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#van
I often lose myself in doodles, sketches, and drawings... Trying to replicate great works but more often originals of my own creation. But when I do try to replicate a work from lets say Monet or Van Gogh its because a piece stood out to me and the image lingers in the back of my mind like a shadow cast by a single lit candle in room as vast as the universe itself... https://postimg.cc/kBGGjwPr <---- What I've done so far compared to the original found in the Norton Simon Museum in Pasadena California... I believe whole heartedly that the eyes in this painting belong not to the peasant but to Van Gogh himself... Either intentionally or not the piercing stare will forever be burned in my mind.
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Apr 18
Apr 18, 2026 at 4:52 PM UTC
Portrait of a Peasant (Patience Escalier) August 1888
*And whatever happened To Tuesday and so slow*? Van Morrison’67 ~~~ in the young days and nights of a youthful summer, Van’s Brown EyedGirl played endless on the transistor radio the dry heat was endless just as well, and the slow was just the way the time was counted, when it was counted, which wasn’t too often was 17 years of age with no cares, worries did not exist, ‘cept when I dreamed and conspired inside how I was gonna get that blue eyed blonde devil temptress to kiss me before the new school year commenced at the quarry where we all went swimming, the music asking questions, that nobody knew how to answer, whatever happened to Tuesday, and so slow, so slow, we never knew what the name of the day was, no reason to check the farm implements & hardware store calendar, or to X off any day special, for there was no such thing No, never got to kiss her, left the so slow, me and a buddy. took a rebuilt junker and set out for Cali, where the girls, where the beautiful girls, just surfed and smiled, and the nighttime beach parties went on till the when the last person left so quiet not sure how, ended up, in Seattle & Oregon, where met I my brown eyed girl whose car was over heating, steaming on a coastal highway, on a Tuesday, and it was no longer slow, it was treasured fast and a whirlwind blast, and that was 2025 - 1968, so 57 eons, nowadays, know what the name of every day is, where I’ll be and for how long, but truth be told, in my happy moments if you asked, could not tell the day, the time, when the brown eyed girl and I smile into each other’s eyes, and so slow is the sweetness of our lives,
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Dec 13, 2025
Dec 13, 2025 at 1:26 PM UTC
Summer ‘67: And whatever happened To Tuesday and so slow?
*And whatever happened To Tuesday and so slow*? Van Morrison’67 ~~~ in the young days and nights of a youthful summer, Van’s Brown EyedGirl played endless on the transistor radio the dry heat was endless just as well, and the slow was just the way the time was counted, when it was counted, which wasn’t too often was 17 years of age with no cares, worries did not exist, ‘cept when I dreamed and conspired inside how I was gonna get that blue eyed blonde devil temptress to kiss me before the new school year commenced at the quarry where we all went swimming, the music asking questions, that nobody knew how to answer, whatever happened to Tuesday, and so slow, so slow, we never knew what the name of the day was, no reason to check the farm implements & hardware store calendar, or to X off any day special, for there was no such thing No, never got to kiss her, left the so slow, me and a buddy. took a rebuilt junker and set out for Cali, where the girls, where the beautiful girls, just surfed and smiled, and the nighttime beach parties went on till the when the last person left so quiet not sure how, ended up, in Seattle & Oregon, where met I my brown eyed girl whose car was over heating, steaming on a coastal highway, on a Tuesday, and it was no longer slow, it was treasured fast and a whirlwind blast, and that was 2025 - 1968, so 57 eons, nowadays, know what the name of every day is, where I’ll be and for how long, but truth be told, in my happy moments if you asked, could not tell the day, the time, when the brown eyed girl and I smile into each other’s eyes, and so slow is the sweetness of our lives,
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54
“I often think that the night is more alive and more richly colored than the day.” –Vincent Van Gogh I painted Tuesday with stars hoping Van Gogh would woo the iris to rise from their winter melancholy. ~ ~ ~ What is a day without stars or night without sun? Beyond the horizon Van Gogh’s brush paints sunflowers on the cheeks of the moon. ~ ~ ~ The sky fell in starlight strokes of Van Gogh. Like a child chasing butterflies I collected wishes on the tip of my brush to paint joy in my valley of sorrow.
