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"accents" poems
my mind thinks of 3 things my relationship with my God my relationship with my Jon my countdown of days left in Sevilla I feel strange today a little bit broken sad empty I'm not really sure why maybe I'm just a little homesick homesick for a hug from my dad homesick for singing in the car with my sister homesick for having a place to take a deep breath homesick for the country and dirt roads homesick for southern accents homesick for my mom's cooking homesick for my regular life just a little bit of normalcy
0
Nov 20, 2019
Nov 20, 2019 at 9:08 AM UTC
hey guess what
"Be careful who you call a King" All the romantic girls want a 'knight in shining armour' All princesses want some noble king to sweep them off their feet All the bad girls want a rebel who's mean with lots of green Well... I'm all three I want the joker Who can outwit the knight in a fight with only his words Who can make the king laugh with accents and gestures so absurd Who can cause the rebel to cry and fly away like a scared little bird I want the joker I'm a poet I need the joker to take away the sadness in the words I write I need the joker to willingly fight for me with his own life I need the joker to stand tall and proud, yet admit when he's not right I need the joker to love me fully, unbiasedly and with all his might I'm a poet Knights are overrated Kings are old and outdated Rebels are deathly fated Jokers are an eternity Cause laughter can surely never die Jokers are everything Cause my heart will surely never cry
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Dec 21, 2014
Dec 21, 2014 at 6:53 PM UTC
The Joker
~ ⚘ ⚪ ⚘ ~ But I am relieved. Not being confined in bright velvets of the West, or shimmering silks of the East. Each hand-stitched with animals and flowers, crystals and furs, with gold and silver to parade around in Court. ~ ⚘ ⚪ ⚘ ~ I find far more splendour in a simple iris-purple kimono-robe, lightweight, silk-satin and printed with lilies with a pink silk trim. It strokes my ankles, and the sleeves, they billow; the sash firmly fastened around my waist. ~ ⚘ ⚪ ⚘ ~ My handmaid, Ilazi, presents a gilded bowl with the purest form of fruits - the ones that were rain-washed. I have a variety to choose from - strawberries, blueberries, peaches, green, red and black grapes which I pick and nibble on. Hmm, a succulent balance of sweetness and **** ~ ⚘ ⚪ ⚘ ~ And then my senior handmaid, Anihana, arrives with a tray in hand, clearly made from stainless steel with rose-gold accents. 'Sweet Queen,' says she. At the wave of my hand, the music stops. 'Forgive me for keeping you waiting. I know how particular you are with your pearls so I narrowed them to your favourite three choices.' ~ ⚘ ⚪ ⚘ ~ 'Thank you,' I say and as I lean up, she presents three cream-hued scrolls. 'Lists,' says she, 'of all the ship's inventory. Would you like to inspect them, my lady?' 'I will after some tea, Ainhana, thank you.' ~ ⚘ ⚪ ⚘ ~ Anihana nods and moves by my side as my eyes fall on the tray's contents. A small silver five-minute sand-timer, a glass teapot with bamboo handle, an infuser and steel lid half filled with hot water; steam dancing out of the spout. Then, a lovely glass teacup, one of the most beautiful I've seen yet. ~ ⚘ ⚪ ⚘ ~
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Aug 4, 2018
Aug 4, 2018 at 7:48 AM UTC
~ ⚘⚪ Jasmine Pearls III ⚪⚘ ~
