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"acacia" poems
naririnig mo ba? ang bell ni manong na nagtitinda ng ice cream. ang mga huni ng iba't ibang klase ng ibon. ang mga harurot ng mga ikot jeep. naririnig mo ba? ang mga tawanan ng mga magkakaibigan mga kuwentuhan, mga tanong at makabuluhang talakayan. naririnig mo ba? ang mga lapis at bolpen ng mga estudyante na kumakayod sa mga papel: husay sa bawat ukit. naririnig mo ba? ang mga yapak ng mga iba't ibang klase ng Pilipino at talino sa kalyeng binudburan ng mga dahong acacia dangal sa bawat apak at kumpas ng kamay, sa bawat hinga. naririnig mo ba? ang mga salitang mapanlinlang, mapang-alipusta ang mga sigaw sa sakit, hiyaw sa hapdi, dahil sa mga hampas at palo ang mga tama ng mga kamao naririnig mo ba? ang mga iyak ang mga hikbi ng mga kaibigan para sa mga kapatid nilang nasaktan. ang mga hagulgol ng mga magulang na nawalan ng anak: mga puso, mga pamilyang hindi na buo. wasak, nasira na. naririnig mo ba? ang mga boses na nananawagan na "tama na" "utang na loob, itigil niyo na" kasi hanggang kailan pa tutugtog ang ng paulit-ulit-ulit ang sirang plaka ng karahasan na patuloy na naririnig sa panahong ito mula pa sa mga nagdaang dekada? nakakalungkot, hindi, nakakasuklam ang mga mapaminsalang kaganapan na nangyayari sa ating mahal na pamantasan. ang tawag sa atin ay mga iskolar ng bayan, para sa bayan pero paano tayo mabubuhay nang para sa iba kung paminsan hindi nga makita ang pagmamahal at respeto sa atin mismo, mga kapwang magkaeskwela. hahayaan na lang ba natin ang ating mga sarili na magpadala sa indak ng karumaldumal na kanta ng kalupitan? hahayaan na lang ba ang mga isipan na matulog. hahayaan na lang ba ang mga puso na magmanhid. kailan pa? tama na! nabibingi na ang ating mga tenga. nandiri. nagsasawa. oras na para itigil ang pagtugtog ng mga nota. oras na para tapusin ang karahasan. oras na para talunin ang apatya at walang pagkabahala. oras na para sa hustisya. oras na para sa ating lahat, estudyante man o hindi, may organisasyon man o wala na tumayo, makilahok at umaksyon para pahilumin ang sakit, para itama ang mali. oras na para sindihan ang liwanag dito sa diliman. oras na para mabuhay ang pag-asa ng bayan.
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Jul 5, 2015
Jul 5, 2015 at 7:47 AM UTC
naririnig mo ba?
naririnig mo ba? ang bell ni manong na nagtitinda ng ice cream. ang mga huni ng iba't ibang klase ng ibon. ang mga harurot ng mga ikot jeep. naririnig mo ba? ang mga tawanan ng mga magkakaibigan mga kuwentuhan, mga tanong at makabuluhang talakayan. naririnig mo ba? ang mga lapis at bolpen ng mga estudyante na kumakayod sa mga papel: husay sa bawat ukit. naririnig mo ba? ang mga yapak ng mga iba't ibang klase ng Pilipino at talino sa kalyeng binudburan ng mga dahong acacia dangal sa bawat apak at kumpas ng kamay, sa bawat hinga. naririnig mo ba? ang mga salitang mapanlinlang, mapang-alipusta ang mga sigaw sa sakit, hiyaw sa hapdi, dahil sa mga hampas at palo ang mga tama ng mga kamao naririnig mo ba? ang mga iyak ang mga hikbi ng mga kaibigan para sa mga kapatid nilang nasaktan. ang mga hagulgol ng mga magulang na nawalan ng anak: mga puso, mga pamilyang hindi na buo. wasak, nasira na. naririnig mo ba? ang mga boses na nananawagan na "tama na" "utang na loob, itigil niyo na" kasi hanggang kailan pa tutugtog ang ng paulit-ulit-ulit ang sirang plaka ng karahasan na patuloy na naririnig sa panahong ito mula pa sa mga nagdaang dekada? nakakalungkot, hindi, nakakasuklam ang mga mapaminsalang