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Aug 18, 2025
Aug 18, 2025 at 3:41 PM UTC
Brushstrokes of Van Gogh
On a velvet night, so silent and heavy that the breath of life itself seemed an intrusion, Vincent smiled and bid the world goodbye, he closed his eyes and left to join the landscape of his paintings
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Jun 25, 2025
Jun 25, 2025 at 11:28 AM UTC
Vincent
The tension in the lounge this morning was so tense you could cut it with a knife and send it off to war. Big Sid the male nurse tried to ease the tension with humour, but it didn't work. Bradley obnoxious **** said something to Bridget which brought her Gaelic and foul language into the locked ward. I sat watching them and lit a cigarette. The nurses gave Alun a piece of paper and a selection of crayons. He showed me his interpretation of the Mona Lisa: a round faced girl with curtain styled red hair and a smile like a slice of melon. Vincent sitting beside me in the lounge wasn't impressed, but Alun couldn't seem Van Gogh, so it didn't matter. After dinner of overcooked pork and potatoes and vegetables, I had to go and see the shrink. An half hour of one way talk with a new prescription of medication and my moody silence. After teatime of boring sandwiches and sawdust cake, I sat in the lounge watching the braincell destroying TV until bedtime. Life is becoming an unraveling piece of crime.
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May 30, 2025
May 30, 2025 at 11:47 AM UTC
Cynara's Note #42 1972
In a town where gulls call over foam kissed stone, Where sea salt grief clings to wood and bone, Stood a hotel twenty three rooms small A place where secrets crawled the walls. It’s wallpaper was floral and faded red, While whispers rose up from the unmade bed. The year was nineteen forty seven And she’d never know he was on his way with a vengeance He wore a hat pulled low to hide Eyes like storms, deep and wide. Her name was still a song he wept A curse he caressed a prayer half said His love had been a ship at war Cannons blazing towards the shore, But her leaving? That was the gale A wind so cruel it split his sail. Hatred now was fuel to flame, Drinking down whiskey And forgetting his shame. He climbed the stairs with measured tread Knowing the ninth room housed her lover’s bed. Opening the door was like splitting a scar Inside lingered her perfume, the sounds of light jazz, the scent of cigars. “Don’t” she cried out, but he did not hear. The sound of revenge pounding in his ears He pulled the steel from a coat lined dark A love burned hand, a flint struck spark. One shot - like thunder cracked in two, She fell like a wave the sea once knew The floorboards wept where she now slept Where evil came to lay her to rest. He left her there eyes full of dread Hate on his lips and blood on the bed. A man who loved like storms love the coasts Broken down by revenge is now haunted by her ghost.
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May 23, 2025
May 23, 2025 at 11:59 AM UTC
Revenge
Starry night Even the stars still dream Of Irises Sunflowers and van gogh Reynaldo Casison
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Mar 11, 2025
Mar 11, 2025 at 11:10 PM UTC
Starry night
somewhere in the distance, I see myself in the light what's in the dark, is whether I'm still alive when illuminated.
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May 15, 2024
May 15, 2024 at 1:37 PM UTC
the van gogh tragedy
Oh Vincent whatever did you do ripening fields of summer corn and sunflowers of a brilliant hue a shade no other eyes could see except for God and you
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Feb 29, 2024
Feb 29, 2024 at 1:07 PM UTC
Sunflowers
i hear your waltz, dear bird. the soliloquy, the melodies that pull at the strings holding what’s left of my heart evermore. i listen, to the shuffle of your ruffled feathers, your light feet dance to the creak of hardwood. a sonical prison. as this intrepid cell guard is fueled by my schizophrenia, and van gogh like delusions. none of grandeur. so here are my ears, one sliced from reality, the other searching for its vibrations. each majestic, and just as much consequentially miserable, piano strike marks a new set of steps for you. and although i no longer feel, nor see, i still hear exactly how you carry yourself. and from that i draw insane conclusions. from there, upon just listening, i can imagine what your ****** expressions are like, and from your laugh as you dwindle around this penitentiary like a loose branch amongst gusts of wind i can tell you’re free. free to fly. free to feast. free to find a new mate. free to watch the world burn from a bird's eye view. just as we used to do. free at last, most importantly from us, more specifically from me. and although i no longer feel, nor see. i still hear exactly how happy you are. and that isn’t the most heart shattering aspect of our ordeal, or should i say, my ordeal, to live with, alone. because the part that really allows me to carefully and diligently pluck single strands of hair from my head as if i could somehow string out the memory of you out from my infinite depths, is the fact that i can hear, clear as day, another bird’s chirp, another bird’s laugh, another set of feet, on this waltz you’re on. and when i say heart shattering, i hope you hear it break, as the sounds of it reverbs across this room’s vast loneliness. oh, where are my van gohg like delusions now? i’ll continue my search, since now i fully know that you’re just gone. with the wind. fly, my dear. and leave me, here. to die amongst your waltz. -melancholicreator