~ ⚘ ⚪ ⚘ ~ But I am relieved. Not being confined in bright velvets of the West, or shimmering silks of the East. Each hand-stitched with animals and flowers, crystals and furs, with gold and silver to parade around in Court. ~ ⚘ ⚪ ⚘ ~ I find far more splendour in a simple iris-purple kimono-robe, lightweight, silk-satin and printed with lilies with a pink silk trim. It strokes my ankles, and the sleeves, they billow; the sash firmly fastened around my waist. ~ ⚘ ⚪ ⚘ ~ My handmaid, Ilazi, presents a gilded bowl with the purest form of fruits - the ones that were rain-washed. I have a variety to choose from - strawberries, blueberries, peaches, green, red and black grapes which I pick and nibble on. Hmm, a succulent balance of sweetness and **** ~ ⚘ ⚪ ⚘ ~ And then my senior handmaid, Anihana, arrives with a tray in hand, clearly made from stainless steel with rose-gold accents. 'Sweet Queen,' says she. At the wave of my hand, the music stops. 'Forgive me for keeping you waiting. I know how particular you are with your pearls so I narrowed them to your favourite three choices.' ~ ⚘ ⚪ ⚘ ~ 'Thank you,' I say and as I lean up, she presents three cream-hued scrolls. 'Lists,' says she, 'of all the ship's inventory. Would you like to inspect them, my lady?' 'I will after some tea, Ainhana, thank you.' ~ ⚘ ⚪ ⚘ ~ Anihana nods and moves by my side as my eyes fall on the tray's contents. A small silver five-minute sand-timer, a glass teapot with bamboo handle, an infuser and steel lid half filled with hot water; steam dancing out of the spout. Then, a lovely glass teacup, one of the most beautiful I've seen yet. ~ ⚘ ⚪ ⚘ ~
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52
Sincerely surly American accents Amany humble apologies spill Likewise the well wishes A many ways to say or quill “Thank the heavens for you” Precious things reminding few Occasions many of appreciation’s due.
0
Sep 26, 2018
Sep 26, 2018 at 7:40 PM UTC
Salamat Po (acrostic)
Permission to speak, I am the ally of the silenced and unheard. I am the noise you can't shake. Two sharp points like the accents I carry on my tongue. I slither and squirm as I observe what they have done to you. It's a tragedy what they think of you and how arrogantly they use you for self proclaimed prophecies. No! I am not that! I yell loudly, but only the echo replies. Incarceration, deportation, degradation, gentrification some of the words that burn as I spit them out. False ideologies are accepted as realities ignoring the facts. I am not illegal and you don't have the right to label or decide. I am not a criminal, never was. Don't obstruct my academic path, I will jump each and every obstacle one by one. I was born free, you labeled and shackled me with lies and hatred but I broke loose. With my forked tongue I battle your double sided knife. I am not content with the destructive pattern that has emerged with your avarice. I will not **** for you and I will not die in vain. My snake like tongue has no mercy and will not cease until I see dignity and peace obtained.
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Apr 9, 2015
Apr 9, 2015 at 6:40 AM UTC
Snake Tongue
I Among twenty snowy mountains, The only moving thing Was the eye of the black bird. II I was of three minds, Like a tree In which there are three blackbirds. III The blackbird whirled in the autumn winds. It was a small part of the pantomime. IV A man and a woman Are one. A man and a woman and a blackbird Are one. V I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after. VI Icicles filled the long window With barbaric glass. The shadow of the blackbird Crossed it, to and fro. The mood Traced in the shadow An indecipherable cause. VII O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you? VIII I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know. IX When the blackbird flew out of sight, It marked the edge Of one of many circles. X At the sight of blackbirds Flying in a green light, Even the bawds of euphony Would cry out sharply. XI He rode over Connecticut In a glass coach. Once, a fear pierced him, In that he mistook The shadow of his equipage For blackbirds. XII The river is moving. The blackbird must be flying. XIII It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs.