kaganapan na nangyayari sa ating mahal na pamantasan. ang tawag sa atin ay mga iskolar ng bayan, para sa bayan pero paano tayo mabubuhay nang para sa iba kung paminsan hindi nga makita ang pagmamahal at respeto sa atin mismo, mga kapwang magkaeskwela. hahayaan na lang ba natin ang ating mga sarili na magpadala sa indak ng karumaldumal na kanta ng kalupitan? hahayaan na lang ba ang mga isipan na matulog. hahayaan na lang ba ang mga puso na magmanhid. kailan pa? tama na! nabibingi na ang ating mga tenga. nandiri. nagsasawa. oras na para itigil ang pagtugtog ng mga nota. oras na para tapusin ang karahasan. oras na para talunin ang apatya at walang pagkabahala. oras na para sa hustisya. oras na para sa ating lahat, estudyante man o hindi, may organisasyon man o wala na tumayo, makilahok at umaksyon para pahilumin ang sakit, para itama ang mali. oras na para sindihan ang liwanag dito sa diliman. oras na para mabuhay ang pag-asa ng bayan.
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75
Blue Monday BY DIANE WAKOSKI Blue of the heaps of beads poured into her breasts and clacking together in her elbows; blue of the silk that covers lily-town at night; blue of her teeth that bite cold toast and shatter on the streets; blue of the dyed flower petals with gold stamens hanging like tongues over the fence of her dress at the opera/opals clasped under her lips and the moon breaking over her head a gush of blood-red lizards. Blue Monday. Monday at 3:00 and Monday at 5. Monday at 7:30 and Monday at 10:00. Monday passed under the rippling California fountain. Monday alone a shark in the cold blue waters. You are dead: wound round like a paisley shawl. I cannot shake you out of the sheets. Your name is still wedged in every corner of the sofa. Monday is the first of the week, and I think of you all week. I beg Monday not to come so that I will not think of you all week. You paint my body blue. On the balcony in the softy muddy night, you paint me with bat wings and the crystal the crystal the crystal the crystal in your arm cuts away the night, folds back ebony whale skin and my face, the blue of new rifles, and my neck, the blue of Egypt, and my ******* the blue of sand, and my arms, bass-blue, and my stomach, arsenic; there is electricity dripping from me like cream; there is love dripping from me I cannot use—like acacia or jacaranda—fallen blue and gold flowers, crushed into the street. Love passed me in a blue business suit and fedora. His glass cane, hollow and filled with sharks and whales ... He wore black patent leather shoes and had a mustache. His hair was so black it was almost blue. “Love,” I said. “I beg your pardon,” he said. “Mr. Love,” I said. “I beg your pardon,” he said. So I saw there was no use bothering him on the street Love passed me on the street in a blue business suit. He was a banker I could tell. So blue trains rush by in my sleep. Blue herons fly overhead. Blue paint cracks in my arteries and sends titanium floating into my bones. Blue liquid pours down my poisoned throat and blue veins rip open my breast. Blue daggers tip and are juggled on my palms. Blue death lives in my fingernails. If I could sing one last song with water bubbling through my lips I would sing with my throat torn open, the blue jugular spouting that black shadow pulse, and on my lips I would balance volcanic rock emptied out of my veins. At last my children strained out of my body. At last my blood solidified and tumbling into the ocean. It is blue. It is blue. It is blue.