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Feb 22, 2024
Feb 22, 2024 at 7:26 PM UTC
a bird's waltz
i hear your waltz, dear bird. the soliloquy, the melodies that pull at the strings holding what’s left of my heart evermore. i listen, to the shuffle of your ruffled feathers, your light feet dance to the creak of hardwood. a sonical prison. as this intrepid cell guard is fueled by my schizophrenia, and van gogh like delusions. none of grandeur. so here are my ears, one sliced from reality, the other searching for its vibrations. each majestic, and just as much consequentially miserable, piano strike marks a new set of steps for you. and although i no longer feel, nor see, i still hear exactly how you carry yourself. and from that i draw insane conclusions. from there, upon just listening, i can imagine what your ****** expressions are like, and from your laugh as you dwindle around this penitentiary like a loose branch amongst gusts of wind i can tell you’re free. free to fly. free to feast. free to find a new mate. free to watch the world burn from a bird's eye view. just as we used to do. free at last, most importantly from us, more specifically from me. and although i no longer feel, nor see. i still hear exactly how happy you are. and that isn’t the most heart shattering aspect of our ordeal, or should i say, my ordeal, to live with, alone. because the part that really allows me to carefully and diligently pluck single strands of hair from my head as if i could somehow string out the memory of you out from my infinite depths, is the fact that i can hear, clear as day, another bird’s chirp, another bird’s laugh, another set of feet, on this waltz you’re on. and when i say heart shattering, i hope you hear it break, as the sounds of it reverbs across this room’s vast loneliness. oh, where are my van gohg like delusions now? i’ll continue my search, since now i fully know that you’re just gone. with the wind. fly, my dear. and leave me, here. to die amongst your waltz. -melancholicreator
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51
'Green blue of the sky heated white-hot' Vincent saw, what we could not captured through an artists eye he put aside his pain to give us fields of lavender and glorious scented rain
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Nov 24, 2023
Nov 24, 2023 at 2:35 PM UTC
Artists Eye
“Whatever happened to Tuesday and so slow?” ^ or Absolute Absolution <> the slow Tuesday fragrance fills the nostrils, Van Morrison in my earbuds, reminding that “This Must Be What Paradise Is Like! So quiet in here, so peaceful in here…” Sea salt spray spicy sauces the atmosphere, Many boats, some silent, noisy too, transverse the eyelids, entertainment of the vista, decorating time’s motionless motion So quiet in here, so peaceful in here… the voluble hush, delightfully confuses mes sensories, noisy cacophony orchestral avians, waves, and a human voice, punctuate the music, absolute absolution of mes sensoriels So quiet in here, so peaceful in here… Indeed, it is a Tuesday, and the slow of the surround sound, vanilla spotted with rainbow sprinkling of the noise of life, So quiet in here, so peaceful in here…, so full, so rich, so vast the strands of colored variegated, perpetual motionlless moves me to tears, steals my emotional refuse, I too, So quiet in here, so peaceful in here…inside of me… ~~~~~~~~~~~~~~~—————-~~~~ (1) Lyric from Brown Eyed Girl, Van Morrison
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Nov 6, 2023
Nov 6, 2023 at 3:47 PM UTC
“Whatever happened to Tuesday and so slow?” ^ or Absolute Absolution
She ran a boarding house in Boston, But they used her size to terrorize men And lead them to the lock-holes. Or was she a lady clad in black ruffles, Presented to the Queen in 1844? Perhaps she was a racehorse Foaled in Harlem and won a prize. She had peddled drugs and run a gang In the chaos of Civil War, Black Mariah escaped from the darkness Of Edison’s studio to roam the world, But in it found herself re-imagined. They named police wagons after her It’s said, but no one knows the truth. Did she cross the battle lines again, To tread on civil rights? Or swing the batons in Chicago And fire rifles at Kent State? She seems to take time out to charm Gruff-voiced men who sing her praise. She prowled the streets of Brixton, In 1983, with truncheons at her side. Through gas clouds, dragging men to jail. Black Mariah is with us still, Helping to create tyrants and traitors, To stop the mouths of those who defy She’s an accessory to the killing.
