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Simon Oct 2019
Probability isn’t the luck it deserves for wanting desperately to be noticed by any appeals. Generating new focuses never thought possible. If so… Who is the recipient? Who is the lawmaker? Who being the justice department? Goods to making essential markers on productive velocities. Justification is outweighed by department alone. Growing ever scarcer without benefiting attitudes in place. Conjecturing solvent pleasures across many fields. Fields of accessory dependents ensuring a collective term is agreeable. Except, what if probability is outweighed not by something further from its own attitude? What if it can’t benefit itself? In question, becoming misshaped, mispronounced, or misinterpreted. Depending on who’s right, or who’s wrong shouldn’t matter until claims are assured. Propagating across the many fields of accessory dependents. Dependents outweighing the logic one is misshaped by. Demonstrating probabilities mispronouncing sense of terms for oneself. Wrapping up in a crumbled conjecture. Propagating a newer field of already surveyed products. Truth is in the stream that propagates those fields. Accessory moments dependent on gaining tension through the rise of the recipient. That’s the only way probability will ever learn. Hence why it shuts down if it ever involved itself. Itself without its own recipient. Its own justice department. Lawmaker without any dependent ideas would ever appeal to its own logical making, if it’s never dependent on itself. Only flashing the accessory dependent on other influences. Influences going way down the line of certainties without pleasure. Urges relapse. Furthering its own clustered rut! One without mistakes diverging deeper into uncertainties. Taking risks isn’t noticeable. When probability taking risks enough to (blush) down the line of certainties without an aim involved. Scattering their rut from within. But how does it involve probability? It doesn’t. Probability is the representation of how one constant judge itself for pleasure. When pleasurable actions are dependent with a blank impression never sought out. To focused on probability. When probability isn’t fruitful by its own design either. Only way it works. Never looking back in itself. A reflection of tempted attitudes fluttering in a swift, but rigid wind. Wind never tempted by its own sway. If one is to admit what they aren’t even aware of changing. Another shutdown happens! Justifications for probabilities own reckoning depends on other solvents. Solvents who don’t even understand the probabilities of there own life makings. Able to learn what is dependent onto others. Never within themselves directing their starry performance. What happens when things are finally noticeable within probabilities that will exceed probable actions of the force that dictates fates majority complexes? Complexes without variety. Varieties misshaped by mishappenings of trust. Which includes a basic awareness of some factor never hesitating to judge within the core of being itself. A view fate designs in its weapon of probability very well. What is fate up to…? Never can guess when probability shuts down all appliances out of contact with no one but itself left in the dark. Probability is. Everything has just become disowned. Fate exchanging glances with itself for one last second, before rapping up this little diverse expression. Pinpointing its weapon of probability without knowing why that is? Hinting at fate not being the only recipient to follow in its weapons obstructed desires.
Probability without luck is forever undetermined. Having faith in itself, will redeem the actuality of actions placed without words. Luck? Faith? Lots of hints one hasn't fully realized.
judy smith Aug 2015
Summer Finn is the charming, elusive love interest of protagonist Tom Hansen in 500 Days of Summer. From her playful personality to her cutesy hair ribbons, actress Zooey Deschanel's 500 Days of Summer style is irresistible. IMO, the overall look of her character is not a far cry from Jess Day's style (the leading lady of New Girl, also played by Deschanel). However, Jess' style is on the kooky side of whimsical while Summer's errs on the feminine side.

Summer's style could be described as girly, quirky, and ethereal. The ethereal factor probably has more to do with her attitude and personality, as she tends to keep Joseph Gordon-Levitt's character Tom at arm's length. (I know, who in their right mind would do that?)

The baby blue clothing that she wears throughout the movie also reflects this sentiment, since blue is regularly associated with sadness. It is almost as though Tom knows subconsciously that his relationship with Summer will not end well. This makes perfect sense in filmography terms because the movie is shot in a non-linear narrative. Right at the start, the narrator even informs the audience, "This is a story of boy meets girl but you should know up front, this is not a love story."

So here's how to channel Summer Finn's charmingly tempting style, because looking like a modern day femme fatale is one of my personal favorite things.

1. The Summery Tea Dress

Channel Summer's vintage style of decades past by with a lovely, feminine tea dress. Summer's has cute, capped sleeves, a magical swirly pattern, and it appears semi-sheer (adding a touch of naughtiness to her outfit). Whichever style you choose, make it a modest length with flirty details, whether that be sheer material or cheeky cut outs.

With its sheer sleeves, cutesy Peter Pan collar, and adorable buttons, this darling pale blue dress is just the ticket and is available in sizes S to 4X.

2. The Cat Eye Makeup

Cat-eye makeup gives off a vintage vibe while also adding a sassy feel to your beauty look. To tone down the sass and keep it less Catwoman and more Brigitte Bardot, keep the rest of your look super natural. Think dewy skin and rosy cheeks.

This vegan eyeliner has a super thin brush so you can create your cat-eye flick with ease. If you're feeling funky, you can even pick an alternative color such as white or purple to really make a statement.

3. The Alternative Workwear

Summer proves that workwear needn't be boring. Put a youthful spin on the classic, white shirt by wearing a sleeveless style and pairing it with high-waisted, tailored trousers.

This classic white shirt is a style steal and can be paired with a multitude of garments. It'll make choosing your work outfit much easier when you're bleary eyed and you've not yet had your morning coffee.If you wish to wear a more feminine style and channel Summer's gleefully girlish side, then why not wear a mini dress? As long as it's tailored in some way (like Summer's stiff short sleeves) and sports a formal flourish (like the lace hemline of her dress) then you should totally be able to get away with wearing it for work. If in doubt, throw on a blazer. Blazers make any outfit look formal.

This pencil skirt dress with its stripe detailing and capped sleeves is sure to have you looking like the best dressed in the office.

4. Up Your Hair Accessory Game

Ms. Finn is often seen sporting some kind of adorable hair accessory. She changes it up from powder blue ribbons to strappy, modern headbands to suit her different ensembles. A ribbon worn as a bow in your hair has connotations of Sandy from Grease and in turn adds a youthful naivety to your outfit.

If you're short for time on a morning, throw your hair into a high ponytail and clip this cute bow into your barnet for instant vintage vibes.

A strappy headband is nostalgic of retro Alice bands. However, the straps keep it modern and elegant. IMO, Summer has nailed hair accessories. She wears the pretty bow in her free time and the grown up headband at the office.

I could totally imagine Summer wearing this simple yet feminine headband. Plus, the pearl design will add an air of sophistication to your outfit, helping you to appear oh so ladylike and mature.

5. The Off-The-Shoulder Chiffon Dress

Seen in a completely different look, Ms. Finn looks stunning in an off-the-shoulder chiffon gown that juxtaposes hilariously with the "*****" game she plays with Tom. To me, the décolletage is one of the most sensual parts of a woman's body and exposing it can sometimes feel sexier than showing off your cleavage or wearing a tight dress. The addition of the chiffon plays on Summer's ethereal, magical side and she reminds me of A Midsummer Night's Dream characters. The key to this look is picking a flowing, fairy-like gown.

read more:www.marieaustralia.com/cocktail-dresses

www.marieaustralia.com/short-formal-dresses
L B Aug 2018
Bent
Near to breaking
by her burden
of fruit, swollen with seed
In that thrashing by wind
Bearing down on the sun
in her labor—
of  Need
to bear
the pain
to bring
her yield
to his hands—
her harvest
of warm juicy softness


Gone—
the upright
reach of untouchable spring
When stems, stern and smooth
wore a lace-beaded bodice of bloom
of coral chiffon
First leaves
a scarf
with a fringe of lime green
wrapping her gifted and lean
to the buzzing

She was lighter than dew
to the amateur insects
smeared with her

Her only accessory--
a robin
They had left
as evidence
they had ravaged
its song


Now broken and leaking
more damage endured  
Ripe fruit in rough hands
He leans against limbs
by his weight sternly pressed  
so suffused in the fragrance
of peach intoxicants
which he will have--

He is lost to his lust
He is forcing his need
into another year's beauty

asserting his claim over and over again
of that lost and ancient bounty
Many edits 8-16-18.
Banita khanal Sep 2015
I really miss that thrill I used to feel when we started dating
I want to bring back the same moment exciting
Those days when we were not able keeping our hands off each other

So today when you are home, you will find our sleeping son
And me in a mood of beautiful seduction
Instead of regular powder I will be using formula flavored
That dress you gifted will be perfect not to cover my body tattoo
That would be the perfect accessory

I know you like my **** lips
But today I will apply some vanilla flavored gloss just to attract you towards it
My bronzed skin is itself ****, you always said
You will be all hot and bothered by the perfume I wear
nabi 나비 May 2017
when i see her hanging on your arm
hanging like an accessory
i remember what it was like
to have hung on
appearing for just beauty
and i realize how grateful i am
that i gave up my place
because i saw how you didn't care
and despised the way i am
my loud mouth was too loud for everyday wear
my androgynous clothing was too masculine for your style
my devoted interested were to permanent for your living
ad my strong beliefs were not agreeing with yours
so i'm glad
that i got away
and stopped being your accessory
but i feel sorry for any other
that lets you adorn her
for the world to see
yet lets you bat no eye
for her when you leave for home
ryn Feb 2015
People cheat,
people lie

To get ahead
or
just to get by.

They do it out of deemed necessity
or
have made it a successful habit.

Some would feel bad,
but
some wouldn't lose sleep over it.

Some lie to protect...
Some lie to infect...

With little remorse
or
full blown guilt.

Either way
risking
all they've built.

A lie is an accessory
that most tend to abuse.
A convenient mask
for the ugly truth
that most would misuse.

Lies are...
The bane of relationships
Destroyer of trust...
Conveyed by irresponsible lips.

So have I ever lied?
Have I ever desecrated
honesty's pride?
Have I ever wielded it
to save others from harm?
Have I ever employed it
to boost my charm?

No I haven't,
now that's a lie...
Spouted that so easily,
I didn't even need to try...

Honestly,
YES I HAVE.
I am no exception...

I am no saint,
I'm only human
...
with an ill sense of direction.



I have lied...
How about you?

Search deep inside...
*You know you have too...
all things are useful, bulbs
bring light , denote ideas,
good intentions, spent,
collected.

cotton hankies, frayed hold the books,
yet those with nylon, stretch the skin
resulting in red and soreness.

shy away from dangerous commodities,
use the best, those tradtional artefacts
which are gentle on your soul, bring light.

wipe your nose clean.

sbm.

today we have added notes for your interest.

A HANDKERCHIEF (also called handkercher or hanky) is a form of a kerchief, typically a hemmed square of thin fabric that can be carried in the pocket or purse, and which is intended for personal hygiene purposes such as wiping one’s hands or face, or blowing one’s nose. A handkerchief is also sometimes used as a purely decorative accessory in a suit pocket. When used as an accessory to a suit, a handkerchief is known as a POCKET SQUARE. There are a wide variety of ways to fold a pocket square, ranging from the austere to the flamboyant.

The material of a handkerchief can be symbolic of the social-economic class of the user, not only because some materials are more expensive, but because some materials are more absorbent and practical for those who use a handkerchief for more than style. Handkerchiefs can be made of cotton, cotton-synthetic blend, synthetic fabric, silk, or linen.