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Apr 13, 2015
Apr 13, 2015 at 7:31 AM UTC
Diane Wakowski
Blue Monday BY DIANE WAKOSKI Blue of the heaps of beads poured into her breasts and clacking together in her elbows; blue of the silk that covers lily-town at night; blue of her teeth that bite cold toast and shatter on the streets; blue of the dyed flower petals with gold stamens hanging like tongues over the fence of her dress at the opera/opals clasped under her lips and the moon breaking over her head a gush of blood-red lizards. Blue Monday. Monday at 3:00 and Monday at 5. Monday at 7:30 and Monday at 10:00. Monday passed under the rippling California fountain. Monday alone a shark in the cold blue waters. You are dead: wound round like a paisley shawl. I cannot shake you out of the sheets. Your name is still wedged in every corner of the sofa. Monday is the first of the week, and I think of you all week. I beg Monday not to come so that I will not think of you all week. You paint my body blue. On the balcony in the softy muddy night, you paint me with bat wings and the crystal the crystal the crystal the crystal in your arm cuts away the night, folds back ebony whale skin and my face, the blue of new rifles, and my neck, the blue of Egypt, and my ******* the blue of sand, and my arms, bass-blue, and my stomach, arsenic; there is electricity dripping from me like cream; there is love dripping from me I cannot use—like acacia or jacaranda—fallen blue and gold flowers, crushed into the street. Love passed me in a blue business suit and fedora. His glass cane, hollow and filled with sharks and whales ... He wore black patent leather shoes and had a mustache. His hair was so black it was almost blue. “Love,” I said. “I beg your pardon,” he said. “Mr. Love,” I said. “I beg your pardon,” he said. So I saw there was no use bothering him on the street Love passed me on the street in a blue business suit. He was a banker I could tell. So blue trains rush by in my sleep. Blue herons fly overhead. Blue paint cracks in my arteries and sends titanium floating into my bones. Blue liquid pours down my poisoned throat and blue veins rip open my breast. Blue daggers tip and are juggled on my palms. Blue death lives in my fingernails. If I could sing one last song with water bubbling through my lips I would sing with my throat torn open, the blue jugular spouting that black shadow pulse, and on my lips I would balance volcanic rock emptied out of my veins. At last my children strained out of my body. At last my blood solidified and tumbling into the ocean. It is blue. It is blue. It is blue.
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82
i could be that girl whose voice is low and melodic and coats your mouth with acacia honey whose eyes are the color and depth of midnight whose presence is thick like new york summers rosy like los angeles in early spring if i braid flowers into my hair if i write enough poems if i learn to show the skin of my essence but remain an abyss— i will stop making art when i become it
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Sep 17, 2018
Sep 17, 2018 at 9:39 PM UTC
brooklyn baby
Bukas Samahan mo ako Pagsapit ng takip-silim, Kung saan nag-aagawan ang liwanag at dilim At ang langit na bughaw ay magliliyab ng pula Tapos kukupas sa mga bituin. Samahan mo ako Sa tabi ng kalsada Kaharap ng mga naglalarong bata Sa ilalim ng mga nagbubulaklak na punong acacia At lasapin natin ang malamig na hangin Na humahaplos sa atin ng kay lambing. Halika, Balik tanawin nating ang nakaraan At mangarap ng mas malaki pa Para sa kinabukasan. Wala nang lihim na itatago, Walang kahinaan na ikakahiya. *Ikaw ay ngingiti. Ako ay tatawa.* Bukas.
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Jan 29, 2014
Jan 29, 2014 at 10:38 PM UTC
Bukas.
