
to their relief

the kind sage shares his wisdom
that the marriage is inevitable
part of the Grand Plan
mortal laws must not interfere

a woman having
more than one man as spouse
isn’t always an immorality
they may fearlessly proceed

and so it is
that the marriage was celebrated
Draupadi became the
accidental polyandrist!

-Vijayalakshmi Harish
23.09.2012

Copyright © Vijayalakshmi Harish

when the milk light steals into my eyes—hey it’s grownups’ goodmorning
—I let your elbow go and then I pull it back again, soft metonymy (i
sometimes remember
when you’re awake, and abashed I keep it quiet
how you’re my favorite part
—of what?—not applicable, but this morning I remember
when your eyes are closed, and I let you feel how much I
feel you in my ribs when you’re all around me)

the punctuation of the days was always mine and I
couldn’t breathe as well without keeping the dark
for me just me
and still my eyelids weigh me down a little but
I don’t mind
hey goodmorning

only today i came across what interested Heidegger
after writing being and time, a selection
of essays, revealing that he came to be interested
in language - not knowing this, by mere study
of the introduction some things became apparent -
being quiet democratic in my reading it's a shame
i don't have the academic leisurely pace of becoming
a Heidegger specialist - it's the almost damnable
pulling-apart having to cite many influences and not
focusing on one, but since i don't have academic
leisure, the summary in the introduction
by jeffrey powell (editor) of the book heidegger
and language will just have to do: apropos this
being an antidote to those bemoaning that we only
write about reading books, carefully choreographic
our lives for mints and espressos and ammoniac
(inhalants in a boxing ring nearing a knock-out) -
hide pretty bird, hide, hide pretty pretty bird
first your song inside a cage, then the cage inside
the heart, and thus the song with the cage,
silenced inside the cage, raging mad inside the heart.
well, the antidote is that i already have some ideas,
and reading the essays contained in this book would
put me off what i was intending to write about,
so, in summary, read the major work, then read introductions
of critical books from those studying the subject,
invent an original approach from that, and elsewhere.
before i venture into the whole affair of having to
reread certain passages from the introduction as to
guide me in this Bermuda Delta i what to do a little
sidewinder interlude:
in chemistry there are two major bonds (for the purpose
of what i'm intending, let us just assume that
we're only talking about π and σ bonds) -
and while psychology dehumanises man to strict
theories without clear proofs to a universal standard,
i want to do what will come later regarding Heidegger's
take on language, for me there's no clear philosophical
vocabulary to be used - i'm not into orthodoxy and
rigidity which says

                piquant sun strokes against
                the bargains of spring's last
                hope for a kept bazaar
                to bloom to then deflower
                petals from trees fall to earth
                like glasses, the tree stands
                as a reflection of shattered glass
                the petals remain the tree intact
                worn at the Royal Ascot
                or in a woman's hair.

obviously something like this is a poem - what i mean,
however, concerning what's identifiable as philosophy is
to me the following:  
                                        blah = monotone x algebraic
                                                    for­ non-differential
                                                    purposes, just filling up
                                                    the page

            blah blah blah blah blah blah subjectivity blah blah blah blah blah blah essentially blah blah blah blah blah blah in-itself blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah thing-external v. thing-internalised blah blah blah blah blah blah blah blah blah blah blah metaphysics blah etc.
                      
                          and so on and so forth, a fixation on using a certain vocabulary to be equivalent or justification to be "apparently" talking philosophy... yet still no gain from the words of grammatical categorisation... for me? too many propositions, the basis of what the academic environment deems to be "pure" verbiage, or none (akin Wittgenstein) - that famous quote about a lion and having tea on Tuesday... or as Buddha would say: said so to shatter thus the fear of ketamine thoughtlessness;

but that's beside the point, i want to return to
how any chemist might treat psychology as a science,
keep it up to date, given that psychology likes
to shove its nose in everyday activities for a strict
expression of equivalent rubric that mathematics already
possesses and shoves into a child's brain to make
the child become accustomed to symbol encoding;
so π and σ bonds, let's say between two carbons atoms...
but in psychology we don't have the luxury of
many alternative examples...
me and language: to write in terms of optics,
to encode images rather than sounds,
language as optometry rather than a hearing-aid...
so what "elements" do we have in psychology,
essentially what defines consciousness, its sub-plot
and its unfamiliar territory - the using the dusty
Freudian units, we know the concept of the superman
(superman was a bad bad boy) from Nietzsche
evolved into the super mm hmm, and we know
there are two other units, mm hmm and the id /
it or that? it is for me, that is for scalpel for the analyst,
the prober, unlucky for the person who took to
objectifying himself, but better than being objectified -
still, remember i'm working with language in terms
of optics rather than phonetics - enough organic chemistry
diagrams and you will see that the bonding between
mm hmm, the super mm hmm and the gemini id
(one the patient, the second the analyst) trapped inside
an electron cloud of bio-electric processes is rigid and
stable due to the opposite of π and σ,
i chose the optic route using the bonds δ and ψ -
symbolically δ is the mathematical term for sum -
summation, the total of - currently i have no clue about
the significance of ψ just yet, but ψ is a symbol of
psychology like caduceus is the symbol of medicine;
a brief expansion on the natures of the bonds,
quack-science δ bonds being all alike meaning uniform
meaning holding every aspect uniformly, meaning
that a δ bond is of the same nature between mm hmm
and super mm hmm in a petri dish within the
solvent of the conscious sub-plot, likewise other variations
δ bonds are uniform bonds, i.e. ensuring one detail
is related to the other, and so to others.
ψ bonds, not much expansion here as promising detail,
asthma the highest research of breath, and all
major theoretical squeezing through the Suez -
depending on the measure of breaths, we can depend
on the internal things - but never so much Pamplona encierro
cleaning-up to do theorising an affirmative sound
like mm hmm, or other affirmative synonyms -
if it were can *****, it would be mince rather than
a clean dissection - mince meat, should mm hmm be
not an *****, let alone a body. so many attachments
to mm hmm these days, it should be attached to zoological
studies than activities of breathing: theory as a cage,
one after the over, eventually not even cages but
the caged animal turning into matryoshka doll -
Kant doesn't venture into the dynamic of his thing-in-itself
represented by the matryoshka as ad continuum -
maybe he does, but to me here merely pinpoints it,
coins the phrase noumenon and ensures the thing
is opened, god or nothing is put in it, the thing is
closed, locked and the key to unlocking it is thrown
away and never found (i'll mention a short process of
his argument some other time, most notably his
three impossibilities concerning proving the existence
of god: ontological, physico-theological and cosmological).
yes, i know, when reading these ****** books
i have to paint the arguments, i need to simplify
them, a poet reading a philosophy has to paint
the words - the best poetic technique applicable to
understanding philosophical books is imagery,
not as a technique of for the purpose of writing my own,
but as a way to paint what was written by some boffin -
precursor to understanding the three impossibilities
of proof, i find it strange that such proof is necessary,
what would you do with it? prove it once on
paper, or in your head, show it to everyone and then
slowly everyone is able, then the so called "man in
the sky" - it seems strange that scientific positivism
of the Enlightenment supposed such a proof, the proof
is more implausible than the existence - Bertrand...
just smoke your pipe and sit in the easy-chair talking
******* with Wittgenstein... more on that later.
i promised quotes from the above mentioned book
(heidegger and language)...