Historically, white handkerchiefs have been used in place of a white flag to indicate surrender or a flag of truce; in addition to waving away sailors from port. King Richard II of England, who reigned from 1377 to 1399, is widely believed to have invented the cloth handkerchief, as surviving documents written by his courtiers describe his use of square pieces of cloth to wipe his nose.
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
RatQueen Jul 2018
I guess it is a comfort
where I'm supposed to be
I always wanted a forever
and the pain it follows me
If I can't have it one way
I can always have another
And I can share with others
And be sure to pull them under

Making sure they're next to me
Whether physical or memory
I am not too good to beg
for accessory

As I live and breathe
I wear it all upon my sleeve
I put my insides on display
slice and cut and cleave
My very own defense
against my emptiness
I'm broken but I'm open
and full of tenderness

I just entertained a fantasy
and set that thing on repeat
My eyes started to water
at all the things you said to me
I fed you all your lines
and gave you cues and clues
only for it all to leave me lost and so confused
I rip out all the pages
from that day and back
so I don't have to focus
on everything I lacked

Making sure they're next to me
Whether physical or memory
I am not too good to beg
for accessory

As I live and breathe
I wear it all upon my sleeve
I put my insides on display
slice and cut and cleave
My very own defense
against my emptiness
I'm broken but I'm open
and full of tenderness

I hope you believe me but I have nothing to prove
I hope you are certain in your next move
I hope that I feel so good to you
I hope that I feel so good to you

Making sure they're next to me
Whether physical or memory
I am not too good to beg
for accessory

As I live and breathe
I wear it all upon my sleeve
I put my insides on display
slice and cut and cleave
My very own defense
against my emptiness
I'm broken but I'm open
and full of tenderness

I hope you believe me but I have nothing to prove
I hope you are certain in your next move
I hope that I feel so good to you
I hope that I feel so good to you
Do I feel good too?
Do I feel good too?
Do I feel good too?
judy smith Mar 2017
WHEN Jayson Brunsdon learnt he had to muster the strength to fight cancer as his fashion empire crumbled around him, he was at breaking point.

Luckily for him and husband Aaron, a saviour was on the way — in the form of a beautiful brown-eyed angel — their son, Roman.

In a heartfelt interview with Wentworth Courier ahead of the March 30 launch of their book, Designer Baby, the couple shared their tumultuous journey to bring Roman home to Australia after he was born to a surrogate in Thailand.

Watching their faces light up as the now two-year-old Roman gleefully dives under a mountain of pillows on the couch at their Elizabeth Bay apartment, it is easy to see why they describe him as “the light at the end of the tunnel” after what they have been through.

And the couple has held nothing back in telling their amazing story of survival, hope and determination in the face of unbelievable adversity.

Their world came crashing down in 2008 when the global financial crisis delivered a devastating blow to their Jayson Brunsdon label, a darling of the fashion world, worn by Crown Princess Mary of Denmark and Jennifer Hawkins.

“Most of our business was international, in America and England … and we lost all that business overnight,” said Jayson, 52.

“It was around the same time that I was diagnosed with (testicular) cancer.”

He faced a three-year battle, including four months of intense chemotherapy, after surgery had failed to stop the disease spreading.

“It’s very difficult to be creative when you can barely get out of bed and you’re deliriously ill and you feel like you’re dying,” he said.

“It was a really hard time and it went on for a long time so we had to downsize and we had to get rid of our stores.”

Aaron, 44, said the cancer made it impossible to keep the business afloat.

“Jayson was the creator of the brand but my time had to be devoted to his care as well and so … everything started to suffer and it kept going down and down until we reached rock-bottom,” he said.

“It was the GFC, it was the cancer, it was everything and one day we woke up and lost everything, we lost the entire business.”

Rather than give up, Jayson fought the cancer and won — a process which caused him to reflect on his life to the point where he questioned whether he even wanted to be part of the fashion world.

“Cancer was life-changing because after you’ve been through it, you just can’t deal with ******* and there’s so much of it in the fashion world, it kind of revolves around it and I thought; ‘I don’t know if I can do this any more’,” Jayson said.

“But what else was I going to do? We had the business and … when we downsized, I could kind of get away from it all.”

The couple has since rebuilt the business and the Jayson Brunsdon black label is in 40 Myer stores.

When Jayson went into remission, the couple of 18 years could finally pursue their dream of having a family together.

“We had wanted it for a long time but (the cancer) meant we had to put the whole thing on hold,” Jayson said.

“At that time we started to realise there was a lot more to life than working seven days a week and struggling every day,” Aaron said.

“We wanted something more and I think one of the most important things in our lives was having a family.”

After doing a mountain of research, the couple began eight months of preparation work with the All IVF Center in Bangkok and they were matched with their Thai surrogate ****.

They were over the moon when she fell pregnant with Roman, using Aaron’s cousin Rebecca’s egg, donated altruistically, and Jayson’s *****.

But their excitement turned to panic when the Thai Government announced it was going to outlaw surrogacy in the wake of the Baby Gammy scandal, when an Australian couple left their son with his surrogate mother because he had Down syndrome.

The couple was told the chances of bringing Roman home were “almost impossible”.

“At the time, it was the worst news any parent could face — we were five-and-a-half months pregnant and at that point we knew there was going to be a fight and we just didn’t know how long the fight was going to be,” Aaron said.

“It was one of the most tumultuous times in our lives because we had gone through so much to get to this point and we’d had so many challenges.

“When we finally got pregnant, we thought there is a light at the end of the tunnel.

“And then for the bombshell to drop on us to say that ‘you can’t bring him home’, that was the most frightening thing that had ever happened to us.”

In the wake of Gammy, the Thai Government ordered an audit into IVF clinics.

This led to the forced closure of the All IVF Center after authorities allegedly discovered links to the human trafficking of surrogate babies.

The fate of about 50 Australian couples — including the Brunsdons — was thrown into limbo.

After much political wrangling, Foreign Minister Julie Bishop arranged a pact with the Thai Government who agreed to grant a grace period for pregnancies already in progress.

Jayson finds it difficult to articulate the relief he felt.

“It was just sheer joy, it was like, ‘thank God’, it’s difficult to describe really because it’s about our child and if you can’t get him home, you don’t know what to do,” he said.

“When it was all clear, we were just ecstatic and we could get on with living again. We were just on hold, we were holding our breaths.”

But they were not out of the woods yet.

Despite being assured they would have not issues leaving Thailand after Roman was born on January 5, 2015, they were detained at the airport for human trafficking.

“Initially they said, ‘we are not going to let you go until we see the surrogate mother’ and they asked us all these questions and they were screaming at us,” said Aaron.

“It was awful, we were so terrified.”

Eventually they were allowed on the plane — Roman had an Australian passport and Jayson’s name was on the birth certificate.

Jayson has spoken out for the first time in response to accusations that he saw Roman as a commodity akin to a buying a fashion accessory.

“That’s kind of pathetic really. Who has a child so they can have them as an accessory that they can dress up?” Jayson said.

“I just think it’s just really bigoted, discriminatory, really ill-informed and it’s unacceptable.

“Some people are just really ignorant people and they don’t understand that when you’re gay, you’re born gay. It’s like being born black … you can’t help it.

“So if you want to have a child, why shouldn’t you have a child?

“If we got him as just an accessory, we would have been over him by now wouldn’t we?

“It’s part of the joy of being a new parent, to buy the cot and decorate the bedroom and all that kind of stuff.”

Jayson said Roman had “enriched” their lives.

“He makes us so much more responsible, patient, caring and loving and we are very lucky because he is just a gorgeous little angel,” he said.

“(Parenthood) is such a fantastic experience. It’s the hardest thing you ever do, but it’s the best thing you ever do.

“It’s the best thing we ever did, it’s better than showing in New York Fashion Week or anything, it’s a much more heart filling experience than anything you’ve ever done.”

Aaron said they would ensure Roman was not deprived of anything.

**** said she would do it all over again if they ever wanted a sibling for their son Roman.

“One day in the future if you want to have a sister or brother for Roman, if she can help and do again, she is happy to do,” said an interpreter responding to questions.

The mother, who had never been a surrogate before, said she discussed her decision with her husband and family, including her two children Jonus, 16, and Nicky, 6, “so everyone knew and agreed”.

Her motivation was to help the Australians, “fulfil a family that would be the most wonderful gift to them that they can never forget”.

“She also believed this is a very good thing she did, to give life,” the interpreter said.

“She look after someone’s baby for them. She want to make that couple also very happy.

“She loves and talk to baby and let her kids and family touch and talk to a little boy inside. “Because she believe her love and care will be the best vaccine for baby to grow well.”

When she met Aaron and Jayson, she understood how they felt.

“You two very good people. She knew you are super fathers who will raise a little boy surrounding with love, good education and all good things,” the interpreter said.

“Buddha teach her to be good people, to help other people and bring happiness to people.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Madison Aug 2018
Forever ago
I looked you in the eye
And made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.

You smiled at me --
Crooked, imperfect
Utterly charming --
And asked me to lend you a light.
A lighter passed between our hands
Before a tiny flame illuminated our faces in the dark
A silent 'I do.'

From that night on
I've had things that other girls
Only possess in their wildest dreams
And, even then
Wouldn't dare say they desired.

I ride shotgun by default
In a ******* car
Much too fancy to legally be yours.
Gifts come in the form
Of beat-up leather articles
That you once wore
Though the lingering shadow of smoke
Is hardly enough
To mask the hint of drugstore perfume.
Sometimes
If you're feeling especially charitable
These offerings are accompanied by the more traditional heart shaped box --
Filled with bullets, of course--
Or a single deep red rose.
For some reason
Every flower you pick
Seems to have many more thorns
Than most of the ones I've known before.

What you seem to consider the best gift of all, however
Is your presence.
I suppose you think it works both ways
When you parade around town
Arm slung around my shoulders or waist
Smiling like I'm some pricey badge
Your signature accessory.
Your performance draws attention, of course --
Awe-stricken once-overs
Envious double takes
Lingering looks that make overzealous Average Joes
Trip over their own feet.
As far as my own feelings go
The envious rush I used to get from the lust-filled eyes of other women
Has long since faded
But the crawling feeling of some depraved pervert's eyes flitting from you to me
And your proud smile, devoid of any visible love
Continue to make my stomach twist itself into painful knots.

What all those adventure-hungry good girls don't know
Is that I haven't felt as powerful as they do in their dreams
In a very long time.
What those green-eyed Plain Janes won't understand
Is that I am little more than arm candy
Your passenger-seat second-in-command
Posed like some special edition, leather-donning Barbie doll
Instructed to sit still
Hold the gun
Look pretty.
They don't realize
That the ache that comes with loving you
Feels absolutely nothing like the feeling described
In the lovelorn writings they post to their blogs.
There's nothing beautiful about it
No reward for staying up all night
Chest aching
Sobbing into a limp pillow in some random hotel room
Trying my best to keep you from hearing it.
As much as I hate to admit it
Nothing you do for me
Makes it worth it.

They all seem to forget
That it was Bonnie
Running from one man who didn't love her
Falling into the arms of another
Already broken
Hoping he might be able to mend a piece or two.
They don't realize
That it was Bonnie
Who **** near got her leg burned off
Because Clyde flipped the car.
The fault was completely his
And yet
She was the one who took the brunt of the damage
Being reduced to having Clyde carry her around
For the rest of their numbered days.
They don't stop to think that this is anything other than 'romantic'
How unfair it is that the world allowed him to ruin her
That maybe --
Just maybe --
She didn't want to be a weapon for him to carry
But a self-firing rifle.
Something intimidating
Unpredictable
Never dependent
On some hotshot
That everybody believes that she was in love with.
The idea never occurs to them
That maybe
When the two of them went down in that infamous hail of bullets
Maybe she wasn't enveloped in warm thoughts of going out in a blaze of glory
But anger
That she didn't get away with it this time
And never would again.