Alone into Rainy, twist a Dai clove, pattering rain, wind lingering foot Yuhuan, lengthy dark gray rain curtain hung plaintive, oblique rain splashes dusty track marks, those rainy season, those day's dependent, those nostalgic every night in this late spring rain, scraping completed my cold lonely, rain turned into a long and narrow alley Resentment, thwarted flows into atria, cool diffuse through the apex. Do not turn around in your mind of the day, I count, chatter thoughts of you, and for your Ai resentment, Acacia entanglement, filled Chu pain, no know what to say, but unfortunately does not help, once the owner of the rain falling, once clouds drifting sea oath, I never touched your warmth, sigh Lane is a rain: Wife - Why shallow edge. (yiwu export) Came alone intersection, waving a monotonous right hand, held in our left vague shadow, the breakdown of the raindrops bounce dust, Red rain, your shadows, swaying like a willow in the rain erratic, like a hard rain exhibition wings flutter Ling heavy, like rain, pedestrians hurry hurry ...... once Pengguo footprints Bingqing appearance of your hands, had led a faint in the rain blessings Juyi Peng broken tile rain dream, comfort our goodbyes, we pay homage to the past. Acacia is the way the dust, whisk Yang is confusion of resentment, lost pain. This year's rainy season to refresh my mind, I view Acacia dream dreams, the pain, resentment cut into the rain, stuck into the soil; tears into the hands of deep stone, sank; to have a bunch of rendering painful injury worry text buried in the memory, so that resentment heart of the sea to swim, let the pain out of the bone marrow, dusty track once marks, wound treatment desolate, firmly stand in Kuwata, enterprises no longer envy sea water. (yiwu export agent) Let love and hate, love and hatred, grace and resentment, thinking and pain in the rainy season falling, drifting in the rainy season. I left alone a pool of water, the flow of soulful call. (Yiwu buying agent)
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Aug 15, 2013
Aug 15, 2013 at 5:03 AM UTC
The call from the rainy season
Alone into Rainy, twist a Dai clove, pattering rain, wind lingering foot Yuhuan, lengthy dark gray rain curtain hung plaintive, oblique rain splashes dusty track marks, those rainy season, those day's dependent, those nostalgic every night in this late spring rain, scraping completed my cold lonely, rain turned into a long and narrow alley Resentment, thwarted flows into atria, cool diffuse through the apex. Do not turn around in your mind of the day, I count, chatter thoughts of you, and for your Ai resentment, Acacia entanglement, filled Chu pain, no know what to say, but unfortunately does not help, once the owner of the rain falling, once clouds drifting sea oath, I never touched your warmth, sigh Lane is a rain: Wife - Why shallow edge. (yiwu export) Came alone intersection, waving a monotonous right hand, held in our left vague shadow, the breakdown of the raindrops bounce dust, Red rain, your shadows, swaying like a willow in the rain erratic, like a hard rain exhibition wings flutter Ling heavy, like rain, pedestrians hurry hurry ...... once Pengguo footprints Bingqing appearance of your hands, had led a faint in the rain blessings Juyi Peng broken tile rain dream, comfort our goodbyes, we pay homage to the past. Acacia is the way the dust, whisk Yang is confusion of resentment, lost pain. This year's rainy season to refresh my mind, I view Acacia dream dreams, the pain, resentment cut into the rain, stuck into the soil; tears into the hands of deep stone, sank; to have a bunch of rendering painful injury worry text buried in the memory, so that resentment heart of the sea to swim, let the pain out of the bone marrow, dusty track once marks, wound treatment desolate, firmly stand in Kuwata, enterprises no longer envy sea water. (yiwu export agent) Let love and hate, love and hatred, grace and resentment, thinking and pain in the rainy season falling, drifting in the rainy season. I left alone a pool of water, the flow of soulful call. (Yiwu buying agent)
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4
In my Thirty-Fifth Year I juiced this Remark The Crisque-Plaque Hotel named after a Tree Sturdy, of Signage enhance the Grade's Bark Wishing all else their Best Service was Free If not the Years to Good Degree advance: Fruits, Pasta, Meat, Veggies and Japanese Mix the fricasee to match that of France And serve it on a Platter, if you please Only if the Staff were shy; But informed How noted the needs of their Clients were One Gesture made, took the Meaning lost cause Pour some polished Suggestions done on here. Thirty-Five Candles blown, all without Flame It was still my Best Day; All just the same.
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Mar 8, 2013
Mar 8, 2013 at 1:09 AM UTC
THE ACACIA HOTEL
what do i have to say to keep the zebra stripes from falling off and leaving only white? what do i have to do to keep the herd of restless rhino from stampeding you? what do i have to be to get the giraffe to come and eat from our acacia tree? peace is less than me and more than you but we are almost free
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Jul 16, 2013
Jul 16, 2013 at 1:37 PM UTC
elephant grass
Love, camaraderie and poetry You always did love it here. HOW DO YOU save a poem as a DRAFT on here anymore? Help! I've been gone for a year and the save as draft button is gone? Acacia tree sunsets over Lake Turkana Yes, you always did love it here Drawing Crocodiles on my wheel The mouse in your hoodie The hurt the homeless and all those people you always did love it here.