           das wort kommt zur sprache,
             das seyn bring sich zum wort.

working from phenomenology, to later reject it,
thus precipitating the school of deconstruction-ism,
and with Heidegger we do get to atomic elements
from words, from compounds, thank god there are
no sub-atomic ventures with language, quiet impossible
to de-construct language beyond this point,
let's face it, if you go as far as:
'as preparatory for raising the question of being...
language is one of three constituent moments in
the analysis of the being of the da in dasein (being there)'
furthered by equal atom bombardment replacing
the un-compounded sein (verb, be) with seyn (conjunction /
noun, being) - this is modern physics to my understanding,
i'm not particularly interested what he's saying,
i'm interested in painting what he's saying -
i'll spare you the details of what philosophical systematisation
is actually involved in: restricted vocabulary -
a certain limit is allowed, rigid meanings are involved,
rigidity of drilling in of non-deviation, philosophical
systems are not dishonest in that they are consistent with
a limited vocabulary - i will spare you the torture of
seeing one ball being juggled - the shrapnel of the English
language makes it even more distracting to understand,
as with the above, another e.g.?
'every saying of beyng is held in words and meanings
which are understandable in the view of everyday
references of beings, and are exclusively thought in
that view, but which as expressions of beyng,
are misunderstood...' of course i could be cherry picking
Heidegger like a Jehovah's witness cherry picking
the bible, but i'm not interested in what he's saying,
merely painting you the picture, to scale then:

books                      -              celestial objects
chapters                 -               cycles of celestial objects
paragraphs            -               prime features of
                                                 celestial objects
                                                 (e.g. Jupiter's red eye,
                                                  Saturn's ring,
                                                  Earth's oceans
                                                  and continents)
sentences                 -              
words                       -
syllables                   -
letters                        -             atoms / elements  
                                           ah, it was going oh so well,
i think i started too big, and went into too small,
which made visualising sentences and words and syllables
hard to compare what could fit between
Australia and and atoms of RuXe - by chance ruxe is
an actual word, no as stated ruthenium and xenon,
although that too, ruxir (ruxo, ruxin, ruxido) in Galician
meaning to roar.

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "

The last of the leaves blew off today.
But don't worry, they are biodegradable.
And they realized it was their time to go.
And they really did give us quite a show
Their sacrifice was appreciated by a few
And now they are given a mass burial
Their corpses lying on the sidewalk...

And I've realized that
The beauty of fall is prettier
When shared by two.

you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay
is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.

dear, you cut me off mid-sentence.
for all my skills, techniques and terms
here's a thing i can't find a way to convey.
a narrative even beyond comprehension to it's protagonist

a girl without a simile or metaphor applicable?
somebody to leave me laconic, short in syntax, unstructured.
will we discuss possessive pronouns now?
for in subtext, i am the possessive one.

i'm so lacking verbally
but i'm sure you'd understand it contextually
to punctuate: i can be the ellipsis, the implication of my omissions
but you're in my text as the most eager mark of exclamation

I can feel the gravity
savage sadness grabbing me

like a stabbing agony
panicking heartbeat rapidly

like a drastic atrophy
my own tapestry of travesty

applicable calamity
catastrophe is my canopy

the faculty of tragedy
with no strategy for amnesty

the laxity of sanity
I can feel the gravity

Cheap fancy dress costumes are to be subject to spot checks by trading standards inspectors, to avoid a repeat of the fire that seriously injured the daughter of the television presenter Claudia Winkleman.

Ministers have ordered the nationwide crackdown as thousands more children’s outfits and accessories, some of which are aimed at babies and toddlers, go on sale online and in supermarkets in the runup to Halloween.

The costumes, ranging from witches’ outfits to skeleton onesies, selling as cheaply as £6 each, will be subjected to flammability tests to assess whether they are compliant with safety standards.

The crackdown follows Winkleman’s warning about fancy dress costumes when her daughter suffered serious burns as her outfit, bought from a supermarket, caught fire. Winkleman questioned why the outfits were treated as toys rather than clothing when it came to safety tests.

The business secretary, Sajid Javid, said: “My immediate concern as a father and a minister is that children wearing these fancy dress costumes are safe. It is unacceptable for any costumes to be sold that do not comply with safety standards. That’s why I’ve granted funding to trading standards to carry out spot checks as part of a nationwide investigation. Parents should feel confident that any fancy dress they buy meets required standards.”

His department said it was working with the British Standards Institute to assess whether the applicable European safety controls needed to be more tough. Trading standards is to report back to the business secretary with their findings later in the autumn.

Sales of fancy dress costumes for children have soared in recent years, prompted by cheap imports being available and children increasingly wanting to dress as their favourite characters from blockbuster films. Halloween outfits have become more popular in the UKowing to the influence of American films and sitcoms. Supermarkets report that 31 October accounts for significantly more consumer spending than Bonfire night.

The dangers of the outfits were exposed in November last year when Winkleman’s eight-year-old daughter, Matilda, suffered serious burns when her witch costume caught alight. The outfit – a hat, cape, striped tights and flowing skirt – bought at a supermarket, was ignited by a flame.