I understand now
That
For all intent and purposes
Bonnie and Clyde are a concept that should have been left behind
Way back in the 30s.
There is no passion
In dying --
On the inside or the outside --
Next to someone everyone thinks that you love.
There is no love
In your arm around me
Squeezing the humanity out of me
Like a man-shaped boa constrictor.
There is no glamour
In sitting loyally by your side
Gripping my seat until my knuckles are white
As you drive your own getaway car
Laughing to yourself
Without ever chancing a glance at me.
There is no beauty
In being wrapped in a jacket
That smells like another woman
No satisfaction
In mechanically handing you a brand new lighter
So you can light another cigarette
To prematurely age your beautiful, James Dean number one-million-and-one face.
I feel no affection now
Watching you smoke up like the nicotine glutton burnout that you are
And I will feel only contempt if --
Heaven forbid --
I ever die by your side.
You exhale
And turn to look at me with sleepy, empty eyes
Letting the remains of your cigarette flicker out
Just like the novelty of having you around did.

Why I resent those girls now --
The ones with those eyes, so hungry and green with envy --
Is that, when we first met
I was just another one of them.
So pampered
So inanely bored
Such a 'hopeless romantic'
That I promptly decided to follow you the ends of the Earth
To every grimy hotel
Even to our demise in the desert, if you wanted me to.
It took me forever to realize I deserved better
And, by then
It was all too late.

While I despise those girls who stare at us now
Swooning, like they're so jealous of the position I'm in
My heart also aches for them --
A bit like the way you make it ache.
Though there's passion in this ache
That being the fact
That my heart is screaming
Telling them to run
Run while they still can
Run before someone like you
Finds them.

For all intent and purposes
There absolutely should not be
A 21st century Bonnie and Clyde.
These should be the days
Of girls spitting their own fire
And boys fighting their own battles.
This should be a generation
Of people learning to find solace in themselves
And reliance taking an unceremonious dive
Off a very steep cliff.
There should be no more green-eyed girls
And James Dean boys
Making each other miserable
And calling it beautiful.
This is the point where we should let Bonnie and Clyde rest in peace
Along with Romeo and Juliet
Annabel Lee
Homer Barron
And every other tragic antihero
Who died at the hands of love.

Forever ago
I made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.
Now
What seems like centuries later
I close my eyes
And try to fly somewhere else
In my dreams.
My last thought
Before I drift off
Is that --
Maybe someday --
They'll write poems about us.
Wordsmith Oct 2018
Day by day I fritter away
Observing decorum as best I may
Meet me as you meet — reserved somebody
Leave me as you leave — dull nobody

Dreary, weary, listless, spiritless
A resting spirit clamours to emerge
Unguided, wild, free and seeking
Boldly defying reserved somebody

But how, just how do I unleash this defiant spirit
For it is to cross all conceivable limits
Oh but a mask, of course a mask!
The perfect accessory for this task!

Careless of propriety
Boastful of daring
Acting against my will
Or in tandem with it?

This mask — just now I can't discern
Ponder I do with great concern
Does it shield my identity
Or render truth to it?

So now just what fun in masks
One may ponderously ask

Masks, bring to life fantasy
Fantasy, a realm of our reality
Reality, wherein lies multiplicity
Multiplicity, within each individuality
This poem takes a different view on a mask. Does it shield who we are? Or does it allow us to be who we truly are?

Isn't it ironic fantasy too is part of human reality? A realm revealing psychological truths.

Masks addresses the various facets of a personality. Our fragmented identities. Multiplicity in individualities.

Halloween is round the corner. If you had the chance, who would be the Hyde to your Jekyll?
Alicia Jul 2016
My entire life, I've been around the police force.
Mommy, Uncle Tony, and Anita have always been my favorite.
My heroes with the shiny cars and badges.
In my eyes, they are reigning champions of
"good officers still exist" during times like this.

I've never seen a storm last this long,
and I've kept my silence for far too long.
I was stuck.
For all I knew was a good officer until my brothers
and sisters were exploited on tv screens and magazines.
Blood seeping down and staining shirts, eyes wide open,
and bodies lying in the street.

Growing up, all I knew was a good officer.
So my world shook when I noticed the bad ones, too.
They make it hard for me to defend what I've always
known to protect me. At some point, the bad ones,
we must ****. And with a corrupt justice system
that dismisses the actions that we see, it gets tough...
For both you and me.
"STOP ******* KILLING US," we scream.
But no matter how many octaves we reach,
they still aren't listening. And we are left to wonder,
"Who's next: you or me?"

We make posters with blank spaces,
prepared for another one fallen.
But it's apparent that they refuse to see
that our people are hurting; and that
the chains they put on us not that many years ago
are still bound to us as if they are the latest accessory.

I didn't celebrate the fourth this year.
My people are dying, and here I am breathing
and hoping that anyone near and dear isn't affected by this mockery.
"Black on black crime is a real thing." No denying that statement
but why say that first knowing that some of the ones
we are told to trust don't want to see you free?
Do you understand that any black man could be next?
Even though I'm a woman, ****, it could be me.
My *****, are you listening? Did you get word?
Homie said, "Set your clock back 300 years!"
How about that for a rude awakening?

Quit telling my people that this **** here is an illusion.
You wanna be "a *****" so badly?
Cool, my *****, this is our reality.
We out here dying every day, b.
Pictures of dead bodies and videos of the crime scene,
mothers and children crying.

I never know what to expect.
I'm just praying I don't get a call saying (insert name here)
died at (insert time here) for their melanin radiating
and minding their business.
#JusticeFor___: Trayvon, Sandra, Kathryn, Sean, Eric,
Rekia, Amadou, Mike, Kimani, Kenneth, Travares,
Tamir, Aiyana, Freddie.
Alton and Philando with six shots to the chest.
****, y'all know what's next and I'm so ******* tired.
I will say their names unapologetically
because my heart can't take
my people's hearts tearing at the seams
from the mutual pain we are experiencing.

Black kings, I will pray for you.
Black families, stay whole.
Black children, alive and unborn, I love you.
Apparently: a wallet, sleeping, Skittles, a cellphone,
loud music, cigarettes, cigarillos, shopping at Wal-Mart,
toy guns, failure to signal, CDs, and reaching
for your license and registration can get you all ****** up.

I've never seen a storm last this long.
I've never seen the good officers be seen as the criminal.
I've never seen a people so desperate and anxious
for light at the end of a tunnel...
Until the bad cops thought it was okay
to play illegally and get away.
*7716
I wish the bad police officers weren't overshadowing the good police officers out there... Especially because I know so many OUTSTANDING police officers. And I hate seeing my people be treated so unfairly. This hurts.

No audio... Yet.
@the_monAlicia
igc May 2015
I am Comfortable
     able to ease your fears with
     a smile or a flip of my
     appropriately curly hair.

I am forgiven traffic ticket
     proper sentences and twinkly
     eyes, able to quickly ease your alarm

I am Just a Warning

I am The Exception
     elegant sentences
     king's English
     never tolerating the incorrect use of their

I am private college education
     the accessory to your culture
     the other to your subject
     always complimentary,
     but never the source of discussion

I am Beautiful
Accompanied by "What are you mixed with"
     A reflection of appropriation for my own culture
     Too White for Black,
     Too Black for White

I am inner city in the suburbs

I am Lightskinned
     the kind of Black that keeps you
     Comfortable.
Jon Tobias May 2012
I am sorry for ruining all vaginas for you
I hope you can recover eventually
She said

I hate to burst your **** bubble
But I’ve slid some lies between your thighs
When howling at your moon wasn’t so much praise
As it was longing for a change of ***** scenery

People change?

How I feel right now
is like when one time I was sick
And my parents recorded a show I watched
so I could watch it later
And at the end of the show
there was a number for a contest to go to space camp

I called that number
It was disconnected
I always find out the important stuff
A little late

I cried that day

I just wanted to go to space camp

And I just wanted someone to love me like a black hole
A warm black hole to put all my love into
**** me in and fix me like there’s no turning back
I mean in the darkness of space
They all look the same
All yank at you turbulent and fiery head rush passion

I mean we all love the same

So I am sorry I overshot your Venus
To crash land in Uranus
A semi-purposeful curious passion

You coulda yelled ****
We felt like ****
When we walked away

Parts of me have always been missing
And I tried to fill the gaps with you
Problem is when you might be gay and are fighting it
Your closet is a ******

Not your fault your beard looked funny on my ****
You can’t wear a person like an accessory
I can’t slap her like masculinity till I feel straight again
Some things aren’t right
I’m not right
And you are so messed up now
Because you have this superpower to turn men gay

You can’t turn men gay
You can only remind them of the pain that lies
In lying to themselves when they know
None of this feels right

None of it will

Dear former lover
Former black hole body
Former holder of my confusion
And filler of my empty spots

I ****** up by ******* you

I ****** up
First 2 lines donated by Erica Davids. 4th line donated by Dylan Bradley. Taking a break from an essay about Blake and Shelley to write this. Two more days and I am done with school and can come back to HP more often. Also I am fully away of the vulgarity of this poem and you are welcome to unfan me. Thank you.
Jenna Vaitkunas May 2014
A Response to Thought Catalog

Number One.
"She won't touch your stuff
because she doesn't want to do anything"
Which also includes leaving her bed
before six pm
meeting your friends
or seeing the movie you've been begging her to see
since the trailer came out last year

Number Two
"She'll probably forget you borrowed
money from her"
or to pay the bills,
or your birthday
or getting groceries

Number Three
"She's a cheap date"
more than likely because
she doesn't care where you go
but she wants to be back in her bed
the minuet she gets into your car
because now her insecurities
are buzzing in her ears
and clawing at her throat

Number Four
"She probably doesn't want to
meet your family"
sitting in her room terrified that
she's not good enough
that she will never be good enough
and they won't accept her

Number Five
"She will probably get drunk
and you can have *** with her"


Number Six
"You can get free drugs!"
she knows about her missing
pain pills and antidepressants
but she won't say a thing because
you love her, right?
it's selfish of her to think she needs those
she has you. right?

