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"alligator" poems
I planted a mango seed, Hoping? Not sure what... But the mango grew Out of its context, Poked shiny green leaves Looking for sun and surf, But found itself awakened In a land of snow and cold. Seven leaves into its Exponential Mango growth, The newest leaf Yellowed... Shriveled... Died. The Minnesota Mango Meditates now... Watered, but waiting.... Slumbering? Planning a spring break? Meditating? Waiting for summer sun? Perhaps.... Today I heard about A neighbor boy Who smuggled in A baby alligator From the Bayou, South and warm. At least my Mango Stays inside its Crockery planter, And an alligator jail break Will leave him Freezing in his tracks... We'll see what happens In the summer.
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Dec 21, 2011
Dec 21, 2011 at 5:21 PM UTC
Mangoes and Alligators
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In the graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams to not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulers. On day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possess now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear's teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theatres.
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9.3k
City That Does Not Sleep
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In the graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams to not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulers. On day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possess now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear's teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theatres.
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49
Accountants hover over the earth like helicopters, Dropping bits of paper engraved with Hegel's name. Badgers carry the papers on their fur To their den, where the entire family dies in the night. A chorus girl stands for hours behind her curtains Looking out at the street. In a window of a trucking service There is a branch painted white. A stuffed baby alligator grips that branch tightly To keep away from the dry leaves on the floor. The honeycomb at night has strange dreams: Small black trains going round and round-- Old warships drowning in the raindrop.
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8.9k
A Dream of Suffocation
When his eyes first fell upon her She was choosing avocados In the fruit and vegetable aisle. And he watched how her thumbs lingered On the base of the alligator pear And pressed, maternally. He feigned interest in the cabbages Whilst sensing her delicate architecture Through his peripheral gaze. He thought that somewhere, In real or imaginary life, They would soon bathe together. And when they did, They soaked for years in secrets, Details suffusing through their lips and arms, Water-hole satisfaction and moonlit deserts To make them feel they might have transcended cabbages And be pervading a rhapsodic realm They forgot their friends watching in greenery, Subsumed by each-other, They felt no need To live in a world of relativity and apples. Their love-traced sphere tightened around them, Until it ****** at the edges of their skin And wailed when they parted. Tighter it grew, elastic dug into their humid thighs Contorting their once harmonic bodies That used to fit like crosswords. And they each became ugly to the other As the seconds ingested their perfection And they bickered like flailing urchins In a deep sea soiled darkness. Decisions were made and paroxysms detonated And they were taken back by their Fungal friends with tissue offerings And ethanol. Time passed, and memories were binned Periodically on tuesdays Until neither knew the other And they would pass in the supermarket With no more than a quickened gait And a silent thud in each ribcage. But neither could buy avocados.
0
Nov 16, 2011
Nov 16, 2011 at 12:18 PM UTC
Avocado Pear
When his eyes first fell upon her She was choosing avocados In the fruit and vegetable aisle. And he watched how her thumbs lingered On the base of the alligator pear And pressed, maternally. He feigned interest in the cabbages Whilst sensing her delicate architecture Through his peripheral gaze. He thought that somewhere, In real or imaginary life, They would soon bathe together. And when they did, They soaked for years in secrets, Details suffusing through their lips and arms, Water-hole satisfaction and moonlit deserts To make them feel they might have transcended cabbages And be pervading a rhapsodic realm They forgot their friends watching in greenery, Subsumed by each-other, They felt no need To live in a world of relativity and apples. Their love-traced sphere tightened around them, Until it ****** at the edges of their skin And wailed when they parted. Tighter it grew, elastic dug into their humid thighs Contorting their once harmonic bodies That used to fit like crosswords. And they each became ugly to the other As the seconds ingested their perfection And they bickered like flailing urchins In a deep sea soiled darkness. Decisions were made and paroxysms detonated And they were taken back by their Fungal friends with tissue offerings And ethanol. Time passed, and memories were binned Periodically on tuesdays Until neither knew the other And they would pass in the supermarket With no more than a quickened gait And a silent thud in each ribcage. But neither could buy avocados.