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Mar 3, 2015
Mar 3, 2015 at 1:26 PM UTC
Leave me Paralyzed, Love DRAFT
acacia "i know that, i know that what's mine will find me" (1) <> sigh... (forgive my intrusion) not necessarily- for too many, we have to invent, create and forever to be on the lookout for to find what we need, forgive and then, not begrudge the time it may take, finally then to make it ours, for that's when the work begins, sometimes it takes a forever to know how to define, create find, a forevermore <nml> exactly 5:00am Wed Sep 10 in the dark, dark sunroom
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Sep 10, 2025
Sep 10, 2025 at 4:05 PM UTC
For Acacia: For when the work begins
Around me architectural mastery: sycamores, embankments, enduring ionic pillars. I round a walkway bordered by trees, enamel thawing, gliding off their low leaves. Beneath the late-May’s pounding sun, through the glittered trees’ reaches, a gazebo crackles into sight. Children in their prime, sunbathers, a wistful portraitist encircle it carelessly: a leisured chimney; the billows of life. The foliage escapes into the river, purplish, palpitating, cyclic creases receive the dewy notes. Kayaks licking acacia-gum-edged ripples sputter and slip through reverberations of leveled white-water terraces. Blackcurrants in clotted cream slide on the plush lips of a young passerby. The 8 above a doorway dances motionless, silent in my periphery; “Nicolas Cage just sold the spot” pops from unknown lungs inside the Circus crowd. Unacknowledged, half-proud hands built the Roman baths alone, closed-in by such grace, forgotten, then as now. I wander these ancestral lanes more or less alone, the same.
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Jul 4, 2012
Jul 4, 2012 at 7:55 AM UTC
Lines Written in Bath, Somerset
atop that golden haystack mounted on an unwieldy bullock cart you wished we had...... a regret of a million lifetimes! every time your plucky smile flashes in the sacred space between brows, i see a wish fulfilling acacia tree nymphalid butterflies flutter in my gut and rapid clips of lifetimes past neatly edited, projected as movie trailers your deathlike silence has quietly become my universe, as i pen in moon-like solitude memoirs of an unrequited love © 2019
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Aug 3, 2019
Aug 3, 2019 at 11:14 AM UTC
memoirs of an unrequited love
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune; Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, 'There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play.' Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, 'The brief night goes In babble and revel and wine. O young lord-lover, what sighs are those For one that will never be thine? But mine, but mine,' so I sware to the rose, 'For ever and ever, mine.' And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewel-print of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls. To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, she is near;' And the white rose weeps, 'She is late;' The larkspur listens, 'I hear, I hear;' And the lily whispers, 'I wait.' She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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3.2k
Maud
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune; Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, 'There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play.' Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, 'The brief night goes In babble and revel and wine. O young lord-lover, what sighs are those For one that will never be thine? But mine, but mine,' so I sware to the rose, 'For ever and ever, mine.' And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewel-print of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls. To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, she is near;' And the white rose weeps, 'She is late;' The larkspur listens, 'I hear, I hear;' And the lily whispers, 'I wait.' She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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74
veiled behind the barbs of acacia the river bathes in the lazy sun she's a thousand years or more but knocks my heart's door like a flirtatious teen *come deflower me bare me in your poetry wear me on your skin* soon she would be lost to the sky leaving on the banks echoes of her lust i pause for a piece of her before my dream turns to dust!
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Jun 4, 2015
Jun 4, 2015 at 1:00 AM UTC
Piyali
1976: black boy, black boy, we shot you -- nothing left in your small, shiny black shoes; your tidy school uniform 2013: white boy, white boy, we will not shoot you -- nothing right in your big, broken black shoes; your untidy school-form -- instead, we will not teach you white boy, we will not teach you: English is for black schools -- Madiba, Madiba: the jacarandas of Pretoria are dying; the mimosas in the bushveld have taken the Acacia tree's name and beneath the soil, the roots of South Africa are still growing, exactly the same?