Number Seven
"She has poor memory
and a short attention span"
Unaware of whether its Monday or Thursday
or if she ate this week

Number Eight
"She won't talk that much"
instead she can soak up your words
and turn them against herself
until they infect her insides with acidic words
ugly/fat/ugly/stupid/ugly/useless/ugly/worthless

Number Nine
"She'll pamper you because
she's sensitive"
Here's the newest game you wanted
I hope it makes up for me not being good enough
Here's some money, go out with friends
I don't want to bring you down

Number Ten
"It'll make you look better"
She's a charity case
a lost cause
who lost herself
but she's *so lucky
she found you
She's like an accessory
that you drag around
she'll make you look perfect
won't she?
It's supposed to be simple.
Dating the dead girl walking.
besides the fact she'll
bawl her eyes out every time
you grab your keys
or the fact you have to deal with
the burden of having to hide
your mother's steak knives
so you can sleep in peace
without worrying whether
you will find her lifeless body
on your bathroom floor
Number ten
You can romanticize
the pain she goes through everyday
while her hourglass hearts
last grain of sand falls to the bottom
but you will NEVER
be able
to say you were the hero.
This probably sounds worse written than spoken but eh
Lucanna Apr 2015
I am not your accessory
a statement piece
to your spineless connections
The thousandth image-oriented festivity
That you thoughtlessly threw
Due to the boredom of your own reflection
I am not a string of pearly witty conversation that you casually bring up when you aren't capable of employing stimulation
I am not a magenta lipstick you reach to cover up your mindnumbing gossip about the neighbors indecencies
You try to duplicate me and slip your right, then your left foot into vintage leather Jimmy Choos
Oh but your archless perception of life
Doesn't quite fit your soul next to mine
Empathy was never your strong suit
Oh but a tailored cold charcoaled judgement suit--that fits just.right.
Still you try to wear me, despite discrepancies
And oh how you hate the way I mock your silhouette
I clash with your champagne clings
You try to bash me against silverware but I remain mute
"Oh but if I can't make her an accessory, I shall make her an appendage!"
Oh how Christian and courteous of you
In the same way you asked your bridesmaid to step off the alter when she came out to you on that heavenly day
You ask me to be your brothers appendage
Oppressive and aloof
Asking was always a waste of time for you
You expect.
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Elinor Jul 2018
To the two boys who think I owe them something.
My heart doesn't belong to either of you,
and your spindly fingers clenching it
don't look enough like ribbon
to fool me into thinking that
my love is a gift to you.
To the two of you,
so willing to give me
your monthly allowances of text messages
yet not your loyalty.
For thinking that an "honest" apology
fixes me having to question why
just me was never good enough
for either of you.
You were both greedy,
you always wanted more.
Now run free and fill your stomach with all the flavours that will burn your taste buds and scorch your tongue.
To both of you for being willing enough to open my box with a key that I never gave you,
rifle through my thoughts and feelings,
and not even open your ears to them,
leaving the lid off
and the contents strewn across your floor.
For offering to help me pick them back up again,
but only because my "small, little arms" are not strong enough to carry my own weight that I've carried for
fifteen years on my own.
Here's to both of you for putting me down about being small.
That is NOT my fault.
I have a mighty big cathedral for a heart and a generous brain
and that's all within 5"2.
It doesn't make you any bigger than me
(metaphorically).
Your few feet advantage doesn't give you
the power above me,
even if you can see the roots of my hair in more detail
than you would ever care to observe
the fault lines of my cracked smile.
Boys are being taught that
to love me
is to fix me,
that I am some kind of messy enigma,
a project, a goal.
I'm just a girl with a family, a girl with a head, with a spiders web of veins and a lifetime of lessons that I'm opening my arms and my heart to.
You mistake yourself for a lesson,
when I'm fully qualified to teach myself.

You diagnose yourselves
as "depressed".
Mental illness is not an accessory,
nor a quirk to make you seem more vulnerable to me.
Don't brandish it in the air,
it is not a weapon against me.
It doesn't make you adorable,
or some kind of cuddly bear boy.
Everything that's
"killing you"
is just as toxic to me.
You set my skin into blue flames
because I won't give myself to you.
No,
no,
no.
I'm tangled in my rejection,
and it thickens.
I can't be with you out of pity.
My guilt, raging deep within my bowels,
marching violently through my organs,
exploding into a supernova of
thinking that love and guilt are almost the same thing.
"I'll do anything",
I don't want anything from you.
"I'll write you a poem because I know how much you love that."
I also love being respected but neither of you ever gave me that.
My craft is not a tool of trickery,
and your words not a trance.
"I'm not like him".
But you still act like my skin is a carpet to your home,
and you walk across it with muddy boots.

You think you're a blanket to keep me warm,
but you ended up suffocating me.
To the boys who think I owe you them something,
go home.
all my poems have been long lately,
but I have a lot to say,
so I'm not sorry.
SAM Sep 2014
Teeth
They are strange little things
Always biting
Leaving their crescent, jagged mark
Everywhere
Tough bone, made to last
They say a smile on your face
Is the most beautiful accessory
A person can have
But no perfect smiles are without
Teeth
Xander Duncan May 2014
My sassy gay friend
Is not an accessory
When you go rooting through the closet and find him
Lacing straight ties into chains
Do not think that he will complete your outfit
Just because a rainbow holds the hues that you were looking for
Haven’t you seen that bruises also bloom in shades of purple and blue
Fading into green and yellow
With red far too often escaping veins that are supposed to hold it in
Haven’t you seen what marks us
And brings our identity to the surface of our skin
When closet doors are slammed too often against our hands
My sassy gay friend
Is not a decoration
You do not get to wear him at your hip
To flaunt your acceptance
And claim symbiosis
As if he needs you to navigate the streets of heteronormativity
Cutting short his words when communication is the best thing we have
And when speaking fails us we resort to spending an afternoon
Sending smoke signals into the sky
Waiting for security in the focus that it takes just to
Breathe
My sassy gay friend
Is not a collectible
You do not get to gather us up into a complete set
To line us neatly in an array
Of rarities and charities
And alternative identities
Until you feel sufficiently well rounded
In your attempted diversity
My sassy gay friend
Is not an icon
A token character
Or comic relief
My sassy gay friend
Is not meant to be romanticized
Idolized
Or fetishized
He is human
I am human
You are human
And if we see each other as sparkles and rhinestones
We're all going to lose all the value
That can't be found on price tags
There has been enough writing of the self or of circumstances I have often found myself trapped in,I think that the time now has come,to write about people who often go unnoticed in your lives,it is like oxygen,like you are always breathing,the blood is always flowing,the blood is getting oxygenated and then de- oxygenated and it gets purified,and its in your body,and you know it,you are breathing and you know you are,but we don’t really pay close attention to the flow of breaths we inhale and exhale,and that’s what is keeping us biologically alive and we know it,but how much importance does the breathing get,how much thanks,how much attention?
As I’m writing,believe me when I say that ,I’m not pausing,I’m not making things up,I’m not even thinking rationally or sequentially,I’m simply typing onto words that describe my very beautiful,my very  epitome of sacrifice and suffering,my very solitary reaper of freshness ,love and care,my very own – Grandmother.

No,this is not her biography,this is not about describing her,this is not only about thanking her even,this is about telling you all that I am deeply moved about how she is ,I fail to realist what she is actually made up of,I mean,a woman in her 80s ,of course a woman of a different era altogether,she is supposed to be an orthodox woman in her late 80s, aware of her approaching years,and sitting in front of the television watching serials or mythological shows or the very beloved babajis on air and hardly getting out of her room and ordering her daughter –in-law to get work done and medicines presented.
This is quite ironic to how we often stereotype old ladies to be. But let me make it clear,my grandma is highly different. And just like I firmly say that I’m going to remain as the ‘ Different Misfit’ ,different from a lot many out here,in the most weirdest angles,but I got this from my granny,apart from the misfit,she is an old,weak woman,she is short,and her hair has still managed to not get older,I think her hair know well,what suits her appearance,she has good brown-orangish hair, and not to forget,her charismatic blue eyes,eyes to fall for. She keeps her hair tied in a neatly made bun and drapes herself well in decent looking saris. No lipsticks,no makeup,no perfume,no sandals. She chooses to be her natural self,in her chapals. Only accessory to her will be her purse. And with purse,I mean,not the blinging  purses,but the small pouch type of  purse,she keeps around her waistline,cutely tucked inside her sari petticoat.She is a magical figure,at least to me.
‘Granny,I’m here.Namaste.’, I said as I reached her place,while she was mopping the balcony floor.It had rained heavily.
She first didn quite seem to hear it,even though I was very loud and pitchy. I saw her mopping, the door was open. I repeated my greetings.
‘ Namaste. Here you are,my child!’, she replied with a 100volt smile pasted on her beautiful face.

I am happy that my mother was able to convince m to go visit my granny,that Sunday,because I was going to have my economics test the next day,so I refused at first,bu then she managed to take me there.I’m glad, I did.
She is in an age that you can never tell how much time one has got,and all you can do,,is live the day like its your last,I think this has kind of become the motto for my grandmother. She walks like a snail. Slow yet gracefully.She lives in Lodhi Road. She lives alone.The house is massive. There are 6 rooms in that particular floor where she lives,the ground and top floor too connected with the first.The ground floor is occupied by a family of 4,a kin to my granny.while she stays on the floor above,she is expected to be with herself only. My maternal uncle,my grandmother’s eldest son,lost his wife a few years back,he has two kids,big enough to go settle in Mumbai.My uncle has been a headache for the entire family because of becoming highly psychotic and depressed,that clearly reflects in how things have become ugly with his relationships.He moved out to Noida after the demise of my late aunt. I don’t remember the last time I saw him interacting with people of his family,let alone my granny. They are like sort of reclusive now.Although my granny wouldn’t still mind him coming to reconcile with her or talking or offering a shoulder,even after what all she has been through regarding my uncle,my uncle refuses to lock eyes with her.Well,that’s a different story altogether.

My grandmother lives alone,in such a big house ,where two families of 4 could easily accommodate themselves.the winds blowing enter the rooms that are empty and unlocked,and rap my grandmother in nostalgia ,but she stays strong.family photographs hanging on the walls,Pictures of Rhino,their late dog,finding its place on the walls,reminds her of how the family was,and always sans her.Yet,she  is stoic and sturdy and never did she complain on these little details.
My granny has had a beautiful relation with my mother and her three daughters ,they are always there for her,its like after my granny has understood,that her daughters are now mothers themselves,she has realized,that she no longer needs to be on their head anymore,so my aunts and my mom herself is paying back to her,as being the reverse mother to her.It is a beautiful relationship they share.I sigh.

She got us tea and some snacks.She prepares them herself,despite having somebody to offer to help.She sits with us and talks and narrates news that she has got from here and there.She left the room when all of a sudden,out of nowhere my uncle pops up for some paperwork urgency,we greeted him,but we didn’t exchange anymore words.He leaves after a few minutes.