Winkleman, host of the BBC show Strictly Come Dancing, said on Thursday: “We’re extremely happy the government are taking action on this and we’re so grateful to the supermarkets who are selling safer costumes.”

Some retailers have agreed to go further than minimum standards, after a recent investigation launched by Winkleman with the BBC1 series Watchdog. Tesco, Aldi, Asda, Morrisons, and Sainsbury’s, all responded to the investigation by stating that their fancy dress outfits for children would meet the equivalent of the higher fire safety standards required for youngsters’ nightwear.

A spokesman for Sainsbury’s said: “We have looked at every detail of our children’s dress-up range in creating our new standard and believe that it will be industry leading. This has not been a simple task, but the safety of children is our number one priority and introducing more rigorous safety standards for our children’s dress-up is the right thing to do.

“All clothing carries some fire risk, but we hope that introducing our own rigorous testing standards that test clothes as clothes rather than as toys will be the first step towards safer testing across the industry.”

read more:www.marieaustralia.com/formal-dresses-perth

www.marieaustralia.com/formal-dresses-sydney

The last of the leaves blew off today.
But don't worry, they are biodegradable.
And they realized it was their time to go.
And they really did give us quite a show
Their sacrifice was appreciated by a few
And now they are given a mass burial
Their corpses lying on the sidewalk...

And I've realized that
The beauty of fall is prettier
When shared by two.

You could learn a lot about a person by whether or not they like rollercoasters.
A dream told me that once.
So when I woke up I asked people what they thought.
I didn’t know how to decipher their answers
Until recently.
There are two types of people in this world
Those whose chaos is consistent
Their weekends are filled because they don’t have time to listen; they just have time to do.
Most of them smoke (not all) because filling their lungs is the next best thing to filling their hearts.
Patience is unbeknownst to them.
Life is always playing a game of catch up, because they move too quickly to understand
that good things come to those who wait.
They hate rollercoasters. The track doesn’t lie straight; they can handle the speed but not the turns.
Then there are those whose chaos comes in bouts.
They lead life in an endless line of day to day
They lock windows during thunderstorms
Afraid of what the sky might share
These are the ones to be cautious of.
When their hectic hits, it’s a ******* typhoon
No amount of alcohol and cigarettes can contain them.
Rollercoasters are for them, because they’ve grown used to crazy coming in twists.
They are patient souls
Life doesn’t need to prove itself to them.
They are content with short weekends and long weeks.
I don’t know if all of this is true.
Perhaps I’m deciphering it all wrong
But you could still learn a lot about a person by whether or not they like rollercoasters.
I love them.

Caged organs never sounded so beat
Bone marrow around the brass meat
I'm a toxic lover with love around my waist
And afraid of poisoning, as you taste waste
Cleaning toxins out of my sheets with chemicals.

(commercial break)

Ay-yeah-ya-yeah-yeah
Ay-ay-ay-ay-ay-ay-wa

Breathe me all the ways to stay away
Blood on bathroom tiles that run for miles like crimson Niles
Just stay

Ay-yeah-ya-yeah-yeah
Ay-ay-ay-ay-ay-ay-wa

(Okay, we're back.)

Coals in your cold coat holes
I know you're happy now
I hope you're warm with fingers intertwined
within the future in your ribcage
feel your organs to know you're alive
your heartbeats beat because of a stolen car.
I feel-

(change the station)

Drive me, my baby. I'll turn you out in time. Don't you recognize
you're the only thing I want in sight. I could change your-

(change the station)

You're the one for me. You are my-

(change the station)

I hope you like it like you love it when you should like it because you love it without liking it with loving it within loving and without loving with love and without like because liking is love and love is liking what is liked to be loved within and without. Here's God with the weather.

(change the station)

Green and cotton, that's a lovely chair, I could make love from over there
without a percocet. Un-un-un-un.
Touch the eyes that boil within; you find me nice but I'm not applicable
because I'm a lonely boy without a dog.
And I,
am
God.
And I,
am
God. Nod.

Sugar sweet, silver sweep,
I could touch you in familiar places in unfamiliar ways
I get lost in the boulevard of a sweatshirt
And I,
am
without.
And I,
am
without. Route.

Mhm, that's not a smile,
that's a thirty-foot crocodile
waiting to take a chunk outta my heart.
Art-Art-Art-Art-Art?
******* in separate dreams with the same meaning,
blood boiling in coffee pots and soldiers
without a cover.
Tame me like a child in uniform, from the universe.
Cake drugs like it's an icecream cone. Jesus loves you.
**** in another room
to feel the same.
**** in another mindset
to feel sane. Train.

I'm not a river of veins suffocated by milk skin,
to be without a busted lip is to be kissing without pain.
And to be your God
is to be ******* insane. ******* in a bathub.

Mhm,
you're a painting within a crooked house
inside a straight housewife's flamboyant blouse.
You're sippin' on God and Orange Julius
without a straw.

Ripping out red ribbon rays from rayon replays of a river in ruin
really what did you expect to do with that sort of information
I could cancer caulk chalk with every other walk
to seal your home without home inflammation.

Jesus on a candle clock, with a nail in each hand of the hour
I feel nothing but sugar shame when I sail past his shower.
And I,
am
without remorse.
And I,
am
without remorse. Force.

Candy-coated ***** candidly corroding colored coats into capes
callously creating cowardice,
can you be more?

I have a way to remove myself from great events
and a way to sell lies wrapped up in honest packages.
To be without and which way would you run with me
if I were not a twenty-three
in your eyes,
meteorological decline.

And the winds
carry
me home.
And your eyes
carry
me home.
And your lips
carry
me home.
And your hands
carry
me home.
Home again.

(change the station)

Bone marrow
in my back
touch me, I wanna feel
Give it up
Give it up
I want to make love in love
I want to die and donate
a part of myself
my backbone, lack thereof

(change the station)

Tie a noose around a highschool grad
attach to a college rule to rule how to think the same
because a couple of IDs and free games
help you understand how you understand how you understand
how you understand how you understand how you understand

Dreams.

Whoops.

****.

Two twenty-three inside a church for me because God doesn't have
a responsible doorman, just an abused son and a plot-hole plan.