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6k
Thirteen Ways Of Looking At A Blackbird
Man I got years of practice At making ‘em laugh at this And that **** Gas out my *** Shakespeare references Comic book characters Foreign accents Effeminate behavior Always a loving labor Smiles and chuckles To ease or eliminate The distance and uncertainty Between those I appreciate
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Dec 7, 2014
Dec 7, 2014 at 1:20 PM UTC
Making 'Em Laugh
vintage polaroids mountain air girl scout cookies summer hair ed sheeran lyrics mint lemonade blowing bubbles christmas parade harry potter winter park crew biscoff spread morning dew british accents plaid shirts old castles chocolate desserts breakfast for dinner big bang theory quotes shakespearean language cape cod sailboats sweet nostalgia the smell of books longing wanderlust forest nook 80s movies neon lights time with friends caramel delights the great gatsby walk the moon old typewriters plumerias bloom bombay bicycle club chinese cuisine abstract art seafoam green vineyard vines life of pi scuba diving monarch butterfly
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May 8, 2013
May 8, 2013 at 9:54 PM UTC
{i like}
*stacking the arrows in piles a triangle of fuego furnaces blaze fire infinite reminders of the morning after shafts of light drift from window panes remake our names in god’s slumbering veins from here to there a whisper or was it a word fellow companions have you heard the threadbare sisters took their turns climbing mountains in order that we could learn the ways of green hearted sun-scrapers sweet little dangers fellow death chasers full of music givers of blooming veils bouquets of snow and hail almond shaped eyes resplendent thighs and a mind as pure as a lake during an alaskan winter in the frozen splinter trees are taken from their roots the women are bleeding weaving you the meat and the story outsiders are cast from clay into statues with feminine bodies curving like cotton candy i choose to impress you repeat the compliments that land on empty stomachs string together words like a rosary of sweet nothings simple deeds give thrilling feats a chance to restore their honor purity is unwashed in ***** soil as i am cut from the cloth of the earth our shirts are pressed at birth white light forming fellowship dimples in the cheeks of the mother the earth’s bones torn out from under the way we made ourselves invisible the minute we realized our accents were noticeable our actions were abominable how could we ever repay the generosity we were treated to our ultimate needs are met by poetry upon a ridge a silent figure wept and held his head upon a bed of cement*
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Jul 14, 2017
Jul 14, 2017 at 2:17 AM UTC
Arcturian women
*stacking the arrows in piles a triangle of fuego furnaces blaze fire infinite reminders of the morning after shafts of light drift from window panes remake our names in god’s slumbering veins from here to there a whisper or was it a word fellow companions have you heard the threadbare sisters took their turns climbing mountains in order that we could learn the ways of green hearted sun-scrapers sweet little dangers fellow death chasers full of music givers of blooming veils bouquets of snow and hail almond shaped eyes resplendent thighs and a mind as pure as a lake during an alaskan winter in the frozen splinter trees are taken from their roots the women are bleeding weaving you the meat and the story outsiders are cast from clay into statues with feminine bodies curving like cotton candy i choose to impress you repeat the compliments that land on empty stomachs string together words like a rosary of sweet nothings simple deeds give thrilling feats a chance to restore their honor purity is unwashed in ***** soil as i am cut from the cloth of the earth our shirts are pressed at birth white light forming fellowship dimples in the cheeks of the mother the earth’s bones torn out from under the way we made ourselves invisible the minute we realized our accents were noticeable our actions were abominable how could we ever repay the generosity we were treated to our ultimate needs are met by poetry upon a ridge a silent figure wept and held his head upon a bed of cement*
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56
so i see now you're with someone else, & finally now i'm free: you left no excess residue as you exit me. i expected to express regrets as your final vapors left my vents but now your vacancy sustains me: i have aptitude in lacking you & your absence accents my best attributes because i'm no longer attached to you. & each step weighs a little less sans you stealing half my breath, & when i'm bathing in her flesh she'll find comfort in my cleanliness, & she can finally drown inside my depth as i love her like there's nothing left.
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Feb 7, 2010
Feb 7, 2010 at 7:56 PM UTC
moving on
With generosity of time and care He teaches her about the things he knows. Such as a couplet is a rhyming pair And how a sonnet ought to be composed. Pentameter iambic is the key With accents, syllables and scansion too. It seems a huge and baffling mystery But bit by bit he gives a hint. A clue. “It helps to tap your fingers on the desk To count the syllables and hear the beat. For some this seems bizarre and quite grotesque But listen hard and count along. It’s sweet!”           A teacher true who cares for flawless rhyme           I thank you friend for giving me your time.