I was reading ‘The wedding’ , because I was sure,I was going to get bored because there was no sibling around,My dad was busy reading India Today and mom was accompanying my granny in preparing food. They later went to the terrace to see the traffic go by and have a good talk. They love to talk, trust me.While my mom carefully instructs granny to stay strong and be alright,I notice my grandma trying to control her tears,you could just make it out from her ****** expressions,her hands,quietly folded over another,and her head bowing down,she has never been confident and assertive,I had correctly judged.I ad overheard them talking,when I was passing by the room library searching for Sidney Sheldon.And that was when my respect for my granny grew,because in an age liker hers,the very innate ability to hold on,that perseverance,the  strength ,the power of forgiveness ,I mentally touched her feet and hugged her,because I was in no mood to disturb her conversations.I passed by.
I was learning each moment. In that house,I have been a lot of times before,but this one time,that Sunday,I was feeling like home,like a school moreover,in a moral science class all night. I was done with my economics revision,and it was time for diner.She had prepared Hot chapatis and my ever favorite Paneer for the dinner.She paired paneer with yoghurt,that was a new yet crazy combination,I tried and I was enjoying it,not because it was THE combination,but I felt like it was her idea of how food tasted, like she always felt curd could fix everything,not potentially everything,but,It’d be stupid to object her.
The dinner was tasty.
She cleans up the entire house herself. Like I said,6 rooms and a balcony,is not a small thing.it is one strenuous task she agrees to take up,not occasionally.but everyday.She refuses to take a house help,despite her health conditions,because she wants to  utilize her time or pass time in some way or the other. TV is the only source of color in her life.That keep her occupied. I salute you,granny.
I offered to do the dishes that day,but she saw me doing it,she came half running,half walking to stop me from doing it,and said this doesn’t look good,the guest doing it,and I was a princess to her,she asked me to step back,and I did not revolt,I knew,she did not have anything else to do except do them and sit and watch the sky and finally sleep . I stepped back.
I was reading my book,and there’s this part,when Noah shares that he still feeds the swan because he thinks Allie is the swan and she promised him to be there with him,so she finds her way through the swan.And I saw myself crying.i rushed to the balcony.Took a few deep breaths,sobered myself up,and a few winds blew,and I felt nice.
My granny was talking with my mother while my dad was listening like a puppy.i was reading,I could barely hear what she was talking about,and I didn’t want to even know what were they talking about,because the more I knew,the more anger built up,and the more I’d get sentimental and feel sorry for my grandmother.But no,she is not the one you’d feel sorry for,she was never wrong,and she isnt,and wont be,she is just a simple figure,an epitome of sacrifice and suffering and with such patience to be jealous of.We offered her to come and spend the time with us,and  all her other daughters and her grandchildren,but she refused,she wanted to be in the house,take care f the house,she was just so emotionally attached to the building that had lost its meaning,it was just a HOUSE and nt a HOME.she wasn’t made to feel it was,she had no reason,but she still loved it there.

I still wonder,while I’m writing here about her today,she wont be able to read this gift I am giving her,giving her love back,what would she be doing? No,this isnt T V  time,maybe making tea,what after it? She cannot read or write.She cant be on the phone all the time,then what? Maybe just sitting in the balcony? But today,its hot . then what? Just sitting on the couch,watching my grandfather's portrait hanging on the wall,I think she’ll brush off the dust on the garland and the painting maybe. Or she’ll re arrange the sofa covers or curtains. I don’t know. While we have so much to do,while people forget people everyday,while people make new friends,have so many tings to look forward to,we have so much access to **** our time and pass it away,but she ? she just stays this way and she just exists.

It was time to leave. My respect level for her had gone par average. I just wanted to stare at her for hours in silence,or maybe play with her,or maybe teach her pronounce some swaggy English **** words,I do that when she is at our place.She loves it with me.

Hmmmm.

As we were walking downstairs, I tried and rush and pause and rush and slow down again and again,to whether escape the moment,of the farewell,because it’d be hard,I could bet,and slow down so that I could see more of her.i just couldn’t get enough. In that moment,I swear,I loved her like a man loves a woman.But ine,was much more passive or hidden,I have always had issues with expression,and I regret that.

She could climb downstairs,the steps were steep and endless.She stayed there,while we went down,she bid us a goodbye,waving her hands like the flag of love ,like saying ‘ IT WAS GREAT TO HAVE YOU ALL HERE,I FELT SO BEAUTIFUL.YOU JUST FILLED THIS GAP I THOUGHT I’D SUFFER THIS WEEKEND.THANK YOU SO MUCH,I LOVE YOU,AND I DON’T KNOW,IF I SEE YOU AGAIN,BUT PLEASE BE IN TOUCH,AND LOVE EVERYBODY’. BUT SHE SAID ‘ bye’ .A  LONGER,STRETCHED VERSION OF BYE ,THOUGH.

It was dark,I saw her waving,I was waving back,so was mom and dad,mom and dad rushed forward,while i was till bye-ing my granny. I thanked god that it was night time,an nobody could see the tears gushing down my face. While we leave in 3.she bids us adieu in just 1. Years ago,she’d be with 4 others,and now she is just single. Alone.By herself. Still not complaining.NEVER.

I wiped them .My tears,and was crying till I got into the car,people saw me weeping maybe.I sat down.Still sobbing. Trying not to let people or mom and dad precisely notice my tears ,and I wasn’t brave enough to tell them that I was crying because I thought it might be the last time I saw her or how a wonderful woman she is.The wind was blowing hard and cold on me,while I was listening to Dead hearts on the phone.like the universe was conspiring in making me cry my guts out . My reverence for that woman was getting higher and higher beyond measure.At the traffic signal,a little girl comes up to me,my head was leaning back into the car seat,like a drunk Peter van Houten,while she leaned against the car window glass too,I think she was the only one in the entire night,to actually see me crying,she smiled. I smiled back. She glanced at me for a few moments,I was still smiling at her,she asekd me if I had money,but I wasn’t carrying any then,so I said ‘I’m sorry’ without speaking.She understood and she smiled and left.Slowly and gradually the wind helped me in evaporating my tears,so that I didn’t have to manually wipe them off,because just in case,mom saw me doing that,I wouldn’t know how to respond.
Thankfully,I fell asleep in the car and as I reached back home,I felt a little lighter,I called up granny and informed we were home safe.[ she always wants us to inform her when we do]  And she very sweetly said good night and a bye and then I thought to myself that HOW COULD SHE BE SO GENTLE AND NORMAL? I WAS SO JEALOUS OF HER RESIGNATION.I LOVE YOU GRANNY.
With a heavy heart and a new day to follow and with less percentage worries  of the test the next day ,and more of how my granny would pass away the time and sleep with a smile on her face ,I looked at the walls,said my night prayer and rolled my eyes,and went off to sleep.

There’s no place like home... except Grandma’s .
cc
an ode to the pure heroine i have ever come across.thanks granny
x
a Feb 2017
Anybody that is anybody knows the most fabulous and trendy accessory are socks.
Crew, No-Show, Knee high.
The ever versatile socks are the most righteous thing.
The Ancient Greeks may have had some dark ages, but they were the first people that we know of that thought,
Hey shoes are cool, but what if we made them more flexible and soft.
Thus the mighty sock was born.
Now there are some of you who may think completely different about socks.
Maybe they are boring, or annoying.
You are feeling the Albert Einstein side of socks. (He didn’t wear socks because he didn’t see the point, tragic huh?)
Well friends, though you may be genius you are completely idiotic.
Socks are little hugs wrapped around your feet. All day. They are like butterfly kisses that mae you smile every time you look down. What is better than that?
The answer is nothing.
Queen Freaking Elizabeth loved socks and went to the inventor of the knitting machine (which was originally created to make socks) to have custom socks made.
Not only are socks just incredibly wonderful and stylish, they were invented to help save the world… from sticky feet.
Socks help prevent your human sweat drops from seeping into your shoes, making a perfect nesting place for the teenage mutant ninja turtles. Disgusing
In conclusion, nothing can or ever will be more awe founding or perfect than socks
a haughty poem about the awefounding socks
daxike Mar 2013
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“Nullus enim locus sine genio est.”

  Servius.

“La musique,” says Marmontel, in those “Contes
Moraux” which in all our translations we have insisted upon
calling “Moral Tales,” as if in mockery of their
spirit—”la musique est le seul des talens qui
jouisse de lui-meme: tous les autres veulent des
temoins.” He here confounds the pleasure derivable from
sweet sounds with the capacity for creating them. No more
than any other talent, is that for music susceptible
of complete enjoyment where there is no second party to
appreciate its exercise; and it is only in common with other
talents that it produces effects which may be fully
enjoyed in solitude. The idea which the raconteur has
either failed to entertain clearly, or has sacrificed in its
expression to his national love of point, is
doubtless the very tenable one that the higher order of
music is the most thoroughly estimated when we are
exclusively alone. The proposition in this form will be
admitted at once by those who love the lyre for its own sake
and for its spiritual uses. But there is one pleasure still
within the reach of fallen mortality, and perhaps only one,
which owes even more than does music to the accessory
sentiment of seclusion. I mean the happiness experienced in
the contemplation of natural scenery. In truth, the man who
would behold aright the glory of God upon earth must in
solitude behold that glory. To me at least the presence, not
of human life only, but of life, in any other form than that
of the green things which grow upon the soil and are
voiceless, is a stain upon the landscape, is at war with the
genius of the scene. I love, indeed, to regard the dark
valleys, and the gray rocks, and the waters that silently
smile, and the forests that sigh in uneasy slumbers, and the
proud watchful mountains that look down upon all,—I
love to regard these as themselves but the colossal members
of one vast animate and sentient whole—a whole whose
form (that of the sphere) is the most perfect and most
inclusive of all; whose path is among associate planets;
whose meek handmaiden is the moon; whose mediate sovereign
is the sun; whose life is eternity; whose thought is that of
a god; whose enjoyment is knowledge; whose destinies are
lost in immensity; whose cognizance of ourselves is akin
with our own cognizance of the animalculae which
infest the brain, a being which we in consequence regard as
purely inanimate and material, much in the same manner as
these animalculae must thus regard us.

Our telescopes and our mathematical investigations assure us
on every hand, notwithstanding the cant of the more ignorant
of the priesthood, that space, and therefore that bulk, is
an important consideration in the eyes of the Almighty. The
cycles in which the stars move are those best adapted for
the evolution, without collision, of the greatest possible
number of bodies. The forms of those bodies are accurately
such as within a given surface to include the greatest
possible amount of matter; while the surfaces themselves are
so disposed as to accommodate a denser population than could
be accommodated on the same surfaces otherwise arranged. Nor
is it any argument against bulk being an object with God
that space itself is infinite; for there may be an infinity
of matter to fill it; and since we see clearly that the
endowment of matter with vitality is a principle—
indeed, as far as our judgments extend, the leading
principle in the operations of Deity, it is scarcely logical
to imagine it confined to the regions of the minute, where
we daily trace it, and not extending to those of the august.
As we find cycle within cycle without end, yet all revolving
around one far-distant centre which is the Godhead, may we
not analogically suppose, in the same manner, life within
life, the less within the greater, and all within the Spirit
Divine? In short, we are madly erring through self-esteem in
believing man, in either his temporal or future destinies,
to be of more moment in the universe than that vast “clod of
the valley” which he tills and contemns, and to which he
denies a soul, for no more profound reason than that he does
not behold it in operation.

These fancies, and such as these, have always given to my
meditations among the mountains and the forests, by the
rivers and the ocean, a tinge of what the every-day world
would not fail to term the fantastic. My wanderings amid
such scenes have been many and far-searching, and often
solitary; and the interest with which I have strayed through
many a dim deep valley, or gazed into the reflected heaven
of many a bright lake, has been an interest greatly deepened
by the thought that I have strayed and gazed alone.
What flippant Frenchman was it who said, in allusion to the
well known work of Zimmermann, that “la solitude est une
belle chose; mais il faut quelqu’un pour vous dire que la
solitude est une belle chose”? The epigram cannot be
gainsaid; but the necessity is a thing that does not exist.

It was during one of my lonely journeyings, amid a far
distant region of mountain locked within mountain, and sad
rivers and melancholy tarns writhing or sleeping within all,
that I chanced upon a certain rivulet and island. I came
upon them suddenly in the leafy June, and threw myself upon
the turf beneath the branches of an unknown odorous shrub,
that I might doze as I contemplated the scene. I felt that
thus only should I look upon it, such was the character of
phantasm which it wore.