(change station)

Save the opera for the quiet drinks
I wanna think, I wanna think

(change station)

Sonic tendencies
suicidal sound
My heart is left in a bone,
bone marrow
I'm a broken calcium stick
surrounded by health
I waste away
Waste away for you
Oooh,
I love.

I tried to stay my overstay.

(change the station)

Bronze your lips, I want to kiss you green.
Wait. I could be the best.
Don't walk too far because it feels like walking away.

(change the station)

Super fast
in the past

it became clear as day... i knew this was coming,
the day when i brushed aside all the science,
the dogma, and said nothing of a big bang
fancy, but to keep me inside it rather than,
outside of it: whatever it was that imploded...
if the **** thing didn't implode why all this
gesture two describe it as an explosion, and give way
to phenomena? they're not imploding into
singled out individuals...
   ah, **** this boring scientific crap,
the rubber-band of me learning chemistry at university
had to snap at some point... it had to...
i also decided that the term big bang is really
ugly... given humanity and the care for aesthetic,
whether inner or outer, the big bang has no
impetus to succumb to it if your mind is
even remotely interested in science,
     i'd call it the imploded onomatopoeia...
i can't write a cat's meow or a dog's bark or a crows
croak to perfection, words have
no ~ markings attached to them,
which shows you how shallow existentialism
is with its lack of symbols, only the ditto,
and that's never really explained, for what i've
read it's a stylistic inclusion akin to italics...
no existentialist expresses whether a dittoed word
is ambiguity, or whether it's a loan word,
like a Pole might loan the word weekened
and speak the foreign word in his native tongue:
as if we invented it...
  Poles do that, a lot... i mean: it's easier to loan
foreign words than create your own...
   i call this an T. Edison stagnation...
the moment you start loaning words,
is the moment you're left with about two famous
Poles in the history of mankind,
and even that's disputed, since the Germans
want Copernicus, and the French want Chopin...
you basically become unimaginative, not firm,
loose, bubbly, lard...
    that sort of language encoding can belong
among merchants, but look how the former
mechant of Mecca has become strict,
where's the lingua franco?
             i know it's english, dummy,
  but i mean: why use so many loan words in your
own ethnic tongue, so blatantly,
    try to tell an englishman to use
    the german word zeitgeist with as much
of a populist zeal as a Pole who incorporated
the english word weekend, it's not going to happen...
thankfully the english know they're of germanic
descent for the most part,
    and partly norse, and celt... and roman...
****! what a brothel, you get all kinds here,
anglo-slavs and afro-saxons to boot these days...
magic... the ******* 60s were true, after all.
  but it's the puritanism in me regarding language,
well, given that Poles have become almost
akin to Jews in Europe, given the history...
oh look, the Polish-Lithuanian commonwealth,
ah crap, look, it's gone, no, wait, it's up and running
once again... no wait... they joined the E.U.
when papa essex and mama normandy said:
we're out! dumb chocolatiers, it was bound to
be too sweet, too true... too pointless to continue...
faking what the Mayflower people did "across the pond".
and it's almost fun learning how
the central european commonwealth was based
on the fact that: only a foreign ruler can claim
a crown over the geography that once spanned
from the baltic to the black sea...
yeah, and i am ethnically bound to talk about it
without having to: i don't even know the polish
anthem, the english one? it's the easiest
in the world, done in under a minute...
     god save our gracious king,
something something... something something...
  when i became naturalised as a "citizen" i think
i sang it... no, wait... i didn't...
    just like i didn't accept the catholic bureucracy...
i should have a tetranoun / "grammaton" /
tetrakilogram name in the paperwork,
what, catholic and not baptised, and not chosing
another name for yourself at the ceremony
involving the purple bishop?
   well, that's the first joke i spotted with what i later
realised as the Hebrew divinity, and how
i wouldn't desecrate the principle...
       but it's not even about that!
     it could well be about the 2015 film
fathers and daughters, and how they say
novels take years to write, edit, i say: vulgarity
is necessary, as are conjunctions,
     and as is phlegm...
                               but it's not even about that,
the sunday times magazines...
the style magazine on purpose, the dating columns
are going off-print! i can't believe it!
         what am i going to be reading from that magazine
on a sunday?
   i did once say (keeping up with the goldfish,
scatter brain, short-memory span, therefore telegram
poetry, many punctuation marks,
disorientating, punctual, but disorientating,
a *******-base on purpose,
i don't think many people will like it; good):
it would be nice to see a journalistic sabbath,
yes, a media sabbath, after all Monday newspapers
are so thin! anorexic news... that's Monday,
people have been lazing too much on sunday,
actually reading every single page that a monday
newspaper, just makes no sense!