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Jan 18, 2011
Jan 18, 2011 at 7:15 AM UTC
Ode to A Teacher
It's unfortunate that Parisians Are very hard to bear, In terms of flash obsequiousity, They drive me to despair! And patience is an attribute I don't profess to have To mercifully administer When accents veer to Slav. Baltics look like jellyfish, The Germans are obscene And loud and overbearing But the Swiss are very clean. Italians are a swarthy lot Who gourmandize on food And sacrifice their suavity By being impudently crude. The Spanish are no better, In fact they are probably worse, For obsessing in the blood sports I actually rate them in reverse. Starchiness is British They're convoluted to the core, The Old Boy system's lost it's sheen Aspirants flock to it no more. The Yanks are looking slightly crass Whilst fighting foreign wars, Their pinky held up squeaky clean To call "foul" to China's flaws. China sits inscrutably Holding all the cards Waiting for the moment To strike beneath the guards. India and Pakistan Are squabbling like kids The uproar over Kashmir Rates them lower than the Yids. The Yids are walking tightropes With Iran's nuclear ****** Whilst currying Yank approval, Eventual bombing is a must. The Dutch behave so anally They're always proven right When faced with rigid negatives They blanch with haunches tight. But not the Argentineans They love to dance and flirt, To chase the senorita Cavorting in the scarlet skirt. The South Pacific's wallowing They're adrift from World affairs Oz's self preoccupation Mirrors Kiwi's vacant stares. Africa's way past comment Lost to heat and dust, Warfare, **** and pillage And the rest decayed by rust. Eskimos are OK Clean living on the ice The population static, Zer-O pollution's nice! Marshalg @theGate Mangere Bridge 14 April 2009
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May 2, 2010
May 2, 2010 at 12:08 AM UTC
Eskimos are OK!
It's unfortunate that Parisians Are very hard to bear, In terms of flash obsequiousity, They drive me to despair! And patience is an attribute I don't profess to have To mercifully administer When accents veer to Slav. Baltics look like jellyfish, The Germans are obscene And loud and overbearing But the Swiss are very clean. Italians are a swarthy lot Who gourmandize on food And sacrifice their suavity By being impudently crude. The Spanish are no better, In fact they are probably worse, For obsessing in the blood sports I actually rate them in reverse. Starchiness is British They're convoluted to the core, The Old Boy system's lost it's sheen Aspirants flock to it no more. The Yanks are looking slightly crass Whilst fighting foreign wars, Their pinky held up squeaky clean To call "foul" to China's flaws. China sits inscrutably Holding all the cards Waiting for the moment To strike beneath the guards. India and Pakistan Are squabbling like kids The uproar over Kashmir Rates them lower than the Yids. The Yids are walking tightropes With Iran's nuclear ****** Whilst currying Yank approval, Eventual bombing is a must. The Dutch behave so anally They're always proven right When faced with rigid negatives They blanch with haunches tight. But not the Argentineans They love to dance and flirt, To chase the senorita Cavorting in the scarlet skirt. The South Pacific's wallowing They're adrift from World affairs Oz's self preoccupation Mirrors Kiwi's vacant stares. Africa's way past comment Lost to heat and dust, Warfare, **** and pillage And the rest decayed by rust. Eskimos are OK Clean living on the ice The population static, Zer-O pollution's nice! Marshalg @theGate Mangere Bridge 14 April 2009
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64
Harshness vanished. A sudden softness has replaced the meadows' wintry grey. Little rivulets of water changed their singing accents. Tendernesses, hesitantly, reach toward the earth from space, and country lanes are showing these unexpected subtle risings that find expression in the empty trees
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4.1k
Early Spring
You won't recognize them I bet, your secrets, even in broad day light, if they walk towards you smiling, wearing dark glasses to hide their eyes in a humid day.They now wear clothes of different styles to take you for a ride, even cross dress and change the accents, they play games with your hazy mind --the secrets you once buried deep under. They stand peeping behind blinded windows prowl as shadows soliciting behind half open doors,. Time flies in a hurry like migratory birds left behind, you have to strain your ears too much to hear even the faint foot falls of the past! Old memories have changed their manners they try to distract one with invented details Like the muffled voices in an attic dark, on a fateful day so long, your old secrets speak an archaic tongue, that needs to be interpreted. One has to be artful as the turbaned village elders who would for your astonishment interpret the vocabulary of lizard calls, key to nature's intents. Or the trained eye of an elder who in flashes of meteor falls, reads the secret messages of universe. To get a true sense of your own secret you have to tread the places they hide. Make them shed their crusted hides by which they conceal their true color, which one has been waiting to see, with a palpitating heart, walking back to where one walked once, long forgotten. That is why elders on days of yore would exhort, embarrassingly repeat too, not to have any hidden secrets that hurt even if breathtakingly beautiful like a courtesan. In some moment one won't  expect dreadful they could turn and become witches, with fiery eyes, dreadlocks, and long nails.