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Dec 8, 2013
Dec 8, 2013 at 3:26 PM UTC
Madiba, Madiba
A BIRTH Twelve hours in velvet dark I waited for your shaft to penetrate my channel of desire birthing purity and long lashes You came without a doubt Acacia branches making curtains their feet digging deep for the numinosity of life Wisdom of Time feeding a *********** into pink moistness Deeply hidden thorns created a serpent circle of protection Descent spiralled into eardrums eyeballs, silently swirling light dividing with space, minerals unfolding with Earth’s rhythm Her sister shed joyful tears for her soft arched feet whilst ***** petals fell for dainty fingers curling As missionary I buried a sticky cord beneath Acacia Understood the elixir of truth and your departure into shadows ©GhairoDanielsPoetry1997
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Sep 14, 2025
Sep 14, 2025 at 4:55 AM UTC
A Birth
"There where that ray touches the plain And the shadows escape as if they really ran, Warsaw stands, open from all sides, A city not very old but quite famous. "Farther, where strings of rain hang from a little cloud, Under the hills with an acacia grove Is Prague. Above it, a marvelous castle Shored against a slope in accordance with old rules. "What divides this land with white foam Is the Alps. The black means fir forests. Beyond them, bathing in the yellow sun Italy lies, like a deep-blue dish. "Among the many fine cities that are there You will recogni2e Rome, Christendom's capital, By those round roofs on the church Called the Basilica of Saint Peter. "And there, to the north, beyond a bay, Where a level bluish mist moves in waves, Paris tries to keep pace with its tower And reins in its herd of bridges. "Also other cities accompany Paris, They are adorned with glass, arrayed in iron, But for today that would be too much, I'll tell the rest another time
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2.4k
Father Explains
On the African savannah, The mission brief had been simple. Go in and find a Warthog. The Americans had gone in and nuked the place, Then claimed there had been none to begin with. The Israelis against strong, Local advice, Had sent in Mossad, Undercover. -why go in, looking like food, the lions had a field day- The Africans, however, Had not reported by nightfall, So at daybreak a search party was launched. They found three Kenyans surrounding a giraffe, Spread-eagled securely to an Acacia tree. The Sergeant-at-arms was taking notes, Whilst his Officers flogged, The poor thing screaming, “Confess you’re a Warthog, confess!”
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Jul 24, 2012
Jul 24, 2012 at 2:42 AM UTC
The thing with torture
In a place where trees caress heaven's cheeks where winds whisper wistfully,            sharing their secrets to those who care to listen... In a place where sun and moon meet, however fleeting, where death and birth collide,             giving way to the cycle of life There is She. the Diwata enchanting ebony tresses amidst fairest skin unspeakable beauty manifested with a voice that could melt the sun guardian spirit of nature There she resides quietly in the trees, ~the Narra, the Acacia, the Balete a blessing for those who care for nature yet wrath and curse await those who abuse it You may hear her song echo in the breeze, her sweet breath to cool the rivers, her teardrops mingling with the dew... Next time you take a nature's walk, stop, listen and just feel--- close your eyes and when you get that tell-tale chill through your bones, through your soul, know that she is there, watching your every move--- the Diwata
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Sep 27, 2011
Sep 27, 2011 at 2:48 PM UTC
Diwata
My own dear love, he is strong and bold And he cares not what comes after. His words ring sweet as a chime of gold, And his eyes are lit with laughter. He is jubilant as a flag unfurled-- Oh, a girl, she'd not forget him. My own true love, he is all my world,-- And I wish I'd never met him. My love, he's mad, and my love, he's fleet, And a wild young wood-thing bore him! The ways are fair to his roaming feet, And the skies are sunlit for him. As sharply sweet to my heart he seems As the fragrance of acacia. My own dear love, he is all my dreams-- And I wish he were in Asia. My love runs by like a day in June, And he makes no friends of sorrows. He'll tread his galloping rigadoon In the pathway of the morrows. He'll live his days where the sunbeams start, Nor could storm or wind uproot him. My own dear love, he is all my heart-- And I wish somebody'd shoot him.