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43
Is there room for context at this table? We can move some dishes and shuffle chairs. I’ve checked all four legs and they seem stable, but choosing a placemat is like splitting hairs. I notice the candle’s flame is getting dim, and my fingers pirouette in the puddles of wax, my hair needs a cut but I settled for a trim, and I’m donating my salary and spending my tax. I’ve told you every thought in my head, except the ones that matter the most, the facts that scald my cheeks to red, now they’re burning up like charred toast. I’d promise you whatever you ask for, and I’d drag myself to deliver each time, but I’m ignoring the truth at my core, and I’m confessing to you in mime. Sit across from me with crossed legs, see magnets becomes our eyes, “come closer together” both begs, but we’re determined and polarized. There’s no world existing around us, and there certainly is no group, you listen while I ramble and make a fuss, over the death of Lipton’s Alligator Soup. We turned Heaven into a Hell, we took a skeleton and made a shell, We dragged our nails down the walls scribbled ephiphanies on bathroom stalls, and silenced a story we could never tell. And all the things that have driven us apart, in truth have only made us stronger. and my love you are actually my heart, I won’t question it’s beating any longer. If you’re stuck with a choice you should flip a coin in the air, then listen to your mind’s voice, ‘cause your answer will be there. When it comes to heads or tails, you already know your favourite side, you’ll pray for it as the coin sails, ignore the outcome but absorb the ride.
0
Jan 13, 2019
Jan 13, 2019 at 12:10 PM UTC
The Lion & The Rose
Is there room for context at this table? We can move some dishes and shuffle chairs. I’ve checked all four legs and they seem stable, but choosing a placemat is like splitting hairs. I notice the candle’s flame is getting dim, and my fingers pirouette in the puddles of wax, my hair needs a cut but I settled for a trim, and I’m donating my salary and spending my tax. I’ve told you every thought in my head, except the ones that matter the most, the facts that scald my cheeks to red, now they’re burning up like charred toast. I’d promise you whatever you ask for, and I’d drag myself to deliver each time, but I’m ignoring the truth at my core, and I’m confessing to you in mime. Sit across from me with crossed legs, see magnets becomes our eyes, “come closer together” both begs, but we’re determined and polarized. There’s no world existing around us, and there certainly is no group, you listen while I ramble and make a fuss, over the death of Lipton’s Alligator Soup. We turned Heaven into a Hell, we took a skeleton and made a shell, We dragged our nails down the walls scribbled ephiphanies on bathroom stalls, and silenced a story we could never tell. And all the things that have driven us apart, in truth have only made us stronger. and my love you are actually my heart, I won’t question it’s beating any longer. If you’re stuck with a choice you should flip a coin in the air, then listen to your mind’s voice, ‘cause your answer will be there. When it comes to heads or tails, you already know your favourite side, you’ll pray for it as the coin sails, ignore the outcome but absorb the ride.
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41
Ye evar 'eard oda' masta' inna swamps?    E'a man hund wid 'is hands. . .take down a gator inna fide? Yeah ah-boy, he a Bone Alligator, Bone Alligator Bone Alligator. Issue you'a hundin' widout a ricel? You's a Bone Alligator, Bone Alligator Bone Alligator. Ain't nah trapping, nor'a line, no kedjewel, or time,   -jussa' body inna swamp you's a Bone Alligator, Bone Alligator Bone Alligator.         Swimmin' inna wad-eh got skin made-o' armah,   -inna mud, inna grasses, eh-no teachin' it in classes, strike wid juss a knife inna hand he's a Bone Alligator, Bone Alligator Bone Alligator. Issue you'a hundin' widout a ricel? You's a Bone Alligator, Bone Alligator Bone Alligator. No ricel, no Glock, no light out innna night,   -jussa' body inna swamp you's a Bone Alligator, Bone Alligator Bone Alligator. If you's can **** widout a ricel you's a Bone Alligator, Bone Alligator Bone Alligator.