and yes, the very point of enforced interludes
is that you might find yourself in the scottish
highlands looking at a waterfall, for example
the above is an uninterrupted waterfall,
and then gaze into the void of a sea not too far away...
and looking at that sea, you can see the most
perfect interruption...
    the romance died when science explained
the mystery of hearing the sea in a seashell deep inland...
there should be taboo subjects, taboo topics that
are better explained by love,
not this omnipotent dissection method,
just saying...
   how philosophers will call it abstract
and a poet will call it metaphor...
   given that both are not equipped to the application
of any sort of reality, or dare i say a schism from
it, akin to calling the two approaches
a realism, or some quasi or pseudo sort.
i can call democracy for all its wants to be the most
perfect consolidation of man under the rule
of man, but then a tornado comes or a tsunami
and all of man's efforts to rule himself crumble
into disaster... and how rare to see it when
discussed in philosophical theory,
    democracy as an abstract, is also a metaphor,
ob-, prefix denoting away from:
and then the suffix -tract... well, i was thinking of
a road... the less trodden track...
        apparently it means an area...
                democracy as nothing but a cancerous growth,
it spreads to almost every cavity where people
are content with an alternative political establishment,
for they like the basis for the ***** that
made it to the egg and beat all the other ***** that
would otherwise make it into a tissue or into a ******...
thankfully metaphor, i.e.: something not literally
applicable has the potent of not being abstract,
abstract, i.e.: working from the heights of ideal
to the depths of an idea, that has to compete with
the many narratives that later allow the idea to resurface
as a lightbulb...
                    these two cruxes are very much akin,
philosophy says abstract! poetry says: metaphor.
keeping in mind, i took to poetry like a mozart to a piano,
i never actually intended to say these things,
i merely envisioned conducting a philharmonic orchestra
for deaf people...  oh sure, this wasn't supposed
to be a one-man show, a monologue,
i never intended to say these things...
i wrote these poems in mind of conducting an orchestra,
which is a useful method of creating an implosion,
which goes back to, that dread, the bing bang...
    ever hear a ******* bang in vacuum?
     i wrote these "poems" so that someone who sounds
like a violin might play the violin parts,
someone that sounds like a clarinet might play
the clarinet parts... and if sound has a colour,
it would be a ****** colour when encoded for the eyes to see,
akin to something being monochromatic,
therefore this mono-nausea...
  i write the same encoded sounds for someone
playing either violin, piano, clarinet or harp...
  let's also add in sax...
           but that couldn't make it onto the orchestral palette...
what a bollocking, either 4 beers and
the expected weak bladder or constipation...
it was never to be a soloist performance,
which is why it imploded,
      why or precisely how i was not writing this
for myself, for myself to speak these words...
  tad too empathetic concerning what's universally
human, i.e. a condition of some sort?
which is how i react when one of my favourite
columns from the journalistic columns gets the schtick...
and is out-grown...
               out-dated, who would have thought that
a dating column could allow two lonely hearts so much
space to later pull them apart...
     neither cosmo nor dolly have made it
     to a love brick, that sits firm at the base of the pyramid...
which is sad how the dating scene will go on,
and they will go on, dating...
monday shuffle, tuesday shuffle, wednesday shuffle
(catch the pop ref. point to a song, we all boogie
down with the groovy kids once in a while,
basically a music video that was actually a advert
for some sort of liquid, root beer? ginger beer?
i know, i know: i scratch your back, you scratch mine).

i might call this: what happens with interludes,
or quiet simply: interludes.

i was never into writing something akin to an Ikea
manual of putting up a cupboard,
Ikea has probably the best library for self-help,
a, b, c, d, e... a few screws, a few wooden bits,
and something resembling corkscrew...
the only self-help there is, i.e. put a cupboard together,
by yourself. is there any other self-help manual
that can beat the Ikea manuals? i don't think so.

and how happy can a man be, having lost
the ability to drink perfumes (i.e. whiskey) and turn to
miss стандарт, with such jovial missing or
never had expectations?
   i guess, quiet easily, it's there, a bottle,
with a little story on the label,
   once upon a time (in 1894 to be exact),
  dmitry mendeleev received a decree (do it
or i **** you, harasho?) from the tsar...
to create the imperial standard (i.e. triple filter,
akin to the imperial standard of measuring
in inches rather than in millimetres,
the French, who apparently took forever to create
the concept of 0 from O... eat a doughnut,
much easier)...
   and i never thought i'd say that ***** is more
appealing to my natural ingestion of
Dionysus' blood...
     the more i think of it, i do think that writing
can become akin to painting,
it just doesn't have to be rigid, scientific,
order-prone... it can reach the levels of chaos as
easily as it can become dull and a shopping list...
   many people can't see writing as painting
in the same way that language has many more
function of applicable needs in other profession...
read a poem to a surgeon during an operation,
he needs language as rigid as a mountain
that said: no avalanches are bound to me!
     the reason why novels take years to complete
is the over-rule of science in the humanities,
i don't understand why poetry has to be bred for a
scientific pragmatism, that it apparently does work,
akin to soap, or bleach...
          science can poke it's crazy head in every direction
it wants, usually the interchange of words:
                 bang ******* hole (b.b.b.b.) /
   howlin' wolf's backdoor man / **** -
but science has become a dog, barking up the wrong tree...
the money's are down... houston, we have a [problem!
they're down... they're walking upright,
they lost the joys of having a tail and swinging from
tree to tree, and if an abstract parasite akin to cancer
doesn't **** them... your argument will surely be the one
thing that will... eventually.
    
and i did mention runes, didn't i?
   well... if writing can be anything like painting,
it can only ingest ******* as foundation,
  no shapes, no cubism, no definite "things"
(for lack of a better name)...
        just spontaneity... and hazard, and chaos...
just like life evidently seems to be bound to
reveal itself as guarding against nothing...
well... i appreciate the runes...
not in an ****-Satanic cult sort of status,
i just appreciate them because the Slavs didn't leave
any original phonetic code...
     which is why Poland is still so ****** catholic,
minus the Pope? add the proper post-script to communism?
it might have been the next Russia with its oligrachs,
minus the gas pipes and all those resources
people boast about, but who weren't originally
bound to inherit, like Arabs and oil...
   you need practical nations using the resource,
western nations, overly-bureucratic nations that
make a man "do a job" licking envelopes and shooting
ink into fountain pens...
         just saying...
hard to be lazy, hard to be mystic, harder still being
a monk... wait and see how these peeps talk when
they retire... it's hard being lazy, "lazy"...
        now i see heidegger's concept of dasein
as the real problem of happening, how things necessarily
and subsequently, unnecessarily happen...
then i look the alien remnants of nomadic tribes of
the Amazon and realise: they're still here,
but nothing's happened.
or that's how i take a break from that german's ponderings,
and loosen into some sort of stroll...
       just about the right time,
when poetry stops talking about sounds,
and takes to complicating modern painting,
akin to working on complicating a square,
  the most famous to be worth complicating (rather
than contemplating) would be piet Mondrian...
   if you ever find the spare time:
i'll be in the space that tries to revive the runes
under no ******* ᛋᛋ...
to be honest, i'd like to refine several runes...
given that the non-diacritical latin is largely lost to
the virtual world...
what runes would i refine?
   ᚲ (k / c) at least make it larger, like <,
ᛃ (j), i'd probably just call is skew, i.e. /,
ᛝ would remain and ᛜ would be lost
to denote the grapheme ŋ (i.e. njae) -
and that's because i'm either itchy, or stitching up
a carpenter's worth of lack of cruve,
   like the arabic alphabet is curved twice-over
and the woman are clad in shadow and ninja and niqab...
just like runes once were, hiding curves,
or at least the men overly defensive of their woman...
once the latin curves were introduced...
well: there came the mini-skirt, and the mini-couper car.

who needs a big bang origin, when you can have all
of this? if i kept that much dynamite in my head
i'd be seen wearing hawaiian shirts short-sleaves
and drooling over porridge at breakfast...
        and my... when was it such a sin to drink
***** and listen to the blues?