On all sides, save to the west where the sun was about
sinking, arose the verdant walls of the forest. The little
river which turned sharply in its course, and was thus
immediately lost to sight, seemed to have no exit from its
prison, but to be absorbed by the deep green foliage of the
trees to the east; while in the opposite quarter (so it
appeared to me as I lay at length and glanced upward) there
poured down noiselessly and continuously into the valley a
rich golden and crimson waterfall from the sunset fountains
of the sky.

About midway in the short vista which my dreamy vision took
in, one small circular island, profusely verdured, reposed
upon the ***** of the stream.

So blended bank and shadow there, That each seemed pendulous
in air—

so mirror-like was the glassy water, that it was scarcely
possible to say at what point upon the ***** of the emerald
turf its crystal dominion began. My position enabled me to
include in a single view both the eastern and western
extremities of the islet, and I observed a singularly-marked
difference in their aspects. The latter was all one radiant
harem of garden beauties. It glowed and blushed beneath the
eye of the slant sunlight, and fairly laughed with flowers.
The grass was short, springy, sweet-scented, and Asphodel-
interspersed. The trees were lithe, mirthful, *****, bright,
slender, and graceful, of eastern figure and foliage, with
bark smooth, glossy, and parti-colored. There seemed a deep
sense of life and joy about all, and although no airs blew
from out the heavens, yet everything had motion through the
gentle sweepings to and fro of innumerable butterflies, that
might have been mistaken for tulips with wings.

The other or eastern end of the isle was whelmed in the
blackest shade. A sombre, yet beautiful and peaceful gloom,
here pervaded all things. The trees were dark in color and
mournful in form and attitude— wreathing themselves
into sad, solemn, and spectral shapes, that conveyed ideas
of mortal sorrow and untimely death. The grass wore the deep
tint of the cypress, and the heads of its blades hung
droopingly, and hither and thither among it were many small
unsightly hillocks, low and narrow, and not very long, that
had the aspect of graves, but were not, although over and
all about them the rue and the rosemary clambered. The
shades of the trees fell heavily upon the water, and seemed
to bury itself therein, impregnating the depths of the
element with darkness. I fancied that each shadow, as the
sun descended lower and lower, separated itself sullenly
from the trunk that gave it birth, and thus became absorbed
by the stream, while other shadows issued momently from the
trees, taking the place of their predecessors thus entombed.

This idea having once seized upon my fancy greatly excited
it, and I lost myself forthwith in reverie. “If ever island
were enchanted,” said I to myself, “this is it. This is the
haunt of the few gentle Fays who remain from the wreck of
the race. Are these green tombs theirs?—or do they
yield up their sweet lives as mankind yield up their own? In
dying, do they not rather waste away mournfully, rendering
unto God little by little their existence, as these trees
render up shadow after shadow, exhausting their substance
unto dissolution? What the wasting tree is to the water that
imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the death which
engulfs it?”

As I thus mused, with half-shut eyes, while the sun sank
rapidly to rest, and eddying currents careered round and
round the island, bearing upon their ***** large dazzling
white flakes of the bark of the sycamore, flakes which, in
their multiform positions upon the water, a quick
imagination might have converted into anything it pleased;
while I thus mused, it appeared to me that the form of one
of those very Fays about whom I had been pondering, made its
way slowly into the darkness from out the light at the
western end of the island. She stood ***** in a singularly
fragile canoe, and urged it with the mere phantom of an oar.
While within the influence of the lingering sunbeams, her
attitude seemed indicative of joy, but sorrow deformed it as
she passed within the shade. Slowly she glided along, and at
length rounded the islet and re-entered the region of light.
“The revolution which has just been made by the Fay,”
continued I musingly, “is the cycle of the brief year of her
life. She has floated through her winter and through her
summer. She is a year nearer unto death: for I did not fail
to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making its
blackness more black.”

And again the boat appeared and the Fay, but about the
attitude of the latter there was more of care and
uncertainty and less of elastic joy. She floated again from
out the light and into the gloom (which deepened momently),
and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she
made the circuit of the island (while the sun rushed down to
his slumbers), and at each issuing into the light there was
more sorrow about her person, while it grew feebler and far
fainter and more indistinct, and at each passage into the
gloom there fell from her a darker shade, which became
whelmed in a shadow more black. But at length, when the sun
had utterly departed, the Fay, now the mere ghost of her
former self, went disconsolately with her boat into the
region of the ebony flood, and that she issued thence at all
I cannot say, for darkness fell over all things, and I
beheld her magical figure no more.
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of
Mistress Elizabeth Drury, the frailty and the decay of this whole world is
represented THE FIRST ANNIVERSARY

     When that rich soul which to her heaven is gone,
     Whom all do celebrate, who know they have one
     (For who is sure he hath a soul, unless
     It see, and judge, and follow worthiness,
     And by deeds praise it? He who doth not this,
     May lodge an inmate soul, but 'tis not his)
     When that queen ended here her progress time,
     And, as t'her standing house, to heaven did climb,
     Where loath to make the saints attend her long,
   She's now a part both of the choir, and song;
   This world, in that great earthquake languished;
   For in a common bath of tears it bled,
   Which drew the strongest vital spirits out;
   But succour'd then with a perplexed doubt,
   Whether the world did lose, or gain in this,
   (Because since now no other way there is,
   But goodness, to see her, whom all would see,
   All must endeavour to be good as she)
   This great consumption to a fever turn'd,
   And so the world had fits; it joy'd, it mourn'd;
   And, as men think, that agues physic are,
   And th' ague being spent, give over care,
   So thou, sick world, mistak'st thy self to be
   Well, when alas, thou'rt in a lethargy.
   Her death did wound and tame thee then, and then
   Thou might'st have better spar'd the sun, or man.
   That wound was deep, but 'tis more misery
   That thou hast lost thy sense and memory.
   'Twas heavy then to hear thy voice of moan,
   But this is worse, that thou art speechless grown.
   Thou hast forgot thy name thou hadst; thou wast
   Nothing but she, and her thou hast o'erpast.
   For, as a child kept from the font until
   A prince, expected long, come to fulfill
   The ceremonies, thou unnam'd had'st laid,
   Had not her coming, thee her palace made;
   Her name defin'd thee, gave thee form, and frame,
   And thou forget'st to celebrate thy name.
   Some months she hath been dead (but being dead,
   Measures of times are all determined)
   But long she'ath been away, long, long, yet none
   Offers to tell us who it is that's gone.
   But as in states doubtful of future heirs,
   When sickness without remedy impairs
   The present prince, they're loath it should be said,
   "The prince doth languish," or "The prince is dead;"
   So mankind feeling now a general thaw,
   A strong example gone, equal to law,
   The cement which did faithfully compact
   And glue all virtues, now resolv'd, and slack'd,
   Thought it some blasphemy to say sh'was dead,
   Or that our weakness was discovered
   In that confession; therefore spoke no more
   Than tongues, the soul being gone, the loss deplore.
   But though it be too late to succour thee,
   Sick world, yea dead, yea putrified, since she
   Thy' intrinsic balm, and thy preservative,
   Can never be renew'd, thou never live,
   I (since no man can make thee live) will try,
     What we may gain by thy anatomy.
   Her death hath taught us dearly that thou art
   Corrupt and mortal in thy purest part.
   Let no man say, the world itself being dead,
   'Tis labour lost to have discovered
   The world's infirmities, since there is none
   Alive to study this dissection;
   For there's a kind of world remaining still,
   Though she which did inanimate and fill
   The world, be gone, yet in this last long night,
   Her ghost doth walk; that is a glimmering light,
   A faint weak love of virtue, and of good,
   Reflects from her on them which understood
   Her worth; and though she have shut in all day,
   The twilight of her memory doth stay,
   Which, from the carcass of the old world free,
   Creates a new world, and new creatures be
   Produc'd. The matter and the stuff of this,
   Her virtue, and the form our practice is.
   And though to be thus elemented, arm
   These creatures from home-born intrinsic harm,
   (For all assum'd unto this dignity
   So many weedless paradises be,
   Which of themselves produce no venomous sin,
   Except some foreign serpent bring it in)
   Yet, because outward storms the strongest break,
   And strength itself by confidence grows weak,
   This new world may be safer, being told
   The dangers and diseases of the old;
   For with due temper men do then forgo,
   Or covet things, when they their true worth know.
   There is no health; physicians say that we
   At best enjoy but a neutrality.
   And can there be worse sickness than to know
   That we are never well, nor can be so?
   We are born ruinous: poor mothers cry
   That children come not right, nor orderly;
   Except they headlong come and fall upon
   An ominous precipitation.
   How witty's ruin! how importunate
Upon mankind! It labour'd to frustrate
Even God's purpose; and made woman, sent
For man's relief, cause of his languishment.
They were to good ends, and they are so still,
But accessory, and principal in ill,
For that first marriage was our funeral;
One woman at one blow, then ****'d us all,
And singly, one by one, they **** us now.
We do delightfully our selves allow
To that consumption; and profusely blind,
We **** our selves to propagate our kind.
And yet we do not that; we are not men;
There is not now that mankind, which was then,
When as the sun and man did seem to strive,
(Joint tenants of the world) who should survive;
When stag, and raven, and the long-liv'd tree,
Compar'd with man, died in minority;
When, if a slow-pac'd star had stol'n away
From the observer's marking, he might stay
Two or three hundred years to see't again,
And then make up his observation plain;
When, as the age was long, the size was great
(Man's growth confess'd, and recompens'd the meat),
So spacious and large, that every soul
Did a fair kingdom, and large realm control;
And when the very stature, thus *****,
Did that soul a good way towards heaven direct.
Where is this mankind now? Who lives to age,
Fit to be made Methusalem his page?
Alas, we scarce live long enough to try
Whether a true-made clock run right, or lie.
Old grandsires talk of yesterday with sorrow,
And for our children we reserve tomorrow.
So short is life, that every peasant strives,
In a torn house, or field, to have three lives.
And as in lasting, so in length is man
Contracted to an inch, who was a span;
For had a man at first in forests stray'd,
Or shipwrack'd in the sea, one would have laid
A wager, that an elephant, or whale,
That met him, would not hastily assail
A thing so equall to him; now alas,
The fairies, and the pigmies well may pass
As credible; mankind decays so soon,
We'are scarce our fathers' shadows cast at noon,
Only death adds t'our length: nor are we grown
In stature to be men, till we are none.
But this were light, did our less volume hold
All the old text; or had we chang'd to gold
Their silver; or dispos'd into less glass
Spirits of virtue, which then scatter'd was.
But 'tis not so; w'are not retir'd, but damp'd;
And as our bodies, so our minds are cramp'd;
'Tis shrinking, not close weaving, that hath thus
In mind and body both bedwarfed us.
We seem ambitious, God's whole work t'undo;
Of nothing he made us, and we strive too,
To bring our selves to nothing back; and we
Do what we can, to do't so soon as he.
With new diseases on our selves we war,
And with new physic, a worse engine far.
Thus man, this world's vice-emperor, in whom
All faculties, all graces are at home
(And if in other creatures they appear,
They're but man's ministers and legates there
To work on their rebellions, and reduce
Them to civility, and to man's use);
This man, whom God did woo, and loath t'attend
Till man came up, did down to man descend,
This man, so great, that all that is, is his,
O what a trifle, and poor thing he is!
If man were anything, he's nothing now;
Help, or at least some time to waste, allow
T'his other wants, yet when he did depart
With her whom we lament, he lost his heart.
She, of whom th'ancients seem'd to prophesy,
When they call'd virtues by the name of she;
She in whom virtue was so much refin'd,
That for alloy unto so pure a mind
She took the weaker ***; she that could drive
The poisonous tincture, and the stain of Eve,
Out of her thoughts, and deeds, and purify
All, by a true religious alchemy,
She, she is dead; she's dead: when thou knowest this,
Thou knowest how poor a trifling thing man is,
And learn'st thus much by our anatomy,
The heart being perish'd, no part can be free,
And that except thou feed (not banquet) on
The supernatural food, religion,
Thy better growth grows withered, and scant;
Be more than man, or thou'rt less than an ant.
Then, as mankind, so is the world's whole frame
Quite out of joint, almost created lame,
For, before God had made up all the rest,
Corruption ent'red, and deprav'd the best;
It seiz'd the angels, and then first of all
The world did in her cradle take a fall,
And turn'd her brains, and took a general maim,
Wronging each joint of th'universal frame.
The noblest part, man, felt it first; and then
Both beasts and plants, curs'd in the curse of man.
So did the world from the first hour decay,
That evening was beginning of the day,
And now the springs and summers which we see,
Like sons of women after fifty be.
And new philosophy calls all in doubt,
The element of fire is quite put out,
The sun is lost, and th'earth, and no man's wit
Can well direct him where to look for it.
And freely men confess that this world's spent,
When in the planets and the firmament
They seek so many new; they see that this
Is crumbled out again to his atomies.
'Tis all in pieces, all coherence gone,
All just supply, and all relation;
Prince, subject, father, son, are things forgot,
For every man alone thinks he hath got
To be a phoenix, and that then can be
None of that kind, of which he is, but he.
This is the world's condition now, and now
She that should all parts to reunion bow,
She that had all magnetic force alone,
To draw, and fasten sund'red parts in one;
She whom wise nature had invented then
When she observ'd that every sort of men
Did in their voyage in this world's sea stray,
And needed a new compass for their way;
She that was best and first original
Of all fair copies, and the general
Steward to fate; she whose rich eyes and breast
Gilt the West Indies, and perfum'd the East;
Whose having breath'd in this world, did bestow
Spice on those Isles, and bade them still smell so,
And that rich India which doth gold inter,
Is but as single money, coin'd from her;
She to whom this world must it self refer,
As suburbs or the microcosm of her,
She, she is dead; she's dead: when thou know'st this,
Thou know'st how lame a ******* this world is
....
TheTeacher Oct 2012
The room is dark and he's sitting alone.  The light from the moon sneaked a peek inside.  He's writing something....but i can barely see.  