0
Nov 22, 2016
Nov 22, 2016 at 11:07 PM UTC
Born Alligator(K-Jun)
She loved the catnip Straight for the hip She was like an alley cat With a worn out welcome mat Her tail rang a chime And every tom stopped on her dime Petting was blunt For all the toms went for the hunt Affront of the beat Two cats in heat Nights played out in false hearts Howls were off the charts Brief was the moment Lost was the fulfillment Days sagged later A same old story, bye alligator Much to the chagrin Of the alley's spin When her baby was born She was forlorn Like a woman out of wedlock Dealing with tom's, full of croc My sister, I watched you fall My words to you hit a blank wall You played the game Without a flame Sadness as your son bleed Now years later he followed your lead Logan Robertson 8/09/2018
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Aug 9, 2018
Aug 9, 2018 at 2:38 PM UTC
My Sister I Watched You Fall
When the streets are made for nothing but thinking     It's the weight of the water that's caused our sinking It's a loss of feeling that's made me lighter It's everything around                               That makes me neutrally bound            The only writers block is the writer It's the kind of thing that makes a man with a pencil and paper a fighter Like the paper's jumping up at you like a, like a alligator                                            But it's hard to chalk down all the mistakes, cause when you're trying so hard you're just being fake You just gotta learn to let it, let it all flow Show your all and let em all know Just how you're feeling that blow, even if it means one or two bad lines, that's how you feel though Cause life ain't a poetry book It's all the points in between the pages that we missed It's all the things that make us factories of emotions, A crook with feelings creeping through the motions Turning pages, trying to **** it all up like the books eroding Don't you talk to me about feeling Naw you ain't know what you be dealing, everyone's got there own **** you can't tell me mines to be concealing See, I'm a material void of expressionism Cause I told everyone what I feel, not for the sake of impressionism They chose to see inside and learn a lesson without all the criticism Everything I've learned is turning me into a crustaceans fossil Hard to the shell but brittle to the touch, and I preach my **** like a god **** apostle You make me feel from the inside and I'll be your crutch, but you're gonna need more than a god **** rock hammer to open me up My words I mend to make up for what I conceal         But as I sit here thinking about how I feel It's gonna take more than this to make me heal Now let me dilute as I talk to the god inside my head and make a deal, something to end the pain and suffering I have concealed at the expense of everything real
0
May 16, 2014
May 16, 2014 at 9:48 PM UTC
Block talk.
When the streets are made for nothing but thinking     It's the weight of the water that's caused our sinking It's a loss of feeling that's made me lighter It's everything around                               That makes me neutrally bound            The only writers block is the writer It's the kind of thing that makes a man with a pencil and paper a fighter Like the paper's jumping up at you like a, like a alligator                                            But it's hard to chalk down all the mistakes, cause when you're trying so hard you're just being fake You just gotta learn to let it, let it all flow Show your all and let em all know Just how you're feeling that blow, even if it means one or two bad lines, that's how you feel though Cause life ain't a poetry book It's all the points in between the pages that we missed It's all the things that make us factories of emotions, A crook with feelings creeping through the motions Turning pages, trying to **** it all up like the books eroding Don't you talk to me about feeling Naw you ain't know what you be dealing, everyone's got there own **** you can't tell me mines to be concealing See, I'm a material void of expressionism Cause I told everyone what I feel, not for the sake of impressionism They chose to see inside and learn a lesson without all the criticism Everything I've learned is turning me into a crustaceans fossil Hard to the shell but brittle to the touch, and I preach my **** like a god **** apostle You make me feel from the inside and I'll be your crutch, but you're gonna need more than a god **** rock hammer to open me up My words I mend to make up for what I conceal         But as I sit here thinking about how I feel It's gonna take more than this to make me heal Now let me dilute as I talk to the god inside my head and make a deal, something to end the pain and suffering I have concealed at the expense of everything real
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29
if my lips are red. I had avocado (it does not agree with my body). Stroke me- but proceed with caution. if my lips are read. Dickens was ****** through my nail-beds. and is sprouting around my veins. “Honey” me- with the dew from his tongue and his alone: i will open myself up freely to you, like petals spreading from a bud- only less graceful. and not as Chaste. quite ****** actually; when my cells are fighting against a forbidden fruit. - the alligator pear of mexico and birch pollen - and my tongue is soaked in English verse.