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2k
Love Song
Quaint Acacia tree forest: ****** unblemished as it was when my grandparents first met here- mountain school. The chapel beside the administration office is locked. But just as holy are the dark coal mountain rocks that sweetly fell from God's hands before Jesus set his feet here. He didn't. This place is lovely nonetheless.
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Jul 7, 2015
Jul 7, 2015 at 1:44 PM UTC
St. Joseph's College.
The golden tinge of sun pierced the cloud But the mangrove held onto its dark cloak She hid somewhere between the light and shadow When from one irresistible daze I awoke. Unbeknownst flamed up the rocks salt white Dry since the waves receded beyond the ******* A cold loneliness crept up in the spell broken light As if eons had passed without the sight of her. Then one seagull’s spriteful fish dream shriek Motioned me up from the vacuous stupor Buzzed each sand grain all years’ unborn speak Was to be seized this moment and tell her. The wind having carried the voice of her name Spread it across the mangrove and far From the receding waves rose a rising flame When in her hug beneath an acacia I found her.
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Mar 24, 2014
Mar 24, 2014 at 3:21 AM UTC
Beneath An Acacia
when i last met her her ******* were bursting with seeds her thighs plump as stems of plantain and when in the December sun she dried her hair behind the acacia i dreamed of lying with her on the grass drunk in the moaning song from her navel till the evening drove us cold and old and darkness stole her flesh from my eyes and it's almost December again as she walks with my hands in her along the field after crop just tugging my hand once to stop delicately drawing from her breast an Agfa snap of two unreal people in the most unlikely place looking awestruck into the lens passing into the evening light before leaving me halfway of her cottage and a home.
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Nov 29, 2016
Nov 29, 2016 at 5:54 AM UTC
Evening Light
FIVE-AND-TWENTY years have gone Since old William pollexfen Laid his strong bones down in death By his wife Elizabeth In the grey stone tomb he made. And after twenty years they laid In that tomb by him and her His son George, the astrologer; And Masons drove from miles away To scatter the Acacia spray Upon a melancholy man Who had ended where his breath began. Many a son and daughter lies Far from the customary skies, The Mall and Eades's grammar school, In London or in Liverpool; But where is laid the sailor John That so many lands had known, Quiet lands or unquiet seas Where the Indians trade or Japanese? He never found his rest ashore, Moping for one voyage more. Where have they laid the sailor John? And yesterday the youngest son, A humorous, unambitious man, Was buried near the astrologer, Yesterday in the tenth year Since he who had been contented long. A nobody in a great throng, Decided he would journey home, Now that his fiftieth year had come, And "Mr. Alfred' be again Upon the lips of common men Who carried in their memory His childhood and his family. At all these death-beds women heard A visionary white sea-bird Lamenting that a man should die; And with that cry I have raised my cry.
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1.7k
In Memory Of Alfred Pollexfen
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, "There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, "The brief night goes In babble and revel and wine. O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine." And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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1.6k
Come Into The Garden, Maud
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, "There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, "The brief night goes In babble and revel and wine. O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine." And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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You blasted into this world running free to be yourself. You needed no sanctuary to hide away from this strange world. Please, remember tomorrow for we will all be sad, because you're no longer with us. You've traveled to another life. You were like a prodigal son, but not one of the drifters. Not another *children of the ****** invaders to this realm. Yet life wasn't easy, it trapped you in an iron maiden, thus you became the prisoner by the number of the beast. Now you're gone, but it wasn't the killers who took you. No murders in the rue Morgue put you in your own purgatory. Don't think of this as an innocent exile or a total eclipse. 22 Acacia avenue awaits for his favorite client. No need to run to the hills. There is no twilight zone. You lived by your true self so hallowed be thy name.
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Mar 13, 2013
Mar 13, 2013 at 2:29 PM UTC
Clive Burr.