0
Mar 25, 2017
Mar 25, 2017 at 4:11 PM UTC
Dreadlocks and long nails
You won't recognize them I bet, your secrets, even in broad day light, if they walk towards you smiling, wearing dark glasses to hide their eyes in a humid day.They now wear clothes of different styles to take you for a ride, even cross dress and change the accents, they play games with your hazy mind --the secrets you once buried deep under. They stand peeping behind blinded windows prowl as shadows soliciting behind half open doors,. Time flies in a hurry like migratory birds left behind, you have to strain your ears too much to hear even the faint foot falls of the past! Old memories have changed their manners they try to distract one with invented details Like the muffled voices in an attic dark, on a fateful day so long, your old secrets speak an archaic tongue, that needs to be interpreted. One has to be artful as the turbaned village elders who would for your astonishment interpret the vocabulary of lizard calls, key to nature's intents. Or the trained eye of an elder who in flashes of meteor falls, reads the secret messages of universe. To get a true sense of your own secret you have to tread the places they hide. Make them shed their crusted hides by which they conceal their true color, which one has been waiting to see, with a palpitating heart, walking back to where one walked once, long forgotten. That is why elders on days of yore would exhort, embarrassingly repeat too, not to have any hidden secrets that hurt even if breathtakingly beautiful like a courtesan. In some moment one won't  expect dreadful they could turn and become witches, with fiery eyes, dreadlocks, and long nails.
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38
I Among twenty snowy mountains, The only moving thing Was the eye of the blackbird. II I was of three minds, Like a tree In which there are three blackbirds. III The blackbird whirled in the autumn winds. It was a small part of the pantomime. IV A man and a woman Are one. A man and a woman and a blackbird Are one. V I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after. VI Icicles filled the long window With barbaric glass. The shadow of the blackbird Crossed it, to and fro. The mood Traced in the shadow An indecipherable cause. VII O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you? VIII I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know. IX When the blackbird flew out of sight, It marked the edge Of one of many circles. X At the sight of blackbirds Flying in a green light, Even the bawds of euphony Would cry out sharply. XI He rode over Connecticut In a glass coach. Once, a fear pierced him, In that he mistook The shadow of his equipage For blackbirds. XII The river is moving. The blackbird must be flying. XIII It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs. - Wallace Stevens (not me)
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May 2, 2015
May 2, 2015 at 11:04 PM UTC
Thirteen Ways of Looking at a Blackbird - by Wallace Stevens
my tea has gone sour overnight the stars must have mixed with milk dreams dancing into my two white pillows why does night slip away so suddenly tones of sadness find me early morning I try to unsap my fatigue and fall stumbling into the room where we keep our food which keeps us alive sip my new fresh tea from my country red and warm and hugging I miss the accents of my land craving something familiar (like you) but not maybe we are all so incurably alone spinning around this globe individually unstoppable in solidarity maybe this was how it was meant to be.
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Sep 29, 2014
Sep 29, 2014 at 4:43 PM UTC
organic thoughts
A malevolent glimmer in your eyes accents That mischievous smirk you carry around, Just like the half-dead cigarette between your fingers. Smoke trails off in a gray hue every time you take a puff, Impinging upon my innocent lungs. They say you can die from secondhand smoke. Boy you're a killer and it's such a thrill. But your heart's a heart worth fighting for, Forget about self-defense.