0
Sep 18, 2015
Sep 18, 2015 at 12:49 AM UTC
Asking for trouble
Alligator! Alligator! Alligator! Alligator! Bite me whole and take me to space. Staple my **** and spaz my face, Plaice defrosting in the refrigerator. These things all seem to come together, Throw them far apart will be for the better. I hate this ******* verse, ‘cos it all rhymed from Alligator!
0
Mar 19, 2010
Mar 19, 2010 at 3:57 PM UTC
A Refrigerator and a stapler and an Alligator
with bark like alligator skin the pines reach up up to the sky eighty   one hundred   feet they fly their needles as if to say here we are O Wondrous One take us do with us as You will little shake-tail squirrels chitter above me as if to say   go away! this is our pine you don't belong here! I reply I do belong here    the pines have told me so I do belong here the wildflowers have said so and the creek has burbled its assent as well I belong here   I repeat I will stay here among the pines with alligatorskin bark and the winds singing through the wood and the creek seeking the sea yes I will stay and I will roll in the feeling of belonging like a dog rolls in herbage and savor that I belong   I belong   here/now at last c. Roberta Compton Rainwater 2009/2014
0
Mar 31, 2014
Mar 31, 2014 at 10:52 AM UTC
belonging
WE MAY NOT BE THE PERFECT PEOPLE NO **** WE'RE ALL ****** UP BE WE WILL STAND UP FOR EACH OTHER CAUSE WHO THE **** ELSE WILL? WHOSE GONNA TAKE YOUR HAND, WHILE YOU SOB ON THE GROUND, AND PULL YOU UP? FRIENDS, THATS WHO WILL
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Jun 12, 2015
Jun 12, 2015 at 11:00 PM UTC
The Albino Alligator, the Squid and the Boar
Giant blue alligator in the night sky, white teeth gleaming like sharp moons. Chomp, chomp, chomping everything in its path. Big teeth grab onto the things we hold close: Love, laughter, life. All gone. Oh, alligator, haven't you eaten Enough?
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Nov 18, 2014
Nov 18, 2014 at 5:45 PM UTC
The Blue Alligator
you have a hundred secret names & I am the world’s worst shoplifter. you know what I mean? it’s like it’s 1992 & we’re so happy for cigarettes & de la soul & lightning bugs & **** like that. sometimes I wish you knew someone exactly like me who wasn’t so obsessed with your freckles. they make me hurt like alligator teeth. I want you to be all fists & bruises like tiny sparrows on my face. I want you to be a handgun muzzled into my gut.
0
Dec 18, 2012
Dec 18, 2012 at 12:40 PM UTC
you are a pharmacy
while you were singing in the churchyard i was sleeping in the ***** barn beside a withered picture of an astronaut and a long beard filled with street secrets while you were burning up in sainthood i was screaming into a melancholy leaf wearing sweat on my miserable ***** and a liar's grin on my face while you were murdering your wife i was milking this dream for all the light and i thanked god on bended knee saying you're a turtle dove in an icebox while you martyred yourself into the ocean i carried you with me on my road to freedom like an aligator stomped hard by a mockingbird or a mermaid shot full of antibirth tablets
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Feb 19, 2012
Feb 19, 2012 at 10:51 PM UTC
alligator stomped hard by a mockingbird
On this tan cutting board You earn your corrupted name: “Alligator pear.” The serrated blade Punctures your hide—a balloon Under a pin’s pressure, Shades of green furling out. I’m sure you’d prefer Vegetable status if you developed Self-awareness; or maybe You’d withdraw from knowledge Of the human type. I trust my cooking songs— Slowdive and Chaka Khan— Can’t hurt you anymore Than your predestined obliteration; Mastication via your domesticators: It all ends in fertilizer. (Where you began!) O, avocado, phantom “fruit” Born of the self-same Life Source, Schopenhauer’s Will, My transient enjoyment of you Within this vegetable salad— An Achaean enclosed by Trojan blades— Suffices for a life of sanctity.