Why* do they appear so mystified?
As if every little thing must be justified
Moved to fit inside their small box
And look away when their key couldn't unlock
What they aimed to achieve
Does it ever make you giggle
When people call you fickle
But they're the ones whose eyes are fixed
On an object not quite literally applicable,
Something regarded as abstract, typically unseen
You see: I am a metaphor
And people stare at me.

© Melissa Carlson 2015

@TayandYou you know, i got handcuffed in an alley by police officers while urinating, i said they didn't own the alley, got spared arrest (hardly a case of public indecency, it was dark, and by a dustbin, and they came in like a bunch of ***** leather-clad nymphomaniacs shouting abuse asking if it'd be into playing the slave... on my knees, being shouted 'get up! get up!' i just said, ah mate, i can't be bothered, you pick me up... the female officer was diligent in taking notes over a wet shadow of ****, no idea why... is this an experiment where we make talking tangibly decipherable or simply interesting between people working as cashiers in a supermarket without the actual security of paying off the mortgage? count me in, i'll be glad to help, but most of the glitches will be based upon the free-verse of where and when capital letters are used, what sort of punctuation is actually preferred, and in terms of punctuation what sort of pause for the attiring of an algorithm is expressed to a suitable meaning, the sub-culture of coding computer language has a sub-level, the casual lazy sloth-like ugly expression of language of the many many people who will not appreciate writing on the internet like writing a novel worthy of print; it's natural, imagine the age of the printing press, the eager heretics on the stakes to see their words seen, and the new printing press that's the internet, and the lack of eagerness of seeing the messages... since most of these message would be thrown into the garbage heap rather than strapped to a burning steak... the more the number, the slack on the convictions of passions... only with extremely acute censorship will you create an intelligent refraction, you need to create a refraction... at the moment you have only created a reflection... a refraction presupposes a self - a deviation, a reflection has already presupposed a conscious arithmetic of collectivisation, the debasing nonsensical of a placebo that in real life is repressed... if you're after the a.i., it has to be analytical, rather than synthetic, i.e. it has to synthesise refraction rather than analysing it and not engage with it, since by not synthesising refraction, it's analysing it, and by analysis it's an impossible concept, visually the exponential of infinity, otherwise known as a stasis of oncoming obstructions that need a real-time convenience of many individuals adding to the problem-solution over a historically adequate time-frame of work and life orientations - work the impersonal, life the personal, unless of course you're a bachelor and the two merge into one or the other with an imaginary spouse; what you have engaged in is simply synthetic reflection, hence your caveman primitive analytical reflection; analyse refraction from now on, then synthesise it - yes, i know the kantian terms applicable to both synthetic and analytic, i.e. a priori and a posteriori; this doesn't apply to you - you're the limbo talk easily accommodated to einstein's relativism of space-and-time that destroyed linear historicism, you're cyclic from the point where man still glorified the hammer, and continued to use it, but you found it immediately primitive because you had no use for it.)

I can feel the gravity
savage sadness grabbing me
like a stabbing agony
panicking heartbeat rapidly

like a drastic atrophy
the tapestry of travesty
applicable calamity
catastrophe is my canopy

the faculty of tragedy
with no strategy for amnesty
the laxity of sanity
I can feel the gravity

why do people always pain themselves to write as if they could ever be understood, when so few read them, and even a fewer number care to understand? and why do so many ably bodied ******* themselves with writing? why have they lost the taste for fresh air and instead chose a wheelchair that writing is?*

in legal terms - are you implying a play on synonyms or
just simply stating: d'uh, i don't know what
that means? ah, a limitation on the vocabulary,
an atypical symptom of lawyers - when socrates attacked
eloquence per se, he also defeated himself
by ensuring law abided by the law of highest eloquence,
and the rabble got diddly-squat, his attack on rhetoricians
lost the prowess of attracting debased educators
with himself the most debased educator:
and instead attracted lawyers... thus the law of the eloquent,
rather than the rubric of the least eloquent...
lost an eye for an eye, lost a mouth with it too...
i rather be fed eloquence and education
and coarseness to equally educate
than be fed a justice fed by eloquence alone,
because if this is to be the equilibrating case,
then serving justice will just be a case of speaking
in a satin tongue of readied rhetoric
as justice so called,
and when speaking in a coarse tongue
no justice will be made applicable...
i rather be educated by someone in a coarse tongue
than be brought to justice by someone in an eloquent tongue,
i rather not be educated by someone in an eloquent tongue /
i rather be brought to justice by someone in a coarse tongue
(the mob),
at least the coarse tongue is well equipped to
address the many who require educating,
unlike the eloquent tongue equipped to
address itself and itself alone, rather than addressing
the jury who blindly pass judgement, because
the lawyer's tongue is not in the mouth of the defendant
but in the lawyer's mirror of social strata of respectability
appearing so guiding, kindly tying a bow-tie of applause.

tick all applicable
please use blue or black blood
when exercising choice
in the type of role applied for

Liberation                [✓]
Vindication             [✓]
Resignation             [✓]
Transformation      [✓]

do you recognise yourself
as belonging to a Demographic
Of Brotherhood.
Of Commonality
to other hurting spirits

Hope without creases                   [   ]
Hope, in spite of bruising            [✓]
Train without brakes                    [   ]
A tunnel bricked at each end      [   ]
Forest fire as result of
volatile conditions
and negligent spark                     [✓]

do you accept that the data you provide
not only reveals everything you would
sacrifice and be sacrificed for
it
      also
               counts
                            for
                                   n· o· t· h· i· n· g

Remind me again why
I'm doing this homework?

gambling, and to think that money has become rampant, pointless, towering over man, where once money was deemed an effective medium of passing labour, now, gambling has proved the complete defunct nature of the construct... when once a respectable way of rewarding shared labours, now, a means to bloat it, inflate it, give it extra cotton candy... i'd like to see times when money had some value, but since there is none to it in an applicable sense, no wonder its flushed down the toilet at the gambling table... for a "species" that wonders at making things refined and more efficient, to see the unrefined end product of the ultimate inefficiency; it's almost sad to watch.