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Jun 30, 2023
Jun 30, 2023 at 7:09 PM UTC
Black Mariah
Jou koffie moer broer said the colloniser of Jan's brew
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Apr 6, 2023
Apr 6, 2023 at 3:39 PM UTC
Racist's review.
my lips feel **** I a bit vile I feel decisive tonight I'm burning down the my oh my Van Gogh's turquoise inside self portrait in the wild: a woman loves to toast to cloudburst I think I might recycle the devil for poetry's sake, tonight it smells of cinnamon, of flemish paintings
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Feb 3, 2023
Feb 3, 2023 at 3:27 PM UTC
for poetry's sake
Oh Vincent if only you had known the world would one day marvel at your sunflowers and those waving fields of grain you left us but they will remain a part of you the beating heart of you the art of you for your success was unforeseen you left us with what might have been
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May 31, 2022
May 31, 2022 at 3:10 AM UTC
Vincent
oscillating back and forth head tilting from leeward and windward an abstract puzzling my imperial gaze a Van Gogh in waiting       perchance a reflection illuminated       in broad mesmerizing strokes       some tantalizing insightfulness       else a superficial escapade do the color menageries stray my mindfulness or hold attention each vivid hue enlightenment to soothe & provide enrichment     is my inspiration desperation     to find meaning in the simpleton     gravitating and debating     between beauty and gargoyles does incredulous creativity scare me or woo me into submissiveness the artist plying servitude into mine cavernous cavities      Alan Scales’ exhibit of      Turquoise Abstract Landscape II      provides fodder for my mind      to exponentially explode Andreas Simic©
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Apr 22, 2022
Apr 22, 2022 at 10:58 PM UTC
Abstract
Science holds keys, doors, Black holes and symmetry. Science is the gatekeeper When it comes to facts and logic. There is no place for science in the Universe of imagination, science Don’t own a paintbrush and could Never be a Picasso or Van Gogh No matter how many starry nights they glaze at.
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Apr 1, 2022
Apr 1, 2022 at 4:08 PM UTC
Forensic Melody
The first thing I see when I pull out the top drawer was the diagnosis. Meds, there you go it pretty much said that. I wondered about all the creative people doing some remarkable things, creating and being alive. Except they all one day killed themselves. Van Gogh stood in the overgrown field before he shot himself. Sylvia Plath knelt down and stuck her head in the oven. Virginia Woolf grazed the smooth peebles, thinking about what she would write about those peebles, Only to shove them in her pockets and drown in the Ouse river. Nearly everyday, I tell myself I want to be a writer, or an artist- Both, actually. That’s all I ever wanted to be, but the fear of spiraling, and becoming them Is deeply disturbing. Yet, I craved for this life, To paint, and create stories with a dash of madness They all did likewise.
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Mar 31, 2021
Mar 31, 2021 at 3:04 PM UTC
[morbid artistry]
***These are the endless days of endlessness These are the days, when time is just present There is a disbelieved past, a future unimaginable Here is the only now, a permanent-present-tensing-participle*** *Faces smiling semi-graciously present, desperately seeking coaxing The winter dark, living room occasional lit by one, mostly TV glow Radiance lives inside only, but well remembered songs cause Cry outs for who, the what, the needed, we’ve forcibly memorized* *Observing winter’s river from kitchen window, it’s colored Dirty-dusk-blue, like my eyes, add overlaying images of sparkles But my magic not powerful, my love can’t see them My bag-o-tricks can’t bring her sunshine, 2020 sorcerer’s gold* *These are the days of endless dancing alone, Longest walk from bed to kitchen, worn the weary wood shiny True romancing still abounds, but so well hid, 99% invisible Even when you ask without asking to be held oh-so-tight* *These are the days, riverside, when slow flowing waters offer No hinting of faraway treasures to be someday discovered The magician vain struggles to find loving tricks to unlock Her loving grace, her water-to-wine breathing demeanor* **These are the days, that forever need remembering, saving No savoring, the absence of joyous everyone, everywhere These are the days of absence+abstinence that lasted forever You've got to hold them in your forever heart, lest we forget**
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Dec 8, 2020
Dec 8, 2020 at 9:14 AM UTC
These Are the Days of Here and Now (After Van Morrison)
His command of color Most magnificent He transformed the pain Of his tormented life Into ecstatic beauty Pain is easy to portray But to use your Passion and pain To portray the ecstasy and joy And magnificence of our world No one had ever done it before Perhaps no one will again
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May 30, 2020
May 30, 2020 at 8:29 PM UTC
Gogh