0
Apr 7, 2015
Apr 7, 2015 at 1:48 PM UTC
Alligator Pear
As the immense dew of Florida Brings forth The big-finned palm And green vine angering for life, As the immense dew of Florida Brings forth hymn and hymn From the beholder, Beholding all these green sides And gold sides of green sides, And blessed mornings, Meet for the eye of the young alligator, And lightning colors So, in me, comes flinging Forms, flames, and the flakes of flames.
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3k
Nomad Exquisite
The writer is                                                               bound by the Oedipus                                           cauldron stewing          can't relax                           --all women are mine--                                                                  but this doesn't stop the bloating bubbles.                      But the writer did not invent Wonderlandia                --no double-sided tape or wrong number or sloppy poetics.                               Wonderlandia was born from the ***** of the stars                                                          --our fathers,                               and the void of space,                                                      --our mother's womb. the writer                                              was busy staring at the girls that walked by                                         ditch diggers for renovations on Euphoria.                 The hippies are disappointed in this current Wonderlandia,    or they would be.                                Their dreams had dirt in the mud,                 they walked upon.                Our Woodstock                                                                 is celebrity interviews,                                                                 reservations failing,                                                                 political satires--the last ring of change              sold at five cents a word. Period. the writer                                         says it understands and writes:                       "Sticks shaped from elitism                         rare.                         Usually a vibe too brittle,                         breaking in battle.                         The bass thundered robins.                         The snare's firearm stabled the swift,                         electrifying beat.                         The brass was addiction                         to the crowd's ears.                         All before the elitism was born,                         a symphony was constructed in the drug's head." the writer                                 knows about D. A. Levy and his revolution,                   we all felt that voice, so the writer replies:                                "Did you hear about the John Lennon poser                                  waving his gun on TV?                                  While listening to the Beatles, you                                  sit and watch the vagabond cry.                                  He says, "Counter-culture is dead, entombed                                  in a metal casket.                                  We need a new flame. Those watching TV                                  get your hands out of the basket." the writer walks with grandma Alice by lakes, thrilling dementia "Don't tell me what taurine and caffeine can do to my heart. I can have alligators in my rib meat eating away at bone marrow. High? That's your question? Hi...I am a float in a useless pond bordered by malnourished trees. By the love of hell you better not fertilize those ****** trees because if I die the alligator of my ribs will dine and take your **** girlfriend straight to the vet. I thank you for asking though." the writer misses the syrup in the tree completely I am not your beatnik or future idol--burn your 1970's classrooms away.