The blanket is so soft that's covering me.  He removed me from the closet.  I was in a box with some cards from when he was a kid.  I was actually surprised when he opened the lid.

I've been in this box for quite awhile....so I'm wondering about the occasion.
I see him lacing up his prized possessions....he also has a closet full of those.
He says he loves them and that they match his clothes.

A tear falls on to me ......and i feel the warmth of his hand.   I'm turned over and pulled back....and out jumps one of my friends.  She falls on to the bed and sticks her landing as the blanket cushions her fall.

He lays me back on the bed and searches the room for something.....I hear a click and realize that he has locked the door.  I'm trying to figure out what he has in store.

Whatever it was ....he finally found and loaded it up with her brothers.  Meanwhile...she was still there lounging on the covers.

She said...."you know what he's about to do don't you?"  I stated that I didn't have a clue.  He's about to make us become an accessory to a crime.

He's attempting to use his last life line.  The news caught me by surprise....I vowed to serve and protect .....to guard my owners house.

She said "He has tried it before ....matter of fact several times. He just never succeeds. That's why he purchased you.  He thought it was the gun ....he said it kept jamming when he pulled the trigger.


I asked her what happened...and she said "We worked together...since he's not strong enough to refrain from the voices that speak....we decided to be the strong one's since he is weak."

The safety did his part..because he thought.... he took it off...The clip decided that she didn't want to fit....she had put on a little weight. Plus she went from a size sixteen to a thirty two.  She was really upset and didn't know what to do.

My brother's and I worked with the trigger and when he stuck me to his head and closed his eyes.....all you heard was a click.  His hands were sweaty and so was his face....I guess he envisioned blood all over the place.

We had just pulled off a trick....although he tried once again. The attempt was another failure.  He will never know that we are a team and preserved his life.

We won't become an accessory and maybe he will get an opportunity to read that suicide note response....so he can see the other side of his selfish act.  This is not an opinion....what I'm stating is a fact.

I guess he's gratefulful that he's still here....I see a tear and he's on his knees.

He said "Lord please forgive me for my selfish behavior.  I just don't know what to do.  I prayed and nothing happened...so i became angry with you.

  Why...must I struggle when others have it so good?  Why did my wife leave me for another man....even after I put a diamond ring on her hand?

  Why did i suffer abuse from my dad? ....Lord, please restore the fire within me.  I'm hurting so much inside....and feel death would have been better.

That's the reason for my letter.  Lord...I hope you forgive me. Thank you Amen.

He took me apart and placed me in a bag....before he did that... he wiped me down with a rag.  The bullets were scattered all over the place....and he finally turned on the light.

Psalm 119:105
"Your Word is a lamp to my feet and a light for my path."

An excellent decision ....and another opportunity to fight.
Suicide is a serious issue.....it's not something you can just get over.  Increase your faith.....Life is better when you are here. We need you here!
Grace Sep 2020
To understand that *** is not a primary priority in our relationship means more than I can even say. To have a Dada who focuses so much more on making sure my little is whole and happy before anything else is done makes me truly feel like you see me and what Gracie needs.

Don’t get me wrong big girl time is amazing when we have it. You make my body sing for you and you quiet my mind until nothing else exists there but you. Your hands on my body remind me that I am ****, desired, and very ****** – and that those needs are not to be forgotten. They’re just not the priority. I wrote something for you that has been on my mind ever since you posted that writing 10 days ago. I hope it helps you really hear how much it means to me.

It’s ALL about Priorities

I love that your priority is Gracie, your focus on her is entirely unapologetic and that means the world to me.

Because honestly *** isn’t all that important to me.

I love that your priority is her happiness. Life itself has many distractions and I know that devoting so much time me (to her) is not always the easiest path. But the fact that you do, even when it means 36+ hours on Skype most of which just “being” which you understand is just as important to me as playing and talking and laughing, makes me feel like the most important person in the whole wide world.

Because honestly *** isn’t all that important to me.

I love that your priority is keeping her healthy. That you take care of me when I forget or refuse to take care of myself. The simplest things like asking what or even if I’ve eaten when you know what my response will be shows me how much you care about the smallest of things in my day.

Because honestly *** isn’t all that important to me.

I love that your priority is helping me find peace when I’m floundering. Whether it be from nightmares or when I’m physically not feeling well, everything stops while you help me reach a calmer place in my head and that cannot be more important to me in that moment even if I won’t come out and say it. And that is one of the biggest expressions of love you could ever show me.

Because honestly *** isn’t all that important to me.

I love spending big girl time with you, feeling my body submit to your touch and your voice as you make it sing for you. But it’s the peace your dominance brings to my mind (even if my head isn’t in a bad space) that is what I love most in that.

Because honestly *** isn’t all that important to me.

I love that your priority is meeting my need and you see how much I need your touch. To feel of your touch on my body, from the lightest of touches to the most intimate of places. I love the tender possession of your lips on mine or the taste of your skin as I bite your shoulder in ecstasy. I love the way you make me pant and whimper and sigh and then to feel it all come crashing down as you make me *** again and again into a state of pure ******* bliss. But what I take from those moments is the feeling of complete desire for me in every way. Your need for me without filters or guards is how I’m truly learning to see that I’m beautiful.

Because honestly *** isn’t all that important to me.

I love it when you pull me over your knee and spank me Dada, just the thought gets definite reactions and makes me gasp and blush. That moment of when my mind clicks into a literal “sub” space, surrendering all of myself to you, and with the simple strike of your hand against my bare skin, you remind me that you’re there to take every piece…every part of me to help me find peace and put them back together again.

Because honestly *** isn’t all that important to me.

I love the intensity of *** play with you Dada, something I haven’t so openly explored before. But I trust you with my every breath so I know that even the most intense of moments you’re there to keep me safe. And in that, I would give you any part of me without you ever needing to ask.

Because honestly *** isn’t all that important to me.

I love feeling you taking every part of me, knowing that I want to know you in every way that one can possibly know another. Not just for the primal satisfaction which I love just as much, but for the sake of strengthening our bond. One that continually gets stronger with every touch, little or big.

Because honestly *** isn’t all that important to me.

I love when the feeling of exhaustion as you continually use my body, beyond the point when I think it can go on. When my mind cries out that it can’t even while you show my body that it can until all is silent and nothing is there but you and I in the peace of the silent black space. Then I reach out and feel you take me close to your chest and remind me that you’re always there to keep me safe and secure.

That’s called priorities.

To the flutter of butterflies in my stomach and the squeal I have to quiet just when I see a message from you pop up on my phone.

That’s called priorities.

To know that I’d rather lay there in silence with you then go out with anyone else just at the risk of losing the smallest measure of time with you.
That’s called priorities.

To feel the sense of peace that quiets all of the chaos after you’ve listened to me whine, complain or just plain ***** about all that’s going on with me without word one of the mess that your day has been. That moment, that peace.

That’s called priorities.

To be able to be little with you with no boundaries, to be as little as I need to be and to trust that you’re there to be with me to protect me and play with me.

That’s called priorities.

Dada, you have taught me that a man’s priorities are evident through the actions that he takes and the choices that he makes and for the first time I truly feel like a priority instead of an accessory. And for that, the words “thank you” could never be enough.

Gracie
09/23/2015
Eener Nospmoht Nov 2013
The officer said it was illegal but I've never been punished thusfar.
I knew it was wrong, but desire consumed me.
I grabbed the man and dragged him into my van.
He screamed and I laughed.
Brutal company.
It was going to hurt, of that I was certain.
His lack of consent did not stop me. I was on a mission, and James Bond always thrives.
I got in and drove as fast and as far as I could.
Speed bumps bring my daughter joy.
She giggles, I smile, he writhes in pain. My smile grows.
A pain bubbles in my clavicle but I digress.
But, I don't digress because it HURT.
I locked the angels in my closet for safe keeping. My mother is proud.
Blood is my favorite accessory. Hashtag period.
My friend always said I was cunning but I never believed her father was a good man.
After all, a good man would never commit such acts.
I threw the empty toilet paper roll at his grave then shouted at his wife's cat.
Meow. Meow, meow. Meow.
It sings the song of the hummingbird so I put it in a collar and walk it to the pound.
The pound sings the song of death, my song.
My student tool box is full of unfortunate goodies, and yes, my English teacher approves.
But I would rather she not. This is my journey, not one I shall share.
I aggressively slap the keys of life, hoping yogurt will seep from the cracks of destiny.
It never does, and I starve.
My granola is friendless.
Life is bitter, like the skin of a plum.
Fierce as a seahorse. But again, I digress.
Without Lady Bitternit, this poem would not be made possible. Enjoy.
judy smith Jul 2015
Getting married on a beach, mountaintop, remote villa or rustic rural setting is a romantic ideal for many brides.

But what does that mean for the wedding dress?

Should you go formal or footloose? Will your gown fit in your suitcase?