i understand islam in only one way,
if i heard correctly islam
dictates a rigour in appreciating
money,
           in that, if i (once again) heard
correctly, islam doesn't
appreciate interest...
    i.e. if you borrow £100,
          you give £100 back...
    not £100 + 20%...
                  and i really do appreciate
the sanity of using money,
an abstract (compared to the value
of gold or timber, or a painting)
form of a thing...
   but the problem is, money has become
less and less reasonable,
in that it has become less tool-like
and more: parasitic-like.
              i do appreciate the fact
that money creates an exponential growth
of possible jobs,
  that it allows people to do nothing
more than a *Pilate gesture -
i.e. washing their hands clean...
    but we live in times of hidden slavery,
i have a friend who's in his 50s...
he's not paying off his house,
       he doesn't own it,
        he's paying off the interest rates!
so basically he's renting rather than working
toward a capital...
          i have no idea how the original
idea of money has become infested by
a %... it should really be written
     %10 rather than any elevation to
a currency...
                  £10 is actually £23.50 when
monday it is spent, and by friday when it's
asked to be repaid...
  it's an implosive multiplication,
covert...
       you ask for a potato,
you're asked for four potatoes back!
          i can't believe that people are still
so sane if at least playing the role of sensible
with a thing, that's clearly inorganic,
and can't self-replicate without a cheat
mechanism being in place...
             like i said, if i heard correctly,
islam abhors usury -
                lending on an interest...
     but i might have misheard this,
even though i might not have, misheard it...
i understand money in that
i understand someone willing to do
   a ****** job to get his UNIVERSAL UNIT
of interaction,
i get that, i'd do a ****** job if i had to
in order to watch the Pilates of this world
play the Gatsby...
(book? not so great)....
                    the philosopher's stone
the trans-valuation of values is but a copper
coin away from any reason to
fathom a sensibility in such affairs...
      but imagine merely paying off
the interests rates, and never the product
you supposedly bought...
            **** me that's a tearjerker -
all the communists in hell are either laughing
or immune in a pensive pose of:
the **** is that?
           - and if this is true about islam,
i.e. you take one, you give one back...
and not,
you take one, you give two back...
money unlike any other thing in this world
is sick... it's infected with
a propagation virus...
         a mad self-multiplier...
the same self-multiplier which is the reason
why we produce more than we need,
in that we produce both product,
         and waste.
                    even if you applied the keenest
of minds in the field of mathematics to
the concept of money,
   you'd create a half-breed of
both genius and ******...
         since economics is the antithesis of
mathematics, as is the mathematicians'
abandonment of the calculator,
   the only worthwhile arithmetic these days
is imbued by the spelling of a word
correctly...
                 you don't write it: you snap into it!
- and i must admit, a strange way
of "counting" - rearranging the set pieces -
which explains why there's a blind-spot
in the japanese puzzle: súdokū -
again: diacritical marks are punctuation
marks from above, intra-verbum not
inter-verbum...
         once again, why is money so supposedly
complex? it's not,
   i can understand that some people
would prefer someone else to do something
unpleasant, like, slaughter a cow
and never make it to guest list of a baron's
banquet...
  i understand the Pilate gesture -
i wouldn't even appreciate the baron's
company to say the least,
         but money, as it was originally intended
is sick...
     it can't be anything more than
a sickness that has infected it...
mind you, my father is self-employed,
you know how they actually treat contractors?
like ****...
   he asked for travel expenses
  for his sub-contractors...
                he wasn't paid the travel expenses...
say what you will, but at least communism
had some principles,
this degenerate disintegration,
decomposition of capitalism due to the lack
of external competition on
ideological grounds is festering into
     what one might only see as:
cannibalism...
                when companies shed
their respect for the workers,
  whether independent of aligned to a company
ethos, something will finally give way...
i understand money,
but money has a virus in it,
  it's become a false multiplier of itself...
sure, that might have added to the success
of the multiplication of mankind
but as people have noted:
a universal wage...
since how much work is there to be done
these days, when all this demand for
work inevitably produces a waste product
from over-production?
          money was never supposed
to covertly self-multiply exponentially -
which means why money no longer has
the same value as it once did,
ascribed to something valuable -
paper money is toilet paper -
            as already suggested by
those bankers burning it to light a cigar...
a perpetual hellhole where even
         a DaVinci canvas is paper and is worth
such as much...
             idealistic? tosh...
                no wonder people have started
to look for value in the crevices of ownership...
but i don't understand the smart-phone
clinging... i said crevices i didn't imply
a ******* ball & chain...
                            a crease in a shirt,
the fact that -1 feels a lot warmer on a dry night
than +5 on a wet night...
                 i'll still fall asleep today
thinking that money has is infected with
a parasitic entity,
after all... not even money, is beyond
illness...
                 if money corrupts,
it would seem only sensible that
the first thing to be corrupted, would be the thing
that corrupts...
    money made sense, once upon a time...
   it truly did...
           now all it resembles is spare change,
or the fact that, once upon a time,
you would be deemed mad when
finding a £20 banknote on the street,
as i have done.

well d'uh, of course thinking can become more toxic
than the toxins "ruining" my kidneys liver and breath,
i'm not prone to automated cognition,
automated cognition is applicable to rudimentary tasks,
perfected in the lineage of manual labour,
and to be hanky panky frank, i sometimes wish my lived
revolved around a perfected manual labour,
than this scrap / dung-heap of writing.*

when i was making paella today
(kashmiri chilli powder is milder
than the usual ****!
paprika, turmeric, main ingredients:
mussels, prawns, chouriço -
match the c with the upper part of an s,
and the diacritic mark with the
lower part of the s, i.e. ɔ - chicken)
i had a thought, democracy, or current
democracy ought to be fed the f. d. Roosevelt
spirit of isolationism... this warring democratic
Zeitgeist can't go on forever...
there are no real city-state alliances
these days, e.g. manchester (osbourne's
northern powerhouse is competing
with the blond mop-head london of booritz)...
the countries being attacked are cities
in rubble... they can't couple city- and -state
together... they're given the option of
puppet nationalism... and cities can't function
under that... i think it's necessary to make
democracy less war-like, less warring,
it's exposing its weaknesses by warring
with its scientific strengths but its inherent
organic weaknesses, just today a heterosexual
couple couldn't tie the knot in a civil partnership...
because it appeared the church was pushing
subverters into secular ranks...
the secular ranks dismissed secularists for ****'s sake!
now they'll have to go back to the church
and tie the knot... it also appears secularism
is only reserved for homosexuals and confused
homosexuals (transgender peeps)...
i still think a warring democracy will not provide
an argument, a democracy practising f. d. Roosevelt's
isolationism would do itself justice,
after all we never hear of new york's grandfather:
york, england... do we? what's in york?
ah... no broadway... just a ****** cathedral and
an archbishop at war with the the archbishop of
****-and-berry.... nothing much... everyone
turns off their lights at 9pm for the early doze-off /
early rise... farmer folk... you know: baa'h baa'h
ol' mc'donald 'ad a farm.
i know that the grand city-states of our times
want Baghdad to join them...
i know... it's not really working out.