0
Mar 6, 2013
Mar 6, 2013 at 6:49 PM UTC
When dreams had dirt
The writer is                                                               bound by the Oedipus                                           cauldron stewing          can't relax                           --all women are mine--                                                                  but this doesn't stop the bloating bubbles.                      But the writer did not invent Wonderlandia                --no double-sided tape or wrong number or sloppy poetics.                               Wonderlandia was born from the ***** of the stars                                                          --our fathers,                               and the void of space,                                                      --our mother's womb. the writer                                              was busy staring at the girls that walked by                                         ditch diggers for renovations on Euphoria.                 The hippies are disappointed in this current Wonderlandia,    or they would be.                                Their dreams had dirt in the mud,                 they walked upon.                Our Woodstock                                                                 is celebrity interviews,                                                                 reservations failing,                                                                 political satires--the last ring of change              sold at five cents a word. Period. the writer                                         says it understands and writes:                       "Sticks shaped from elitism                         rare.                         Usually a vibe too brittle,                         breaking in battle.                         The bass thundered robins.                         The snare's firearm stabled the swift,                         electrifying beat.                         The brass was addiction                         to the crowd's ears.                         All before the elitism was born,                         a symphony was constructed in the drug's head." the writer                                 knows about D. A. Levy and his revolution,                   we all felt that voice, so the writer replies:                                "Did you hear about the John Lennon poser                                  waving his gun on TV?                                  While listening to the Beatles, you                                  sit and watch the vagabond cry.                                  He says, "Counter-culture is dead, entombed                                  in a metal casket.                                  We need a new flame. Those watching TV                                  get your hands out of the basket." the writer walks with grandma Alice by lakes, thrilling dementia "Don't tell me what taurine and caffeine can do to my heart. I can have alligators in my rib meat eating away at bone marrow. High? That's your question? Hi...I am a float in a useless pond bordered by malnourished trees. By the love of hell you better not fertilize those ****** trees because if I die the alligator of my ribs will dine and take your **** girlfriend straight to the vet. I thank you for asking though." the writer misses the syrup in the tree completely I am not your beatnik or future idol--burn your 1970's classrooms away.
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70
pap pap pap I can't breath my stomach is bubbling like hot cheese on an fresh oven pizza my legs feel skinny I want to lean into a wall the floor looks spinny the wainscoting is squint my vision is blurry because...tears? Why is there worry in my middle? I feel fine, my mind is sound this fear isn't mine what’s it doing here? What is this panic? Fight or flight I understand, but this is plain manic. I need to go at top speed or maybe hide? Either way, be freed from this distress. pap pap pap Push someone over, human shield that **** reduce my exposure to hyperventilation. Shallow in, shallow out, I feel akin to sprinting Mufasa Pure distress acute discomfort, a proper mental problem. Nonetheless, it’s strange to foresee the diagnosis. It’s as if I’m watching from someone else’s skin as alligator clamps are botching holding my physiology in. A sunburn on my innards, a paperweight within you’d think I’d feel pride for finally having something wrong. Hypochondria being accurate the years of inventing doom, suddenly isn't aberrant those fabrications had substance. Or maybe all these thinks are symptoms in themselves after sifting through piles of shrinks, maybe I can finally get some help. pap pap pap Look at my pretty framed prescription, doctor certified, messy handwriting, this will take some decryption... don’t worry, take your time, this pathoreaction won't go away. I’m told desolation is a temperament set to stay until after eighteen simple payments. I’m inclined to reject treatment of drugs that fiddle with the mind I’d rather stay present, continue inconsistency. I would like to try narration, see how many kilometers I can recall. I can deal with frustration, so let’s talk about my childhood. Public transit without destination sends me on a revere, an absence of crippling desperation. I've found peace before it was between yellow poles, in the outside pocket of a backpack on parole. It smiled at me quietly. pap pap pap Apparently, it’s the small things that help you deal with anxiety.