A bride having a "destination wedding" should think about versatility when choosing a gown. She must be "concerned about being comfortable, more so than your typical bride. She has to contend with weather and terrain, making her gown choice critical to how at-ease she feels on her special day," says Lori Conley, senior buyer for David's Bridal.

Christine Pagulayan of Toronto and her fiancé, Ian McIntyre, jetted to Costa Rica in 2013 for a resort wedding.

"I had a (dress) style in mind: strapless, low back, white with ruching. Initially, I thought about going short, since we were going to get married on a beach, but I then realized that even if it may be heavy or sweaty, I wanted a real wedding dress. So we found one that had a gorgeous train, but it also had a bustle so I could dance," Pagulayan says.

Some dress trends for destination brides:

• LIGHT FABRICS AND SHORT HEMS: Many traveling brides favor lightweight, airy fabrics.

"Chiffon and organza are always favorites. Full trains can be cumbersome if you're navigating sand or grass," says Conley, of David's.

"A lot of brides opt for the ease of a sweep train," which just grazes the floor.

David's destination-friendly dresses include styles in full or tea-length tulle, soft lace or chiffon, Conley says. Fabrics that travel well for brides wanting a more structured gown include silk gazar, georgette and crepe, which are "lighter-weight versions of silk faille and Mikado," says Carrie Goldberg, associate fashion editor for Martha Stewart Weddings.

J. Crew's Karina short dress, for instance, has a flapper-esque fringe, and is covered in corded lace. • SEPARATES: "Tops and bottoms are not only easier to pack, they allow for mixing and matching fabric and fit to get a silhouette that feels unique to your personal style," says Goldberg.

Separates work for any destination, she says: "A full organza skirt may appeal to a bride getting married on the beach; pairing it with a delicate silk camisole suits the location. The same skirt would suit a mountaintop affair when paired with a fur bolero or a fine knit."

J.Crew's Sloane poly-cotton long skirt has a simple, draped profile; a silk cami top embellished with beads, crystals, sequins and paillettes in a floral motif creates a dressy look.

At David's Bridal, there's the crisp Mikado cropped top balanced by a flowing, organza ball-gown skirt, creating a modern silhouette.

• COLOR: Let the venue inform your choice of hue, Goldberg says.

"A sunset wedding in Napa pairs beautifully with a blush gown, while the colors of an Amalfi Coast wedding may inspire the bride to opt for something blue."

• VERSATILITY: For bridesmaids — or perhaps even the bride — White House Black Market has a clever option: a short or long pull-on gown with a customizable top. You can adjust the straps on the "Genius" dress to make a halter, one-shoulder or cap-sleeved version. Easy to pack, affordable and available in a range of colors, these might be a good option for a group of bridesmaids.

• FOOTWEAR: Flats or wedges are ideal for beach or garden: "The more surface area the sole of your shoes have, the easier it will be to walk," says Conley.

Keep in mind that satin or grosgrain might get stained by grass or sand.

Another option for beach brides is "foot jewelry," an accessory that does away with the need for an actual shoe.

read more:www.marieaustralia.com/formal-dresses-adelaide

www.marieaustralia.com/plus-size-formal-dresses
She didn't know why
but within the simple act
of a man taking off his belt
lay all the terrors in the universe

   But one day
this woman
she refused to be afraid for even
one more minute
   She refused to give sway
to fear anymore
   She refused to be a doormat
for one more bad egg
in the locker room
  
   She refused
to be
a fashion
accessory
Being a gay man whom has been victimized and discriminated against, I can totally relate.
Leah Rae Oct 2014
The following is a quotation.
"In the emergency room, they have what's called **** kits where a woman can get cleaned out."  
-Texas State Representative Jodie Laubenberg

Dear Mrs. Laubenberg,

I have never felt so betrayed by another woman before.
And I know this was your attempt at a prolife argument.
But you don’t understand anything about your own anatomy.

Unlike you, I know my own body.
The home I've created here,
inside myself,
these shoulders,
hips,
scars,
and stretch marks.

Believe me when I say - I am my own war memorial.

So let this body be ready to be broken.

I will give birth to umbilical cord nooses.

Hang myself with my own womanhood.
Blood soaked ******* and blue and black bite marks.
I will never be anyone’s victim.

I was built - hand crafted by some creator - who knew he was breeding me for war.

Let this body be a graveyard to all my past lovers.

Let it be known that I was built for destroying things just as often as I create them.
The lipstick I wear is the same color as blood.
I was made to devour.
A caged animal in my throat.
A growl asleep in my chest.
A ribcage built for holding me captive because I'm a savage animal.

Do not call me weak.
A ***** bites.
A ***** swallows her prey alive.

So don’t you dare push my knees apart into metal stirrups, and
“clean me out”.
Do not bandage my wounds.
Do not wipe me clean of this recklessness.
Do not cover these bruises.
Let me stand, a testimony to what they have done to me.
To us.
My wounds will not be silent.

I want you to look at me.
At us.

We need to carry these battle wounds with us.

On my college campus, we have been broken in like cattle.
We know the scent of fear.
We’ve been branded black and gold.  
We were told to carry mace like an accessory to this sin.
To never walk alone at night.
To travel in packs.
To carry weapons.
To carry guns.
To carry our femininity concealed because bare thighs are dangerous here.

Each week is only finished when a ****** assault paints my campus crimson.

**** is a hate crime against weakness.

So I’m taking back femininity and I’m deciding what it’s synonymous with.

And never again will submission mean woman.
Never again will girl mean powerless.
Never again will tenderness be considered vulnerable.

I am a flower on ******* fire.
I am Mother Nature,
Thousand watt lightning storms and forest fires that could turn you into dust.
You cannot break me.

Every 90 seconds a woman dies during pregnancy or childbirth.

So yes, we are used to giving this thing called life, our absolute everything.

There are 400,000 untested **** kits in America alone.

So yes, I know, Mrs. Laubenberg.

I know you picture women’s bodies like machines,
cold,
hard,
metal.
Something than can be deconstructed, cleaned, and put back together.
But I am a human being, and I don’t assemble easily.

****** assault belongs to the survivor.

How dare you try to white wash your own guilt and try and file our stolen femininity under blood slides and nail scrapings.

You are a woman too, Mrs. Laubenberg.

And I know, these hate crimes look like girls in short skirts to you.
They look drunk.
They look *****.
They look like *** workers caught in fishnets.

They look deserving.

But Mrs. Laubenberg,

They also look like your sisters.
And your mother.
And your daughters.

And if something isn’t done to change this,

Maybe

**They might end up looking like you.
This is originally supposed to be a spoken word piece. All feedback is welcome.
Hannah Davis Jan 2016
You're not a necessity,
You’re an accessory.
Stop trying to own me, talk at, and stand next to me.  

Stop playing the role of the leader- you’re less than me.
I am the boss here you have nothing to offer- see?

I am stronger, smarter, brighter, bolder-
and all you have to say is what?
“If I can’t have her I’ll hurt her.”

You think because you’re man and I’m women I’m yours,
but when it comes to offers I haven’t see anything worse.

You call at me,
Stare at me,
Swear at me,
Slimy and gross like a leach.
You taunt me and smirk at me as if I’m in your reach.

So I’ve talked to you once,
We’ve made eye contact- your point?
You’re a cog in a machine line,
a small piece,
an ordinary joint.

You’re unoriginal with your words,
even less with your actions.
I’m beautiful and talented,
So when it comes to you there’s no attraction.

You have nothing to offer me,
let me be-stop accosting me.
You’re taking up my time and it’s costing me.
Because unlike you I’m not worthless,
I’ve got ambition and drive.
I’ve got brains-not just an ***.
You’re not the reason I’m alive.

You’re nothing,
You’re worthless.
And if I wanted you, you’d know.
I’ve been trying to tell you repeatedly just where you can go.

Your offers?
Not catchy,
not tempting,
I don’t want anything less.

So sad to know when it comes to relationships-
this is as close as you ever get.

You’re ****.
You’re trash.
You confuse me when you talk.
Since when does a women sleep with someone when they gawk, or when they stalk?

You’re a coward,
You’re a loser,
Your creation was a glitch.
And though yes, I am rejecting you,
No, boy-you are the little *****.
An expression of my rage towards the amount of times I have been objectified and harassed by men over the last month both on the street and in my workplace.
John F McCullagh Jun 2018
They found her, blue and lifeless, a red scarf around her neck.
She was , in life, a designer; head and shoulders above the rest.
Women loved all her creations; her faultless sense of style.
Her Life seemed charmed and perfect, at least for a little while.

She tied the scarf around her throat when she decided it was time.
Medication for depression may have placed these thoughts in mind.
Her vision blurred, her heart beat raced until it came full stop.
Her housekeeper found the body- the poor woman's still in shock.

The police came to investigate and photograph the scene.
In death there is no dignity, the process is obscene.
They found the note, devoid of hope, that Kate had left behind.
People who know nothing spoke about her state of mind.

Her estranged spouse sits in silence with the little girl she left.
He struggles to make sense of it. He's sad, perhaps depressed.
He wonders what to do with the red scarf in which she died.
It is a hated, despised thing, this accessory to suicide.
Kate *****, a brilliant designer has been found dead from suicide in her New York apartment
nish Jul 2018
i like to look at things that shine

fireworks projected into the sky
and like a shooting star they fall
some wish
i watch
as it splits into an array of colours
a few seconds of beauty
quickly enveloped by the night sky

floating lanterns, so ominous
so pretty and mysterious
dots across the dark horizon
the endless darkness tainted
by blurs of light from a distace
but up close they truly are
an enchanting spectacle

camp fires are surreal
what stories do they hold
it rages and fights
it consumes, magnificent
so powerful and yet
so wise

candles bring out memories
if i stare too long
its rhythmic flame will devour me
the tiny light brings out the biggest shadows
like a trance it pulls me in
blow it out, then i'll be free

neon trapped within traffic lights
the red has immeasurable power
amber hues bring on despair
green commands attention
but in the dead of the night
when not a single soul roams by
driving past the glowing lines
of light upon light
i enter a realm of nostalgia

i see the flash of lightning
it is ferocious
commands respect
but when i watch it
from behind a window pane
with raindrops streaking down
the thunder muted, the dark clouds
they emit the most beautiful violet light
it comes and goes in simply seconds

and how could i forget the stars
always there
but only alive
in the depths of the night
scattered across the sky
they glow like an accessory
desired but unreachable
i stretch my hand out high
a little more and i can touch them.
This poem was actually inspired from a textpost I saw about star-signs and things that shine. Every different light brings out a different feeling, just like people. I haven't included all the signs, just the ones I liked.
alavandala Apr 2015
encapsulating my face
as i walk down main street
a web that catches butterflies
for me to devour tonight
while everyone is dreaming
the sun exists there all around me
illuminating every separate piece
the grass-blade
the bypasser
the pavement crack
a perfectly pieced puzzle
-i must be the shadow here-
an outlier an oddity
the light spares me today
it will come again when there is less to wonder about
more to know
suppose you find me here
shadow and all
i would say
here is not what you are looking for
you cannot scare this away
and certainly it is not able to be subsumed
resigned toleration is all
but even that is unwanted
pay no mind to the dismality of my sanity
be on your way
stop and smell the pungent odors of the pyrus calleryana
the sky is not flat today
the air, not stifling
make it merry (if you'd like)
there is nothing tragic about synergy

— The End —