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Jan 5, 2014
Jan 5, 2014 at 11:22 AM UTC
words about a bad boy
The man to my right was more than eight feet away. I was going to have to move closer to him to catch my limit of four trout. I halved the distance between the two of us and noted the sideways glance he shot me. I apologized immediately and asked if I was crowding him.      “No, you fine,” he replied within a thick Serbian accent.      “You’re with them?” I asked, pointing to the crowd of people on the bridge some 30 feet upstream from us. I had heard the crowd of eastern Europeans talking earlier, and their accents were unmistakable to me. He nodded and we continued fishing.      With my new angle I was better able to pick my fish in the water, so that’s what I did. I spied one and tossed my jig toward him. It took five casts but eventually, he took the bait. As I netted it in the swift, ice-cold spring water the man beside me congratulated me on the catch. I thanked him and added it to my stringer. This made three, and I only needed one more.      “What’s your name?” I asked him.      “Ivan”.      “Have you been in the states long?” I asked, after the pause following his short reply seemed to invite more questions.      “Since ‘96, my family live here. It is good.”      “You like living here?” I wondered aloud.      “Yes, the fishing is good. It is like back home in Serbia, or in Germany. We have this fishing there.”      “You mean trout?”      “Yes, trout...and some other fish like these, in water like this, but I can’t go home now.” He looked away momentarily. His lips pursed, and his brow furrowed. I pulled my line in, wanting to ask him more and not wanting to be distracted.      “Were you in the war?”      “Yes, I was in the Serbian police force.” My heart pounded. “When I was in the Serbian police force, we did what you see on the news. We went into villages and we killed them. We killed them all.”      I cast my line back into the water, spying another trout. Ivan shrugged and cast his own line. I couldn’t tell what he was using but it looked like cheese of some kind. “I was drafted in Serb police when I was 15. I had no choice. If I refuse, they **** me. I did what I had to do.” I nodded, and ****** my line, missing a fish. “Before the war, I fished. After the war, there were not so many people, so fishing was very good.”      The air around me was alive. The trees were greener, the water was colder and clearer, the sun was brighter, and the sky was bluer.      “I’ve been fishing for a long time as well,” I responded. My father used to bring me here as a child. He nodded and continued.      “After the war, all the fish come back, no one fished during the war, so there were many of them. You just had to be careful of the mines.” He grunted and gazed skyward.      “The mines?”      “Yes, during the war they mined the water.”      I watched trout number four take my jig and I carefully reeled him in. Ivan congratulated me a second time, and I thanked him in return. “You’re a good fisherman,” he said turning back to his own pursuit of the four-trout limit, as I left the water to clean my catch.
0
Sep 21, 2019
Sep 21, 2019 at 8:33 PM UTC
Fishing
The man to my right was more than eight feet away. I was going to have to move closer to him to catch my limit of four trout. I halved the distance between the two of us and noted the sideways glance he shot me. I apologized immediately and asked if I was crowding him.      “No, you fine,” he replied within a thick Serbian accent.      “You’re with them?” I asked, pointing to the crowd of people on the bridge some 30 feet upstream from us. I had heard the crowd of eastern Europeans talking earlier, and their accents were unmistakable to me. He nodded and we continued fishing.      With my new angle I was better able to pick my fish in the water, so that’s what I did. I spied one and tossed my jig toward him. It took five casts but eventually, he took the bait. As I netted it in the swift, ice-cold spring water the man beside me congratulated me on the catch. I thanked him and added it to my stringer. This made three, and I only needed one more.      “What’s your name?” I asked him.      “Ivan”.      “Have you been in the states long?” I asked, after the pause following his short reply seemed to invite more questions.      “Since ‘96, my family live here. It is good.”      “You like living here?” I wondered aloud.      “Yes, the fishing is good. It is like back home in Serbia, or in Germany. We have this fishing there.”      “You mean trout?”      “Yes, trout...and some other fish like these, in water like this, but I can’t go home now.” He looked away momentarily. His lips pursed, and his brow furrowed. I pulled my line in, wanting to ask him more and not wanting to be distracted.      “Were you in the war?”      “Yes, I was in the Serbian police force.” My heart pounded. “When I was in the Serbian police force, we did what you see on the news. We went into villages and we killed them. We killed them all.”      I cast my line back into the water, spying another trout. Ivan shrugged and cast his own line. I couldn’t tell what he was using but it looked like cheese of some kind. “I was drafted in Serb police when I was 15. I had no choice. If I refuse, they **** me. I did what I had to do.” I nodded, and ****** my line, missing a fish. “Before the war, I fished. After the war, there were not so many people, so fishing was very good.”      The air around me was alive. The trees were greener, the water was colder and clearer, the sun was brighter, and the sky was bluer.      “I’ve been fishing for a long time as well,” I responded. My father used to bring me here as a child. He nodded and continued.      “After the war, all the fish come back, no one fished during the war, so there were many of them. You just had to be careful of the mines.” He grunted and gazed skyward.      “The mines?”      “Yes, during the war they mined the water.”      I watched trout number four take my jig and I carefully reeled him in. Ivan congratulated me a second time, and I thanked him in return. “You’re a good fisherman,” he said turning back to his own pursuit of the four-trout limit, as I left the water to clean my catch.
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22
Everywhere, on the sidewalks, in the gutters, right outside my door. Flourishing in the streets of Tegucigalpa, like leftover confetti from Mardi Gras. Lining the paths, nestled in the gravel, the broken concrete, and overgrown weeds. Coloring the landscape with orange and green. Proliferating around garbage cans, discarded bottles, tires, and take out boxes, liberated to the acrid landscape around.    Men, cutting back the peels, devouring the tropical flesh, delectable, united to pits. Dark skin and eyes, their accents singing, so different from my own. I stepped carefully, but always underneath, a sweet stickness, clinging to my soles. A bond to the red dirt, platanos fritos, and cattle roaming the street. When I returned to the wide boulevards, pristine and meticulously clean, I stopped watching my feet, looking for mango peels underneath.
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Jan 17, 2019
Jan 17, 2019 at 3:04 PM UTC
Mango peels
The walls painted, In the accent of lavender, air tainted with *** scents, of him and her.
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Jun 17, 2020
Jun 17, 2020 at 12:37 AM UTC
Accents
My fingertips will never let me forget the scent of stale cigarettes. I was a fool in London. All the friends I made had better accents than me. I dreamed of Bulgaria and Brazil. I walked through mud. I waited for French tides. I trudged in heavy water waders. My hands built a house with stones older than the country on my passport. The etching of cement on my boots still reminds me what we carried there. We drove along tired volcanoes and craggy cliffs in the dark. I never learned how to drive manual. We flew further south. I dried out in the sun. The glands of Spanish streets pulsated citrus mist into the air, my lungs. I never did remember the difference between limon and lime. We stayed in a haunted castel but missed Halloween. The upper peninsula, where Napoleon dreamed of a better dinner. We moved to Shangri-La. Even in Eden, people still snore. But there were cakes laced with flowers. And I was over the moon. Then, a dreamscape. The closest to the Arctic I’ve ever been. We ate deer for dinner. I baked Danish pies. I slept supine in a smoke-filled yurt. It was all peace. It was all over.
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Jan 26, 2015
Jan 26, 2015 at 3:49 PM UTC
I Happened Here (Europe 2014)
*Parody of Langston Hughes's "I, Too, Sing America" I, too, speak “American”. I am the yellow father. They send me to entertain in accents When company comes, But I smile, And learn quick, And grow smart. Tomorrow, I'll preach at the podium When company comes. Nobody'll dare Say to me, "Listen to his accent," Then. Besides, They'll hear how articulate I am And be ashamed-- I, too, speak “American”.