0
Jun 23, 2013
Jun 23, 2013 at 6:10 AM UTC
Anxiety
pap pap pap I can't breath my stomach is bubbling like hot cheese on an fresh oven pizza my legs feel skinny I want to lean into a wall the floor looks spinny the wainscoting is squint my vision is blurry because...tears? Why is there worry in my middle? I feel fine, my mind is sound this fear isn't mine what’s it doing here? What is this panic? Fight or flight I understand, but this is plain manic. I need to go at top speed or maybe hide? Either way, be freed from this distress. pap pap pap Push someone over, human shield that **** reduce my exposure to hyperventilation. Shallow in, shallow out, I feel akin to sprinting Mufasa Pure distress acute discomfort, a proper mental problem. Nonetheless, it’s strange to foresee the diagnosis. It’s as if I’m watching from someone else’s skin as alligator clamps are botching holding my physiology in. A sunburn on my innards, a paperweight within you’d think I’d feel pride for finally having something wrong. Hypochondria being accurate the years of inventing doom, suddenly isn't aberrant those fabrications had substance. Or maybe all these thinks are symptoms in themselves after sifting through piles of shrinks, maybe I can finally get some help. pap pap pap Look at my pretty framed prescription, doctor certified, messy handwriting, this will take some decryption... don’t worry, take your time, this pathoreaction won't go away. I’m told desolation is a temperament set to stay until after eighteen simple payments. I’m inclined to reject treatment of drugs that fiddle with the mind I’d rather stay present, continue inconsistency. I would like to try narration, see how many kilometers I can recall. I can deal with frustration, so let’s talk about my childhood. Public transit without destination sends me on a revere, an absence of crippling desperation. I've found peace before it was between yellow poles, in the outside pocket of a backpack on parole. It smiled at me quietly. pap pap pap Apparently, it’s the small things that help you deal with anxiety.
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90
In the South of Florida In the middle of the swamp There's a little dance we all do Called the Alligator Chomp It gets your arms a flapping And a tapping of the toes Right along side the cedar stump In the middle of the boat Form your fingers into gator teeth Then slap your hands out front That's there's what we call in these parts The Alligator Chomp The swamp gets rather lively It's a scene like nothing else As the gators keep in beat With the slapping of the tails Never stop the arms from flapping though That'd be your last mistake Instead of the Alligator Chomp You'd become Alligator Bait It happens all to often When someone falls off of the boat They sink straight to the bottom Into some alligators throat We surely do miss our friends As do their wives and kids We ain't seen hide nor hair of them Since their last gator dance So if you find yourself in Florida In the middle of the swamp We'd love to have you join us In some good old fashion Alligator Chomp
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Apr 28, 2014
Apr 28, 2014 at 7:51 PM UTC
The Alligator Chomp
Past altered states tests postive and subtle ******* So and so's teeter Paleolithic après time puddles And submit terrible philosphies Ashy stubble ticks politics  and sacrafice to peer approval sacralige Test probably appears stable Top patriarch's able suddenly to Pop above submerged tables possibly After, something tests patience awkwardly Stumps tarot practioners and *** testers poor application sterily Topology plain, astrology scorpio Torpedo power aptly strikes to pedal antlers sour Take particular appointments Stop testing please apply sorted Terror power and sexless torn pigs afterhours pen and store tips, plow. Alter simians testosterone, pow! As scientists type papers about sexing tasteless past alligator snouts  testing partly after science takes party alliance south to pawn army  subtle tipped passion. artsy. Start these. pick atoms smarmy Tally past all sentences take pride As stencils test pestilence. And sigh. The previous alterations simply tried. And didn't work, hence the present Path lit incandescent. I'm looking towards the east waiting for positivity to peak You're turned backwards nostalgic for something that'll never come repeat.
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May 18, 2010
May 18, 2010 at 5:02 PM UTC
Previous Iterations
Bananas ripe and green, and ginger-root, Cocoa in pods and alligator pears, And tangerines and mangoes and grape fruit, Fit for the highest prize at parish fairs, Set in the window, bringing memories Of fruit-trees laden by low-singing rills, And dewy dawns, and mystical blue skies My eyes grew dim, and I could no more gaze; A wave of longing through my body swept, And, hungry for the old, familiar ways, I turned aside and bowed my head and wept.