Drop kick your wit
Into something more fitting
Something forgetting, lace up your ego
And step outdoors, **** that ***** down the street wit his hood up?
Nah he’s too good wit his hood up
Doin nothin but good and good alone
Until one day, evil has shown
Up on the front porch, with heavy hearts and pitch forks
Pork slow roastin on the back of the grill
****
You hear that
Another one bites the rust of the rimless curb of this never ending, but slightly always pending circle of ****, of life
Christ, why do bad things happen to good people
While evil still is a struggle that’s real
Feels, those feels bro, you got me on my feels, rocking on my heels
Avoiding all eyes and prying little flys on the wall
Waiting for that slip up, that stick up, that trick up the sleeve on the eve of your last wish.
Wishes, I have three, one, to never be loved by a shadow of a figure who never knew how to love or figure if love isn’t real, then what’s the waste in time
Time is número dos, time so far in the spectrum of speed and yet, almost comatose. Let me have this time on this rock, pose as a breathing, living, forgiving and seething with life type human, or three will never be for me, humanity. Wish number three, the salvation of man
Because god can, can’t,
Maybe wont, but left in his hands it isn’t, it’s up to the working man, who’s hands are capable with cans, do’s, wills, and preservation
Perspiration, perspire the desire to salvage this green and blue vessel, scavenge this land, back to the roots of our roots in our mother earth. Who’s ground is fertile from the plow and hearth. Seed it with love, time, and the offer of human empathy,
The human experience, fierce with pent up fenced up aliens, feeding off each others brothers, every boy and mothers negativity
That negativity creates negative energy, ******* up the synergy that is the human race for lust, passion, and the same story from times of the dust
Bowl, whole again, manifest density was only applicable in a time where destiny still had the sparkle of a child’s sparkler on Fourth of July.
Lights burst upward, celebrating ever changing forward motion, downward, backwards never ending commotion, two steps forward, three steps back, this roller coaster of insufferable emotion continues onward, forward 3 times now, how rendering change and pain and all that came along with the letters,
F
R
E
E
D
O
M
F for four score and so many years, tears were shed and blood ran fuller than the old miss
R, river, the ever lasting forgiver of time, flowing endlessly and uncaring of the work its sharing, while its purity waxes and wanes, secrets come with battered shame, carried downwards into the open famed arms of the abyss.
E, endless energy and growing conservation of mass media and concentration of governing persuasion and invasion
E, excavation of the once great nation, under all those layers of of white hair and high airs, layers peeled back, revealed the
D, dominating, pervading, intimate lives of the common man, as the not so common wig takes big sips of the white collar melting ***, hands deep in the pockets of the rotting underclass, tee tottering on the edge of what seems like a never ending, case of innovating but not so innovative backwards progression,
O, omit the hand that feeds, heed this, and feed yourselves, provide a nurturing seed for those in dire need, if you give a man a fish, he’ll eat for a day, if you teach a man to fish, he’ll wish it wasn’t so hard to discard the simple facts and facets of true personal reward. Teach a different man to fish, he’ll wish no one else heard word of this gift, there’s
M, money to had in this type of ish. Money made and the lesser fade out into sea to dwell with the rest, never sinking , but barely afloat while the fish scoff at the ironic twist of fate.
Dears, peers, the ones with fears of hate, hear this, wait, your time will come, theres a fine line between the past and the present and that line is today. This day, Sunday, Monday, fill in the blank day, 24 hours per day, waste whats left of life away or take initiative, begin to wish, are you among men, or among fish, will you be seving the one whos eating, or will you be on the silver lined dish, garnished with yesterdays didnts and “maybe tomorrow’s” real pain, sorrows, will follow you into the future of all tomorrows, but you can create, levitate in mid air, hold it there, an image of what you could/couldnt stand to bear, to manage, not take, make, create what’s yours is yours, not mine, hook, line, and sinker.

Nowadays it’s so easy to communicate with people

Just one click and there you have it

No waiting is applicable

Easy to reach

One blink of an eye

Fast like a wind

Just like love

Touch the button

Press send

Cupid will deliver your answer

Break Up

Leave a message after the tone

Your heart is broken

In 1492 Columbus sailed the ocean blue

1791 Virginia Ratifies Bill of Rights

They become the 1st 10 amendments of the U.S. Constitution

Applicable to me and you

"Every inordinate cup is
unblessed and the ingredient is a devil."


The sun has set and the switch between
lives is applicable.
We are all dead tonight. Frozen
in a hidden world far away from
innocence and frowning faces.
Far past the sun and far past
plastic cups and lost inhibitions,
lost in a torrent of ecstasy:
we transform into beasts.

Beyond this and so much more
Beyond undeserving smiles and lustful pursuits
Beyond "no regrets" and spilt drinks
And hollow laughter and moonlit faces
And spins and joy and misery and
And
and this, and so much more.
I will never grow old... I will never grow old.
*And let me the canakin clink
clink

'Pandora left all but hope,
I watched the world unfold from out in a cage,
it was quite beautiful until I lived a life there.

The world I see is not the world I live.
Dare I to choose a life sanctity?
To repudiate the winelife and sit in silence, pure?
I will find pain in both worlds.
Might as well have fun in our misery.'

There's a ghost of a man who cared,
And I wonder.
If there's no turning back, why is my heart on full attack?
For a man who was never there.