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Apr 6, 2016
Apr 6, 2016 at 11:40 PM UTC
"I, Too, Speak 'American'"
1. People say you can tell a lot about a woman's style by what her nails look like. For my mother, acrylics with baby pink sparkly french-tips. For the blonde sitting at the nail dryer, coral. Something about the color looks strange with her new engagement ring. She talks about how the second time she hung out with her fiancé she asked him to paint her nails. Her mother, who she insists she'll pay for, gets french tips. They look new and fresh in contrast to her tarnished wedding ring. The little girl with skinned knees and bug bites sitting in the chair across from me asks for blue polish on her toe nails. Her mother tells her she should get pink. 2. The act of women getting their nails done reminds me of warriors being armed for a fight. long acrylics, pointed, rounded, squared, all fit for different types of battle. Pointed for the woman who has to walk home alone at night, rounded for the woman in the workplace who must work harder than her male co-workers, and square for the woman at home raising her kids to know that strength and kindness are the same thing. 3. The women who work here speak better English than most high school students. And their accents tell stories that I will never know. An older woman speaks loudly and slowly, she treats them as if they do not understand. She will not speak to anyone but the owner; she wants him to translate what she wants to the salon workers. What she doesn't realize is that she is the only person here who doesn't understand. 4. The little girl's doll is named Tessa. She tells me that she likes my hair and shoes, even though she has been told not to talk to strangers twice in the last hour she has been here. She asked her mother for change, we all assume it's for the gumball machine in the corner. She puts all of it in the charity jar. I hope this girl never changes. 5. Having bare nails in a nail salon feels the same as being naked in public. 6. I feel terrible for laughing at the women trying to walk in those little salon flip-flops. Some look like ducks, others look like trained Barbies; marching newly polished, ready for the world to chip away their coating over, and over, and over again.
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Feb 4, 2017
Feb 4, 2017 at 5:04 PM UTC
Thoughts and observations from waiting for my mother at the nail salon.
1. People say you can tell a lot about a woman's style by what her nails look like. For my mother, acrylics with baby pink sparkly french-tips. For the blonde sitting at the nail dryer, coral. Something about the color looks strange with her new engagement ring. She talks about how the second time she hung out with her fiancé she asked him to paint her nails. Her mother, who she insists she'll pay for, gets french tips. They look new and fresh in contrast to her tarnished wedding ring. The little girl with skinned knees and bug bites sitting in the chair across from me asks for blue polish on her toe nails. Her mother tells her she should get pink. 2. The act of women getting their nails done reminds me of warriors being armed for a fight. long acrylics, pointed, rounded, squared, all fit for different types of battle. Pointed for the woman who has to walk home alone at night, rounded for the woman in the workplace who must work harder than her male co-workers, and square for the woman at home raising her kids to know that strength and kindness are the same thing. 3. The women who work here speak better English than most high school students. And their accents tell stories that I will never know. An older woman speaks loudly and slowly, she treats them as if they do not understand. She will not speak to anyone but the owner; she wants him to translate what she wants to the salon workers. What she doesn't realize is that she is the only person here who doesn't understand. 4. The little girl's doll is named Tessa. She tells me that she likes my hair and shoes, even though she has been told not to talk to strangers twice in the last hour she has been here. She asked her mother for change, we all assume it's for the gumball machine in the corner. She puts all of it in the charity jar. I hope this girl never changes. 5. Having bare nails in a nail salon feels the same as being naked in public. 6. I feel terrible for laughing at the women trying to walk in those little salon flip-flops. Some look like ducks, others look like trained Barbies; marching newly polished, ready for the world to chip away their coating over, and over, and over again.
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I am cab ma, please don’t! Is I, lass, I who brought scald without such pains. I am mumbling coherently a ****** most apparently. Phospholipids leave envelope area soon endoplasmic doom. Opened neutral taste I’m sinking in laughing at something sunken in. What hell overwhelm brings ribosome organelle use geared hither, tell? Seceded certain atoms like Democritus withdrew incursion. Truncated heavy organelles under tissue systems use cycles. Half polypeptide accents intergenetic nuclear spaces.
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Dec 11, 2014
Dec 11, 2014 at 8:38 PM UTC
Acrostic Haiku