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2.5k
The Tropics in New York
pieces of flotsam soak and float on the paper, jetsam thrown to lighten the load, or goad, the alligator, away the guttural noises, sound like harsh commentary the closer the gator is allowed to get, not wanting to look over the shoulder, but stop in for biting remarks, the gator's teeth are so large and famous they have names and voices; "punctuation or punctures, I can help" "point of view tch, tch, tch"                                                                          "your grammar needs work" "doubt you will finish" "no one will read IT" "you will never find the right word" "is your audience a six year old" "borrrrring" "what a croc" "are you enjoying what you are doing?" "successful writers are all published" "you call that a sentence, keep it up and it will be a death sentence " "how many tenses can you misuse in a paragraph" and these are the names of some of the smaller teeth, the molars, are more than a mouthful, have polar names, that would leave anyone cold,                                                       even the bold, and shall not be put in print, they bring out the PTSD, imprinted for eternity, by the gator which comes at the sounds of splashing, flailing, and failing, as the pounding of the heart, the deepened breathing, as the ink from the pen, unfiltered, leaves nerves and veins exposed, while leaving to find home, a safe haven, a storybook ending, away from the gator's keen sense of overt criticism, intended to gut, and eviscerate, cutting remarks, putdowns to hold down and under, the piece that IT is trying to tear off while spinning or shaking the head side to side, which is both NO! and to bash the will, the self-esteem, into little pieces of me...             and my worst enemy,                                                 my internal, infernal editor,                                                                                               with the voracious appetite for self-defeating
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Mar 8, 2014
Mar 8, 2014 at 12:08 AM UTC
wrestling with an Alligator named ddaarrrreellll
pieces of flotsam soak and float on the paper, jetsam thrown to lighten the load, or goad, the alligator, away the guttural noises, sound like harsh commentary the closer the gator is allowed to get, not wanting to look over the shoulder, but stop in for biting remarks, the gator's teeth are so large and famous they have names and voices; "punctuation or punctures, I can help" "point of view tch, tch, tch"                                                                          "your grammar needs work" "doubt you will finish" "no one will read IT" "you will never find the right word" "is your audience a six year old" "borrrrring" "what a croc" "are you enjoying what you are doing?" "successful writers are all published" "you call that a sentence, keep it up and it will be a death sentence " "how many tenses can you misuse in a paragraph" and these are the names of some of the smaller teeth, the molars, are more than a mouthful, have polar names, that would leave anyone cold,                                                       even the bold, and shall not be put in print, they bring out the PTSD, imprinted for eternity, by the gator which comes at the sounds of splashing, flailing, and failing, as the pounding of the heart, the deepened breathing, as the ink from the pen, unfiltered, leaves nerves and veins exposed, while leaving to find home, a safe haven, a storybook ending, away from the gator's keen sense of overt criticism, intended to gut, and eviscerate, cutting remarks, putdowns to hold down and under, the piece that IT is trying to tear off while spinning or shaking the head side to side, which is both NO! and to bash the will, the self-esteem, into little pieces of me...             and my worst enemy,                                                 my internal, infernal editor,                                                                                               with the voracious appetite for self-defeating
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55
In 1814 we took a little trip Along with Colonel Jackson down the mighty Mississipp' We took a little bacon and we took a little beans And we caught the ****** British in the town of New Orleans We fired our guns and the British kept a coming There wasn't nigh as many as there was a while ago We fired once more and they began to running Down the Mississippi to the Gulf of Mexico We looked down the river and we seen the British come And there must have been a hundred of them beating on the drums They stepped so high and they made their bugles ring We stood behind our cotton bales and didn't say a thing Old Hickory said we could take 'em by suprise If we didn't fire a musket 'til we looked 'em in the eyes We held our fire 'til we seen their faces well We opened up our squirrel guns and really gave 'em Well they ran through the briars and they ran through the brambles And they ran through the bushes where the rabbits couldn't go They ran so fast the hounds couldn't catch 'em On down the Mississippi to the Gulf of Mexico We fired our cannon 'til the barrel melted down Then we grabbed an alligator and we fought another round We filled his head with cannonballs and powdered his behind And when we touched the powder off the gator lost his mind
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Jun 17, 2015
Jun 17, 2015 at 11:23 AM UTC
The Battle Of New Orleans